E-09W - Arranger keyboard ROLAND - Free user manual and instructions

USER MANUAL E-09W ROLAND

INTERACTIVE ARRANGER

E-09

Owner's Manual

Thank you, and congratulations on your choice of the Roland E-09.

Before using this unit, carefully read the sections entitled: "USING THE UNIT SAFELY" and "IMPORTANT NOTES" (pp. 2-3; p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Conventions Used in This Manual

Operating buttons are enclosed in square brackets; e.g., [PIANO].

Page references are given as (p. **).

The special symbols have the following meanings.

NOTE

This indicates an important note you must read.

MEMO

This indicates a memo regarding settings or functionality. Read it as necessary.

TIP

This indicates a hint for operation. Read it as necessary.

cf.

This indicates a reference to related information. Read it as necessary.

TERM

This explains a term that may be unfamiliar. Read it as necessary.

Glossary of Terms

TERM

"Tones" are the sounds you will normally play on the E-09. If we use the analogy of an orchestra, a "tone" corresponds to an instrument held by a musician. Each tone also includes parameters (settings) such as effects. (p. 10)

TERM

The "Arranger" is the E-09's automatic accompaniment function. (p. 13)

TERM

"Music Styles" are musical templates used by the arranger. The E-09 contains a variety of built-in music styles, such as rock, dance, Latin, and jazz. (p. 14)

TERM

"Music Assistant" settings specify the type of tone and music style, together with other settings such as the keyboard part and various additional parameters. The E-09 contains a variety of built-in music assistant settings. (p. 15)

TERM

"User Programs" specify the type of tone and music style, together with other settings such as the keyboard part and various additional parameters. You can edit the settings and save them as a user program. (p. 16)

TERM

"Songs" are recordings you make of your own performances using the 16-track recorder. You can create a song by adding the arranger to your own keyboard performance. (p. 19)

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: NEUTRAL

BROWN: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

USING THE UNIT SAFELY

INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

About WARNING and CAUTION Notices

▲WARNING	Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
▲CAUTION	Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

About the Symbols

▲	The △ symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
◎	The ⊙ symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
◆	The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

WARNING

• Before using this unit, make sure to read the instructions below, and the Owner's Manual.

• Do not open (or modify in any way) the unit or its AC adaptor.

• Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

• Never use or store the unit in places that are:

• Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are

• Damp (e.g., baths, washrooms, on wet floors); or are
• Humid; or are
• Exposed to rain; or are
  Dusty; or are

• Subject to high levels of vibration.

• This unit should be used only with a rack or stand that is recommended by Roland.

WARNING

• When using the unit with a rack or stand recommended by Roland, the rack or stand must be carefully placed so it is level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling.

• Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock.

• Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device.

• Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

• This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist.

WARNING

• Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.

• Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page when:

• The AC adaptor, the power-supply cord, or the plug has been damaged; or

• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been spilled onto the unit; or
• The unit has been exposed to rain (or otherwise has become wet); or

• The unit does not appear to operate normally or exhibits a marked change in performance.

• In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

• Protect the unit from strong impact. (Do not drop it!)

• Do not force the unit's power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cords—the total power used by all devices you have connected to the extension cord's outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through.

• Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

CAUTION

• The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

• This (E-09) for use only with Roland stand KS-12. Use with other stands is capable of resulting in instability causing possible injury.

• Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit.

• At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.

• Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

• Never climb on top of, nor place heavy objects on the unit.

• Never handle the AC adaptor or its plugs with wet hands when plugging into, or unplugging from, an outlet or this unit.

• Before moving the unit, disconnect the AC adaptor and all cords coming from external devices.

• Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 9).

• Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet.

In addition to the items listed under "USING THE UNIT SAFELY" on page 2-3, please read and observe the following:

Power Supply

• Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet.
• The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.
• Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.

Placement

• Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
• This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
• Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off.
• Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
• When moved from one location to another where the temperature and/or humidity is very different, water droplets (condensation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated.
• Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.
• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface.

You can place a piece of felt or cloth under the rubber feet to prevent this from happening. If you do so, please make sure that the unit will not slip or move accidentally.

Maintenance

• For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
• Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Repairs and Data

• Please be aware that all data contained in the unit's memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

Additional Precautions

• Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the unit's memory in another MIDI device (e.g., a sequencer).
• Unfortunately, it may be impossible to restore the contents of data that was stored in the unit's memory, or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
• Use a reasonable amount of care when using the unit's buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
• Never strike or apply strong pressure to the display.
• When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable's internal elements.
• To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
• When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
• Do not apply undue force to the music stand while it is in use.

USING THE UNIT SAFELY 2

IMPORTANT NOTES 4

Introduction. 6

Top and Rear Panels. 6
Top Panel. 6
Rear Panel. 8

Making the Connections 8

Connecting an External Device or Foot Switch. 8
Connecting the AC Adaptor. 8

Turning the Power On/Off 8

Turning the Power On. 8
Turning the Power Off 9

Listening to the Demo Songs. 9
Adjusting the Display Contrast 9
Returning the E-09 to Its Factory-Set State 9

Playing the Sounds from the

Keyboard 10

Playing the Main Part. 10
Playing the Main Part and Split Part 10
Playing the Main Part and Dual Part 10

Selecting Tones 11

Using the Numeric Keys. 11
Using the TONE Category Buttons 11
Drum Sounds and Sound Effects (SFX) 11

Sounding the Metronome 11
Transposing. 12
Octave Setting 12
Changing the Keyboard Scale 12

Performing with an Accompaniment

(Arranger) 13

Using the Arranger 13

Changing the Arranger Ensemble. 13
Changing the Volume Balance of the Arranger Playback
and the Keyboard Performance 13
Changing the Tempo of the Arranger. 13
Arranger Sync Start 13
Stopping the Arranger. 13

Selecting a Music Style 14
Music Style Functions 14
One-Touch. 14
Melody Intelligence 14

Performance Functions and Effects.....15

Performance Functions. 15
Keyboard Touch 15
Pitch Bend and Modulation. 15
Foot Switch. 15
Music Assistant 15
User Program. 16

Effects. 16

Reverb 16
Chorus 17
Multi-Effects (MFX) 17

Song Functions 19

Recording Your Own Performance 19
All Recording Mode 19
Keyboard Recording Mode 19
Single Recording Mode 20
Punch-In/Out Recording Mode 20
Playing the Song. 21
Changing the Playback Location of the Song 21
Minus-OnePlayback 21

Function Menu 22

Setting a Function Menu Parameter. 22
KBD SET Parameters 22
METRONOME Parameters 23
Octave Parameters 23
Volume Parameters. 23
ARR SET Parameters 24
EFFECTS Parameters 24
KBD SCALE Parameters 25
MIDI Parameters 25
UTILITY Parameters 25

MIDI Functions 26

MIDI Channels. 26
MIDI Parameters 27
BulkDump 28
Bulk Load 28

Other Functions 29

Appendices 31

Troubleshooting 31
Tone List 32
Drum Set List. 37
Music Style List. 43
Specifying Chords 44
MIDI Implementation Chart. 46
Specifications 47

Index 48

Top and Rear Panels

Top Panel

1. Power Button

Turns the power on/off. (p. 8)

2. Bender/Modulation Lever

Moving this lever to left or right changes the pitch of the sound. Pushing the lever away from yourself adds modulation (normally vibrato) to the sound. (p. 15)

3. PHONES 1/2 Jacks

You can connect two sets of headphones (sold separately) to these jacks. The internal speakers will be turned off if you connect headphones.

NOTE

The headphone volume may decrease if you connect two sets of headphones.

4. VOLUME Knob

Adjusts the overall volume of the E-09.

5. BALANCE (ARRANGER and KEYBOARD) Buttons

These buttons adjust the volume balance between the accompaniment (or song) and the part you're playing on the keyboard. (p. 13)

6. TAP TEMPO Button

You can use this button to adjust the tempo. (p. 13)

7. STYLE Section

Here you can select music styles for the displayed group.

8. METRONOME Button

Switches the metronome on/off. If you hold down this button, a screen will appear in which you can make settings, such as the time signature and volume of the metronome. (p. 11)

9. BAND ORCHESTRATOR Section

Press these buttons if you want to change the ensemble of the arranger (accompaniment) or if you want to use the minus-one function. (p. 13, p. 21)

10. KEYBOARD MODE Section

ARRANGER Button

Press this button when you want to use the arranger function (automatic accompaniment).

PIANO Button

If you press this button, you'll be able to play a piano sound using the entire keyboard.

11. ARRANGER & SONG CONTROLS Section

Press these buttons to play back the arranger or songs. (p. 13, p. 19)

12. MUSIC ASSISTANT Button

Selects music assistants. (p. 15)

13. ONE TOUCH Button

Selects one-touch settings. This will recall settings that are appropriate for the selected music style. (p. 14)

14. STYLE Button

Selects music styles. (p. 14)

15. TONE Button

Selects tones. (p. 10)

16. FUNCTION Button

Accesses a screen where you can edit various parameters. (p. 22)

17. USER PROGRAM Button

Selects user programs. (p. 16)

18. FAMILY (REC MODE) [ ] [ ]

SELECT (REC TRACK) [ ] [ ]

Use these buttons to select tones, music styles, music assistants, songs, or functions. Use the FAMILY [ ][ ] buttons to select the group. To move more rapidly through the selections, hold down a button or press the other button while you hold down the one you pressed first. Use the SELECT [ ][ ] buttons to select an item within the selected group. Here too, you can move more rapidly through the selections by holding down a button or by pressing the other button while you continue holding down the first button.

19. KEYBOARD CONTROL Section

• SPLIT Button
  • Divides the keyboard into left-hand and right-hand areas so that you can play different tones in each area. (p. 10)
    DUAL Button Lets you play two tones simultaneously. (p. 10)
• TRANSPOSE Button

Transposes the keyboard. (p. 12)

20. TEMPO [ ](-/NO) / [ ] (+/YES)

These buttons adjust the tempo of the arranger. They are also used to edit the value of various parameters.

21. KEYBOARD TOUCH Button

Turns keyboard touch on/off. If this is off, all notes you play on the keyboard will sound at the same loudness (which you may specify). (p. 15)

22. MELODY INTELLIGENCE Button

Turns melody intelligence on/off. If you hold down this button, the melody intelligence harmony type editing screen will appear. (p. 14)

23. NUMERIC Button

Press this when you want to use the TONE category buttons as numeric buttons. (p. 11)

24. TONE Category Buttons

Use these buttons to select tones for the displayed category. (p. 11)

Attaching the Music Rest

Insert the included music rest into the groove located at the upper middle of the top panel.

Rear Panel

1. MIDI OUT/IN Connectors

Connect your MIDI equipment here. (p. 26)

2. FOOT SWITCH Jack

Connect a separately available foot switch (Roland DP series unit or BOSS FS-5U) here.

3. OUTPUT R/L (MONO) Jacks

Connect these jacks to your cassette deck, power amp, audio amp, keyboard amp, monitor speakers, etc.

4. DC IN Connector

Connect the supplied AC adaptor to this connector.

5. Cord Hook

Use this hook to fasten the cord of the AC adaptor.

Making the Connections

NOTE

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Connecting an External Device or Foot Switch

Connecting an External Device

If you want to record your performance (or a song recorded on the E-09) to a cassette tape or other media, connect the E-09's rear panel OUTPUT jacks to the input jacks of your external recording device.

MEMO

If you connect separately available stereo headphones to the PHONES 1 or 2 jack, the internal speakers will be muted.

Cassette deck, power amp, audio amp, keyboard amp, monitor speakers, etc.

Connecting a Foot Switch

NOTE

The E-09's power must be switched off when you connect a foot switch.

Connect the separately available foot switch (Roland DP series unit or BOSS FS-5U) to the rear panel FOOT SWITCH jack. You can use the foot switch to sustain the notes even after removing your fingers from the keyboard. Other functions can also be assigned to the foot switch. For details, refer to "FSW (Foot Switch Assign)" (p. 23).

Connecting the AC Adaptor

1. Place the E-09 in a level location.
2. Plug the supplied power cord into the supplied AC adaptor.

1. Connect the AC adaptor to the rear panel DC IN connector, and then plug the power cord into an AC outlet.

NOTE

To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

Turning the Power On/Off

Turning the Power On

NOTE

Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/ or damage to speakers and other devices.

1. Before you turn on the power, set the VOLUME knob to the far left position to minimize the volume.
2. Press the power button on the top panel to turn on the power.

NOTE

This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.

NOTE

If you've connected the E-09 to a keyboard amp or audio amp, switch on the E-09's power before you switch on your amp.

1. Turn the VOLUME knob to adjust the volume of the E-09.

Turning the Power Off

1. Press the top panel power button once again to turn off the power.

NOTE

If you've connected the E-09 to a keyboard amp or audio amp, switch off the power to your amp before you switch off the E-09's power.

Listening to the Demo Songs

NOTE

All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.

NOTE

No data for the music that is played will be output from MIDI OUT.

1. Simultaneously press [MUSIC ASSISTANT] and [STYLE] so both buttons are lit.
2. Turn the VOLUME knob to adjust the volume.
3. Press [START/STOP] so it's lit. The demo song starts playing.
4. Press [START/STOP] so it goes out. The demo song stops playing.
5. Press [MUSIC ASSISTANT] or [STYLE] to exit the demo mode.

Adjusting the Display Contrast

1. Press [FUNCTION] so it's lit.
2. Use FAMILY [ ][▶] to access the "UTILITY" screen.
3. Use SELECT [ ] to access the "LCD Contrast" screen.
4. Use TEMPO [ (-)][ (+)] to adjust the contrast of the characters in the screen.
5. Press [FUNCTION] so it goes out.

TIP

Alternatively, you can adjust the display's contrast by holding down [NUMERIC] and using TEMPO [(-)][ (+)] .

Returning the E-09 to Its Factory-Set State

1. Press [FUNCTION] so it's lit.
2. Use FAMILY [ ] to access the "UTILITY" screen.
3. Use SELECT [ ] to access the "Factory Reset" screen.

"Yes" begins blinking in the screen.

1. Press TEMPO [ (YES)].

The screen prompts "Sure?"

1. Press TEMPO [▶ (YES)] once again.

Immediately after you've turned on the power, the E-09 is set up so that you can play a piano sound across the full extent of the keyboard. The E-09's keyboard provides the following three "parts."

MAIN	A single tone is assigned across the entire keyboard (Main part)
SPLIT	The keyboard area at the left of the split point is the "split part," and the area at the right is the "main part." Each part can play a different tone.
DUAL	The entire keyboard is assigned to simultaneously play two tones (the main part and the dual part).

The E-09 contains 614 different tones. You can play these tones from the three keyboard parts (main, split, and dual).

MEMO

If you press the KEYBOARD MODE [PIANO] button so it's lit, the main part is assigned to the entire keyboard and a piano sound will be selected.

NOTE

You can't use the arranger (automatic accompaniment) if the KEYBOARD MODE [PIANO] button is lit.

Playing the Main Part

1. Press [TONE] so it's lit.
2. Use FAMILY [ ] to select a tone group.
3. Use SELECT [ ] to select a tone from the group you selected in step 2.
4. Play the keyboard.

Turn the VOLUME knob to adjust the volume.
5. Hold down [TONE], and adjust the volume of the main part by pressing BALANCE [ ] (to decrease the volume) or [ ] (to increase the volume).

Playing the Main Part and Split Part

1. If you want to play different tones in the left and right hands, press [SPLIT] so it's lit.

A tone will automatically be selected for the split part according to the tone of the main part.

Selecting a Tone for the Main Part

1. Press [TONE] so it's lit.
2. Use FAMILY [ ] to select a tone group.
3. Use SELECT [ ][ ] to select a tone for the main part from the group you selected in step 3.

Selecting a Tone for the Split Part

1. Hold down [SPLIT], and use FAMILY [ ][▶] to select a tone group.
2. Hold down [SPLIT], and use SELECT [][] to select a tone for the split part from the group you selected in step 5.

NOTE

You can't select a drum set for the split part.

TIP

You can add a monophonic bass part (Auto Bass) to the split part. For details, refer to p. 23.

1. Play the keyboard.

Turn the VOLUME knob to adjust the volume.

MEMO

The tone of each part is automatically set to the appropriate octave.

MEMO

The split point is set to C4 (note number 60).

TIP

You can change the split point. For details, refer to "Split Point" (p. 22).

1. Adjust the volume balance between the main part and the split part.

To adjust the volume of the main part, hold down [TONE] and press BALANCE [ ] (to decrease the volume) or [ ] (to increase the volume).

To adjust the volume of the split part, hold down [SPLIT] and press BALANCE [ ] (to decrease the volume) or [ ] (to increase the volume).

Playing the Main Part and Dual Part

1. If you want to play two different tones simultaneously, press [DUAL] so it's lit.

A tone appropriate for layering on the main part will automatically be selected for the dual part.

Selecting a Tone for the Main Part

1. Press [TONE] so it's lit.
2. Use FAMILY [ ][ ] to select a tone group.
3. Use SELECT [ ][ ] to select a tone for the main part from the group you selected in step 3.

Selecting a Tone for the Dual Part

1. Hold down [DUAL], and use FAMILY [ ][▶] to select a tone group.
2. Hold down [DUAL], and use SELECT [][] to select a tone for the dual part from the group you selected in step 5.

NOTE

You can't select a drum set for the dual part.

1. Play the keyboard.
   Turn the VOLUME knob to adjust the volume.
2. Adjust the volume balance between the main part and the dual part.
   To adjust the volume of the main part, hold down [TONE] and

press BALANCE [ ] (to decrease the volume) or [ ] (to increase the volume).

To adjust the volume of the dual part, hold down [DUAL] and press BALANCE [ ] (to decrease the volume) or [ ] (to increase the volume).

Selecting Tones

As an alternative to using the FAMILY or SELECT [ ][ ] buttons, you can also select tones using the numeric keys or TONE category buttons.

Using the Numeric Keys

1. Press [TONE] so it's lit.
2. Press [NUMERIC] so it's lit.
3. Use TONE category buttons [1]–[0] to enter a tone number. Example: To enter “12”

Press [1] -> [2] and wait a few moments until the number is confirmed. Alternatively, press [0] -> [1] -> [2].

To select the tone for the split part, hold down [SPLIT] while you enter the tone number.
To select the tone for the dual part, hold down [DUAL] while you enter the tone number.

TIP

To defeat the numeric key function, press [NUMERIC] so it goes out.

Using the TONE Category Buttons

You can use the TONE category buttons to select tones directly, without using [TONE], FAMILY [▲][▶], SELECT [▲][▶], or numeric keys. This method lets you select from nine melody sounds and one drum set.

You can assign a favorite tone to each button. This is convenient for live performance, since you can select a tone simply by pressing a single button.

Assigning other tones to the TONE category buttons

After selecting a tone, press the TONE category button for the group that includes the selected tone. The screen will briefly indicate "Memorized."

You can assign the following groups of tones to each of the category buttons.

[PIANO]	Piano, ELECTRIC PIANO
[ORGAN]	ORGAN, ACCORDION, KEYBOARD, CHROMATIC PERC
[GUITAR/BASS]	ACOUSTIC GUITAR, ELECTRIC GUITAR, BASS
[STRINGS]	STRINGS
[VOCAL]	VOCAL
[SAX/BRASS]	SAX, WIND, ACOUSTIC BRASS
[SYNTH]	SYNTH BRASS, SYNTH LEAD, POLY SYNTHESIZER, PAD
[WORLD1]	WORLD 1
[WORLD2]	WORLD 2, PERCUSSION, SFX
[DRUMS]	DRUMS

Drum Sounds and Sound Effects (SFX)

Drum Sets

The last sixty-one tones (615-675) are called "drum sets." If you select a drum set, a different sound is assigned to each note of the keyboard. For example, you can use the leftmost key to play a bass drum (kick) sound, and another key to play a snare drum sound. A drum set is a collection of ninety or more sounds, each assigned to a different key.

NOTE

You can't assign a drum set to the split part or dual part.

Sound Effects (SFX)

The E-09 contains numerous sound effects, drum, and percussion tones (551-614). You can assign these tones to a keyboard part and play them. These tones can be assigned to the main, split, or dual part and played across the entire range of the keyboard.

TIP

If [SPLIT] is lit, you will probably want to set the split point near C6 if you want to use your right hand to play sound effects or percussion, or near C3 if you want to play these using your left hand. (p. 22)

Sounding the Metronome

It's convenient to sound the metronome while you're practicing a new song.

1. Press [METRONOME] so it's lit. The metronome will sound.

2. Hold down [METRONOME] for a while until the "Metro TS" screen appears. In this screen you can set the time signature of the metronome.

3. Use TEMPO [ (-)][ (+)] to select a time signature. Range: 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 9/8

4. Use SELECT [ ] to access the "Metro Vol" screen.
5. Use TEMPO [ (-)][ (+)] to adjust the volume. Range: 0-127
6. When you press the [METRONOME] button so it goes out, the metronome will stop sounding.

Transposing

You can shift the pitch of your performance without changing the position at which you're playing the keyboard. For example, if a song is in a difficult key containing numerous sharps or flats, you can transpose it so that it's easier to play.

You can also use this function to transpose the playback of a song. If you're accompanying a singer, you can transpose the pitch to a comfortable range for the singer without having to change your keyboard fingering.

NOTE

Transpose is not applied to drum sets.

1. Press [TRANSPOSE] so it's lit.
2. Hold down [TRANSPOSE] for a while until the "Transpose" screen appears.
3. Use TEMPO [ (-)][ (+)] to adjust the transposition.

Range: -12++12

MEMO

If you set this to "0," the transpose function will be off.

1. To turn the transpose function off, press [TRANSPOSE] so it goes out.

Example: The song is in the key of E major, but you want to play it using the keyboard fingering of the key of C

The note E is four semitones (keys including the black keys) above the note C, so you would set the transposition value to "+"4."

MEMO

You can save this setting in a user program. (p. 16)

cf.

You can also specify where the transpose setting is to be applied. Refer to "Trans Mode" (p. 22).

Octave Setting

You can raise or lower the pitch of the tone for each keyboard part (main, split, dual) in steps of an octave, over a range of four octaves upward or downward.

