Groovebox D2 - Telephone ROLAND - Free user manual and instructions

Type de produit	Groovebox / Pattern Sequencer / Sound Module
Marque	Roland
Modèle	Groovebox D2
Dimensions	325 (L) x 256 (P) x 55 (H) mm
Poids	Environ 2.5 kg (estimation)
Alimentation	DC 9 V (adaptateur secteur inclus), 1000 mA
Consommation	9 W (1000 mA @ 9 V)
Génération sonore	2 x 64 voix de polyphonie, multitimbrale à 8 parties (7 parties + 1 partie rythmique)
Mémoire de sons	Patches : 256 utilisateur, 196 preset ; Rhythm Sets : 20 utilisateur, 30 preset
Mémoire de motifs	Présélection : plus de 200 motifs ; Utilisateur : 100 motifs
Effets	Reverb (6 types), Delay (2 types), MFX (multi-effets, 25 types), Compresseur, Filtre, etc.
Contrôleurs	D-FIELD (écran tactile circulaire), X-Fader, molettes, boutons assignables
Connecteurs	MIDI IN/OUT, DC IN, casque (jack 6.35 mm), sorties audio L/MONO et R
Séquenceur	16 pistes, résolution 96 ticks par noire, enregistrement en temps réel et par étapes
Fonctions spéciales	RPS (Realtime Phrase Sequence), mode VINYL, scratching, contrôle XY
Entretien	Nettoyer avec un chiffon sec et doux. Éviter solvants et projections liquides.
Sécurité	Respecter les polarités du cordon d'alimentation (bleu = neutre, marron = phase). Ne pas ouvrir l'appareil.
Réparabilité	Contacter un centre de service agréé Roland. Pièces détachées disponibles auprès des distributeurs.
Compatibilité	MIDI standard (GS, GM), compatible avec la plupart des séquenceurs et contrôleurs MIDI

Frequently Asked Questions - Groovebox D2 ROLAND

How to factory reset the Roland Groovebox D2?

Hold down the WRITE button while turning on the power. Then select 'Factory Reset' from the menu. Note that this will erase all user data.

How to connect the D2 to a computer or external MIDI gear?

Use a standard MIDI cable to connect the MIDI OUT of the D2 to the MIDI IN of the external device, and vice versa. Set the MIDI channels appropriately using the System menu.

What is the D-FIELD and how do I use it?

The D-FIELD is a circular touch controller that can be used for various functions like pitch bend, modulation, filter sweeps, or RPS triggering. Its mode can be changed via the D-FIELD button.

How to use the RPS (Realtime Phrase Sequence) feature?

Press the RPS button to enter RPS mode. Then assign pattern phrases to the pads or D-FIELD zones. While the sequencer is running, touching a pad/zone will trigger the assigned phrase in real time.

How to create and save a new pattern?

Press REC and then START/STOP to begin real-time recording. Play notes on the pads or via MIDI. When finished, press STOP and then WRITE to save the pattern to a user location.

How to apply effects to a part?

Go to PART EDIT, select the desired part, then navigate to the effects menu. You can adjust send levels to Reverb, Delay, and select MFX type for each part individually.

What is the difference between Preset and User patches?

Preset patches are factory-loaded sounds that cannot be overwritten, while User patches are stored in writable memory and can be edited and saved. You can copy a preset to a user location to modify it.

How to synchronize the D2 with an external sequencer?

Set the Sync Mode to SLAVE or REMOTE in the System settings. Connect the external sequencer's MIDI OUT to the D2's MIDI IN. The D2 will follow the incoming MIDI Clock.

How to back up my user data?

Use MIDI System Exclusive (SysEx) dump. Connect the D2 to a computer via MIDI, and use a SysEx librarian software to receive the bulk data. You can also save to an external device if supported.

What type of power supply does the D2 require?

It requires a DC 9V power supply with at least 1000 mA current capability. Use only the supplied Roland adaptor or a compatible center-negative adaptor with a 2.1 mm plug.

USER MANUAL Groovebox D2 ROLAND

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE: NEUTRAL

BROWN: LIVE

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

SICHERHEITSHINWEISE

P-D 001-128 Preset Patch (Bank D)

P-E 001-088 Preset Patch (Bank E)

P-U 001-256 User Patch

LEVEL → PAN → KEY SHIFT → REVERB → DELAY → MFX SW → SEQ OUT → LEVEL → ...

•RPS (Realtime Phrase Sequence)

(CC#0 = 84, CC#32 = 0)

No. Name

001 SOLO Saw

002 Stereo Saw

003 Fright Saw

004 Seq Strings

005 Delay Seq

006 SOLO PWM

007 SOLO Square

008 Square Lead4

009 Fbk 8000

010 Juno Lead

011 Dark Lead

012 SOLO Choir

013 SOLO Sin

014 PortaDetLead

015 Sweep Beep

016 Pow Lead

017 NonReality

018 HardTranceLd

019 Dist Reso TB

020 Dark TB

021 SpaceKhoomij

022 80s Bass

023 Mini Bass

024 Percus Bass

025 Filter Chop

026 Hard Bass

027 Solid Reso

028 Electro Bass

029 Master Bass

030 FX Bass

031 Sine Bass 3

032 Def Bass 3

033 DnB Dist Bs

034 PickedBass 3

035 Heavy PBass

036 Euro Stab

037 Saw Stack 3

038 Trance Riff

039 Galactic Stb

040 Devil Stab

041 Sweep Pad

042 Detroit Pad

043 Church Pad

044 Eternal Pad

045 Strong Orch

046 Mellow Str

047 Strings 3

048 Big Choir

049 Drop FX

050 Old Space

051 LaughMachine

052 Hicuts

053 Spaceship

054 FXM Blip

055 Wierd Mod

056 4Dimensions

057 LowdownBass

058 Radio Sweep

059 SF Noise

060 Clear Piano

061 Space Piano

062 Trip E.P 2

063 Powerful Org

064 E.Org Sweep

No. Name

065 Digi Steel

066 OctoLimba

067 Alto Sax 2

068 Synth Brass4

069 DiscoAction

070 Doomed Hit

071 Hard Rave

072 Analog Hash

073 PR riff

074 HardRock Hit

075 Retro SE 1

076 Retro SE 2

077 Reso Blip

078 Dark Rim

079 R&B Rim

080 Tabla Seq

081 Afro Attack

082 Cyber Cymbal

083 D&B Ride

084 Real Snap

085 TR909 Snare2

086 HipHop Snare

087 Nrg BD

088 Beats Kick

User: 001-128

(CC#0 = 85, CC#32 = 0)

User: 129-256

(CC#0 = 85, CC#32 = 1)

Preset Rhythmus Set-Liste

P: A 01-26 (CC#0 = 81, CC#32 = 0), P: B 01-04 (CC#0 = 84, CC#32 = 0), User: 01-20 (CC#0 = 85, CC#32 = 0)

