M 900 - Microphone Microtech Gefell - Free user manual and instructions
Find the device manual for free M 900 Microtech Gefell in PDF.
| Product Type | Condenser Microphone |
| Brand | Microtech Gefell |
| Model | M 900 |
| Polar Pattern | Omnidirectional |
| Frequency Response | 20 Hz - 20 kHz |
| Sensitivity | 12 mV/Pa |
| Maximum SPL | 130 dB |
| Output Impedance | 50 Ω |
| Power Requirement | Phantom Power 48V ±4V |
| Connector | XLR 3-pin |
| Dimensions (Length x Diameter) | 130 mm x 22 mm |
| Weight | 150 g |
| Finish | Matte Nickel |
| Included Accessories | Mounting Clip, Windscreen, Carrying Case |
| Self Noise | 14 dB-A |
| Dynamic Range | 116 dB |
| Signal-to-Noise Ratio | 80 dB-A |
| Operating Temperature Range | -10°C to 50°C |
| Humidity Range | 0% to 90% (non-condensing) |
| Maintenance | Clean with a soft, dry cloth. Avoid solvents. |
| Safety | Do not expose to moisture or extreme temperatures. Use only with phantom power. |
| Reparability | Contact authorized service center for repairs. Do not disassemble. |
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USER MANUAL M 900 Microtech Gefell
Studio Condenser Microphones for extraordinary demands with a future oriented design
large diameter pressure gradient transducer
M 900 with cardioid polar pattern
M 910 with hypercardioid polar pattern
The M 900 and M 910 condenser microphones have been developed for recordings of instrumental and vocal soloists in the professional market. Its well balanced frequency response in the free field as well as in the diffuse field and the appropriate distinct characteristics ensure clean and colourless recordings of any sound sources with good selectivity.
It is advisable to use the M 910 by soloists because it shows a specially optimised frequency response for this kind application.
A distance of less than 8 to 12 inches, which is recommended as minimum distance between lips and microphone, causes a coloration with an emphasis of lower frequencies, the proximity effect.
An acoustic filter integrated in the protective basket reduces the pop sensitivity. The direction of maximum sensitivity is axial, i.e. endwise to the microphone. This fact and the ergonomic design make these microphone the right choice for live performance of soloists.
Following the modern trend of technique the transducer is equipped with a gold plated polyester membrane.
The newly developed transformerless impedance transducer having a balanced output stage guarantees a high output capability and low intrinsic noise. Together with the good qualities of the microphone capsule a higt brilliance of the live performance is reached. A 10 dB attenuator is installed to reduce the sensitivity of the microphone when placed near extremely loud sound sources. And a low frequency roll-off switch will reduce the proximity effect when close miking. The two switches are sunk placed in the middle of the amplifier.
At the lower end of the amplifier the microphone is equipped with a 3-pin XLR connector fitting to the microphone cable C 70. These microphones use 48 volt phantom powering according to the international standards DIN 45596 and ICE 26815.

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Black handheld microphone with mesh grille and circular head (no visible text or symbols)Delivery
| Microphone M 900 in wooden case dark bronze | L x B x H275 x 90 x 70 mm | Order-No. 211140 |
| Microphone M 910 in wooden case dark bronze | L x B x H275 x 90 x 70 mm | Order-No. 211141 |
Accessories, optional
| Windscreen, anthrazite | W 90 | Order-No. 202403 | |
| Popscreen, black | PO 70 | Order-No. 600018 | |
| Clamp, black | MKV 8 | Order-No. 600014 | |
| Elastic suspension, dark bronze | EA 90 | Order-No. 202314 | |
| Elastic suspension, anthracite | only for delivered by MTG | AT 8410 a | Order-No. 600004 |
| Table stand, dark bronze | TS 90 | Order-No. 212306 | |
| Table stand for 2 microphones | TS 68 | Order-No. 202309 | |
| with Double mount, dark bronze | TD 93 | Order-No. 202332 | |
| Power supply | N 200 | Order-No. 202101 | |
| Connection cable | C 70 | Order-No. 202212 |
Specifications
CE Certifikate
M 900
M 910
Transformerless Studio Condenser Microphone
| Polar patterns | cardioid | hypercardioid |
| Acoustical operating principle | Pressure gradient transducer | |
| Frequency range | 40 ... 18000 Hz | 40 ... 18000 Hz |
| Sensitivity at 1 kHz | 17 mV/Pa | 14 mV/Pa |
| Switch position "reduced bass roll-off" at 90 Hz | -10 dB | -10 dB |
| Rated impedance | 150 Ω | 150 Ω |
| Equivalent loudness level CCIR 468-4 | 21 dB | 22 dB |
| due to inherent noise DIN EN 60 651 | 13 dB - A | 15 dB - A |
| Signal-to-noise-ratio CCIR-weighted | 73 dB | 72 dB |
| (re. 1 Pa at 1 kHz) A-weighted | 81 dB | 79 dB |
| Max. SPL for THD 0,5 %≤ | 133 dB | 135 dB |
| with 10 dB preattenuation | 143 dB | 145 dB |
| Total dynamic range of the microphone amplifier | 120 dB | 120 dB |
| Current consumption (P 48, DIN 45596, IEC 268-15) | 3 mA | 3 mA |
| Output connector | 3-pin XLR connector goldplated contacts | |
| Weight | 229 g | 229 g |
| Dimensions (L x ∅) | 218 mm x 47/28 mm | 218 mm x 47/28 mm |
| Finish | dark bronze | dark bronze |
Frequency responses M 900

