E-09W - Arranger keyboard ROLAND - Free user manual and instructions

USER MANUAL E-09W ROLAND

‘ PS 2 4 E-U9_e.book 1X—: 2007#4R261 *MA ÆA10#205% LA Ï INTERACTIVE ARRANGER Owner's Manual Thank you, and congratulations on your choice of the Roland E-09. Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (pp. 2-3; p. 4). These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Operating buttons are enclosed in square brackets; e.g., [PIANO] Conventions Used Manual Page references are given as (p. **). The special symbols have the following meanings. This indicates an important note you must read. This indicates a memo regarding settings or functionality. Read it as necessary. This indicates a hint for operation. Read it as necessary. This indicates a reference to related information. Read it as necessary. ELELE This explains a term that may be unfamiliar. Read it as necessary. Glossary of Terms

“Tones” are the sounds you will normally play on the E-09. If we use the analogy of an orchestra, a tone” corresponds to an instrument held by a musician. Each tone also includes parameters (settings) such as effects. (p.10)

The “Arranger” is the E-09's automatic accompaniment function. (p. 13)

“Music Styles” are musical templates used by the arranger. The E-09 contains a variety of built-in music styles, such as rock, dance, Latin, and jazz. (p. 14)

“Music Assistant” settings specify the type of tone and music style, together with other settings such as the keyboard part and various additional parameters. The E-09 contains a variety of built-in music assistant settings. (p. 15)

“User Programs” specify the type of tone and music style, together with other settings such as the keyboard part and various additional parameters. You can edit the settings and save them as a user program. (p. 16)

“Songs” are recordings you make of your own performances using the 16-track recorder. You can create a song by adding the arranger to your own keyboard performance. (p. 19) Copyright © 2005 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

IE E-09_e.book 2K— 2007#4R26H AE Æ+#10#20% For the UK. IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE. BLUE: NEUTRAL BROWN: LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug

SING THE UNIT SAFELY

INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS ] About À\ WARNING and /\ CAUTION Notices About the Symbols Used for instructions intended to alert the user to the risk of death or severe AWARNING |injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. AN CAUTION |. Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

The À symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. The © symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.

The @ symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power- cord plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

A\WARNING Â\ WARNING | Before using this unit, make sure to read the instruc- tions below, and the Owner's Manual. Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instruc- tions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an autho- rized Roland distributor, as listed on the “Information” page. Never use or store the unit in places that are: Do not open (or modify in any way) the unit or its AC adaptor. Subject to temperature extremes (eg, direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are Damp (e.g., baths, washrooms, on wet floors); or are Humid; or are Exposed to rain; or are Dusty; or are Subject to high levels of vibration. This unit should be used only with a rack or stand that is recommended by Roland. AN by Roland, the rack or stand must be carefully placed so itis level and sure to remain stable. If not using a rack or stand, you still need to make sure that any location you choose for placing the unit provides a level surface that will properly support the unit, and keep it from wobbling, When using the unit with a rack or stand recommended O Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptor's body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device. place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! Do not excessively twist or bend the power cord, nor Q This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist

+__ immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, AN the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Information” page when: The AC adaptor, the power-supply cord, or the plug has been damaged; or If smoke or unusual odor occurs Objects have fallen into, or liquid has been spilled onto the unit; or The unit has been exposed to rain (or otherwise has become wet); or The unit does not appear to operate normally or exhibits a marked change in performance. + _ In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit.

+ Protect the unit from strong impact. {Do not drop it!)

outlet with an unreasonable number of other devices. Be Q especially careful when using extension cords—the total power used by all devices you have connected to the extension cord’s outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through. + Do not force the units power-supply cord to share an

your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the “Infor- mation” page + Never handle the AC adaptor or its plugs with wet + Before moving the unit, disconnect the AC adaptor and all cords coming from external devices. + Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 9). + Whenever you suspect the possibility of lightning in +. The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. + This (E-09) for use only with Roland stand KS-12. Use with other stands is capable of resulting in instability causing possible injury. + Always grasp only the plug on the AC adaptor cord when plugging into, or unplugging from, an outlet or this unit. + Atregular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended

period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire. + Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children. + Never climb on top of, nor place heavy objects on the unit. hands when plugging into, or unplugging from, an outlet or this unit. your area, disconnect the AC adaptor from the outlet

4 E-09_e.book 4K— 2007#4A26A AMAR ÆÂ10H#20% IMPORTANT NOTES In addition to the items listed under “USING THE UNIT SAFELY” on page 2-3, please read and observe the following: Power Supply + Do not connect this unit to same electrical outlet that is being used by an electrical appliance that is controlled by an inverter (such as a refrigerator, washing machine, microwave oven, or air conditioner), or that contains a motor. Depending on the way in which the electrical appliance is used, power supply noise may cause this unit to malfunction or may produce audible noise. If it is not practical to use a separate electrical outlet, connect a power supply noise filter between this unit and the electrical outlet. +_ The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern. +_ Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices. Placement + Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference +_ This device may interfere with radio and television reception. Do notuse this device in the vicinity of such receivers. + Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call, or while conversing. Should you experience such problems, you should relocate such wireless devices so they are at a greater distance from this unit, or switch them off. + Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit. + When moved from one location to another where the temper- ature and/or humidity is very different, water droplets (conden- sation) may form inside the unit. Damage or malfunction may result if you attempt to use the unit in this condition. Therefore, before using the unit, you must allow it to stand for several hours, until the condensation has completely evaporated. +_ Do notallow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound. +_ Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface You can place a piece of felt or cloth under the rubber feet to prevent this from happening, If you do so, please make sure that the unit will not slip or move accidentally. Maintenance For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth. + Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation. Repairs and Data + Please be aware that all data contained in the units memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g,, a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases {such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data. Additional Precautions +_ Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important <@ data, we recommend that you periodically save a backup copy of important data you have stored in the units memory in another MIDI device (e.g., a sequencer). + Unfortunately, it may be impossible to restore the contents of data that was stored in the units memory, or in another MIDI device (e.g., a sequencer) once it has been lost. Roland Corpo- ration assumes no liability concerning such loss of data. + Use a reasonable amount of care when using the unit's buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions. Never strike or apply strong pressure to the display. + When connecting / disconnecting all cables, grasp the connector itself—never pull on the cable. This way you will avoid causing shorts, or damage to the cable’s internal elements. + To avoid disturbing your neighbors, try to keep the unit's volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night). + When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials. Do not apply undue force to the music stand while it is in use

LPO ee © Power Button Turns the power on/off. (p. 8) Bender/Modulation Lever Moving this lever to left or right changes the pitch of the sound. Pushing the lever away from yourself adds modulation {normally vibrato) to the sound. (p. 15) PHONES 1/2 Jacks You can connect two sets of headphones (sold separately) to these jacks. The internal speakers will be turned off if you connect headphones. [NOTE | The headphone volume may decrease if you connect two sets of headphones. VOLUME Knob Adjusts the overall volume of the E-09. BALANCE (ARRANGER and KEYBOARD) Buttons These buttons adjust the volume balance between the accompaniment (or song) and the part you”re playing on the keyboard. (p. 13) TAP TEMPO Button You can use this button to adjust the tempo. (p. 13) STYLE Section Here you can select music styles for the displayed group METRONOME Button Switches the metronome on/off. If you hold down this button, a screen will appear in which you can make settings, such as the time signature and volume of the metronome. (p. 11)

BAND ORCHESTRATOR Section Press these buttons if you want to change the ensemble of the eo arranger (accompaniment) or if you want to use the minus-one function. (p. 13, p. 21) KEYBOARD MODE Section ARRANGER Button Press this button when you want to use the arranger function (automatic accompaniment). PIANO Button If you press this button, you’Il be able to play a piano sound using the entire keyboard. ARRANGER & SONG CONTROLS Section Press these buttons to play back the arranger or songs. (p. 13, p. 19)

Selects music assistants. (p. 15) These buttons adjust the tempo of the arranger. They are also 13, ONE TOUCH Button used to edit the value of various parameters. PN Selects one-touch settings. This will recall settings that are 21. KEYBOARD TOUCH Button 4 appropriate for the selected music style. (p. 14) Turns keyboard touch on/off. this is off, all notes you play on

Accesses a screen where you can edit various parameters. (p.

Selects user programs. (p. 16)

18. FAMILY (REC MODE) [ À I >

Use these buttons to select tones, music styles, music assistants, songs, or functions. Use the FAMILY [ 4 II Je 1 buttons to select the group. To move more rapidly through the selections, hold down a button or press the other button while you hold down the one you pressed first. Use the SELECT [ 4 ]I JR ] buttons to select an item within the selected group. Here too, you can move more rapidly through the selections by holding down a button or by pressing the other button while you continue holding down the first button.

19. KEYBOARD CONTROL Section

+ SPLIT Button Divides the keyboard into left-hand and right-hand areas so that you can play different tones in each area. (p. 10) + DUAL Button Lets you play two tones simultaneously. (p. 10) + TRANSPOSE Button Transposes the keyboard. (p. 12) the keyboard will sound at the same loudness (which you may specify). (p. 15)

22. MELODY INTELLIGENCE Button

Turns melody intelligence on/off. If you hold down this button, the melody intelligence harmony type editing screen will appear. (p. 14)

Press this when you want to use the TONE category buttons as numeric buttons. (p. 11)

24. TONE Category Buttons

Use these buttons to select tones for the displayed category. (p. 11) Attaching the Music Rest Insert the included music rest into the groove located at the upper middle of the top panel.

Connect your MIDI equipment here. (p. 26)

Connect a separately available foot switch (Roland DP series unit or BOSS FS-5U) here.

3. OUTPUT R/L (MONO) Jacks

Connect these jacks to your cassette deck, power amp, audio amp, keyboard amp, monitor speakers, et.

