Radial Engineering Tonebone Hot British - Guitar effects pedal

Tonebone Hot British - Guitar effects pedal Radial Engineering - Free user manual and instructions

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Product Type Guitar Preamp / Overdrive Pedal
Brand Radial Engineering
Model Tonebone Hot British
Dimensions (W x D x H) 5.5 x 4.5 x 2.0 inches (approx.)
Weight 1.5 lbs (approx.)
Power Supply 9V DC (center negative) or 15V DC for increased headroom
Current Consumption 90 mA (9V) / 60 mA (15V)
Input Impedance 1 MΩ
Output Impedance 600 Ω
EQ Section 3-band: Bass, Mid, Treble
Drive Control Variable gain with boost switch
Level Control Master output volume
Voice Switch Selects between classic British and modern high-gain voicings
Direct Box Function Balanced XLR output with ground lift
True Bypass Yes (relay-based)
Construction 14-gauge steel chassis with baked enamel finish
Warranty 3-year limited (transferable)
Mounting Pedalboard-friendly with flat base and rubber feet
Accessories Included Quick-start guide, 15V DC power supply (optional)
Cleaning Wipe with dry cloth; avoid solvents

Frequently Asked Questions - Tonebone Hot British Radial Engineering

What type of amplifier does the Hot British emulate?
It emulates classic British tube amps, such as Marshall Plexi and JCM800, providing both vintage and modern high-gain tones.
Can I use the Hot British as a standalone preamp into a power amp or mixer?
Yes, it features a balanced XLR output with ground lift, making it suitable for direct recording or feeding a PA system.
What power supply does it require?
It accepts 9V DC (center negative) or 15V DC for increased headroom. A 15V supply is recommended for best performance.
Is the pedal true bypass?
Yes, it uses a relay-based true bypass switching to preserve signal integrity when the effect is off.
How do I set the EQ for a classic rock sound?
Start with Bass at 12 o'clock, Mid at 10 o'clock, and Treble at 1 o'clock. Adjust Drive to taste for crunch or lead tones.
What is the Voice switch for?
The Voice switch selects between two voicings: Vintage (classic British, less gain) and Modern (higher gain with more aggression).
Can I use the Hot British with bass guitar?
Yes, it works well with bass, thanks to its full-frequency response and clean blend capability (via the Drive control).
Does it include a power supply?
Typically it ships with a 15V DC adapter, but confirm with your retailer. If not, use a standard 9V pedal supply (center negative).
How do I clean the pedal?
Use a dry, lint-free cloth to wipe the surface. Avoid abrasive cleaners or solvents that may damage the finish.
What is the warranty period?
Radial offers a 3-year limited warranty that is transferable to subsequent owners.

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Download the instructions for your Guitar effects pedal in PDF format for free! Find your manual Tonebone Hot British - Radial Engineering and take your electronic device back in hand. On this page are published all the documents necessary for the use of your device. Tonebone Hot British by Radial Engineering.

USER MANUAL Tonebone Hot British Radial Engineering

  1. Introduction ...... 1
  2. Unpacking, powering & getting connected ..... 2
  3. Powering & getting connected 2
  4. Using Tonebone – the starting point ..... 2
  5. Tonebone Classic function overview ..... 3
  6. Tonebone Hot British function overview ..... 4
  7. Changing the tube 5\~6
  8. Trouble shooting 6

Factory setups - Classic ....7\~10

Factory setups - Hot British 11\~14

User setting charts - Classic 15\~16

User setting charts - Hot British 17\~18

Warranty ...... back cover

1. Introduction:

Congratulations on your purchase of the Radial Tonebone™ Tonebone pedals bring forth a level of quality and performance never before realized in a tube distortion pedal. Whether set for tones commonly described as 'edge', 'crunch', 'metal' or just plain 'scream' the Tonebone gives you rich harmonics and deep bass throughout a wide range of sounds.

This manual has been designed to show the user how to gain access to those sounds and more. Once you have read through, take time to experiment. You will find that the Tonebone is so well designed; it is practically impossible to make it sound bad!

Most of all, enjoy. If it isn't fun, it isn't music!

Radial engineering

True to the Music

1638 Kebet Way, Port Coquitlam BC V3C 5W9 www.radialeng.com tel: 604-942-1001 fax: 604-942-1010 email: info@radialeng.com

www.radialeng.com

Radial is a division of JP Cabletek Electronics Ltd. Radial Tonebone™ manual V1.1 - 07-09-02 Specifications and appearance subject to change without notice.