Main Part

Hold down [TONE] and use TEMPO [(-)][ (+)] to change the octave of the main part.

Split Part

Hold down [SPLIT] and use TEMPO [(-)][ (+)] to change the octave of the split part.

Dual Part

Hold down [DUAL] and use TEMPO [ (-)][ (+)] to change the octave of the dual part.

Changing the Keyboard Scale

As an alternative to the equal tempered scale used in most Western music, you can adjust the pitch of each note to the scales used by other musical cultures or tuning systems.

You can independently adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B).

For example, if you adjust the pitch of the "C" note, this adjustment will apply to the "C" note of each octave.

1. Hold down [FUNCTION] and press the key whose note pitch you want to adjust.

The pitch will be lowered by 1 / 4 tone.

The keyboard in the center of the screen will indicate the notes whose pitch has been lowered.

TIP

To check the notes for which the pitch has been lowered, press and hold [FUNCTION]. While you continue holding down [FUNCTION], the keyboard in the center of the screen will indicate the state of the pitch.

TIP

To return a note to its original pitch, hold down [FUNCTION] and press the same key you pressed in step 1.

Performing with an Accompaniment (Arranger)

Using the Arranger

1. Press [ARRANGER] so it's lit.

The keyboard will be divided into left and right parts; "split" and "main." In the left-hand side, hold down notes to specify a chord. In the right-hand side, play along with the accompaniment.

MEMO

The C4 key (note number 60) is assigned as the split point.

2. Press [START/STOP] so it's blinking.

The arranger begins playing. The button begins blinking in time with the arranger's time signature.

TIP

If you play the left-hand area of the keyboard while [ARRANGER] is lit and the arranger playback is stopped, a stereo strings sound will play. You can also add a monophonic bass sound ( -> "Auto Bass," p. 23). If you don't want the strings sound or bass sound to be heard, turn off "Educational" (p. 24).

TIP

If you press [START/STOP] while [ARRANGER] is not lighted, only the drums will play, allowing you to add a rhythm accompaniment to your keyboard performance. The drums will be based on the currently selected music style. If you want to select a different music style, refer to p. 14.

3. With your left hand, play a chord (or a single note).

4. When you play a different chord (or single note), the arranger will also switch to a different chord.

5. Use the following buttons to select other patterns within the currently selected music style.

[INTRO]	An accompaniment pattern used for the introduction.
[ORIGINAL]	A simple accompaniment pattern.
[FILL]	An accompaniment pattern used to transition between ORIGINAL and VARIATION.
[VARIATION]	A more complex accompaniment pattern, that's ideal for a break or similar section in the song.
[ENDING]	If you press this button instead of [START/STOP], an ending will play and then the arranger will stop playing.

MEMO

The chord name is shown in the arranger chord area of the screen.

While using your left hand to play the arranger chord, use your right hand to play the melody.

Changing the Arranger Ensemble

By pressing one of the BAND ORCHESTRATOR buttons so it's lit, you can change the accompaniment patterns produced by the arranger while playback continues.

DRUMS & BASS	Simple accompaniment patterns containing only drums and a bass line.
COMBO	Accompaniment patterns containing several instruments (a band).
FULL	Accompaniment patterns with a lavish arrangement (multiple instruments).

Changing the Volume Balance of the Arranger Playback and the Keyboard Performance

To Increase the Volume of the Arranger (or Song Part)

Press BALANCE [ ] (ARRANGER).

To Increase the Volume of Your Keyboard Performance

Press BALANCE [ ] (KEYBOARD).

Changing the Tempo of the Arranger

Use TEMPO [ ] to slow down (-) or speed up (+) the tempo of the arranger.

TIP

By pressing TEMPO [ ] and [ ] simultaneously, you can reset the arranger tempo to the default tempo setting specified by the currently playing music style.

TIP

You can also enter the tempo by pressing [TAP TEMPO] three times or more at the desired interval. By holding down [TAP TEMPO], you can reset the arranger tempo to the default tempo setting.

Arranger Sync Start

1. Press [SYNC START] so it's lit.

TERM

Sync Start is a function that causes the arranger to start playing when you play a note to the left of the split point. This is convenient when you want the arranger to begin playing the moment you specify the chord with your left hand.

TIP

To cancel this function, press [SYNC START] so it goes out.

Stopping the Arranger

1. Press [START/STOP] once again so it goes out.

The arranger will stop playing.

TIP

If you press [ENDING], an ending phrase will play and then the arranger will stop.

Selecting a Music Style

1. Press [ARRANGER] so it's lit.
2. Press [STYLE] so it's lit.
3. Use FAMILY [ ][ ] to select one of the following groups.

ROCK (001-006), DANCE (007-023), 8BEAT (024-036), 16BEAT (037-047), JAZZ (048-053), LATIN (054-063), TRADITIONAL (064-079), BALLROOM (080-097), WORLD (98-130)

1. Use SELECT [ ] to select a music style from the group you selected in step 3.

TIP

As an alternative to using FAMILY or SELECT [ ][ ], you can use the numeric keys to select a music style.

1. Press [NUMERIC] so it's lit.
2. Use TONE category buttons [1]-[0] to enter a style number. Example: To enter "12"

Press [1] -> [2] and wait a few moments until the number is confirmed. Alternatively, press [0] -> [1] -> [2].

• To defeat the numeric keys, press [NUMERIC] so it goes out.

Music Style Functions

To access the following functions, you'll need to press [ARRANGER] so it's lit.

One-Touch

This function automatically sets the following items to the best setting for the selected music style.

• The tones of the main part, split part, and dual part
• Reverb and chorus settings

MEMO

You can choose from two different one-touch settings for each music style.

1. Select the music style you want to use.
2. Press [ONE TOUCH].

The upper left of the screen will indicate "OT1."

OT1 Piano 2

If [TONE] is lit, the screen will show the name of the tone. (In the above example, this is "Piano 2.")

1. If you want to use "OT2" press [ONE TOUCH] once again.

Selecting a different music style will cancel the one-touch function.

Melody Intelligence

TERM

Melody Intelligence is a function that automatically adds harmony to the melody that you play in the right-hand side of the keyboard, as appropriate for the chord you hold down in the left-hand side of the keyboard.

1. Press [MELODY INTELLIGENCE] so it's lit.

TIP

To turn off this setting, press [MELODY INTELLIGENCE] so it goes out.

Changing the Harmony Type for Melody Intelligence

You can choose one of eighteen different settings for the Melody Intelligence function.

1. Press and hold [MELODY INTELLIGENCE] for a few moments.

The melody intelligence setting screen will appear.

1. Press TEMPO [ ] to select the type you want to use.

1 Duet

4 Strings

7 BigBand

10 Broadway

13 Latin

16 WItzOrg

2 Organ

5Choir

8 Country

11 Gospel

14 CntrGuit

17 Octave1

3 Combo

6 Block

9 Traditional

12 Romance

15 CntrBald

18 Octave2

MEMO

You can save this setting in a user program. (p. 16)

Performance Functions

Keyboard Touch

The force or speed with which you play the keyboard will vary the volume or brightness of the main part, split part, and dual part. All of the acoustic instrument sounds (e.g., piano, violin, drum) will respond to your keyboard touch, allowing you to reproduce the musically expressive range of that instrument. The sound will be louder and more brilliant if you play strongly, and softer and more muted if you play softly.

1. Press [KEYBOARD TOUCH] so it's lit.

Keyboard touch is now turned on.

If you press [KEYBOARD TOUCH] once again so it goes out, the keyboard touch will be fixed; i.e., the sound will no longer vary in response to your keyboard playing touch.

Specifying a Fixed Keyboard Touch

Here's how to specify the uniform strength each note will have if [KEYBOARD TOUCH] is unlit.

1. Press [KEYBOARD TOUCH] until the screen indicates "KBD Touch."

[FUNCTION] lights.

2. Use TEMPO [ (-)][ (+)] to specify the "KBD Touch" setting. (Range: 1-127)

A setting of "1" will be extremely faint (normally inaudible), and a setting of "127" will be the maximum strength (very loud and bright).

3. Press [FUNCTION] so it goes out.

Some of the internal tones switch between different sounds depending on your keyboard playing strength. For such tones, only one of these sounds will be heard if you specify a fixed keyboard touch.

The keyboard touch setting can be saved in a user program. (p. 16)

Pitch Bend and Modulation

You can use the BENDER/MODULATION lever located at the left of the keyboard to apply two types of effect to the sound of the keyboard part.

Pitch Bend lowers the pitch you're playing when you move the lever to the left, or raises it when you move the lever to the right.

Modulation applies vibrato to the sound when you push the lever away from yourself while playing.

If the MFX type is ROTARY, this will switch the speed of rotation instead of applying the modulation effect.

If you push the lever away from yourself while moving it to left or right, both effects will be applied.

You can specify the range of pitch bend that will occur. For details, refer to "PB Range" (p. 22).

Foot Switch

You must connect the foot switch while the E-09's power is switched off.

Connect a separately available foot switch (Roland DP series unit or BOSS FS-5U) to the rear panel FOOT SWITCH jack. By pressing the foot switch, you can sustain the sound even after taking your fingers off the keyboard. You can also assign other functions to the foot switch. For details, refer to "FSW (Foot Switch Assign)" (p. 23).

Music Assistant

Music assistant settings let you instantly recall settings that are appropriate for the song you're playing.

You can't use Music Assistant while a song is playing.

Selecting music assistant settings will recall settings for the following items.

Music style
- Tempo
- The tone of the main part, split part, and dual part
- Effects
- Band orchestrator
Keyboard touch

Selecting Music Assistant Settings

1. Press [MUSIC ASSISTANT] so it's lit.

The screen will show the name of the music assistant setting.

1. Use FAMILY [ ][▶] to select the group (musical style) that includes the music assistant settings you want to use.

You can choose from the following groups.

Ballad, Ballroom, Dancing, Easy List, Evergreen, JazzSwing, PopHit, General

1. Use SELECT [ ][ ] to choose music assistant settings from the group you selected in step 2.

As an alternative to using the FAMILY or SELECT buttons, you can use the numeric keys to make your selection.

1. Press [NUMERIC] so it's lit.
2. Use TONE category buttons [1]-[0] to enter a music assistant number.

Example: To enter "12"

Press [1] -> [2] and wait a few moments until the number is confirmed. Alternatively, press [0] -> [1] -> [2].

TIP

When you're finished using the numeric keys, press [NUMERIC] so it goes out.

TIP

If you've edited the music assistant settings (for example by changing the tone of the main part), you can save the edited settings in a user program.

User Program

The E-09 provides 100 user programs (00-99). You can use these to store settings for most of the front panel operations and function menus (p. 22).

NOTE

MIDI settings (p. 26) are automatically stored in the E-09. They are not saved in a user program.

Saving Your Settings in a User Program

1. Hold down [USER PROGRAM] for a few moments. The display will indicate "Write?"
2. Continue holding down [USER PROGRAM], and press TONE category numeric buttons [1]-[0]. (00-99)

Example: To enter "6"

Press [6] and wait a few moments until the number is confirmed. Alternatively, press [0] -> [6].

1. Press TEMPO [ (YES)], and then take your finger off [USER PROGRAM].
2. Enter a name for the user program.

Use FAMILY [][] to move the cursor, and use SELECT

[ ]to change each character.

1. Press TEMPO [ (YES)].

The screen will show "Complete," and the settings will be saved.

TIP

We recommend that you frequently store your settings to a user program even while you're in the process of editing.

MEMO

If the KEYBOARD MODE [ARRANGER] or [PIANO] button is lit, the state of that button will also be saved in the user program.

MEMO

The most recently selected music style is also saved in the user program.

Selecting a User Program

1. Press [USER PROGRAM] so it's lit.

[NUMERIC] will automatically light.

The display will indicate the number of the most recently selected user program, or "1" if you have not selected a user program since turning on the power.

NOTE

If you hold down [USER PROGRAM], you will be saving (rather than selecting) a user program.

1. Use TONE category numeric buttons [1]-[0] to enter a user program number. (00-99)

Example: To enter "6"

Press [6] and wait a few moments until the number is confirmed. Alternatively, press [0] -> [6].

TIP

When you're finished using the numeric keys, press [NUMERIC] so it goes out.

Effects

The E-09 provides reverb, chorus, and multi-effects (MFX). You can change the type of each effect.

You can also adjust the amount of reverb or chorus that is applied to the keyboard parts.

NOTE

You can't use chorus together with MFX.

Reverb

You can apply reverb (reverberation) to the sounds you're playing. Reverb simulates the ambience you experience when performing in a concert hall or other spacious location.

When you switch on the E-09's power, reverb will be applied to all keyboard parts (main, dual, split) as well as to the arranger and song parts.

If you don't need reverb, you can turn reverb off or set the reverb amount to "0" for the keyboard parts. You can't change the amount of reverb applied to the arranger or to the parts of an already-recorded song.

MEMO

If MFX (p. 17) is set to anything other than "Off," you can apply that MFX and reverb simultaneously to the tone of the main part.

Applying Reverb

1. Press [FUNCTION] so it's lit.
2. Use FAMILY [▲][▶] to select "EFFECTS."

3. Use SELECT [ ] to select "REVERB."

4. Use TEMPO [ (-)][ (+)] to select the type of reverb.

Off	Reverb will not be applied.
Room 1–3	These simulate the reverberation of a room. Higher numbers simulate larger rooms.
Hall 1, 2	These simulate the reverberation of a concert hall. Higher numbers simulate a larger hall. These produce deeper reverberation than the Room settings.
Plate	This is a digital simulation of a metal plate re-verb unit. It is particularly suitable for percussion sounds.
Delay	This is a delay effect (without reverb) which produces echo-like repeats.
PanDelay	This repeats the sound while making it alternate between left and right.

1. Play the keyboard to hear the effect.
2. Press [FUNCTION] so it goes out.

Adjusting the Amount of Reverb Applied to the Keyboard Parts

1. Press [FUNCTION] so it's lit.
2. Use FAMILY [ ] to select "EFFECTS."
3. Use SELECT [ ] to select one of the following parameters.

Parameter	Value	Explanation
Rev MAIN	0–127	Adjusts the amount of reverb applied to the tone of the main part.
Rev DUAL	0–127	Adjusts the amount of reverb applied to the tone of the dual part.
Rev SPLIT	0–127	Adjusts the amount of reverb applied to the tone of the split part.

1. Use TEMPO [ (-)][ (+)] to adjust the amount of reverb applied to the part you selected in step 3.

If you don't want reverb to be applied, set this to "0."

1. Play the keyboard to hear the effect applied to each part.
2. Press [FUNCTION] so it goes out.

MEMO

You can save these settings in a user program. (p. 16)

Chorus

You can apply a chorus effect to the sounds you play. The chorus effect adds a three-dimensional spaciousness and depth to the sound. You can choose from eight types of chorus effect.

When you switch on the E-09's power, the amount of chorus applied to the keyboard parts (main, dual, split) is set to "0," meaning that chorus will not be applied to the keyboard parts.

If you don't want to use chorus, you can turn it off or set the chorus amount to "0" for the keyboard parts. You can't change the amount of chorus applied to the arranger or to the parts of an already-recorded song.

MEMO

You can't use chorus if MFX is set to anything other than "Off."

Applying Chorus

1. Press [FUNCTION] so it's lit.
2. Use FAMILY [ ] to select "EFFECTS."
3. Use SELECT [<][> to select "CHORUS."
4. Use TEMPO [ (-)][ (+)] to select the type of chorus.

Off	Chorus will not be applied.
Chorus 1–4	These are typical chorus effects that give the sound spaciousness and depth.
FB Chorus	This chorus produces a flanger-like effect, softening the sound.
Flanger	This produces a metallic-sounding effect reminiscent of a jet airplane taking off and landing.

S-Delay	This delays the sound to create an echo effect.
S-DelayFb	This repeats the sound at short intervals.

1. Play the keyboard to hear the effect.
2. Press [FUNCTION] so it goes out.

Adjusting the Amount of Chorus Applied to the Keyboard Parts

1. Press [FUNCTION] so it's lit.
2. Use FAMILY [▲][▶] to select "EFFECTS."
3. Use SELECT [ ] to select one of the following parameters.

Parameter	Value	Explanation
Chr MAIN	0–127	Adjusts the amount of chorus applied to the tone of the main part.
Chr DUAL	0–127	Adjusts the amount of chorus applied to the tone of the dual part.
Chr SPLIT	0–127	Adjusts the amount of chorus applied to the tone of the split part.

1. Use TEMPO [ (-)][ (+)] to adjust the amount of chorus applied to the part you selected in step 3.
   If you don't want chorus to be applied, set this to "0."
2. Play the keyboard to hear the effect applied to each part.
3. Press [FUNCTION] so it goes out.

MEMO

You can save these settings in a user program. (p. 16)

Multi-Effects (MFX)

There are 47 types of multi-effect (MFX) that you can apply to the main part. Some of these combine two effects.

NOTE

MFX are not applied to the following three types of tones.

The split part
The dual part
- Drum sets

1. Press [FUNCTION] so it's lit.
2. Use FAMILY [▲][▶] to select "EFFECTS."
3. Use SELECT [ ] [ ] to select "MFX."
4. Use TEMPO [ (-)][▶ (+)] to select the type of MFX.

MEMO

You can save these settings in a user program. (p. 16)

Off	MFX will be off.
Enhancer	Controls the harmonic content of the high-frequency range to give the sound more definition and crispness.
Overdrive 1-4	Produces a natural-sounding distortion similar to that of a vacuum tube amp. 1: Small amp 2: Built-in type 3: Large double stack amp 4: Large triple stack amp
Distortion 1-4	Produces a more intense distortion than Overdrive. You can choose from four types.
Phaser	Combines the original sound with a phase-shifted sound, and modulates it to produce a twisting, swishing effect.
AutoWah	Cyclically moves a filter to create a repeating wah effect (cyclic change in tone).
Rotary	Simulates the sound of a classic rotary speaker. You can switch the rotational speed (slow/fast) by pushing the BEND-ER/MODULATION lever away from yourself, creating an authentic-sounding sense of modulation. This effect is ideal for organ sounds.
StFlanger(stereo flanger)	Produces a metallic resonance reminiscent of a jet airplane taking off and landing.
StepFlanger	Varies the sound of a flanger in pitched steps.
Compressor	Makes the volume more consistent by re-straining loud sounds and boosting soft sounds.
Limiter	Prevents distortion by compressing sounds that are above a specified volume level.
HexaChorus	Applies a six-phase chorus to add spaciously and depth to the sound. (Six chorus sounds with differing delays are layered together.)
TremChorus(tremolo chorus)	Applies a chorus effect with tremolo (cyclic change in volume).
StChorus(stereo chorus)	Applies a stereo chorus effect.
Space-D	Applies a multiple chorus with dual-phase stereo modulation. This creates a transparent chorus effect with no sense of modulation.
StDelay(stereo delay)	Creates an echo effect by repeating the input sound.
Mod Delay(modulation delay)	Modulates the delayed sound to create a flanger-like effect.
3Tap Delay(tiple tap delay)	Produces delayed sound from three positions; center, left, and right.
4Tap Delay(quadruple tap delay)	Produces four delayed sounds.
TmCtrDelay(time control delay)	Lets you control the delay time in real time while you push the modulation lever.
Reverb	Adds reverberation to the original sound, simulating an expansive space.
GateRevNr(gate reverber normal)	Reverb that cuts the reverberation during its decay.
GateRevRv(gate reverber reverse)	Gated reverb that gradually increases in volume.
GateRevS1(gate reverbsweep 1)	Moves the reverb sound from right to left.

GateRevS2(gate reverb sweep 2)	Moves the reverb sound from left to right.
2PitchShift(2 voice pitch shifter)	Shifts the pitch of the original sound. Two pitch-shifted sounds can be layered with the original sound.
FbPitchShift(feedback pitch shifter)	Shifts the pitch of the original sound and returns the pitch-shifted sound to the input, producing an echo.
OD>Chorus	Connects overdrive and chorus in series.
OD>Flanger	Connects overdrive and flanger in series.
OD>Delay	Connects overdrive and delay in series.
DS>Chorus	Connects distortion and chorus in series.
DS>Flanger	Connects distortion and flanger in series.
DS>Delay	Connects distortion and delay in series.
EH>Chorus	Connects enhancer and chorus in series.
EH>Flanger	Connects enhancer and flanger in series.
EH>Delay	Connects enhancer and delay in series.
Cho>Delay	Connects chorus and delay in series.
FL>Delay	Connects flanger and delay in series.
Cho>Flanger	Connects chorus and flanger in series.
Cho/Delay	Connects chorus and delay in parallel.
FL/Delay	Connects flanger and delay in parallel.
Cho/Flanger	Connects chorus and flanger in parallel.

MEMO

With the factory settings, the MFX type will automatically switch according to the tone you select. For details, refer to "Tone MFX" (p. 24).

1. Play the keyboard to hear the sound of the effect.
2. Press [FUNCTION] so it goes out.

NOTE

If MFX is set to anything other than "Off," you can't apply chorus to the tone of the main part.

Recording Your Own Performance

You can use the 16-track recorder to record your own performances. The E-09 provides the following four recording modes.

Recording a new song
Rec All	Simultaneously record your keyboard performance and the arranger accompaniment.
Rec Keyboard	Record only your keyboard performance.
Recording additional material into an existing song
Rec Single	Record one track at a time. You can freely select the track to be recorded.
Rec PunchI/O (punch-in/out)	Re-record a specified region of a certain track.

MEMO

The E-09 can handle only one song. This song will not be erased even if you turn off the power.

NOTE

"Single" will be automatically selected after you perform the first recording. Be aware that if you select "ALL" or "Keyboard," the previously recorded song will be erased. If you want to add new material to the song you recorded, you should choose "Single" or "Punch I/O." If you haven't recorded a song yet, you won't be able to select "Single" or "Punch I/O."

NOTE

You can't record a song if the E-09 is synchronized with an external MIDI device.

All Recording Mode

Here's how you can record what you play on the keyboard while the arranger accompaniment plays.

NOTE

The previously recorded song will be erased by the new recording.