Connect the supplied AC adaptor to this connector.

Use this hook to fasten the cord of the AC adaptor. Making the Connections [NOTE To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. Connecting an External Device or Foot Switch Connecting an External De If you want to record your performance (or a song recorded on the E-09) to a cassette tape or other media, connect the E-09's rear panel OUTPUT jacks to the input jacks of your external recording device. If you connect separately available stereo headphones to the PHONES 1 or 2 jack, the internal speakers will be muted.

Cassette deck, power amp, audio amp, keyboard amp, monitor speakers, etc. Connecting a Foot Switch The E-09’s power must be switched off when you connect a foot switch. Connect the separately available foot switch (Roland DP series unit or BOSS FS-SU) to the rear panel FOOT SWITCH jack. You can use the foot switch to sustain the notes even after removing your fingers from the keyboard. Other functions can also be assigned to the foot switch. For details, refer to “FSW (Foot Switch Assign)” (p. 23). Connecting the AC Adaptor

1. Place the E-09 in a level location.

2. Plug the supplied power cord into the supplied AC adaptor.

AC adaptor Power supply cord To an AC outlet

3. Connect the AC adaptor to the rear panel DC IN connector,

and then plug the power cord into an AC outlet. To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

Cord hook E-09 rear panel Turning the Power On/Off Turning the Power On Once the connections have been completed, turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/ or damage to speakers and other devices. Before you turn on the power, set the VOLUME knob to the far left position to minimize the volume. Press the power button on the top panel to turn on the power. This unit is equipped with a protection circuit. À brief interval a few seconds) after power up is required before the unit will operate normally. [NOTE | If you've connected the E-09 to a keyboard amp or audio amp, switch on the E-09’s power before you switch on your amp. Turn the VOLUME knob to adjust the volume of the E-09.

Introduction E n Turning the Power Off Returning the E-09 to Its

1. Press the top panel power button once again to turn off the Facto ry- Set State

power. ÉNOTE | 1. Press [FUNCTION] so it's lit. If you've connected the E-09 to a keyboard amp or audio amp, 2. Use FAMILY [ QI > 1to access the “UTILITY” screen. switch off the power to your amp before you switch off the E- 09's power. 3. Use SELECT[ 4 JI p> ]to access the “Factory Reset” screen. “Yes” begins blinking in the screen. L sten ng to t Demo Songs ‘es’ begins blinking in the screen.

4. Press TEMPO [ J> (YES)].

[NOTE] The screen prompts “Sure?” Al rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation 5. Press TEMPO [ }> (YES)] once again. of applicable laws. No data for the music that is played will be output from MIDI OUT.

1. Simultaneously press [MUSIC ASSISTANT] and [STYLE] so

both buttons are lit.

2. Turnthe VOLUME knob to adjust the volume.

3. Press [START/STOP] so it's lit.

The demo song starts playing.

4. Press [START/STOP] so it goes out. &

The demo song stops playing.

5. Press [MUSIC ASSISTANT] or [STYLE] to exit the demo

mode. Adjusting the Display Contrast

1. Press [FUNCTION] so it's lit.

characters in the screen.

5. Press [FUNCTION] so it goes out.

Alternatively, you can adjust the display“ down [NUMERIC] and using TEMPO [ 4 (II Be (1. contrast by holding

lb E-09_e.book 10 —% 2007#4A26H *#A ##10#209 Playing the Sounds from the Keyboard _+1@ Immediately after you've turned on the power, the E-09 is set up so that you can play a piano sound across the full extent of the keyboard. The E-09's keyboard provides the following three “parts.” MAIN À single tone is assigned across the entire keyboard (Main part) SPLIT | The keyboard area at the left of the split point is the “split part,” and the area at the right is the “main part.” Each part can play a different tone. DUAL | Theentire keyboard is assigned to simultaneously play two tones (the main part and the dual part). The E-09 contains 614 different tones. You can play these tones from the three keyboard parts (main, split, and dual). If you press the KEYBOARD MODE [PIANO] button so it's lit, the main part is assigned to the entire keyboard and a piano sound will be selected. You can't use the arranger (automatic accompaniment) if the KEYBOARD MODE [PIANO] button is lit. Playing the Main Pa

1. Press [TONE] so it's lit.

4. Play the keyboard.

Turn the VOLUME knob to adjust the volume.

5. Hold down [TONE], and adjust the volume of the main part

by pressing BALANCE [ 4 ] (to decrease the volume) or L D 1 (to increase the volume). Playing the Main Part and Split Part

1. If you want to play different tones in the left and right

hands, press [SPLIT] so it's lit. A tone will automatically be selected for the split part according to the tone of the main part. Selecting a Tone for the Main Part

2. Press [TONE] so it's lit.

3. Use FAMILY [ À J[ }> ]to select a tone group.

4. Use SELECT 4 ][ p> ] to select a tone for the main part

from the group you selected in step 3. Selecting a Tone for the Split Part

5. Hold down [SPLIT], and use FAMILY [ 4 ][ )> ] to select a

tone for the split part from the group you selected in step 5.

You can't select a drum set for the split part

You can add a monophonic bass part (Auto Bass) to the split part. For details, refer to p. 23.

7. Play the keyboard.

Turn the VOLUME knob to adjust the volume. The tone of each part is automatically set to the appropriate octave. The split point is set to C4 (note number 60).

You can change the split point. For details, refer to “Split Point” (p.22).

8. Adjust the volume balance between the main part and the

split part. To adjust the volume of the main part, hold down [TONE] and press BALANCE [ 4 ] (to decrease the volume) or [ Je ] (to increase the volume). To adjust the volume of the split part, hold down [SPLIT] and press BALANCE [ 4 ] (to decrease the volume) or [ Je ] (to increase the volume). Playing the Main Part and Dual Part

1. If you want to play two different tones simultaneously,

press [DUAL] so it's lit. A tone appropriate for layering on the main part will automatically be selected for the dual part. Selecting a Tone for the Main Part

2. Press [TONE] so it's lit.

3. Use FAMILY [ 4 II J> 1 to select a tone group.

4. Use SELECT [ 4 ][ }> ] to select a tone for the main part

from the group you selected in step 3. Selecting a Tone for the Dual Part

tone for the dual part from the group you selected in step 5. You can't select a drum set for the dual part.

7. Play the keyboard.

Turn the VOLUME knob to adjust the volume.

8. Adjust the volume balance between the main part and the

dual part. To adjust the volume of the main part, hold down [TONE] and

lb E-09_e.book 11 X— 2007#4A26H *#A ##10#209 Playing the Sounds from the Keyboard press BALANCE [ 4 ] (to decrease the volume) or [ Je ] (to increase the volume). To adjust the volume of the dual part, hold down [DUAL] and press BALANCE [ 4 ] (to decrease the volume) or [ Je ] (to increase the volume). Selecting Tones As an alternative to using the FAMILY or SELECT [ 4 ]I > ] buttons, you can also select tones using the numeric keys or TONE category buttons. Using the Numeric Keys

1. Press [TONE] so it's lit.

2. Press [NUMERIC] so it's lit.

3. Use TONE category buttons [1]-[0] to enter a tone number.

Example: To enter “12” Press [1] -> [2] and wait a few moments until the number is confirmed. Alternatively, press [0] -> [1] > PI. To select the tone for the split part, hold down [SPLIT] while you enter the tone number. To select the tone for the dual part, hold down [DUAL] while you enter the tone number.

To defeat the numeric key function, press [NUMERIC] so it goes out Using the TONE Category Buttons You can use the TONE category buttons to select tones directly, without using [TONE], FAMILY [ 4 II Be 1, SELECT @ ]I J Lor numeric keys. This method lets you select from nine melody sounds and one drum set. You can assign a favorite tone to each button. This is convenient for live performance, since you can select a tone simply by pressing a single button. Assigning other tones to the TONE category buttons After selecting a tone, press the TONE category button for the group that includes the selected tone. The screen will briefly indicate “Memorized.” You can assign the following groups of tones to each of the category buttons.

[ORGAN] ORGAN, ACCORDION, KEYBOARD, CHROMATIC PERC IGUITAR/BASS] ACOUSTIC GUITAR, ELECTRIC GUITAR, BASS ISTRINGS] STRINGS IVOCAL] VOCAL

ISYNTH] SYNTH BRASS, SYNTH LEAD,

POLY SYNTHESIZER, PAD

[WORLD2] WORLD 2, PERCUSSION, SFX

IDRUMS] DRUMS Drum Sounds and Sound Effects (SFX) Drum Sets The last sixty-one tones (615-675) are called “drum sets.” If you select a drum set, a different sound is assigned to each note of the keyboard. For example, you can use the leftmost key to play a bass drum (kick) sound, and another key to play a snare drum sound. A drum set is a collection of ninety or more sounds, each assigned to à different key. You can't assign a drum set to the split part or dual part. Sound Effects (SFX) The E-09 contains numerous sound effects, drum, and percussion tones (551-614). You can assign these tones to a keyboard part and play them. These tones can be assigned to the main, split, or dual part and played across the entire range of the keyboard. CTP If [SPLIT] is lit, you will probably want to set the split point near C6 if you want to use your right hand to play sound effects or percussion, or near C3 if you want to play these using your left hand. (p. 22) Sounding the Metronome LC) It's convenient to sound the metronome while you're practicing a new song.

1. Press [METRONOME] so it's lit.

The metronome will sound.

2. Hold down [METRONOME] for a while until the “Metro TS”

screen appears. In this screen you can set the time signature of the metronome.

the metronome will stop sounding.

2007#4A26H *MEH ÆA10H209

_+1@ Playing the Sounds from the Keyboard ansposing You can shift the pitch of your performance without changing the position at which you're playing the keyboard. For example, if a song is in a difficult key containing numerous sharps or flats, you can transpose it so that it's easier to play. You can also use this function to transpose the playback of a song If you’re accompanying a singer, you can transpose the pitch to a comfortable range for the singer without having to change your keyboard fingering. [NOTE Transpose is not applied to drum sets.

