MARSHALL 1923 - Guitar amplifier

1923 - Guitar amplifier MARSHALL - Free user manual and instructions

Find the device manual for free 1923 MARSHALL in PDF.

📄 4 pages English EN Download 💬 AI Question 10 questions ⚙️ Specs
Notice MARSHALL 1923 - page 2
Pick your language and provide your email: we'll send you a specifically translated version.
Product TypeGuitar Amplifier
BrandMarshall
Model1923
Amplifier TypeCombo
Power Output20 Watts RMS
Speaker1 x 12" Celestion
Channels2 (Clean and Overdrive)
ControlsVolume, Gain, Treble, Middle, Bass, Presence, Master Volume
Inputs1 x 1/4" Instrument Input
Outputs1 x 1/4" Speaker Output, 1 x 1/4" Line Out
Dimensions (W x H x D)24.1 x 19.1 x 10.6 inches
Weight34 lbs (15.4 kg)
Power SupplyMains Voltage (100-240V AC, 50/60Hz)
CoolingPassive (no fan)
ConstructionSolid wood cabinet with vinyl covering
Front PanelBlack control panel with white text
Rear PanelPower switch, fuse holder, IEC power inlet
Included AccessoriesPower cord, user manual
Warranty1 year limited warranty
CleaningWipe with dry cloth; do not use solvents
SafetyClass I equipment; ensure proper grounding

Frequently Asked Questions - 1923 MARSHALL

How do I connect my guitar to the Marshall 1923 amplifier?
Use a standard 1/4-inch instrument cable to connect your guitar to the input jack on the front panel. Ensure the amplifier is turned off or volume at minimum before connecting.
How do I clean the amplifier?
Unplug the amplifier and use a dry, soft cloth to wipe the exterior. Do not use any liquids, solvents, or abrasive cleaners as they may damage the vinyl covering or control knobs.
What type of power cord does the Marshall 1923 use?
The amplifier uses a standard IEC C13 power cord (often called a kettle lead). Connect it to a properly grounded mains outlet matching the voltage rating on the back panel.
Can I use an external speaker cabinet with the Marshall 1923?
Yes, the amplifier has a speaker output jack on the rear panel. Ensure the impedance matches the internal speaker (typically 8 ohms). Do not operate without a load connected.
How do I replace the tubes?
The Marshall 1923 uses two EL84 power tubes and three 12AX7 preamp tubes. Replacement should be done by a qualified technician. Always unplug and discharge capacitors before servicing.
What is the recommended impedance?
The internal speaker is 8 ohms. When using an external cabinet, select the corresponding impedance (e.g., 8 or 16 ohms) via the speaker output jack or switch if available.
How do I prevent feedback?
Keep the amplifier away from the guitar and avoid pointing it directly at the pickups. Reduce gain and volume levels, and use noise gates or EQ adjustments if needed.
Does the Marshall 1923 have an effects loop?
No, this model does not include a dedicated effects loop. You can connect pedals in front of the amplifier using the instrument input.
What should I do if the amplifier doesn't turn on?
Check the power cable, fuse (located on the rear panel), and ensure the mains outlet is working. If the fuse is blown, replace with the correct rating (usually 1A or 2A, 250V). Consult a technician if the issue persists.
Can I use the Marshall 1923 with headphones?
No, this amplifier does not have a headphone output. To practice silently, use a load box or a separate headphone amp with the line out.

User questions about 1923 MARSHALL

0 question about this device. Answer the ones you know or ask your own.

Ask a new question about this device

The email remains private: it is only used to notify you if someone responds to your question.

No questions yet. Be the first to ask one.

Download the instructions for your Guitar amplifier in PDF format for free! Find your manual 1923 - MARSHALL and take your electronic device back in hand. On this page are published all the documents necessary for the use of your device. 1923 by MARSHALL.

USER MANUAL 1923 MARSHALL

1923 Special Edition

Owners Manual

MARSHALL 1923 - 1

natural_image Black-and-white portrait of an elderly man in a suit, smiling (no text or symbols visible)

Marshall

From the Chairman

Congratulations on your purchase of this very special Marshall amplifier – the 1923.

