MODE D'EMPLOI LK-220 CASIO
Appendix • Apéndice • Anhang • Appendice • Appendix • Appendice • Bilaga • Apêndice • 附录 • 附錄 •
音色リスト • Tone List • Lista de sonidos • Klangfarben-Liste • Liste des sonorités • Toonlijst • Elenco dei timbri • Tonlista • Lista de sons • 音色表 • 音色表 • جدول النوتة الموسيقية
① No. • No. • N° • Nr. • No. • Nr. • Num. • Nr. • N° • 编号 • 編號 •
② 音色名 • Tone name • Nombre de sonido • Klangfarben-Name • Nom des sonorités • Toonnaam • Nome del tono • Tonnamn • Nome do som • 音色名 • 音色名 • إسم النغمة
③ プログラムチェンジ • Program Change • Cambio de programa • Klangprogramm-Wechsel • Changement de programme • Programma-verandering • Cambiamento programma • Program-ändring • Mudança de programa • 程序変化 • 程式變化 • تغ Niger_الرzanاج
④ パンクセレクト MSB • Bank Select MSB • MSB de selección de banco • Bankwahl MSB • MSB de sélection de banque • Bankkeuze MSB • MSB di selezione banco • Bankval MSB • MSB de seleção de banco • 库选择 MSB • 庫選擇 MSB • MSB
⑤ 最大同時発音数 • Maximum Polyphony • Polifonía máxima • Max. Polyphonie • Polyphonie maximale • Maximale polyfonie • Polifonia massima • Maximal polyfoni • Polifonia máxima • 最大多重音 • 最大多重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重音 • 最大中最重
⑥ 音域タイプ • Range Type • Tipo de gama • Bereichstyp • Type de registre • Bereiktype • Tipo di gamma • Omfångstyp • Tipo de gama • 音域类型 • 音域類型 • نوع المدى
| 1 | 2 | 3 | 4 | 5 | 6 |
| PIANO |
| 001 | STEREO GRAND PIANO | 0 | 2 | 24 | A |
| 002 | GRAND PIANO | 0 | 1 | 48 | A |
| 003 | BRIGHT PIANO | 1 | 2 | 48 | A |
| 004 | MELLOW PIANO | 0 | 3 | 48 | A |
| 005 | MODERN PIANO | 1 | 3 | 24 | A |
| 006 | DANCE PIANO | 1 | 1 | 48 | A |
| 007 | STRINGS PIANO | 0 | 8 | 24 | A |
| 008 | HONKY-TONK | 3 | 2 | 24 | A |
| 009 | OCTAVE PIANO | 3 | 9 | 24 | A |
| 010 | ELEC.GRAND PIANO | 2 | 2 | 48 | A |
| 011 | MODERN E.G.PIANO | 2 | 3 | 24 | A |
| 012 | HARPSICHORD | 6 | 2 | 48 | A |
| 013 | COUPLED HARPSICHORD | 6 | 8 | 24 | A |
| 014 | HARPSICHORD & STRINGS | 6 | 1 | 24 | A |
| ELECTRIC PIANO |
| 015 | ELEC.PIANO | 4 | 2 | 48 | A |
| 016 | FM ELEC.PIANO | 5 | 5 | 48 | A |
| 017 | 60'S ELEC.PIANO | 4 | 5 | 48 | A |
| 018 | CHORUS EP 1 | 4 | 9 | 24 | A |
| 019 | CHORUS EP 2 | 4 | 6 | 24 | A |
| 020 | MODERN E.PIANO | 5 | 2 | 24 | A |
| 021 | SOFT E.PIANO | 4 | 8 | 48 | A |
| 022 | SYNTH-STR. E.PIANO | 4 | 3 | 24 | A |
| 023 | CLEAN E.PIANO | 4 | 4 | 24 | A |
