Loudbox Artist - Guitar amp Fishman - Free user manual and instructions
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| Product type | Acoustic guitar amplifier |
| Brand | Fishman |
| Model | Loudbox Artist |
| Category | Guitar amplifier |
| Dimensions (W × H × D) | 35 cm × 35 cm × 30 cm |
| Weight | 11 kg |
| Power supply | Mains 230 V ~ 50 Hz |
| Power | 120 W (bi-amplified) |
| Speakers | Woofer 8" + tweeter 1" |
| Channels | 2 (microphone and instrument) |
| Inputs | 2 × 6.35 mm jack, 1 × XLR |
| Controls | Gain, equalizer (bass, mid, treble), effects (chorus, reverb) |
| Bluetooth | Built-in |
| Outputs | DI XLR, headphone |
| Main features | High-fidelity sound, built-in effects, Bluetooth, stage monitoring |
| Maintenance and cleaning | Clean with a dry, lint-free cloth. Avoid moisture and abrasive products. |
| Safety | Do not expose to rain or moisture. Unplug before cleaning. Use only with the supplied power cord. |
| Spare parts and repairability | Contact Fishman customer service for any repairs. Parts available upon request. |
| General information | Amplifier designed for acoustic guitar, ideal for concerts and rehearsals. Compatible with electro-acoustic instruments and microphones. |
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USER MANUAL Loudbox Artist Fishman
Whenever this symbol appears, it alerts you to the presence of important operating and maintenance (servicing) instructions in the user's manual for this amplifier.

Wherever this symbol appears, it alerts you to the presence of uninsulated dangerous voltage inside the enclosure that may be sufficient to constitute a risk of shock.

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CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN AVERTISSEMENT: RISQUE DE CHOC ÉLECTRIQUE-NE PAS OUVRIR.Important Safety Instructions
To ensure your personal safety and the safety of others, operate this apparatus only after reading these instructions and heeding the warnings listed below.
- Read these instructions.
- Keep these instructions.
- Heed all warnings.
- Follow all instructions.
- Do not use this apparatus near water.
- Clean only with a dry cloth.
- Do not block the ventilation openings. Install in accordance with the manufacturer's instructions.
- Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.
- Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
- Protect the power cord from being walked on or pinched, particularly at the plugs, convenience receptacles and the point where they exit from the apparatus.
- Use only attachments/accessories specified by the manufacturer.
- Use only with a cart, stand, tripod, bracket or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.

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Unplug this apparatus during lightning storms or when unused for long periods of time.
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Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as a power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
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Do not expose the apparatus to dripping or splashing liquids and do not place objects filled with liquids (such as a beverage container or a vase) on the apparatus.
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Warning" To reduce the risk of fire or electric shock, do not expose this apparatus to moisture.
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The apparatus should be connected to mains outlet with a protective earthing connection.

nect device is Mains Plug, which should remain readily operable.
Copyright © 2018 FISHMAN TRANSDUCERS, INC.
All rights reserved. No part of this document may be reproduced in any form without the written permission of FISHMAN TRANSDUCERS, INC.
INFORMATIONS IMPORTANTES DE SECURITE
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE.

The Loudbox Artist amplifier is capable of cleanly reproducing the sound of your instrument at very high volume levels. Prolonged repeated exposure to high sound pressure levels (SPLs) without protection can cause permanent hearing loss. OSHA has set guidelines and specified permissible sound-exposure limits for those who work in high SPL environments.
Permissible Noise Exposures
Duration per day, hours Sound level dBA slow response
| 8 90 | |
| 6 | 92 |
| 4 | 95 |
| 3 | 97 |
| 2 | 100 |
| 1 1/2 102 | |
| 1 | 105 |
| 1/2 110 | |
| 1/4 or less 115 |
To ensure against permanent hearing loss, wear hearing protection when you perform with amplification.