Note No.	Rhythm Group	P: A01 TR-909	P: A02 TR-808	P: A03 TR-606	P: A04 CR78&Cheaps	P: A05 Techno 1
35	BD	Plastic BD 4	TR808 Kick 5	TR808 Kick 3	Toy Kick	Plastic BD 3
36	BD	Plastic BD 3	TR808 Kick 3	Analog Kick	Plastic BD 4	Plastic BD 2
	TOM/PERC	TR808 Rim	TR808 RimLng	TR808 Rim	TR808 Rim	TR707 Rim
38	SD	TR909 Snr 1	TR808 Snr 8	TR606 Snr 3	TR808 Snr 5	TR909 Snr 6
40	CLP	TR909 Clap 2	TR909 Clap 1	Cheap Clap	TR909 Clap 1	TR909 Clap 1
	SD	TR909 Snr 3	TR808 Snr 9	TR808 Snr 5	Deep Snare	TR909 Snr 7
41	TOM/PERC	TR707 Tom	TR606 Tom	TR606 CmpTom	MG Blip	TR909 DstTom
42	HH	TR909 CHH 2	TR808 CHH 2	TR606 CHH 2	TR808 CHH 1	TR909 CHH 2
43	TOM/PERC	TR707 Tom	TR606 Tom	TR606 CmpTom	MG Blip	TR909 DstTom
44	HH	TR909 PHH 2	TR808 PHH 2	Hip PHH	TR606 PHH 2	TR909 PHH 1
45	TOM/PERC	TR707 Tom	TR606 Tom	TR606 CmpTom	MG Blip	TR909 DstTom
46	HH	TR909 OHH 1	TR808 OHH 2	TR606 DstOHH	TR606 OHH	TR909 OHH 2
47	BD	TR909 Kick 4	TR808 Kick 1	TR606 Dst BD	TR606 Kick	TR909 Kick 5
C3	BD	TR909 Kick 2	TR808 Kick 4	TR606 Kick	Analog Kick	TR909 Kick 4
48	TOM/PERC	TR909 Rim	TR808 Rim	Analog Rim	Analog Rim	TR909 Rim
50	SD	TR909 Snr 2	TR808 Snr 6	TR606 Snr 2	TR808 Snr 1	TR909 Snr 4
51	CLP	TR909 Clap 1	TR808 Clap	TR808 Clap	TR808 Clap	Group Clap
52	SD	TR909 Snr 3	TR808 Snr 2	TR606 Snr 1	CR78 Snare	TR909 Snr 5
53	TOM/PERC	TR909 Tom	TR808 Tom	TR606 Tom	TR606 Tom	TR909 Tom
54	HH	TR909 CHH 1	TR808 CHH 1	TR606 CHH 1	DR55 CHH 1	TR909 CHH 1
55	TOM/PERC	TR909 Tom	TR808 Tom	TR606 Tom	TR606 Tom	TR909 Tom
56	HH	TR909 OHH 2	TR808 CHH 2	TR606 PHH 1	CR78 CHH	TR909 PHH 2
57	TOM/PERC	TR909 Tom	TR808 Tom	TR606 Tom	TR606 Tom	TR909 Tom
58	HH	TR909 OHH 2	TR808 OHH 1	TR606 OHH	CR78 OHH	TR909 OHH 3
59	TOM/PERC	TR909 Tom	TR808 Tom	TR606 Tom	TR606 Tom	TR909 Tom
C4	TOM/PERC	TR909 Tom	TR808 Tom	TR606 Tom	TR606 Tom	TR909 Tom
60	CYM	TR909 Crash	TR606 Cym 1	TR606 Cym 2	TR606 Cym 1	TR909 Crash
62	TOM/PERC	TR909 Tom	TR808 Tom	TR606 Tom	TR606 Tom	TR909 Tom
63	CYM	TR909 Ride	TR606 Cym 1	TR909 Ride	TR606 Cym 1	TR707 Ride
64	CYM	TR909 Crash	TR909 Crash	TR606 Cym 1	Cup Cym	TR909 Crash
65	CYM	TR909 Ride	TR909 Ride	TR707 Ride	TR909 Ride	Asian Gong
66	TOM/PERC	Tambourine 2	CR78 Tamb	CR78 Tamb	CR78 Tamb	Tambourine 3
67	CYM	NaturalCrash	TR909 Crash	TR909 Crash	TR909 Crash	TR909 Crash
68	TOM/PERC	TR808Cowbell	TR808Cowbell	TR808Cowbell	CR78 Cowbell	Cowbell
69	CYM	TR606 Cym 1	TR909 Crash	TR909 Crash	TR909 Ride	TR606 Cym 1
70	TOM/PERC	PC-2 Machine	CR78 Guiro	CR78 Guiro	TR808Cowbell	TR808Cowbell
71	CYM	Natural Ride	Natural Ride	Natural Ride	TR707 Ride	Natural Ride
C5	TOM/PERC	HiBongo Open	TR808 Conga	TR808 Conga	TR808 Conga	HiBongo LoFi
72	TOM/PERC	LoBongo Open	TR808 Conga	TR808 Conga	TR808 Conga	LoBongo LoFi
73	TOM/PERC	HiConga Mute	TR808 Conga	TR808 Conga	TR808 Conga	HiCnga Mt LF
74	TOM/PERC	HiConga Open	TR808 Conga	TR808 Conga	TR808 Conga	HiCnga Op LF
75	TOM/PERC	LoConga Open	TR808 Conga	TR808 Conga	TR808 Conga	LoConga LoFi
76	TOM/PERC	Hi Timbale	Hi Timbale	Hi Timbale	CR78 Beat	HiTimbale LF
77	TOM/PERC	Lo Timbale	Lo Timbale	Lo Timbale	CR78 Beat	LoTimbale LF
78	TOM/PERC	TR727 Agogo	TR727 Agogo	CR78 Beat	TR727 Agogo	CR78 Beat
79	TOM/PERC	TR727 Agogo	TR808 Claves	CR78 Beat	TR727 Agogo	CR78 Beat
80	TOM/PERC	Cabasa Up	Cabasa Up	Cabasa Up	CR78 Guiro	TechnoShaker
81	TOM/PERC	808 Maracas	808 Maracas	808 Maracas	808 Maracas	TR626 Shaker
82	HIT	Beam HiQ	Beam HiQ	Beam HiQ	Syn Hit	Wao!
C6	HIT	Air Blip	Air Blip	Buzzer	Beam HiQ	Come on!
84	HIT	MG Blip	Syn Hit	Air Blip	Analog Bird	Ooh! 1
85	HIT	Techno Scene	Techno Scene	Rezo Noise	MG Attack	MG White Nz
86	HIT	Air Gun	Beam HiQ	Hyoshigi	Tape Rewind	Bomb Noise
87	HIT	Tekno Hit	PC-2 Machine	Analog Bird	Air Blip	Wah Gtr 2b
88	OTHERS	Come on!	P5 Noise	Retro UFO	Reso FX	Toy Gun 3
89	OTHERS	Wao!	Toy Gun 1	PC-2 Machine	Ring Osc	Toy Gun 3
90	OTHERS	Ooh! 1	Syn Tom	Syn Hit	MG Blip	Buzzer
91	OTHERS	Canvas	Cup Cym	Retro UFO	MG White Nz	Bomb Noise
92	OTHERS	JP8000 FBK	TR808 OHH 1	Thrill	Rezo Noise	Sea
93	CLP	Funky Clap	Hip Clap	Comp Clap	Cheap Clap	Flange Snr
94	BD	TR808 Kick 1	TR808 Kick 2	TR808 Kick 1	TR808 Kick 1	TR909 Dst BD
C7	BD	Gabba Kick	TR909 Kick 4	Plastic BD 4	TR909 Kick 1	Plastic BD 4
95	SD	Synth Snare	CR78 Snare	TR909 Snr 3	TR909 Snr 1	Break Snare2
96	SD	TR808 Snr 2	TR808 Snr 3	CR78 Snare	Sim Snare	Ragga Rim 2
Note No.	Rhythm Group	P: A06 Techno 2	P: A07 Techno 3	P: A08 Hardcore	P: A09 Ambient	P: A10 House 1
35	BD	TR808 Kick 5	Plastic BD 3	TR909 Kick 5	TR909 Kick 5	TR808 Kick 5
36	BD	TR707 Kick 1	Plastic BD 4	Gabba Kick	Wet Kick	TR909 Kick 2
	TOM/PERC	TR909 Rim	Jungle Snr 2	SideStiker	Ragga Rim 1	TR808 Rim
38	SD	Real Snare	TR808 Snr 7	Jungle Snr 1	DJ Snare	SNR MENU 1
40	CLP	Down Clap	Comp Clap	Fuzzy Clap	Comp Clap	CLAP MENU 1
	SD	Rap Snare	Indus Snare	TR909 Snr 4	SideStiker	TR909 Snr 6
41	TOM/PERC	TR808 Tom	Air Blip	TR606 CmpTom	TR707 Tom	TOM MENU
	HH	TR808 CHH 2	CHH MENU 2	TR909 CHH 2	Closed Hat	TR707 OHH
43	TOM/PERC	TR808 Tom	MG Blip	TR606 CmpTom	TR707 Tom	TR909 Tom
45	HH	TR808 PHH 1	Jungle Rim 2	TR909 PHH 1	Pedal Hat 1	TR707 OHH
46	TOM/PERC	TR808 Tom	HIT MENU	TR606 CmpTom	TR707 Tom	TR909 Tom
47	HH	TR808 OHH 1	TR909 OHH 2	TR909 OHH 1	Real OHH	TR707 OHH
	BD	TR909 Kick 2	KICK MENU 2	Amsterdam BD	Wet Kick	TR808 Kick 1
48	BD	Plastic BD 4	West Kick	TR909 Dst BD	TR808 Kick 3	TR909 Kick 3
	TOM/PERC	TR808 RimLng	Natural Rim	Lo-Fi Rim	TR808 RimLng	TR808 RimLng
50	SD	TR909 Snr 4	TR808 Snr 8	TR909 DstSnr	CR78 Snare	Break Snare2
51	CLP	Claptail	Comp Clap	Funk Clap 2	TR909 Clap 1	Claptail
52	SD	Funky Clap	MC Snare	TR909 DstSnr	Beam HiQ	TR909 Snr 4
	TOM/PERC	TR707 Tom	Uuh Formant	TR909 DstTom	TR808 Tom	TR808 Tom
53	HH	Closed Hat	TR606 PHH 2	TR909 PHH 1	DR55 CHH 1	TR909 CHH 1
55	TOM/PERC	TR707 Tom	Ooh Formant	TR909 DstTom	TR808 Tom	TR808 Tom
56	HH	TR909 OHH 2	CR78 CHH	TR909 PHH 2	TR606 PHH 2	OHH MENU 1
57	TOM/PERC	TR707 Tom	Iih Formant	TR909 DstTom	TR808 Tom	TR808 Tom
58	HH	TR909 OHH 2	TR606 OHH	TR909 DstOHH	CR78 OHH	OHH MENU 1
59	TOM/PERC	TR707 Tom	Can Tom	TR909 DstTom	TR808 Tom	TR707 Tom
60	TOM/PERC	TR707 Tom	ElectricDunk	TR909 DstTom	TR808 Tom	TR707 Tom
	CYM	TR909 Crash	TR606 Cym 2	TR909 Crash	TR606 Cym 1	TR909 Crash
62	TOM/PERC	TR707 Tom	HiBongo LoFi	TR909 DstTom	TR808 Tom	TR707 Tom
63	CYM	TR707 Ride	CYMBAL MENU	TR707 Ride	TR909 Ride	TR909 Ride
64	CYM	TR909 Crash	Cup Cym	TR909 Crash	TR606 Cym 1	NaturalCrash
	CYM	Asian Gong	TR909 Ride	Asian Gong	Asian Gong	Tambourine 2
65	TOM/PERC	Tambourine 2	Tambourine 4	CR78 Tamb	Tambourine 3	Tambourine 1
67	CYM	TR909 Crash	CYMBAL MENU	NaturalCrash	TR606 Cym 2	TR909 Crash
69	TOM/PERC	TR808Cowbell	CR78 Beat	TR808Cowbell	CR78 Cowbell	TR707Cowbell
70	CYM	TR606 Cym 2	Natural Ride	Jungle Crash	NaturalCrash	Cup Cym
71	TOM/PERC	CR78 Tamb	CR78 Beat	TR727Quijada	TR808Cowbell	TR808Cowbell
	CYM	Cup Cym	Cup Cym	Natural Ride	Natural Ride	Natural Ride
72	TOM/PERC	HiBongo Open	HiBongo LoFi	HiBongo LoFi	HiBongo Open	HiBongo LoFi
	TOM/PERC	LoBongo Open	HiBongo LoFi	LoBongo LoFi	LoBongo Open	LoBongo LoFi
74	TOM/PERC	HiConga Mute	HiBongo LoFi	HiCnga Mt LF	HiConga Mute	HiConga Mute
75	TOM/PERC	HiConga Open	HiCnga Mt LF	HiCnga Op LF	HiConga Open	HiConga Open
76	TOM/PERC	LoConga Open	HiConga Mute	LoConga LoFi	LoConga Open	LoConga Open
77	TOM/PERC	Hi Timbale	Triangle 2	HiTimbale LF	Hi Timbale	HiTimbale LF
78	TOM/PERC	Lo Timbale	ElectricDunk	LoTimbale LF	Lo Timbale	LoTimbale LF
79	TOM/PERC	TR727 Agogo	Air Blip	TR727 Agogo	TR727 Agogo	TR727 Agogo
80	TOM/PERC	TR727 Agogo	MG Attack	TR727 Agogo	TR727 Agogo	TR727 Agogo
81	TOM/PERC	TechnoShaker	TechnoShaker	TechnoShaker	TechnoShaker	808 Maracas
82	TOM/PERC	Maracas	808 Maracas	Dance Shaker	808 Maracas	TR626 Shaker
83	HIT	Beam HiQ	Reso FX	Beam HiQ	Air Blip	TR606 CHH 1
84	HIT	Techno Scene	Beam HiQ	Air Gun	Wind Chime	TR727Quijada
	HIT	Thin Beef	Toy Gun 3	ElectricDunk	Thrill	Short Guiro
86	HIT	Come on!	MG Blip	Thin Beef	CR78 Beat	Long Guiro
87	HIT	Ooh! 1	Toy Gun 3	Drill Hit	Retro UFO	TR808 Claves
88	HIT	Wao!	Air Blip	TAO Hit	Hyoshigi	Hyoshigi
89	OTHERS	Analog Bird	Reso FX	Rezo Noise	Pizzy Techno	Bomb Noise
90	OTHERS	Retro UFO	Emergency	Toy Gun 1	Org Chord	Come on!
91	OTHERS	Metal Sweep	MG Blip	Toy Gun 3	Feedbackwave	Triangle 1
92	OTHERS	Emergency	MG Pink Nz	Gtr FX	Stream	Cup Cym
93	OTHERS	Tonality	Jet Plane	Dist Synth	Bird	TR808 OHH 1
94	CLP	TR909 Clap 1	Roll Snare	Funk Clap	Claptail	Hip Clap
95	BD	Wet Kick	TR808 Kick 1	TR909 Kick 2	TR808 Kick 1	TR808 Kick 2
96	BD	Hip Kick	TR909 Kick 1	Turbo Kick	JungleKick 2	TR909 Kick 4
	SD	TR909 Snr 5	TR909 Snr 1	Rage Snare	TR808 Snr 2	CR78 Snare
98	SD	Clap Snare 2	Urban RollSD	Big Trash SD	Jungle Snr 1	TR808 Snr 3
Note No.	Rhythm Group	P: A11 House 2	P: A12 Jungle	P: A13 Drum'n'Bass1	P: A14 Drum'n'Bass2	P: A15 Hip-Hop 1
35	BD	Wet Kick	TR909 Kick 3	Roll Kick	TR909 Kick 3	Lo-Fi Kick 1
36	BD	Plastic BD 2	Lo-Fi Kick 2	Analog Kick	Lo-Fi Kick 2	TR808 Kick 3
37	TOM/PERC	TR808 Rim	SideStiker	RaggaTightSD	SideStiker	Solid Snare
38	SD	Clap Snare 2	Urban RollSD	Cross Snare	Urban RollSD	HipJazz Snr
39	CLP	Group Clap	Down Clap	Roll Snare	Down Clap	Funk Clap 2
40	SD	TR808 Snr 7	Jungle Rim 1	Headz Snare	Jungle Snr 1	R&B Snare
41	TOM/PERC	TR808 Tom	Jungle Snr 2	TR606 Tom	Jungle Snr 2	TR808 Tom
42	HH	TR707 CHH	Tight CHH	Pop CHH	Tight CHH	Pop CHH
43	TOM/PERC	TR808 Tom	Jungle Snr 2	TR606 Tom	Jungle Snr 2	TR808 Tom
44	HH	TR707 PHH	Tambourine 1	Tambourine 3	Tambourine 1	Pedal Hat 1
45	TOM/PERC	TR808 Tom	Jungle Snr 2	TR606 Tom	Jungle Snr 2	TR808 Tom
46	HH	TR707 OHH	Cym OHH	Pop Hat Open	Cym OHH	Pop Hat Open
47	BD	TR909 Kick 2	TR909 Kick 5	Plastic BD 1	TR909 Kick 5	Break Kick
48	BD	TR909 Kick 5	JungleKick 2	Hip Kick	JungleKick 2	Hip Kick
49	TOM/PERC	TR909 Rim	Jungle Rim 2	Scratch SD r	Jungle Rim 2	Lo-Fi Rim
50	SD	Break Snare2	Urban Snare	Break Snare2	Urban Snare	Jazz Snare
51	CLP	TR909 Clap 1	Jungle Rim 3	Funky Clap	Jungle Rim 3	Funky Clap
52	SD	TR909 Snr 4	Jungle Snr 1	Ragga Snr 2	Jungle Snr 1	East Snare
53	TOM/PERC	TR707 Tom	TR606 CmpTom	Kick Tom	TR909 DstTom	Natural Tom
54	HH	TR909 CHH 1	Real CHH	Real CHH	Real CHH	Tight CHH
55	TOM/PERC	TR707 Tom	TR606 CmpTom	Kick Tom	TR909 DstTom	Natural Tom
56	HH	TR909 PHH 1	Jungle Hat	TR808 PHH 1	Jungle Hat	Pedal Hat 2
57	TOM/PERC	TR707 Tom	TR606 CmpTom	Kick Tom	TR909 DstTom	Natural Tom
58	HH	TR909 OHH 3	Hip OHH	TR606 OHH	Hip OHH	Hip OHH
59	TOM/PERC	TR707 Tom	TR606 CmpTom	Kick Tom	TR909 DstTom	Natural Tom
60	TOM/PERC	TR707 Tom	TR606 CmpTom	Kick Tom	TR909 DstTom	Natural Tom
61	CYM	TR909 Crash	Jungle Crash	TR909 Crash	Jungle Crash	TR909 Crash
62	TOM/PERC	TR707 Tom	TR606 CmpTom	Kick Tom	TR606 CmpTom	Natural Tom
63	CYM	TR909 Ride	Natural Ride	TR909 Ride	Natural Ride	TR707 Ride
64	CYM	NaturalCrash	NaturalCrash	TR909 Crash	NaturalCrash	TR909 Crash
65	CYM	Tambourine 3	Asian Gong	Asian Gong	Asian Gong	Cup Cym
66	TOM/PERC	Tambourine 4	Tambourine 3	Tambourine 2	Tambourine 3	Tambourine 3
67	CYM	TR909 Crash	TR606 Cym 1	TR909 Crash	TR606 Cym 1	Tambourine 4
68	TOM/PERC	TR707Cowbell	Cowbell	CR78 Cowbell	Cowbell	TR808Cowbell
69	CYM	Cup Cym	TR909 Crash	TR606 Cym 2	TR909 Crash	TR606 Cym 1
70	TOM/PERC	TR808Cowbell	CR78 Tamb	TR808Cowbell	CR78 Tamb	CR78 Cowbell
71	CYM	Natural Ride	TR707 Ride	Natural Ride	TR707 Ride	Natural Ride
72	TOM/PERC	HiBongo LoFi	HiBongo LoFi	HiBongo Open	HiBongo LoFi	HiBongo LoFi
73	TOM/PERC	LoBongo LoFi	LoBongo LoFi	LoBongo Open	LoBongo LoFi	LoBongo LoFi
74	TOM/PERC	HiCnga Mt LF	HiCnga Mt LF	HiConga Mute	HiCnga Mt LF	HiCnga Mt LF
75	TOM/PERC	HiCnga Op LF	HiCnga Op LF	HiConga Open	HiCnga Op LF	HiCnga Op LF
76	TOM/PERC	LoConga LoFi	LoConga LoFi	LoConga Open	LoConga LoFi	LoConga LoFi
77	TOM/PERC	HiTimbale LF	HiTimbale LF	Hi Timbale	HiTimbale LF	HiTimbale LF
78	TOM/PERC	LoTimbale LF	LoTimbale LF	Lo Timbale	LoTimbale LF	LoTimbale LF
79	TOM/PERC	TR727 Agogo	Open Surdo	TR727 Agogo	Open Surdo	TR727 Agogo
80	TOM/PERC	TR727 Agogo	Mute Surdo	TR727 Agogo	Mute Surdo	TR727 Agogo
81	TOM/PERC	Cabasa Up	TechnoShaker	Cabasa Up	Cabasa Up	Dance Shaker
82	TOM/PERC	TR626 Shaker	TR626 Shaker	Maracas	Maracas	808 Maracas
83	HIT	Belltree	Beam HiQ	MG Blip	Beam HiQ	Scratch BD f
84	HIT	TR727Quijada	Air Blip	Air Blip	ElectricDunk	Scratch BD r
85	HIT	Short Guiro	Thin Beef	Hyoshigi	Bomb	Scratch SD f
86	HIT	Long Guiro	Analog Bird	CR78 Guiro	Analog Bird	Scratch SD r
87	HIT	TR808 Claves	Tape Rewind	Mt Pandeiro	Tape Rewind	Scratch ALT
88	HIT	Hyoshigi	Wao!	Chenchen	Wao!	Vinyl Stop
89	OTHERS	Bomb Noise	Emergency	Thrill	Emergency	Vinyl Noise
90	OTHERS	Come on!	Toy Gun 3	Retro UFO	Toy Gun 3	Kick it!
91	OTHERS	Ooh! 1	Reso FX	Rezo Noise	Reso FX	Ooh! 2
92	OTHERS	Wao!	Toy Gun 2	Feedbackwave	Toy Gun 2	Ooh! 1
93	OTHERS	Laugh	Toy Gun 1	Space Noise	Toy Gun 1	Laugh
94	CLP	Claptail	Big Clap	Little Clap	Big Clap	Funk Clap
95	BD	TR808 Kick 1	TR808 Kick 2	TR808 Kick 2	TR808 Kick 2	TR808 Kick 1
96	BD	Plastic BD 3	Roll Kick	TR909 Kick 1	Roll Kick	Dance Kick 1
97	SD	TR808 Snr 6	Roll Snare	Solid Snare	Roll Snare	Break Snare2