| 024 | CLAVI 1 | 7 | 2 | 48 | A |
| 025 | SOFT CLAVI | 7 | 1 | 48 | A |
| 026 | CLAVI 2 | 7 | 3 | 48 | A |
| 027 | DETUNE CLAVI | 7 | 8 | 24 | A |
| 028 | SEQUENCE CLAVI | 7 | 9 | 48 | A |
| 2018 | CHROMATIC PERC. |
| 029 | CELESTA 1 | 8 | 2 | 48 | A |
| 030 | GLOCKENSPIEL | 9 | 2 | 48 | B |
| 031 | MUSIC BOX 1 | 10 | 2 | 24 | A |
| 032 | VIBRAPHONE 1 | 11 | 2 | 48 | A |
| 033 | MARIMBA | 12 | 2 | 48 | A |
| 034 | XYLOPHONE | 13 | 2 | 48 | A |
| 035 | CELESTA 2 | 8 | 1 | 24 | A |
| 036 | MUSIC BOX 2 | 10 | 1 | 24 | A |
| 037 | VIBRAPHONE 2 | 11 | 1 | 48 | A |
| 038 | SOFT VIBRAPHONE 1 | 11 | 3 | 24 | A |
| 039 | SOFT VIBRAPHONE 2 | 11 | 4 | 24 | A |
| 040 | SOFT MARIMBA | 12 | 1 | 24 | A |
| 041 | TUBULAR BELL | 14 | 2 | 48 | A |
| 042 | DULCIMER | 15 | 2 | 24 | A |
| ORGAN |
| 043 | DRAWBAR ORGAN 1 | 16 | 2 | 24 | A |
| 044 | DRAWBAR ORGAN 2 | 16 | 1 | 48 | A |
| 045 | CHURCH ORGAN 1 | 19 | 2 | 24 | A |
| 046 | PERC.ORGAN 1 | 17 | 2 | 24 | A |
| 047 | PERC.ORGAN 2 | 17 | 3 | 24 | A |
| 048 | CLICK ORGAN | 18 | 7 | 24 | A |
| 049 | ELEC.ORGAN 1 | 16 | 8 | 24 | A |
| 050 | ELEC.ORGAN 2 | 16 | 4 | 24 | A |
| 051 | JAZZ ORGAN 1 | 17 | 4 | 24 | A |
| 052 | ROCK ORGAN 1 | 18 | 2 | 24 | A |
| 053 | CHAPEL ORGAN | 19 | 8 | 24 | A |
| 054 | REED ORGAN | 20 | 2 | 48 | A |
| 055 | ACCORDION 1 | 21 | 2 | 24 | A |
| 056 | BANDONEON 1 | 23 | 2 | 24 | A |
| 057 | BANDONEON 2 | 23 | 1 | 24 | A |
| 058 | HARMONICA 1 | 22 | 2 | 48 | A |
| 059 | HARMONICA 2 | 22 | 8 | 48 | A |
| 060 | THEATER ORGAN | 19 | 6 | 24 | A |
| 061 | JAZZ ORGAN 2 | 17 | 6 | 24 | A |
| 062 | ROCK ORGAN 2 | 18 | 1 | 24 | A |
| 063 | 8'ORGAN | 17 | 5 | 24 | A |
| 064 | FULL DRAWBAR | 16 | 9 | 24 | A |
| 065 | CHURCH ORGAN 2 | 19 | 3 | 24 | A |
| 066 | ACCORDION 2 | 21 | 3 | 24 | A |
| GUITAR |
| 067 | NYLON STR.GUITAR | 24 | 2 | 48 | C |
| 068 | STEEL STR.GUITAR | 25 | 2 | 48 | C |
| 069 | 12 STR.GUITAR | 25 | 8 | 24 | C |
| 070 | JAZZ GUITAR | 26 | 2 | 48 | C |
| 071 | OCT JAZZ GUITAR | 26 | 8 | 24 | C |
| 072 | CLEAN GUITAR 1 | 27 | 2 | 48 | C |
| 073 | CLEAN GUITAR 2 | 27 | 1 | 24 | C |
| 074 | MUTE GUITAR | 28 | 2 | 48 | C |
| 075 | OVERDRIVE GT | 29 | 2 | 48 | C |
| 076 | DISTORTION GT | 30 | 2 | 24 | C |
| 077 | POWER DIST. GT | 30 | 5 | 24 | C |
| 078 | FEEDBACK GT | 31 | 8 | 24 | C |
| 079 | CHORUS STEEL GT | 25 | 9 | 24 | C |