1. Press [TRANSPOSE] so it's lit.

2. Hold down [TRANSPOSE] for a while until the “Transpose”

Range: -12-+12 ŒEMO) If you set this to “0,” the transpose function will be off.

4. To turn the transpose function off, press [TRANSPOSE] so

it goes out. Example: The song is in the key of E major, but you want to play it using the keyboard fingering of the key of C The note E is four semitones (keys including the black keys) above the note C, so you would set the transposition value to

When you play “C, E, G : É ATEN] it sounds as “E G# B”

You can save this setting in a user program. (p. 16) Ce. > You can also specify where the transpose setting is to be applied. Refer to “Trans Mode” (p. 22).

Octave Setting You can raise or lower the pitch of the tone for each keyboard part (main, split, dual) in steps of an octave, over a range of four octaves upward or downward. Main Part Hold down [TONE] and use TEMPO [ @ (II P> (+)] to change the octave of the main part. Split Part Hold down [SPLIT] and use TEMPO [ 4 (-I[ Je (+)] to change the octave of the split part. Dual Part Hold down [DUAL] and use TEMPO [ 4 (II Je (+)] to change the octave of the dual part Changing the Keyboard Scale As an alternative to the equal tempered scale used in most Western music, you can adjust the pitch of each note to the scales used by other musical cultures or tuning systems. You can independently adjust the pitch of each note in the octave (C, EN C#, D, Eb,E, F, F#,G, Ab, À, Bb, B) @> For example, if you adjust the pitch of the C” note, this adjustment will apply to the “C” note of each octave.

1. Hold down [FUNCTION] and press the key whose note pitch

you want to adjust. The pitch will be lowered by 1/4 tone. The keyboard in the center of the screen will indicate the notes whose pitch has been lowered.

To check the notes for which the pitch has been lowered, press and hold [FUNCTION]. While you continue holding down [FUNCTIONI, the keyboard in the center of the screen will indicate the state of the pitch.

To return a note to its original pitch, hold down [FUNCTION] and press the same key you pressed in step 1.

IE E-09_e.book 13X—% 2007#4A26H *AM#A ##10#209 Performing with an Accompaniment (Arranger) sing the Arranger Press [ARRANGER] so it's lit. The keyboard will be divided into left and right parts and main.” In the left-hand side, hold down notes to specify a chord. In the right-hand side, play along with the accompaniment. The C4 key (note number 60) is assigned as the split point.

2. Press [START/STOP] so it's blinking.

The arranger begins playing. The button begins blinking in time with the arranger's time signature.

If you play the left-hand area of the keyboard while [ARRANGER is lit and the arranger playback is stopped, a stereo strings sound will play. You can also add a monophonic bass sound (-> ”’Auto Bass,” p. 23). If you don't want the strings sound or bass sound to be heard, turn off “Educational” (p. 24)

If you press [START/STOP] while [ARRANGER] is not lighted, only the drums will play, allowing you to add a rhythm accompaniment to your keyboard performance. The drums will be based on the currently selected music style. If you want to select a different music style, refer to p. 14.

3. With your left hand, play a chord (or a single note).

4. When you play a different chord (or single note), the

arranger will also switch to a different chord.

5. Use the following buttons to select other patterns within the

currently selected music style. INTRO] An accompaniment pattern used for the in- troduction. IORIGINAL] _ | A simple accompaniment pattern. IFILL] An accompaniment pattern used to transi- tion between ORIGINAL and VARIA- TION. IVARIATION] | À more complex accompaniment pattern, that's ideal for a break or similar section in the song. IENDING] IF you press this button instead of [START/ STOP], an ending will play and then the ar- ranger will stop playing. The chord name is shown in the arranger chord area of the screen. While using your left hand to play the arranger chord, use your right hand to play the melody. Changing the Arranger Ensemble By pressing one of the BAND ORCHESTRATOR buttons so it's lit, you can change the accompaniment patterns produced by the arranger while playback continues. DRUMS & BASS | Simple accompaniment patterns containing only drums and a bass line. COMBO Accompaniment patterns containing several instruments (a band). FULL Accompaniment patterns with a lavish ar- rangement (multiple instruments) Changing the Volume Balance of the Arranger Playback and the Keyboard Performance To Increase the Volume of the Arranger (or Song Part) Press BALANCE [ 4 ] (ARRANGER). To Increase the Volume of Your Keyboard Performance Press BALANCE [ Je ] (KEYBOARD). Changing the Tempo of the Arranger Use TEMPO [ 4 II Je 1 to slow down (-) or speed up (+) the tempo of the arranger.

By pressing TEMPO [ 4 ]and [ Je ] simultaneously, you can reset the arranger tempo to the default tempo setting specified by the currently playing music style.

You can also enter the tempo by pressing [TAP TEMPO] three times or more at the desired interval. By holding down [TAP TEMPO], you can reset the arranger tempo to the default tempo setting. Arranger Sync Start

1. Press [SYNC START] soit's lit.

QTERM 4 Sync Start is a function that causes the arranger to start playing when you play a note to the left of the split point. This is convenient when you want the arranger to begin playing the moment you specify the chord with your left hand.

To cancel this function, press [SYNC START] so it goes out. Stopping the Arranger

1. Press [START/STOP] once again so it goes out.

The arranger will stop playing If you press [ENDING], an ending phrase will play and then the arranger will stop.

lb E-09_e.book 14K—% 2007#4A26H *#A ##10#209 Performing with an Accompaniment (Arranger) Selecting a Music Style Press [ARRANGER] so it's lit.

2. Press [STYLE] so it's lit.

3. Use FAMILY [ II > ] to select one of the following

groups. ROCK (001-006), DANCE (007-023), 8BEAT (024-036), 16BEAT (037-047), JAZZ (048-053), LATIN (054-063), TRADITIONAL (064-079), BALLROOM (080-097), WORLD (98-130)

4. Use SELECT [ 4 J[ }> ] to select a music style from the

group you selected in step 3.

1. Press [NUMERIC] so it's lit.

2. Use TONE category buttons [1]-[0] to enter a style number

Example: To enter 12” Press [1] -> [2] and wait a few moments until the number is confirmed. Alternatively, press [0]-> [1]-> [2]. To defeat the numeric keys, press [INUMERIC] so it goes out. sic Style Functions To access the following functions, you'll need to press [ARRANGER] so it's lit One-Touch This function automatically sets the following items to the best setting for the selected music style. + The tones of the main part, split part, and dual part + Reverb and chorus settings You can choose from two different one-touch settings for each music style.

1. Select the music style you want to use.

2. Press [ONE TOUCH].

The upper left of the screen will indicate “OT.” If [TONE) is lit, the screen will show the name of the tone. (In the above example, this is “Piano 2”)

3. If you want to use “OT2” press [ONE TOUCH] once again.

Selecting a different music style will cancel the one-touch function. Melody Intelligence [rERM 4 Melody Intelligence is a function that automatically adds harmony to the melody that you play in the right-hand side of the keyboard, as appropriate for the chord you hold down in the left-hand side of the keyboard.

1. Press [MELODY INTELLIGENCE] so it's lit.

To turn off this setting, press [MELODY INTELLIGENCE] so it goes out. Changing the Harmony Type for Melody Intelligence You can choose one of eighteen different settings for the Melody Intelligence function.

1. Press and hold [MELODY INTELLIGENCE] for a few

moments. The melody intelligence setting screen will appear.

2. Press TEMPO [ 4 ]I }> ]to select the type you want to use.

lb E-09_e.book 15 X—% 2007#4A26H *#A ##10#209 Performance Functions and Effects Performance Functions Keyboard Touch The force or speed with which you play the keyboard will vary the volume or brightness of the main part, split part, and dual part. AIL of the acoustic instrument sounds (e.g., piano, violin, drum) will respond to your keyboard touch, allowing you to reproduce the musically expressive range of that instrument. The sound will be louder and more brilliant if you play strongly, and softer and more muted if you play softly.

1. Press [KEYBOARD TOUCH] so it's lit.

Keyboard touch is now turned on. If you press [KEYBOARD TOUCHI] once again so it goes out, the keyboard touch will be fixed; ie, the sound will no longer vary in response to your keyboard playing touch Specifying a Fixed Keyboard Touch Here’s how to specify the uniform strength each note will have if IKEYBOARD TOUCH] is unlit.

1. Press [KEYBOARD TOUCH] until the screen indicates “KBD

Touch.” [FUNCTION] lights.

2. Use TEMPO[ 4 (-JII p> (+)] to specify the “KBD Touch”

setting. (Range: 1-127) A setting of “1” will be extremely faint (normally inaudible), and a setting of “127 will be the maximum strength (very loud and bright).

3. Press [FUNCTION] so it goes out.

Some of the internal tones switch between different sounds depending on your keyboard playing strength. For such tones, only one of these sounds will be heard if you specify a fixed keyboard touch. The keyboard touch setting can be saved in a user program. (p. 16) Pitch Bend and Modula You can use the BENDER/MODULATION lever located at the left of the keyboard to apply two types of effect to the sound of the keyboard part. QTERM 4 Pitch Bend lowers the pitch you”re playing when you move the lever to the left, or raises it when you move the lever to the right. Modulation applies vibrato to the sound when you push the lever away from yourself while playing.

If the MEX type is ROTARY, this will switch the speed of rotation instead of applying the modulation effect. Modulation Pitch falls Pitch rises —< BENDER o If you push the lever away from yourself while moving it to left or right, both effects will be applied. Ce. > You can specify the range of pitch bend that will occur. For details, refer to “PB Range” (p. 22). Foot Switch [NOTE | You must connect the foot switch while the E-09's power is switched off. Connect a separately available foot switch (Roland DP series unit or BOSS FS-SU) to the rear panel FOOT SWITCH jack. By pressing the foot switch, you can sustain the sound even after taking your fingers off the keyboard. You can also assign other functions to the foot switch. For details, refer to “FSW (Foot Switch Assign)” (p. 23).