2. Unpacking your Tonebone:

Your Radial Tonebone pedal has been thoroughly tested at the factory, and comes with a 15VDC power supply and this owner's manual. We recommend that you keep the box and original receipt in the unlikely event that you should need to send the unit back for servicing.

3. Powering up and getting connected:

Before you start, turn your guitar amp volume down to zero. Tonebone comes equipped with a special 15VAC power adapter with enough power to drive the 12AX7 tube inside. When the power supply is connected, the Tonebone will be in standby mode. Like all tube amps, for best tone let your Tonebone warm up for 5 minutes so that it achieves electrical and thermal stability. The LED on the unit lights up when the foot switch is depressed to indicate it is powered up and ready for use.

4. Using Tonebone - The starting point:

Start with all the controls at 12 o'clock and switches set to the off or flat position. Turn your amp up to a comfortable listening level and adjust the LEVEL output control for unity gain, i.e.: the level with Tonebone on (LED is on) matches the level with it off (LED off). Now start turning knobs!

You will find that most of the controls are intuitive and extremely sensitive to changes. In other words, small control changes will make big changes in the sound. Take your time and experiment.

It is important to note that both the Tonebone Classic and the Tonebone Hot British are ultra-high gain devices that have been designed to provide ‘over-compensation’ control on all functions. What this means is that each control when set to maximum is able to compensate for other controls that may be completely backed off. For instance, you may have your LEVEL wide open and your DRIVE almost fully off. This gives you maximum flexibility but also opens the door to over-saturation, which could lead to uncontrollable feedback. To safeguard against this, you should never drive all functions to maximum.

At the back of this manual are a number of setups for popular sounds for both Tonebone models. Note that you will have to tweak the settings shown on the setup chart to match your specific guitar and amp set up.

In addition to the factory sound charts, a number of blank user setting charts are included at the back of this manual. Photocopy these handy charts and use them to save your own 'found sounds'. Once you get a sound you like, chart the knob positions and guitar/amp/pickup setting. These setup charts will aid in you in getting familiar with the controls of your new Tonebone, and help in quickly recreating your exact sounds in the studio.

Now Go Play!

5. Tonebone Classic Function Overview

TONE BONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAIN MID BOOST CLASSIC DISTORTION OUTPUT 9 INPUT

① DRIVE control: Used to adjust overall amount of input gain & distortion. For even more drive, use the GAIN switch.
② GAIN switch: Used to boost the gain at preamp input. LOW = 0dB MED = +9dB HIGH = +20dB.[+] Hint: Start with GAIN in low position and DRIVE at 9:00 o'clock and LEVEL at 3:00. Then add DRIVE.
③ FILTER control: Used to balance the high frequency ratio between the amplifier and the ToneBone - Hint: start adjustments at the full clockwise position and work backwards.
④ MID BOOST switch: Gives you +7dB & +12dB boost @ 360Hz. Allows guitar to cut through the mix; especially useful for soloing.
⑤ LOW control: Active 'post-distortion' tone control. Boost or cut ±14.5 dB @ 100 Hz from 12 o'clock position.
⑥ TOP END switch: BRIGHT = +6dB @ 10KHz FLAT is the Recommended position when the amp's bright switch is on. DARK: -6dB @ 3.3KHz, normally used with super bright inputs.
⑦ HIGH control: Active 'post-distortion' tone control. Boost or cut ±10dB @ 4.3KHz from 12 o'clock position.
⑧ LEVEL control: This is used to adjust the output level without altering any of the tonal characteristics.
⑨ Foot-switch: True-Bypass type; i.e.: when the Tonebone is off, the signal passes straight through without any effect. An on/off status indicator LED is provided.

6. Tonebone Hot British Function Overview

TONE BONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH 7dB OUT MID BOOSTVOCING HOT BRITISH DISTORTION OUTPUT 9 INPUT

① DRIVE control: Used to adjust overall amount of input gain & distortion. For even more drive, use the GAIN switch.
② MID BOOST switch: This gives you +7dB & +12dB @ 360Hz. This allows the guitar to cut through the mix and is especially useful for soloing.
③ CONTOUR control: Adjust balance of low & high frequencies in the "NOTCH" & "FAT" VOICING mode. Hint: start at 12 o'clock position
④ VOICING switch: In NOTCH position: passive boost coloration of low's & high's in FAT position: passive midrange tight filter.
⑤ LOW control: Active 'post-distortion' tone control. Boost or cut ±14.5dB @ 100 Hz from 12 o'clock position.
⑥ TOP END switch: BRIGHT = +6dB @ 10KHz; FLAT is the Recommended position when the amp's bright switch is on. DARK = 6dB @ 3.3KHz; normally used with super bright inputs.
⑦ HIGH control: Active 'post-distortion' tone control. Boost or cut ±10dB @ 4.3KHz from 12 o'clock position.
LEVEL control: This is used to adjust the output level without altering any of the tonal characteristics.
⑨ Foot-switch: True-Bypass type; i.e.: when the Tonebone is off, the signal passes straight through without any effect. An on/off status indicator LED is provided.