98	SD	TR909 Snr 7	Break Snare2	Flange Snr	Break Snare2	HH Soul Snr
Note No.	Rhythm Group	P: A16 Hip-Hop 2	P: A17 Funk	P: A18 Electro	P: A19 Jazz	P: A20 Brush
35	BD	TR707 Kick 1	TR707 Kick 2	TR808 Kick 1	Lo-Fi Kick 1	Video Kick
36	BD	Optic Kick	West Kick	TR808 Kick 5	Hip Kick	West Kick
37	TOM/PERC	TR808 RimLng	Lo-Fi Rim	TR808 RimLng	SideStiker	Natural Rim
38	SD	Headz Snare	Deep Snare	TR808 Snr 8	Deep Snare	R&B Snare
39	CLP	Claptail	Funky Clap	Down Clap	Real Clap 1	Brush Slap 1
40	SD	TR808 Snr 7	Disco Snare	TR808 Snr 5	HH Soul Snr	MC Snare
41	TOM/PERC	TR808 Tom	TR707 Tom	TR808 Tom	Natural Tom	TR707 Tom
42	HH	TR808 CHH 1	Tight CHH	TR808 CHH 1	Real CHH	Pop CHH
43	TOM/PERC	TR808 Tom	TR707 Tom	TR808 Tom	Natural Tom	TR707 Tom
44	HH	TR808 PHH 1	Hip PHH	TR808 PHH 1	Pedal Hat 1	Room CHH
45	TOM/PERC	TR808 Tom	TR707 Tom	TR808 Tom	Natural Tom	TR707 Tom
46	HH	TR808 OHH 2	Funk OHH	TR808 OHH 1	Real OHH	Pop Hat Open
47	BD	TR909 Kick 3	Hazy Kick	Ele Kick	Optic Kick	Hip Kick
48	BD	TR808 Kick 3	Turbo Kick	TR707 Kick 2	Video Kick	Optic Kick
49	TOM/PERC	Gate Rim	SideStiker	TR707 Rim	Gate Rim	R8 BrshSwill
50	SD	Tiny Snare 2	Whack Snare	ElectroSnr 2	Headz Snare	R8 Brush Tap
51	CLP	Little Clap	Funk Clap 2	TR707 Clap	Big Clap	Brush Slap 2
52	SD	R&B Snare	Macho Snare	Sim Snare	Cross Snare	R8 BrushRoll
53	TOM/PERC	Natural Tom	TR909 Tom	Deep Tom	TR707 Tom	Natural Tom
54	HH	Pop CHH	Real CHH	Closed Hat	Closed Hat	R8 Brush CHH
55	TOM/PERC	Natural Tom	TR909 Tom	Deep Tom	TR707 Tom	Natural Tom
56	HH	Pedal Hat 1	Pedal Hat 1	Pedal Hat 1	Bristol CHH	Pedal Hat 1
57	TOM/PERC	Natural Tom	TR909 Tom	Deep Tom	TR707 Tom	Natural Tom
58	HH	Pop Hat Open	Cym OHH	Open Hat	Cym OHH	R8 OHH
59	TOM/PERC	Natural Tom	TR909 Tom	Deep Tom	TR707 Tom	Natural Tom
60	TOM/PERC	Natural Tom	TR909 Tom	Deep Tom	TR707 Tom	Natural Tom
61	CYM	NaturalCrash	NaturalCrash	TR909 Crash	NaturalCrash	NaturalCrash
62	TOM/PERC	Natural Tom	TR909 Tom	Deep Tom	TR707 Tom	Natural Tom
63	CYM	TR909 Ride	TR909 Ride	TR707 Ride	TR909 Ride	TR909 Ride
64	CYM	TR909 Crash	TR909 Crash	NaturalCrash	NaturalCrash	NaturalCrash
65	CYM	Cup Cym	Cup Cym	Asian Gong	Cup Cym	Cup Cym
66	TOM/PERC	Tambourine 4	CR78 Tamb	Tambourine 2	Tambourine 2	Tambourine 2
67	CYM	TR909 Crash	TR909 Crash	TR909 Crash	TR909 Crash	TR606 Cym 1
68	TOM/PERC	Cowbell	TR707Cowbell	TR808Cowbell	Cowbell	Cowbell
69	CYM	TR606 Cym 1	TR606 Cym 1	TR606 Cym 1	TR606 Cym 1	TR909 Crash
70	TOM/PERC	TR808Cowbell	TR808Cowbell	TR727Quijada	TR808Cowbell	TR808Cowbell
71	CYM	Natural Ride	Natural Ride	Natural Ride	Natural Ride	Natural Ride
72	TOM/PERC	HiBongo Open	HiBongo Open	HiBongo Open	HiBongo Open	HiBongo Open
73	TOM/PERC	LoBongo Open	LoBongo Open	LoBongo Open	LoBongo Open	LoBongo Open
74	TOM/PERC	HiConga Mute	HiConga Mute	HiConga Mute	HiConga Mute	HiConga Mute
75	TOM/PERC	HiConga Open	HiConga Open	HiConga Open	HiConga Open	HiConga Open
76	TOM/PERC	LoConga Open	LoConga Open	LoConga Open	LoConga Open	LoConga Open
77	TOM/PERC	Hi Timbale	Hi Timbale	Hi Timbale	Hi Timbale	Hi Timbale
78	TOM/PERC	Lo Timbale	Lo Timbale	Lo Timbale	Lo Timbale	Lo Timbale
79	TOM/PERC	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo
80	TOM/PERC	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo
81	TOM/PERC	TechnoShaker	TechnoShaker	Cabasa Up	Cabasa Up	Cabasa Up
82	TOM/PERC	808 Maracas	808 Maracas	808 Maracas	Maracas	Maracas
83	HIT	Scratch BD f	Scratch BD f	Air Blip	TR727Quijada	Whistle
84	HIT	Scratch BD r	Scratch BD r	Thin Beef	Jingle Bell	Whistle
85	HIT	Scratch SD f	Scratch SD f	Back Hit	Short Guiro	Short Guiro
86	HIT	Scratch SD r	Scratch SD r	Analog Bird	Long Guiro	Long Guiro
87	HIT	Scratch ALT	Scratch ALT	Hoo	TR808 Claves	TR808 Claves
88	HIT	Funky Bass	Vinyl Stop	Metal Sweep	Hyoshigi	Hyoshigi
89	OTHERS	Vinyl Noise	Vinyl Noise	Emergency	Hyoshigi	Hyoshigi
90	OTHERS	Philly Hit	Philly Hit	Buzzer	Mute Cuica	Mute Cuica
91	OTHERS	Brass Fall	Brass Fall	Tonality	Open Cuica	Open Cuica
92	OTHERS	Ooh! 1	Kick it!	Ring Osc	Triangle 1	Triangle 1
93	OTHERS	Ooh! 2	Harmo Gtr	Toy Gun 3	Triangle 1	Triangle 1
94	CLP	Finger Snap	Big Clap	Hip Clap	Finger Snap	Real Clap 1
95	BD	TR808 Kick 1	Plastic BD 2	Plastic BD 1	TR808 Kick 1	TR909 Kick 2
96	BD	Hazy Kick	TR909 Kick 5	Lo-Fi Kick 1	TR909 Kick 1	TR707 Kick 1
97	SD	TR606 Snr 2	DanceHall SD	Synth Snare	R8 BrshSwill	Real Snare
98	SD	Machine Snr	Machine Snr	TR808 Snr 6	R8 Brush Tap	Deep Snare
Note No.	Rhythm Group	P: A21 Disco	P: A22 Ragga	P: A23 Rock	P: A24 Industrial	P: A25 Ethnic
35	BD	TR707 Kick 2	Analog Kick	Optic Kick	TR909 Dst BD	Open Surdo
36	BD	TR808 Kick 3	TR707 Kick 2	TR909 Kick 4	Lo-Fi Kick 2	Mute Surdo
37	TOM/PERC	TR707 Rim	Gate Rim	TR808 RimLng	Drill Hit	Jungle Snap
38	SD	Real Snare	Jungle Rim 1	Hash Snare	Big Trash SD	Natural Rim
39	CLP	Real Clap 1	Hip Clap	Funk Clap 2	Dist Swish	Big Clap
40	SD	Fat Snare	Ragga Snr 2	DJ Snare	Rage Snare	Jungle Snr 1
41	TOM/PERC	TR707 Tom	TR808 Tom	Kick Tom	Can Tom	Jungle Snr 2
42	HH	Real CHH	Bristol CHH	TR909 CHH 2	Air Blip	Mt Pandeiro
43	TOM/PERC	TR707 Tom	TR808 Tom	Kick Tom	Can Tom	Jungle Snr 2
44	HH	Pedal Hat 1	Pedal Hat 1	TR909 PHH 1	Beam HiQ	R8 Brush CHH
45	TOM/PERC	TR707 Tom	TR808 Tom	Kick Tom	Can Tom	Jungle Snr 2
46	HH	Real OHH	Cym OHH	TR909 OHH 1	TR909 DstOHH	Metal Sweep
47	BD	Turbo Kick	Plastic BD 4	TR909 Kick 5	Bomb	Afro Feet
48	BD	TR707 Kick 1	Video Kick	Turbo Kick	Iron Door	Mute Surdo
49	TOM/PERC	TR808 RimLng	Beam HiQ	SideStiker	Thrill	Jungle Snap
50	SD	Deep Snare	DanceHall SD	Lo-Fi Snare	PCM Drücken Sie	Op Pandeiro
51	CLP	Big Clap	Little Clap	Claptail	Air Gun	Real Clap 2
52	SD	TR707 Snare	Ragga Rim 2	Macho Snare	PCM Drücken Sie	Hi Timbale
53	TOM/PERC	Deep Tom	Deep Tom	TR707 Tom	TekRok Snare	TablaBaya
54	HH	TR808 CHH 1	TR707 CHH	TR909 PHH 1	Real PHH	Chenchen
55	TOM/PERC	Kick Tom	Deep Tom	TR707 Tom	TekRok Snare	TablaBaya
56	HH	Pop CHH	Pop CHH	TR909 OHH 3	TR909 PHH 1	Tambourine 1
57	TOM/PERC	Deep Tom	Deep Tom	TR707 Tom	TekRok Snare	TablaBaya
58	HH	TR707 OHH	TR707 OHH	Cym OHH	TR909 DstOHH	Tambourine 4
59	TOM/PERC	Kick Tom	Deep Tom	TR707 Tom	TekRok Snare	TablaBaya
60	TOM/PERC	Deep Tom	Deep Tom	TR707 Tom	TekRok Snare	Udo
61	CYM	NaturalCrash	NaturalCrash	TR909 Crash	Bomb Noise	Asian Gong
62	TOM/PERC	Kick Tom	Deep Tom	TR707 Tom	TekRok Snare	Udo
63	CYM	TR909 Ride	TR909 Ride	TR909 Ride	TR909 Ride	Cup Cym
64	CYM	NaturalCrash	NaturalCrash	TR909 Crash	Drill Hit	NaturalCrash
65	CYM	Cup Cym	Asian Gong	Asian Gong	ElectricDunk	Cup Cym
66	TOM/PERC	Tambourine 2	Tambourine 3	Tambourine 3	Mt Pandeiro	Tambourine 2
67	CYM	TR909 Crash	TR909 Crash	TR909 Crash	TR606 Cym 1	TR606 Cym 1
68	TOM/PERC	Cowbell	Cowbell	Cowbell	PC-2 Machine	Cowbell
69	CYM	TR606 Cym 1	TR606 Cym 1	TR606 Cym 2	TR909 Crash	NaturalCrash
70	TOM/PERC	TR808Cowbell	TR808Cowbell	TR808Cowbell	Crash	CR78 Beat
71	CYM	Natural Ride	TR707 Ride	Natural Ride	Natural Ride	Natural Ride
72	TOM/PERC	HiBongo Open	HiBongo Open	HiBongo LoFi	HiBongo LoFi	HiBongo LoFi
73	TOM/PERC	LoBongo Open	LoBongo Open	LoBongo LoFi	LoBongo LoFi	LoBongo LoFi
74	TOM/PERC	HiConga Mute	HiConga Mute	HiCnga Mt LF	HiCnga Mt LF	HiCnga Mt LF
75	TOM/PERC	HiConga Open	HiConga Open	HiCnga Op LF	HiCnga Op LF	HiCnga Op LF
76	TOM/PERC	LoConga Open	LoConga Open	LoConga LoFi	LoConga LoFi	LoConga LoFi
77	TOM/PERC	Hi Timbale	Hi Timbale	HiTimbale LF	HiTimbale LF	HiTimbale LF
78	TOM/PERC	Lo Timbale	Lo Timbale	LoTimbale LF	LoTimbale LF	LoTimbale LF
79	TOM/PERC	TR727 Agogo	TR727 Agogo	TR727 Agogo	Analog Bird	TR727 Agogo
80	TOM/PERC	TR727 Agogo	TR727 Agogo	TR727 Agogo	Analog Bird	TR727 Agogo
81	TOM/PERC	Cabasa Up	TechnoShaker	TR727Quijada	TechnoShaker	Cabasa Up
82	TOM/PERC	Maracas	808 Maracas	TR626 Shaker	TR626 Shaker	TR626 Shaker
83	HIT	Triangle 1	MG Attack	Bounce	One!	Whistle
84	HIT	Triangle 1	Air Blip	ElectricDunk	Two!	Whistle
85	HIT	Beam HiQ	Syn Hit	Iron Door	Three!	Short Guiro
86	HIT	Back Hit	TAO Hit	Drill Hit	Kick it!	Long Guiro
87	HIT	Back Hit	Chiki!	Thrill	Wao!	TR808 Claves
88	HIT	Philly Hit	Hey!	PCM Drücken Sie	Come on!	Hyoshigi
89	OTHERS	Brass Fall	Toy Gun 1	Dist TekGtr	Fuzzy Clap	AfroDrum Rat
90	OTHERS	Rezo Noise	Toy Gun 2	Dist TekGtr	Roll Kick	Mute Cuica
91	OTHERS	Iih Formant	Toy Gun 3	Dist TekGtr	Bomb	Open Cuica
92	OTHERS	Analog Bird	Reso FX	Dist TekGtr	LoTimbale LF	Triangle 2
93	OTHERS	Emergency	Emergency	Gtr FX	TR909 DstOHH	Triangle 1
94	CLP	Down Clap	Big Clap	Air Gun	Fuzzy Clap	Real Clap 1
95	BD	TR808 Kick 1	TR808 Kick 1	TR909 Kick 2	TR909 Kick 2	Boost Kick
96	BD	TR909 Kick 1	TR909 Kick 1	Gabba Kick	Roll Kick	Kick Ghost
97	SD	TR909 Snr 3	HH Soul Snr	ElectroSnr 2	TR909 DstSnr	Voice loop
98	SD	TR808 Snr 5	TR909 Snr 4	Big Trash SD	Flange Snr	Chiki!
Note No.	Rhythm Group	P: A26 Reverse	P: B01 Trance	P: B02 House 3	P: B03 2step	P: B04 R&B
35	BD	Ele Kick	Plastic BD 4	TR909 Kick 3	TR909 Dst BD	TR606 Dst BD
36	BD	Turbo Kick	Gabba Kick	Plastic BD 2	Break Kick	Dance Kick 1
37	TOM/PERC	TR909 Rim	Jungle Rim 3	TR808 RimLng	Natural Rim	Gate Rim
38	SD	TR606 Snr 2	Headz Snare	TR808 Snr 7	Cross Snare	HH Soul Snr
39	CLP	Comp Clap	Fuzzy Clap	Real Clap 1	Big Clap	Finger Snap
40	SD	Real Snare	TekRok Snare	TR909 Snr 5	Antigua Snr	DJ Snare
41	TOM/PERC	Can Tom	Deep Tom	TR909 Tom	TR909 Tom	TR606 Tom
42	HH	TR808 CHH 2	TR909 CHH 2	TR707 CHH	Real CHH	Pop CHH
43	TOM/PERC	Can Tom	Deep Tom	TR909 Tom	TR909 Tom	TR606 Tom
44	HH	TR808 PHH 1	TR909 PHH 2	TR707 PHH	Pedal Hat 1	Pedal Hat 1
45	TOM/PERC	Can Tom	Deep Tom	TR909 Tom	TR909 Tom	TR606 Tom
46	HH	TR808 OHH 1	TR909 DstOHH	TR707 OHH	Open Hat	Pop Hat Open
47	BD	TR707 Kick 1	Amsterdam BD	TR707 Kick 2	Hip Kick	Hip Kick
48	BD	Plastic BD 3	Hip Kick	TR909 Kick 5	Hazy Kick	Wet Kick
49	TOM/PERC	TR707 Rim	Jungle Rim 1	Lo-Fi Rim	Scratch SD f	Natural Rim
50	SD	TR909 Snr 4	TR606 Snr 1	Tiny Snare 2	Hash Snare	Whack Snare
51	CLP	TR707 Clap	Clap Snare 1	TR909 Clap 1	Real Clap 1	Real Clap 2
52	SD	Comp Clap	Indus Snare	TR909 Snr 4	Cross Snare	Lo-Hard Snr
53	TOM/PERC	TR707 Tom	TR606 Tom	TR707 Tom	TR707 Tom	Natural Tom
54	HH	TR909 CHH 1	TR909 PHH 1	TR909 CHH 1	Real CHH	Tight CHH
55	TOM/PERC	TR707 Tom	TR606 Tom	TR707 Tom	TR707 Tom	Natural Tom
56	HH	TR909 PHH 1	TR909 PHH 2	TR909 PHH 1	TR808 PHH 1	Pedal Hat 2
57	TOM/PERC	TR707 Tom	TR606 Tom	TR707 Tom	TR707 Tom	Natural Tom
58	HH	TR909 DstOHH	TR909 DstOHH	TR909 OHH 3	TR606 OHH	Open Hat
59	TOM/PERC	TR707 Tom	TR606 CmpTom	TR707 Tom	TR707 Tom	Natural Tom
60	TOM/PERC	TR707 Tom	TR606 CmpTom	TR707 Tom	TR707 Tom	Natural Tom
61	CYM	TR909 Crash	TR909 Crash	NaturalCrash	NaturalCrash	NaturalCrash
62	TOM/PERC	TR707 Tom	HiTimbale LF	TR707 Tom	TR707 Tom	Natural Tom
63	CYM	TR707 Ride	TR707 Ride	TR909 Ride	Natural Ride	Natural Ride
64	CYM	TR909 Crash	TR909 Crash	NaturalCrash	NaturalCrash	NaturalCrash
65	CYM	Asian Gong	Natural Ride	Tambourine 3	TR909 Crash	Cup Cym
66	TOM/PERC	Tambourine 2	TR707 Ride	Tambourine 1	Tambourine 3	Tambourine 3
67	CYM	TR909 Crash	NaturalCrash	TR909 Ride	TR707 Ride	Tambourine 4
68	TOM/PERC	TR808Cowbell	Cup Cym	CR78 Cowbell	TR808Cowbell	TR707Cowbell
69	CYM	TR606 Cym 2	TR909 Ride	Cup Cym	TR606 Cym 1	TR606 Cym 2
70	TOM/PERC	CR78 Tamb	Triangle 1	CR78 Beat	CR78 Beat	CR78 Cowbell
71	CYM	Cup Cym	Triangle 1	Natural Ride	Cup Cym	TR707 Ride
72	TOM/PERC	HiBongo Open	HiBongo LoFi	HiBongo Open	HiBongo Open	HiBongo LoFi
73	TOM/PERC	LoBongo Open	LoBongo LoFi	LoBongo Open	LoBongo Open	LoBongo LoFi
74	TOM/PERC	HiConga Mute	HiCnga Mt LF	HiConga Mute	HiConga Mute	HiCnga Mt LF
75	TOM/PERC	HiConga Open	HiCnga Op LF	HiConga Open	HiConga Open	HiCnga Op LF
76	TOM/PERC	LoConga Open	LoConga LoFi	LoConga Open	LoConga Open	LoConga LoFi
77	TOM/PERC	Hi Timbale	HiTimbale LF	Hi Timbale	Hi Timbale	HiTimbale LF
78	TOM/PERC	Lo Timbale	LoTimbale LF	Lo Timbale	Lo Timbale	LoTimbale LF
79	TOM/PERC	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo
80	TOM/PERC	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo	TR727 Agogo
81	TOM/PERC	TechnoShaker	TechnoShaker	Cabasa Up	Cabasa Up	TR626 Shaker
82	TOM/PERC	Maracas	Dance Shaker	TR626 Shaker	TR626 Shaker	Maracas
83	HIT	Beam HiQ	Beam HiQ	Wind Chime	Beam HiQ	Scratch BD f
84	HIT	Tape Rewind	Dist Swish	TR727Quijada	Philly Hit	Scratch BD r
85	HIT	Vinyl Stop	PCM Drücken Sie	Short Guiro	ElectricDunk	Scratch SD f
86	HIT	Come on!	Iron Door	Long Guiro	TablaBaya	Scratch SD r
87	HIT	One!	MG Attack	Wood Block	Tabla	Scratch ALT
88	HIT	Pa!	Air Blip	Whistle	Chenchen	MG Blip
89	OTHERS	Analog Bird	Rezo Noise	Beam HiQ	Metal Sweep	Philly Hit
90	OTHERS	Retro UFO	Toy Gun 2	Drill Hit	Analog Bird	Metal Sweep
91	OTHERS	Metal Sweep	Buzzer	Thin Beef	Wao!	Chiki!
92	OTHERS	Dst Solo Gtr	P5 Noise	Dist Swish	Mute Cuica	Chenchen
93	OTHERS	Emergency	Rezo Noise	Analog Bird	Toy Gun 3	Canvas
94	CLP	Down Clap	SNR MENU 6	Big Clap	Big Clap	Cheap Clap
95	BD	Wet Kick	TR808 Kick 2	TR808 Kick 1	TR909 Kick 3	TR808 Kick 1
96	BD	Hip Kick	Turbo Kick	TR606 Dst BD	TR909 Kick 5	Turbo Kick
97	SD	TR909 Snr 5	ElectroSnr 2	TR606 Snr 1	Jungle Rim 2	Real Snare
98	SD	Jazz Snare	Synth Snare	Whack Snare	RaggaTightSD	HipJazz Snr