Music assistant settings let you instantly recall settings that are appropriate for the song you're playing. You can’tuse Music Assistant while a song is playing, Assistant Selecting musi items. + Music style + Tempo + The tone of the main part, split part, and dual part + Effects + Band orchestrator + Keyboard touch ssistant settings will recall settings for the following Selecting Music Assistant Settings

1. Press [MUSIC ASSISTANT] so it's lit.

The screen will show the name of the music assistant setting,

2. Use FAMILY [ 4 JI J> ] to select the group (musical style)

that includes the music assistant settings you want to use. You can choose from the following groups: Ballad, Ballroom, Dancing, Easy List, Evergreen, JazzSwng, PopHit, General

3. Use SELECT[ 4 J[ p> ]to choose music assistant settings

from the group you selected in step 2.

As an alternative to using the FAMILY or SELECT buttons, you can use the numeric keys to make your selection.

1. Press [NUMERIC] so it's lit.

2. Use TONE category buttons [1]-[0] to enter a music assistant

lb E-09_e.book 16X—>% 2007#4A26H *M#A ##10#209 Performance Functions and Effects Example: To enter 12” Press [1] -> [2] and wait a few moments until the number is confirmed. Alternatively, press [0]-> [1]-> [2]. QTIP When you're finished using the numeric keys, press INUMERIC] so it goes out. LTIP If you've edited the music assistant settings (for example by changing the tone of the main part), you can save the edited settings in a user program. User Program The E-09 provides 100 user programs (00-99). You can use these to store settings for most of the front panel operations and function menus (p. 22) MIDI settings (p. 26) are automatically stored in the E-09. They are not saved in a user program. Saving Your Settings in a User Program Hold down [USER PROGRAM] for a few moments. The display will indicate “Write?”

2. Continue holding down [USER PROGRAM], and press

TONE category numeric buttons [1]-[0]. (00-99) Example: To enter “6” Press [6] and wait a few moments until the number is confirmed. Alternatively, press [0]-> [6].

3. Press TEMPO [ J> (YES)], and then take your finger off

4. Enter a name for the user program.

Use FAMILY [ 4 II Je 1 to move the cursor, and use SELECT L QI D 1 to change each character.

5. Press TEMPO » (YES)].

The screen will show “Complete,” and the settings will be saved. We recommend that you frequently store your settings to a user program even while you're in the process of editing. 1f the KEYBOARD MODE [ARRANGER] or [PIANO] button is lit, the state of that button will also be saved in the user program. The most recently selected music style is also saved in the user program. Selecting a User Program

1. Press [USER PROGRAM] so it's lit.

INUMERIC] will automatically light. The display will indicate the number of the most recently selected user program, or “1” if you have not selected a user program since turning on the power.

If you hold down [USER PROGRAM], you will be saving {rather than selecting) a user program.

2. Use TONE category numeric buttons [1]-[0] to enter a user

program number. (00-99) Example: To enter “6” Press [6] and wait a few moments until the number is confirmed. Alternatively, press [0] -> [6].

When you're finished using the numeric keys, press INUMERIC] so it goes out. The E-09 provides reverb, chorus, and multi-effects (MFX). You can change the type of each effect. You can also adjust the amount of reverb or chorus that is applied to the keyboard parts [NOTE | You can't use chorus together with MFX. Reverb You can apply reverb (reverberation) to the sounds you're playing. Reverb simulates the ambience you experience when performing in à concert hall or other spacious location. When you switch on the E-09's power, reverb will be applied to all keyboard parts (main, dual, split) as well as to the arranger and song parts. If you don't need reverb, you can turn reverb off or set the reverb amount to “0” for the keyboard parts. You can't change the amount of reverb applied to the arranger or to the parts of an already- recorded song. I£MEX (p.17) is set to anything other than “Off,” you can apply that MFX and reverb simultaneously to the tone of the main part. Applying Reverb

1. Press [FUNCTION] so it's lit.

2. Use FAMILY [ 4 JI J> ] to select “EFFECTS.”

3. Use SELECT [ II b> ] to select “REVERB.”

4. Use TEMPO [ 4 (-)II > (+)] to select the type of reverb.

Off Reverb will not be applied. These simulate the reverberation of a room. Higher numbers simulate larger rooms. Room 1-3 These simulate the reverberation of a concert hall. Higher numbers simulate a larger hall. These produce deeper reverberation than the Room settings. Hall 1, 2 Plate This is a digital simulation of a metal plate re- verb unit. Itis particularly suitable for percus- sion sounds. Delay This is a delay effect (without reverb) which produce echo-like repeats. PanDelay | This repeats the sound while making italter- nate between left and right.

5. Play the keyboard to hear the effect.

6. Press [FUNCTION] so it goes out.

Adjusting the Amount of Reverb Applied to the Keyboard Parts

3. Use SELECT [ 4 J[ }> ] to select one of the following

parameters. Parameter | Value | Explanation Rev MAIN |0-127 | Adjusts the amount of reverb ap- plied to the tone of the main part. S-Delay This delays the sound to create an echo effect. S-DelayFb This repeats the sound at short intervals.

5. Play the keyboard to hear the effect.

6. Press [FUNCTION] so it goes out.

Adijusting the Amount of Chorus Applied to the Keyboard Parts

1. Press [FUNCTION] so it's lit.

2. Use FAMILY [ @ JI J> ] to select “EFFECTS.”

3. Use SELECT [ 4 ][ }> ] to select one of the following

parameters. Rev DUAL | 0-127 | Adjusts the amount of reverb ap- plied to the tone of the dual part. Rev SPLIT 0-127 | Adjusts the amount of reverb ap- plied to the tone of the split part.

4. Use TEMPO 4 (-JIL > (+)] to adjust the amount of reverb

applied to the part you selected in step 3. If you don't want reverb to be applied, set this to “0.”

5. Play the keyboard to hear the effect applied to each part.

6. Press [FUNCTION] so it goes out.

You can save these settings in a user program. (p. 16) Chorus You can apply a chorus effect to the sounds you play. The chorus effect adds a three-dimensional spaciousness and depth to the sound. You can choose from eight types of chorus effect. When you switch on the E-09's power, the amount of chorus applied to the keyboard parts (main, dual, split) is set to “0,” meaning that chorus will not be applied to the keyboard parts. If you don't want to use chorus, you can turn it off or set the chorus amount to “0” for the keyboard parts. You can't change the amount of chorus applied to the arranger or to the parts of an already- recorded song. You can't use chorus if MFX is set to anything other than “Off.” Applying Chorus

1. Press [FUNCTION] so it's lit.

2. Use FAMILY [ 4 JI }> ]to select “EFFECTS.”

Parameter | Value | Explanation Chr MAIN 0-127 | Adjusts the amount of chorus ap- plied to the tone of the main part. Chr DUAL |0-127 | Adjusts the amount of chorus ap- plied to the tone of the dual part. Chr SPLIT 0-127 | Adjusts the amount of chorus ap- plied to the tone of the split part.

4. Use TEMPO [ 4 (-J]I Je (+)] to adjust the amount of chorus

applied to the part you selected in step 3. If you don’t want chorus to be applied, set this to “0.”

5. Play the keyboard to hear the effect applied to each part.

6. Press [FUNCTION] so it goes out.

You can save these settings in a user program. (p. 16) Multi-Effects (MFX) There are 47 types of multi-effect (MX) that you can apply to the main part. Some of these combine two effects. MEX are not applied to the following three types of tones + Thesplit part + The dual part + Drum sets

1. Press [FUNCTION] so it's lit.

2. Use FAMILY [ 4 JI J> ] to select “EFFECTS.”

3. Use SELECT [ 4 II }> ] to select “MFX.”

You can save these settings in a user program. (p. 16) Off MEX will be off. Off Chorus will not be applied. Chorus 1-4 | These are typical chorus effects that give the sound spaciousness and depth. FB Chorus | This chorus produces a flanger-like effect, softening the sound. Flanger This produces à metallic-sounding effect reminiscent of a jet airplane taking off and landing. Enhancer Controls the harmonie content of the high- frequency range to give the sound more definition and crispness. Overdrive 1-4 | Produces a natural-sounding distortion similar to that of a vacuum tube amp. 1: Small amp 2: Built-in type 3: Large double stack amp 4: Large triple stack amp

IE E-09_e.book 18—>% 2007#4A26H *#A ##10#209 Performance Functions and Effects Distortion 1-4 | Produces a more intense distortion than GateRevS2 Moves the reverb sound from left to right. Overdrive. You can choose from four (gate reverb types. sweep 2) Phaser Combines the original sound with a phase 2PitchShift Shifts the pitch of the original sound. Two shifted sound, and modulates it to pro- (2 voice pitch | pitch-shifted sounds can be layered with duce a twisting, swishing effect shifter) the original sound. AutoWah Cyclically moves a filter to create a repeat- FbPitchShift | Shifts the pitch of the original sound and ing wah effect (cyclic change in tone). (feedback returns the pitch-shifted sound to the in- Rotary Simulates the sound of a classic rotary pitch shifter) _ | put, producing an echo. speaker. You can switch the rotational OD>Chorus | Connects overdrive and chorus in series. speed (slow /fast) by pushing the BEND- OD>Flanger Connects overdrive and flanger in series. ER/MODULATION lever away from OD>Delay Connects overdrive and delay in series: yourself, creating an authentic-sounding DS>Chorus | Connects distortion and chorus in series. sense of modulation. This effect is ideal for Srean Sounds. DS>Flanger | Connects distortion and flanger in series.