This symbol means the product must not be discarded as household waste, and should be delivered to an appropriate collection facility for recycling. For more information on disposal and recycling of this product, contact your local municipality, disposal service, or the shop where you bought this product.
FCC Compliance Notice
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. - Consult the dealer or an experienced radio/TV technician for help. Changes and modifications not expressly approved by FISHMAN TRANSDUCERS can void your authority to operate this equipment under Federal Communications Commissions rules.
Loudbox Artist
Contains FCC ID: RMU-PROLBX500
Contains IC: 10812A-PROLBX500
FCC Compliance Statement
The device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
- This device may not cause harmful interference, and
- This device must accept any interference received, including interference that may cause undesired operation.
EU Declaration of Conformity CE: Hereby, Fishman declares that this Loudbox Artist is in compliance with the essential requirements and other relevant provisions of Directive 2014/53/EU, 2014/30/EU, 2014/35/EU.
This device complies with Industry Canada license-exempt RSS standard(s): Operation is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference that may cause undesired operation of the device.
Cet appareil est conforme aux normes Industry Canada exemptes de licence standard RSS(s):
The Bluetooth ^® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Fishman Transducers is under license. Other trademarks and trade names are those of their respective owners.
WARNING!
FCC and IC Radiation Exposure Statement:
The device complies with FCC's and IC's RF radiation exposure limits set forth for an uncontrolled environment under the following conditions:
- This equipment should be installed and operated such that a minimum separation distance of 20cm is maintained between the radiator (antenna) & user's/nearby person's body at all times.
- This transmitter must not be co-located or operating in conjunction with any other antenna or transmitter.
Before using Loudbox Artist, carefully read the following:
Important Safety Instructions (Page 2)
Getting Started (Page 7)
Welcome
Thank you for making Fishman a part of your acoustic experience. We are proud to offer the fi nest acoustic amplifi cation products available; high-quality professional-grade tools which empower you to sound your very best.

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Line drawing of a fishman audio amplifier box with multiple knobs and control knobs (no text or symbols)Your new Loudbox Artist is a portable amplifier designed to faithfully reproduce the sound of acoustic instruments and a diverse assortment of vocal or recorded accompaniments.
With the addition of Bluetooth® wireless connectivity, you can now easily add backing tracks or other accompaniment to your performances.
Here are some basic setup tips to help get you going. To operate the Loudbox Artist safely, please read the entire manual, especially the Important Safety Instructions on page 2.
- Plug the provided AC line cord into the back of the amplifier.
- Locate the Power switch (above the rear panel power cord terminal) and switch it off (down position).
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Plug the Loudbox Artist into an electrical outlet with the appropriate AC voltage.
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Turn down the Master Volume control and turn on the Power switch.
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Connect your instrument to the Channel 1 input with a shielded 14 cable.
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Play aggressively and raise Channel 1 Gain until the Clip LED (inside the Pad button) fl ashes, then back off the Gain until no clipping occurs.
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Set the tone controls "fl at" as illustrated below.
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Slowly raise the Master Volume to the desired level.

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LOUDBX ARTIST 1 Gain Low Mid High Anti-Feedback Effect A Level Effect B On 2 Gain Low Mid High Anti-Feedback Effect A Level Effect B On Effect A Time Aux Level Master Volume 1 Show 1 2 Show 2 3 Delay 4 Echo 0 pairing Toroeter Phantom Channel Moto 24VControls 1 through 10 are identical for both channels.
1. Channel 1 Input
The 1/4" input accepts all types of passive or active acoustic pickups. Plug a balanced mic into the XLR input for vocal or instrument use.
2. 10dB Pad & Clip LED
If you have a high output pickup and the Clip LED (located in the center of the Pad button) comes on at low Gain settings, push this switch in to put your pickup level into a more useable range.
3. Gain
Use the Gain knob to set the level of the signal.
4. Low
Boost here to add weight to the sound. In general, boost bass at low volumes and flatten it out (or cut) at higher levels. With the dial set at 12 o'clock, the control is effectively out of the circuit.
5. Mid
This control affects how well the instrument blends in or stands out in the mix. At loud volumes a midrange cut will achieve a more natural sound. With the dial set at 12 o'clock, the control is effectively out of the circuit.
6. High
Boost highs to add "air" to the sound of the instrument. With the knob set at 12 o'clock, the control is effectively out of the circuit.