1. Press [ARRANGER] so it's lit. (p. 13)
2. Press [STYLE] so it's lit, and select a music style (p. 14). Alternatively, press [MUSIC ASSISTANT] so it's lit, and select a music assistant (p. 15).
3. Press [INTRO], [ORIGINAL], or [VARIATION] to select the arranger section you want to use.
4. Press [START/STOP] so it's blinking. The arranger will start playing.
5. Use TEMPO [ (-)][ (+)] to adjust the tempo of the arranger.
6. Press [START/STOP] once again so it goes out. The arranger will stop playing.
7. Press [SONG] so it's lit.
8. Press [REC] so it's blinking.

9. Use REC MODE [ ][ ] to select "Rec All" as the recording mode.

10. Select the tone that you want to use in the right-hand side of the keyboard.
    Press [TONE] so it's lit, and use the FAMILY and SELECT [][] buttons, the numeric keys, or the TONE category buttons to make your selection. For details, refer to pp. 10-11.

11. Use either of the following methods to start recording.

Press [▶/■].
[REC] lights, and [▶/■] begins blinking in time with the time signature of the arranger.
- Press [SYNC START] so it's lit, and play a chord with your left hand.
[REC] lights, and [▶/■] begins blinking in time with the time signature of the arranger.

1. Perform.

2. Use either of the following methods to stop recording.

3. Press [▶/■] so it goes out.
   [REC] also goes out.
   Press [ENDING].

The ending phrase begins playing. When it ends, [ENDING], [▶/■], and [●REC] will all go out.

1. When you stop recording, the screen prompts "Save Song?", asking you whether you want to save your performance.

To save your performance, press TEMPO [▶ (YES)].

If you don't want to save your performance, press TEMPO

[ (NO)].

Keyboard Recording Mode

Here's how you can record only your keyboard performance. The arranger is not used.

NOTE

The previously recorded song will be erased by your new recording.

1. Select the keyboard part and tone you want to use for your performance. (pp. 10-11)
2. Press [SONG] so it's lit.
3. Press [REC] so it's blinking.
4. Use REC MODE [ ] to select "Rec Keyboard" as the recording mode.
5. Select the tone that you want to use in the right-hand side of the keyboard.

Press [TONE] so it's lit, and use the FAMILY and SELECT

[ ] [ ] buttons, the numeric keys, or the TONE category buttons to make your selection. For details, refer to pp. 10-11.

1. Use the metronome if desired. (p. 11)

2. Press [ / ] to start recording.

[REC] lights, and [▶/■] begins blinking in time with the time signature of the metronome.

1. Perform.

MEMO

If you select a drum set for the main part and use the keyboard to play the drum sounds, your performance will be recorded on track 16.

1. Press [ / ] to stop recording.

[ ] and [ REC] go out.

1. When you stop recording, the screen prompts "Save Song?", asking you whether you want to save your performance.

To save your performance, press TEMPO [ (YES)].

If you don't want to save your performance, press TEMPO

[NO].

Single Recording Mode

In this mode you can layer a new performance onto the previously recorded notes, and record each track separately.

NOTE

You can't use this mode if no song has been recorded.

1. Press [SONG] so it's lit.
2. Press [REC] so it's blinking.
3. Use REC MODE [ ][ ] to select "Rec Single" as the recording mode.
4. Use REC TRACK [ ][▶] to select the track you want to record.

If you select a track that has already been recorded, the new recording will overwrite the existing recording.

1. Select the tone that you want to use in the right-hand side of the keyboard.

Press [TONE] so it's lit, and use the FAMILY and SELECT

[ ] [ ] buttons, the numeric keys, or the TONE category buttons to make your selection. For details, refer to pp. 10-11.

1. Press [ / ] to start recording.
   [REC] lights. After a one-measure count-in, all previously recorded parts begin playing.
2. Perform.
3. Press [ / ] to stop recording.

[▶■] and [●REC] go out.

If you want to record additional parts, return to step 2.

1. When you stop recording, the screen prompts "Save Song?," asking you whether you want to save your performance.

To save your performance, press TEMPO [▶ (YES)].

If you don't want to save your performance, press TEMPO

[NO].

The performances of the keyboard and the arranger parts are recorded on the following tracks.

Track	Part name	Description
1	Accomp 1	-
2	Arranger bass	The bass part that sounds when the ar-ranger plays.
3	Accomp 2	-
4	Main	This is the Main part. MFX (p. 17) can be applied only to track 4.
5	Accomp 3	-

Track	Part name	Description
6	Dual	This is the Dual part.
7	Accomp 4	-
8	Accomp 5	-
9	Accomp 6	-
10	Arranger drums	Since track 10 is restricted to the drum part, you can select a drum set for this track.
11	Split	This is the Split part.
12	Auto Bass	For details, refer to “Auto Bass” (p. 23).
13	-	-
14	-	-
15	Melody In-tell.	Melody intelligence (p. 14)
16	(Main)	If you select a drum set for the tone of the Main part, it will be recorded on track 16.

Punch-In/Out Recording Mode

This lets you "punch-in/out" to re-record a specified portion of a single track. The data before and after the newly recorded portion will not be erased.

NOTE

You can't use this if no song has been recorded.

Original track

1. Press [SONG] so it's lit.
2. Press [REC] so it's blinking.
3. Use REC MODE [ ][▶] to select "Rec Punchl/O" as the recording mode.
4. Use REC TRACK [ ][▶] to select the track you want to record.
5. Press [▶/■] to start song playback.
6. When you come to the point at which you want to begin rerecording, press [REC] once again.

[REC] lights, and recording begins.

1. Perform.
2. Press [REC] so it goes out.

Recording will stop.

1. Press [▶/■] to stop song playback.

If you want to re-record again, return to step 2.

1. When you stop recording, the screen prompts "Save Song?," asking you whether you want to save your performance.

To save your performance, press TEMPO [▶ (YES)].

If you don't want to save your performance, press TEMPO

[ (NO)].

Using a Foot Switch to Punch In/Out

You can use a separately available foot switch (Roland DP series unit or BOSS FS-5U) to start or stop recording. This lets you use both hands for your performance; for example, allowing you to use your left hand to operate the pitch bend/modulation lever while you use your right hand to play the melody.

1. Connect the foot switch to the rear panel FOOT SWITCH jack.
2. Press [FUNCTION] so it's lit.
3. Use FAMILY [ ][▶] to select "KBD SET." (p. 22)
4. Use SELECT [ ] to select the "FSW" parameter. (p. 23)
5. Use TEMPO [ (-)][ (+)] to select "Punchl/O."
6. Continue with step 1 and those that follow under "Punch-In/Out Recording Mode."

In steps 6 and 8 of "Punch-In/Out Recording Mode," press the foot switch instead of [●REC].

Playing the Song

1. Press [SONG] so it's lit.
2. Press [ ] to return to the beginning of the song.
3. Press [▶/■] to start song playback.
4. Press [▶/■] once again to stop song playback.

Changing the Playback Location of the Song

You can use the following buttons to change the playback location within the song.

·[1]

Moves to the beginning of the song.

• [ ]

Moves to the preceding measure.

• [▶▶]

Moves to the next measure.

Repeat Playback of a Specified Region

You can specify a region (A-B) and play it repeatedly. You can do this while the song is playing or while it is stopped.

1. Use [][] to move to the measure at which you want to start repeating.

2. Press [MARKER A-B] to set marker “A” to the current location.

3. Use [ ] [ ] to move to the measure at which you want to stop repeating.

4. Press [MARKER A-B] to set marker "B" to the current location.
5. Press [REPEAT A-B] so it's lit.
6. If the song was stopped, press [▶/■] at this point to begin repeat playback.

TIP

To cancel repeat playback, press [REPEAT A-B] so it goes out.

NOTE

Don't set the marker at the last measure of the song; repeat playback will not work correctly if you do this.

Minus-OnePlayback

Here's how you can mute (silence) a specific track of the song.

Muting a Track

1. Press [DRUMS & BASS] (factory setting: track 10), [COMBO] (factory setting: track 1), or [FULL] (factory setting: track 2) to specify the track you want to mute.
2. Press [▶/■]. The song begins playing, with the track you specified in step 1 muted.

Changing the Muted Tracks

You can change the track that is muted by each of the buttons [DRUMS & BASS], [COMBO], and [FULL].

1. Hold down one of the buttons [DRUMS & BASS], [COMBO], or [FULL].
   The mute track setting screen will appear.
2. Use TEMPO [ (-)][ (+)] to change the track that is muted by that button.

The Function menu lets you make a variety of different settings.

MEMO

Parameters marked by ** can be saved in a user program. (p. 16)

Setting a Function Menu Parameter

Here's the basic procedure for setting a parameter of the Function menu.

1. Press [FUNCTION] so it's lit.

1. Use FAMILY [ ][ ] to select the function group that includes the parameter you want to set.

KBD SET: KBD Touch, MasterTune, Transpose, Trans Mode, PB Range, Split Point, Split Hold, Split Int, FSW
METRONOME: Metro TS, Metro Vol
- OCTAVE: Main Oct, Dual Oct, Split Oct
VOLUME: Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp
ARR SET:ChordInt,Arr Hold, Educational,Bass Inv,MI
- EFFECTS: REVERB, CHORUS, MFX, Tone MFX, Rev MAIN, Chr MAIN, Pan MAIN, Rev DUAL, Chr DUAL, Pan DUAL, Rev SPLIT, Chr SPLIT, Pan SPLIT
KBD SCALE: Scale C/C#/D/Eb/E/F/F#/G/Ab/A/Bb/B, Scale Mode
- MIDI: Local, MIDI TxRx, Sync Rx, Style PC, NTA Rx14, Pitch Bend, Modulation, Prog Change, Velo Rx, Clock Tx, Start Stop
- UTILITY: LCD Contrast, Factory Reset, Bulk Dump

1. Use SELECT [ ] to select the parameter you want to adjust.

2. Use TEMPO [ (-)][ (+)] to adjust the selected parameter.

TIP

To reset the parameter to its default value, press TEMPO [ (-)] and [ (+)] simultaneously.

1. If you want to adjust another parameter, return to step 2.

KBD SET Parameters

Parameter	Value	Explanation
KBD Touch *	1-127(default: 110)	Adjusts the strength of the notes when Keyboard Touch is turned “off” ([KEYBOARD TOUCH] unlit). For details, refer to p. 15.This screen will also appear if you hold down [KEYBOARD TOUCH] for a few moments.
MasterTune	427.4-452.6(default: 440.0)	Adjusts the reference pitch.The reference pitch is usually expressed as the pitch of the middle “A” note. When playing together with other instruments, you must ensure that all instruments are set to the same reference pitch so that they will be in tune. The setting that adjusts the reference pitch is called “Master Tune.”
Transpose *	-12-12(default: 0)	Specifies the transposition that will occur when Transpose is turned on ([TRANSPOSE] lit), in units of semi-tones. For details, refer to p. 12.This screen will also appear if you hold down [TRANSPOSE] for a few moments.
Trans Mode *	INT,MIDI,I+M(default: INT)	Specifies the part(s) that will be affected by the Transpose setting.INT: The keyboard parts and arranger parts will be transposed. Notes received from the MIDI IN connector will play at their original pitch.MIDI: Only the notes received from the MIDI IN connector will be transposed.I+M: The keyboard parts, the arranger parts, and all notes received from the MIDI IN connector will be transposed.
PB Range	0-24(default: 2)	Specifies the amount of change that will occur when you move the BENDER/MODULATION lever all the way to left or right. You can set this in semitone steps over a range of 24 semitones (2 octaves).Pitch bend can be used only with the Main part and Dual part. (p. 15)
Split Point *	48-84(default: 60)	Specifies the split point (the key forming the boundary between tones) for the Arranger and the Split part. This specifies the lowest key that will play the Main part. “60” corresponds to “C4.”This screen will also appear if you hold down [ARRANGER] for a few moments.
Split Hold *	OFF, ON(default: OFF)	Makes the Split part continue sounding. A note you play on the Split part will continue sounding until you play the next note on that part.
Split Int *	OFF, ON(default: OFF)	Lets you produce a chord by holding down one key in the Split part.For example, to produce a “C” chord, you would normally need to hold down the three keys “C,” “E,” and “G.” However, the Split Int function lets you produce the “C” chord simply by holding down the “C” key alone.
FSW	Sustain, Sostenuto, Soft, Rotary S/F, Start/Stop, BassInv, PunchI/O (default: Sus-tain)	Assigns the function performed by a separately available foot switch connected to the rear panel FOOT SWITCH jack.Sustain: The foot switch will function as a sustain pedal (also called “hold” or “damper”). While you hold down the pedal, notes will be sustained even after you take your fingers off the keyboard.Sostenuto: The foot switch will function as a Sostenuto pedal, sustaining only the notes that had already been pressed at the moment you pressed the pedal. (Subsequently played notes will not be sustained.) This function is available only for the keyboard parts.Soft: The foot switch will function as a Soft pedal. Notes played while holding down the pedal will sound softer. This function is available only for the keyboard parts.Rotary S/F: The foot switch will switch the speed of the rotary effect. This is valid only if the “Rotary” type is set to MFX. (p. 18)Start/Stop: The foot switch will start/stop playback for the arranger or song. This is the same function as [START/STOP].BassInv: The foot switch will turn the Bass Inversion function on/off. (p. 24)PunchI/O: The foot switch will control punch-in and punch-out when you are using punch-in/out recording. (p. 21)

METRONOME Parameters

Parameter	Value	Explanation
Metro TS	1/4–6/4, 6/8, 9/8 (default: 4/4)	Specifies the time signature of the metronome (the number of beats per measure). This setting will change automatically when you select a music style that has a different time signature. For details on using the metro-nome, refer to p. 11. This screen will also appear if you hold down [METRONOME] for a few moments.
Metro Vol	0–127 (default: 100)	Specifies the volume of the metronome.

Octave Parameters

Parameter	Value	Explanation
Main Oct *	-4-0-4 (default: 0)	Raises or lowers the octave setting of the Main part in steps of one octave. * If a drum set is assigned to the Main part, this parameter does not transpose the pitch of the drum/percussion sounds, but instead changes the drum/percussion sounds that are assigned to the keys.
Dual Oct *	-4-0-4 (default: 0)	Raises or lowers the octave setting of the Dual part in steps of one octave.
Split Oct *	-4-0-4 (default: 0)	Raises or lowers the octave setting of the Split part in steps of one octave.

Volume Parameters

Parameter	Value	Explanation
Main Vol *	0-127 (default: 127)	Adjusts the volume of the Main part. You can also adjust this by holding down [TONE] and using BALANCE [▲][▼]. (p. 10)
Dual Vol *	0-127 (default: 110)	Adjusts the volume of the Dual part. You can also adjust this by holding down [DUAL] and using BALANCE [▲][▼]. (p. 10)
Split Vol *	0-127 (default: 75)	Adjusts the volume of the Split part. You can also adjust this by holding down [SPLIT] and using BALANCE [▲][▼]. (p. 10)
Auto Bass	OFF, 0-127 (default: OFF)	When the Split part is on, this adjusts the volume of the Auto Bass part (which plays a monophonic bass ac-cording to the chord you play). Turn this OFF if you don’t need the Auto Bass part. If the Bass Inversion function (p. 24) is off, the root of the chord you play with your left hand (using the Split part) is sounded by the Auto Bass part. The Auto Bass part follows the Educational setting (p. 24).
Acc Drum *	0-127 (default: 100)	Adjusts the volume of the arranger’s drum part.
Acc Bass *	0-127 (default: 100)	Adjusts the volume of the arranger’s bass part.
Accomp *	0-127 (default: 100)	Adjusts the volume of the arranger’s Accompart parts 1-6.

ARR SET Parameters

Parameter	Value	Explanation
ChordInt	OFF, MODE1, MODE2 (default: MODE1)	Allows the accompaniment chords to be detected using simplified fingering that does not require you to play all the notes in the chord. OFF: The chord will consist of only the notes you play in the Split part keyboard region. MODE1: You can specify chords using the method described in "Specifying Chords" (p. 44). MODE2: You can specify chords using the following four methods. Major chord: Play the root of the chord Minor chord: Play the root and the nearest black key to the left Seventh chord: Play the root and the nearest white key to the left Minor seventh chord: Play the root and the nearest black key and white key to the left
Arr Hold *	OFF, ON (default: ON)	Selects how the arranger parts will sound. OFF: When you take your hand off the left side of the keyboard, the arranger part instrumental sounds other than drums (i.e., A.Bass and Accomp) will stop, and only the rhythm part will continue sounding. ON: The chord you were playing in the left hand will be remembered. The arranger will continue playing using that chord until you play another chord. * This parameter will be turned on each time you switch on the E-09's power.
Educational	OFF, ON (default: ON)	This is a function provided for educational purposes. OFF: If [ARRANGER] is lit and the arranger playback is stopped, the left-hand side of the keyboard will be muted unless [SPLIT] is lit. ON: If [ARRANGER] is lit and the arranger playback is stopped, a stereo strings and a monophonic bass (if Auto Bass is on) will play. This lets you play chords (and bass line) with your left hand without using the E-09's accompaniment function.
Bass Inv *	OFF, ON (default: OFF)	Selects how chords will be detected by the arranger. Example: when you play "E G C" OFF: The bass will be sounded on the "C" note just as if you had played "C E G." The accompani-ment will use the "C" chord. ON: The bass will be sounded on the lowest note you played ("E"). The accompaniment will use the "C (on E)" chord.
MI *	-> p. 14 (default: Tradi-tional)	Selects the harmony type for the melody intelligence function. This screen will also appear if you hold down [MELODY INTELLIGENCE] for a few moments. (p. 14)

EFFECTS Parameters

Parameter	Value	Explanation
REVERB*	8 types -> p. 16 (default: Hall 2)	Selects the type of reverb. (p. 16)
CHORUS*	8 types -> p. 17 (default: Chorus 3)	Selects the type of chorus. (p. 17)
MFX*	47 types -> p. 17 (default: Rotary)	Selects the type of multi-effects. (p. 17)
Tone MFX	OFF, ON (default: ON)	This lets you specify whether the MFX type will be automatically selected according to the Main part tone you select. For example, a distortion/overdrive effect will be selected for rock guitar tones, and a rotary effect will be selected for organ tones OFF: The MFX will not change when you switch the tone of the Main part. ON: The MFX will change when you switch the tone of the Main part.
Rev MAIN*	0-127 (default: 100)	Adjusts the amount of reverb applied to the tone of the Main part. With a setting of “0” there will be no reverb.
Chr MAIN*	0-127 (default: 100)	Adjusts the amount of chorus applied to the tone of the Main part. With a setting of “0” there will be no chorus. * You can’t apply chorus if MFX is set to anything other than “Off.”
Pan MAIN*	RND, L63-0-R63 (default: 0)	Adjusts the stereo location (the position between the left and right speakers) of the Main part. If you select “RND,” the stereo location will change randomly for each note you play. Values beginning with “L” position the sound toward the left speaker, a value of “0” is the center, and values beginning with “R” position the sound toward the right speaker.
Rev DUAL*	0-127 (default: 100)	Adjusts the amount of reverb applied to the tone of the Dual part. With a setting of “0” there will be no reverb.
Chr DUAL*	0-127 (default: 100)	Adjusts the amount of chorus applied to the tone of the Dual part. With a setting of “0” there will be no chorus.
Pan DUAL *	RND, L63-0-R63 (default: 0)	Adjusts the stereo location (the position between the left and right speakers) of the Dual part. If you select “RND,” the stereo location will change randomly for each note you play. Values beginning with “L” position the sound toward the left speaker, a value of “0” is the center, and values beginning with “R” position the sound toward the right speaker.
Rev SPLIT *	0-127 (default: 100)	Adjusts the amount of reverb applied to the tone of the Split part. With a setting of “0” there will be no reverb.
Chr SPLIT *	0-127 (default: 100)	Adjusts the amount of chorus applied to the tone of the Split part. With a setting of “0” there will be no chorus.
Pan SPLIT *	RND, L63-0-R63 (default: 0)	Adjusts the stereo location (the position between the left and right speakers) of the Split part. If you select “RND,” the stereo location will change randomly for each note you play. Values beginning with “L” position the sound toward the left speaker, a value of “0” is the center, and values beginning with “R” position the sound toward the right speaker.

KBD SCALE Parameters

Parameter	Value	Explanation
Scale C-B *	-64–63 (default: 0)	As an alternative to the equal tempered scale used in most Western music, you can adjust the pitch of each note to the scales used by other musical cultures or tuning systems (such as oriental or baroque music).You can independently adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B).For example, if you adjust the pitch of the “C” note, this adjustment will apply to the “C” note of each octave.In most cases, a quarter tone upward or downward will be appropriate, so you should try settings of “50” or “-50.”
Scale Mode *	Main, All (default: Main)	Specifies the part(s) to which the above scale setting will apply.Main: Only the tone of the Main partAll: The tones of all parts

MIDI Parameters

Refer to p. 27.

UTILITY Parameters

For details on "LCD Contrast" and "Factory Reset," refer to p. 9.

For details on "Bulk Dump," refer to p. 28.

You can connect the E-09 to an external MIDI device and control each device from the other by transmitting and receiving performance data. For example, you can use one device to select or play sounds on the other device.

The E-09 has MIDI connectors which allow it to transmit and receive performance data. By using these connectors to connect external devices to the E-09, you can enjoy an even wider range of possibilities.

TERM

MIDI stands for "Musical Instrument Digital Interface," and is a universal standard that allows electronic musical instruments and computers to exchange performance data.

Connection Example

NOTE

To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.

Use the E-09 to play your MIDI sound module

MIDI Channels

MIDI provides sixteen channels, numbered 1-16. Even if MIDI devices are connected, you won't be able to switch or play sounds unless the two devices are set to the same MIDI channel.