StFlanger Produces a metallic resonance reminiscent DS>Delay Connects distortion and delay in series. {stereo Of a jet airplane taking off and landing, EH>Chorus | Connects enhancer and chorus in series. flanger) EH>Flanger | Connects enhancer and flanger in series. StepFlanger | Varies the sound ofa flanger in pitched EH>Delay Connects enhancer and delay in series. steps. Cho>Delay Connects chorus and delay in series Compressor | Makes the volume more consistent by re- FL>Delay Connects flanger and delay in series. straining loud sounds and boosting soft Cho>Flanger _| Connects chorus and flanger in series. sounds. Cho/Delay Connect chorus and delay in parallel. Limiter Prevents distortion by compressing FL/Delay Connects flanger and delay in parallel. sounds that are above a specified volume CholFlan mn 2 ie ger onnects chorus and flanger in parallel. HexaChorus | Applies a six-phase chorus to add spa- ciousness and depth to the sound. (Six cho- rus sounds with differing delays are With the factory settings, the MEX type will automatically layered together.) switch according to the tone you select. For details, refer to TremChorus | Applies a chorus effect with tremolo (cy- “Tone MEX (p.24). (tremolo cho- | clic change in volume) rus) 5. Play the keyboard to hear the sound of the effect. StChorus Applies a stereo chorus effect 6. Press [FUNCTION] so it goes out. (stereo cho- rus) [NOTE | Space-D Applies a multiple chorus with dual-phase 1£ MEX is set to anything other than “Off,” you can't apply stereo modulation. This creates a transpar- chorus to the tone of the main part. ent chorus effect with no sense of modula- tion. StDelay Creates an echo effect by repeating the in- (stereo delay) | put sound. Mod Delay Modulates the delayed sound to create à (modulation | flanger-like effect delay) STap Delay Produces delayed sound from three posi- triple tap de- | tions; center, left, and right. lay) ATap Delay Produces four delayed sounds. (quadruple tap delay) TmCtrDelay | Lets you control the delay timein real time (time control | while you push the modulation lever. delay) Reverb Adds reverberation to the original sound, simulating an expansive space. GateRevNr Reverb that cuts the reverberation during (gate reverb | its decay. normal) GateRevRv | Gated reverb that gradually increases in (gate reverb | volume. reverse) GateRevS1 Moves the reverb sound from right to left. (gate reverb sweep 1)

lb E-09_e.book 19K—% 2007#4A26H *#A ##10#209 Song Functions Recording Your Own Performance You can use the 16-track recorder to record your own performances. The E-09 provides the following four recording modes. Recording a new song Rec AII Simultaneously record your keyboard perfor- mance and the arranger accompaniment. Rec Keyboard Record only your keyboard performance. Recording additional material into an existing song Rec Single Record one track at a time, You can freely se- lect the track to be recorded. Rec Punchl/O {punch-in/out) Re-record a specified region of a certain track. The E-09 can handle only one song. This song will not be erased even if you turn off the power. [NOTE “Single” will be automatically selected after you perform the first recording. Be aware that if you select “ALL” or “Keyboard,” the previously recorded song will be erased. If you want to add new material to the song you recorded, you should choose “Single” or “Punch 1/0." If you haven’t recorded a song yet, you won't be able to select “Single” or “Punch 1/0.” You can't record a song if the E-09 is synchronized with an external MIDI device. All Recording Mode Here’s how you can record what you play on the keyboard while the arranger accompaniment plays. The previously recorded song will be erased by the new recording.

1. Press [ARRANGER] so it's lit. (p. 13)

2. Press [STYLE] so it's lit, and select a music style (p. 14).

Alternatively, press [MUSIC ASSISTANT] so it's lit, and select a music assistant (p. 15).

3. Press [INTRO], [ORIGINAL], or [VARIATION] to select the

arranger section you want to use.

4. Press [START/STOP] so it's blinking. The arranger will start

6. Press [START/STOP] once again so it goes out, The

arranger will stop playing.

7. Press [SONG] so it's lit.

8. Press [@ REC] so it's blinking.

9. Use REC MODE [ 4 II }> ] to select “Rec Al” as the

10. Select the tone that you want to use in the right-hand side

of the keyboard. Press [TONE] so it's lit, and use the FAMILY and SELECT EL Q 11 > l'buttons, the numeric keys, or the TONE category buttons to make your selection. For details, refer to pp. 10-11.

11. Use either of the following methods to start recording.

+ Press[ m/M]. [@ REC] lights, and [ m1 ] begins blinking in time with the time signature of the arranger. Press [SYNC START] so it's lit, and play a chord with your left hand. [@ REC] lights, and [ m1 ] begins blinking in time with the time signature of the arranger.

13. Use either of the following methods to stop recording.

° Press [ m/1M ]so it goes out. [@ REC] also goes out + Press [ENDING]. The ending phrase begins playing. When it ends, [ENDING], [71 L, and [@ REC] will all go out.

14. When you stop recording, the screen prompts “Save

Song?” asking you whether you want to save your performance. To save your performance, press TEMPO [ J (YES)]. If you don't want to save your performance, press TEMPO L (NO. Keyboard Recording Mode Here’s how you can record only your keyboard performance. The arranger is not used. The previously recorded song will be erased by your new recording.

1. Select the keyboard part and tone you want to use for your

performance. (pp. 10-11)

2. Press [SONG] so it's lit.

3. Press [@ REC] so it's blinking.

4. Use REC MODE [ 4 JI J> ]to select “Rec Keyboard” as the

5. Select the tone that you want to use in the right-hand side

of the keyboard. Press [TONE] so it's lit, and use the FAMILY and SELECT L Q II > Ibuttons, the numeric keys, or the TONE category buttons to make your selection. For details, refer to pp. 10-11.

6. Use the metronome if desired. (p. 11)

7. Press [ »-/1m ] to start recording.

[@ REC] lights, and [ m1 ] begins blinking in time with the time signature of the metronome.

If you select a drum set for the main part and use the keyboard to play the drum sounds, your performance will be recorded on track 16.

9. Press [ 71m ] to stop recording.

[7 1m ] and [@ REC] go out.

10. When you stop recording, the screen prompts “Save

Song?” asking you whether you want to save your performance. To save your performance, press TEMPO [ Re (YES)] If you don’t want to save your performance, press TEMPO { (NO). Single Recording Mode In this mode you can layer a new performance onto the previously recorded notes, and record each track separately. [NOTE | You can't use this mode if no song has been recorded.

1. Press [SONG] so it's lit.

2. Press [@ REC] so it's blinking.

3. Use REC MODE [ 4 Il }> ] to select “Rec Single” as the

4. Use REC TRACK [ 4 I[ }> ] to select the track you want to

record. If you select a track that has already been recorded, the new recording will overwrite the existing recording,

5. Select the tone that you want to use in the right-hand side

of the keyboard. Press [TONE] so it's lit, and use the FAMILY and SELECT L QI > I buttons, the numeric keys, or the TONE category buttons to make your selection. For details, refer to pp. 10-11

6. Press[»/1 ]to start recording.

[@ RECI lights. After a one-measure count-in, all previously recorded parts begin playing,

8. Press [ »/1M ] to stop recording.

[7 1 ] and [@ REC] go out. If you want to record additional parts, return to step 2.

9. When you stop recording, the screen prompts “Save

Song?” asking you whether you want to save your performance. To save your performance, press TEMPO [ Re (YES)] If you don’t want to save your performance, press TEMPO { 4 (NO). The performances of the keyboard and the arranger parts are recorded on the following tracks. Track | Partname | Description 1 Accompl |- 2 | Arranger | Thebass part that sounds when the ar- bass ranger plays: 3 Accomp2 |- 4 | Man This is the Main part. MFX (p. 17) can be applied only to track 4. 5 Accomp3 |- Track | Partname | Description 6 Dual This is the Dual part. 7__| Acomp4 | - 8 |Acomp5 |- 9 Accomp6 |- 10 | Arranger | Since track 10 is restricted to the drum drums part, ou can select a drum set for this track. 11 | Split This is the Split part 12 Auto Bass For details, refer to “Auto Bass” (p. 23) 13 _ - 14 = = 15 | Melodyin | Melody intelligence (p. 14) tell 16 | (Main) If you select a drum set for the tone ofthe Main part, it will be recorded on track 16. Punch-In/Out Recording Mode This lets you “punch-in/out” to re-record a specified portion of a single track. The data before and after the newly recorded portion will not be erased. You can't use this if no song has been recorded. Original track JNIAATINIANTIMIAN TNA Oniy this portion is overwritten by the new recording

1. Press [SONG] so it's lit.

2. Press [@ REC] so it's blinking.

3. Use REC MODE [ 4 I[ > ] to select “Rec Punchl/O” as the

4. Use REC TRACK [ 4 I[ }> ] to select the track you want to

5. Press [ »-/1m ] to start song playback.

6. When you come to the point at which you want to begin re-

recording, press [@ REC] once again. [@ REC] lights, and recording begins.

8. Press [@ REC] soit goes out.

Recording will stop.

9. Press [ »-/ 1m ]to stop song playback.

If you want to re-record again, return to step 2.

10. When you stop recording, the screen prompts “Save

Song?” asking you whether you want to save your performance. To save your performance, press TEMPO [ Re (YES)] If you don't want to save your performance, press TEMPO L (NO.

lb E-09_e.book 21 X—% 2007#4A26H *A#A ##10#209 Using a Foot Switch to Punch In/Out You can use a separately available foot switch (Roland DP series unit or BOSS FS-5U) to start or stop recording. This lets you use both hands for your performance; for example, allowing you to use your left hand to operate the pitch bend/modulation lever while you use your right hand to play the melody.