| 080 | DIST.GT & BASS | 30 | 6 | 24 | C |
| BASS |
| 081 | ACOUSTIC BASS | 32 | 2 | 48 | C |
| 082 | RIDE BASS | 32 | 32 | 24 | C |
| 083 | FINGERED BASS | 33 | 2 | 48 | C |
| 084 | PICKED BASS | 34 | 2 | 48 | C |
| 085 | FRETLESS BASS | 35 | 2 | 48 | C |
| 086 | SLAP BASS | 37 | 2 | 48 | C |
| 087 | SAW SYNTH-BASS | 38 | 2 | 24 | C |
| 088 | SQUARE SYNTH-BASS | 39 | 2 | 48 | C |
| 089 | DIGI ROCK BASS | 39 | 1 | 24 | C |
| 090 | TRANCE BASS | 38 | 4 | 48 | C |
| 091 | BASS & KICK | 39 | 3 | 24 | C |
| 092 | SINE BASS | 39 | 6 | 48 | C |
| STR/ORCHESTRA |
| 093 | VIOLIN | 40 | 2 | 48 | A |
| 094 | SLOW VIOLIN | 40 | 8 | 48 | A |
| 095 | VIOLA | 41 | 2 | 24 | A |
| 096 | CELLO | 42 | 2 | 24 | C |
| 097 | CONTRABASS | 43 | 2 | 48 | C |
| 098 | PIZZICATO STRINGS | 45 | 2 | 48 | A |
| 099 | HARP 1 | 46 | 2 | 48 | A |
| 100 | SLOW CELLO | 42 | 1 | 24 | C |
| 101 | VIOLIN & CELLO | 40 | 3 | 24 | A |
| 102 | CELLO SECTION | 42 | 4 | 24 | C |
| 103 | CHORUS HARP | 46 | 8 | 24 | A |
| 1 | 2 | 3 | 4 | 5 | 6 |
| 104 | HARP 2 | 46 | 1 | 48 | A |
| ENSEMBLE |
| 105 | STRINGS | 48 | 2 | 48 | A |
| 106 | SLOW STRINGS | 49 | 2 | 48 | A |
| 107 | WIDE STRINGS | 48 | 16 | 24 | A |
| 108 | OCTAVE STRINGS | 48 | 32 | 24 | A |
| 109 | CHAMBER | 48 | 3 | 24 | A |
| 110 | STRINGS SFZ | 48 | 8 | 48 | A |
| 111 | SYNTH-STRINGS 1 | 50 | 2 | 24 | A |
| 112 | SYNTH-STRINGS 2 | 51 | 2 | 24 | A |
| 113 | SYNTH-STRINGS 3 | 51 | 3 | 24 | A |
| 114 | CHOIR AAHS | 52 | 2 | 48 | A |
| 115 | VOICE DOO | 53 | 2 | 48 | A |
| 116 | SYNTH-VOICE | 54 | 2 | 48 | A |
| 117 | SYNTH-VOICE PAD | 54 | 8 | 48 | A |
| 118 | ORCHESTRA HIT 1 | 55 | 2 | 24 | A |
| 119 | TREMOLO STRINGS | 49 | 1 | 48 | A |
| 120 | FLUTE & STRINGS | 49 | 3 | 24 | A |
| 121 | CHOIR STRINGS | 52 | 3 | 24 | A |
| 122 | CHORUS SYNTH-VOICE | 54 | 9 | 24 | A |
| 123 | ORCHESTRA HIT 2 | 55 | 1 | 24 | A |
| 124 | FAST SYNTH STRINGS | 50 | 3 | 24 | A |
| 125 | TRUMPET | 56 | 2 | 48 | A |
| 126 | TROMBONE | 57 | 2 | 48 | C |
| 127 | TUBA | 58 | 2 | 48 | C |
| 128 | MUTE TRUMPET | 59 | 2 | 48 | A |
| 129 | FRENCH HORN | 60 | 2 | 48 | C |
| 130 | BRASS | 61 | 2 | 48 | A |
| 131 | BRASS SECTION 1 | 61 | 3 | 24 | A |
| 132 | BRASS SECTION 2 | 61 | 6 | 24 | A |
| 133 | BRASS SECTION 3 | 61 | 7 | 24 | A |
| 134 | BRASS SFZ | 61 | 8 | 48 | A |
| 135 | BRASS & STRINGS | 61 | 4 | 24 | A |
