GS-10 - Guitar Effects BOSS - Free user manual and instructions

USER MANUAL GS-10 BOSS

22. SPEAKER ON/OFF (activation/

On/Off (activation/désactivation) Feedback (rétroaction)

Source: CTL 1 (ou CTL 2) Source Mode: Normal Act.Range Lo:

Target Max: Off Source: CTL1 (or CTL2) Mode: Toggle Act. Range Lo:

Act. Range Hi: 1–127

90 00 00 FC 90 00 00 FA

SWAMP for ST TON O'METAL TREM-VIBRATO 5th MONO DRONE

P200 Immediate Auto Assign 1-8 Assign 1-8 MIDI RX Channel: Omni Mode: TX Channel: Device ID: Sync Clock: Remote Ctrl: KnobCtrlOut: PC Out: EXP PDL Out: CTL1 Out: CTL2 Out: Map Select:

CC#7 Off Off Fix USB Output Level: Input Level: Monitor Cmd: Dir Monitor: Output Mode: Driver Mode: Std.Drv Func:

• MIDI status: F0H, F7H An Exclusive message must be flanked by a pair of status codes, starting with a Manufacturer ID immediately after F0H (MIDI version 1.0).

• Manufacturer ID: 41H The Manufacturer ID identifies the manufacturer of a MIDI instrument that sends an Exclusive message. Value 41H represents Roland’s Manufacturer ID.

• One-way transfer procedure (See Section 3 for details.) This procedure is suited to the transfer of a small amount of data. It sends out an Exclusive message completely independent of the receiving device's status. Connection Diagram Device A MIDI OUT MIDI IN Device B MIDI IN

MIDI OUT Connection at point 2 is essential for “Request data” procedures. (See Section 3.)

• Handshake-transfer procedure (This device does not use this procedure) This procedure initiates a predetermined transfer sequence (handshaking) across the interface before data transfer takes place. Handshaking ensures that reliability and transfer speed are high enough to handle a large amount of data. Connection Diagram Device A MIDI OUT MIDI IN Device B MIDI IN

• Device ID: DEV Connection at points 1 and 2 is essential. The Device ID contains a unique value that identifies individual devices in the implementation of several MIDI instruments. It is usually set to 00H–0FH, a value smaller by one than that of a basic channel, but value 00H–1FH may be used for a device with several basic channels. Notes on the above procedures

• Model ID: MDL The Model ID contains a value that identifies one model from another. Different models, however, may share an identical Model ID if they handle similar data. The Model ID format may contain 00H in one or more places to provide an extended data field. The following are examples of valid Model IDs, each representing a unique model: 01H 02H 03H 00H, 01H 00H, 02H 00H, 00H, 01H

• Command ID: CMD The Command ID indicates the function of an Exclusive message. The Command ID format may contain 00H in one or more places to provide an extended data field. The following are examples of valid Command IDs, each representing a unique function: 01H 02H 03H 00H, 01H 00H, 02H 00H, 00H, 01H

• Main data: BODY This field contains a message to be exchanged across an interface. The exact data size and content will vary with the Model ID and Command ID.

2. Address-mapped Data Transfer

• Devices A and B cannot exchange data unless they use the same transfer procedure, share identical Device ID and Model ID, and are ready for communication.

3. One-way Transfer Procedure

This procedure sends out data until it has all been sent and is used when the messages are so short that answerbacks need not be checked. For longer messages, however, the receiving device must acquire each message in time with the transfer sequence, which inserts 20 milliseconds intervals. Types of Messages Message Command ID Request data 1 RQ1 (11H) Data set 1 DT1 (12H)

• Request data #1: RQ1 (11H) (This device does not use this procedure) This message is sent out when there is a need to acquire data from a device at the other end of the interface. It contains data for the address and size that specify designation and length, respectively, of data required. On receiving an RQ1 message, the remote device checks its memory for the data address and size that satisfy the request. If it finds them and is ready for communication, the device will transmit a “Data set 1 (DT1)” message, which contains the requested data. Otherwise, the device won't send out anything. Byte Description F0H Exclusive Status 41H Manufacturer ID (Roland) DEV Device ID MDL Model ID 11H Command ID aaH Address MSB

Size MSB Appendices Address mapping is a technique for transferring messages conforming to the data format given in Section 1. It assigns a series of memory-resident records—waveform and tone data, switch status, and parameters, for example, to specific locations in a machine-dependent address space, thereby allowing access to data residing at the address a message specifies.