1. Connect the foot switch to the rear panel FOOT SWITCH

2. Press [FUNCTION] so it's lit.

5. Use TEMPO[ 4 (-JI[ pe (+)] to select “Punchl/O.”

6. Continue with step 1 and those that follow under “Punch-In/

Out Recording Mode.” In steps 6 and 8 of “Punch-In/Out Recording Mode,” press the foot switch instead of [@ REC]. Playing the Song «Press [SONG] so it's lit.

2. Press [ I-@ ] to return to the beginning of the song.

3. Press [ »-/1] to start song playback.

4. Press [ »-/1m ] once again to stop song playback.

Changing the Playback Location of the Song You can use the following buttons to change the playback location within the song. + [M] Moves to the beginning of the song. [ed] Moves to the preceding measure [D] Moves to the next measure. Repeat Playback of a Specified Region You can specify a region (A-B) and play it repeatedly. You can do this while the song is playing or while it is stopped. FIARRER AE

1. Use[ -@-« I >» ] to move to the measure at which you

want to start repeating.

2. Press [MARKER A-B] to set marker “A” to the current

3. Use[ +-« I æ->- ] to move to the measure at which you

want to stop repeating.

4. Press [MARKER A-B] to set marker “B” to the current

5. Press [REPEAT A-B]soits

6. ifthe song was stopped, press [ 718 ] at this point to

begin repeat playback. To cancel repeat playback, press [REPEAT A-B] so it goes out. Don't set the marker at the last measure of the song; repeat playback will not work correctly if you do this Minus-One Playback Here’s how you can mute (silence) a specific track of the song. g a Track

1. Press [DRUMS & BASS] (factory setting: track 10),

[COMBO] (factory setting: track 1), or [FULL] (factory setting: track 2) to specify the track you want to mute.

2. Press[ »-/1m ]. The song begins playing, with the track you

specified in step 1 muted. Changing the Muted Tracks & You can change the track that is muted by each of the buttons IDRUMS & BASS], [COMBO], and [FULL].

1. Hold down one of the buttons [DRUMS & BASS], [COMBO],

or [FULL]. The mute track setting screen will appear

2. Use TEMPO[ 4 (-JII p> (+)] to change the track that is

muted by that button.

lb E-09_e.book 22K—% 2007#4A26H *AM#A ##10#209 Function Menu The Function menu lets you make a variety of different settings. Parameters marked by can be saved in a user program. (p. 16) Setting a Function Menu Parameter Here’s the basic procedure for setting a parameter of the Function menu

Press [FUNCTION] so it's lit. Use FAMILY [ 4 II }> ] to select the function group that includes the parameter you want to set. KBD SET: KBD Touch, Master Tune, Transpose, Trans Mode, PB Range, Split Point, Split Hold, Split Int, FSW METRONOME: Metro TS, Metro Vol OCTAVE: Main Oct, Dual Oct, Split Oct VOLUME: Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp ARR SET: Chordint, Arr Hold, Educational, Bass Inv, MI EFFECTS: REVERB, CHORUS, MFX, Tone MFX, Rev MAIN, Chr MAIN, Pan MAIN, Rev DUAL, Chr DUAL, Pan DUAL, Rev SPLIT, Chr SPLIT, Pan SPLIT KBD SCALE: Scale C/C#/D/Eb/E/F/F#/G/Ab/A/Bb/B, Scale Mode MIDI: Local, MIDI TxRx, Sync Rx, Style PC, NTA Rx14, Pitch Bend, Modulation, Prog Change, Velo Rx, Clock Tx, Start Stop UTILITY: LCD Contrast, Factory Reset, Bulk Dump Use SELECT [ 4 II > 1 to select the parameter you want to adjust. Use TEMPO [ 4 (-]II > (+)] to adjust the selected parameter.

D Touch* | 1-127 Adjusts the strength of the notes when Keyboard Touch is turned “off” (KEYBOARD TOUCHI unlit). For (default: 110) | details, refer to p. 15. This screen will also appear if you hold down [KEYBOARD TOUCH] for a few moments. MasterTune | 427.4-452.6 Adjusts the reference pitch (default: 440.0) | The reference pitch is usually expressed as the pitch of the middle “A” note. When playing together with other instruments, you must ensure that all instruments are set to the same reference pitch so that they will be in tune. The setting that adjusts the reference pitch is called “Master Tune.” Transpose* | -12-12 Specifies the transposition that will occur when Transpose is turned on ([TRANSPOSE] lit), in units ofsemi- (default: 0) tones. For details, refer to p. 12. This screen will also appear if you hold down [TRANSPOSE] for à few moments. Trans Mode* | INT, Specifies the part(s) that will be affected by the Transpose setting. MIDI, INT: The keyboard parts and arranger parts will be transposed. Notes received from the MIDIIN connector M will play at their original pitch. (default: INT) | MIDE: Only the notes received from the MIDI IN connector will be transposed. 1#M: The keyboard parts, the arranger parts, and all notes received from the MIDI IN connector will be transposed. PB Range 0-24 Specifies the amount of change that will occur when you move the BENDER/MODULATION lever all the (default: 2) way to left or right. You can set this in semitone steps over a range of 24 semitones (2 octaves). Pitch bend can be used only with the Main part and Dual part. (p. 15) Split Point* | 48-84 Specifies the split point (the key forming the boundary between tones) for the Arranger and the Split part. (default: 60) This specifies the lowest key that will play the Main part. “60” corresponds to “C4.” This screen will also appear if you hold down [ARRANGER] for à few moments. Split Hold * | OFF,ON Makes the Split part continue sounding, À note you play on the Split part will continue sounding until you (default: OFF) _ |_play the next note on that part. Splitint* OFF, ON Lets you produce a chord by holding down one key in the Split part. (default: OFF) | For example, to produce a “C” chord, you would normally need to hold down the three keys “C,” ’E,” and “G." However, the Split Int function lets you produce the “C” chord simply by holding down the “C” key alone.

Function Menu Parameter | Value Explanation FSW Sustain, Assigns the function performed by a separately available foot switch connected to the rear panel FOOT Sostenuto, SWITCH jack. Soft, Sustain: The foot switch will function as a sustain pedal (also called “hold” or “damper”). While you Rotary S/F, hold down the pedal, notes will be sustained even after you take your fingers off the keyboard. Start/Stop, Sostenuto: The foot switch will function as a Sostenuto pedal, sustaining only the notes that had already Bassinv, been pressed at the moment you pressed the pedal. (Subsequently played notes will not be sus- Punchl/O tained.) This function is available only for the keyboard parts. (default: Sus- | Soft: The foot switch will function as a Soft pedal. Notes played while holding down the pedal will tain) sound softer. This function is available only for the keyboard parts. Rotary S/F: The foot switch will switch the speed of the rotary effect. This is valid only if the “Rotary” type is set to MEX. (p. 18) Start/Stop: The foot switch will start/stop playback for the arranger or song. This is the same function as ISTART/STOP] Bassinv: The foot switch will turn the Bass Inversion function on/off. (p. 24) Punchl/O: The foot switch will control punch-in and punch-out when you are using punch-in/out record- ing. .21) METRONOME Parameters Parameter | Value Explanation Metro TS 1/4-6/4, Specifies the time signature of the metronome (the number of beats per measure). This setting will change au- 6/8,9/8 tomatically when you select a music style that has a different time signature. For details on using the metro- (default: 4/4) | nome, refer to p. 11. This screen will also appear if you hold down [IMETRONOME] for a few moments. Metro Vol | 0-127 Specifies the volume of the metronome (default: 100) k Octave Parameters Parameter_| Value Explanation MainOct* | -40-4 Raises or lowers the octave setting of the Main part in steps of one octave. (default: 0) | * If a drum set is assigned to the Main part, this parameter does not transpose the pitch of the drum/percussion sounds, but instead changes the drum/percussion sounds that are assigned to the keys. DualOct* | 404 Raises or lowers the octave setting of the Dual part in steps of one octave. (default: 0) SplitOct* | -4-0-4 Raises or lowers the octave setting of the Split part in steps of one octave. (default: 0) Volume Parameters Parameter_| Value Explanation Main Vol® | 0127 Adjusts the volume of the Main part. (default: 127) | You can also adjust this by holding down [TONE] and using BALANCE [ 4 II Je 1. (p- 10) Dual Vol* | 0-127 Adjusts the volume of the Dual part (default: 110) | You can also adjust this by holding down [DUAL] and using BALANCE [ 4 II Be 1. (p.10) Split Vol* | 0-127 Adjusts the volume of the Split part. (default: 75) | You can also adjust this by holding down [SPLIT] and using BALANCE [ 4 JL J> 1: (p.10) Auto Bass | OFF,0-127 When the Split part is on, this adjusts the volume of the Auto Bass part (which plays a monophonic bass ac- (default: OFF) | cording to the chord you play). Turn this OFF if you don't need the Auto Bass part. If the Bass Inversion function (p. 24) is off, the root of the chord you play with your left hand (using the Split part) is sounded by the Auto Bass part. The Auto Bass part follows the Educational setting (p. 24). Ace Drum* | 0-127 Adjusts the volume of the arranger’ drum part (default: 100) Acc Bass* | 0-127 Adjusts the volume of the arranger’s bass part (default: 100) Accomp* | 0-127 Adjusts the volume of the arranger’s Accomp parts 1-6. (default: 100) BALANCE [ 4 ] (ARRANGER) adjusts the volume of all arranger parts.

lb E-09_e.book 24K—% 2007#4A26H *#A ##10#209 Function Menu ARR SET Parameters Parameter | Value Explanation Chordint OFF, Allows the accompaniment chords to be detected using simplified fingering that does not require you to play MODEI, all the notes in the chord. MODE2 The chord will consist of only the notes you play in the Split part keyboard region. (default: ou can specify chords using the method described in “Specifying Chords” (p. 44) MODE) ou can specifÿ chords using the following four methods Major chord: Play the root of the chord Minor chord: Play the root and the nearest black key to the left Seventh chord: Play the root and the nearest white key to the left Minor seventh chord: Play the root and the nearest black key and white key to the left Arr Hold* | OFF,ON Selects how the arranger parts will sound. (default ON) | OFF: When you take your hand off the left side of the keyboard, the arranger part instrumental sounds other than drums (i.e., A.Bass and Accomp) will stop, and only the rhythm part will continue sounding ON: The chord you were playing in the left hand will be remembered. The arranger will continue playing using that chord until you play another chord.