| 136 | HARD BRASS | 61 | 5 | 48 | A |
| 137 | ANALOG SYNTH-BRASS 1 | 62 | 8 | 48 | A |
| 138 | SYNTH-BRASS 1 | 62 | 2 | 24 | A |
| 139 | SYNTH-BRASS 2 | 63 | 2 | 24 | A |
| 140 | MELLOW TRUMPET | 56 | 8 | 48 | A |
| 141 | TRUMPET SFZ | 56 | 1 | 48 | A |
| 142 | FRENCH HORN SECTION | 60 | 1 | 24 | C |
| 143 | MELLOW BRASS | 61 | 1 | 48 | A |
| 144 | ANALOG SYNTH-BRASS 2 | 62 | 9 | 24 | A |
| REED/PIPE |
| 145 | SOPRANO SAX 1 | 64 | 2 | 48 | A |
| 146 | SOPRANO SAX 2 | 64 | 1 | 48 | A |
| 147 | ALTO SAX 1 | 65 | 1 | 48 | C |
| 148 | ALTO SAX 2 | 65 | 2 | 48 | C |
| 149 | BREATHY A.SAX | 65 | 8 | 24 | C |
| 150 | HARD A.SAX | 65 | 3 | 48 | C |
| 151 | TENOR SAX | 66 | 1 | 48 | C |
| 152 | BREATHY T.SAX | 66 | 8 | 24 | C |
| 153 | BARITONE SAX 1 | 67 | 2 | 48 | C |
| 154 | BARITONE SAX 2 | 67 | 1 | 48 | C |
| 155 | OBOE | 68 | 2 | 48 | A |
| 156 | BASSOON | 70 | 5 | 48 | C |
| 157 | CLARINET | 71 | 2 | 48 | A |
| 158 | SAX SECTION | 65 | 9 | 24 | C |
| 159 | SOFT T.SAX | 66 | 5 | 24 | C |
| 160 | PICCOLO | 72 | 2 | 48 | B |
| 161 | FLUTE 1 | 73 | 2 | 48 | A |
| 162 | FLUTE 2 | 73 | 1 | 24 | A |
| 163 | PURE FLUTE | 73 | 8 | 48 | A |
| 164 | RECORDER | 74 | 2 | 48 | A |
| 165 | PAN FLUTE | 75 | 2 | 24 | A |
| 166 | BOTTLE BLOW 1 | 76 | 2 | 24 | A |
| 167 | SHAKUHACHI | 77 | 2 | 24 | A |
| 168 | WHISTLE | 78 | 2 | 48 | A |
| 169 | OCARINA | 79 | 2 | 48 | A |
| 170 | BOTTLE BLOW 2 | 76 | 1 | 24 | A |
| 171 | FLUTE & OBOE | 73 | 3 | 24 | A |
| 172 | SOLO OBOE | 68 | 4 | 48 | A |
| 172 | SOUTH LEAD | 88 | 4 | 46 | A |
| SYNTH-LEAD |
| 173 | SQUARE LEAD 1 | 80 | 2 | 24 | A |
| 174 | SQUARE PULSE LEAD | 80 | 5 | 24 | A |
| 175 | SEQUENCE LEAD 1 | 83 | 5 | 24 | A |
| 176 | SAW LEAD 1 | 81 | 2 | 24 | A |
| 177 | MELLOW SAW LEAD | 81 | 8 | 48 | A |
| 178 | SEQUENCE SAW | 81 | 32 | 24 | A |
| 179 | SINE LEAD | 80 | 8 | 48 | A |
| 180 | SS LEAD | 81 | 3 | 24 | A |
| 181 | CALLIOPE | 82 | 2 | 24 | A |
| 182 | VENT LEAD | 82 | 5 | 24 | A |
| 183 | CHIFF LEAD | 83 | 2 | 24 | A |
| 184 | CHARANG | 84 | 2 | 24 | A |
| 185 | VOICE LEAD | 85 | 2 | 24 | A |
| 186 | FIFTH LEAD | 86 | 4 | 24 | A |
| 187 | BASS+LEAD | 87 | 2 | 24 | A |
| 188 | SQUARE LEAD 2 | 80 | 3 | 24 | A |
| 189 | SEQUENCE SQUARE | 80 | 7 | 48 | A |
| 190 | SEQUENCE PULSE | 80 | 16 | 24 | A |
| 191 | SQUARE LEAD 3 | 80 | 1 | 48 | A |
| 192 | SAW LEAD 2 | 81 | 1 | 48 | A |