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LOUDE® ARTIST 1 2 4 5 3 6 7 8 1 Gain Low Mid High Anti- Feedback Phase Pad Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Clip Tip to the right side of the diagram.7. Anti-Feedback
If you encounter low-frequency feedback, sweep this control to isolate and eliminate it. To learn more about acoustic feedback, see page 15.
8. Phase
Use the Phase switch in conjunction with the Anti-Feedback fi Iter to eliminate acoustic feedback. To read more about acoustic feedback, see page 15.
9. Effect A Level
Controls the amount of Effect A in the input channel.
10. Effect B On
When this button is lit, the input channel's audio is processed by Effect B.
11. Effect A
Use this control to select one of four effects for Effect A.
12. Effect A "Time"
Determines the length of time for the delay or reverb effects.
13. Effect B
Use this control to select one of four effects for Effect B.
14. Effect B "Depth"
Adjusts the intensity of Effect B.

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9 10 11 12 15 17 19 Effect A Level Effect B On Effect A 1 Reverb 1 2 Reverb 2 3 Delay 4 Echo Time Aux Level Master Volume Effect A Level Effect B On Effect B 1 Chorus 1 2 Chorus 2 3 Flanger 4 Slap Echo Depth 2120 23 Channel Mute Tweeter Phantom 24V pairing15. Aux Level
Use this to control the level of an audio device plugged into the Aux input. Note that the Aux channel is independent of the Mute switch, so you can play pre-recorded music on your breaks.
16. Bluetooth® Indicator
This green indicator will display a medium flash indicating the Bluetooth® module is ready for pairing. It will display a slow flash indicating the module is ready for reconnection with a previously paired device. The indicator will be on when playback is active and display a fast flash when playback is paused.
17. Master Volume
Set the overall level of the Loudbox Artist with the Master Volume. In general put the Master Volume as high as possible (2 o'clock to 5 o'clock) to achieve the cleanest sound.
18. Bluetooth® Pairing
To pair a Bluetooth® enabled device for the first time, hold the Pairing button more than 5 seconds. You will hear an ascending tone and the Bluetooth® Indicator will change from a slow flash to a fast flash indicating it is ready to pair. Ensure your Bluetooth® enabled device is in pairing mode. Once paired the indicator will stop flashing and will allow you to stream music to the amplifier.
If the button is pressed during paired playback, the playback will be paused and the Bluetooth® Indicator will display a fast flash. Press the button again to resume playback and the Bluetooth® Indicator will return to on.
To activate Bluetooth ^® for a previously paired device, hold the Pairing button for approximately 1-2 seconds (must be less than 5 seconds). An ascending tone will play briefly to indicate the Bluetooth ^® is powering on. The Bluetooth ^® Indicator will slowly flash informing it is ready to reconnect and will pair if your device is in pairing mode.
To turn off the Bluetooth ^® when already paired, hold the button for 1-2 seconds. A descending tone will indicate that the connection is powering down and the Bluetooth ^® Indicator will turn off.
19. Power
Lights up when the amplifier power is on.
20. Headphone Jack
When you plug in stereo headphones here, the speakers shut off. This output monitors Channels 1 & 2 and the Aux input, so you can play along with pre-recorded music through the headphones.
21. Channel Mute
The Channel Mute switch shuts off the signals from Channels 1 and 2 to the speakers and all XLR outputs. The Channel Mute does not affect the Aux Inputs or the effects sends. When mute is active, its button LED will be lit.
22. Tweeter Level
Turn this control to attenuate the tweeter's output level to where it sounds best to you.
23. Phantom Power
Provides 24V to the XLR input on each input channel to power a condenser microphone. When phantom power is active, its button LED will be lit.
Most condenser and dynamic microphones, as well as some preamps, can be used safely with phantom power.
However, phantom power can damage some audio devices including some unbalanced mics, preamps or stompboxes that have been modified for balanced XLR use. Whenever there is doubt, contact the manufacturer to confirm compatibility.
Rear Panel