• There are separate Command IDs for different transfer procedures.

LSB Address-mapped data transfer is therefore independent of models and data categories. This technique allows use of two different transfer procedures: one-way transfer and handshake transfer. sum Check sum F7H End of exclusive

• The size of the requested data does not indicate the number of bytes that will make up a DT1 message, but represents the address fields where the requested data resides.
• Some models are subject to limitations in data format used for a single transaction. Requested data, for example, may have a limit in length or must be divided into predetermined address fields before it is exchanged across the interface.
• The same number of bytes comprises address and size data, which, however, vary with the Model ID.
• The error-checking process uses a checksum that provides a bit pattern where the last 7 bits are zero when values for an address, size, and that checksum are summed.

• Data set 1: DT1 (12H) This message corresponds to the actual data transfer process. Because every byte in the data is assigned a unique address, a DT1 message can convey the starting address of one or more bits of data as well as a series of data formatted in an address-dependent order. The MIDI standards inhibit non real-time messages from interrupting an Exclusive one. This fact is inconvenient for devices that support a “soft-thru” function. To maintain compatibility with such devices, Roland has limited the DT1 to 256 bytes so that an excessively long message is sent out in separate ‘segments’. Byte Description F0H Exclusive Status 41H Manufacturer ID (Roland) DEV Device ID MDL Model ID 12H Command ID aaH Address MSB

• A DT1 message is capable of providing only the valid data among those specified by an RQ1 message.
• Some models are subject to limitations in data format used for a single transaction. Requested data, for example, may have a limit in length or must be divided into predetermined address fields before it is exchanged across the interface.
• The number of bytes comprising address data varies from one Model ID to another.
• The error-checking process uses a checksum that provides a bit pattern where the last 7 bits are zero when values for an address, size, and that checksum are summed.

• Example of Message Transactions
• Device A sending data to Device B Transfer of a DT1 message is all that takes place. Device A Device B [Data set 1]

Status BnH Second ccH

■CHANNEL VOICE MESSAGE

n = MIDI Channel Number: cc = Controller Number: ●Control Change Status BnH Second ccH n = MIDI Channel Number: cc = Controller Number: vv = Value:

0H - FH (ch.1 - ch.16) 00H, 20H (0, 32) 01H - 1FH (1 - 31) 40H - 5FH (64 - 95) 00H - 7FH (0 - 127) Control numbers 00H and 20H are recognized as Bank Select messages. 00H: 20H:

Third vvH For values of 01H or lower, the Program Change Map will be switched according to the value. For values of 02H or higher, the received data will be ignored. The received data will be ignored, regardless of the value. By specifying this as a Source for “Assign” (p. 60) you can use these messages to control a Target. ●Program Change Status CnH

0H - FH (ch.1 - ch.16) 00H - 7FH (No.1 - No.128) Patches will be selected according to the program number that is received. There are two Program Change Maps which are referenced when selecting programs, and these are switched by Bank Select messages.

If you set up a system parameter “MIDI PC Out” for “On,” Bank Select (00H, 20H) is transmitted when switching patch.

If you set up a control change number at a system parameter “MIDI EXP Out,” control change information is transmitted when operating an external EXP pedal.

If you set up a control change number at a system parameter “MIDI CTL 1 Out,” control change information is transmitted when operating an external CTL pedal.

If you set up a control change number at a system parameter “MIDI CTL 2 Out,” control change information is transmitted when operating an external CTL pedal. ●Program Change Status CnH Second ppH n = MIDI Channel Number: pp = Program Number:

Second ppH n = MIDI Channel Number: pp = Program Number: vv = Value: Third vvH 0H - FH (ch.1 - ch.16) 00H - 7FH (No.1 - No.128) If you set up a system parameter “MIDI PC Out” for “On,” program change information is transmitted when switching patch.