| 193 | SAW LEAD 3 | 81 | 5 | 24 | A |
| 194 | SLOW SAW LEAD | 81 | 4 | 48 | A |
| 195 | FIFTH SEQUENCE | 86 | 1 | 24 | A |
| 196 | SEQUENCE SINE | 80 | 9 | 48 | A |
| 197 | VENT SYNTH | 82 | 1 | 24 | A |
| 198 | PURE LEAD | 82 | 4 | 24 | A |
| 199 | DISTORTION LEAD | 84 | 8 | 24 | A |
| 200 | CHURCH LEAD | 85 | 4 | 24 | A |
| 201 | SYNTH-VOICE LEAD | 85 | 7 | 24 | A |
| 202 | FIFTH SAW LEAD | 86 | 2 | 24 | A |
| 203 | FIFTH SQUARE LEAD | 86 | 3 | 24 | A |
| 204 | SEQUENCE LEAD 2 | 83 | 3 | 24 | A |
| SYNTH-PAD |
| 205 | FANTASY 1 | 88 | 2 | 24 | A |
| 206 | FANTASY 2 | 88 | 3 | 24 | A |
| 207 | WARM PAD | 89 | 2 | 24 | A |
| 208 | WARM VOX | 89 | 8 | 24 | A |
| 1 | 2 | 3 | 4 | 5 | 6 |
| 209 | SINE PAD | 89 | 3 | 24 | A |
| 210 | POLYSYNTH 1 | 90 | 2 | 24 | A |
| 211 | POLY SAW | 90 | 8 | 24 | A |
| 212 | SPACE STRINGS PAD | 91 | 3 | 24 | A |
| 213 | SPACE CHOIR | 91 | 1 | 24 | A |
| 214 | BOWED PAD | 92 | 2 | 24 | A |
| 215 | GLASS PAD | 92 | 3 | 24 | A |
| 216 | ETHNIC PAD | 93 | 2 | 24 | A |
| 217 | HALO PAD | 94 | 2 | 24 | A |
| 218 | RAIN DROP | 96 | 2 | 24 | A |
| 219 | SOUND TRACK 1 | 97 | 2 | 24 | A |
| 220 | SOUND TRACK 2 | 97 | 3 | 24 | A |
| 221 | RAVE | 97 | 8 | 24 | A |
| 222 | CRYSTAL | 98 | 2 | 24 | A |
| 223 | ATMOSPHERE | 99 | 2 | 24 | A |
| 224 | BRIGHTNESS | 100 | 2 | 24 | A |
| 225 | GOBLIN | 101 | 2 | 24 | A |
| 226 | ECHO PAD | 102 | 2 | 24 | A |
| 227 | STAR THEME | 103 | 2 | 24 | A |
| 228 | SPACE PAD | 103 | 8 | 24 | A |
| 229 | NEW AGE PAD | 88 | 1 | 24 | A |
| 230 | SOFT PAD | 89 | 4 | 24 | A |
| 231 | HORN PAD | 89 | 5 | 24 | A |
| 232 | POLYSYNTH 2 | 90 | 1 | 24 | A |
| 233 | OLD TAPE PAD | 89 | 6 | 24 | A |
| 234 | HEAVEN | 91 | 2 | 24 | A |
| 235 | SQUARE PAD | 92 | 1 | 24 | A |
| 236 | HARD METAL PAD | 93 | 4 | 24 | A |
| 237 | CHORUS PAD | 94 | 1 | 24 | A |
| 238 | SWEEP PAD | 95 | 2 | 24 | A |
| 239 | SPACE VOICE | 97 | 1 | 24 | A |
| 240 | CHORAL BELL | 98 | 16 | 24 | A |
| 241 | CELESTA PAD | 99 | 1 | 24 | A |
| 242 | BRIGHT BELL PAD | 100 | 1 | 24 | A |
| 243 | ECHO DROP | 102 | 3 | 24 | A |
| 244 | POLY DROP | 102 | 4 | 24 | A |
| ETHNIC |
| 245 | SITAR 1 | 104 | 2 | 48 | A |
| 246 | BANJO | 105 | 2 | 48 | A |
| 247 | SHAMISEN | 106 | 2 | 48 | A |
| 248 | TSUGARU | 106 | 1 | 24 | A |
| 249 | KOTO | 107 | 2 | 48 | A |
| 250 | THUMB PIANO | 108 | 2 | 48 | A |