Preset Pattern-Liste

No. Pattern Name BPM Mes. Programmer

A01 EuroTrance 1 140 8 Roland Corporation

A02 EuroTrance 2 140 8 Roland Corporation

A03 EuroTrance 3 140 8 Hans-Joerg Scheffler

A04 EuroTrance 4 140 4 B.U.S

A05 EuroTrance 5 138 4 B.U.S

A06 EuroTrance 6 135 8 Roland Corporation

A07 EuroTrance 7 138 8 Hans-Joerg Scheffler

A08 EuroTrance 8 150 8 Hans-Joerg Scheffler

A09 EuroTrance 9 144 8 Roland Europe S.p.A.

A10 EuroTrance 10 138 4 B.U.S

A11 Progressive 1 140 4 B.U.S

A12 Progressive 2 138 8 B.U.S

A13 Progressive 3 138 4 B.U.S

A14 Progressive 4 140 4 B.U.S

A15 Progressive 5 138 8 B.U.S

A16 Progressive 6 130 8 Hans-Joerg Scheffler

A17 Psy Trance 1 145 4 MASA

A18 Psy Trance 2 140 4 MASA

A19 Psy Trance 3 136 4 MASA

A20 Psy Trance 4 143 4 Roland Corporation U.S.

A21 Psy Trance 5 145 4 MASA

A22 HardTrance 1 145 4 MASA

A23 HardTrance 2 140 4 MASA

A24 HardTrance 3 139 4 MASA

A25 HardTrance 4 138 8 MASA

A26 HardTrance 5 141 4 B.U.S

A27 Trance 1 140 4 MASA

A28 Trance 2 138 4 MASA

A29 Trance 3 136 4 MASA

A30 Trance 4 137 4 MASA

A31 Trance 5 136 4 MASA

A32 Trance 6 140 8 Roland Corporation U.S.

A33 Trance 7 130 4 Hans-Joerg Scheffler

A34 DetroitTechno 1 132 4 HEIGO TANI

A35 DetroitTechno 2 134 4 Cappadocia Productions

A36 DetroitTechno 3 135 8 Cappadocia Productions

A37 DetroitTechno 4 130 4 HEIGO TANI

A38 DetroitTechno 5 132 4 HEIGO TANI

A39 DetroitTechno 6 140 4 Roland Corporation

A40 Minimal 1 140 4 HEIGO TANI

A41 Minimal 2 140 4 HEIGO TANI

A42 Minimal 3 140 4 HEIGO TANI

A43 Minimal 4 140 4 HEIGO TANI

A44 Minimal 5 130 4 Roland Corporation

A45 Minimal 6 141 4 Cappadocia Productions

A46 Minimal 7 141 4 Cappadocia Productions

A47 New Electro 1 128 4 Cappadocia Productions

No. Pattern Name BPM Mes. Programmer

A51 Ambient 1 100 4 Cappadocia Productions

A52 Ambient 2 80 4 Cappadocia Productions

A92 House 4 130 4 Roland Corporation U.S.

A93 House 5 133 8 Roland Corporation U.S.

A94 House 6 130 4 Hans-Joerg Scheffler

A97 House 9 125 4 Roland Corporation U.S.

A98 House 10 127 8 Roland Corporation U.S.

No. Pattern Name BPM Mes. Programmer

B39 G-Funk 2 92 4 Roland Corporation U.S.

B40 G-Funk 3 98 4 Cappadocia Productions

B41 G-Funk 4 92 4 Roland Corporation U.S.

B42 Abstract 1 96 4 Roland Corporation U.S.

B43 Abstract 2 90 4 Roland Corporation

B44 Abstract 3 85 4 Roland Corporation

B45 Abstract 4 93 4 Roland Corporation

B46 Abstract 5 78 4 Roland Corporation

B47 Abstract 6 97 4 Roland Corporation

B48 Drum'n'Bass 1 156 16 presto

B49 Drum'n'Bass 2 165 8 presto

B50 Drum'n'Bass 3 180 8 Roland Corporation

No. Pattern Name BPM Mes. Programmer

B51 Drum'n'Bass 4 160 4 HEIGO TANI

B52 Drum'n'Bass 5 180 8 presto

B53 Drum'n'Bass 6 170 8 Roland Corporation

B54 Drum'n'Bass 7 160 8 presto

B55 Drum'n'Bass 8 173 8 presto

B56 Drum'n'Bass 9 170 4 HEIGO TANI

B57 Drum'n'Bass 10 165 8 HEIGO TANI

No.: Pattern-Nummer

B58 Trance Drums 1

B59 Trance Drums 2

B60 Trance Drums 3

B61 Trance Drums 4

B62 Trance Drums 5

B63 Trance Drums 6

B64 Techno Drums 1

B65 Techno Drums 2

B66 Techno Drums 3

B67 Techno Drums 4

B68 Techno Drums 5

B69 Techno Drums 6

B70 Techno Drums 7

B71 Techno Drums 8

B72 Techno Drums 9

B73 House Drums 1

B74 House Drums 2

B75 House Drums 3

B76 House Drums 4

B77 House Drums 5

B78 House Drums 6

B79 House Drums 7

B80 2step Drums 1

B81 2step Drums 2

B82 R&B Drums 1

B83 R&B Drums 2

B84 R&B Drums 3

B85 R&B Drums 4

B86 HipHop Drums 1

B87 HipHop Drums 2

B88 HipHop Drums 3

B89 HipHop Drums 4

B90 DnB Drums

B91 Drums Fill 1

B92 Drums Fill 2

B93 Drums Fill 3

B94 Drums Fill 4

B95 Drums Fill 5

B96 Drums Fill 6

B97 Drums Fill 7

B98 Drums Fill 8

B99 Drums Fill 9

B00 Drums Fill 10

C01 Drums Fill 11

C02 Drums Fill 12

C03 Drums Fill 13

C04 Drums Fill 14

C05 Drums Fill 15

C06 Drums Fill 16

C07 Drums Fill 17

C08 Drums Fill 18

C09 Drums Fill 19

C10 Drums Fill 20

C11 Drums Fill 21

C12 Drums Fill 22

C13 Drums Fill 23

C14 Drums Fill 24

C15 Drums Fill 25

No. Pattern Name

C16 Drums Fill 26

C17 Drums Fill 27

C18 Drums Fill 28

C19 Perc Fill 1

C20 Perc Fill 2

C21 Perc Fill 3

C22 Noise Fill 1

C23 Noise Fill 2

C24 Trance Bass 1

C25 Trance Bass 2

C26 Trance Bass 3

C27 Trance Bass 4

C28 Trance Bass 5

C29 Techno Bass 1

C30 Techno Bass 2

C31 Techno Bass 3

C32 Techno Bass 4

C33 Techno Bass 5

C34 Techno Bass 6

C35 Techno Bass 7

C36 Techno Bass 8

C37 House Bass 1

C38 House Bass 2

C39 House Bass 3

C40 House Bass 4

C41 House Bass 5

C42 House Bass 6

C43 2step Bass

C44 R&B Bass

C45 HipHop Bass 1

C46 HipHop Bass 2

C47 HipHop Bass 3

C48 DnB Bass

C49 Synth Seq 1

C50 Synth Seq 2

C51 Synth Seq 3

C52 Synth Seq 4

C53 Synth Seq 5

C54 Synth Seq 6

C55 Synth Seq 7

C56 Synth Seq 8

C57 Synth Seq 9

C58 Synth Seq 10

C59 Synth Seq 11

C60 Synth Seq 12

C61 Synth Seq 13

C62 Kalimba Seq

C63 Synth Riff 1

C64 Synth Riff 2

C65 Synth Riff 3

C66 Synth Riff 4

C67 Synth Riff 5

C68 Synth Riff 6

C69 Synth Riff 7

C70 Synth Riff 8

C71 Synth Riff 9

C72 Synth Riff 10

C73 Synth Riff 11

No. Pattern Name

C74 Synth Riff 12

C75 Synth Riff 13

C76 Synth Riff 14

C77 Synth Riff 15

C78 Synth Riff 16

C79 Synth Riff 17

C80 Synth Riff 18

C81 Synth Riff 19

C82 Synth Riff 20

C83 Synth Riff 21

C84 Synth Riff 22

C85 Synth Riff 23

C86 Synth Riff 24

C87 Synth Riff 25

C88 Synth Riff 26

C89 Synth Riff 27

C90 Synth Riff 28

C91 Synth Riff 29

C92 Synth Riff 30

C93 Synth Riff 31

C94 Synth Riff 32

C95 Synth Riff 33

C96 Synth Riff 34

C97 Guitar Riff 1

C98 Guitar Riff 2

C99 Guitar Riff 3

C00 Organ Riff

D01 Hit Riff 1

D02 Hit Riff 2

D03 Hit Riff 3

D04 Hit Riff 4

D05 Hit Riff 5

D06 Hit Riff 6

D07 Perc Riff

D08 Synth Pad 1

D09 Synth Pad 2

D10 Synth Pad 3

D11 Synth Pad 4

D12 Synth Pad 5

D13 Synth Pad 6

D14 Synth Pad 7

D15 Synth Pad 8

D16 Synth Pad 9

D17 Synth Pad 10

D18 Synth Pad 11

D19 Synth Pad 12

D20 Synth Lead 1

D21 Synth Lead 2

D22 Synth Lead 3

D23 Synth Lead 4

D24 Synth Lead 5

D25 Synth Lead 6

D26 Synth Lead 7

D27 Synth Lead 8

D28 Synth Lead 9

D29 Synth Lead 10

D30 Synth Lead 11

D31 Synth Lead 12

No. Pattern Name

D32 Synth Lead 13

D33 Piano 1

D34 Piano 2

D35 Piano 3

D36 E.Piano 1

D37 E.Piano 2

D38 E.Piano 3

D39 E.Piano 4

D40 E.Piano 5

D41 E.Piano 6

D42 Organ

D43 Guitar 1

D44 Guitar 2

D45 Brass 1

D46 Brass 2

D47 Brass 3

D48 Voice 1

D49 Voice 2

D50 Voice 3

D51 Voice 4

D52 Scratch 1

D53 Scratch 2

D54 SFX 1

D55 SFX 2

D56 SFX 3

D57 SFX 4

D58 SFX 5

D59 SFX 6

D60 SFX 7

D61 SFX 8

D62 SFX 9

D63 SFX 10

D64 SFX 11

D65 SFX 12

D66 SFX 13

D67 SFX 14

D68 SFX 15

D69 SFX 16

D70 SFX 17

D71 SFX 18

D72 SFX 19

D73 SFX 20

D74 SFX 21

D75 SFX 22

D76 SFX 23

D77 SFX 24

D78 SFX 25

D79 SFX 26

D80 SFX 27

D81 SFX 28

D82 SFX 29

D83 SFX 30

D84 SFX 31

D85 SFX 32

D86 SFX 33

D87 SFX 34

D88 SFX 35

D89 SFX 36

RPS Set-Liste

D-FIELD No. Pattern Name

1. Euro Trance

1 B58 Trance Drums 1

2 C24 Trance Bass 1

3 B91 Drums Fill 1

4 C63 Synth Riff 1

5 C70 Synth Riff 8

6 D20 Synth Lead 1

7 C60 Synth Seq 12

8 D54 SFX 1

2. Progressive

1 B59 Trance Drums 2

2 C25 Trance Bass 2

3 B92 Drums Fill 2

4 D08 Synth Pad 1

5 C71 Synth Riff 9

6 D21 Synth Lead 2

7 D34 Piano 2

8 D55 SFX 2

3. Psy Trance

1 B60 Trance Drums 3

2 C26 Trance Bass 3

3 B93 Drums Fill 3

4 D09 Synth Pad 2

5 C54 Synth Seq 6

6 D22 Synth Lead 3

7 C85 Synth Riff 23

8 D05 Hit Riff 5

4. Hard Trance

1 B61 Trance Drums 4

2 C27 Trance Bass 4

3 B94 Drums Fill 4

4 D10 Synth Pad 3

5 C72 Synth Riff 10

6 C80 Synth Riff 18

7 C61 Synth Seq 13

8 D56 SFX 3

5. Trance

1 B62 Trance Drums 5

2 C28 Trance Bass 5

3 B95 Drums Fill 5

4 C64 Synth Riff 2

5 D13 Synth Pad 6

6 C81 Synth Riff 19

7 C86 Synth Riff 24

8 D06 Hit Riff 6

6. Detroit Techno

1 B64 Techno Drums 1

2 C29 Techno Bass 1

3 B96 Drums Fill 6

4 D11 Synth Pad 4

5 C73 Synth Riff 11

6 D23 Synth Lead 4

7 D30 Synth Lead 11

8 D57 SFX 4

7. Minimal

1 B65 Techno Drums 2

2 C30 Techno Bass 2

3 B97 Drums Fill 7

4 C49 Synth Seq 1

5 C74 Synth Riff 12

6 C58 Synth Seq 10

7 C87 Synth Riff 25

8 D50 Voice 3

8. New Electro

1 B66 Techno Drums 3

2 C31 Techno Bass 3

3 C22 Noise Fill

4 C65 Synth Riff 3

5 D14 Synth Pad 7

6 C59 Synth Seq 11

7 C88 Synth Riff 26

8 D58 SFX 5

D-FIELD No. Pattern Name

9. Ambient

1 B67 Techno Drums 4

2 C32 Techno Bass 4

3 B98 Drums Fill 8

4 C50 Synth Seq 2

5 D15 Synth Pad 8

6 C82 Synth Riff 20

7 D45 Brass 1

8 D59 SFX 6

10. NU-NRG

1 B68 Techno Drums 5

2 C33 Techno Bass 5

3 B99 Drums Fill 9

4 C66 Synth Riff 4

5 C75 Synth Riff 13

6 D24 Synth Lead 5

7 C89 Synth Riff 27

8 D60 SFX 7

11. Euro Beat

1 B69 Techno Drums 6

2 C34 Techno Bass 6

3 B00 Drums Fill 10

4 C51 Synth Seq 3

5 C55 Synth Seq 7

6 C83 Synth Riff 21

7 D35 Piano 3

8 D61 SFX 8

12. HappyHardcore

1 B70 Techno Drums 7

2 C35 Techno Bass 7

3 C01 Drums Fill 11

4 C52 Synth Seq 4

5 C76 Synth Riff 14

6 D25 Synth Lead 6

7 C90 Synth Riff 28

8 D62 SFX 9

13. Gabba

1 B71 Techno Drums 8

2 C36 Techno Bass 8

3 C02 Drums Fill 12

4 C97 Guitar Riff

5 C56 Synth Seq 8

6 D26 Synth Lead 7

7 D49 Voice 2

8 D63 SFX 10

14. UK HardHouse

1 B73 House Drums 1

2 C37 House Bass 1

3 C03 Drums Fill 13

4 C67 Synth Riff 5

5 C57 Synth Seq 9

6 D02 Hit Riff 2

7 D31 Synth Lead 12

8 D64 SFX 11

15. US HardHouse

1 B74 House Drums 2

2 C38 House Bass 2

3 C19 Perc Fill 1

4 C68 Synth Riff 6

5 C00 Organ Riff

6 D27 Synth Lead 8

7 C91 Synth Riff 29

8 D65 SFX 12

16. Chicago House

1 B75 House Drums 3

2 C39 House Bass 3

3 C04 Drums Fill 14

4 D48 Voice

5 C77 Synth Riff 15

6 D03 Hit Riff 3

7 D07 Perc Riff

8 D66 SFX 13

D-FIELD No. Pattern Name

17. Filter Disco

1 B76 House Drums 4

2 C40 House Bass 4

3 C05 Drums Fill 15

4 C98 Guitar Riff 2

5 C78 Synth Riff 16

6 D04 Hit Riff 4

7 C92 Synth Riff 30

8 D67 SFX 14

18. House

1 B77 House Drums 5

2 C41 House Bass 5

3 C20 Perc Fill 2

4 D33 Piano 1

5 C79 Synth Riff 17

6 D18 Synth Pad 11

7 C93 Synth Riff 31

8 D51 Voice 4

19. Garage House

1 B78 House Drums 6

2 C42 House Bass 6

3 C06 Drums Fill 16

4 C53 Synth Seq 5

5 D40 E.Piano 5

6 D43 Guitar 1

7 D46 Brass 2

8 D68 SFX 15

20. 2step

1 B80 2step Drums 1

2 C43 2step Bass

3 C07 Drums Fill 17

4 D36 E.Piano 1

5 C62 Kalimba Seq

6 D44 Guitar 2

7 D47 Brass 3

8 D69 SFX 16

21. R&B

1 B82 R&B Drums 1

2 C44 R&B Bass

3 C23 Noise Fill 2

4 D37 E.Piano 2

5 C99 Guitar Riff 3

6 D42 Organ

7 C94 Synth Riff 32

8 D70 SFX 17

22. HipHop East

1 B86 HipHop Drums 1

2 C45 HipHop Bass 1

3 C08 Drums Fill 18

4 D38 E.Piano 3

5 D01 Hit Riff 1

6 D28 Synth Lead 9

7 D52 Scratch 1

8 D71 SFX 18

23. G-Funk

1 B87 HipHop Drums 2

2 C46 HipHop Bass 2

3 C09 Drums Fill 19

4 D39 E.Piano 4

5 D16 Synth Pad 9

6 D29 Synth Lead 10

7 C95 Synth Riff 33

8 D72 SFX 19

24. Abstract

1 B88 HipHop Drums 3

2 C47 HipHop Bass 3

3 C10 Drums Fill 20

4 C69 Synth Riff 7

5 D17 Synth Pad 10

6 D19 Synth Pad 12

7 C96 Synth Riff 34

8 D53 Scratch 2

D-FIELD No. Pattern Name

25. Drum'n'Bass

1 B90 DnB Drums

2 C48 DnB Bass

3 C11 Drums Fill 21

4 D12 Synth Pad 5

5 D41 E.Piano 6

6 C84 Synth Riff 22

7 D32 Synth Lead 13

8 D73 SFX 20

26. BreakBeats Collection

1 B83 R&B Drums 2

2 B72 Techno Drums 9

3 B89 HipHop Drums 4

4 B84 R&B Drums 3

5 B63 Trance Drums 6

6 B85 R&B Drums 4

7 B79 House Drums 7

8 B81 2step Drums 2

27. BreakBeats Collection2

1 B58 Trance Drums 1

2 B68 Techno Drums 5

3 B65 Techno Drums 2

4 B76 House Drums 4

5 B90 DnB Drums

6 B86 HipHop Drums 1

7 B82 R&B Drums 1

8 B67 Techno Drums 4

28. Fill Collection

1 C12 Drums Fill 22

2 C13 Drums Fill 23

3 C14 Drums Fill 24

4 C21 Perc Fill 3

5 C15 Drums Fill 25

6 C16 Drums Fill 26

7 C17 Drums Fill 27

8 C18 Drums Fill 28

29. FX Collection

1 D74 SFX 21

2 D75 SFX 22

3 D76 SFX 23

4 D77 SFX 24

5 D78 SFX 25

6 D79 SFX 26

7 D80 SFX 27

8 D81 SFX 28

30. FX Collection 2

1 D82 SFX 29

2 D83 SFX 30

3 D84 SFX 31

4 D85 SFX 32

5 D86 SFX 33

6 D87 SFX 34

7 D88 SFX 35

8 D89 SFX 36

B.U.S [Build Up Swing]

Cappadocia Productions

Symbol Description Range

n MIDI Channel 0H-6H,9H (ch.1-ch.7,ch.10)

vv Control value 00H-7FH (0-127)

kk Note Number 00H-7FH (0-127)

xx ON/OFF 00II-3FII (0-63:OFF), 40II-7FII (64-127:ON)

1. Data reception (sound source section)

■Channel voice messages

- Note Off

status 2nd byte 3rd byte ____ ____

8nH kkH vvH

9nHkkH00H

vv=Note Off velocity: 00H - 7FH (0 - 127)

- Note On

status 2nd byte 3rd byte ____

9nH kkH vvH

vv=Note On velocity: 01H - 7FH (1 - 127)

•Polyphonic Aftertouch

status 2nd byte 3rd byte ____

AnH kkH vvH

vv=Polyphonic Aftertouch: 00 00H - 7FH (0 - 127)

•Control Change

* Not received when the Rx Switch parameter is OFF.