MIDI channel	Part	Explanation
1	Accomp 1	-
2	Arranger bass	This is the Bass part played by the arranger
3	Accomp 2	-
4	Main	This is the Main part. MFX (p. 17) can be applied only to track 4.
5	Accomp 3	-
6	Dual	This is the Dual part.
7	Accomp 4	-
8	Accomp 5	-
9	Accomp 6	-
10	Arranger drums	Since track 10 is restricted to the Drum part, you can select a drum set here.
11	Split	This is the Split part.
12	Auto Bass	For details, refer to “Auto Bass” (p. 23).
13	-	-
14	-	-
15	Melody Intell.	Melody Intelligence. (p. 14)
16	(Main)	If you select a drum set for the Main part, it will be recorded on track 16.

MIDI Parameters

For details on how to set these parameters, refer to "Setting a Function Menu Parameter" (p. 22).

MIDI parameters other than "Local" are saved as soon as you press [FUNCTION] and turn off its LED.

Parameter	Value	Explanation
Local	OFF, ON (default: ON)	If the data generated when you play the keyboard is sent to the sound generator via two routes (1) and (2) as shown in the diagram, the notes will overlap or be cut off. To prevent this, you should turn “Local Off” to break route (1). Choose the “OFF” setting if you’ve connected the E-09 to a sequencer. (1) Local on Play a note once: it’s sounded twice * The setting of this parameter is cleared when you switch off the E-09’s power.
MIDI TxRx	ALL, KBD, STL, SNG, OFF (default: ALL)	Selects the part(s) that will transmit and receive MIDI. ALL: All parts KBD: Only the keyboard parts (Main, Dual, Split, Auto Bass) STL: Only the arranger parts (Backing 1-6, Backing bass, Backing drums) SNG: Only the song parts (1-16) OFF: None of the E-09’s parts will transmit or receive MIDI messages.
Sync Rx	OFF, ON (default: OFF)	Specifies whether or not the E-09 will synchronize to an external MIDI device. You can use synchronization when the MIDI OUT connector of an external device is connected to the E-09’s MIDI IN connector. (If you’ve connected the IN and OUT connectors in the opposite direction, refer to the owner’s manual of the external device you’ve connected.) OFF: The E-09 will not synchronize with the other MIDI device. ON: The E-09 will receive MIDI Start (or Continue) messages, and will begin song recording or playback in synchronization with the subsequently received MIDI Clock messages. When the E-09 receives a Start message, it will wait briefly for MIDI Clock messages. If the E-09 receives MIDI Clock messages, it will synchronize to them. If the E-09 does not receive MIDI Clock messages, it will use its own tempo. In either case, a MIDI Stop message will stop playback or recording. * The arranger does not receive MIDI Continue messages.
Style PC	OFF, 1-16 (default: 10)	Program change messages will be transmitted/received when you select a different music style within the E-09.
NTA Rx14	OFF, ON (default: 10)	NTA stands for “Note-to-Arranger.” Notes you play in the left side of the keyboard are sent to the arranger together with the chord data. These notes can also be received via MIDI from an external MIDI keyboard controller or other device. If you want to use the arranger without playing the E-09’s keyboard, turn this setting “ON” and transmit these note messages (from your computer or external MIDI device) on MIDI channel 14 to the E-09.
Pitch Bend	OFF, ON (default: ON)	Turns transmission/reception of Pitch Bend messages on/off. These messages temporarily raise or lower the pitch of the tone.
Modulation	OFF, ON (default: ON)	Turns transmission/reception of Modulation messages on/off. These messages add vibrato to the sound. (Control Change CC01)
Prog Change	OFF, ON (default: ON)	Turns transmission/reception of Program Change messages on/off. These messages are used to select tones or music styles.
Velo Rx	ON, 1-127 (default: ON)	Turns transmission/reception of velocity data on/off. This applies only to note messages received via MIDI. If this is “ON,” the E-09 will use the velocity values that it receives. Otherwise, the E-09 will use the fixed velocity value (1-127) you specify here.
Clock Tx	OFF, ON (default: ON)	Specifies whether or not MIDI Clock messages are to be transmitted during arranger playback or song recording. Use this when you want to synchronize an external MIDI device with the E-09.
Start Stop	OFF, ON (default: ON)	Specifies whether or not Start/Stop/Continue messages are to be transmitted when arranger playback or song recording starts or stops. Turn this “Off” if you want to control a MIDI organ or other sound module without playing/stopping the arranger.

Bulk Dump

You can use this procedure to transmit user programs and song data from the E-09 via MIDI to a sequencer or other external MIDI device, and save the data on that device. Prepare your external sequencer to record a conventional performance, and perform the following procedure on the E-09.

1. Use a separately available MIDI cable to connect the E-09's MIDI OUT connector to the MIDI IN connector of your external sequencer.
2. Press [FUNCTION] so it's lit.
3. Use FAMILY [ ] to access the "UTILITY" screen.
4. Use SELECT [ ][▶] to access the "Bulk Dump?" screen. "Yes" begins blinking in the screen.
5. Press TEMPO [▶ (YES)]. The screen prompts "Sure?"
6. Press TEMPO [▶ (YES)] once again.

Bulk Load

You can use this procedure to receive user programs and song data (previously saved as described above) from a sequencer or other external MIDI device back into the E-09 to restore (overwrite) the data via MIDI.

NOTE

Once you carry out the Bulk Load procedure, the user programs and song data in the E-09 will be overwritten. If there is any data in the E-09 that you want to keep, make sure to save it to an external MIDI device before you proceed.

1. Switch on the E-09's power. (p. 8)
   If the power is already turned on, switch it off, then turn it on again.
2. Use a separately available MIDI cable to connect the E-09's MIDI IN connector to the MIDI OUT of your external MIDI sequencer.
3. Transmit the bulk data from your external MIDI sequencer to the E-09.

Transpose Lock

Hold down [NUMERIC] and press [TRANSPOSE].

Once locked this way, the set transposition will remain in effect no matter what you do on the instrument.

• To release the lock, once again hold down [NUMERIC] and press [TRANSPOSE].

Tempo Lock

Hold down [NUMERIC] and press [MELODY INTELLIGENCE].

Once locked this way, the set tempo will remain in effect no matter what you do on the instrument.

• To release the lock, once again hold down [NUMERIC] and press [MELODY INTELLIGENCE].

Style Lock

Hold down [NUMERIC] and press [SPLIT].

Thereafter, the style setting will be preserved even if you switch music assistants or user programs.

• To release the lock, once again hold down [NUMERIC] and press [SPLIT].

Tone Lock

Hold down [NUMERIC] and press [DUAL].

Thereafter, the tone setting will be preserved even if you switch music assistants or user programs.

• To release the lock, once again hold down [NUMERIC] and press [DUAL].

TIP

To determine whether a function is locked or not, hold down [NUMERIC] and note the buttons that are lighted (lit = locked).

MEMO

Troubleshooting

This page contains items for you to check if you experience problems, and the appropriate action to take. Refer to the section that corresponds to the problem you're having.

Problem	Check/Action
Power does not turn on	Are the supplied AC adaptor and power cable correctly connected to the E-09 and to an electrical outlet? (p. 8) -> Use only the supplied AC adaptor and power cable. Use of any other adaptor or cable may cause malfunctions.
No sound from the E-09	Could the VOLUME knob be turned down?
	Could headphones be connected? -> If headphones are connected, there will be no sound from the E-09's speakers.
	If there is no sound when you play the keyboard, could Local Control be turned “OFF”? -> Turn “Local” ON. (p. 27)
	Could pedal operations or MIDI messages (Expression or Volume) received from an external MIDI device have low-ered the volume?
No Sound from a Speci-cific Part	Could the volume of the part be turned down? -> Adjust the volume parameters (Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp). (p. 23)
	Could you have used the Minus-One function to mute (silence) a specific part? (p. 21)
	Does the MIDI receive channel of the part match the MIDI transmit channel of the connected MIDI device? -> Set the MIDI channel of the connected external MIDI device to match the E-09's receive channel. (p. 26)
No sound from a con- nected MIDI device	Is the instrument set to send MIDI messages? -> Set “MIDI TxRx” to an appropriate setting, something other than “OFF.” (p. 27)
	Does the MIDI transmit channel of the E-09's keyboard controller section match the MIDI receive channel of the con- nected MIDI device? -> Set the MIDI channel of the connected external device to match the E-09. (p. 26)
No sound from a speci- ic region of the key- board	Some tones such as drum sets or bass sounds have a limited range.
Effect not applied	If reverb or chorus are set to an amount of “0” for the keyboard part, there will be no effect. -> Set “Rev MAIN, Chr MAIN, Rev DUAL, Chr DUAL, Rev SPLIT, Chr SPLIT” to values above “0.” (p. 24)
	If “MFX” is set to anything other than “OFF,” chorus cannot be applied to the tone of the Main part.
Effect sounds wrong	If “Tone MFX” is “OFF,” some combinations of tone and effect may sound strange in comparison to other tones. -> Turn “Tone MFX” ON. Alternatively, switch “MFX” to a different type. (p. 24)
Pitch does not change when you move the Pitch Bend lever	Could the pitch bend range be set to “0”? -> Change the “PB Range” to a value other than “0.” (p. 22)
Sound is moved (panned) to left or right each time you play a note	Some tones are randomly panned between left and right each time you play a note. -> You can't change the setting of such tones.
	If Pan MAIN, Pan DUAL, or Pan SPLIT is set to “RND,” the sound will randomly move between left and right each time you play a note. (p. 24)
Sound is distorted	The sound may be distorted depending on the effect or part volume settings. Try adjusting the following parameters. • Volume parameters: Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp (p. 23) • Amount of reverb or chorus applied to the keyboard parts: Rev MAIN, Chr MAIN, Rev DUAL, Chr DUAL, Rev SPLIT, Chr SPLIT (p. 24) • Overall volume or volume balance
	Could an effect such as overdrive or distortion (which intentionally distorts the sound) be applied?
Tempo does not change	If [FUNCTION] is lit, pressing TEMPO [←(-)] [▶ (+)] will not change the tempo.
Pitch is wrong	Some tones may seem to have a different pitch in certain regions when compared to other tones.
	Could the E-09's tuning be incorrect? -> Check the “MasterTune” setting. (p. 22)
	Could the pitch have been modified by pedal operations or pitch bend messages received from an external MIDI de- vice?
Notes are interrupted	If more than 64 notes are played simultaneously, currently-sounding notes may be cut off.
Notes are “stuck” (con- tinue sounding) when you play the keyboard	Is the foot switch connected correctly?

Tone List

Button	No .	Tone	Category	PC	CC 00	CC 32
PIANO	1	St.Piano 1	PIANO	1	8	2
	2	EuropeanPf	PIANO	1	16	2
	3	Piano 2	PIANO	2	0	2
	4	Honkytonk	PIANO	4	0	2
	5	Piano 1	PIANO	1	0	2
	6	St.Piano 2	PIANO	2	8	2
	7	Piano 3	PIANO	3	0	2
	8	EG+EP 1	PIANO	3	1	2
	9	EG+EP 2	PIANO	3	2	2
	10	St.Piano 3	PIANO	3	8	2
	11	OldUpright	PIANO	4	8	2
	12	E.Piano 1	ELECTRIC PIANO	5	0	2
	13	St.Soft EP	ELECTRIC PIANO	5	8	2
	14	Dyno EP	ELECTRIC PIANO	5	47	2
	15	Wurly	ELECTRIC PIANO	5	48	2
	16	EP Legend	ELECTRIC PIANO	6	10	2
	17	Hard FM EP	ELECTRIC PIANO	6	24	2
	18	EP Phase	ELECTRIC PIANO	6	32	2
	19	FM+SA EP	ELECTRIC PIANO	5	16	2
	20	60s EP	ELECTRIC PIANO	5	24	2
	21	Hard EP	ELECTRIC PIANO	5	25	2
	22	Mellow EP	ELECTRIC PIANO	5	26	2
	23	E.Piano 2	ELECTRIC PIANO	6	0	2
	24	Detuned EP	ELECTRIC PIANO	6	8	2
	25	St.FM EP	ELECTRIC PIANO	6	16	2
	26	Nylon+EP	ELECTRIC PIANO	100	5	2
ORGAN	27	Organ 2	ORGAN	18	0	2
	28	Organ 1	ORGAN	17	0	2
	29	R&B Organ	ORGAN	17	10	2
	30	Cool Organ	ORGAN	17	34	2
	31	60s Organ1	ORGAN	17	16	2
	32	Cheese Org	ORGAN	17	24	2
	33	Org Oct 2	ORGAN	17	21	4
	34	Org Oct 1	ORGAN	17	20	4
	35	Perc Org 1	ORGAN	18	9	2
	36	Organ 3	ORGAN	19	0	2
	37	Rotary Org	ORGAN	19	8	2
	38	RotarySlow	ORGAN	19	16	2
	39	RotaryFast	ORGAN	19	24	2
	40	ChurchOrg1	ORGAN	20	0	2
	41	ChurchOrg2	ORGAN	20	8	2
	42	OrganFlute	ORGAN	20	24	2
	43	Trem Flute	ORGAN	20	32	2
	44	Reed Organ	ORGAN	21	0	2
	45	Organ 101	ORGAN	17	1	2
	46	Dtd Org 1	ORGAN	17	7	2
	47	Trem Organ	ORGAN	17	8	2
	48	Organ 109	ORGAN	17	9	2
	49	60s Organ2	ORGAN	17	17	2
	50	60s Organ3	ORGAN	17	18	2
	51	Pop Organ	ORGAN	17	31	2
	52	Rock Organ	ORGAN	17	32	2
	53	Even Bar	ORGAN	17	33	2
	54	Organ Bass	ORGAN	17	40	2
	55	Organ 201	ORGAN	18	1	2
	56	Chorus Org	ORGAN	18	8	2
	57	Dtd Org 2	ORGAN	18	10	2
	58	Perc Org 2	ORGAN	18	32	2
	59	ChurchOrg3	ORGAN	20	16	2
	60	Puff Organ	ORGAN	21	16	2
	61	Squeeze Me	ACCORDION	22	5	4
	62	Oktober	ACCORDION	22	6	4
	63	Vint Accdn	ACCORDION	22	10	4
	64	Romance	ACCORDION	22	11	4
	65	La Seine	ACCORDION	22	12	4
	66	Accrdn 1	ACCORDION	22	1	4
	67	Accrdn 2	ACCORDION	22	2	4

Button	No.	Tone	Category	PC	CC 00	CC 32
ORGAN	68	Accrdn 3	ACCORDION	22	3	4
	69	AccrdnJuno	ACCORDION	22	4	4
	70	Accrdn It	ACCORDION	22	8	2
	71	Accrdn Fr	ACCORDION	22	0	2
	72	Bandoneon	ACCORDION	24	0	2
	73	SqueezeBox	ACCORDION	24	24	4
	74	Harmonica1	ACCORDION	23	0	2
	75	Harmonica2	ACCORDION	23	1	2
	76	Harpsi 2	KEYBOARD	7	24	2
	77	St.Harpsi	KEYBOARD	7	16	2
	78	Harpsi 1	KEYBOARD	7	0	2
	79	CoupledHps	KEYBOARD	7	8	2
	80	Clav	KEYBOARD	8	0	2
	81	Comp Clav	KEYBOARD	8	8	2
	82	Pulse Clav	KEYBOARD	8	39	2
	83	Celesta	CHROMATIC PERC	9	0	2
	84	Music Box	CHROMATIC PERC	11	0	2
	85	Vibraphone	CHROMATIC PERC	12	0	2
	86	Marimba	CHROMATIC PERC	13	0	2
	87	Xylophone	CHROMATIC PERC	14	0	2
	88	Tublr Bell	CHROMATIC PERC	15	0	2
	89	Sft Crystl	CHROMATIC PERC	99	2	2
	90	LoudGlockn	CHROMATIC PERC	99	4	2
	91	Choir&Bell	CHROMATIC PERC	99	16	2
	92	TinkleBell	CHROMATIC PERC	113	0	2
	93	Glocken	CHROMATIC PERC	10	0	2
	94	Hard Vibe	CHROMATIC PERC	12	1	2
	95	St.Vibe	CHROMATIC PERC	12	8	2
	96	St.Marimba	CHROMATIC PERC	13	8	2
	97	ChurchBell	CHROMATIC PERC	15	8	2
	98	Carillon	CHROMATIC PERC	15	9	2
	99	Crystal	CHROMATIC PERC	99	0	2
	100	Syn Mallet	CHROMATIC PERC	99	1	2
	101	RndGlocken	CHROMATIC PERC	99	3	2
	102	GlcknChime	CHROMATIC PERC	99	5	2
	103	Crl Bells	CHROMATIC PERC	99	6	2
	104	X'mas Bell	CHROMATIC PERC	99	7	2
	105	VibraBells	CHROMATIC PERC	99	8	2
	106	Digi Bell	CHROMATIC PERC	99	9	2
	107	Air Bells	CHROMATIC PERC	99	17	2
	108	Bell Harp	CHROMATIC PERC	99	18	2
	109	Gamelimba	CHROMATIC PERC	99	19	2
GUITAR/ BASS	110	Nylon Gt 1	ACOUSTIC GUITAR	25	0	2
	111	Velo Harm	ACOUSTIC GUITAR	25	24	2
	112	Nyln+Steel	ACOUSTIC GUITAR	26	9	2
	113	Requint Gt	ACOUSTIC GUITAR	25	40	2
	114	FlamencoGt	ACOUSTIC GUITAR	25	49	2
	115	StlStr Gt1	ACOUSTIC GUITAR	26	0	2
	116	12 Str Gt	ACOUSTIC GUITAR	26	8	2
	117	Mandolin	ACOUSTIC GUITAR	26	16	2
	118	Ukulele	ACOUSTIC GUITAR	25	8	2
	119	Guitarron	ACOUSTIC GUITAR	25	9	4
	120	Nylon Gt 2	ACOUSTIC GUITAR	25	16	2
	121	Nylon Gt 3	ACOUSTIC GUITAR	25	32	2
	122	StlStr Gt2	ACOUSTIC GUITAR	26	32	2
	123	Steel+Body	ACOUSTIC GUITAR	26	33	2
	124	E.Gt Harm	ACOUSTIC GUITAR	32	0	2
	125	Ac.Gt Harm	ACOUSTIC GUITAR	32	16	2
	126	Atmosphere	ACOUSTIC GUITAR	100	0	2
	127	Nylon Harp	ACOUSTIC GUITAR	100	2	2
	128	Gt Fret Nz	ACOUSTIC GUITAR	121	0	2
	129	Jazz Gt 1	ELECTRIC GUITAR	27	0	2
	130	PedalSteel	ELECTRIC GUITAR	27	8	2
	131	Clean Gt 2	ELECTRIC GUITAR	28	1	2
	132	JC CIn Gt	ELECTRIC GUITAR	28	4	2
	133	MidTune Gt	ELECTRIC GUITAR	28	23	2
	134	Muted Gt	ELECTRIC GUITAR	29	0	2
	135	Overdrive	ELECTRIC GUITAR	30	0	2
	136	Dist Gt 1	ELECTRIC GUITAR	31	0	2
	137	Power Gt 1	ELECTRIC GUITAR	31	16	2
	138	Mellow Gt	ELECTRIC GUITAR	27	1	2
GUITAR/BASS	139	Jazz Gt 2	ELECTRIC GUITAR	27	2	2
	140	Clean Gt 1	ELECTRIC GUITAR	28	0	2
	141	Open Hard	ELECTRIC GUITAR	28	3	2
	142	Chorus Gt	ELECTRIC GUITAR	28	8	2
	143	Clean Gt 3	ELECTRIC GUITAR	28	48	2
	144	Mt Dist Bs	ELECTRIC GUITAR	29	1	2
	145	Funk Pop	ELECTRIC GUITAR	29	8	2
	146	Funk Gt	ELECTRIC GUITAR	29	16	2
	147	Jazz Man	ELECTRIC GUITAR	29	24	2
	148	Gt Pinch	ELECTRIC GUITAR	30	4	2
	149	Dist Gt 2	ELECTRIC GUITAR	31	1	2
	150	Dazed Gt	ELECTRIC GUITAR	31	2	2
	151	Feedback 1	ELECTRIC GUITAR	31	8	2
	152	Feedback 2	ELECTRIC GUITAR	31	9	2
	153	Power Gt 2	ELECTRIC GUITAR	31	17	2
	154	5th Dist	ELECTRIC GUITAR	31	18	2
	155	Rock Rhy 1	ELECTRIC GUITAR	31	24	2
	156	Rock Rhy 2	ELECTRIC GUITAR	31	25	2
	157	Rock Rhy 3	ELECTRIC GUITAR	31	26	2
	158	Feedback 3	ELECTRIC GUITAR	32	8	2
	159	Gt CutNz 1	ELECTRIC GUITAR	121	1	2
	160	Gt CutNz 2	ELECTRIC GUITAR	121	3	2
	161	Dist CutNz	ELECTRIC GUITAR	121	4	2
	162	PickScrape	ELECTRIC GUITAR	121	6	2
	163	Ac.Bass 1	BASS	33	0	2
	164	Ac.Bass 2	BASS	33	1	2
	165	Fingrd Bs1	BASS	34	0	2
	166	Jazz Bass	BASS	34	2	2
	167	Fingrd Bs3	BASS	34	3	2
	168	Pick Bass1	BASS	35	0	2
	169	Frtlss Bs1	BASS	36	0	2
	170	Slap Bass1	BASS	37	0	2
	171	Syn Bass 1	BASS	39	0	2
	172	Reso SH Bs	BASS	39	16	2
	173	Square Bs	BASS	39	22	2
	174	Ac.Bass 3	BASS	33	2	2
	175	Ac.Bass 4	BASS	33	3	2
	176	Baby Bass	BASS	33	4	4
	177	Fingrd Bs2	BASS	34	1	2
	178	Fingrd Bs4	BASS	34	4	2
	179	FingerSlap	BASS	34	7	2
	180	Pick Bass2	BASS	35	3	2
	181	Mt Pick Bs	BASS	35	8	2
	182	Frtlss Bs2	BASS	36	1	2
	183	Frtlss Bs3	BASS	36	2	2
	184	Frtlss Bs4	BASS	36	3	2
	185	Syn Frtlss	BASS	36	4	2
	186	Mr.Smooth	BASS	36	5	2
	187	Frtlss Bs5	BASS	36	8	2
	188	Fat Frtlss	BASS	36	48	2
	189	Reso Slap	BASS	37	8	2
	190	Slap Bass2	BASS	38	0	2
	191	Syn Bs 101	BASS	39	1	2
	192	Juno Bass	BASS	39	2	2
	193	106 Bass	BASS	39	3	2
	194	Acid Bass	BASS	39	8	2
	195	TB303 Bass	BASS	39	9	2
	196	Techno Bs	BASS	39	10	2
	197	Clav Bass	BASS	39	19	2
	198	Hammer	BASS	39	20	2
	199	JungleBass	BASS	39	21	2
	200	Pop Syn Bs	BASS	39	23	2
	201	LightSynBs	BASS	39	24	2
	202	FatTB Bass	BASS	39	25	2
203	Syn Bass 2	BASS	40	0	2
204	Syn Bs 201	BASS	40	1	2
205	Mod Bass	BASS	40	2	2
206	Seq Bass	BASS	40	3	2
207	Beef FM Bs	BASS	40	8	2
208	X Wire Bs	BASS	40	9	2
209	RubberBass	BASS	40	16	2