| 251 | SHANAI | 111 | 2 | 48 | A |
| 252 | STEEL DRUMS | 114 | 2 | 24 | A |
| 253 | ER HU 1 | 110 | 8 | 48 | A |
| 254 | YANG QIN 1 | 15 | 8 | 24 | A |
| 255 | YANG QIN 2 | 15 | 9 | 24 | A |
| 256 | DI ZI | 72 | 16 | 24 | A |
| 257 | ER HU 2 | 110 | 9 | 48 | A |
| 258 | ZHENG | 107 | 1 | 24 | A |
| 259 | SUO NA | 111 | 32 | 24 | A |
| 260 | PI PA | 105 | 32 | 24 | A |
| 261 | SHENG | 109 | 8 | 24 | A |
| 262 | SITAR 2 | 104 | 1 | 24 | A |
| 263 | SITAR PAD | 104 | 4 | 24 | A |
| 264 | RABAB | 105 | 8 | 24 | A |
| 265 | XIAO | 77 | 32 | 24 | A |
| 266 | SANTUR | 15 | 16 | 24 | A |
| GM TONES |
| 267 | GM PIANO 1 | 0 | 0 | 48 | A |
| 268 | GM PIANO 2 | 1 | 0 | 48 | A |
| 269 | GM PIANO 3 | 2 | 0 | 48 | A |
| 270 | GM HONKY-TONK | 3 | 0 | 24 | A |
| 271 | GM E.PIANO 1 | 4 | 0 | 48 | A |
| 272 | GM E.PIANO 2 | 5 | 0 | 48 | A |
| 273 | GM HARPSICHORD | 6 | 0 | 48 | A |
| 274 | GM CLAVI | 7 | 0 | 48 | A |
| 275 | GM CELESTA | 8 | 0 | 48 | A |
| 276 | GM GLOCKENSPIEL | 9 | 0 | 48 | A |
| 277 | GM MUSIC BOX | 10 | 0 | 24 | A |
| 278 | GM VIRRAPHONE | 11 | 0 | 48 | A |
| 278 | GM VIBRATIONE | 11 | 0 | 48 | A |
| 279 | GM MARIMBA | 12 | 0 | 48 | A |
| 280 | GM XYLOPHONE | 13 | 0 | 48 | A |
| 281 | GM TUBULAR BELL | 14 | 0 | 48 | A |
| 282 | GM DULCIMER | 15 | 0 | 24 | A |
| 283 | GM ORGAN 1 | 16 | 0 | 24 | A |
| 284 | GM ORGAN 2 | 17 | 0 | 48 | A |
| 285 | GM ORGAN 3 | 18 | 0 | 24 | A |
| 286 | GM PIPE ORGAN | 19 | 0 | 24 | A |
| 287 | GM REED ORGAN | 20 | 0 | 48 | A |
| 288 | GM ACCORDION | 21 | 0 | 24 | A |
| 289 | GM HARMONICA | 22 | 0 | 48 | A |
| 290 | GM BANDONEON | 23 | 0 | 24 | A |
| 291 | GM NYLON STR.GUITAR | 24 | 0 | 48 | A |
| 292 | GM STEEL STR.GUITAR | 25 | 0 | 48 | A |
| 293 | GM JAZZ GUITAR | 26 | 0 | 48 | A |
| 294 | GM CLEAN GUITAR | 27 | 0 | 48 | A |
| 295 | GM MUTE GUITAR | 28 | 0 | 48 | A |
| 296 | GM OVERDRIVE GT | 29 | 0 | 48 | A |
| 297 | GM DISTORTION GT | 30 | 0 | 24 | A |
| 298 | GM GT HARMONICS | 31 | 0 | 48 | A |
| 299 | GM ACOUSTIC BASS | 32 | 0 | 48 | A |
| 300 | GM FINGERED BASS | 33 | 0 | 48 | A |
| 301 | GM PICKED BASS | 34 | 0 | 48 | A |
| 302 | GM FRETELESS BASS | 35 | 0 | 48 | A |
| 303 | GM SLAP BASS 1 | 36 | 0 | 48 | A |
| 304 | GM SLAP BASS 2 | 37 | 0 | 48 | A |
| 305 | GM SYNTH-BASS 1 | 38 | 0 | 24 | A |
| 306 | GM SYNTH-BASS 2 | 39 | 0 | 24 | A |