7. Changing the tube:

Your Tonebone has been designed to provide years of performance before changing the tube. In fact, it is unlikely that a tube change will be necessary for two to three years or more, depending on use. Change the tube only when a degradation of sound is noticeable.

Disassembly

  1. Remove the rubber knobs by pulling them straight up. These pressure fitted knobs should be removed with care to avoid damage.
  2. Remove the nuts and washers securing the potentiometer, foot switch, and input/output using an open ended wrench or socket. Please use caution so as not to mar the exterior finish.

Radial Engineering Tonebone Hot British - Disassembly - 1

natural_image Black-and-white photo of a portable electronic device labeled 'HOTCHUSU' with two pliers nearby (no visible text or symbols on the device itself)

Ready to change the tube? Ok, lets start here.

Radial Engineering Tonebone Hot British - Disassembly - 2

natural_image Black-and-white photo of a soldering iron on a circuit board with multiple small components nearby (no visible text or symbols)

Knobs off, nuts & washers off, side jack nuts & washers off, now removing screws.

  1. Remove the 4 bottom screws that hold the top and bottom chassis halves together. Carefully separate them. Note that the chassis top and bottom fit snugly so a little careful force may be needed to clear the two side mounted 14 input and output connectors. Watch you don't loose the nylon washer between the footswitch and the chassis top!

Radial Engineering Tonebone Hot British - Disassembly - 3

natural_image Black-and-white photo of electronic circuit board components including screwdriver, pliers, and circuit board (no visible text or symbols)

Ready to wiggle tube out of the socket.

Radial Engineering Tonebone Hot British - Disassembly - 4

natural_image Close-up of a circuit board with electronic components and a small car silhouette (no readable text or symbols)

12AX7 tube replacement.

  1. Remove and replace the tube: Gently loosen the 12AX7 tube in the socket by wiggling it back and forth.

Reassembly

  1. Install the PC board to the Chassis top: Carefully align the potentiometers, LED and footswitch with the holes in the chassis and assemble through the top. Don't forget the nylon footswitch washer!
  2. Attach the pot and footswitch washers and nuts, just finger tight for now, to allow alignment of the jacks when the bottom is attached.

Radial Engineering Tonebone Hot British - Reassembly - 1

natural_image Close-up of gloved hands holding a black electronic device (no visible text or symbols)

Spread chassis sides to clear input & output jacks.

TONEONE HOT BRITISH

Press on knobs with shafts counterclockwise and pointers at 7 o'clock.

  1. Carefully push the chassis bottom on, spreading the sides slightly so as not to stress the side mounted 14 " input and output jacks.

  2. Attach the side 14 " jack washers and nuts: Do not over-tighten the plastic (for isolation) jacks as they strip easily! Attach the 4 chassis screws (don't over-tighten). Now you can tighten up the potentiometer shaft nuts.

  3. Re-install the knobs... first rotate the potentiometer shafts fully counter-clockwise. Place the knobs over the shafts so they point to 7 o'clock and push straight down.

  4. Test the pedal to make sure it works... plug in the power. The LED should light when you depress the footswitch and you will see the tube filament light up through the side vents.

8. Trouble shooting:

I am not getting any sound at all...

Start by connecting your guitar directly to your amplifier and checking each cable to make sure they work. Then, make sure that these are plugged in correctly.

I am getting sound but no distortion...

Make sure you have not connected the Tonebone backwards by reversing the input and output. If connections are correct, check the tube. If the problem persists, see your Tonebone dealer.

The LED does not go on...

Check the power adaptor to make sure it is plugged in. If the LED does not light up, check the outlet with another device to make sure power is present. If it still does not light up, check the power supply with a voltmeter or have your dealer check it.

The sound has changed, it sounds thin...

The tube may needs changing. Remove the tube and bring it to your dealer to have him test it. If low, replace with a 12AX7.

I am getting radio signals though my amplifier...