Button	No.	Tone	Category	PC	CC 00	CC 32
GUITAR/ BASS	210	SH101 Bs 1	BASS	40	17	2
	211	SH101 Bs 2	BASS	40	18	2
	212	SmoothBass	BASS	40	19	2
	213	Mild Bass	BASS	40	20	2
	214	Detuned Bs	BASS	40	21	2
	215	Attack Pls	BASS	40	29	2
	216	Str Slap	BASS	121	2	2
	217	Bass Slide	BASS	121	5	2
STRINGS	218	St.Strings	STRINGS	49	16	2
	219	St.SlowStr	STRINGS	50	10	2
	220	Legato Str	STRINGS	50	8	2
	221	SynStrings	STRINGS	51	0	2
	222	SuspensStr	STRINGS	45	9	2
	223	Pizz Str	STRINGS	46	0	2
	224	XP Strings	STRINGS	49	4	4
	225	Str Oct	STRINGS	49	32	4
	226	OR Str Oct	STRINGS	49	35	4
	227	Violin 1	STRINGS	41	0	2
	228	SlowVioln1	STRINGS	41	8	2
	229	Viola 1	STRINGS	42	0	2
	230	Cello 1	STRINGS	43	0	2
	231	Contrabass	STRINGS	44	0	2
	232	Violin 2	STRINGS	41	1	2
	233	SlowVioln2	STRINGS	41	9	2
	234	Viola 2	STRINGS	42	1	2
	235	Cello 2	STRINGS	43	1	2
	236	Trem Str	STRINGS	45	0	2
	237	Slow Trem	STRINGS	45	8	2
	238	Strings 1	STRINGS	49	0	2
	239	Strings 2	STRINGS	49	1	2
	240	Orchestra1	STRINGS	49	8	2
	241	Orchestra2	STRINGS	49	9	2
	242	Trem Orch	STRINGS	49	10	2
	243	XP Orch	STRINGS	49	21	4
	244	Choir Str	STRINGS	49	11	2
	245	Velo Str	STRINGS	49	24	2
	246	60s Str	STRINGS	49	40	2
	247	Slow Str 1	STRINGS	50	0	2
	248	Slow Str 2	STRINGS	50	1	2
	249	Warm Str	STRINGS	50	9	2
	250	OB Strings	STRINGS	51	1	2
	251	Syn Str 1	STRINGS	51	2	2
	252	70s Str 1	STRINGS	51	8	2
	253	70s Str 2	STRINGS	51	9	2
	254	Syn Str 2	STRINGS	52	0	2
	255	Syn Str 3	STRINGS	52	1	2
	256	Double Hit	STRINGS	56	10	2
	257	Orch Hit	STRINGS	56	0	2
	258	Bass Hit	STRINGS	56	1	2
	259	6th Hit	STRINGS	56	2	2
	260	Euro Hit	STRINGS	56	3	2
	261	Techno Hit	STRINGS	56	4	2
	262	Impact Hit	STRINGS	56	8	2
	263	Philly Hit	STRINGS	56	9	2
	264	Lo-Fi Rave	STRINGS	56	16	2
VOCAL	265	St.Choir	VOCAL	53	8	2
	266	Humming	VOCAL	54	40	2
	267	Voice Doos	VOCAL	54	0	2
	268	Syn Vox	VOCAL	55	0	2
	269	Solo Vox	VOCAL	86	0	2
	270	ChoirAahs1	VOCAL	53	0	2
	271	Mellow Chr	VOCAL	53	9	2
	272	ChoirAahs2	VOCAL	53	32	2
	273	Syn Voice	VOCAL	55	8	2
	274	Ana Voice	VOCAL	55	19	2
	275	Harp Vox	VOCAL	100	3	2
	276	HllwReleas	VOCAL	100	4	2
SAX/BRASS	277	Blow Tenor	SAX	67	8	2
	278	XP Breathy	SAX	67	10	4
	279	Sop Sax 1	SAX	65	0	2
	280	Alto Sax 1	SAX	66	0	2
SAX/BRASS	281	XP AltoSax	SAX	66	2	4
	282	Tenor Sax1	SAX	67	0	2
	283	XP Tnr Sax	SAX	67	2	4
	284	Baritn Sax	SAX	68	0	2
	285	Sop Sax 2	SAX	65	8	2
	286	Alto Sax 2	SAX	66	1	2
	287	Hyper Alto	SAX	66	8	2
	288	Tenor Sax2	SAX	67	1	2
	289	Velo Tenor	SAX	67	9	2
	290	Flute Vib	WIND	74	48	2
	291	Piccolo	WIND	73	0	2
	292	Oboe	WIND	69	0	2
	293	Bassoon	WIND	71	0	2
	294	Clarinet	WIND	72	1	2
	295	Pan Flute	WIND	76	0	2
	296	Sad Pipe	WIND	76	40	4
	297	Desert Fl	WIND	76	41	4
	298	Whistle	WIND	79	0	2
	299	English Horn	WIND	70	0	2
	300	JzClarinet	WIND	72	0	2
	301	BsClarinet	WIND	72	8	2
	302	Flute	WIND	74	0	2
	303	Recorder	WIND	75	0	2
	304	Ocarina	WIND	80	0	2
	305	BottleBlow	WIND	77	0	2
	306	Trumpet 1	ACOUSTIC BRASS	57	0	2
	307	Latin Tp 1	ACOUSTIC BRASS	57	7	4
	308	Latin Tp 2	ACOUSTIC BRASS	57	6	4
	309	FlugelHorn	ACOUSTIC BRASS	57	8	2
	310	Trombone 1	ACOUSTIC BRASS	58	0	2
	311	Tuba 1	ACOUSTIC BRASS	59	0	2
	312	Mute Tp 1	ACOUSTIC BRASS	60	0	2
	313	Fr.Horns 1	ACOUSTIC BRASS	61	0	2
	314	Brass 1	ACOUSTIC BRASS	62	0	2
	315	Brass Fall	ACOUSTIC BRASS	62	16	2
	316	Twin Tp	ACOUSTIC BRASS	62	24	2
	317	Tb Sect 1	ACOUSTIC BRASS	62	26	2
	318	Brass Oct	ACOUSTIC BRASS	62	30	4
	319	Trumpet 2	ACOUSTIC BRASS	57	1	2
	320	Trumpet 3	ACOUSTIC BRASS	57	2	2
	321	Dark Tp	ACOUSTIC BRASS	57	3	2
	322	XP Trumpet	ACOUSTIC BRASS	57	5	4
	323	Bright Tp	ACOUSTIC BRASS	57	24	2
	324	Warm Tp	ACOUSTIC BRASS	57	25	2
	325	Trombone 2	ACOUSTIC BRASS	58	1	2
	326	Trombone 3	ACOUSTIC BRASS	58	2	2
	327	Bright Tb	ACOUSTIC BRASS	58	4	2
	328	Tuba 2	ACOUSTIC BRASS	59	1	2
	329	Mute Tp 2	ACOUSTIC BRASS	60	2	2
	330	Fr.Horns 2	ACOUSTIC BRASS	61	1	2
	331	XP Horns	ACOUSTIC BRASS	61	10	4
	332	FrHornSolo	ACOUSTIC BRASS	61	8	2
	333	XP Horn	ACOUSTIC BRASS	61	4	4
	334	Horn Orch	ACOUSTIC BRASS	61	16	2
	335	Brass 2	ACOUSTIC BRASS	62	1	2
	336	Brass 3	ACOUSTIC BRASS	62	8	2
	337	XP Brass 1	ACOUSTIC BRASS	62	6	4
	338	XP Brass 2	ACOUSTIC BRASS	62	11	4
	339	XP Tp&Sax	ACOUSTIC BRASS	62	15	4
	340	Twin Bones	ACOUSTIC BRASS	62	25	2
	341	Tb Sect 2	ACOUSTIC BRASS	62	27	2
SYNTH	342	Syn Brass1	SYNTH BRASS	63	0	2
	343	Jump Brass	SYNTH BRASS	63	5	2
	344	OctSynBrss	SYNTH BRASS	63	16	2
	345	VeloBrass2	SYNTH BRASS	64	17	2
	346	Poly Brass	SYNTH BRASS	63	1	2
	347	Syn Brass5	SYNTH BRASS	63	3	2
	348	Juno Brass	SYNTH BRASS	63	4	2
	349	Syn Brass3	SYNTH BRASS	63	8	2
	350	Quak Brass	SYNTH BRASS	63	9	2
	351	Oct Brass	SYNTH BRASS	63	18	2

Button	No.	Tone	Category	PC	CC 00	CC 32
SYNTH	352	Syn Brass2	SYNTH BRASS	64	0	2
	353	Soft Brass	SYNTH BRASS	64	1	2
	354	Syn Brass4	SYNTH BRASS	64	8	2
	355	VeloBrass1	SYNTH BRASS	64	16	2
	356	Big Lead	SYNTH LEAD	82	4	2
	357	SquareWave	SYNTH LEAD	81	0	2
	358	Mellow FM	SYNTH LEAD	81	3	2
	359	CC Solo	SYNTH LEAD	81	4	2
	360	260 Sync	SYNTH LEAD	81	17	2
	361	Saw Wave 1	SYNTH LEAD	82	0	2
	362	Pulse Saw	SYNTH LEAD	82	2	2
	363	GR-300	SYNTH LEAD	82	6	2
	364	Waspy Syn	SYNTH LEAD	82	16	2
	365	Rhythm Saw	SYNTH LEAD	82	45	4
	366	Seq Saw	SYNTH LEAD	82	46	2
	367	SynCalliop	SYNTH LEAD	83	0	2
	368	PurePan Ld	SYNTH LEAD	83	2	2
	369	Charang	SYNTH LEAD	85	0	2
	370	Wire Lead	SYNTH LEAD	85	1	2
	371	Dist Lead	SYNTH LEAD	85	8	2
	372	Square	SYNTH LEAD	81	1	2
	373	Hollow Min	SYNTH LEAD	81	2	2
	374	Shmoog	SYNTH LEAD	81	5	2
	375	LM Square	SYNTH LEAD	81	6	2
	376	Sine Wave	SYNTH LEAD	81	8	2
	377	DistSquare	SYNTH LEAD	81	16	2
	378	P5 Saw	SYNTH LEAD	82	1	2
	379	Feline GR	SYNTH LEAD	82	3	2
	380	Velo Lead	SYNTH LEAD	82	5	2
	381	LA Saw	SYNTH LEAD	82	7	2
	382	Dr.Solo	SYNTH LEAD	82	8	2
	383	Saw Wave 2	SYNTH LEAD	82	9	2
	384	Saw Wave 3	SYNTH LEAD	82	10	2
	385	Natural Ld	SYNTH LEAD	82	36	2
	386	Vent Synth	SYNTH LEAD	83	1	2
	387	Chiffer Ld	SYNTH LEAD	84	0	2
	388	5thSawWave	SYNTH LEAD	87	0	2
	389	Big Fives	SYNTH LEAD	87	1	2
	390	Bass&Lead	SYNTH LEAD	88	0	2
	391	Big&Raw	SYNTH LEAD	88	1	2
	392	Fat&Perky	SYNTH LEAD	88	2	2
	393	Delayed Ld	SYNTH LEAD	88	7	2
	394	Poly Syn	POLY SYNTHESIZER	91	0	2
	395	80sPolySyn	POLY SYNTHESIZER	91	1	2
	396	Ice Rain	POLY SYNTHESIZER	97	0	2
	397	Warm Atoms	POLY SYNTHESIZER	100	1	2
	398	Brightness	POLY SYNTHESIZER	101	0	2
	399	Fantasia 1	POLY SYNTHESIZER	89	0	2
	400	Fantasia 2	POLY SYNTHESIZER	89	1	2
	401	Harm Rain	POLY SYNTHESIZER	97	1	2
	402	African wd	POLY SYNTHESIZER	97	2	2
	403	Clav Pad	POLY SYNTHESIZER	97	8	2
	404	Rave	POLY SYNTHESIZER	98	8	2
	405	Warm Pad	PAD	90	0	2
	406	Thick Pad	PAD	90	1	2
	407	Rotary Str	PAD	90	3	2
	408	Soft Pad	PAD	90	4	2
	409	SpaceVoice	PAD	92	0	2
	410	Heaven II	PAD	92	1	2
	411	Itopia	PAD	92	3	2
	412	Blow Pad	PAD	92	13	4
	413	Ethno Pad1	PAD	92	14	4
	414	Ethno Pad2	PAD	92	15	4
	415	Tine Pad	PAD	94	1	2
416	Panner Pad	PAD	94	2	2
417	Sweep Pad	PAD	96	0	2
418	Polar Pad	PAD	96	1	2
419	Shimmer	PAD	96	9	2
420	Soundtrack	PAD	98	0	2
421	AmbientPad	PAD	100	6	2
422	Goblin Syn	PAD	102	1	2
SYNTH	423	ResoPanner	PAD	103	5	2
	424	StarTheme1	PAD	104	0	2
	425	Horn Pad	PAD	90	2	2
	426	Sine Pad	PAD	90	5	2
	427	BowedGlass	PAD	93	0	2
	428	Metal Pad	PAD	94	0	2
	429	Halo Pad	PAD	95	0	2
	430	Converge	PAD	96	8	2
	431	CelestPad	PAD	96	10	2
	432	Ancestral	PAD	98	1	2
	433	Prologue	PAD	98	2	2
	434	Goblin	PAD	102	0	2
	435	50s Sci-Fi	PAD	102	2	2
	436	Echo Drops	PAD	103	0	2
	437	Echo Bell	PAD	103	1	2
	438	Echo Pan 1	PAD	103	2	2
	439	Echo Pan 2	PAD	103	3	2
	440	Big Panner	PAD	103	4	2
	441	WaterPiano	PAD	103	6	2
	442	StarTheme2	PAD	104	1	2
WORLD 1	443	SitarDrone	WORLD 1	105	4	4
	444	Sitar 3	WORLD 1	105	3	4
	445	Sarod	WORLD 1	105	24	4
	446	Erhu	WORLD 1	111	8	4
	447	Erhu/Vib	WORLD 1	111	10	4
	448	Matouqin	WORLD 1	111	19	4
	449	Shehnai 3	WORLD 1	112	2	4
	450	Bonang 2	WORLD 1	113	26	4
	451	Gender 2	WORLD 1	113	27	4
	452	Saron	WORLD 1	113	28	4
	453	Yangqin	WORLD 1	47	32	4
	454	Yanqin/Hrd	WORLD 1	47	33	4
	455	Yanqin/Trm	WORLD 1	47	34	4
	456	Yanqin Trm	WORLD 1	47	36	4
	457	Guzheng	WORLD 1	108	1	4
	458	Guzhng/Trm	WORLD 1	108	2	4
	459	Guzhng Trm	WORLD 1	108	4	4
	460	Sanxian	WORLD 1	107	16	4
	461	Sanxn/Trem	WORLD 1	107	17	4
	462	Pipa	WORLD 1	106	32	4
	463	Pipa/Vib	WORLD 1	106	33	4
	464	Pipa/Trem	WORLD 1	106	34	4
	465	Pipa Trem	WORLD 1	106	37	4
	466	Qudi	WORLD 1	74	24	4
	467	Qudi/Orn	WORLD 1	74	25	4
	468	Bangdi	WORLD 1	74	28	4
	469	Bandi/Grwl	WORLD 1	74	29	4
	470	Bandi Grwl	WORLD 1	74	30	4
	471	Xiao	WORLD 1	78	8	4
	472	Xiao/Orn	WORLD 1	78	9	4
	473	Xun	WORLD 1	74	32	4
	474	Xun/Orn	WORLD 1	74	33	4
	475	Shakuhachi	WORLD 1	78	0	2
	476	Hulusi 1	WORLD 1	112	40	4
	477	Hulusi 2	WORLD 1	112	44	4
	478	Shehnai 1	WORLD 1	112	0	2
	479	Shehnai 2	WORLD 1	112	1	2
	480	Pungi	WORLD 1	112	8	2
	481	Suona	WORLD 1	112	32	4
	482	Suona/Grwl	WORLD 1	112	33	4
	483	Suona Grwl	WORLD 1	112	34	4
	484	Hichiriki	WORLD 1	112	16	2
	485	Bagpipe	WORLD 1	110	0	2
	486	Shamisen	WORLD 1	107	0	2
	487	Tsugaru	WORLD 1	107	1	2
	488	Koto	WORLD 1	108	0	2
	489	TaishoKoto	WORLD 1	108	8	2
	490	Zither	WORLD 1	47	24	2
	491	Harp	WORLD 1	47	0	2
	492	Bonang 1	WORLD 1	113	8	2
	493	Gender 1	WORLD 1	113	9	2

Button	No.	Tone	Category	PC	CC 00	CC 32
WORLD 1	494	GamIn Gong	WORLD 1	113	10	2
	495	St.Gamelan	WORLD 1	113	11	2
	496	RamaCymbal	WORLD 1	113	16	2
	497	Atarigane	WORLD 1	114	8	2
	498	Gopichant	WORLD 1	106	16	2
	499	Sitar 2	WORLD 1	105	1	2
	500	Sitar 1	WORLD 1	105	0	2
	501	Dtnd Sitar	WORLD 1	105	2	2
	502	TamburaDrn	WORLD 1	105	17	4
WORLD 2	503	SteelDrums	WORLD 2	115	0	2
	504	Quena	WORLD 2	75	8	4
	505	Zampona	WORLD 2	76	16	4
	506	Duduks	WORLD 2	112	41	4
	507	Jerba	WORLD 2	112	43	4
	508	Banjo 1	WORLD 2	106	0	2
	509	Banjo 2	WORLD 2	106	2	4
	510	Mute Banjo	WORLD 2	106	1	2
	511	Bouzouki	WORLD 2	106	11	4
	512	Saz	WORLD 2	106	13	4
	513	Tar	WORLD 2	106	12	4
	514	HurdyGurdy	WORLD 2	111	18	4
	515	Fiddle	WORLD 2	111	0	2
	516	Kamanche	WORLD 2	111	16	4
	517	Gadulka	WORLD 2	111	17	4
	518	Rabab 2	WORLD 2	106	10	4
	519	Rabab 1	WORLD 2	106	8	2
	520	Oud 1	WORLD 2	106	24	2
	521	Oud 2	WORLD 2	106	25	4
	522	Oud/Trem	WORLD 2	106	27	4
	523	Oud Trem	WORLD 2	106	26	4
	524	Oud&Str	WORLD 2	106	28	4
	525	Tambura	WORLD 2	105	9	4
	526	Kanoon 2	WORLD 2	108	17	4
	527	Kanoon Oct	WORLD 2	108	18	4
	528	Kanoon&Chr	WORLD 2	108	19	4
	529	Kanoon 1	WORLD 2	108	16	2
	530	Kawala 2	WORLD 2	76	9	4
	531	Kawala Oct	WORLD 2	76	10	4
	532	Kawala 1	WORLD 2	76	8	2
	533	Kaval Duo	WORLD 2	76	32	4
	534	Nay	WORLD 2	74	18	4
	535	Nay Oct	WORLD 2	74	19	4
	536	Mizmar	WORLD 2	112	24	4
	537	Mizmar Oct	WORLD 2	112	25	4
	538	MizmarDual	WORLD 2	112	26	4
	539	Zourna	WORLD 2	112	42	4
	540	Gaida	WORLD 2	110	16	4
	541	Santur 3	WORLD 2	16	2	4
	542	Santur 2	WORLD 2	16	1	2
	543	Santur 1	WORLD 2	16	0	2
	544	Cimbalom	WORLD 2	16	8	2
	545	Afro Harp	WORLD 2	16	32	4
	546	Kalimba 1	WORLD 2	109	0	2
	547	Kalimba 2	WORLD 2	109	1	4
	548	Balafon 1	WORLD 2	13	16	2
	549	Balafon 2	WORLD 2	13	17	2
	550	Log Drum	WORLD 2	13	24	2
	551	Timpani	PERCUSSION	48	0	2
	552	Castanets	PERCUSSION	116	8	2
	553	Agogo Bell	PERCUSSION	114	0	2
	554	Woodblock	PERCUSSION	116	0	2
	555	Taiko	PERCUSSION	117	0	2
	556	Concert BD	PERCUSSION	117	8	2
	557	Mt CnCRTBD	PERCUSSION	117	9	2
	558	Melo Tom 1	PERCUSSION	118	0	2
	559	Real Tom	PERCUSSION	118	1	2
	560	Melo Tom 2	PERCUSSION	118	8	2
	561	Rock Tom	PERCUSSION	118	9	2
	562	Synth Drum	PERCUSSION	119	0	2
	563	808 Tom	PERCUSSION	119	8	2
	564	Elec Perc	PERCUSSION	119	9	2
WORLD 2	565	RevCymbal1	PERCUSSION	120	0	2
	566	RevCymbal2	PERCUSSION	120	1	2
	567	Rev Snare1	PERCUSSION	120	8	2
	568	Rev Snare2	PERCUSSION	120	9	2
	569	Rev Kick	PERCUSSION	120	16	2
	570	RevCnctBD	PERCUSSION	120	17	2
	571	Rev Tom 1	PERCUSSION	120	24	2
	572	Rev Tom 2	PERCUSSION	120	25	2
	573	Thunder	SFX	123	2	2
	574	Wind	SFX	123	3	2
	575	Bird 1	SFX	124	0	2
	576	Bird 2	SFX	124	3	2
	577	HorseGallp	SFX	124	2	2
	578	Telephone2	SFX	125	1	2
	579	Helicopter	SFX	126	0	2
	580	Car Engine	SFX	126	1	2
	581	Car-Pass	SFX	126	3	2
	582	Siren	SFX	126	5	2
	583	Train	SFX	126	6	2
	584	Applause 1	SFX	127	0	2
	585	Laughing	SFX	127	1	2
	586	Screaming	SFX	127	2	2
	587	Explosion	SFX	128	3	2
	588	Breath Nz	SFX	122	0	2
	589	FIKeyClick	SFX	122	1	2
	590	Seashore	SFX	123	0	2
	591	Rain	SFX	123	1	2
	592	Stream	SFX	123	4	2
	593	Bubble	SFX	123	5	2
	594	Dog	SFX	124	1	2
	595	Kitty	SFX	124	4	2
	596	Growl	SFX	124	5	2
	597	Telephone1	SFX	125	0	2
	598	Door Creak	SFX	125	2	2
	599	Door	SFX	125	3	2
	600	Scratch 1	SFX	125	4	2
	601	Scratch 2	SFX	125	7	2
	602	WindChimes	SFX	125	5	2
	603	Car-Stop	SFX	126	2	2
	604	Car-Crash	SFX	126	4	2
	605	Jetplane	SFX	126	7	2
	606	Starship	SFX	126	8	2
	607	Burst Nz	SFX	126	9	2
	608	Punch	SFX	127	3	2
	609	Heart Beat	SFX	127	4	2
	610	Footsteps	SFX	127	5	2
	611	Applause 2	SFX	127	6	2
	612	Gun Shot	SFX	128	0	2
	613	MachineGun	SFX	128	1	2
	614	Laser Gun	SFX	128	2	2