When an Active Sensing message is received, the interval of all subsequent messages will begin to be monitored. If an interval greater than 400 msec. between messages, the display will indicate “MIDI Off Line!”

Status F7H For more details, please refer to “Roland Exclusive Message.”

Status F7H Appendices Status F0H For more details, please refer to “Roland Exclusive Message.”

System Exclusive ID Number (Universal Realtime Message) Device ID (Broadcast) Sub ID#1(Machine Control Command) Sub ID#2(MMC Command) EOX (End of Exclusive/System common) F0H = 7EH = 10H = 06H = 01H = F7H = Exclusive Status ID Number Device ID Sub ID#1 Sub ID#2 EOX (End of System Exclusive) “com” (MMC Command) that I transmit with GS-10 is following. 01H 02H 44H 06H 01H 00H 00H 00H 00H 00H 06H Stop Play RESET REC

The 7FH (Broadcast) device ID is also supported.

When an Identity Request is received, the GS-10 will transmitted the following Identity Reply. ❍Identity Reply F0H 7EH 10H 06H 02H 41H 63H 01H 00H 00H 00H 00H 00H 00H F7H

3. EXCLUSICE COMMUNICATION

On the GS-10, exclusive messages can be used as follows. - Transmit/receive GS-10 system/ patch data. The model ID for GS-10 exclusive messages is 00H 63H, and you can set up the device ID at 00H–1FH.

■ONE WAY COMMUNICATION

●Request Data 1 RQ1(11H) F0H 41H dev 00H 63H 11H aaH bbH ccH ddH ssH ttH uuH vvH sum F7H F0H = 41H = dev = 00H = 63H = 11H = aaH = bbH = ccH = ddH = ssH = ttH = uuH = vvH = sum = F7H = Exclusive Status Manufacturer ID Device ID Model ID Model ID Command ID Address Address Address Address Size Size Size Size Checksum EOX (Roland) (Dev=00H-1FH) MSB (GS-10) LSB (GS-10) (RQ1) MSB

This message can only be received, and is not transmitted from the GS-10.

When transmitting large Size values spanning fragmented addresses, the data can be transmitted only to those addresses that are contiguous. ●Data Set 1 DT1(12H) F0H 41H dev 00H 63H 12H aaH bbH ccH ddH eeH ... ffH sum F7H F0H = 41H = dev = 00H = 63H = 12H = aaH = bbH = ccH = ddH = eeH = ffH = sum = F7H =

Exclusive Status Manufacturer ID Device ID Model ID Model ID Command ID Address Address Address Address Data Data Checksum EOX (Roland) (dev = 00H-1FH) MSB (GS-10) LSB (GS-10) (DT1) MSB

LSB (End of System Exclusive) When transmitting large amounts of data spanning fragmented addresses, the data can be transmitted only to those addresses that are contiguous.

Exclusive Status ID Number (Universal Non-realtime Message) Device ID Sub ID#1 Sub ID#2 ID Number (Roland) Device Family Code Device Family Number Code Software Revision Level EOX (End of System Exclusive) When an Identity Request is received, the GS-10 will transmitted the following Identity Reply.

4. PARAMETER ADDRESS MAP

The address and size are displayed under 7-bit hexadecimal notation. Address Binary 7-bit Hexadecimal MSB 0aaa aaaa

Appendices Patch Change When transmitted: Transmits the patch number. When received: Changes the Patch. Data size is fixed at 2 bytes. DATA: Patch Number DATA: Patch Number Upon receiving RQ1, the GS-10 replies with the patch number. Request size to the GS-10 at this time is fixed at 2 bytes (set at 00 00 00 02). Patch Write When received: After the patch is written, the patch is switched to the received patch number, and the Current Patch is output. Current Patch When received: Current patch number is transmitted (only when RQ1 is received). Patch Initialize When transmitted: DATA: 01H is transmitted. When received: Initial value is set if DATA: 01H is received. Data size is fixed at 1 byte. AMP Ch Copy When transmitted: Copy-destination amp channel is transmitted. When received: Copy-destination amp channel is received. Data size is fixed at 1 byte. Quick Fx Number When transmitted: Quick Fx number is transmitted. When received: Quick Fx number is changed. Data size is fixed at 1 byte. Quick Fx Count Number of Quick Fx in each Effect block. Request size is fixed at 1 byte (set at 00 00 00 01). TUNER/METER Mode DATA: Quick Fx Number DATA: Quick Fx Number 01H: TUNER Mode 02H: METER Mode 00H: exit (Play Mode)

• In TUNER mode: Pitch, Note data transmitted.
• In METER mode: METER POINT data transmitted. During TAP operations: Delay Time, Delay Time (Fine) transmitted (when setting BPM: Master BPM transmitted).