| 307 | GM VIOLIN | 40 | 0 | 48 | A |
| 308 | GM VIOLA | 41 | 0 | 24 | A |
| 309 | GM CELLO | 42 | 0 | 24 | A |
| 310 | GM CONTRABASS | 43 | 0 | 48 | A |
| 311 | GM TREMOLO STRINGS | 44 | 0 | 48 | A |
| 312 | GM PIZZICATO | 45 | 0 | 48 | A |
| 313 | GM HARP | 46 | 0 | 48 | A |
| 314 | GM TIMPANI | 47 | 0 | 48 | A |
| 315 | GM STRINGS 1 | 48 | 0 | 48 | A |
| 316 | GM STRINGS 2 | 49 | 0 | 48 | A |
| 1 | 2 | 3 | 4 | 5 | 6 |
| 317 | GM SYNTH-STRINGS 1 | 50 | 0 | 24 | A |
| 318 | GM SYNTH-STRINGS 2 | 51 | 0 | 24 | A |
| 319 | GM CHOIR AAHS | 52 | 0 | 48 | A |
| 320 | GM VOICE DOO | 53 | 0 | 48 | A |
| 321 | GM SYNTH-VOICE | 54 | 0 | 48 | A |
| 322 | GM ORCHESTRA HIT | 55 | 0 | 24 | A |
| 323 | GM TRUMPET | 56 | 0 | 48 | A |
| 324 | GM TROMBONE | 57 | 0 | 48 | A |
| 325 | GM TUBA | 58 | 0 | 48 | A |
| 326 | GM MUTE TRUMPET | 59 | 0 | 48 | A |
| 327 | GM FRENCH HORN | 60 | 0 | 48 | A |
| 328 | GM BRASS | 61 | 0 | 48 | A |
| 329 | GM SYNTH-BRASS 1 | 62 | 0 | 24 | A |
| 330 | GM SYNTH-BRASS 2 | 63 | 0 | 24 | A |
| 331 | GM SOPRANO SAX | 64 | 0 | 48 | A |
| 332 | GM ALTO SAX | 65 | 0 | 48 | A |
| 333 | GM TENOR SAX | 66 | 0 | 48 | A |
| 334 | GM BARITONE SAX | 67 | 0 | 48 | A |
| 335 | GM OBOE | 68 | 0 | 48 | A |
| 336 | GM ENGLISH HORN | 69 | 0 | 48 | A |
| 337 | GM BASSOON | 70 | 0 | 48 | A |
| 338 | GM CLARINET | 71 | 0 | 48 | A |
| 339 | GM PICCOLO | 72 | 0 | 48 | A |
| 340 | GM FLUTE | 73 | 0 | 48 | A |
| 341 | GM RECORDER | 74 | 0 | 48 | A |
| 342 | GM PAN FLUTE | 75 | 0 | 24 | A |
| 343 | GM BOTTLE BLOW | 76 | 0 | 24 | A |
| 344 | GM SHAKUHACHI | 77 | 0 | 24 | A |
| 345 | GM WHISTLE | 78 | 0 | 48 | A |
| 346 | GM OCARINA | 79 | 0 | 48 | A |
| 347 | GM SQUARE LEAD | 80 | 0 | 24 | A |
| 348 | GM SAW LEAD | 81 | 0 | 24 | A |
| 349 | GM CALLIOPE | 82 | 0 | 24 | A |
| 350 | GM CHIFF LEAD | 83 | 0 | 24 | A |
| 351 | GM CHARANG | 84 | 0 | 24 | A |
| 352 | GM VOICE LEAD | 85 | 0 | 24 | A |
| 353 | GM FIFTH LEAD | 86 | 0 | 24 | A |
| 354 | GM BASS+LEAD | 87 | 0 | 24 | A |
| 355 | GM FANTASY | 88 | 0 | 24 | A |
| 356 | GM WARM PAD | 89 | 0 | 24 | A |
| 357 | GM POLYSYNTH | 90 | 0 | 24 | A |
| 358 | GM SPACE CHOIR | 91 | 0 | 24 | A |
| 359 | GM BOWED GLASS | 92 | 0 | 24 | A |
| 360 | GM METAL PAD | 93 | 0 | 24 | A |
| 361 | GM HALO PAD | 94 | 0 | 24 | A |
| 362 | GM SWEEP PAD | 95 | 0 | 24 | A |
| 363 | GM RAIN DROP | 96 | 0 | 24 | A |