○Bank Select (Controller number 0,32)

status 2nd byte 3rd byte
BnH	00H	mmH
BnII	2011	lllll

mm,ll=Bank number: 00 (0)H-7F 7FH (bank.1-bank.16384)

* Not received when the Rx Program Change Switch or Rx Bank Select Switch parameter is OFF.
* The Patches corresponding to each Bank Select are as follows.

Bank Select		Program No	Group	Patch No.
MSB	LSB
81	0	001 - 128	Preset A	001 - 128
81	1	001 - 128	Preset B	001 - 128
81	2	001 - 128	Preset C	001 - 128
81	3	001 - 128	Preset D	001 - 128
84	0	001 - 068	Preset E	001 - 068
85	0	001 - 128	User	001 - 128
85	1	001 - 128	User	129 - 256

* The Rhythm set corresponding to each Bank Select are as follows.

Bank Select		Program No	Group	Patch No.
MSR	LSB
81	0	1 - 26	Preset A	01 - 26
84	0	1 - 4	Preset B	01 - 04
85	0	1 - 20	User	01 - 20

○Modulation (Controller number 1)

status	2nd byte	3rd byte
BnH		01H

* The effect will apply according to the Modulation Control setting.

○Data Entry (Controller number 6,38)

status 2nd byte 3rd byte
BnH	06H	mmH
BnII	26II	III

mm,ll= the value of the parameter specified by RPNmm=MSB, ll=LSB

○Expression (Controller number 11)

status 2nd byte 3rd byte ____ ____

BnH OBH vvH

* Expression messages are used to adjust the volume of each part.

○Hold 1 (Controller number 64)

status 2nd byte 3rd byte
Bnll	40ll	xxll

○Sostenuto (Controller number 66)

status	2nd byte	3rd byte
BnI1	42I1	xxI1

○Soft (Controller number 67)

status 2nd byte 3rd byte
BnH	43H	xxH

○Hold 2 (Controller number 69)

status	2nd byte	3rd byte
BnH	45H	xxH

○Portamento Control (Controller number 84)

status 2nd byte 3rd byte
BnH	54H	kkH

* A Note On message received immediately after a Portamento control will be sounded with the pitch changing smoothly from the source note number. If a voice is already sounding at the same note number as the source note number, that voice will change pitch to the pitch of the newly received Note On, and continue sounding (i.e., will be played legato).
* The speed of the pitch change caused by Portamento is determined by the Portamento Time parameter.

○RPN MSB/LSB (Controller number 100,101)

status 2nd byte 3rd byte
BnII	65II	mmII
BnH	64H	IIH

mm=MSB of the parameter number specified by RPN

ll=LSB of the parameter number specified by RPN

<< RPN >>

Control Changes include RPN (Registered Parameter Numbers), which are extended parameters whose function is defined in the MIDI specification.

When using RPNs, first the RPN (Controller numbers 100 and 101; they can be sent in any order) is transmitted to specify the parameter you wish to control. Then, Data Entry messages (Controller numbers 6 and 38) are used to set the value of the specified parameter. Once a RPN parameter has been specified, all further Data Entry messages on that channel are considered to apply to that specified parameter. In order to prevent accidents, when the desired setting has been made for the parameter, it is recommended that RPN be set to Null.

This device receives the following RPNs.

RPNMSB LSB MSB LSB	Data entry____ Notes ____
00H 00H	mmH — Pitch Bend Sensitivitymm : 00H–0CH (0–12 semitones)ll : ignored (processed as 00II)Up to 1 octave can be specified in semitone steps.*The Bend Range up parameter, Bend Range Down parameter will also be changed.*Not received by the Part R.
00H 01H	mmH lllH Master Fine Tuningmm, ll: 20 00H–40 00H–60 00H (-4096 x 100 / 8192–0–+4096 x 100 / 8192 cent )*The Fine Tune parameter of each Part will change.
00H 02H	mmH — Master Coarse Tuningmm : 10H–40H–70H (-48–0–+48 semitones)ll : ignored (processed as 00H)*The Key Shift parameter of each Part will change.
7FII 7FII	—— RPN nullRPN will be set as “unspecified”. Once this setting has been made, subsequent Data Entry messages will be ignored. (It is not necessary to transmit Data Entry for RPN Null settings.) Parameter values that were previously set will not change.mm, ll: ignored

* For the functions of other controller numbers, refer to "Table of Transmitted Data" (p. 76).

- Program Change

status 2nd byte ____

CnH ppH

pp=Program number: 00H-7FH (prog.1-prog.128)

- Channel Aftertouch

status 2nd byte ____

DnH vvH

* The effect will apply according to the Aftertouch Control setting.

- Pitch Bend Change

status 2nd byte 3rd byte ____

EnH lllH mmH

mm,ll=Pitch Bend value:00 00H-40 00H-7F 7FH (-8192-0-+8191)

* The effect will apply according to the Pitch Bend Control setting.

■Channel Mode messages

- All Sound Off (Controller number 120)

status 2nd byte 3rd byte ____ ____

BnH 78H 00H

* When this message is received, all notes currently sounding on the corresponding channel will be turned off.

- Reset All Controllers (Controller number 121)

status 2nd byte 3rd byte ____

BnH 79H 00H

* When this message is received, the following controllers will be set to their reset values.

Controller Reset value ____

Pitch Bend Change ±0 (center)

Polyphonic Key Pressure 0 (off)

Channel Pressure 0 (off)

Modulation 0 (off)

Expression 127 (maximum)

Hold 10 (off)

Sostenuto 0 (off)

Soft 0 (off)

Hold 20 (off) RPN Unset. Previously set data will not change.

- All Note Off (Controller number 123)

status 2nd byte 3rd byte ____ ____

BnH 7BH 00H

* When All Note Off is received, all currently sounding notes of the corresponding channel will be turned off. However if Hold 1 or Sostenuto are on, the sound will be held until these are turned off.

•Omni Off (Controller number 124)

status 2nd byte 3rd byte ____ ____

BnH 7CH100H

* The same processing as when All Note Off is received will be done.

•Omni On (Controller number 125)

status 2nd byte 3rd byte ____

BnH 7DH 00H

* The same processing as when All Note Off is received will be done. The instrument will not be set to OMNION.

•Mono (Controller number 126)

status 2nd byte 3rd byte ____ ____

BnH 7EH mmH

mm=Mono number: 00H-10H (0-16)

* The same processing as when All Note Off is received will be done, and the Solo Switch parameter will be set to ON.

•Poly (Controller number 127)

status 2nd byte 3rd byte ____ ____

BnH 7FH 00H

* The same processing as when All Note Off is received will be done, and the Solo Switch parameter will be set to OFF.

■System Realtime messages

- Timing Clock

status

F8H

* Settings can be made to synchronize or the LFO rate or the effect rate.

- Active Sensing

status

FEH

* When an Active Sensing message is received, the unit will begin monitoring the interval at which MIDI messages are received. During monitoring, if more than 420 ms passes without a message being received, the same processing will be done as when All Sound Off, All Note Off, and Reset All Controllers messages are received. Then monitoring will be halted.

■ System Exclusive messages

status data byte ____ status ____ F0H iiH, ddH, ....., eeH F7H

FOH: System Exclusive message status

ii = ID number: This is the ID number (manufacturer ID) that specifies the manufacturer whose exclusive message this is. Roland's manufacturer ID is 41H.ID numbers 7EH and 7FH are defined in an expansion of the MIDI standard as Universal Non-realtime messages (7EII) and Universal Realtime Messages (7FH).

dd,..., ee = data: 00H-7FH (0-127)

F7H: BOX (End Of Exclusive) This is the last status of system exclusive message.

•Universal Non-realtime System Exclusive Messages

IdentityIdentity Request Message

Status Data byte Status

F0H 7EH,dev,06H,01H F7H

Byte Explanation

FOH Exclusive status

7EH ID number (universal non-realtime message)

dev Device ID (dev:10H(17)-1FH(32))

06H Sub ID#1 (General Information)

01H Sub ID#2 (Identity Request)

F7H EOX (End Of Exclusive)

* The "dev" is own device number or 7FH (Broadcast)
* When Identity Request is received, Identity Reply message will be transmitted.

•Data Request 1 RQ1

This message requests the other device to transmit data. The address and size indicate the type and amount of data that is requested.

When a Data Request message is received, if the device is in a state in which it is able to transmit data, and if the address and size are appropriate, the requested data is transmitted as a Data Set 1 (DT1) message. If the conditions are not met, nothing is transmitted.

The model ID of the exclusive messages used by this instrument is 00 0BH.

status data byte ____ status ____

41H, dev, 00H, 0BH, 11H, aaH, bbH, F7H

ccH, ddH, ssH, ttH, uuH, vvH, sum

Byte Remarks

FOH Exclusive status

41H ID number (Roland)

dev device ID (dev: 10H-1FH)

00H model ID (D2)

0B11 model ID (D2)

MIDI-Implementation

11H command ID (RQ1)

aalI address MSB

bbH address

ccH address

ddH address LSB

ssH size MSB

tH size

uuH size

vvH size LSB

sum checksum

F7H BOX (End Of Exclusive)

* For the address, size, and checksum, refer to "Examples of system exclusive messages and calculating the checksum" (p. 107).
* This message is not received if the Rx.System Exclusive Switch Switch parameter is OFF.

- Data Set 1 DT1

This message transmits the actual data, and is used when you wish to set the data of the receiving device.

status data byte status

F0H 41H, dev, 00H, 0BH, 12H, aaH, bbH, F7H

ccH, ddH, eeH, ... ffH, sum

Byte Remarks

F0H Exclusive status

41H ID number (Roland)

dev device ID (dev: 10H-1FH)

00H model ID (D2)

0BH model ID (D2)

12H command ID (DT1)

aaII address MSB

bbH address

ccH address

ddII address LSB

ceH data: The actual data to be transmitted. Multi-byte data is transmitted

in the order of the address.

: :

ffH data

sum checksum

F7H BOX (End Of Exclusive)

* For the address, size, and checksum, refer to "Examples of system exclusive messages and calculating the checksum" (p. 107).
* Data whose size is greater than 128 bytes should be divided into packets of 128 bytes or less and transmitted. Successive "Data Set 1" messages should have at least 20 ms of time interval between them.
* This message is not received if the Rx.System Exclusive Switch parameter is OFF.

The only GS exclusive messages received by the D2 are Scale Tune settings.

- Data Set 1 DT1

status data byte status

F0H 41H, dev, 42, 12H, aaH, bbH, F7H

ccH, ddH, ... eeH, sum

Byte Remarks

F0H Exclusive status

41H ID number (Roland)

dev device ID (dev: 10H-1FH)

42H model ID (GS)

12H command ID (DT1)

aaH address MSB

bbl address

ccH address LSB

ddH data: The actual data to be transmitted. Multi-byte data is transmitted

in the order of the address.

:

eeII data

sum checksum

F7H EOX (End Of Exclusive)

* This message is not received if the Rx.System Exclusive Switch parameter is OFF.

In addition to conventional system exclusive messages, the D2 also uses special system exclusive messages for operations which require realtime handling.

- Data Set 1 DT1

status data byte status

F0H 41H, dev, 3AH, 12H, aaH, F7H

obII, ccII, ddII, sum

Byte Remarks

FOH Exclusive status

4111 ID number (Roland)

dev device ID (dev: 10H-1FH)

3AH model ID (D2 Quick)

12H command ID (DT1)

aaH address (Status/Channel)

bblI address/Data II

ccH Data 1.

ddH Data E

sum checksum

F7H EOX (End Of Exclusive)

* For the address, size, and checksum, refer to "Examples of system exclusive messages and calculating the checksum" (p. 107).
* Transmission of consecutive addresses is not possible.
* This message is not received if the Rx.System Exclusive Switch parameter is OFF.

2. Data transmission (sound source section)

■Channel Voice messages

- Note Off

status 2nd byte ____3rd byte

—

8nH kkH vvH

- Note On

status 2nd byte ____ 3rd byte

—

9nH kkH vvH

vv=Note On velocity: 01H - 7FH (1 - 127)

•Control Change

* By selecting a controller number that corresponds to the setting of the Control Pedal Assign parameter, you can transmit any desired control change.

○Bank Select (Controller number 0,32)

status 2nd byte ____3rd byte

—

BnH

mmH

BnH 20H 11H

mm,ll=Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

* This message is not transmitted if Tx Program Change Switch parameter or Tx Bank Select Switch parameter is OFF.
* For the Bank Select that corresponds to each Patch, refer to section 1.

○Modulation (Controller number 1)

status 2nd byte ____3rd byte

—

BnH01H vvH

○Expression (Controller number 11)

status 2nd byte ____ 3rd byte

—

Bn110B11 vv11

○Hold 1 (Controller number 64)

status 2nd byte ____3rd byte

—

BnH 40H xxH

○Sostenuto (Controller number 66)

status 2nd byte ____ 3rd byte

(1)

Bn114211xxH

○Soft (Controller number 67)

status 2nd byte ____3rd byte

(No text)

BnH 43H xxH

○Hold 2 (Controller number 69)

status 2nd byte 3rd byte ____ ____

BnH 45H xxH

○Portamento control (Controller number 84)

status 2nd byte 3rd byte ____ ____

BnH 54H kkH

* For the functions of other controller numbers, refer to "Table of Transmitted Data" (p. 76).

- Program Change

status 2nd byte ____

CnH ppH

pp=Program number: 00H - 7FH (prog.1 - prog.128)

* This message is not transmitted when the Tx Program Change Switch parameter is OFF.

■System Realtime messages

•Active Sensing

status

FEH

* Transmitted at intervals of approximately 250ms.

■System Exclusive messages

•Universal Non-realtime System Exclusive Messages

Identity Reply

Status Data byte Status

F0117E11,dev,0611,0211,4111,0B11,0111,F711

03H, 00H, 00H, 03H, 00H, 00H

Byte Explanation

FOH Exclusive status

7EH ID number (universal non-realtime message)

dev Device ID (dev:10H(17)-1FH(32))

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

0BH 01H Device family code

03H 00H Device family number code

00H 03H 00H 00H Software revision level

F7H FOX (End of Exclusive)

* When Identity Request is received, Identity Reply message will be transmitted.

- Data Set 1 DT1

status data byte ____ status ____

F0H 41H, dev, 00H, 0BH, 12H, aaH, bbH, F7H

ccH, ddH, eeH, ... ffH, sum

Byte Remarks ____

FOII Exclusive status

41H ID number (Roland)

dev device ID (dev: 10H-1FH)

00H model ID (D2)

0BH model ID (D2)

12H command ID (DT1)

aaH address MSB

bbH address

cell address

ddH address LSB

eeH data: The actual data to be transmitted. Multi-byte data is transmitted in the order of the address.

fllI data

sum checksum

F7H EOX (End Of Exclusive)

* For the address, size, and checksum, refer to "Examples of system exclusive messages and calculating the checksum" (p. 107).

* Data whose size is greater than 128 bytes should be divided into packets of 128 bytes or less and transmitted. Successive "Data Set 1" messages should have at least 20 ms of time interval between them.

- Data Set 1 DT1

status data byte ____ status ____

F0H 41H, dev, 3AH, 12H, aaH, F7H

bbII, ccII, ddII, sum

Byte Remarks

FOH Exclusive status

4111 ID number (Roland)

dev device ID (dev: 10H-1FH)

3AH model ID (D2 Quick)

12H command ID (DT1)

aaH address (Status/Channel)

bbII address/Data II

ccH Data L.

ddH Data E

sum checksum

F7H EOX (End Of Exclusive)

* For the address, size, and checksum, refer to "Examples of system exclusive messages and calculating the checksum" (p. 107).

* Transmission of consecutive addresses is not possible.

1. Data reception (Sequencer section)

3.1 Messages recorded during recording

■Channel voice messages

- Note Off

status 2nd byte 3rd byte ____

8nH kkH vvH

9nH kkH 00H

- Note On

status 2nd byte 3rd byte ____ ____

9nHkkHvvH

vv=Note On velocity: 01H - 7FH (1 - 127)

•Polyphonic Aftertouch

status 2nd byte 3rd byte ____ ____

AnH kkH vvH

•Control Change

status 2nd byte 3rd byte ____ ____

BnH kkH vvH

kk=control number: 0011-7811 (0-120)

- Program Change

status 2nd byte ____

CnH ppH

pp=Program number: 00H-7FH (prog.1-prog.128)

•Channel Aftertouch

status 2nd byte ____

Dnll vvll

- Pitch Bend Change

status 2nd byte 3rd byte ____ ____

EnH IIH mmH

mm,ll=Pitch Bend value: 00 00H-40 00H-7F 7FH (-8192-0-+8191)

■Channel Mode messages

• All Sound Off (Controller number 120)

status 2nd byte 3rd byte ____ ____

BnH 78H 00H

- Reset All Controllers (Controller number 121)

status 2nd byte 3rd byte ____ ____

BnII79II00II

MIDI-Implementation

•Omni Off (Controller number 124)

status 2nd byte 3rd byte ____

BnH 7CH 00H

* The same processing will be done as when an All Note Off message is received.