The GS-10 can use two methods of communication; Individual Parameter and Bulk Dump.

Bulk data can be received when the Bulk Load Ready function is accessed in “MIDI:Bulk Load” screen (System mode).

Although individual data can be received at any time, be sure to appropriately describe the value for one parameter in one packet [F0...F7].

Do not use an address appended with “#” as the first address.

Parameters for which Size is 2 or higher should not be separated; make sure these are sent in the same packet.

Parameters with Size of 2 or higher transmitted from the specified addresses in sequence, from MSB to LSB.

Scale 1 C *Refer to "Table HR Harmony Note"

Scale 1 A 03 00 00 0A

Scale 2 C *Refer to "Table HR Harmony Note"

Scale 3 C *Refer to "Table HR Harmony Note"

Scale 4 C *Refer to "Table HR Harmony Note"

Scale 5 C *Refer to "Table HR Harmony Note"

Scale 6 C *Refer to "Table HR Harmony Note"

Scale 7 C *Refer to "Table HR Harmony Note"

Scale 8 C *Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note" Appendices --- Scale 18

03 00 11 0A 03 00 11 0B --- Scale 19

03 00 12 0A 03 00 12 0B --- Scale 20

03 00 13 0A 03 00 13 0B --- Scale 21

03 00 14 0A 03 00 14 0B --- Scale 22

03 00 16 0A 03 00 16 0B --- Scale 24

03 00 17 0A 03 00 17 0B --- Scale 25

03 00 18 0A 03 00 18 0B --- Scale 26

*Refer to "Table HR Harmony Note"

*Refer to "Table HR Harmony Note"

Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch

User 1 C Step1 *Refer to "Table AR Step Note"

User 1 D Step1 *Refer to "Table AR Step Note"

User 1 Eb Step1 *Refer to "Table AR Step Note"

User 1 E Step1 *Refer to "Table AR Step Note"

User 1 F Step1 *Refer to "Table AR Step Note"

User 1 F# Step1 *Refer to "Table AR Step Note"

00 7A 00 7B 00 7C 00 7D 00 7E 00 7F

User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User User

Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch Pitch

Custom2 Bass Frequency

Custom3 Bass Frequency

Separate the upper four and lower four bits, assigning them to different bytes, and process them in sequence, beginning with the upper bits.

04H: Even address --- FX-1 --** ** 00 00

PW :Type AW :Mode TM :Type ACS:Type LM :Type ENH:Sensitivity SG :Sensitivity TR :Wave Shape DF :Tone RM :Mode FB :Mode

HU :Mode SL :Pattern AR :Phrase SYN:Sensitivity BS :Character SEQ:Low EQ *Refer to "Table Patch" *Refer to "Table Patch" *Refer to "Table Patch"

*Refer to "Table OD Type" *Refer to "Table PRE/SP Type" *Refer *Refer *Refer *Refer :Low EQ :Low-Middle Frequency :Low-Middle Q :Low-Middle EQ :High-Middle Frequency :High-Middle Q :High-Middle EQ :High EQ :Level PH :Depth FL :Manual HR :HR1 Pre Delay PS :PS1 Pitch OC :Direct Level PB :Pdl Position 2CE:Low Depth PAN:Depth VB :Trigger UV :Level RT :Rate(Fast) SDD:Feedback HU :Vowel 2 SL :Trigger Sensitivity AR :Tempo SYN:Chromatic BS :--SEQ:Low-Middle Q