Poor quality cables and bad grounding are usually the cause. Check to make sure your amplifier is properly grounded with a 3-prong A/C cord and that the wall receptacle is standard 3-prong duplex and wired correctly. Make sure you are using high quality coaxial guitar cables with proper shielding. Radial Tonebone pedals are engineered and tested to ensure RF is eliminated as a source of noise.

Slow Hand Bluze
TONEBONE LEVEL High LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB 7dB OUT MID BOOST HIGH MED LOW DRIVE GAIN CLASSIC DISTORTION OUTPUT i This sound was created using a Strat with a Duncan Stack and used in the neck position.. INPUT

Joe Sat Solo
TONEBONE LEVEL High LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB 7dB OUT MID BOOST HIGH MED LOW DRIVE GAIN CLASSIC DISTORTION OUTPUT i This sound was created using a Strat with a Duncan Jeff Beck humbucker in the neck INPUT

Adams Apple
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST CLASSIC DISTORTION OUTPUT i This sound was created using a Fender Strat in the bridge position. Great for cutting through the mud! INPUT IN

ZZ Texas Riff
TONEBONE LEVEL HIGH LOW FILTER DRIVEDRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST CLASSIC DISTORTION Output i This sound was created using a Strat with a Duncan Jeff beck in the neck position INPUT

Chunky Rhythm
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST CLASSIC DISTORTION OUTPUT i This sound was created using a Strat in the middle position. INPUT

Water Smoke
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada 19DC - 400mA CLASSIC DISTORTION OUTPUT i This sound was created using a Strat in the bridge position. Tons of meat. INPUT

Deep Lazy
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada DC - 400mA CLASSIC DISTORTION OUTPUT i This sound was created using a stock Strat with a Twin using the middle pick-up. Move to the bridge pickup for more cut. INPUT

Dire Violin Singing Strat
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST CLASSIC DISTORTION OUTPUT This sound was created using a Les Paul in the neck position. Used with volume control for effect. INPUT

Metallic Shrine
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST CLASSIC DISTORTION OUTPUT This sound was created using a Strat in the bridge position. Big sound with small pick-up! INPUT

Johnny B. Goodness
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada DC 400mA CLASSIC DISTORTION OUTPUT i This sound was created using a Strat in the bridge position. Great for all kinds of rhythms when you want extra edge. INPUT

Clean Voodoo Child
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada HD/DC - 400mA CLASSIC DISTORTION OUTPUT This sound was created using a Strat in the neck position. Change the volume on the guitar to get maximum effect. INPUT

Stone Age Sugar
TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada/DC: 400mA CLASSIC DISTORTION OUTPUT i This sound was created using a Strat and a twin. Great dynamics for rhythm. INPUT

Texas Tornado
TONEBONE LEVEL High LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END FAT 12d9 NOTCH7 OUT OUT MID BOOSTVOCING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat with a Duncan Stack in the bridge position. Try also single coil in the mid position. INPUT

Stevie R Neck
TONEBONE LEVEL High DRIVE LOW CONTOUR Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END FAT 12JE NOTCH 7 OUT OUT MID BOOSTVOCING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat in the neck position. Try reducing the guitar volume and bring up for solos. INPUT

Acey Deacy Chunk
TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END FAT 12dB NOTCH 7 OUT MID BOOSTVOICING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat with a Duncan in the bridge position. Adjust the drive to taste. Very chunky tone with lots of articulation. INPUT

Xtra Grind
TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 12dB NOTCH OUT MID BOOSTVOICING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat with a Duncan in the bridge position. Great for drop tuning and fast muted playing. Adjust Contour to taste. INPUT

Eric's Buzz Solo
TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END FAT 12dB NOTCH OUT OUT MID BOOSTVOICING HOT BRITISH DISTORTION This sound was created using a Les Paul in the neck position. Try rolling off the tone and then bring up the level to offset. OUTPUT

Early Zeppelin
TONEBONE LEVELLEVEL High LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END FAT NOTCH OUT 7dB OUT MID BOOSTVOCING HOT BRITISH DISTORTION OUTPUT This sound was created using a Les Paul in the bridge position. Great vintage tones gives you tons of personality! INPUT

Big Mean Scoop
TONEBONE LEVEL High LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH OUT MID BOOSTVOCING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat in the bridge position. Great for metal where you want total control over the stage... Or the world for that matter. INPUT

Dark Solo
TONEBONE LEVEL High LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK O TOP END FAT NOTCH OUT MID BOOSTVOCING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat in the middle and then bridge position. Lots of sustain and mid to cut through without too many overtones. INPUT