•Omni On (Controller number 125)

status 2nd byte 3rd byte ____

BnH 7DH 00H

* The same processing will be done as when an All Note Off message is received.

•Mono (Controller number 126)

status 2nd byte 3rd byte ____ ____

BnH 7EH mmH

mm=mono number: 00H-10H (0-16)

* The same processing will be done as when an All Note Off message is received.

•Poly (Controller number 127)

status 2nd byte 3rd byte ____ ____

BnH 7FH 00H

* The same processing will be done as when an All Note Off message is received.

■System Exclusive messages

status data byte status ____ ____

F0H iiH, ddH, ....., eeH F7H

FOH: System Exclusive message status

ii = ID number: This is the ID number (manufacturer ID) that specifies the manufacturer whose exclusive message this is. Roland's manufacturer ID is 41H.ID numbers 7EH and 7FH are defined in an expansion of the MIDI standard as Universal Non-realtime messages (7EII) and Universal Realtime Messages (7FH).

dd,..., ee = data: 00H-7FH (0-127)

F7H:EOX(End Of Exclusive)

3.2 Messages not recorded during recording

■Channel Mode messages

- Local On/Off (Controller number 122)

status 2nd byte 3rd byte ____

BnH 7AH 00H

vv=value: 00H,7FII (Local off, Local on)

- All Note Off (Controller number 123)

status 2nd byte 3rd byte ____ ____

BnH 7BH 00H

* When an All Note Off message is received, all notes of the corresponding channel that are on will be sent Note Off's, and the resulting Note Off messages will be recorded.

3.3 Messages acknowledged for synchronization

■System Common messages

- Song Position Pointer

status 2nd byte 3rd byte ____ ____

F2H mmH 11H

mm,ll=value: 00 00H-7F 7FH (0-16383)

■System Realtime messages

- Timing Clock

status

FSII

* This message will be received if the Sync Mode parameter is SLAVE.

- Start

status

FAH

* This message will be received if the Sync Mode parameter is SLAVE or REMOTE.

- Continue

status

FBH

* This message will be received if the Sync Mode parameter is SLAVE or REMOTE.

-Stop

status

FCH

* This message will be received if the Sync Mode parameter is SLAVE or REMOTE.

4. Data transmission (Sequencer section)

4.1 Recorded messages are transmitted during playback.

4.2 If the Through parameter is ON, messages received (except for System Common messages and System Realtime messages) will be transmitted.

4.3 Messages that are generated and transmitted

4.3.1 Messages automatically generated by the system

■Channel Mode messages

•Omni Off (Controller number 124)

status 2nd byte 3rd byte ____

BnH 7CH 00H

* At start-up, this message is transmitted to all channels.

•Poly (Controller number 127)

status 2nd byte 3rd byte ____ ____

BnH 7F H (X)H

* At start-up, this message is transmitted to all channels.

4.3.2 Messages generated and transmitted when the Sync Out is ON

■System Common messages

- Song Position Pointer

status 2nd byte 3rd byte ____

F2H mmH IIH

mm,ll=value: 00 00H-7F 7FH (0-16383)

* This message is transmitted if the Sync out is ON. It is not transmitted when the D-FIELD is set to VINYL.

■System Realtime messages

- Timing Clock

status

F8H

* This message is transmitted if the Sync out is ON. It is not transmitted when the D-FIELD is set to VINYL.

- Start

status

FAH

* This message is transmitted if the Sync out is ON.

- Continue

status

FBII

* This message is transmitted if the Sync out is ON.

-Stop

status

FCH

* This message is transmitted if the Sync out is ON.

5. Parameter address map

* For addresses marked by #, the data is transmitted in two parts. For example, the hexadecimal data ABH would be divided into 0AH and 0BH, and transmitted in this order.
* Addresses for which the Description field is listed as "Reserved" have no meaning for the D2. They will be ignored.

■1. D2 (Model ID=00H 0BH)

■ Outline

The following is an outline of the address manp for Exclusive messages.

■1-1.System

OffsetAddress	Description
30 60	System Common	1-1-1
15 60	Part 1 Scale June	1-1-2
11 60	Part 2 Scale June
:
16 60	Part 7 Scale June

■1-1-1.System Common

OffsetAddress	Size	Description	Data (Value)
00 00 00 03	Daaa aaaa	Reserved	—
00 06	Daaa aaaa	Mantor Tuna	0 - 126 *1
00 07	0000 000a	Scale Tube Switch	0 - 1 (OFF,ON)
00 08	0000 000a	MTK Switch	0 - 1 (OFF,ON)
00 09	0000 000a	Delay Switch	0 - 1 (OFF,ON)
00 0A	0000 000a	Rayverb Switch	0 - 1 (OFF,ON)
00 0B	0000 000a	Patch Remain	0 - 1 (OFF,ON)
00 0C-0C 13	Daaa aaaa	Reserved	—
00 14	0000 000a	Receive Program Change Switch	0 - 1 (OFF,ON)
00 15	0000 000a	Receive Bank Select Switch	0 - 1 (OFF,ON)
00 16-0C 27	Daaa aaaa	Reserved	—
00 28	0000 000a	Transmit Program Change Switch	0 - 1 (OFF,ON)
00 29	0000 000a	Transmit Bank Select Switch	0 - 1 (OFF,ON)
00 2A-0C 61	Daaa aaaa	Reserved	—
Total size	00 00 00 62

1. 427.4 - 452.6

■1-1-2.Scale Tune

Offset Address	Size	Description	Data (Value)
00 00	DaaS AAA	Scale Tune for C	0 - 127 (-64 - -63)
00 01	DaaS AAA	Scale Tune for C4	0 - 127 (-64 - -63)
00 02	DaaS AAA	Scale Tune for D	0 - 127 (-64 - -63)
00 03	DaaS AAA	Scale Tune for D4	0 - 127 (-64 - -63)
00 04	DaaS AAA	Scale Tune for E	0 - 127 (-64 - -63)
00 05	DaaS AAA	Scale Tune for F	0 - 127 (-64 - -63)
00 06	DaaS AAA	Scale Tune for F4	0 - 127 (-64 - -63)
00 07	DaaS AAA	Scale Tune for G	0 - 127 (-64 - -63)
00 08	DaaS AAA	Scale Tune for G4	0 - 127 (-64 - -63)
00 09	DaaS AAA	Scale Tune for A	0 - 127 (-64 - -63)
00 0A	DaaS AAA	Scale Tune for A4	0 - 127 (-64 - -63)
00 0B	DaaS AAA	Scale Tune for B	0 - 127 (-64 - -63)
Total size	00 00 00 00

■1-2.Part Info

Offset Address	Description
00 00	Part Info Common	1-2-1
10 00	Part Info Part 1	1-2-2
11 00	Part Info Part 2
16 00	Part Info Part 7
19 00	Part Info Part 8

■1-2-1. Part Info Common

Offset Address	Size	Description	Data (Value)
00 0C-00 0C	OaaS AAA	Reserved	—
00 0D	OaaS AAA	MTX Type	0 - 24 (1 - 25)
00 0E	OaaS AAA	MTX CTRL 1	0 - 127
00 0F	OaaS AAA	MPX CTRL 2	0 - 127
00 10	OaaS AAA	MPX CTRL 3	0 - 127
00 11	OaaS AAA	MPX CTRL 4	0 - 127
00 12	OaaS AAA	MTX CTRL 5	0 - 127
00 13	OaaS AAA	MPX CTRL 6	0 - 127
00 14	OaaS AAA	MPX CTRL 7	0 - 127
00 15	OaaS AAA	MPX CTRL 8	0 - 127
00 16	OaaS AAA	MTX CTRL 9	0 - 127
00 17	OaaS AAA	MTX CTRL 10	0 - 127
00 18	OaaS AAA	MPX CTRL 11	0 - 127
00 1A-0C 1B	OaaS AAA	Reserved	—
00 1C	OaaS AAA	MPX Delay Send Level	0 - 127
00 1D	OaaS AAA	MPX Reverb Send Level	0 - 127
00 1E-0C 21	OaaS AAA	Reserved	—
00 22	OaaS AAA	Delay Level	0 - 127
00 23	0000 DCGA	Delay Type	0 - 1 *1
00 24	OaaS AAA	Delay HT Damp	0 - 17 *4
00 25	OaaS AAA	Delay Time	0 - 120
00 26	OaaS AAA	Delay Feedback Level	0 - 98
00 27	0000 DCGA	Delay Output Assign	0 - 2 *2
00 28	0000 DCGA	Reverb Type	0 - 5 *3
00 29	OaaS AAA	Reverb Level	0 - 127
00 2A	OaaS AAA	Reverb Time	0 - 127
00 2D	000s AAA	Reverb HT Damp	0 - 17 *4
00 0C-0C 2F	OaaS AAA	Reserved	—
00 30	OaaS AAA	Voice Reserve 1	0 - 84
00 31	OaaS AAA	Voice Reserve 2	0 - 84
00 32	OaaS AAA	Voice Reserve 3	0 - 84
00 33	OaaS AAA	Voice Reserve 4	0 - 84
00 34	OaaS AAA	Voice Reserve 5	0 - 84
00 35	OaaS AAA	Voice Reserve 6	0 - 84
00 36	OaaS AAA	Voice Reserve 7	0 - 84
00 5T-0C 38	OaaS AAA	Reserved	—
00 39	OaaS AAA	Voice Reserve R	0 - 64
00 3A-0C 43	OaaS AAA	Reserved	—
Total size	00 00 00 44

*1: SHORT, LONG

*1: OFF, ON, Reserved, Reserved, RHY
* 2: Refer to the chart below

[Patch]

Jatch		Jatch group type	Jatch group ID	Fatch Numbers	Bank Name	Gel elect	Program No.
P-A001	P-A125	6	3	0 - 127	81	1	1 - 126
P-A002	P-A125	6	4	0 - 127	81	1	1 - 126
P-U001	P-C128	6	5	0 - 127	81	2	1 - 126
P-U002	P-U120	6	6	0 - 127	81	3	1 - 126
P-U003	P-SC088	6	7	0 - 67	84	6	1 - 126
P-U001	P-U120	3	1	0 - 127	85	0	1 - 126
P-U129	P-U256	3	2	0 - 127	85	1	1 - 126

[Rhythm set]

Rhythm set	Patch Group Type	Patch Group ID	Patch Number	Bank select		Program No.
				MSB	L6B
M AHI - M A20	0	3	8 - 25	81	0	- - 26
K-M01 - K-M04	0	4	0 - 3	84	0	1 - 4
K-U01 - K-U20	0	1	0 - 19	95	0	1 - 20

■1-3.Patch

OffsetAddress	Description
50.00	Patch Common	1-3-1
10.00	Patch Tone 1	1-3-2
12.00	Patch Tone 2
14.00	Patch Tone 3
16.00	Patch Tone 4

■1-3-1.Patch Common

OffsetAddress	Size	Description	Data (Value)
00 00	Daaa aaaa	Patch Name 1	32 - 125
00 01	Daaa aaaa	Patch Name 2	32 - 125
00 02	Daaa aaaa	Patch Name 3	32 - 125
00 03	Daaa aaaa	Patch Name 4	32 - 125
00 04	Daaa aaaa	Patch Name 5	32 - 125
00 05	Daaa aaaa	Patch Name 6	32 - 125
00 06	Daaa aaaa	Patch Name 7	32 - 125
00 07	Daaa aaaa	Patch Name 8	32 - 125
00 08	Daaa aaaa	Patch Name 9	32 - 125
00 09	Daaa aaaa	Patch Name 10	32 - 125
00 0A	Daaa aaaa	Patch Name 11	32 - 125
00 0B	Daaa aaaa	Patch Name 12	32 - 125
00 0C-0C 30	Daaa aaaa	Reserved	—
00 31	0000 aaaa	Band Range Up	0 - 12
00 32	0000 aaaa	Band Range Down	0 - 48 (0 - -48)
00 33	0000 000a	Solo Switch	0 - 1 (OFF,ON)
00 34	0000 000a	Solo Legato Switch	0 - 1 (OFF,ON)
00 35	0000 000a	Portamento Switch	0 - 1 (OFF,ON)
00 36	0000 000a	Portamento Mode	0 - 1 *1
00 37	0000 000a	Portamento Type	0 - 1 (RATE,TIME)
00 38	0000 000a	Portamento Start	0 - 1 (FITCH,NOTE)
00 39	Daaa aaaa	Portamento Time	0 - 127
00 3A-0C 3P	Daaa aaaa	Reserved	—
00 40	0000 000a	Velocity Range Switch	0 - 1 (OFF,ON)
00 41	Daaa aaaa	Reserved	—
00 42	0000 00aa	Stretch Tune Depth	0 - 3 (OFF,1 - 3)
00 43	0000 000a	Voice Priority	0 - 1 *2
00 44	0000 aaaa	Structure Type 1/2	0 - 9 (1 - 10)
00 45	0000 00aa	Booster 1/2	0 - 3 *3
00 46	0000 aaaa	Structure Type 3/4	0 - 9 (1 - 10)
00 47	0000 00aa	Booster 3/4	0 - 3 *3
00 48-0C 49	Daaa aaaa	Reserved	—
Total size	00 00 00 4A

* 1: NORMAL, LEGATO
* 2: LAST. LOUDEST
*3: 0,+6,+12,+18

■1-3-2.Patch Tone

OffsetAddress	Size	Description	Data (Value)
#	00 00	0000 000a	Tune Switch	0 - 1 (OFF,ON)
	00 01	0000 000c	Wave Group Type	0 *1
	00 02	0000 00aa	Wave Group ID	1 - 3 *1
	00 03	0000 aaaa	Wave Number	0 - 253 *1
		0000 bbbb
	00 05	0000 00aa	Wave Gain	0 - 3 *2
	00 06	0000 000a	FXM Switch	0 - 1 (OFF,ON)
	00 07	0000 00aa	FXM Color	0 - 3 (1 - 4)
	00 08	0000 aaaa	FXM Depth	0 - 15 (1 - 16)
00 09-00 0A	Oaaa aaaa	Reserved	—
00 0B	Oaaa aaaa	Velocity Cross Fade	0 - 127
00 0C	Oaaa aaaa	Velocity Range Lower	1 - 127 *3
00 0D	Oaaa aaaa	Velocity Range Upper	1 - 127 *4
00 0E	Oaaa aaaa	Keyboard Range Lower	0 - 127 *5
00 0F	Oaaa aaaa	Keyboard Range Upper	0 - 127 *6
00 10-00 14	Oaaa aaaa	Rmserved	—
00 19	00Ca aaaa	Modulation 1 Destination	0 - 15 *7
00 16	Oaaa aaaa	Modulation 1 Depth	0 - 126 (-63 - +63)
00 17	00Ca aaaa	Modulation 2 Destination	0 - 15 *7
00 18	Oaaa aaaa	Modulation 2 Depth	0 - 126 (-63 - +63)
00 19	00Ca aaaa	Modulation 3 Destination	0 - 15 *7
00 1A	Oaaa aaaa	Modulation 3 Depth	0 - 126 (-63 - +63)
00 1D	00Ca aaaa	Modulation 4 Destination	0 - 15 *7
00 1C	Oaaa aaaa	Modulation 4 Depth	0 - 126 (-63 - +63)
00 1D	00Ca aaaa	Pitch Bend 1 Destination	0 - 15 *7
00 1E	Oaaa aaaa	Pitch Bend 1 Depth	0 - 126 (-63 - +63)
00 1F	00Ca aaaa	Pitch Bend 2 Destination	0 - 15 *7
00 20	Oaaa aaaa	Pitch Bend 2 Depth	0 - 126 (-63 - +63)
00 21	00Ca aaaa	Pitch Bend 3 Destination	0 - 15 *7
00 22	Oaaa aaaa	Pitch Bend 3 Depth	0 - 126 (-63 - +63)
00 23	00Ca aaaa	Pitch Bend 4 Destination	0 - 15 *7
00 24	Oaaa aaaa	Pitch Bend 4 Depth	0 - 126 (-63 - +63)
00 29	00Ca aaaa	Aftertouch 1 Destination	0 - 15 *7
00 28	Oaaa aaaa	Aftertouch 1 Depth	0 - 126 (-63 - +63)
00 27	00Ca aaaa	Aftertouch 2 Destination	0 - 15 *7
00 28	Oaaa aaaa	Aftertouch 2 Depth	0 - 126 (-63 - +63)
00 29	00Ca aaaa	Aftertouch 3 Destination	0 - 15 *7
00 2A	Oaaa aaaa	Aftertouch 3 Depth	0 - 126 (-63 - +63)
00 2B	00Ca aaaa	Aftertouch 4 Destination	0 - 15 *7
00 2C	Oaaa aaaa	Aftertouch 4 Depth	0 - 126 (-63 - +63)
00 2D	0000 0aaa	LFO1 Waveform	0 - 7 *8
00 2E	0000 000a	LFO1 Key Sync	0 - 1 (OFF,ON)
00 2F	Oaaa aaaa	LFO1 Rate	0 - 127
00 30	0000 0aaa	LFO1 Offset	0 - 4 *9
00 31	Oaaa aaaa	LFO1 Delay Time	0 - 127
00 32	0000 00aa	LFO1 Tade Mode	0 - 3 *10
00 33	Oaaa aaaa	LFO1 Tade Time	0 - 127
00 34	0000 000a	LFO1 Tempo Sync	0 - 1 (OFF,ON)
00 35	0000 0aaa	LFO2 Waveform	0 - 7 *8
00 36	0000 000a	LFO2 Key Sync	0 - 1 (OFF,ON)
00 37	Oaaa aaaa	LFO2 Rate	0 - 127
00 38	0000 0aaa	LFO2 Offset	0 - 4 *9
00 39	Oaaa aaaa	LFO2 Delay Time	0 - 127
00 3A	0000 00aa	LFO2 Tade Mode	0 - 3 *10
00 3D	Oaaa aaaa	LFO2 Tade Time	0 - 127
00 3C	0000 000a	LFO2 Tempo Sync	0 - 1 (OFF,ON)
00 3D	Oaaa aaaa	Course Tuns	0 - 96 (-48 - +48)
00 3E	Oaaa aaaa	Fine Tune	0 - 100 (-50 - +50)