"Table "Table "Table "Table Patch" Patch" Patch" Patch" *Refer to "Table EQ Middle Frequency" *Refer to "Table EQ Middle Q" *Refer to "Table EQ Middle Frequency" *Refer to "Table EQ Middle Q"

"Table "Table "Table "Table "Table Patch" Rate" Patch" Patch" OC Range" *Refer to "Table Xover Frequency" *Refer *Refer *Refer *Refer

"Table "Table "Table "Table Rate" Rate" Patch" SDD Delay Time" *Refer to "Table Patch" to "Table Rate" to "Table HR Harmony" to "Table Patch" to "Table Rate" to "Table Rate" to "Table Rate"

"Table "Table "Table "Table Patch" Rate" Patch" Patch" *Refer to "Table EQ Middle Frequency" *Refer to "Table Pre Delay" *Refer to "Table Patch" *Refer to "Table Rate" *Refer to "Table Patch" *Refer to "Table Rate" *Refer to "Table Patch" *Refer to "Table EQ Middle Q" PH :Manual FL :Resonance HR :HR1 Pre Delay (LSB) PS :PS1 Fine OC :--PB :Effect Level 2CE:Low Pre Delay *Refer to "Table Patch" PAN:--VB :Rise Time UV :--RT :Rise Time SDD:Effect Level HU :Sensitivity SL :--- Appendices

:Type :Drive :Bass :Treble :EffectLevel :DirectLevel

:Type :DlyTime :DlyTime(Fine) :Tap Time :Feedback :High Cut Filter :Effect Level *Refer to "Table Patch" *Refer to "Table DD Delay Time"

:Mode :Rate :Depth :Pre Delay :Low Cut Filter :High Cut Filter :Effect Level *Refer to "Table Patch" *Refer to "Table Rate"

:Type :Reverb Time :Pre Delay :Low Cut Filter :High Cut Filter :Density :Effect Level *Refer to "Table Reverb Type" *Refer to "Table Patch"

07 63 ** ** Patch 200 (Preset Patch) 08 00 ** ** Temporary Buffer (Bulk) 09 00 ** ** Temporary Buffer (Individual)

*Refer to "Table Rate"

LM :Ratio *Refer to "Table Ratio" LM :Release

DF :Tone -50 - +50 DF :Sensitivity

:Type :Drive :Bass :Treble :Effect Level :Direct Level 00 : Off 01 : On

00 : Off 01 : On :Low EQ -20dB - +20dB :Low-Middle Frequency *Refer :Low-Middle Q *Refer :Low-Middle EQ -20dB - +20dB :High-Middle Frequency *Refer :High-Middle Q *Refer :High-Middle EQ -20dB - +20dB :High EQ -20dB - +20dB :Level -20dB - +20dB --- FX-2 --** ** 05 00

*Refer to "Table HR Harmony" *Refer to "Table Pre Delay"

:HR2 Level :Key :Direct Level :Voice :Rate :Depth :Manual :Resonance :Step Rate :Effect Level :Direct Level :Rate :Depth :Manual :Resonance :Separation :Low Cut Filter :Effect Level :Direct Level :Voice

PS :PS1 Pitch PS :PS1 Fine PS :PS1 Pre Delay

to "Table EQ Middle Frequency" to "Table EQ Middle Q"

*Refer to "Table OC Range"

*Refer to "Table Xover Frequency" *Refer to "Table Rate"

0.0ms - 40.0ms (0.5ms step)

*Refer to "Table Rate"

*Refer to "Table Rate"

*Refer to "Table Rate"

*Refer to "Table Rate"

00:slow, 01:fast *Refer to "Table Rate" *Refer to "Table Rate"

*Refer to "Table SDD Delay Time"

Mode = Picking HU :Rate *Refer to "Table Rate" HU :Depth

Mode = Auto HU :Level

SL :Pattern 00 : P1 13 : P20 SL :Rate *Refer to "Table Rate" SL :Trigger Sensitivity 0 - 100 AR :Phrase Preset1 - Preset30, User1 - User10 AR :Loop 00 : Off 01 : On AR :Tempo *Refer to "Table Rate" AR :Sensitivity