Drum Sets

Button	No.	Rhythm	Category	PC	CC 00	CC 32
DRUMS	615	Standard 1	DRUMS	1	0	2
	616	Jazz Kit 1	DRUMS	33	0	2
	617	New TR-909	DRUMS	31	0	2
	618	Hip Hop	DRUMS	10	0	2
	619	R&B	DRUMS	14	0	2
	620	Tech&House	DRUMS	12	0	2
	621	Drum'n'Bss	DRUMS	11	0	2
	622	Latin Perc	DRUMS	47	0	4
	623	India Perc	DRUMS	45	0	4
	624	GamelanPrc	DRUMS	46	0	4
	625	OrientPerc	DRUMS	95	0	4
	626	China Perc	DRUMS	44	0	4
	627	India Kit	DRUMS	94	0	4
	628	Std Latin	DRUMS	75	0	4
	629	Jazz Latin	DRUMS	76	0	4
	630	TR909Latin	DRUMS	77	0	4
	631	HipHopLatn	DRUMS	80	0	4
	632	R&B Latin	DRUMS	81	0	4
	633	TechnoLatn	DRUMS	78	0	4
	634	D'n'B Latn	DRUMS	79	0	4
	635	Std Asia	DRUMS	67	0	4
	636	Jazz Asia	DRUMS	68	0	4
	637	TR909 Asia	DRUMS	69	0	4
	638	HipHopAsia	DRUMS	70	0	4
	639	R&B Asia	DRUMS	71	0	4
	640	TechnoAsia	DRUMS	72	0	4
	641	D'n'B Asia	DRUMS	73	0	4
	642	Std OR2	DRUMS	96	0	4
	643	Jazz OR2	DRUMS	97	0	4
	644	TR-909 OR2	DRUMS	98	0	4
	645	HipHop OR2	DRUMS	99	0	4
	646	R&B OR2	DRUMS	100	0	4
	647	Techno OR2	DRUMS	101	0	4
	648	D'n'B OR2	DRUMS	102	0	4
	649	Std OR1	DRUMS	82	0	4
	650	Jazz OR1	DRUMS	83	0	4
	651	TR-909 OR1	DRUMS	84	0	4
	652	HipHop OR1	DRUMS	87	0	4
	653	R&B OR1	DRUMS	88	0	4
	654	Techno OR1	DRUMS	85	0	4
	655	D'n'B OR1	DRUMS	86	0	4
	656	OR Kit 1	DRUMS	93	0	4
	657	OR Kit 2	DRUMS	117	0	3
	658	MxKit&Latn	DRUMS	89	0	4
	659	MxKit&India	DRUMS	90	0	4
	660	MxKit&OR2	DRUMS	103	0	4
	661	MxKit&OR1	DRUMS	92	0	4
	662	MxKit&Chin	DRUMS	91	0	4
	663	Standard 2	DRUMS	2	0	2
	664	Standard 3	DRUMS	3	0	2
	665	Room	DRUMS	9	0	2
	666	Power	DRUMS	17	0	2
	667	Jazz Kit 2	DRUMS	34	0	2
	668	Brush Kit	DRUMS	41	0	2
	669	Orchestra	DRUMS	49	0	2
	670	Ethnic	DRUMS	50	0	2
	671	Electronic	DRUMS	25	0	2
	672	TR-808&909	DRUMS	26	0	2
	673	Dance	DRUMS	27	0	2
	674	Kick&Snare	DRUMS	51	0	2
	675	SFX	DRUMS	57	0	2

Drum Set List

	PC: 1 [CC32:2]Standard 1	PC: 33 [CC32:2]Jazz Kit 1	PC: 31 [CC32:2]New TR-909	PC: 10 [CC32:2]Hip Hop	PC: 14 [CC32:2]R&B	PC: 12 [CC32:2]Tech&House	PC: 11 [CC32:2]Drum/Bss	PC: 47 [CC32:4]Latin Perc	PC: 45 [CC32:4]India Perc	PC: 46 [CC32:4]GamelanPrc	PC: 95 [CC32:4]OrientPerc
9	10	11	12	999 Kick 3	999 Kick 3	999 Kick	999 Kick 3	999 Kick 3	10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000	10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000
10	11	12	13	999 Kick 3	999 Kick 3	999 Kick	999 Kick 3	999 Kick 3	10000000000000000000000000000000000000000000000000000000000000000	1000000000000000000000000000000000
11	12	13	14	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	100000000000000000000000000000000000000000000000000000000000000000000000000000000000
12	13	14	15	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	100000000000000000000000000000000000000000000000000000000000000
13	15	16	17	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	100000000000000000000000000000000000000000000000000000000000000	1000000000000000000000000000000000
				999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	100000000000000000000000000000000000000000000000000000000000
14	15	16	17	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	10000000000000000000000000000000000000000000000000000
				999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	100000000000000000000000	1000000000000000000000
15	16	17	18	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	1000000000000000000000	1000000000000000000000
				18	18	18	18	18	18	18	18
				22	22	22	22	22	22	22	22
				23	23	23	23	23	23	23	23
C1	24	25	26	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	999 Kick 3	100000000000000000000	100000000000000000000	100000000000000000000
				24	24	24	24	24	24	24	24
				25	25	25	25	25	25	25	25
				26	26	26	26	26	26	26	26
				27	27	27	27	27	27	27	27
				28	28	28	28	28	28	28	28
				29	29	29	29	29	29	29	29
				30	30	31	31	31	31	31	31
				31	31	31	31	31	31	31	31
				32	32	32	32	32	32	32	32
				33	33	33	33	33	33	33	33
				34	34	34	34	34	34	34	34
				35	35	35	35	35	35	35	35
				36	36	36	36	36	36	36	36
				37	37	37	37	37	37	37	37
				38	38	38	38	38	38	38	38
				39	39	39	39	39	39	39	39
				40	40	41	41	41	41	41	41
				41	41	41	41	41	41	41	41
				42	42	42	42	42	42	42	42
				43	43	43	43	43	43	43	43
				44	44	44	44	44	44	44	44
				45	45	45	45	45	45	45	45
				46	46	46	46	46	46	46	46
				47	47	47	47	47	47	47	47
				48	48	48	48	48	48	48	48
				49	49	49	49	49	49	49	49
				50	50	51	51	51	51	51	51
				51	51	52	52	52	52	52	52
				52	52	53	53	53	53	53	53
				53	53	54	54	54	54	54	54
				54	54	55	55	55	55	55	55
				55	55	56	56	56	56	56	56
				56	56	57	57	57	57	57	57
				57	57	58	58	58	58	58	58
				58	58	59	59	59	59	59	59
				59	59	60	60	60	60	60	60
				61	61	62	62	62	62	62	62
				62	62	63	63	63	63	63	63
				63	63	64	64	64	64	64	64
				64	64	65	65	65	65	65	65
				65	65	66	66	66	66	66	66
				66	66	67	67	67	67	67	67
				67	67	68	68	68	68	68	68
				68	68	69	69	69	69	69	69
				69	69	70	71	71	71	71	71
				71	71	72	72	72	72	72	72
				72	72	73	73	73	73	73	73
				73	73	74	74	74	74	74	74
				74	74	75	75	75	75	75	75
				75	75	76	76	76	76	76	76
				76	76	77	77	77	77	77	77
				77	77	78	78	78	78	78	78
				78	78	79	79	79	79	79	79
				79	79	80	80	80	80	80	80
				80	80	81	81	81	81	81	81
				81	81	82	82	82	82	82	82
				82	82	83	83	83	83	83	83
				83	83	84	84	84	84	84	84
				84	84	85	85	85	85	85	85
				85	85	86	86	86	86	86	86
				86	86	87	87	87	87	87	87
				87	87	88	88	88	88	88	88
				88	88	89	89	89	89	89	89
89	89	90	90	90	90	90	90
91	91	92	92	92	92	92	92
92	92	93	93	93	93	93	93
93	93	94	94	94	94	94	94
94	94	95	95	95	95	95	95
95	95	96	96	96	96	96	96
96	96	97	97	97	97	97	97
97	97	98	98	98	98	98	98
98	98	99	99	99	99	99	99
99	99	100	100	100	100	100	100
101	101	102	102	102	102	102	102
102	102	103	103	103	103	103	103
103	103	104	104	104	104	104	104
104	104	105	105	105	105	105	105
105	105	106	106	106	106	106	106
106	106	107	107	107	107	107	107
	PC: 44 [CC32: 4]China Perc	PC: 94 [CC32: 4]India Kit	PC: 75 [CC32: 4]Std Latin	PC: 76 [CC32: 4]Jazz Latin	PC: 77 [CC32: 4]TR908Latin	PC: 80 [CC32: 4]HiphOpLatin	PC: 81 [CC32: 4]R&B Latin	PC: 78 [CC32: 4]TechnoLat	PC: 79 [CC32: 4]D'N'B Latin	PC: 67 [CC32: 4]Std Asia	PC: 68 [CC32: 4]Jazz Asia
5	10	-	-	-	909 Kick 3	909 Kick 3	909 Kick	909 Kick 3	909 Kick 3	-	-
11	10	-	-	-	House Kick	House Kick	House Kick	House Kick	House Kick	-	-
C0	12	-	-	-	TR-808 Kick	TR-808 Kick	TR-808 Kick	TR-808 Kick	909 Kick	-	-
13	13	-	-	-	HipHop Kick	909 Kick	HipHop Kick	HipHop Kick	HipHop Kick	-	-
14	14	-	-	-	SimpleKick	909 Kick	909 Kick	SimpleKick	SimpleKick	-	-
15	15	-	-	-	TR-909 OHHsh	TR-909 OHHsh	R&B OHHsh	TR-909 OHHsh	TR-909 OHHsh	-	-
16	16	-	-	-	TR-909 OHHsh	TR-909 OHHsh	R&B OHHsh	TR-909 OHHsh	TR-909 OHHsh	-	-
17	17	-	-	-	TR-909 OHHsh	TR-909 OHHsh	R&B OHHsh	TR-909 OHHsh	TR-909 OHHsh	-	-
18	18	-	-	-	Three	Three	Three	Three	Three	-	-
19	19	-	-	-	Four	Four	Four	Four	Four	-	-
20	20	-	-	-	Four	Four	Four	Four	Four	-	-
21	21	-	-	-	One	One	One	One	One	-	-
22	22	-	-	-	Two	Two	Two	Two	Two	-	-
23	23	-	-	-	Three	Three	Three	Three	Three	-	-
C1	24	-	-	-	Four	Four	Four	Four	Four	-	-
25	25	-	-	-	Four	Four	Four	Four	Four	-	-
26	26	-	-	-	Four	Four	Four	Four	Four	-	-
27	27	-	-	-	Four	Four	Four	Four	Four	-	-
28	28	-	-	-	Four	Four	Four	Four	Four	-	-
29	29	-	-	-	Four	Four	Four	Four	Four	-	-
30	Gu Roll	-	-	-	Four	Four	Four	Four	Four	-	-
31	Gu Hi	-	-	-	Four	Four	Four	Four	Four	-	-
32	HuYinLuO. Op	-	-	-	Four	Four	Four	Four	Four	-	-
33	Changgo	-	-	-	Four	Four	Four	Four	Four	-	-
34	Asian Gong	Mute Surdo	Mute Roll	Mute Roll	Four	Four	Four	Four	Four	-	-
35	Tang Gu Mt	TR-707 BD Low	Kick 1	Kick 2	Nine	Nine	Nine	Nine	Nine	-	-
C26	Tang Gu Op	TR-707 BD Low	Kick 2	Kick 2	Nine	Nine	Nine	Nine	Nine	-	-
37	Shu Gu Rlm	TR-707 BD Low	Kick 2	Kick 2	Nine	Nine	Nine	Nine	Nine	-	-
38	Shu Gu Rlm	TR-707 BD Low	Kick 2	Kick 2	Nine	Nine	Nine	Nine	Nine	-	-
39	Shu Ban 2	909Clap	909Clap	909Clap	Nine	Nine	Nine	Nine	Nine	-	-
40	Ban Gu 4	TR-707 BD Low	Kick 2	Kick 2	Nine	Nine	Nine	Nine	Nine	-	-
41	Tang Gu Op	Real Tom 6	Real Tom 6	Real Tom 6	Nine	Nine	Nine	Nine	Nine	-	-
42	Nao Bo	TR-707 HHc	Close Hlat	Close Hlat	Nine	Nine	Nine	Nine	Nine	-	-
43	Tang Gu Mt	TR-707 HHc	Real Tom 6	Real Tom 6	Nine	Nine	Nine	Nine	Nine	-	-
44	Xiao Bo	TR-707 HHc	Pedal Hlat	Pedal Hlat	Nine	Nine	Nine	Nine	Nine	-	-
45	Tang Gu Op	Real Tom 4	Real Tom 4	Real Tom 4	Nine	Nine	Nine	Nine	Nine	-	-
46	HuYinLuOH Op	TR-707 HHc	Open Hlat	Open Hlat	Nine	Nine	Nine	Nine	Nine	-	-
47	Tang Gu Mt	Real Tom 4	Real Tom 4	Real Tom 4	Nine	Nine	Nine	Nine	Nine	-	-
C28	Tang Gu Op	Real Tom 1	Real Tom 1	Real Tom 1	Nine	Nine	Nine	Nine	Nine	-	-
36	HuYinLuOH Op	TR-707 CRash Cym.1	CRash Cym.1	CRash Cym.1	Nine	Nine	Nine	Nine	Nine	-	-
37	Shu Gu Rlm	TR-707 CRash Cym.1	CRash Cym.1	CRash Cym.1	Nine	Nine	Nine	Nine	Nine	-	-
38	Shu Gu Rlm	Real Tom 1	Real Tom 1	Real Tom 1	Nine	Nine	Nine	Nine	Nine	-	-
39	Shu Ban 2	909Clap	909Clap	909Clap	Nine	Nine	Nine	Nine	Nine	-	-
40	Ban Gu 4	TR-707 BD Low	Kick 2	Kick 2	Nine	Nine	Nine	Nine	Nine	-	-