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Power On Off Foot Switch Type = Channels/Blues Mag = Off / Max / Max Aux Input Mix D.I. Out Effects Loop Send Return D.I. Out (Jou TC) Channel 2 Effects Loop Send Return D.I. Out (Jou TC) Channel 1 Effects Loop Send Return D.I. Out (Jou TC)1. Power switch
Lower the Master Volume before you turn on the amp. Flip the power switch to the up position.
2. AC power
Operate the amplifier only at the voltage indicated on the rear panel.

Disconnect device is AC inlet or power switch.
3. Mute Foot Switch
Plug a Fishman dual foot switch into this jack for remote access to Channel Mute and Effect B Mute.
4. Aux Input - 1/4" & 1/8"
Plug in a line level stereo audio source such as a CD or MP3 player in either input. Both inputs may be used at the same time. They are stereo (TRS) inputs, however the left and right signals are mixed to mono.
5. Mix D.I. (Post)
Plug in here when you wish to send signals from both Channel 1 and 2 to a mixing console or a slave amplifier. This post-EQ output is always ground isolated to prevent ground loop hum.
Rear Panel (cont.)
6. Channel 2 Effects Loop (serial)
Patch an external effect through these jacks. Use a standard 14 " shielded instrument cable to connect the Channel 2 Send to the input of the effect. Connect the Channel 2 Return jack to the output of the effect. The Channel 2 loop is located post-EQ and is compatible with battery-operated stompbox-style effects processors.
7. Channel 2 D.I. Out (Pre-EQ)
Use this output when you want a fl at D.I. signal to send to a mixing console. This pre-EQ output is always ground isolated to prevent ground loop hum.
8. Channel 1 Effects Loop (serial)
Patch an external effect through these jacks. Use a standard 14 " shielded instrument cable to connect the Channel 1. Send to the input of the effect. Connect the Channel 1 Return jack to the output of the effect. The Channel 1 loop is located post-EQ and is compatible with battery-operated stompbox-style effects processors.
9. Channel 1 D.I. Out (Pre-EQ)
Use this output when you want a fl at D.I. signal to send to a mixing console. This pre-EQ output is always ground isolated to prevent ground loop hum.
Set up
For reference, start with the tone controls fl at (straight-up, twelve o'clock). In this position, there is no equalization applied to your sound. Begin at a very low volume and work your way up. As you turn up, try adjusting the Loudbox Artist's tone controls as recommended below.
1. Low volume
At a low volume (just above conversation level) our ears are not very sensitive to bass and treble, so give the Low and High controls a good boost.

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Low Mid High Anti Feedback Effect A Level Effect B On Effect A 1 Count 1 2 Count 2 3 Dot 4 Dot Time Aux Level Master Volume Low Mid High Anti Feedback Effect A Level Effect B Depth2. Medium volume
At intermediate levels, when you need to raise your voice to be heard over the music, the human ear is quite sensitive to midrange. Cut the Mid control to about ten o'clock or to your taste. At this level our perception of bass and treble starts to catch up to the rest of the tonal spectrum, so you can back off the Low and High controls slightly for good tonal balance.

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Low Mid High Anti-Feedback Phase Effect A Level Effect B On Effect A 1 Search 1 2 Search 2 3 Delay 4 Edge Time Aux Level Master Volume Effect B Depth3. High volume
At loud levels, when you must shout to be heard over the music, your ears (and your audience) will benefit from a deep midrange cut. Set the Mid dial between nine and seven o'clock. Our perception of bass and treble "fl attens out" at high volumes, so you won't need much, if any, Low or High boost. Set the Low and High knobs to between twelve and one o'clock.