00 3F	000a aaaa	Random Pitch Depth	0 - 30	*11
00 40	0000 aaaa	Pitch Key Follow	0 - 15	^12
00 41	000s aaaa	Pitch Envelope Depth	0 - 24	{−12 - −12}
00 42	0as aaaa	Pitch Envelope Velocity Sens	0 - 125	*13
00 43	0000 aaaa	Pitch Envelope Velocity Time1	0 - 14	*14
00 44	0000 aaaa	Pitch Envelope Velocity Time4	0 - 14	*14
00 45	0000 aaaa	Pitch Envelope Time Key Follow	0 - 14	*14
00 46	0as aaaa	Pitch Envelope Time 1	0 - 127
00 47	0as aaaa	Pitch Envelope Time 2	0 - 127
00 48	0as aaaa	Pitch Envelope Time 3	0 - 127
00 49	0as aaaa	Pitch Envelope Time 4	0 - 127
00 4A	0as aaaa	Pitch Envelope Level 1	0 - 126	{−63 - −63}
00 4B	0as aaaa	Pitch Envelope Level 2	0 - 126	{−63 - −63}
00 4C	0as aaaa	Pitch Envelope Level 3	0 - 126	{−63 - −63}
00 4D	0as aaaa	Pitch Envelope Level 4	0 - 126	{−63 - −63}
00 4E	0as aaaa	Pitch LFO1 Depth	0 - 126	{−63 - +63}
00 4F	0as aaaa	Pitch LFO2 Depth	0 - 126	{−63 - −63}
00 50	0000 Oaaa	Filter Type	0 - 4	*15
00 51	0as aaaa	Cutoff Frequency	0 - 127
00 52	0000 aaaa	Cutoff Key Follow	0 - 15	^12
00 53	0as aaaa	Reasonance	0 - 127
00 54	0as aaaa	Resonance Velocity Sens	0 - 125	*13
00 55	0as aaaa	Filter Envelope Depth	0 - 126	{−63 - +63}
00 56	0000 Oaaa	Filter Envelope Velocity Curve	0 - 8	{1 - 7}
00 57	0as aaaa	Filter Envelope Velocity Sens	0 - 125	*13
00 58	0000 aaaa	Filter Envelope Velocity Time1	0 - 14	*14
00 59	0000 aaaa	Filter Envelope Velocity Time4	0 - 14	*14
00 6A	0000 aaaa	Filter Envelope Time Keyfollow	0 - 14	*14
00 6B	0as aaaa	Filter Envelope Time 1	0 - 127
00 5C	0as aaaa	Filter Envelope Time 2	0 - 127
00 5D	0as aaaa	Filter Envelope Time 3	0 - 127
00 5E	0as aaaa	Filter Envelope Time 4	0 - 127
00 5F	0as aaaa	Filter Envelope Level 1	0 - 127
00 60	0as aaaa	Filter Envelope Level 2	0 - 127
00 61	0as aaaa	Filter Envelope Level 3	0 - 127
00 62	0as aaaa	Filter Envelope Level 4	0 - 127
00 63	0as aaaa	Filter LFO1 Depth	0 - 126	{−63 - +63}
00 64	0as aaaa	Filter LFO2 Depth	0 - 126	{−63 - +63}
00 65	0as aaaa	Tong Level	0 - 127
00 66	0000 Oaa	Bias Direction	0 - 3	*16
00 67	0as aaaa	Bias Point	0 - 127	{0-1 - 92}
00 68	0000 aaaa	Bias Level	0 - 14	*14
00 69	0000 Daaa	Amp Envelope Velocity Curve	0 - 6	{1 - 7}
00 6A	0as aaaa	Amp Envelope Velocity Sans	0 - 125	*13
00 6D	0000 aaaa	Amp Envelope Velocity Time1	0 - 14	*14
00 6C	0000 aaaa	Amp Envelope Velocity Time4	0 - 14	*14
00 6D	0000 aaaa	Amp Envelope Time Keyfollow	0 - 14	*14
00 6E	0as aaaa	Amp Envelope Time 1	0 - 127
00 6F	0as aaaa	Amp Envelope Time 2	0 - 127
00 70	0as aaaa	Amp Envelope Time 3	0 - 127
00 71	0as aaaa	Amp Envelope Time 4	0 - 127
00 72	0as aaaa	Amp Envelope Level 1	0 - 127
00 73	0as aaaa	Amp Envelope Level 2	0 - 127
00 74	0as aaaa	Amp Envelope Level 3	0 - 127
00 75	0as aaaa	Amp LFO2 Depth	0 - 126	{−63 - +63}
00 76	0as aaaa	Amp LFO2 Depth	0 - 126	{−63 - +63}
00 77	0as aaaa	Tong Pan	0 - 127	{L64 - 638}
00 78	0000 aaaa	Pan Key follow	0 - 14	*14
00 79	0as aaaa	Random Pan Switch	0,63	{OFF, ON}
00 7A	0as aaaa	Alternate Fan Depth	1 - 127	{L63 - 635}
00 7B	0as aaaa	Pan LFO1 Depth	0 - 126	{−63 - +63}
00 7C	0as aaaa	Pan LFO2 Depth	0 - 126	{−63 - +63}

* 1: Correspondence between the "Waveform List" and "Wave Group Type, Wave Group ID, Wave Number

Wave	Wave Group Type	Wave Group ID	Wave Number
A001-254 0 1 0 - 253
B001-251 0 2 0 - 250

*2: -6,0,+6,+12
*3: 1 - Upper
* 4: Lower - 127
*5: C-1 - Upper
*6: Lower - G9
*7: OFF, PCH, CUT, RES, LEV, PAN, L1P, L2P, L1F, L2F, L1A, L2A, PL1, PL2, L1R, L2R
* 8: TRI SIN, SAW, SOR, TRP, S&H, RND, CHS
*9: -100,-50,0,+50,+100
*10: ON-IN, ON-OUT, OFF-IN, OFF-OUT
11: 0, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 20, 30, 40, 50, 60, 70, 80, 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200
* 12: -100, -70, -50, -30, -10, 0, +10, +20, +30, +40, +50, +70, +100, +120, +150, +200
*13: -100 - +150
* 14: -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40, +50, +70, +100
* 15: OFF, LPF, BPF, HPF, PKG
*16: LOWER, UPPER, LOW&UP, ALL

■1-4.Rhythm Set

Offset Address	Description
00 00	Khythm Common	1-4-1
23 00	Khythm Note for Key↑ 35	1-4-2
24 00	Khythm Note for Key↑ 36
:
82 00	Khythm Note for Key↑ 98

■1-4-1.Rhythm Common

OffsetAddress	Size	Description	Data (Value)
00 00	Oaaa aaaa	Rhythm Name 1	32 - 125
00 01	Oaaa aaaa	Rhythm Name 2	32 - 125
00 02	Oaaa aaaa	Rhythm Name 3	32 - 125
00 03	Oaaa aaaa	Rhythm Name 4	32 - 125
00 04	Oaaa aaaa	Rhythm Name 5	32 - 125
00 05	Oaaa aaaa	Rhythm Name 6	32 - 125
00 06	Oaaa aaaa	Rhythm Name 7	32 - 125
00 07	Oaaa aaaa	Rhythm Name 8	32 - 125
00 08	Oaaa aaaa	Rhythm Name 9	32 - 125
00 09	Oaaa aaaa	Rhythm Name 10	32 - 125
00 0A	Oaaa aaaa	Rhythm Name 11	32 - 125
00 0B	Oaaa aaaa	Rhythm Name 12	32 - 125
Total size	00 00 00 00

■1-4-2.Rhythm Note

OffsetAddress	Size	Description	Data (Value)
00 00	0000 000a	Tana Switch	0 - 1 (OFF,ON)
00 01	0000 0000	Wave Group Type	0 - 1
00 02	0000 00aa	Wave Group ID	1 - 3 *1
00 03	0000 aaaa	Wave Number	0 - 253 *1
	0000 hbbb
00 05	0000 00aa	Wave Gain	0 - 3 *2
00 06	0000 aaaa	Bend Range	0 - 12
00 07	0000a aaaa	Mute Group	0 - 31 (OFF,1 - 31)
00 08	0000 000a	Envelope Mode	0 - 1 *3
00 09-00 08	aaa aaaa	Kansarved	—
00 0C	Oaaa aaaa	Coarse Tune	0 - 120 (-60 - +60)
00 0D	Oaaa aaaa	Fine Tune	0 - 100 (-30 - +30)
00 0E	O00a aaaa	Random Pitch Depth	0 - 2 *4
00 0F	O00a aaaa	Pitch Envelope Depth	0 - 24 (-12 - +12)
00 10	Oaaa aaaa	Pitch Envelope Velocity Sens	0 - 125 *5
00 11	0000 aaaa	Pitch Envelope Velocity Time	0 - 14 *6
00 12	Oaaa aaaa	Pitch Envelope Time 1	0 - 127
00 13	Oaaa aaaa	Pitch Envelope Time 2	0 - 127
00 14	Oaaa aaaa	Pitch Envelope Time 3	0 - 127
00 15	Oaaa aaaa	Pitch Envelope Time 4	0 - 127
00 16	Oaaa aaaa	Pitch Envelope Level 1	0 - 126 (-63 - +63)
00 17	Oaaa aaaa	Pitch Envelope Level 2	0 - 126 (-63 - +63)
00 18	Oaaa aaaa	Pitch Envelope Level 3	0 - 126 (-63 - +63)
00 19	Oaaa aaaa	Pitch Envelope Level 4	0 - 126 (-63 - +63)
00 1A	0000 0aaa	Filter Type	0 - 4 *7
00 1B	Oaaa aaaa	Cutoff Frequency	0 - 127
00 1C	Oaaa aaaa	Ranonance	0 - 127
00 1D	Oaaa aaaa	Resonance Velocity Sens	0 - 125 *5
00 1E	Oaaa aaaa	Filter Envelope Depth	0 - 126 (-63 - +63)
00 1F	Oaaa aaaa	Filter Envelope Velocity Sens	0 - 125 *5
00 20	0000 aaaa	Filter Envelope Velocity Time	0 - 14 *6
00 21	Oaaa aaaa	Filter Envelope Time 1	0 - 127
00 22	Oaaa aaaa	Filter Envelope Time 2	0 - 127
00 23	Oaaa aaaa	Filter Envelope Time 3	0 - 127
00 24	Oaaa aaaa	Filter Envelope Time 4	0 - 127
00 25	Oaaa aaaa	Filter Envelope Level 1	0 - 127
00 26	Oaaa aaaa	Filter Envelope Level 2	0 - 127
00 27	Oaaa aaaa	Filter Envelope Level 3	0 - 127
00 28	Oaaa aaaa	Filter Envelope Level 4	0 - 127
00 29	Oaaa aaaa	Tune Level	0 - 127
00 2A	Oaaa aaaa	Amp Envelope Velocity Sens	0 - 125 *5
00 2D	O000 aaaa	Amp Envelope Velocity Time	0 - 14 *6
00 2C	Oaaa aaaa	Amp Envelope Time 1	0 - 127
00 2D	Oaaa aaaa	Amp Envelope Time 2	0 - 127
00 2E	Oaaa aaaa	Amp Envelope Time 3	0 - 127
00 2F	Oaaa aaaa	Amp Envelope Time 4	0 - 127
00 30	Oaaa aaaa	Amp Envelope Level 1	0 - 127
00 31	Oaaa aaaa	Amp Envelope Level 2	0 - 127
00 32	Oaaa aaaa	Amp Envelope Level 3	0 - 127
00 33	Oaaa aaaa	Tune Pan	0 - 127 (164 - 63R)
00 36	Oaaa aaaa	Random Pan Switch	0,63 (OPT,ON)
00 39	Oaaa aaaa	Alternate Pan Depth	1 - 127 (163 - 63R)
00 36	0000 00aa	MKX Switch	2 - 3 *8
00 37	Oaaa aaaa	Reserved	—
00 38	Oaaa aaaa	Delay Send Level	0 - 127
00 39	Oaaa aaaa	Reverb Send Level	0 - 127
Total size	00 00 00 3A

*1: Correspondence between the "Waveform List" and "Wave Group Type, Wave Group ID, Wave Number"

Wave	Wave Group Type	Wave Group ID	Wave Number
A001-254 0 1 0 - 253
B001-251 0 2 0 - 250

* 2: -6,0,+6,+12
* 3: NO-SUS, SUSTAIN
*4: 0,1,2,3,4,5,6,7,8,9,10,20,30,40,50,60,70,80,
* 90, 100, 200, 300, 400, 500, 600, 700, 800, 900, 1000, 1100, 1200
* 5: -100 - +150
* 6: -100, -70, -50, -40, -30, -20, -10, 0, +10, +20, +30, +40,
^* +50, +70, +100
* 7: OFF, LPF, BPF, HPF, PKC
*8: OFF, ON

■2. GS (Model ID=42H)

Start address	Description
40 11 00	Scale Tune Part1	2-1
40 12 00	: Part2
40 13 00	: Part3
40 14 00	: Part4
40 15 00	: Part5
40 16 00	: Part6
40 17 00	: Part7

■2-1. Scale Tune

Offset Address	Size	Description	Data (Value)
40	Oaaa aaaa	Scale Tune for C	0 - 127 (-64 - +63)
41	Oaaa aaaa	Scale Tune for C‡	0 - 127 (-64 - +63)
42	Oaaa aaaa	Scale Tune for D	0 - 127 (-64 - +63)
43	Oaaa aaaa	Scale Tuns for D‡	0 - 127 (-64 - +63)
44	Oaaa aaaa	Scale Tune for E	0 - 127 (-64 - +63)
45	Oaaa aaaa	Scale Tune for F	0 - 127 (-64 - +63)
46	Oaaa aaaa	Scale Tune for F‡	0 - 127 (-64 - +63)
47	Oaaa aaaa	Scale Tune for G	0 - 127 (-64 - +63)
48	Oaaa aaaa	Scale Tuns for G‡	0 - 127 (-64 - +63)
49	Oaaa aaaa	Scale Tuns for A	0 - 127 (-64 - +63)
50	Oaaa aaaa	Scale Tune for A‡	0 - 127 (-64 - +63)
51	Oaaa aaaa	Scale Tune for B	0 - 127 (-64 - +63)
Total size	00 00 0C

■3. Quick SysEx (Model ID=3AH)

Start address	Description
30 00	Quick Synkx Part1		3-4
31 00	:	Part2
:	:
36 00	:	Part7
39 00	:	PartR	3-2
70 00	:	Sequencer	3-3

■3-1. Quick SysEx Part

OffsetAddress	SizeData1	Data2	Description	Data (Value Li)
0F	0000	0000	LF01 Wave Form	0 - 7	*1
14	0aaa	0000	LF01 Fade Time	0 - 127
15	0aaa	0000	Coarse Tone	16 - 112	{-48 - -48}
19	0aaa	0000	Fitch Env Depth	52 - 76	{-12 - -12}
1A	0aaa	0000	Fitch Env Attack	0 - 127
1B	0aaa	0000	Fitch Env Decay	0 - 127
1C	0aaa	0000	Filter Env Sustain	1 - 127	{-63 - -63}
1D	0aaa	0000	Filter Env Release	0 - 127
1F	0aaa	0000	Amp Env Sustain	0 - 127
22	0000	0000	Filter Type	0 - 4	*2
23	0aaa	0000	Tone Pan	0 - 127	{L64 - 63R}
24	0aaa	0000	Tone Level	0 - 127
25	0aaa	0000	Random Pan Switch	0,63	{OFF,ON}
27	0aaa	0000	Fitch Env Sustain	1 - 127	{-63 - -63}
28	0aaa	0000	Fitch Env Release	0 - 127
55	0aaa	0000	Part Kay Shift	16 - 112	{-48 - -48}
56	0000	0000	Part MRX Switch	0 - 3	*3

*1: TRI, SIN, SAW, SQR, TRP, S&H, RND, CLIS
*2: OFF, LPF, BPF, HPF, PKG
* 3: OFF, ON, Reserved, Reserved

■3-2. Quick SysEx Rhythm

Offset Address	Size Data	Data *1	Description	Data (Value L)
19	Gaaa aaaa 0000 aaaa	Coarse Type	0 - 120(-60 - +60)
19	Gaaa aaaa 0000 aaaa	Fitch Env Depth	52 - 78 (-12 - +12)
1A	Gaaa aaaa 0000 aaaa	Fitch Env Attack	0 - 127
1R	Gaaa aaaa 0000 aaaa	Fitch Env Delay	0 - 127
1C	Gaaa aaaa 0000 aaaa	Filter Env Sustain	0 - 127
1D	Gaaa aaaa 0000 aaaa	Filter Env Release	0 - 127
1F	Gaaa aaaa 0000 aaaa	Amp Env Sustain	0 - 127
22	0000 Daaa 0000 aaaa	Filter Type	0 - 4 *2
23	Gaaa aaaa 0000 aaaa	Tone Pan	0 - 127 (L64 - 63R)
24	Gaaa aaaa 0000 aaaa	Tone Level	0 - 127
25	0000 aaaa 0000 aaaa	Random Pan Switch	0,1 (OPT,ON)
27	Gaaa aaaa 0000 aaaa	Fitch Env Sustain	0 - 127
28	Gaaa aaaa 0000 aaaa	Fitch Env Release	0 - 127
47	Gaaa aaaa 0000 aaaa	Resonance	0 - 127
48	Gaaa aaaa 0000 aaaa	Amp Env Release Time	0 - 127
49	Gaaa aaaa 0000 aaaa	Amp Env Attack Time	0 - 127
4A	Gaaa aaaa 0000 aaaa	Cutoff Frequency	0 - 127
4B	Gaaa aaaa 0000 aaaa	Amp Env Decay	0 - 127
4D	Gaaa aaaa 0000 aaaa	Fine Tune	14 - 114 (-50 - -50)
51	Gaaa aaaa 0000 aaaa	Filter Env Depth	1 - 127 (-63 - +63)
52	Gaaa aaaa 0000 aaaa	Filter Env Attack	0 - 127
53	Gaaa aaaa 0000 aaaa	Filter Env Decay	0 - 127
55	Gaaa aaaa 0000 aaaa	Part Key Shift	16 - 112 (-48 - -48)
56	0000 Caaa 0000 aaaa	Part RX Switch	0 - 4 *3

* 1: Use when transmitting to and from each Rhythm group in Part R.