	PC: 69 [CC32.4] TR90 Asia	PC: 70 [CC32.4] HigHopAsia	PC: 71 [CC32.4] R&Asia	PC: 72 [CC32.4] TechnoAsia	PC: 73 [CC32.4] DnB Asia	PC: 96 [CC32.4] Std OR2	PC: 97 [CC32.4] Jazz OR2	PC: 98 [CC32.4] TR-90OR2	PC: 99 [CC32.4] HipHop OR2	PC: 100 [CC32.4] R&BR2	PC: 101 [CC32.4] TechnoOR2
9	10	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3
11	House Kick	House Kick	House Kick	House Kick	909 Kick2	House Kick	Mix HH CI 4	Mix HH CI 4	House Kick	House Kick	House Kick
10	TR-808 Kick	TR-808 Kick	TR-808 Kick	TR-808 Kick	TR-808 Kick	909 Kick	Mix HH CI 4	Mix HH CI 4	TR-808 Kick	TR-808 Kick	TR-808 Kick
13	HipHop Kick	909 Kick	HipHop Kick	HipHop Kick	HipHop Kick	Mix HH CI 4	Mix HH CI 4	HipHop Kick	909 Kick	HipHop Kick	HipHop Kick
14	SimpleKick	909 Kick2	SimpleKick	SimpleKick	Mix HH CI 3	Mix HH CI 3	Mix HH CI 3	SimpleKick	909 Kick2	909 Kick2	SimpleKick
15	TR-909 OHHsh	TR-909 OHHsh	RB& OHHsh	TR-909 OHHsh	TR-909 OHHsh	Mix HH Op 1	Mix HH Op 1	TR-909 OHHsh	TR-909 OHHsh	R& OHHsh	TR-909 OHHsh
16	TR-909 OHH	TR-909 OHH	RB& OHH	TR-909 OHH	TR-909 OHH	Mix HH Op 2	Mix HH Op 2	TR-909 OHH	TR-909 OHH	R& OHH	TR-909 OHH
17	Ah	Ah	Ah	Ah	Mix Snare 1	Mix Snare 1	Mix Snare 1	Ah	Ah	Ah	Ah
18	Ha	Ha	Ha	Ha	Mix Snare 2	Mix Snare 2	Ha	Ha	Ha	Ha	Ha
19	ShuHa	ShuHa	ShuHa	ShuHa	ShuHa	Mix Snare 3	Mix Snare 3	ShuHa	ShuHa	ShuHa	ShuHa
20	ShuHi	ShuHi	ShuHi	ShuHi	ShuHi	Mix Snare 4	Mix Snare 4	ShuHi	ShuHi	ShuHi	ShuHi
21	One	One	One	One	One	Mix Kick 2	Mix Kick 2	One	One	One	One
22	Two	Two	Two	Two	Two	Mix Kick 3	Mix Kick 3	Two	Two	Two	Two
23	Three	Three	Three	Three	Three	Mix Kick 4	Mix Kick 4	Three	Three	Three	Three
C1	Four	Four	Four	Four	Four	Mix Kick 1	Mix Kick 1	Four	Four	Four	Four
25	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll
26	Snap	Snap	Snap	Snap	Snap	Finger Snap	Finger Snap	Snap	Snap	Snap	Snap
27	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q
28	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap
29	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	ScratchPush2	ScratchPush2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2
30	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2
31	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks
32	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick
33	Mmm Click	Mmm Click	Mmm Click	Mmm Click	Mmm Click	Mmm Click	Mmm Click	Mmm Click	Mmm Click	Mmm Click	Mmm Click
34	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click	Mmm. Click
35	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell	Mmm. Bell
36	909 Kick	909 Kick	909 Kick	TR-808 Kick	909 Kick	Kick 1	Jazz Kick 2	909 Kick	HipHop Kick	909 Kick	909 Kick
37	909 Kick	909 Kick	909 Kick	909 Kick	909 Kick	Kick 2	Jazz Kick 2	909 Kick	SimpleKick	SimpleKick	SimpleKick
38	909 Kick	909 Kick	909 Kick	909 Kick	909 Kick	Kick 2	Jazz Kick 2	909 Kick	SimpleKick	SimpleKick	SimpleKick
39	909 Kick	909 Kick	909 Kick	909 Kick	909 Kick	Kick 2	Jazz Kick 2	909 Kick	SimpleKick	SimpleKick	SimpleKick
40	909Snare2	909Snare2	909Snare2	909Snare2	909Snare2	Snare 1	Jazz Snare 2	909Snare2	HipHopSnare2	909Snare2	HipHopSnare2
41	808 Tom 2	Real Tom 6	Symm Drum 2	808 Tom 2	Real Tom 6	Real Tom 6	808 Tom 2	Real Tom 6	Real Tom 6	Real Tom 6	Symm Drum 2
42	TR-909 CHH	HipHopCHH	RB& CHH	TR-909 CHH	RB& CHH	Close HiHat	Jazz CisLH	TR-909 CHH	HipHopCHH	RB& CHH	TR-909 CHH
43	808 Tom 2	Real Tom 6	Symm Drum 2	808 Tom 2	Real Tom 6	Real Tom 6	808 Tom 2	Real Tom 6	Real Tom 6	Real Tom 6	Symm Drum 2
44	TR-909 CHH	HipHopCHH	RB& CHH	TR-909 CHH	RB& CHH	Pedal HiHat	Jazz Ped LH	TR-909 CHH	HipHopCHH	RB& CHH	TR-909 CHH
45	808 Tom 2	Real Tom 4	Symm Drum 2	808 Tom 2	Real Tom 4	Real Tom 4	808 Tom 2	Real Tom 4	Real Tom 4	Real Tom 4	Symm Drum 2
46	TR-909 OHH	HipHopOHH	RB& OHH	TR-909 OHH	HipHopOHH	Open HiHat	Open HiHat	TR-909 OHH	HipHopOHH	RB& OHH	TR-909 OHH
47	808 Tom 2	Real Tom 4	Symm Drum 2	808 Tom 2	Real Tom 4	Real Tom 4	808 Tom 2	Real Tom 4	Real Tom 4	Real Tom 4	Symm Drum 2
48	808 Tom 2	Real Tom 1	Symm Drum 2	808 Tom 2	Symm Drum 2	Real Tom 1	Real Tom 1	808 Tom 2	Real Tom 1	Real Tom 1	Symm Drum 2
49	909 Crack	Crash Cym.1	909 Crack	909 Crack	Crash Cym.1	Crash Cym.1	Crash Cym.1	Crash Cym.1	Crash Cym.1	Crash Cym.1	Crash Cym.1
50	808 Tom 2	Real Tom 1	Symm Drum 2	Symm Drum 2	Symm Drum 2	Real Tom 1	Real Tom 1	808 Tom 2	Real Tom 1	Real Tom 1	Symm Drum 2
51	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal
52	China Cymbal	ReverseCymbal	ReverseCymbal	ReverseCymbal	China Cymbal	China Cymbal	China Cymbal	China Cymbal	China Cymbal	ReverseCymbal	ReverseCymbal
53	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell
54	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine
55	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.	Splash Cym.
56	808Cowbe	Cowbell	Cowbell	Cowbell	808Cowbe	Cowbell	Cowbell	808Cowbe	Cowbell	Cowbell	Cowbell
57	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2
58	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap
59	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal	Ride Cymbal
60	Tablea Ge	Tablea Ge	Tablea Ge	Tablea Ge	Tablea Ge	Marjal dom	Marjal dom	Marjal dom	Marjal dom	Marjal dom	Marjal dom
61	Tablea Ge	Tablea Ge	Tablea Ge	Tablea Ge	Tablea Ge	Marjal dom	Marjal dom	Marjal dom	Marjal dom	Marjal dom	Marjal dom
62	Tablea Ge Hi	Tablea Ge Hi	Tablea Ge Hi	Tablea Ge Hi	Tablea Ge Hi	Marjal tak	Marjal tak	Marjal tak	Marjal tak	Marjal tak	Marjal tak
63	Hand Cap2	Hand Cap2	Hand Cap2	Hand Cap2	Hand Cap2	FarMag dom	FarMag dom	FarMag dom	FarMag dom	FarMag dom	FarMag dom
64	Tablea Na	Tablea Na	Tablea Na	Tablea Na	Tablea Na	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak
65	Tablea Tum	Tablea Tum	Tablea Tum	Tablea Tum	Tablea Tum	FarMag tak	FarMag tak	FarMag tak	FarMag tak	FarMag tak	FarMag tak
66	Tambourine1	Tambourine1	Tambourine1	Tambourine1	Tambourine1	FarMag tak	FarMag tak	FarMag tak	FarMag tak	FarMag tak	FarMag tak
67	Conga Slap	Conga Slap	Conga Slap	Conga Slap	Conga Slap	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak
68	Conga Slap	Conga Slap	Conga Slap	Conga Slap	Conga Slap	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak
69	Tambourine2	Tambourine2	Tambourine2	Tambourine2	Tambourine2	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak	FarMag sak
70	CingGengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCeng CengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCengCeng
71	Udo Short	Udo Short	Udo Short	Udo Short	Udo Short	Udo Short	Udo Short	Udo Short
72	CingTik	CingTik	CingTik	CingTik	CingTik	CingTik
73	Xiao Bo	Xiao Bo	Xiao Bo	Xiao Bo	Xiao Bo
74	Timbai Palia	Timbai Palia	Timbai Palia	Timbai Palia	Timbai Palia
75	Kwaengwai p	Kwaengwai p	Kwaengwai p	Kwaengwai p	Kwaengwai p
76	Gamelan Gong	Gamelan Gong	Gamelan Gong	Gamelan Gong	Gamelan Gong
77	Ride Bell	Ride Bell	Ride Bell	Ride Bell	Ride Bell
78	Cing Ceng	Cing Ceng	Cing Ceng	Cing Ceng	Cing Ceng
79	Mut Panderoi	Mut Panderoi	Mut Panderoi	Mut Panderoi	Mut Panderoi
80	Nao Bo	Nao Bo	Nao Bo	Nao Bo	Nao Bo
81	Op Panderoi	Op Panderoi	Op Panderoi	Op Panderoi	Op Panderoi
82	Reg Dum	Reg Dum	Reg Dum	Reg Dum	Reg Dum
83	Reg Tikh	Reg Tikh	Reg Tikh	Reg Tikh	Reg Tikh
84	Wadon 3	Wadon 3	Wadon 3	Wadon 3	Wadon 3
85	Wadon 4	Wadon 4	Wadon 4	Wadon 4	Wadon 4
86	Wadon 2	Wadon 2	Wadon 2	Wadon 2	Wadon 2
87	Wadon 5	Wadon 5	Wadon 5	Wadon 5	Wadon 5
88	Wadon 7	Wadon 7	Wadon 7	Wadon 7	Wadon 7
89	Wadon 4	Wadon 4	Wadon 4	Wadon 4	Wadon 4
90	Kane Side	Kane Side	Kane Side	Kane Side	Kane Side
91	Wadon 1	Wadon 1	Wadon 1	Wadon 1	Wadon 1
92	Kane Side	Kane Side	Kane Side	Kane Side	Kane Side
93	Kane Side	Kane Side	Kane Side	Kane Side	Kane Side
	PC: 102 [CC32-4] D' N/OR2	PC: 82 [CC32-4] Std OR1	PC: 83 [CC32-4] Jazz OR1	PC: 84 [CC32-4] T-R99-09 OR1	PC: 87 [CC32-4] HipHop OR1	PC: 88 [CC32-4] R&R OR1	PC: 85 [CC32-4] Techno OR1	PC: 86 [CC32-4] D' N/OR1	PC: 93 [CC32-4] OR KI1	PC: 117 [CC32-3] D' KI1	PC: 89 [CC32-4] MxKII&Latin
9	10	909 Kick 3	10	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	909 Kick 3	10	10	10
11	House Kick	Mix HH CI 4	Mix HH CI 4	House Kick	House Kick	House Kick	909 Kick 2	House Kick	10	10	10
C0	10	909 Kick	Mix HH CI 1	T-R98-09 Kick	T-R98-09 Kick	T-R98-09 Kick	T-R98-09 Kick	T-R98-09 Kick	10	10	10
13	HipHop Kick	Mix HH CI 2	Mix HH CI 2	HipHop Kick	HipHop Kick	HipHop Kick	HipHop Kick	HipHop Kick	10	10	10
14	SimpleKick	Mix HH CI 3	Mix HH CI 3	SimpleKick	909 Kick2	909 Kick2	SimpleKick	SimpleKick	10	10	10
15	TR-909 OHhh	Mix HH Op 1	Mix HH Op 1	TR-909 OHhh	TR-909 OHhh	R&B OHhh	TR-909 OHhh	TR-909 OHhh	10	10	10
16	TR-909 OHh	Mix HH Op 2	Mix HH Op 2	TR-909 OHhh	TR-909 OHhh	R&B OHhh	TR-909 OHhh	TR-909 OHhh	10	10	10
17	Ah	Mix Snare 1	Mix Snare 1	Ah	Ah	Ah	Ah	Ah	10	10	10
18	Ha	Mix Snare 2	Mix Snare 2	Ha	Ha	Ha	Ha	Ha	10	10	10
19	ShuHa	Mix Snare 3	Mix Snare 3	ShuHa	ShuHa	ShuHa	ShuHa	ShuHa	10	10	10
20	ShuHa	Mix Snare 4	Mix Snare 4	ShuHa	ShuHa	ShuHa	ShuHa	ShuHa	10	10	10
21	One	Mix Kick 2	Mix Kick 2	One	One	One	One	One	10	10	10
22	Two	Mix Kick 3	Mix Kick 3	Two	Two	Two	Two	Two	10	10	10
23	Three	Mix Kick 4	Mix Kick 4	Three	Three	Three	Three	Three	10	10	10
C1	Four	Mix Kick 1	Mix Kick 1	Four	Four	Four	Four	Four	10	10	10
25	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	10	10	10
26	Snap	Finger Snap	Finger Snap	Snap	Snap	Snap	Snap	Snap	10	10	10
27	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	10	10	10
28	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap	10	10	10
29	Scratch Push2	ScratchPush2	ScratchPush2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	10	10	10
30	Scratch Pull2	ScratchPull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	10	10	10
31	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	10	10	10
32	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	10	10	10
33	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10	10	10
34	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10	10	10
35	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10	10	10
36	TR-808 Kick	Kick 1	Kick 2	Kick 3	Kick 4	Kick 5	Kick 6	Kick 7	10	10	10
C2	Four	Four	Four	Four	Four	Four	Four	Four	10	10	10
25	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	10	10	10
26	Snap	Finger Snap	Finger Snap	Snap	Snap	Snap	Snap	Snap	10	10	10;
27	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	10	10	10
28	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap	10	10	10
29	Scratch Push2	ScratchPush2	ScratchPush2	Scratch push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	10	10	10
30	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	10	10	10
31	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	10	10	10
32	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	10	10	10
33	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10	10	10
34	MimM. Click	MimM. Click	MimM, Bell	MimM. Bell	MimM. Bell	MimM. Bell	MimM. Bell	MimM. Bell	10	10	10
35	TR-808 Kick	Kick 1	Kick 2	Kick 3	Kick 4	Kick 5	Kick 6	Kick 7	10	10	10
C3	Four	Four	Four	Four	Four	Four	Four	Four	10	10	10
25	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	10	10	10
26	Snap	Finger Snap	Finger Snap	Snap	Snap	Snap	Snap	Snap	10
27	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	10
28	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap	10
29	Scratch Push2	ScratchPush2	ScratchPush2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	10
30	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	10
31	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	Sticks	10
32	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	10
33	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10
34	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10
35	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10
36	TR-808 Kick	Kick 1	Kick 2	Kick 3	Kick 4	Kick 5	Kick 6	Kick 7	10
C4	Four	Four	Four	Four	Four	Four	Four	Four	10
25	Snare Roll	Snare 1	Snare 1	Snare 1	Snare 1	Snare 1	Snare 1	Snare 1	10
26	Jacking 1	Jacking 1	Jacking 1	Jacking 1	Jacking 1	Jacking 1	Jacking 1	Jacking 1	10
27	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	10
28	Slap	Slap	Slap	Slap	Slap	Slap	Slap	Slap	10
29	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	Scratch Push2	10
30	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	Scratch Pull2	10
31	Sticks	Sticks	Sticks	Sticks	STick 10	STick 10	STick 10	STick 10	10
32	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	SquareClick	10
33	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	MimM. Click	10
	PC: 90 [CC32-4]	PC: 103 [CC32-4]	PC: 92 [CC32-4]	PC: 91 [CC32-4]	PC: 2 [CC32-4]	PC: 3 [CC32-4]	PC: 9 [CC32-4]	PC: 17 [CC32-2]	PC: 34 [CC32-2]	PC: 41 [CC32-2]	PC: 49 [CC32-2]
	MXK&India	MXK&OR	MXK&OR	MXK&OR	Standard 2	Room	Room	Power	Jazz KH 2	Brush KH	Orchestra
19	Mix Rev 5	Mix Rev 5	Mix Rev 5	Mix Rev 5
20	Mix Rev 4	Mix Rev 4	Mix Rev 4	Mix Rev 4
21	Mix Rev 3	Mix Rev 3	Mix Rev 3	Mix Rev 3
22	Mix Rev 2	Mix Rev 2	Mix Rev 2	Mix Rev 2
23	Mix Rev 1	Mix Rev 1	Mix Rev 1	Mix Rev 1
24	TR-808 Kick	TR-808 Kick	TR-808 Kick	TR-808 Kick
25	Mix Sand 1	Mix Sand 1	Mix Sand 1	Mix Sand 1	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Snare Roll
26	Mix Sand 2	Mix Sand 2	Mix Sand 2	Mix Sand 2	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q	High-Q
27	Mix Sand 3	Mix Sand 3	Mix Sand 3	Mix Sand 3	Slap	Slap	Slap	Slap	Slap	Slap	Pedal Hike
28	House Kick	House Kick	House Kick	House Kick	ScratchPush	ScratchPush	ScratchPush	ScratchPush	ScratchPush	ScratchPush	Jazz Open HH
29	Mix Sand 3	Mix Sand 3	Mix Sand 3	Mix Sand 3	ScratchPull	ScratchPull	ScratchPull	ScratchPull	ScratchPull	ScratchPull	Ride Cymbal
30	Mix Sand 4	Mix Sand 4	Mix Sand 4	Mix Sand 4	SqueezeClick	SqueezeClick	SqueezeClick	SqueezeClick	SqueezeClick	SqueezeClick	SqueezeClick
31	Mix Sand 4	Mix Sand 4	Mix Sand 4	Mix Sand 4	MmmClick	MmmClick	MmmClick	MmmClick	MmmClick	MmmClick	SqueezeClick
32	Mix Sand 2	Mix Sand 2	Mix Sand 2	Mix Sand 2	MmmBell	MmmBell	MmmBell	MmmBell	MmmBell	MmmBell	MmmBell
33	Mix Sand 5	Mix Sand 5	Mix Sand 5	Mix Sand 5	Std. Kick2	Std. Kick2	Rook Kick2	Power Kick2	Jazz Kick 2	Jazz Kick 2	Jazz Kick 1
34	Mix Sand 5	Mix Sand 5	Mix Sand 5	Mix Sand 5	Std. Kick2	Std. Kick2	Room Kick2	Power Kick2	Jazz Kick 2	Jazz Kick 2	Jazz Kick 1
35	Mix Sand 5	Mix Sand 5	Mix Sand 5	Mix Sand 5	Std. Kick2	Std. Kick2	Room Kick2	Power Kick2	Jazz Open HH	Bride Hike	Bride Hike
36	Mix Sand 6	Mix Sand 6	Mix Sand 6	Mix Sand 6	Std. Kick2	Std. Kick2	Room Kick2	Power Kick2	Jazz Kick 2	Jazz Kick 2	Concert CD
37	TR-707 RIM	TR-707 RIM	TR-707 RIM	TR-707 RIM	Std. Kick2	Std. Kick2	Room Rain 2	Side Stick	Side Stick	Side Stick	Side Stick
38	Mix Snare 1	Mix Snare 1	Mix Snare 1	Mix Snare 1	808lap	808lap	808lap	808lap	808lap	Hand Clap2	Bluff Sizzle
39	Mix Snare 2	Mix Snare 2	Mix Snare 2	Mix Snare 2	808lap	808lap	808lap	808lap	808lap	Hand Clap2	Bluff Sizzle
40	Mix Snare 3	Mix Snare 3	Mix Snare 3	Mix Snare 3	Std. Kick2	Std. Kick2	Room Rain 2	Side Stick	Side Stick	Side Stick	Side Stick
41	Mix Snare 4	Mix Snare 4	Mix Snare 4	Mix Snare 4	Std. Kick2	Std. Kick2	Room Rain 2	Side Stick	Side Stick	Side Stick	Side Stick
42	Norm HCl	Norm HCl	Norm HCl	Norm HCl	Jazz Clst HH	Jazz Clst HH	Jazz Clst HH	Room Chst	Room Chst	Real Tom 6	Lite Tom 4
43	Norm HCl	Norm HCl	Norm HCl	Norm HCl	Real Tom 6	Real Tom 6	Real Tom 6	Room Chst	Room Chst	Real Tom 6	Lite Tom 4
44	Norm HCl Pd	Norm HCl Pd	Norm HCl Pd	Norm HCl Pd	Real Tom 6	Real Tom 6	Real Tom 6	Room Chst	Room Chst	Real Tom 6	Lite Tom 4
45	Norm HCl Np	Norm HCl Np	Norm HCl Np	Norm HCl Np	Real Tom 6	Real Tom 6	Real Tom 6	Room Chst	Room Chst	Real Tom 6	Lite Tom 4
46	Norm HCl Op	Norm HCl Op	Norm HCl Op	Norm HCl Op	Real Tom 6	Real Tom 6	Real Tom 6	Room Chst	Room Chst	Real Tom 6	Lite Tom 4
47	Mix Snare 3	Mix Snare 3	Mix Snare 3	Mix Snare 3	Real Tom 6	Real Tom 6	Real Tom 6	Room Chst	Room Chst	Real Tom 6	Lite Tom 4
48	Jungle Snare	Jungle Snare	Jungle Snare	Jungle Snare	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Trimpian
49	Jungle Snare	Jungle Snare	Jungle Snare	Jungle Snare	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Trimpian
50	TR-707 SD	TR-707 SD	TR-707 SD	TR-707 SD	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Real Tom 1	Trimpian
51	Mix Snare 1	Mix Snare 1	Mix Snare 1	Mix Snare 1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Trimpian
52	Snare 1	Snare 1	Snare 1	Snare 1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Trimpian
53	Snare Roll	Snare Roll	Snare Roll	Snare Roll	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Riding Cym.1	Trimpian
54	Mix HCl 2	Mix HCl 2	Mix HCl 2	Mix HCl 2	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine	Tambourine
55	Mix HCl 3	Mix HCl 3	Mix HCl 3	Mix HCl 3	Sham Gail	Sham Gail	Sham Gail	Sham Gail	Sham Gail	Sham Gail	Tambourine
56	Mix HCl 4	Mix HCl 4	Mix HCl 4	Mix HCl 4	Cheett	Cheett	Cheett	Cheett	Cheett	Cheett	Tambourine
57	Side Stick	Side Stick	Side Stick	Side Stick	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Crash Cym.2	Tambourine
58	Mix HCl Op	Mix HCl Op	Mix HCl Op	Mix HCl Op	Open Hal	Open Hal	Open Hal	Open Hal	Open Hal	Open Hal	Tambourine
59	Mix HCl Op 2	Mix HCl Op 2	Mix HCl Op 2	Mix HCl Op 2	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap	Vibrasilap
60	Table Go	Merjat dom	Duff Dom	Tang Gu Op	Bongo High	Bongo High	Bongo High	Bongo High	Bongo High	Bongo High	Bongo High
61	Table Go T	Merjat taq	Duff Taq T	Shu Rim	Bongo High	Bongo High	Bongo High	Bongo High	Bongo High	Bongo High	Bongo High
62	Table Go Hi	Merjat taq	Duff Taq II	Shu Rim	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2
63	Table Cap2	Merjat taq	Duff Taq II	Shu Rim	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2	Hua Hong Cym.2
64	Table Na	Merjat taq	Low Bongo	Ban Gu 4	Conga Lo Op	Conga Lo Op	Conga Lo Op	Conga Lo Op	Conga Lo Op	Conga Lo Op	Conga Lo Op
65	Table Taq 1	Merjat taq	Duff Taq 1	Nao Chi 2	Nao Chi 2	Low Bristle	Low Bristle	Low Bristle	Low Bristle	Low Bristle	Low Bristle
66	Tablecap 1	Merjat taq	Duff Taq 1	Nao Chi 2	Nao Chi 2	Low Bristle	Low Bristle	Low Bristle	Low Bristle	Low Bristle	Low Bristle
67	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
68	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
69	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
70	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
71	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
72	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
73	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
74	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
75	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
76	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
77	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
78	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
79	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
80	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
81	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
82	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
83	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
84	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
85	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
86	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
87	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
88	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
89	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
90	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
91	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
92	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
93	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
94	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
95	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo
96	Cragg Slap	Snare Roll	Duff Slap	Snare Roll	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo	Agogo