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Low Mid High Anti Feedback Effect A Low Effect B Effect A 1 Slow 1 2 Slow 2 3 Delay 4 Color Time Aux Level Master Volume Low Mid High Anti Feedback Effect A Effect B DepthFeedback usually occurs in the lowest octave of your instrument, generally with two notes about a half step apart. The lower type of feedback (cavity resonance) starts when the sound pressure coming out of the speakers excites the resonant air chamber inside your instrument. We have found that it is effective to tune out an instrument's cavity resonance feedback with the Anti-Feedback (notch fi Iter) in the Loudbox Artist. For acoustic guitar this occurs at G# on the low E-string, or at about 100Hz. Turn the Anti-Feedback knob to about 11 o'clock to dial out this resonance. Note that the circuit can be effectively defeated by moving the dial to the Off (7 o'clock) position.
The higher range of feedback (top resonance) usually starts about a half or whole step above cavity resonance of the instrument. Top resonance feedback happens when the sound pressure coming off the speakers excites the resonant frequency of the soundboard of your instrument. For acoustic guitar, this occurs at A and above on the low E-string. Push the Phase switch in and out until you find the position that subdues top resonance feedback.

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Lower Feedback Range (E to G#) Upper Feedback Range (A and above) Anti Feedback Phase
flowchart
graph TD
A["Instrument Input"] --> B["HPF 40Hz"]
C["Mic Input"] --> B
D["Mic Preamp"] --> B
E["Phantom Power"] --> B
B --> F["Pad 10dB"]
F --> G["Gain"]
G --> H["Tone Controls Low, Mid, High"]
H --> I["Anti-feedback Notch Filter"]
I --> J["Phase"]
J --> K["PhaseChannel"]
K --> L["Prime Output (bal., mic level)"]
L --> M["Effect Send"]
M --> N["Effect Return"]
O["Chip 1 Effect A Level"] --> P["+"]
Q["Chip 2 Effect B Level"] --> P
P --> R["Effect A Reverb, Delay"]
R --> S["+"]
T["Effect B Chorus, Flanger, Slap Echo"] --> S
S --> U["Effect B Mute Foot Switch"]
V["Chip 1 Effect B On"] --> W["+"]
X["Chip 2 Effect B On"] --> W
W --> Y["Effect A Reverb, Delay"]
Y --> S
S --> Z["+"]
AA["Chip 2 Effect B Out"] --> AB["+"]
AC["Chip 1 Effect A Out"] --> AD["+"]
AE["Chip 2 Effect B Out"] --> AD
AD --> AF["Effect A Reverb, Delay"]
AG["Chip 1 Effect A Out"] --> AH["+"]
AI["Chip 2 Effect B Out"] --> AH
AH --> AJ["Effect A Reverb, Delay"]
AK["Chip 1 Effect A Out"] --> AL["+"]
AM["Chip 2 Effect B Out"] --> AL
AL --> AN["Effect A Reverb, Delay"]
AO["Chip 1 Effect A Out"] --> AP["+"]
AQ["Chip 2 Effect B Out"] --> AP
AP --> AR["Effect A Reverb, Delay"]
AS["Chip 1 Effect A Out"] --> AT["+"]
AU["Chip 2 Effect B Out"] --> AT
AT --> AV["Effect A Reverb, Delay"]