Firstly, I must say that I fool very honoured that the team at Marshall have created this amplifier to commemorate my 85th birthday. I am simply thrilled with the design, the quality of craftsmanship and of course the way it sounds - big, bold and brimming full of Marshall tone.

Throughout my 85 years and in particular my past five decades in the amplifier business, I have witnessed many changes in the world of music. I have seen trends come and go, whole new genres created and old ones revived. But whatever the musical style of the last 46 years there has always been a Marshall amp to suit – and there's a good reason for this. When I made the first Marshall amplifier in the early 1960s it was built to satisfy the demands from guitarists for a 'bigger sound' I'm pleased to say that this ethos of listening to the requirements and aspirations of guitarists is as important today as it has ever been, remaining an integral part of our continuing amplifier development.

I would like to thank the whole Marshall team for marking my 85th year in such a poignant way and extend my gratitude to all Marshall staff, past and present, for their hard work, skill and craftsmanship. I have been privileged to have met many talented musicians over the years, some of whom have become close friends, and to them I would like to extend my gratitude for their inspiration and friendship. I would also like to thank my family for the years of love and support they have shown me, and last, but by no means least, you the guitarist . . . it's your passion for music that drives me and the Marshall team to carry on creating now innovative amplifiers and speaker cabinets.

I sincerely hope that this Limited Special Edition 1923 brings you countless hours of playing pleasure and I would like to welcome you to the ever increasing Marshall family.

Yours Sincerely

Dr. Jim Marshall OBE Dr. Jim Marshall OBE

Dr Jim Marshall OBE 85th Celebration S Marshall Marshall Marshall Marshall

Dr. Jim Marshall ORE 85 Celebration Special Edition Power Standby 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 Equalsation Reverb Ultra Gain Channel Deep Sample Channel B Channel A Last Gain Channel Presence Triple Middle Base Channel Volume Gain Volume Channel A Input

Classic Gain Channel A Channel Channel Channel B Channel Channel B Channel A Channel B Channel B Reverb Equalisation Dr Jim Mars Hall 85% Stable Power 20 19 18 17 16 15 14 13 12 11 10 9 8 7 6 5 4 3 Standby Power

1. Power Switch

This is the On/Off switch for the mains electric power to the amplifier.

Note: Please ensure the amplifier is switched off and unplugged from the mains electricity supply whenever it is moved!

2. Standby Switch

The Standby Switch is used in conjunction with the Power Switch (1) to 'warm up' the amplifier before use and to prolong the life of the valves. When powering up the amplifier always engage the Power Switch (1) first, leaving the Standby switch in the 'OFF' position. This enables the heater voltage, allowing the valves to come up to their correct operating temperature. After approximately two minutes the valves will have reached their correct operating temperature and the Standby Switch can be engaged, enabling the HT. In order to prolong valve life, the Standby Switch alone should also be used to turn the amplifier on and off during breaks in a performance. Also, when switching the amplifier off, always disengage the Standby Switch prior to the main Power Switch.

3. Deep Switch

The Deep Switch adds a tuned or resonant bass boost to your sound, increasing bottom end thud, without making your tone woolly around the all important low end.

4. Presence Control

Adds higher frequencies to the guitar tone, creating crispness and bite. Turning this up will make the sound more cutting and in your face.

5.Treble Control

Controls the high frequencies of the guitar tone, making your guitar sound brighter when increased.

6. Middle Control

Dictates the middle register of the amplifier. Turning this up will make your guitar sound latter. Conversely reducing the amount of middle in your tone will result in a sharper and thinner guitar sound for the classic "scooped" tone.

7. Bass Control

Controls the amount of low frequencies or bottom and in your tone.

8.Tone Shift

The Tone Shift Switch reconfigures the tone network components to give a new dimension to passive tone shaping. With the switch selected to the 'in' position and the Middle Control (Item 6) turned down the result is a scoped mid sound ideal for certain classic metal styles.

Reverb

9. Channel B

Controls the reverb level on Channel B.