• This parameter will be turned on each time you switch on the E-09's power. Educational | OFF, ON This is a function provided for educational purposes. (default ON) | OFF:If[ARRANGERI is lit and the arranger playback is stopped, the left-hand side of the keyboard will be muted unless [SPLIT] is lit. ON: If[ARRANGER] is lit and the arranger playback is stopped, a stereo strings and a monophonic bass (if Auto Bass is on) will play. This lets you play chords (and bass line) with your left hand without using the E-09’s accompaniment function. BassInv* | OFF,ON Selects how chords will be detected by the arranger. (default: OFF) | Example: when you play "E G C” OFF: The bass will be sounded on the “C” note just as if you had played “C E G.” The accompani- ment will use the “C” chord. ON: The bass will be sounded on the lowest note you played (“E”). The accompaniment will use the “C (on E)” chord. MI* Sp Selects the harmony type for the melody intelligence function. (default: Tradi- tional) This screen will also appear if you hold down [MELODY INTELLIGENCE] for a few moments. (p. 14) EFFECTS Parameters Parameter | Value Explanation REVERB* | Stypes->p. 16 Selects the type of reverb. (p. 16) (default: Hall 2) CHORUS* | 8types->p.17 Selects the type of chorus. (p. 17) (default: Chorus 3) MEX* 47 types => p.17 Selects the type of multi-effects. (p. 17) (default: Rotary) Tone MFX | OFF,ON This lets you specify whether the MEX type will be automatically selected according to the Main part tone (default: ON) you select. For example, a distortion/overdrive effect will be selected for rock guitar tones, and a rotary effect will be selected for organ tones. OFF: The MFX will not change when you switch the tone of the Main part ON: The MFX will change when you switch the tone of the Main part. Rev MAIN * | 0-127 Adjusts the amount of reverb applied to the tone of the Main part. With a setting of “0” there will be no (default: 100) reverb. Chr MAIN * | 0-127 Adjusts the amount of chorus applied to the tone of the Main part. With a setting of “0” there will be no (default: 100) chorus.
• You can't apply chorus if MEX is set to anything other than “Off.” Pan MAIN * | RND, L63-0-R63 Adjusts the stereo location (the position between the left and right speakers) of the Main part. If you select (default: 0) “RND," the stereo location will change randomly for each note you play. Values beginning with “’L” po- sition the sound toward the left speaker, a value of “0” is the center, and values beginning with “R” po- sition the sound toward the right speaker. Rev DUAL* | 0-127 Adjusts the amount of reverb applied to the tone of the Dual part. With a setting of “0” there will be no (default: 100) reverb. Chr DUAL* | 0-127 Adjusts the amount of chorus applied to the tone of the Dual part. With a setting of “0” there will be no (default: 100) chorus.

Function Menu Parameter | Value Explanation Pan DUAL* | RND,L63-0-R63 | Adjusts the stereo location (the position between the left and right speakers) ofthe Dual part. If you select (default: 0) “RND," the stereo location will change randomly for each note you play. Values beginning with “’L” po- sition the sound toward the left speaker, a value of “0” is the center, and values beginning with “R” po- sition the sound toward the right speaker. Rev SPLIT* | 0-127 Adjusts the amount of reverb applied to the tone of the Split part. With a setting of “0” there will be no (default: 100) reverb. Chr SPLIT * 0-127 Adjusts the amount of chorus applied to the tone of the Split part. With a setting of “0” there will be no (default: 100) Pan SPLIT* | RND,L63-0-R63 | Adjusts the stereo location (the position between the left and right speakers) of the Split part. If you select (default: 0) “RND," the stereo location will change randomly for each note you play. Values beginning with “’L” po- sition the sound toward the left speaker, a value of “0” is the center, and values beginning with “R” po- sition the sound toward the right speaker. KBD SCALE Parameters Parameter Value Explanation Scale C-B* | -6463 As an alternative to the equal tempered scale used in most Western music, you can adjust the pitch of each note (default: 0) | to the scales used by other musical cultures or tuning systems (such as oriental or baroque music). You can independently adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B). For example, if you adjust the pitch of the “C” note, this adjustment will apply to the “C” note of each octave. In most cases, a quarter tone upward or downward will be appropriate, so you should try settings of “50” or “- 50." Scale Mode* | Main, AI cifies the part(s) to which the above scale setting will apply. (default: Only the tone of the Main part Main) The tones of all parts & MIDI Parameters & Ce. > Refer to p. 27. UTILITY Parameters Ce. > For details on “LCD Contrast” and “Factory Reset,” refer to p. 9. Cef. > For details on “Bulk Dump,” refer to p. 28.

MIDI Functions You can connect the E-09 to an external MIDI device and control each device from the other by transmitting and receiving performance data. For example, you can use one device to select or play sounds on the other device. The E-09 has MIDI connectors which allow it to transmit and receive performance data. By using these connectors to connect external devices to the E-09, you can enjoy an even wider range of possibilities. MIDI stands for “Musical Instrument Digital Interface,” and is a universal standard that allows electronic musical instruments and computers to exchange performance data. Connection Example To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. Play the E-09's sounds from your MIDI sequencer MIDI sound module/ E-09 sequencer our in our in Use the E-09 to play your MIDI sound module MIDI provides sixteen channels, numbered 1-16. Even if MIDI devices are connected, you won't be able to switch or play sounds unless the two | devices are set to the same MIDI channel. Oo MIDI channel | Part Explanation I Accomp 1 = 2 Arranger bass | Thisis the Bass part played by the arranger 3 Accomp 2 = 4 Main This is the Main part. MEX (p.19) can be applied only to track 4. 5 Accomp 3 = 6 Dual This is the Dual part. 7 Accomp 4 = 5 Accomp 5 = 9 Accomp 6 = 10 Arranger drums _| Since track 10 is restricted to the Drum pan, you can select a drum set here. n Split This is the Split part. 2 Auto Bass For details, refer to Auto Bass” (p. 23). E = = 14 = = 5 Melody Intel | Melody Intelligence. (p. 1) 16 (Main) If you select a drum set for the Main part, it will be recorded on track 16.

MIDI Functions MIDI Paramete Cef. > For details on how to set these parameters, refer to “Setting a Function Menu Parameter” (p. 22). MIDI parameters other than “Local” are saved as soon as you press [FUNCTION] and turn off its LED. Parameter | Value Explanation Local OFF, ON IFthe data generated when you play the Keyboard is sent to the sound generator via two routes (1) and (2)as (default ON) | shown in the diagram, the notes will overlap or be cut off. To prevent this, you should turn “Local Off” to break route (1). Choose the “OFF” setting if you've connected the E-09 to a sequencer. ) Local on Sequencer MIDI MIDI jounc IN OUT generator Memory > N. MIDI MIDI OUT IN 97 (2) Thru setting turned on Play a note once: its Sounded twice

• The setting of this parameter is cleared when you switch off the E-09s power. MIDITXRx | ALL, KBD, Selects the part(s) that will transmit and receive MIDI. STL, SNG, ALL: AI parts OFF KBD: Only the keyboard parts (Main, Dual, Split, Auto Bass) À (default: ALL) | STL: Only the arranger parts (Backing 1-6, Backing bass, Backing drums) 2 <@> SNG: Only the song parts (1-16) <@> OFF: None of the E-09s parts will transmit or receive MIDI messages. Sync Rx OFF, ON Specifies whether or not the E-09 will synchronize to an external MIDI device, You can use synchronization (default: OFF) | when the MIDI OUT connector of an external device is connected to the E-09’s MIDI IN connector. (If you've connected the IN and OUT connectors in the opposite direction, refer to the owner's manual of the external device you've connected.) OFF: The E-09 will not synchronize with the other MIDI device ON: The E-09 will receive MIDI Start (or Continue) messages, and will begin song recording or playback in synchronization with the subsequently received MIDI Clock messages. When the E-09 receives a Start message, it will wait briefly for MIDI Clock messages. If the E-09 receives MIDI Clock messages, it will synchronize to them. If the E-09 does not receive MIDI Clock messages, it will use its own tempo. In either case, a MIDI Stop message will stop playback or recording.
• The arranger does not receive MIDI Continue messages. Style PC OFF, 1-16 Program change messages will be transmitted/received when you select a different music style within the E- (default: 10) | 09. NTARxI4 | OFF,ON NTA stands for ”Note-to-Arranger.” Notes you play in the left side of the keyboard are sent to the arranger (default: 10) | together with the chord data, These notes can also be received via MIDI from an external MIDI keyboard con- troller or other device. If you want to use the arranger without playing the E-09's keyboard, turn this setting “ON” and transmit these note messages (from your computer or external MIDI device) on MIDI channel 14 to the E-09. Pitch Bend | OFF,ON Turns transmission/reception of Pitch Bend messages on/off. These messages temporarily raise or lower the (default: ON) _| pitch of the tone. Modulation | OFF, ON Turns transmission/reception of Modulation messages on/off. These messages add vibrato to the sound. (default: ON) _ | (Control Change CCO1) Prog OFF, ON Turns transmission/reception of Program Change messages on/off. These messages are used to select ones Change (default: ON) _ | or music styles. Velo Rx ON, 1-127 Turns transmission/reception of velocity data on/off. This applies only to note messages received via MIDI. (default ON) | Ifthis is “ON,” the E-09 will use the velocity values that it receives. Otherwise, the E-09 will use the fixed ve- locity value (1-127) you specify here. Clock Tx OFF, ON Specifies whether or not MIDI Clock messages are to be transmitted during arranger playback or song record- (default ON) _ | ing. Use this when you want to synchronize an external MIDI device with the E-09. Start Stop OFF, ON Specifies whether or not Start/Stop/Continue messages are to be transmitted when arranger playback or song (default ON) | recording starts or stops. Turn this “Off” if you want to control a MIDI organ or other sound module without playing/stopping the arranger.