AW["Chip 1 Effect A Out"] --> AX["+"]
AY["Chip 2 Effect B Out"] --> AX
AX --> AY["Effect A Reverb, Delay"]
AZ["Chip 1 Effect A Out"] --> BA["+"]
BB["Chip 2 Effect B Out"] --> BA
BA --> BC["Effect A Reverb, Delay"]
BD["Chip 1 Effect A Out"] --> BE["+"]
BF["Chip 2 Effect B Out"] --> BE
BE --> BG["Effect A Reverb, Delay"]
BH["Chip 1 Effect A Out"] --> BI["+"]
BJ["Chip 2 Effect B Out"] --> BI
BI --> BK["Effect A Reverb, Delay"]
BL["Chip 1 Effect A Out"] --> BM["+"]
BN["Chip 2 Effect B Out"] --> BM
BM --> BO["Effect A Reverb, Delay"]
BP["Chip 1 Effect A Out"] --> BQ["+"]
BR["Chip 2 Effect B Out"] --> BQ
BQ --> BS["Effect A Reverb, Delay"]
BT["Chip 1 Effect A Out"] --> BU["+"]
BV["Chip 2 Effect B Out"] --> BU
BU --> BW["Effect A Reverb, Delay"]
BX["Chip 1 Effect A Out"] --> BY["+"]
BZ["Chip 2 Effect B Out"] --> BY
BY --> CA["Effect A Reverb, Delay"]
CB["Chip 1 Effect A Out"] --> CC["+"]
DD["Chip 2 Effect B Out"] --> CC
CC --> DE["Effect A Reverb, Delay"]
FD["Chip 1 Effect A Out"] --> DG["+"]
DH["Chip 2 Effect B Out"] --> DG
DG --> DI["Effect A Reverb, Delay"]
DJ["Chip 1 Effect A Out"] --> DK["+"]
DL["Chip 2 Effect B Out"] --> DK
DK --> DJ["Effect A Reverb, Delay"]
DKD["Aux Level"] --> DJ
DJ --> DK
Input Impedance:
1/4" Input 5MOhm
XLR Input 2.4kOhm Balanced
Aux Input (stereo) 10kOhm
Phantom Power
XLR Input 24VDC / 1.2kOhm DC source impedance per pin
Tone Controls and Anti-Feedback:
Low ±12.5dB @ 50Hz (resonant)
Mid ±10.5dB @ 750Hz (resonant)
High ±12.5dB @ 15kHz (shelving)
Anti Feedback range -14dB @ 15Hz – 330Hz (Hi-Q resonant notch)
Channel 1 & 2 D.I. Output:
Output Impedance 440Ohm balanced
Phantom power tolerant, ground isolated
Channel 1 & 2 Effects Sends:
Output Impedance 2.2kOhm
Operating Level -10dBV Nominal
Channel 1 & 2 Effects Returns:
Input Impedance 28k Ohm
Input Voltage -10dBV Nominal
(Sends and returns are compatible with battery operated effects processors)
Mix D.I. Output:
Output Impedance 600Ohm balanced
Phantom power tolerant, ground isolated
Speaker System:
Woofer 8" paper cone, acoustic suspension Tweeter 1" cloth dome, neodymium magnet Tweeter Level Up to 6dB cut Crossover 3.5kHz (Bi-amplifi ed with active crossover) Baffl e Angle 10 Degrees
Rated Power:
Cumulative 120Wrms Woofer Amp 100Wrms continuous Tweeter Amp 20Wrms continuous SPL @ 1 Meter 113dB SPL Frequency Response 80Hz – 20kHz
Power Consumption: 150W max
Fuse Rating: 100V, 50/60Hz: T2AL 250V (2A slow-blow, 5x20mm) 120V, 50/60Hz: T2AL 250V (2A slow-blow, 5x20mm) 240V, 50/60Hz: T1AL 250V(1A slow blow,5x20mm)
Physical:
Dimensions 13.5" H x 15.5" W x 11.5"D (343mm x 394mm x 292mm) Weight 25.5 lbs (11.6 kg)
Connectivity:
Playback Bluetooth® 4.0
We reserve the right to change any of the specifications and information in this manual without notice.
FISHMAN®
fi shman.com