AR :Key C(Am) - B(G#m), Phrase = Preset1-30 AR :Attack

Wave = Square SYN:PWM Depth

Wave = Square SYN:Cutoff Frequency

SEQ:Low EQ -20dB - +20dB SEQ:Low-Middle Frequency *Refer to "Table EQ Middle Frequency" SEQ:Low-Middle Q *Refer to "Table EQ Middle Q" SEQ:Low-Middle EQ -20dB - +20dB SEQ:High-Middle Frequency *Refer to "Table EQ Middle Frequency" SEQ:High-Middle Q *Refer to "Table EQ Middle Q" SEQ:High-Middle EQ -20dB - +20dB Appendices ** ** 06 00 ** ** 06 01

*Refer to "Table High Cut"

:DlyTime :DlyTime.F :Tap Time :Feedback :High Cut Filter :Effect Level

:Rate :Depth :Pre Delay :Low Cut Filter :High Cut Filter :Effect Level

0.0ms - 40.0ms(0.5ms step) *Refer to "Table Low Cut" *Refer to "Table High Cut"

00 : Off 01 : On *Refer to "Table Reverb Type" 0.1s - 10.0s(0.1s step) 0ms - 100ms *Refer to "Table Low Cut" *Refer to "Table High Cut"

Guitar Bass Microphone USB(Gtr/Mic) USB(Bass) AUX

"Table "Table "Table "Table "Table "Table "Table "Table "Table "Table "Table "Table Chain" Chain" Chain" Chain" Chain" Chain" Chain" Chain" Chain" Chain" Chain" Chain" Rules for exchanging effect positions The same effect cannot be used more than once.

Name 1 Name 2 Name 16 *Refer to "Table Name" *Refer to "Table Name" *Refer to "Table Name"

ASSIGN 1:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 1:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 1:Target Max [Target Param Min <= Data <= Target Param Max]

ASSIGN 1:Source ASSIGN 1:Source Mode *Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 1:Source Act.Range Low

ASSIGN 2:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 2:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 2:Target Max [Target Param Min <= Data <= Target Param Max]

*Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 2:Source Act.Range Low

ASSIGN 2:Source Act.Range High 0 - 127

ASSIGN 3:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 3:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 3:Target Max [Target Param Min <= Data <= Target Param Max]

*Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 3:Source Act.Range Low

ASSIGN 4:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 4:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 4:Target Max [Target Param Min <= Data <= Target Param Max]

*Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 4:Source Act.Range Low

ASSIGN 4:Source Act.Range High 0 - 127

ASSIGN 5:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 5:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 5:Target Max [Target Param Min <= Data <= Target Param Max]

*Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 5:Source Act.Range Low

ASSIGN 6:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 6:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 6:Target Max [Target Param Min <= Data <= Target Param Max]

*Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 6:Source Act.Range Low

ASSIGN 6:Source Act.Range High 0 - 127

ASSIGN 7:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 7:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 7:Target Max [Target Param Min <= Data <= Target Param Max]

*Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 7:Source Act.Range Low

ASSIGN 7:Source Act.Range High 0 - 127

ASSIGN 8:Target 00 : Off 01 : On *Refer to "Table Target" ASSIGN 8:Target Min [Target Param Min <= Data <= Target Param Max] ASSIGN 8:Target Max [Target Param Min <= Data <= Target Param Max]

ASSIGN 2:Source ASSIGN 2:Source Mode ASSIGN 3:Source ASSIGN 3:Source Mode ASSIGN 4:Source ASSIGN 4:Source Mode ASSIGN 5:Source ASSIGN 5:Source Mode ASSIGN 6:Source ASSIGN 6:Source Mode ASSIGN 7:Source ASSIGN 7:Source Mode ASSIGN 8:Source ASSIGN 8:Source Mode *Refer to "Table Source" 00 : Normal 01 : Toggle ASSIGN 8:Source Act.Range Low