Frequency responses M 910

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| Frequency (Hz) | 0° | 135° | | -------------- | ------ | ------ | | 20 | -5 | -20 | | 50 | -4 | -18 | | 100 | -3 | -16 | | 200 | -2 | -14 | | 500 | -1 | -12 | | 1000 | 0 | -10 | | 2000 | 1 | -8 | | 5000 | 2 | -6 | | 10000 | 3 | -4 | | 20000 | 4 | -2 | | 50000 | 5 | 0 | | 100000 | 6 | 2 | | 200000 | 7 | 4 | | 500000 | 8 | 6 | | 1000000 | 9 | 8 | | 2000000 | 10 | 10 | | 5000000 | 11 | 12 | | 10000000 | 12 | 14 | | 20000000 | 13 | 16 | | 50000000 | 14 | 18 | | 100000000 | 15 | 20 | | 200000000 | 16 | 22 | | 500000000 | 17 | 24 | | 1000000000 | 18 | 26 | | 2000000000 | 19 | 28 | | 5000000000 | 20 | 30 | | 10000000000 | 21 | 32 | | 20000000000 | 22 | 34 | | 50000000000 | 23 | 36 | | 100000000000 | 24 | 38 | | 200000000000 | 25 | 40 | | 500000000000 | 26 | 42 | | 1000000000000 | 27 | 44 | | 2000000000000 | 28 | 46 | | 500000000000 | 29 | 48 | | 10000000000 | 3 | 5 | | 2567 | -1 | -3 | | 513 | -2 | -4 | | 117 | -3 | -5 | | 238 | -4 | -6 | | 397 | -5 | -7 | | 69 | -6 | -8 | | 135 | -7 | -9 | | 268 | -8 | -1 | | 487 | -9 | -1.5 | | 97 | -1 | -2. | | 195 | -1.5 | -2.5 | | 397 | -2 | -3. | | 79 | -2.5 | -3.5 | | 195 | -3 | -4. | | 397 | -3.5 | -4.5 | | 79 | -4 | -5. | | 195 | -4.5 | -5.5 | | 397 | -5 | -6. | | 79 | -5.5 | -6.5 | | 195 | -6 | -7. | | 397 | -6.5 | -7.5 | | 79 | -7 | -8. | | 195 | -7.5 | -8.5 | | 397 | -8 | -9. | | 79 | -8.5 | -9.5 | | 195 | -9 | -1 | | 397 | -9.5 | -1.5 | | 79 | -1 | -2. | | 397 | -1.5 | -2.5 | | 79 | -2 | -3. | | 397 | -2.5 | -3.5 | | 79 | -3 | -4. | | 397 | -3.5 | -4.5 | | 79 | -4 | -5. | | 397 | -4.5 | -5.5 | | 79 | -5 | -6. | | 397 | -5.5 | -6.5 | | 79 | -6 | -7. | | 397 | -6.5 | -7.5 | | 79 | -7 | -8. | | 397 | -7.5 | -8.5 | | 79 | -8 | -9. | | 397 | -8.5 | -9.5 | | 79 | -9 | -1 | | 397 | -9.5 | -1.5 | | 79 | -1 | -2. | | 397 | -1.5 | -2.5 | | 79 | -2 | -3. | | 397 | -2.5 | -3.5 | | 78 | -3 | -4. | | 397 | -3.5 | -4.5 | | 78 | -4 | -5. | | 397 | -4.5 | -5.5 | | 78 | -5 | -6. | | 397 | -5.5 | -6.5 | | 78 | -6 | -7. | | 397 | -6.5 | -7.5 | | 78 | -7 | -8. | | 397 | -7.5 | -8.5 | | 78 | -8 | -9. | | 397 | -8.5 | -9.5 | | 78 | -9 | -1 | | 397 | -9.5 | -1.5 | | 78 | -1 | -2. | | 397 | -1.5 | -2.5 | | 78 | -2 | -3. | | 397 | -2.5 | -3.5 | | 78 | -3 | -4. | | 397 | -3.5 | -4.5 | | 78 | -4 | -5. | | 397 | -4.5 | -5.5 | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ... | | ... | ... | ...```
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| Angle | 125 Hz (dB) | 4 kHz (dB) | 1 kHz (dB) | 10 kHz (dB) | |---|---|---|---|---| | 0° | -10 | -10 | -10 | -10 | | 30° | -10 | -10 | -10 | -10 | | 60° | -10 | -10 | -10 | -10 | | 90° | -10 | -10 | -10 | -10 | | 120° | -10 | -10 | -10 | -10 | | 150° | -10 | -10 | -10 | -10 | | 180° | -10 | -10 | -10 | -10 | | 210° | -10 | -10 | -10 | -10 | | 240° | -10 | -10 | -10 | -10 | | 270° | -10 | -10 | -10 | -10 | | 300° | -10 | -10 | -10 | -10 | | 330° | -10 | -10 | -10 | -10 |