10. Channel A

Controls the reverb level on Channel A.

Ultra Gain / Channel B

11. Volume

Governs the volume level of Channel B.

12. Lead 1 / Lead 2 Switch

The Channel B features two modes. The first, Lead 1, gives an open high gain crunch, with traditional Marshall characteristics, similar to a hot-rooded JCM 800 2203 master volume. The Lead 2 mode however gives a mid-boosted to coupled with even higher gain possibilities.

13. Gain

Controls the gain level for Channel B. As the amount of gain increases so will the distortion level in your sound.

14. LED

Indicates when Channel B has been selected.

15. Channel Switch

Selects Channel A or Channel B.

16. LED

Indicates when Channel A has been selected.

Classic Gain / Channel A

17. Volume

Governs the volume level of Channel A

18. Clean / Crunch

As with Channel B, Channel A features two modes. The first, Clean, is reminiscent of an early 1959 Plexi Super Lead head. Depending on Gain settings (item 19) this mode will take you from clean to a controlled Plexi style crunch. Crunch will take you up to a JCM 800 2203 style grind.

19. Gain

Controls the gain level for Channel A. As the amount of gain increases so will the distortion level in your tone.

20. Input Jack Socket

This high impedance input is where you plug your guitar into the amp. You must use a screened (shielded) guitar cable. Never use an unscreened (unshielded) speaker cable because you will find it very noisy to the point of annoyance. The input to any guitar amplifier is a very sensitive part of the signal path and is therefore susceptible to air born radio interference, hence the need for a screened guitar cable. This screened cable should preferably be of good quality. If you are in any doubt regarding this, your Marshall dealer will be more than happy to help, advise and supply you.

CAUTION: TO BURGLES THE RISK OF ELECTRIC SHOCK SWITCH FLOOD CHAPES NO. 250S STICKLE NAME TESTER SET ELECTRIC TEL GALL/PEP/EFFR/COMMICALS ATTENTION: YOUR ITEMS IN WHOLET FOR CHAMPION ELECTRICALS, REACHING & COORDING OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT MARSHALL: NO. 123-45-67 FOR FUTCHING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POUR MARSHALL: NO. 123-45-67 FOR FUTCHING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING POURING PPUR BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARING IN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBAGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSIBLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPMENT BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGIN A CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUTCAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUIPUMPTURE BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EXCELATION BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EXCELATION BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EXCELATION BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EXCELATION BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EXCELATION BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EXCELATION BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE EQUITY BEARINGINA CABBGE OUT CAPSABLE COMPOSITE ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLISH ENGLUENTENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENENMAINTL: 123 CAUTION: TO BURGLES THE RISK OF ELECTRIC SHOCK SWITCH FLOOD CHAPES NO. 250S STICKLE NAME TESTER SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMENT SETTLEMTN: 123 WARNING: NO. 123-45-67 WARNING: NO. 123-45-67 WARNING: NO. 123-45-67 WARNING: NO. 123-45-67 WARNING: NO. 123-45-67 WARNING: NO. 123-45-67 WARNING: NO. 123-45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-67 WARNING: NO. 123 -45-68