	PC: 50 [CC32: 2]Ethnic	PC: 25 [CC32: 2]Electronic	PC: 26 [CC32: 2]TR-808&909	PC: 27 [CC32: 2]Dance	PC: 51 [CC32: 2]Kick&Snare	PC: 57 [CC32: 2]SFX
C1	24	Finger Snap	Snare Roll	Snare Roll	Snare Roll	Dist.CutNoiz
	25	Tambourine	Finger Snap	Finger Snap	Finger Snap	Bass Slide
	26	Castanets	High-Q	High-Q	High-Q	Scratch Pull2
	27	Crash Cym.1	Slap	Slap	Scratch Pull2	Gt.CutNoise2
	29	Snare Roll	Scratch Push2	Scratch Push2	Scratch Push2	Gt.CutNoise2
	30	Concert Snr	Scratch Pull2	Scratch Pull2	Scratch Pull2	Dist.CutNoiz
	31	Concert Cym.	Sticks	Sticks	Scratch Pull2	High-Q
	32	Concert BD	SquareClick	SquareClick	SquareClick	Scratch Pull2
	33	Jingle Bell	Mtrmm. Click	Mtrmm. Click	Mtrmm. Click	Gt.CutNoise2
	34	Bell Tree	Mtrmm. Bell	Mtrmm. Bell	Mtrmm. Bell	Gt.CutNoise2
	35	Bar Chimes	Elec Kick 2	TR-909 Kick	Dance Kick 2	Dist.CutNoiz
C2	36	Wadaiko	Elec Kick 1	TR-808 Kick	Elec Kick 2	Dist.CutNoiz
	37	Wadaiko Rim	Side Stick	808 Rimshot	Side Stick	Bass Slide
	38	Shimedaiko	Elec. Snare	808 Snare 1	Power Snare2	Pick Scrap
	39	Atarigane	808clap	808clap	808clap	High-Q
	40	Hyoushigi	Elec Snare 2	909 Snare 1	Elec Snare 1	Std.1 Kick1
	41	Ohkawa	Synth Drum 2	808 Tom 2	Synth Drum 2	Std.1 Kick2
	42	H kotsuzumi	Jazz Clsd.HH	808 chh	CR-78 chh	Std.2 Kick1
	43	L Kotsuzumi	Synth Drum 2	808 Tom 2	Synth Drum 2	Std2 Kick2
	44	Ban Gu	Pedal HiHat	808 chh	808 chh	Kick 1
	45	Big Gong	Synth Drum 2	808 Tom 2	Synth Drum 2	Kick 2
	46	Small Gong	Jazz Open HH	808 ohh	CR-78 ohh	Soft Kick
	47	Bend Gong	Synth Drum 2	808 Tom 2	Synth Drum 2	Jazz Kick 1
C3	48	Rama Cymbal	Synth Drum 2	808 Tom 2	Synth Drum 2	Jazz Kick 2
	49	Rama Cymbal	Crash Cym.1	808 Crash	Crash Cym.1	Gt.Cut Noise
	50	Gamelan Gong	Synth Drum 2	808 Tom 2	Synth Drum 2	String Slap
	51	Udo Short	Ride Cymbal	Ride Cymbal	Ride Cymbal	Room Kick 2
	52	Udo Long	ReverseCymbal	China Cymbal	ReverseCymbal	Power Kick1
	53	Udo Slap	Ride Bell	Ride Bell	Ride Bell	Power Kick2
	54	Bendir	Tambourine	Tambourine	Tambourine	Elec Kick 2
	55	Req Dum	Splash Cym.	Splash Cym.	Splash Cym.	Elec Kick 1
	56	Req Tik	Cowbell	808cowbe	Cowbell	Elec Kick
	57	Tabla Te	Crash Cym.2	Crash Cym.2	Crash Cym.2	TR-808 Kick
	58	Tabla Na	Vibraslap	Vibraslap	Vibraslap	TR-909 Kick
	59	Tabla Tun	Ride Cymbal	Ride Cymbal	Ride Cymbal	Door Creaking
C4	60	Tabla Ge	Bongo High	Bongo High	Bongo High	Door
	61	Tabla Ge Hi	Bongo Lo	Bongo Lo	Bongo Lo	Scratch
	62	Talking Drum	Mute H.Conga	808 Conga	Mute H.Conga	Wind Chimes
	63	Bend Tikh Drm	Conga Hi Opn	808 Conga	Conga Hi Opn	Car-Engine
	64	Caxixi	Conga Lo Opn	808 Conga	Conga Lo Opn	Car-Stop
	65	Djembe	High Timbale	High Timbale	High Timbale	Concert Snr
	66	Djembe rim	Low Timbale	Low Timbale	Low Timbale	Jazz Snare 1
	67	Low Timbale	Agogo	Agogo	Agogo	Jazz Snare 2
	68	Timbl Paila	Agogo	Agogo	Agogo	Room Snare 1
	69	High Timbale	Cabasa	Cabasa	Cabasa	Room Snare 2
	70	Cowbell	Maracas	808marac	Maracas	Dance Snare1
	71	Bongo High	ShrlWhistle	ShrlWhistle	ShrlWhistle	Starship
C5	72	Bongo Lo	LongWhistle	LongWhistle	LongWhistle	Rev.Snare
	73	Mute H.Conga	Short Guiro	Short Guiro	Short Guiro	Power Snare2
	74	Conga Hi Opn	Long Guiro	Long Guiro	Long Guiro	Elec Snare 1
	75	Conga MtLow	Claves	808clave	Claves	Dance Snare2
	76	Conga Slap	Woodblock	Woodblock	Woodblock	Elec Snare 2
	77	Conga Lo Opn	Woodblock	Woodblock	Woodblock	House Snare
	78	Conga Slide	Mute Cuica	Mute Cuica	Hoo	Elec Snare
	79	Mut Pandiero	Open Cuica	Open Cuica	Hoo	Elec Snare 3
	80	Opn Pandiero	Mute Triangl	Mute Triangl	Mute Triangl	Thunder
	81	Open Surdo	Open Triangl	Open Triangl	Open Triangl	Wind
	82	Mute Surdo	Shaker	Shaker	Shaker	Seashore
	83	Tamborim	Jingle Bell	Jingle Bell	Jingle Bell	Stream
C6	84	Agogo	Bell Tree	Bell Tree	Bell Tree	Bubble
	85	Agogo	Castanets	Castanets	Castanets	Kitty
	86	Shaker	Mute Surdo	Mute Surdo	Mute Surdo	Bird 2
	87	Low Whistle	Open Surdo	Open Surdo	Open Surdo	Growl
	88	Low Whistle	-----	-----	-----	Applause 2
	89	Mute Cuica	-----	-----	-----	Telephone 1
	90	Open Cuica	-----	-----	-----	Telephone 2
	91	Mute Triangle	-----	-----	-----
	92	Open Triangle	-----	-----	-----
	93	Short Guiro	-----	-----	-----
	94	Long Guiro	-----	-----	-----
	95	Cabasa Up	-----	-----	-----
C7	96	Cabasa Down	-----	-----	-----
	97	Claves	-----	-----	-----
	98	Woodblock	-----	-----	-----
	99	Woodblock	-----	-----	-----
	100	-----	-----	-----	-----

Music Style List

Category	No.	Name	Tempo	Time Sign.
ROCK	1	SteadyRk	73	4/4
	2	PowerRck	132	4/4
	3	ElecRock	124	4/4
	4	DynoRock	76	4/4
	5	ThumpRck	104	4/4
	6	USBallad	88	4/4
DANCE	7	DJ_Grove	105	4/4
	8	SmothDnc	121	4/4
	9	FeverDnc	113	4/4
	10	80sTekno	134	4/4
	11	EuroDnce	138	4/4
	12	IbizaDnc	138	4/4
	13	KeepOnDc	140	4/4
	14	90sTekno	140	4/4
	15	HrdTekno	140	4/4
	16	90sHouse	132	4/4
	17	ClubHous	130	4/4
	18	Hip'nHop	102	4/4
	19	NowHipHp	87	4/4
	20	Cool Rap	94	4/4
	21	PianoRap	94	4/4
	22	70sDance	108	4/4
	23	EasyHop	88	4/4
8BEAT	24	Time_Pop	130	4/4
	25	FriendBt	60	4/4
	26	PianoBal	56	4/4
	27	Soul Bal	58	4/4
	28	ClassBal	62	4/4
	29	SimpleBl	80	4/4
	30	AlClapBl	80	4/4
	31	LayBakBl	83	4/4
	32	PoppinBl	92	4/4
	33	UKLiteBl	104	4/4
	34	UpTempBl	110	4/4
	35	SmilePop	118	4/4
	36	German P	120	4/4
16BEAT	37	Groovin'	116	4/4
	38	FateBeat	78	4/4
	39	Easy Pop	64	4/4
	40	Soul Pop	75	4/4
	41	NightPop	78	4/4
	42	Guitar P	86	4/4
	43	LatinPop	92	4/4
	44	LightPop	94	4/4
	45	FeelGood	98	4/4
	46	Groovy P	100	4/4
	47	SunnyPop	104	4/4
JAZZ	48	SwingPop	128	4/4
	49	JzBallad	70	4/4
	50	BigBand	144	4/4
	51	JazzClub	150	4/4
	52	BgBndBld	82	4/4
	53	JazzWltz	100	3/4
LATIN	54	LuvBossa	136	4/4
	55	MidBossa	150	4/4
	56	UpBossa	168	4/4
	57	UpSamba	103	4/4
	58	Discsamb	117	4/4
	59	Salsa	100	4/4
	60	Merengue	124	4/4
	61	Bachata	128	2/4
	62	Jogetmly	114	4/4
	63	Guarach	181	4/4

Category	No.	Name	Tempo	Time Sign.
TRADITIONAL	64	SlyBlues	116	4/4
	65	CntryKng	120	4/4
	66	Ska	125	4/4
	67	Blues	61	4/4
	68	70s R&B	117	4/4
	69	FunkSoul	105	4/4
	70	Reggae	140	4/4
	71	Country	130	4/4
	72	CntryPop	105	4/4
	73	Cajun	114	4/4
	74	Cool6_8	64	6/8
	75	Oldie6_8	92	6/8
	76	Schlager	127	4/4
	77	March4_4	125	4/4
	78	Polka	130	4/4
	79	PolkaPop	127	4/4
BALLROOM	80	70sDisco	126	4/4
	81	BigSamba	116	4/4
	82	Rockin'	185	4/4
	83	Boogie	150	4/4
	84	Twist	162	4/4
	85	EngWltz	91	3/4
	86	W'Waltz	180	3/4
	87	SIWaltz	90	3/4
	88	Tango	120	4/4
	89	Musette	175	3/4
	90	Cha-Cha	130	4/4
	91	Mambo	102	4/4
	92	Beguine	110	4/4
	93	Rhumba	100	4/4
	94	Shuffle	145	4/4
	95	Foxtrot	185	4/4
	96	Charlest	205	4/4
	97	PasDoble	122	4/4
WORLD	98	Vahde	80	4/4
	99	Bayon	100	4/4
	100	Roman_98	130	9/8
	101	Funk-OR	100	4/4
	102	Wehda-Kb	120	4/4
	103	WehdaKb2	135	4/4
	104	Masmoudi	120	8/4
	105	Dabkah-T	113	6/4
	106	Saidi	110	4/4
	107	Saidi-EG	95	4/4
	108	Progmks	119	4/4
	109	Disco-OR	102	4/4
	110	Cmprsari	132	4/4
	111	Minang	82	4/4
	112	Popsunda	98	4/4
	113	Kromong	128	4/4
	114	Raja Bha	89	4/4
	115	Dadra	70	6/8
	116	Kehrva A	110	4/4
	117	Bhangra	109	4/4
	118	Bangla	110	4/4
	119	LookTung	68	4/4
	120	RumWong	88	4/4
	121	Sam-Cha	130	4/4
	122	Armenian	101	3/4
	123	Povorot	128	4/4
	124	Kazak	69	3/4
	125	ChinaPop	89	4/4
	126	JiangNan	72	4/4
	127	ChnOpera	120	4/4
	128	JingJu	136	4/4
	129	Korean	100	4/4
	130	K_latin	134	4/4

Specifying Chords

= Constituent notes of this chord.
= Keys you need to press to hear this chord.

= Constituent notes of this chord.
= Keys you need to press to hear this chord.

Interactive Arranger

Model E-09

Date: Sep. 30, 2005

Version : 1.00

MIDI Implementation Chart

Mode 1: OMNI ON, POLY

Mode 2: OMNI ON, MONO

Mode 3:OMNI OFF,POLY

Mode 4: OMNI OFF, MONO

O:Yes

X:No

Specifications

E-09: Interactive Arranger

Keyboard

61 keys (with velocity)

[Sound Generator]

Maximum Polyphony

64 voices

Parts

16 parts + Keyboard part

Wave Memory

32 M bytes (16-bit linear equivalent)

Tones

Tones: 614 + 256 (GM2)

Drum Sets: 61 + 9 (GM2)

Effects

MFX: 47 types

Reverb: 8 types

Chorus: 8 types

Transpose

-12 to +12 (in semitones)

[Arranger]

Tempo

20 to 250

Styles

130 styles

Band Orchestrator

3 types: Drum & Bass, Combo, Full Band

User Program

100 programs

One Touch Setting

2 settings/styles

Control

start/stop, sync start, intro original, fill in, variation, ending, tap tempo,

Melody Intelligence

18 types

Music Assistant

130 types

[Metronome]

Signature

1/4,2/4,3/4,4/4,5/4,6/4,6/8,9/8

[Song Controls]

Tracks

16

16-track Recorder Mode

4 easy modes (ALL, Keyboard, Single, Punch In/Out)

Control

start/stop, recording, reset, rewind, forward, marker A-B, repeat A-B

[Others]

Rated Power Output

7.5W + 7.5W

Speakers

10cm× 2

Controller

Pitch Bend/Modulation Lever

Display

Large backlit custom LCD

Connectors

Output Jacks (L/MONO, R)

Headphones Jack 1/2

MIDI Connectors (IN, OUT)

Foot Switch Jack

Power Supply

DC 9 V (AC Adaptor)

Current Draw

2,000 mA

Dimensions

7.3kg / 16 lbs 2 oz (excluding AC adaptor)

Accessories

Music rest

Owner's Manual

AC Adaptor (PSB-1U)

Options

Keyboard Stand: KS-12

Pedal Switch: DP series

Foot Switch: BOSS FS-5U

• In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

Numerics

2PitchShift 18

3Tap Delay 18

4Tap Delay 18

A

AC Adaptor 8

Acc Bass 23

Acc Drum 23

Accomp 20, 23, 26

All 19

Arr Hold 24

ARR SET 24

ARRANGER 13

Arranger bass 20, 26

Arrangerdrums 20,26

Auto Bass 20, 23, 26

AutoWah 18

B

BAND ORCHESTRATOR 13

Bass Inv 24

BulkDump? 28

Bulk Load 28

C

Cho/Delay 18

Cho/Flanger 18

Cho>Delay 18

Cho>Flanger 18

ChordInt 24

CHORUS 17,24

ChrDUAL 17,24

Chr MAIN 17,24

Chr SPLIT 17,25

Clock Tx 27

COMBO 13,21

Compressor 18

Contrast 9

Cord Hook 8

D

DCIN 8

Delay 16

Demo 9

Display 9

Distortion 18

Drum Sets 11

DRUMS & BASS 13, 21

DS>Chorus 18

DS>Delay 18

DS>Flanger 18

Dual 20, 26

Dual Oct 23

Dual Part 10

Dual Vol 23

E

Educational 24
EFFECTS 16-17,24
EH>Chorus 18
EH>Delay 18
EH>Flanger 18
ENDING 13, 19
Enhancer 17
Ensemble 13

F

Factory Reset 9
FB Chorus 17
FbPitchShift 18
FILL 13
FL/Delay 18
FL>Delay 18
Flanger 17
FOOT SWITCH 8,15,21
FSW 21, 23
FULL 13,21
FUNCTION 9,15-17,21-22,27-28

G

GateRevNr 18
GateRevRv 18
GateRevS1 18
GateRevS2 18

H

Hall 16
Harmony 14
HexaChorus 18

1

INTRO 13, 19

K

KBD SET 21-22
KBD Touch 15, 22
Keyboard 10, 19
Keyboard Scale 12
Keyboard Touch 15

L

LCD Contrast 9
Limiter 18
Local 27

M

Main 20, 26
Main Oct 23
Main Part 10
Main Vol 23
MARKER A-B 21
MasterTune 22
Melody Intell. 20, 26
Melody Intelligence 14
Metro TS 11, 23
Metro Vol 11,23
Metronome 11, 23

MFX 17,24

MI 24

MIDI 26-27

MIDI cable 28

MIDI channel 26

MIDI TxRx 27

Minus-One 21

Mod Delay 18

Modulation 15, 27

Multi-Effects 17

Music Assistant 15

Music Rest 7

Music Style 14

Muted Track 21

N

NTARx14 27

Numeric 11

0

Octave 12, 23

OD>Chorus 18

OD>Delay 18

OD>Flanger 18

One-Touch 14

ORIGINAL 13, 19

OT1 14

OT2 14

OUTPUT 8

Overdrive 17

P

PanDUAL 25

Pan MAIN 24

Pan SPLIT 25

PanDelay 16

Part 20, 26

PB Range 22

Performance 15

Phaser 18

PHONES 8

PIANO 10

Pitch Bend 15, 27

Plate 16

Power 8

Prog Change 27

PunchI/O 21

Punch-In/Out 20-21

R

REC 19-20

Rec All 19

Rec Keyboard 19

REC MODE 19-20

Rec PunchI/O 20

Rec Single 20

REC TRACK 20

Recording 19

REPEAT A-B 21

RepeatPlayback 21

RevDUAL 17,24

Rev MAIN 17,24

RevSPLIT 17,25

REVERB 16, 18, 24

Room 16

Rotary 18

s

Scale C-B 25

Scale Mode 25

S-Delay 17

S-DelayFb 17

SFX 11

SONG 19-21

Sound Effects 11

Space-D 18

Split 20, 26

Split Hold 22

Split Int 22

Split Oct 23

Split Part 10

Split Point 22

Split Vol 23

Start Stop 27

START/STOP 13, 19

StChorus 18

StDelay 18

StepFlanger 18

StFlanger 18

STYLE 14

Style Lock 29

Style PC 27

Sync Rx 27

Sync Start 13, 19

T

TAP TEMPO 13

Tempo 13, 19

Tempo Lock 29

TmCtrDelay 18

TONE 10-11

TONE Category 11

Tone Lock 29

Tone MFX 24

Track 20

Trans Mode 22

Transpose 12, 22

Transpose Lock 29

TremChorus 18

U

User Program 16

UTILITY 9,28

V

VARIATION 13, 19

Velo Rx 27

Volume 10,23

Volume Balance 13

This symbol indicates that in EU countries, this product must be collected separately from household waste, as defined in each region. Products bearing this symbol must not be discarded together with household waste.
DE Dieses Symbol beweutet, dass ces Product in EU-Landern getrennt vom Hausmull gesammelt werden muss gemaB den regionalen Bestimmungen. Mit thisem Symbol gekennzeichnete Produkte durren nicht zusammen mit den Hausmull entsorgt werden.
Ce symbole indique que dans les pays de l'Union europeenne, ce produit doit etre collecte séparation des ordures menagères selon les directives en vigueur dans chacun de ces pays. Les produits portant ce symbole ne doivent pas etre mis au rebut avec les ordures menagères.
Qesto symbolo indica che nei paesi della Comunita europea losto prodotto deve essere smaltito separamente dai normali rifiuti domestici, secondo la legislazione in vigore in ciascun paese. I prodotti che riportano losto symbolo non devono essere smaltiti insieme ai rifiuti domestici.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Caising Equipment Regulations.

AVIS

Royal Cape Park, Unit 24

Londonderry Road, Ottery 7800

Cape Town, SOUTH AFRICA

TEL: [phone]

ASIA

CHINA

Roland Shanghai Electronics

Co., Ltd.

5F.No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: [phone]

Roland Shanghai Electronics

Co., Ltd.

(BEIJING OFFICE)

10E No 18 3 Section Anhuaxili

Chaoyang District Beijing

100011 CHINA

TEL: [phone]

HONG KONG

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

TEL: [phone]

Parsons Music Ltd.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T.

Kowloon, HONG KONG

TEL: [phone]

INDIA

Rivera Digitec (India) Pvt. Ltd.

411, Nirman Kendra

Mahalaxmi Flats Compound

Off. Dr. Edwin Moses Road,

Mumbai-400011, INDIA

TEL: [phone]

INDONESIA

PT Citra IntiRama

Suoi Nhae Company, Ltd

370 Cach Mang Thang Tam St.

Dist.3, Ho Chi Minh City,

VIET NAM

TEL: [phone]

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: [phone]

SINGAPORE

SWEE LEE MUSIC

COMPANY PTE. LTD.

150 Sims Drive,

SINGAPORE 387381

TEL: [phone]

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO.,LTD.

Room 5, 9fl. No. 112 Chung

Shan N.Road Sec.2, Taipei,

TAIWAN, R.O.C.

TEL: [phone]

THAILAND

Theera Music Co., Ltd.

330 Soi Verng NakornKa

New Road, Sumpantawongse,

Bangkok 10100, THAILAND

TEL: [phone]

AUSTRALIA/ NEW ZEALAND

AUSTRALIA/

NEW ZEALAND

Roland Corporation

Australia Pty.,Ltd

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

For Australia

Tel: [phone]

For New Zealand

Tel: [phone]

CENTRAL/LATIN AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: [phone]

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St. Michael, Barbara

TEL: [phone]

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: [phone]

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHIL

TEL: [phone]

COLOMBIA

Centro Musical Ltda. 12000 Bredenstraße, 37

Cra 43 B No 25 A 41 Bododega 9

Medellin, Colombia

TEL: [phone]

COSTA RICA

JUAN Bansbach Instrumentos

Musicales

Ave.1.Calle 11, Apartado

10237,

San Jose, COSTA RICA

TEL: [phone]

CURACAO

Zeelandia Music Center Inc.

Orionweg 30

Curacao, Netherland Antilles

TEL:[phone]

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Boulevard Andrews, Albrook,

Panama City, REP. DE

PANAMA

TEL: [phone]

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: [phone]

PERU

Audionet

155, New National Road

Patras 26442, GE

TEL: [phone]

HUNGARY

Roland East Europe Ltd.

Warehouse Area 'DEPO'

H-2046 Torokbalint,

HUNGARY

TEL: [phone]

IRELAND

Roland Ireland

G2 Calmount Park, Calmout

Avenue, Dublin 12

Republic of IRELAND

TEL: [phone]

ITALY

Roland Italy S. p. A.

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: [phone]

SWITZERLAND

Roland (Switzerland) AG

Kolanda (U.K.) Ltd.
Atlantic Class, Sur

Atlantic Close, Swansea Enterprise Park, SWANSEA

Enterprise Park, SWANSEA SA7 9FL.

UNITED KINGDOM

TEL: [phone]

MIDDLE EAST

BAHRAIN

Moon Stores

No.1231&1249 Rumaytha

Building Road 3931, Manama

339 BAHRAIN

TEL: [phone]

IRAN

MOCO INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

TEL: [phone]

ISRAEL

Halilit P. Greenspoon & Sons

Ltd.

8 Retzif Ha'alia Hashnia St.

Tel-Aviv-Yafo ISRAEL

TEL: [phone]

JORDAN

Abdullah Salem Street,

Safat, KUWAIT

TEL: [phone]

LEBANON

Chahine S.A.L.

George Zeidan St., Chahine

Bldg., Achrafieh, P.O.Box: 16-

5857

Beirut,LEBANON

TEL: [phone]

OMAN

TALENTZ CENTRE L.L.C.

Malatan House No.1

Al Noor Street, Ruwi

SULTANATE OF OMAN

TEL: [phone]

QATAR

Al Emadi Co. (Badie Studio &

Stores)

P.O.Box 62, Doha, QATAR

TEL: [phone]

SAUDI ARABIA

aDaw利亚h Universal

Electronics APL

Corniche Road, Aldossary

Bldg., 1st Floor, Alkhobar,

31952 SAUDI ARABIA

P.O.Box 2154,Alkhobar 31952

SAUDI ARABIA

TEL: [phone]

SYRIA

Technical Light & Sound

Center

Rawda, Abdul Qader Jazairi St.

Bldg. No. 21, P.O.BOX 13520,

Damascus, SYRIA

TEL: [phone]

TURKEY

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.37

Beyoglu - Istanbul / TURKEY

TEL: [phone]

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Ground Floor, Dubai,

U.A.E.

TEL: [phone]

NORTH AMERICA

CANADA

Roland Canada Ltd.

(Head Office)

5480 Parkwood Way

Richmond B.C., V6V 2M4

CANADA

TEL: [phone]

Roland Canada Ltd.

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

TEL: [phone]

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938

U.S.A

TEL: [phone]