Jethro's Snot
TONEBONE LEVEL High LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT NOTCH GB OUT MID BOOSTVOCING 15VDC·400mA Made in Canada 2VDC·400mA HOT BRITISH DISTORTION i This sound was created using a Strat in the bridge position. Great overtones and dynamics. INPUT

Crimson Solo
TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 1 NOTCH 7dB OUT MID BOOSTVOICING Made in Canada: NOOC - 400mA HOT BRITISH DISTORTION OUTPUT Vintage Strat neck pickup with tone control for this pickup rolled off. INPUT

King Kong
TONEBONE LEVEL HIGH Low CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 12dB NOTCH OUT MID BOOSTVOICING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat in the bridge position. INPUT

Smokin' China Grove
TONE BONE LEVELLEVEL High LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END FAT 12dB NOTCH 2dB OUT OUT MID BOOSTVOICING HOT BRITISH DISTORTION OUTPUT This sound was created using a Strat in the bridge position. That big 80's Marshall tone. INPUT

TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Medc in Canada100DC·400mA CLASSIC DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada1 MDC: 400mA CLASSIC DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH Low FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Medc in Canada1 400mA CLASSIC DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH Low FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada DC·400mA CLASSIC DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH Low FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada100DC: 400mA CLASSIC DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH LOW FILTER DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK TOP END 12dB HIGH 7dB OUT MED LOW DRIVE GAINMID BOOST Made in Canada: 100mA CLASSIC DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH Low CONTOUR DRIVE Radial™ BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH dB OUT MID BOOSTVO CING HOT BRITISH DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH 2dB OUT MID BOOSTVO CING HOT BRITISH DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH Low CONTOUR DRIVE Radial™ BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH dB OUT MID BOOSTVO CING HOT BRITISH DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH 2dB OUT MID BOOSTVO CING HOT BRITISH DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH 0dB OUT MID BOOSTVO CING HOT BRITISH DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

TONEBONE LEVEL HIGH LOW CONTOUR DRIVE Radial™ TUBE DRIVE BRIGHT FLAT DARK OUT TOP END FAT 2dB NOTCH 7dB OUT MID BOOSTVO CING HOT BRITISH DISTORTION Sound: Guitar: Date: Pickup: Reference: Amp:

RADIAL LIMITED ONE YEAR WARRANTY

Radial Engineering - a division of JP Cabletek Electronics Ltd. ("Radial") warrants this product to be free from defects in material and workmanship to the original owner and will remedy any such defects free of charge according to the terms of this warranty. Radial will repair or replace at its option any defective component(s) of this product, excluding the finish, wear and tear on components under normal use, and the tube and footswitch (which are warranted for 90 days), for a period of one (1) year from the original date of purchase. In the event that a particular product is no longer available, Radial reserves the right to replace the product with a similar product of equal or greater value. To make a request or claim under this limited warranty, the product must be returned prepaid in the original shipping container (or equivalent) to Radial or to an authorized Radial repair centre and you must assume the risk of loss or damage. A copy of the original invoice showing date of purchase and the dealer name must accompany any request for work to be performed under this limited warranty. This limited warranty shall not apply if the product has been damaged due to abuse, misuse, misapplication, accident or as a result of service of modification by any other than an authorized Radial repair centre.

THERE ARE NO EXPRESSED WARRANTIES OTHER THAN THOSE ON THE FACE HEREOF AND DESCRIBED ABOVE. NO WARRANTIES WHETHER EXPRESSED OR IMPLIED, INCLUDING BUT NOT LIMITED TO, ANY IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE SHALL EXTEND BEYOND THE RESPECTIVE WARRANTY PERIOD DESCRIBED ABOVE OF ONE YEAR.

RADIAL SHALL NOT BE RESPONSIBLE OR LIABLE FOR ANY SPECIAL OR INCIDENTAL OR CONSEQUENTIAL DAMAGES OF LOSS ARISING FROM THE USE OF THIS PRODUCT. THIS WARRANTY GIVES YOU SPECIFIC LEGAL RIGHTS, AND YOU MAY ALSO HAVE OTHER RIGHTS, WHICH MAY VARY, FROM STATE/PROVINCE TO STATE/PROVINCE.

Radial Engineering Tonebone Hot British - RADIAL LIMITED ONE YEAR WARRANTY - 1

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Product information

Brand : Radial Engineering

Model : Tonebone Hot British

Category : Guitar effects pedal