MADS: 18025 Maine Fuse (220V - 11 MHz) (250V) (100V-320V) (324V, 264A) Mains Input 120V - 50 Hz 175 Watts MT Fuse (220V - 190W/NE 250V) (100V/320V) (300W/NE, 264A) Select Loudspeaker Outputs 54 Watts RMS Marshall Made in upright by: Marshall Amplicator only, Dialysis, Rear, Rear Switches 9 Ohm / 4 Ohm 4.5 Ohm Parallel Jamps Return to the output and outputs out of AMR Rate to be tested for test details. The power as manual or open. WARNING: WITH OF HAZARIDUS INDEATH ATTENTION: THE CONSTRUCTION FOR CHILLERATION MARSHALL: THE CONSTRUCTION FOR CHILLERATION Effects Loop Returns Band Severis Channel CAUTIONS: TO REDUCE THE WIRE OF ELECTRIC SWITCH DO NOT BEETING ON PLANS OF CANADIANE AND ROLLER BLOCK EDITION RETURN ON PLANS OF CANADIANE SWITCH PULSE ATTENTION: THE CONSTRUCTION FOR CHILLERATION & RETROCKS FOR REACHING EQUIVALE OR APPEARLY BE COMPED BY LUXING PLUS BEETING ON PLANS OF CANADIANE, TURSD AND DRAGONAL ITEMS FOR REACHING EQUIVALE FOR TUTUS REPAIRS WARNING: BACK HANDS, DO NOT OPEN TO REACHING THE CALL IF REACHING DOCKOUT AND INSIDE THE COOPERATOR BEETING ON PLANS OF CANADIANE, THE APPENDY MUST BE DREAMS AVES: MINDA TO THE CONSTRUCTION FOR CHILLERATION FOR SPRING FRETAIN OF DECHANGES ELECTRATOR OPTICAL AMOUNT OF APPEARLY AND PERIATE ELECTRIC SWITCH APPROVAL OF 3F WIRE. © V302

Footswitch

1. Channel

By connecting the supplied PEDL10001 footswitch to this jack it is possible to switch between Channel A and Channel B. The footswitch will override the front panel Channel switch position (item 15).

2. Reverb Footswitch

By connecting another PEDL10001 footswitch (optional) to this jack it is possible to remotely switch reverb on and off.

Effects Loop

3. Send

For connection to the input of an external effect processor.

4. Return

For connection from the output of an external effects processor.

5. Loop Level

The loop level can be adjusted to match either floor pedals, requiring a low level or effects processors which require a high level.

Loudspeaker Outputs

With all valve amplifiers it is imperative that the amp is connected to a load whilst in operation and that the impedance selected on the amp

matches the total impedance of the speaker cabinet(s) being used.

Failure to comply with these points will result in damage to the amplifier.

The three outputs, a dedicated 16 Ohm output and two outputs selectable between 4 and 8 Ohms.

The amp should not be run into an impedance less than 4 Ohms.

6. 16 Ohm Output

For the connection of a 16 Ohm speaker cabinet, it should be noted that when this Speaker Output is in use the remaining Speaker Outputs, items 7 and 8, will become inoperational.

7 & 8. 4 & 8 Ohm Outputs

For use when the total impedance of speaker cabinets used is either 4 or 8 Ohms. That is, when using either a single 4 Ohm cab, a single 8 Ohm, two 8 Ohm cabs or two 16 Ohm cabs.

9. Impedance Selector

Allows selection of 4 or 8 Ohms impedance for items 7 & 8. See Loading Points.

10. H.T. fuse

See rear panel for correct value.

11. Mains Input

Your amp is provided with a detachable mains (power) lead which is connected here. The specific mains inout voltage rating that your amplifier has been built for is shown on the ba panel. Before connecting for the first time, please ensure that your amplifier is compatible with your electricity supply. If you have any doubt, please get advice from a qualified person. Your Marshall dealer will help in this respect.

12. Mains fuse

See rear panel for correct value.

Loading Points

One 4 Ohm cabinet, set to 4 Ohms One 8 Ohm cabinet, set to 8 Ohms

Two 8 Ohm cabinets, set to 4 Ohms Two 16 Ohm cabinets, set to 8 Ohms

N.B. Always ensure that proper speaker leads are used to connect speakers, not guitar leads!

WARNING!

If loudspeaker is disconnected a high voltage can be present at these output terminals. Operation in this manner can damage your amplifier, therefore ensure that loudspeaker is properly connected.

Your amp should be completely powered down before changing loads.

Follow all instructions and heed all warnings

KEEP THESE INSTRUCTIONS!

* EUROPE ONLY CE - Note: This equipment has been tested and found to comply with the requirements of the EMC Directive (Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage Directive in the E.U.
* EUROPE ONLY - Note: The Peak Inrush current for the 1923 and 1923C is 33 amps.

Manual assistant
Powered by Anthropic
Waiting for your message
Product information

Brand : MARSHALL

Model : 1923

Category : Guitar amplifier