FX-1 Quick Fx Count 0B 01 01 00

OD/DS Quick Fx Count 0B 01 03 00

PRE Quick Fx Count 0B 01 04 00

EQ Quick Fx Count 0B 01 05 00

FX-2 Quick Fx Count 0B 01 06 00

00 00 00 0A 00 00 00 0B 00 00 00 0C 00 00 00 0D 00 00 00 0E 00 00 00 0F

00 00 01 0A 00 00 01 0B 00 00 01 0C 00 00 01 0D 00 00 01 0E 00 00 01 0F

00 00 03 0A 00 00 03 0B 00 00 03 0C 00 00 03 0D 00 00 03 0E 00 00 03 0F

00 00 04 0A 00 00 04 0B 00 00 04 0C 00 00 04 0D 00 00 04 0E 00 00 04 0F

00 00 05 0A 00 00 05 0B 00 00 05 0C 00 00 05 0D 00 00 05 0E 00 00 05 0F

---------------Description ---------------FX1:On/Off FX1:FX Select PW :Type PW :Pdl Position PW :Level AW :Mode AW :Polarity AW :Sensitivity AW :Frequency AW :Peak AW :Rate AW :Depth AW :Level TM :Type TM :Low TM :High TM :Level ACS:Type ACS:Sustain ACS:Attack ACS:Tone ACS:Level LM :Type LM :Attack LM :Threshold LM :Ratio LM :Release LM :Level ENH :Sensitivity ENH :Frequency ENH :Mix Level SG :Sensitivity SG :Rise Time TR :Wave Shape TR :Rate TR :Depth DF :Tone DF :Sensitivity DF :Attack DF :Depth DF :Resonance DF :Effect Level DF :Direct Level RM :Mode RM :Frequency RM :Effect Level RM :Direct Level FB :Mode FB :Rise Time FB :Rise Time(Å£) FB :F.B.Level FB :F.B.Level(Å£) FB :Vibrato Rate FB :Vibrato Dept CS :On/Off CS :Sustain CS :Level OD :On/Off OD :Type OD :Drive OD :Bass OD :Treble OD :Effect Level OD :Direct Level PRE/SP:On/Off PRE/SP:Channel Select PRE/SP:Type PRE/SP:Gain PRE/SP:Bass PRE/SP:Middle PRE/SP:Treble PRE/SP:Presence PRE/SP:Amp Level PRE/SP:Bright PRE/SP:Gain SW PRE/SP:Speaker Type PRE/SP:Mic Type PRE/SP:Mic Distance PRE/SP:Mic Position PRE/SP:Mic Level PRE/SP:Direct Level EQ :On/Off EQ :Low EQ EQ :Low-Middle Frequency EQ :Low-Middle Q EQ :Low-Middle EQ EQ :High-Middle Frequency EQ :High-Middle Q EQ :High-Middle EQ EQ :High EQ EQ :Level FX2:On/Off FX2:FX Select PH :Type PH :Rate PH :Depth PH :Manual PH :Resonance PH :Step Rate PH :Effect Level PH :Direct Level FL :Rate FL :Depth FL :Manual FL :Resonance FL :Separation FL :Low Cut Filter FL :Effect Level FL :Direct Level HR :Voice

whole note doted half note whole note triplet half note doted quarter note half note triplet quarter note doted eighth note quarter note triplet eighth note doted sixteenth note eighth note triplet sixteenth note Table High Cut <High Cut> ---------------Data(H)

whole note doted half note whole note triplet half note doted quarter note half note triplet quarter note doted eighth note quarter note triplet eighth note doted sixteenth note eighth note triplet sixteenth note

<HR: HR1(HR2) Harm> ---------------Description ----------------2oct -14th -13th -12th -11th -10th -9th -1oct -7th -6th -5th -4th -3rd -2nd Unison +2nd +3rd +4th +5th +6th +7th +1oct +9th +10th +11th +12th +13th +14th +2oct Scale 1 *Refer to "Table HR Scale" Scale 2 Scale 3 Scale 4 Scale 5 Scale 6 Scale 7 Scale 8 Scale 9 Scale 10 Scale 11 Scale 12 Scale 13 Scale 14 Scale 15 Scale 16 Scale 17 Scale 18 Scale 19 Scale 20 Scale 21 Scale 22 Scale 23 Scale 24 Scale 25 Scale 26 Scale 27 Scale 28 Scale 29 Appendices Table HR Scale <Harmony Scale> --------------------------------------------Harmony -2oct -14th -13th -12th -11th -10th -9th -1oct -7th -6th -5th -4th -3rd -2nd Unison +2nd +3rd +4th +5th +6th +7th +1oct +9th +10th +11th +12th +13th +14th +2oct Input note