| 364 | GM SOUND TRACK | 97 | 0 | 24 | A |
| 365 | GM CRYSTAL | 98 | 0 | 24 | A |
| 366 | GM ATMOSPHERE | 99 | 0 | 24 | A |
| 367 | GM BRIGHTNESS | 100 | 0 | 24 | A |
| 368 | GM GOBLINS | 101 | 0 | 24 | A |
| 369 | GM ECHOES | 102 | 0 | 24 | A |
| 370 | GM SF | 103 | 0 | 24 | A |
| 371 | GM SITAR | 104 | 0 | 48 | A |
| 372 | GM BANJO | 105 | 0 | 48 | A |
| 373 | GM SHAMISEN | 106 | 0 | 48 | A |
| 374 | GM KOTO | 107 | 0 | 48 | A |
| 375 | GM THUMB PIANO | 108 | 0 | 48 | A |
| 376 | GM BAGPIPE | 109 | 0 | 24 | A |
| 377 | GM FIDDLE | 110 | 0 | 48 | A |
| 378 | GM SHANAI | 111 | 0 | 48 | A |
| 379 | GM TINKLE BELL | 112 | 0 | 48 | A |
| 380 | GM AGOGO | 113 | 0 | 48 | A |
| 381 | GM STEEL DRUMS | 114 | 0 | 24 | A |
| 382 | GM WOOD BLOCK | 115 | 0 | 48 | D |
| 383 | GM TAIKO | 116 | 0 | 48 | D |
| 384 | GM MELODIC TOM | 117 | 0 | 48 | D |
| 385 | GM SYNTH-DRUM | 118 | 0 | 48 | D |
| 386 | GM REVERSE CYMBAL | 119 | 0 | 48 | D |
| 387 | GM GT FRET NOISE | 120 | 0 | 48 | A |
| 388 | GM BREATH NOISE | 121 | 0 | 48 | A |
| 389 | GM SEASHORE | 122 | 0 | 24 | D |
| 390 | GM BIRD | 123 | 0 | 24 | D |
| 391 | GM TELEPHONE | 124 | 0 | 48 | D |
| 392 | GM HELICOPTER | 125 | 0 | 48 | D |
| 393 | GM APPLAUSE | 126 | 0 | 24 | D |
| 394 | GM GUNSHOT | 127 | 0 | 48 | D |
- La signification de chaque type de registre est indiquée ci-dessous.
OPMERKING
- Registre du clavier
– Toetsenbordbereik
- Gamma tastiera
– Registre disponible (en utilisant la transposition ou la réception de messages)
– Dans ces registres les notes sout jouées à l'octave la plus proche du même
registre lors de la transposition et de la réception de messages
*1 Avec FINGERED 2, interprété comme Am7.
*2 Avec FINGERED 2, interprété comme Am7 ^b 5.
*3 Forme inversée non prise en charge dans certains cas.
Outre les accords pouvant être plaqués avec FINGERED 1 et FINGERED 2, les accords suivants sont aussi reconnus.
- Avec FINGERED 3, la note inférieure de l'accord plaqué est interprétée comme basse. Les inversions d'accord ne sont pas prises en charge.
- Avec FULL RANGE CHORD, lorsque la note inférieure de l'accord plaqué est à une certaine distance de la note voisine, l'accord est interprété comme accord partiel.
- À la différence de FINGERED 1, 2 et 3, il faut appuyer sur au moins trois touches pour former un accord avec FULL RANGE CHORD.
OPMERKING