2007#4A26A *AMA ÆÂ10#20% ell@ You can use this procedure to transmit user programs and song data from the E-09 via MIDI to a sequencer or other external MIDI device, and save the data on that device. Prepare your external sequencer to record a conventional performance, and perform the following procedure on the E-09. 1. Use a separately available MIDI cable to connect the E-09’s MIDI OUT connector to the MIDI IN connector of your external sequencer.

2. Press [FUNCTION] so it's lit.

“Yes” begins blinking in the screen.

5. Press TEMPO [ }> (YES)].

The screen prompts “Sure?”

6. Press TEMPO [ }> (YES)] once again.

You can use this procedure to receive user programs and song data (previously saved as described above) from a sequence or other external MIDI device back into the E-09 to restore (overwrite) the data via MIDI Once you carry out the Bulk Load procedure, the user programs and song data in the E-09 will be overwritten. If there is any data in the E-09 that you want to keep, make sure to save it to an external MIDI device before you proceed. r

1. Switch on the E-09's power. (p. 8)

If the power is already turned on, switch it off, then turn it on again. 2. Use a separately available MIDI cable to connect the E-09’s MIDI IN connector to the MIDI OUT of your external MIDI sequencer.

3. Transmit the bulk data from your external MIDI sequencer to the E-09.

Other Functions Transpose Lock Hold down [NUMERIC] and press [TRANSPOSE]. Once locked this way, the set transposition will remain in effect no matter what you do on the instrument *_ To release the lock, once again hold down [NUMERIC] and press [TRANSPOSE]. Tempo Lock Hold down [NUMERIC] and press [MELODY INTELLIGENCE]. Once locked this way, the set tempo will remain in effect no matter what you do on the instrument *_ To release the lock, once again hold down [NUMERIC] and press [MELODY INTELLIGENCE]. Style Lock Hold down [NUMERIC] and press [SPLIT]. Thereafter, the style setting will be reserved even if you switch music assistants or user programs. *_ To release the lock, once again hold down INUMERIC] and press [SPLIT]. Tone Lock Hold down [NUMERIC] and press [DUAL]. Thereafter, the tone setting will be preserved even if you switch music assistants or user programs *_ To release the lock, once again hold down [NUMERIC] and press [DUAL]. ® QT ® To determine whether a function is locked or not, hold down [NUMERIC] and note the buttons that are lighted (lit = locked).

lb E-09_e.book 31 X— 2007#4A26H *#A ##10#209 Appendices oubleshooting This page contains items for you to check if you experience problems, and the appropriate action to take. Refer to the section that corresponds to the problem you”re having. Problem Check/Action Power does not turn on Are the supplied AC adaptor and power cable correctly connected to the E-09 and to an electrical outlet? (p. 8) -> Use only the supplied AC adaptor and power cable. Use of any other adaptor or cable may cause malfunctions. No sound from the E-09 Could the VOLUME knob be turned down? Could headphones be connected? -> If headphones are connected, there will be no sound from the E-09's speakers. IF there is no sound when you play the keyboard, could Local Control be turned “OFF”? -> Turn “Local” ON. (p.27) Could pedal operations or MIDI messages (Expression or Volume) received from an external MIDI device have low- cred the volume? No Sound from a Spe- cific Part Could the volume of the part be turned down? -> Adjust the volume parameters (Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Ace Bass, Accomp). (p. 23) Could you have used the Minus-One function to mute (silence) a specific part? (p. 21) Does the MIDI receive channel of the part match the MIDI transmit channel of the connected MIDI device? -> Set the MIDI channel of the connected external MIDI device to match the E-09's receive channel. (p. 26) No sound from a con- nected MIDI device Is the instrument set to send MIDI messages? -> Set “MIDI TxRx” to an appropriate setting, something other than “OFF.” (p. 27) Does the MIDI transmit channel of the E-09’s keyboard controller section match the MIDI receive channel of the con- nected MIDI device? -> Set the MIDI channel of the connected external device to match the E-09. (p. 26) No sound from a specif- ic region of the key- board Some tones such as drum sets or bass sounds have a limited range. Effect not applied If reverb or chorus are set to an amount of “0” for the keyboard part, there will be no effect. -> Set “Rev MAIN, Chr MAIN, Rev DUAL, Chr DUAL, Rev SPLIT, Chr SPLIT” to values above “0.” (p.24) 1F"MEX" is set to anything other than “OFF,” chorus cannot be applied to the tone of the Main part. Effect sounds wrong IF”Tone MX” is “OFF,” some combinations of tone and effect may sound strange in comparison to other tones. -> Turn “Tone MFX” ON. Alternatively, switch “MEX” to a different type. (p. 24) Pitch does not change when you move the Pitch Bend lever Could the pitch bend range be set to 0”? -> Change the “PB Range” to a value other than “0.” (p. 22) Sound is moved {panned) to left or right Some tones are randomly panned between left and right each time you play a note. -> You can't change the setting of such tones. each time you play a note If Pan MAIN, Pan DUAL, or Pan SPLIT is set to ’RND,” the sound will randomly move between left and right each time you play a note. (p. 24) Sound is distorted The sound may be distorted depending on the effect or part volume settings. Try adjusting the following parameters. + Volume parameters: Main Vol, Dual Vol, Split Vol, Auto Bass, Acc Drum, Acc Bass, Accomp (p. 23) + Amount of reverb or chorus applied to the keyboard parts: Rev MAIN, Chr MAIN, Rev DUAL, Chr DUAL, Rev SPLIT, Chr SPLIT (p. 24) + Overall volume or volume balance Could an effect such as overdrive or distortion (which intentionally distorts the sound) be applied? Tempo does not change If [FUNCTION] is lit, pressing TEMPO [ @ (II Re (+)] will not change the tempo. Pitch is wrong Some tones may seem to have a different pitch in certain regions when compared to other tones. Could the E-09 tuning be incorrect? -> Check the “Master Tune” setting. (p. 22) Could the pitch have been modified by pedal operations or pitch bend messages received from an external MIDI de- vice? Notes are interrupted IFmore than 64 notes are played simultaneously, currently-sounding notes may be cut off. Notes are “stuck” (con- tinue sounding) when you play the keyboard Is the foot switch connected correctly?

• = Keys you need to press to hear this chord. F# G Ab A Bb B i PL] Le IL HRRRÉ Î | ë

m7 (b5 on TUE ET F#M7

Program [e] *{ O #1 Change : True Number PÉRRRRRRRERREE 0-127 Program No. 1-128 System Exclusive O [e) System Song Position [e) “1 (e] “1 Common : Song Select X X : Tune Request X X System : Clock [e] “1 O Real Time : Commands [e] “13 | O #8 : AIl Sound Off X ©Q (120, 126, 127) Aux : Reset All Controllers| X Q (121) : Local On/Off X O Messages : All Notes Off X © (123-125) : Active Sensing O [e) : System Reset X X Notes *1 OX is selectable. *2 Recognized as M=1 even if M#1. *8 The arranger does not transmit or receive MIDI Continue messages. Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY | 46 Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO

Appendices ecifications [Metronome] P Signature . 1/4,2/4,3/4,4/4,5/4,6/4,6/8,9/8 E-09: Interactive Arranger Song Controls Keyboard [ g ] 61 keys (with velocity) Tracks [Sound Generator] 16-track Recorder Mode Maximum Polyphony 4 easy modes (ALL, Keyboard, Single, Punch In/Out) 64 voices Control Parts start/stop, recording, reset, rewind, forward, marker A-B, 16 parts + Keyboard part repeat A-B Wave Memory [Others] 32 M bytes (16-bit linear equivalent) Rated Power Output Tones 75W4+75W Tones: 614 + 256 (GM2) Speak, Drum Sets: 61 + 9 (GM2) peakers 10emx2 Effects MEX: 47 types Controller Reverb: 8 types Pitch Bend/Modulation Lever Chorus: 8 types : orus: 8 types Display à

Transpose -12 to +12 (in semitones) [Arranger] Tempo 20 to 250 Styles 130 styles Band Orchestrator 3 types: Drum & Bass, Combo, Full Band User Program 100 programs One Touch Setting 2 settings/styles Control start/stop, sync start, intro original, fill in, variation, ending, tap tempo, Melody Intelligence 18 types Music Assistant 130 types Large backlit custom LCD Connectors Output Jacks (L/MONO, R) Headphones Jack 1/2 MIDI Connectors (IN, OUT) Foot Switch Jack Power Supply DC 9 V (AC Adaptor) Current Draw 2,000 mA Dimensions 1045 (W) x 320 (D) x 128 (H) mm 41-3/16 (W) x 12-5/8 (D) x 5-1/16 (H) inches Weight

Accessories Music rest Owner's Manual AC Adaptor (PSB-1U) Options Keyboard Stand: KS-12 Pedal Switch: DP series Foot Switch: BOSS FS-5U

• In fhe interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interlerence by one or more of the following measures: — Reorient or relocate the receiving antenna. —_ Increase the separation between the equipment and receiver. — Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. — Consult the dealer or an experienced radio/TV technician for help. This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) This device must accept any interference received, including interference that may cause undesired operation. Unauthorized changes or modification to this system can void the users authority to operate this equipment. This equipment requires shielded interface cables in order to meet FCC class B Limit. For Canada