+F↑ +G↑ +A↑ +B↑ +C↑ +D↑ +E↑ +F↑↑ <OC: Range> ---------------Description ---------------Gt. or Mic Bass 1 (Gt. or Mic) 7th string, open to 1st string, 24th fret (Bass) 24th fret LoB, open to HiC, 24th fret

2 (Gt. or Mic) 7th string, open to 1st string, 12th fret (Bass) LoB, open to 1st string, 19th fret

3 (Gt. or Mic) 7th string, open to 1st string, open (Bass) LoB, open to 1st string, 9th fret

4 (Gt. or Mic) 7th string, open to 4th string, 2nd fret (Bass) LoB, open to 2nd string, 2nd fret Table Xover Frequency ---------------Data(H)

00 0A 00 0B 00 0C 00 0D 00 0E 00 0F

00 1A 00 1B 00 1C 00 1D 00 1E 00 1F

00 2A 00 2B 00 2C 00 2D 00 2E 00 2F

00 3A 00 3B 00 3C 00 3D 00 3E 00 3F

00 4A 00 4B 00 4C 00 4D 00 4E 00 4F

00 5A 00 5B 00 5C 00 5D 00 5E 00 5F

00 6A 00 6B 00 6C 00 6D <Patch: Assign Target> ---------------Description ---------------FX1:On/Off FX1:FX Select PW :Type PW :Pdl Position PW :Level AW :Mode AW :Polarity AW :Sensitivity AW :Frequency AW :Peak AW :Rate AW :Depth AW :Level TM :Type TM :Low TM :High TM :Level ACS:Type ACS:Sustain ACS:Attack ACS:Tone ACS:Level LM :Type LM :Attack LM :Threshold LM :Ratio LM :Release LM :Level ENH :Sensitivity ENH :Frequency ENH :Mix Level SG :Sensitivity SG :Rise Time TR :Wave Shape TR :Rate TR :Depth DF :Tone DF :Sensitivity DF :Attack DF :Depth DF :Resonance DF :Effect Level DF :Direct Level RM :Mode RM :Frequency RM :Effect Level RM :Direct Level FB :Mode FB :Rise Time FB :Rise Time(Å£) FB :F.B.Level FB :F.B.Level(Å£) FB :Vibrato Rate FB :Vibrato Dept CS :On/Off CS :Sustain CS :Level OD :On/Off OD :Type OD :Drive OD :Bass OD :Treble OD :Effect Level OD :Direct Level PRE/SP:On/Off PRE/SP:Channel Select PRE/SP:Type PRE/SP:Gain PRE/SP:Bass PRE/SP:Middle PRE/SP:Treble PRE/SP:Presence PRE/SP:Amp Level PRE/SP:Bright PRE/SP:Gain SW PRE/SP:Speaker Type PRE/SP:Mic Type PRE/SP:Mic Distance PRE/SP:Mic Position PRE/SP:Mic Level PRE/SP:Direct Level EQ :On/Off EQ :Low EQ EQ :Low-Middle Frequency EQ :Low-Middle Q EQ :Low-Middle EQ EQ :High-Middle Frequency EQ :High-Middle Q EQ :High-Middle EQ EQ :High EQ EQ :Level FX2:On/Off FX2:FX Select PH :Type PH :Rate PH :Depth PH :Manual PH :Resonance PH :Step Rate PH :Effect Level PH :Direct Level FL :Rate FL :Depth FL :Manual FL :Resonance FL :Separation FL :Low Cut Filter FL :Effect Level FL :Direct Level HR :Voice Appendices

After Touch Key's Ch's

• Cliquez sur [Cancel]. Si l’écran indique : “Software required for using device `unknown device’ cannot be found. Please refer to the manual included with the device, and install the necessary software.”

For the U.K. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. NEUTRAL BLUE: BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug. For the USA

DECLARATION OF CONFORMITY