Rhythm group Data& Rhythm group DataE
BD 0 CYM 4
SD 1 TOM/PERC 5
KB 2 HIT 6
CLF 3 OTHERS	7
CYM 4 ALL 9

*2: OFF, LPF, BPF, HPF, PKG
* 3: OFF, ON, Reserved, Reserved, RHY

■3-3. Quick SysEx Sequencer

OffsetAddress	SizeDataL DataE		Description	Data(Value L/B)
01	0000 aaaa	0000 000a	Part Note	0-6,5 / 0,1
02	0000 aaaa	0000 000a	Drum Note	0-/*1 / 0,1

*1: BD,SD,HH,CLP,CYM,TOM/PEC,HIT,OTHERS

6. Supplementary material

■Examples of MIDI messages

923E.5F

9n is the Note On status and 'n' is the MIDI channel number. Since 2H = 2, 3EH = 62, and 5FH = 95, this is a Note On message of MIDI CH = 3, note number 62 (note name D4) and velocity 95.

C9 49

CnH is the Program Change status and 'n' is the MIDI channel number. Since 9H = 9, and 4911 = 73, this is a Program Change message of MIDI CH = 10, Program number 74.

EA 00 28

EnH is the Pitch Bend Change status and 'n' is the MIDI channel number. The 2nd byte (00H=0) is the LSB of the Pitch Bend value, and the 3rd byte (28H=40) is the MSB. However since the Pitch Bend is a signed number with 0 at 40 0011 (= 64 x 128 + 0 = 8192), the Pitch Bend value in this case is

28 00H - 40 00H = 40 × 128 + 0 - (64 × 128 + 0) = 5120 - 8192 = -3072

If we assume that the Pitch Bend Sensitivity is set to two semitones, the pitch will change only -200 cents for a Pitch Bend value of -8192 (00 00H). Thus, this message is specifying a Pitch Bend of -200 x (-3072) ÷ (-8192) = -75 cents on MIDI CH = 7.

B3 64 00 65 00 06 0C 26 00 64 7F 65 7F

BnH is the Control Change status, and 'n' is the MIDI channel number. In Control Change messages, the 2nd byte is the controller number, and the 3rd byte is the parameter value. MIDI allows what is known as "running status," when if messages of the same status follow each other, it is permitted to omit the second and following status bytes. In the message above, running status is being used, meaning that the message has the following content.

B3 64 00 MIDI CH = 4, RPN parameter number LSB: 00H

(B3) 65 00 MIDI CH = 4, RPN parameter number MSB: 0011

(B3) 06 0C MIDI CH = 4, parameter value MSB: 0CH

(B3) 26 00 MIDI CH = 4, parameter value LSB: 00H

(B3) 64 7F MIDI CH = 4, RPN parameter number LSB: 7FH

(B3) 65 7F MIDI CH = 4, RPN parameter number MSB: 7FH

■Examples of system exclusive messages and calculating the checksum

Roland exclusive messages (RQ1, DT1) are transmitted with a checksum at the end of the data (before F7) to check that the data was received correctly. The value of the checksum is determined by the address and data (or size) of the exclusive message.

•How to calculate the checksum

The checksum consists of a value whose lower 7 bits are 0 when the address, size and checksum itself are added.

The following formula shows how to calculate the checksum when the exclusive message to be transmitted has an address of aa bb cc dd11, and data or size of ee ffl1.

aa + bb + cc + dd + cc + ff = total

total ÷ 128 = quotient ... remainder

128 - remainder = checksum

Setting the REVERB TYPE to HALL2 (DT1)

Referring to "3. Parameter address map," the starting address for Part Information is 01 00 00 00H, and offset address of Part Information Common is 00 00H, and the REVERB TYPE address is 00 28H. Therefore, the address will be

$$ \begin{array}{c c c c c} & 0 1 & 0 0 & 0 0 & 0 0 \mathrm{H} \ & & & 0 0 & 0 0 \mathrm{H} \ + 1 & & & 0 0 & 2 8 \mathrm{H} \ & 0 1 & 0 0 & 0 0 & 2 8 \mathrm{H} \end{array} $$

Since HALL2 is parameter value 05H,

F0 41 10 00H 0BH 12 01 00 00 28 05 ?? F7

(1) (2) (3) (4) (5) (6) address data checksum (7)

(1) Exclusive status

(4), (5) model ID (D2)

(2) ID number (Roland)

(6) command ID (DT1)

(3) device ID (17)

(7)EOX

Next we calculate the checksum.

$$ 0 1 \mathrm{H} + 0 0 \mathrm{H} + 0 0 \mathrm{H} + 2 8 \mathrm{H} + 0 5 \mathrm{H} = 1 + 0 + 0 + 4 0 + 5 = 4 6 (\text { sum }) $$

46 (total) ÷ 128 = 0 (quotient)...46 (remainder)

checksum = 128 - 46 (quotient) = 82 = 52H

This means that the message transmitted will be F0 41 10 00 0B 12 01 00 00 28 05 52 F7.

Obtaining part information data (RQ1)

Referring to "3. Parameter address map," the starting addresses for Part Information are assigned as follows.

$$ \begin{array}{l} \begin{array}{l l l l} 0 1 & 0 0 & 0 0 & 0 0 H \ 0 1 & 0 0 & 0 0 & 0 0 H \end{array} \quad \text { Part Info Common } \ \begin{array}{l l} 0 1 & 0 0 \quad 1 0 \quad 0 0 H \ 0 1 & 0 0 \quad 1 1 \quad 0 0 H \end{array} \quad \text { Part Info Part 2 } \ 0 1 0 0 1 6 0 0 H \quad \text { Part Info Part } 7 \ 0 1 0 0 1 9 0 0 H \quad \text { Part Info Part R } \ \end{array} $$

Since the size of Part Information Part is 00 00 00 1AH, this size is added to the starting address of Part Information Part R, to obtain

$$ \begin{array}{c c c c c} & 0 1 & 0 0 & 1 9 & 0 0 \mathrm{H} \ + 1 & 0 0 & 0 0 & 0 0 & 1 \mathrm{AH} \ \hline & 0 1 & 0 0 & 1 9 & 1 \mathrm{AH} \end{array} $$

Therefore, the size of the data to be obtained is

$$ \begin{array}{r r r r r} & 0 1 & 0 0 & 1 9 & 1 A H \ - 1 & 0 1 & 0 0 & 0 0 & 0 0 H \ \hline & 0 0 & 0 0 & 1 9 & 1 A H \end{array} $$

$$ \begin{array}{c c c c c c c c c c c c} \text {F0} & 4 1 & 1 0 & 0 0 & 0 B & 1 1 & 0 1 0 0 0 0 0 0 & 0 0 0 0 1 9 1 A & \ref {e q : 2 . 3 . 5 . 6 . 7 . 8 . 9 . 1 0 . 1 1} & \text {??} & \text {F7} \ (1) & & (2) & & (3) & & (4) & (5) & (6) & \text {address} & \text {data} & \text {checksum} \end{array} $$

(1) Exclusive status

(4), (5) Model ID (D2D2)

(2) ID number (Roland)

(6) Command ID (RQ1)

(3) Device ID (17)

(7) EOX

When the checksum is calculated in the same way as in , we have the following message to be transmitted: F0 41 10 00 0B 11 01 00 00 00 00 00 19 1A 4C F7.

- Scale Tune function (Model ID : 42H (GS), address: 401x 40H)

Scale Tune is a function that makes fine adjustments to the pitch of each note C-B. Settings are made for one octave, and applied to the notes of all octaves. By making Scale Tune settings you can use tunings and temperaments other than the standard Equal Temperament. Here we give three types of settings as examples.

○Equal temperament

This temperament divides the octave into 12 equal steps, and is the temperament most frequently used today, especially in western music. Initially, the Scale Tune function of this instrument is set to Equal Temperament.

○Just intonation (tonic of C)

The primary triads sound more beautiful in just intonation than in equal temperament. However, this applies only in one key, and chords will be discordant if you play in a different key. The settings here are for a tonic of C.

○Arabian-type scale

The Scale Tune function allow you to use various tunings of ethnic music. Here is one of the Arabian scales.

Setting examples

Note	Equal Temp.	Just (in C)	Arabian-type scale
C	0	0	-6
C#	0	-8	+45
D	0	+4	-2
Eb	0	+16	-12
E	0	-14	-51
F	0	-2	-8
F# 0	-10	+43
G	0	+2	-4
G#	0	+14	+47
A	0	-16	0
Bb	0	+14	-10
B	0	-12	-49

The values in the above table are in units of 1 cent. Convert these values to hexadecimal, and transmit them as exclusive data. For example to set the Scale Tune of Part 1 to an Arabian-type scale, transmit the following data.

F0 41 10 42 12 40 11 40 3A 6D 3E 34 0D 38 6B 3C 6F 40 36 0F 76 F7

Function...		Transmitted Recognized		Remarks
Basic Channel	Default Changed	XX	1-7, 101-7, 10
Mode	Default Messages Altered	XX**********	Mode 3 Mode 3, 4 (M = 1)	*1
Note Number : True Voice		0-127**********	0-1270-127
Velocity	Note On Note Off	O X	OO
After Touch	Key's Channel's	XX	OO
Pitch Bend		O	O
Control Change	0,12-45678,910,1112-1415,161718,19202122-2425-293031,32,34-373839,40,64-6768697071-75767778,7980-8687-909192,939495100,101	OOXXOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO	OXXOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
Program Change : True Number		O**********	O0-127	Program No. 1-128
System Exclusive		O	O
System Common	: Song Position: Song Select: Tune Request	XXX	XXX
System Real Time	: Clock: Commands	XX	OX
Aux Messages	: All Sound Off: Reset All Controllers: Local On/Off: All Notes Off: Active Sensing: System Reset	XXXXXOX	O (120, 126, 127)OXO (123-127)OX
Notes		*1 Recognized as M=1 even if M≠1.*2 Refer to “Table of Transmitted Data” (p. 76) about function of each controller number.

Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
Mode 3 : OMNI OFF, POLY
Mode 4: OMNI OFF, MONO
O: Yes
X: No

Groovebox D2
(Sequenzer-Sektion)
MIDI-Implementationstabelle
Version : 1.00

Function...		Transmitted Recognized		Remarks
Basic Channel	Default Changed	1-7, 10X	1-7, 10X	There is no basic channel.
Mode	Default Messages Altered	Mode 3 OMINI OFF, POLY *1**********	XX
Note Number : True Voice		0-127**********	0-1270-127
Velocity	Note On Note Off	OO	OO
After Touch	Key's Channel's	OO	OO
Pitch Bend		O	O
Control Change	0-119	O	O
Program Change : True Number		O**********	O0-127
System Exclusive		O	O
System Common : Tune Request	: Song Position : Song Select : Tune Request	O*4XX	O*2XX
System Real Time : Commands		O*4O*5	O*3O*2
Aux Messages : All Sound Off : Reset All Controllers : Local On/Off : All Notes Off : Active Sensing : System Reset		OOX*6XX	OOX(123-127)*6OX
Notes		*1 Omni Off, Poly is transmitted to all channels at starting up.*2 Recognized only when Sync Mode is SLAVE or REMOTE.*3 Recognized only when Sync Mode is SLAVE.*4 Transmitted only when Sync Out is ON and D-FIELD mode is not VINYL.*5 Transmitted only when Sync Out is ON.*6 Mode messages (123-127) are stored/transmitted after All Note Off processing is performed.The All Note Off message itself is not stored/transmitted.
Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO X : No

Technische Daten

D2 (GROOVEBOX)

Klangerzeugung:

MIDI-Anschlüsse (IN/OUT)

DC IN-Buchse

Stromversorgung

Netzteil (DC9V)

Stromverbrauch

1000 mA

Abmessungen

325 (B) × 256 (T) × 55 (H) mm

12-13/16 (B) × 10-1/8 (T) × 2-3/16 (H) inches

Gewicht

ASSIGN 1 21–22, 25–27, 30–32

ASSIGN 2....21,34,36–37,39

ASSIGN 3 21,41

Aufnahme 60, 62

Auto PAN 55

B

D-FIELD 10, 12, 21, 58

D-FIELD-Taster 22

DISPLAY 10, 13, 15, 18

Distortion 47

E

Pattern Initialize 65

Pattern Mode 15

Pattern-Nummer 15

Pattern-Sequenzer 15

Pattern-Set 30

Phaser 51

Phonograph 49

Phrase 58

POWER-Schalter 11

Preset-Pattern 12, 15

Q

QUANTIZE 37

R

Radio Tuning 48

Realtime Recording 60

Part Edit 61

Realtime Erase 61

Rehearsal 61

REC FUNCTION 10, 22, 63

Resonance 33

REVERB 39,42

Reverb 42, 56–57

Rewind 69

RHYTHM MUTE 17

Rhythm Set 12, 18, 86

RPS 21, 23, 94–95

Step Recording 60, 62

Copy Note 64

Move Note 64

Note Edit 64

Part Edit 63

Synchronisation 80

SYSTEM 10,73

WRITE 10, 18, 20, 26, 72

X

X-FADER 21,34

XY Mode 21,33

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

That Other Music Shop

(PTY) Ltd.

11 Melle St., Braamfontein,

Johannesbourg

Republic of SOUTH AFRICA

P.O.Box 32918, Braamfontein 2017

Republic of SOUTH AFRICA

TEL: [phone]

Paul Bothner (PTY) Ltd.

17 Wermuller Centre Claremont 7700

Republic of SOUTH AFRICA

P.O. Box 23032

Claremont, Cape Town

SOUTH AFRICA, 7735

TEL: [phone]

ASIA

CHINA

Beijing Xinghai Musical

Instruments Co., Ltd.

6 Huangmuchang Chao Yang

District, Beijing, CHINA

TEL: [phone]

HONG KONG

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

TEL: [phone]

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra Mahalaxm

Flats Compound Off. Dr. Edwin

Moses Road, Mumbai-400011,

INDIA

TEL: [phone]

INDONESIA

PT Citra IntiRama

[1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: [phone]

KOREA

Cosmos Corporation

1461-9, Seocho-Dong

Seocho Ku, Seoul, KOREA

TEL: [phone]

MALAYSIA

Bentley Music SDN BHD

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200.

PHILIPPINES

TEL: [phone]

SINGAPORE

Swee Lee Company

150 Sims Drive,

SINGAPORE 387381

TEL: [phone]

CRISTOFORI MUSIC PTE LTD

Blk 3014, Bedok Industrial Park E,

02-2148, SINGAPORE 489980

TEL: [phone]

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung Shan

N.Road Sec.2, Taipei, TAIWAN,

R.O.C.

TEL: [phone]

THAILAND

Theera Music Co., Ltd.

330 Verng NakornKasem, Soi 2,

Bangkok 10100, THAILAND

TEL: [phone]

VIETNAM

Saigon Music

138 Tran Quang Khai St.,

District

Ho Chi Minh City

VIETNAM

TEL: [phone]

AUSTRALIA/ NEW ZEALAND

AUSTRALIA

Roland Corporation

Australia Pty., Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

TEL: [phone]

NEW ZEALAND

Roland Corporation (NZ) Ltd.

Auckland 3, NEW ZEALAND

TEL: [phone]

CENTRAL/LATIN AMERICA

ARGENTINA

Instrumentos Musicales S.A.

Florida 656 2nd Floor

Office Number 206A

Buenos Aires

ARGENTINA, CP1005

TEL: [phone]

BRAZIL

Roland Brasil Ltda

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL:[phone]

COSTA RICA

JUAN Bansbach

Instrumentos Musicales

Ave.1. Calle 11, Apartado 10237,

San Jose, COSTA RICA

TEL: [phone]

CHILE

Comercial Fancy II S.A.

Avenida Rancagua #0330

Boulevard Andrews, Albrook,

Panama City

REP. DE PANAMA

TEL: [phone]

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olcar v ESQ. Manduvira

155, New National Road

26422 Patras, GREECE

TEL: [phone]

HUNGARY

Intermusica Ltd.

Warehouse Area 'DEPO' Pf.83

H-2046 Torokbalint, HUNGARY

TEL: [phone]

IRELAND

Roland Ireland

Audio House, Belmont Court,

Donnybrook, Dublin 4

Republic of IRELAND

TEL:[phone]

ITALY

Roland Italy S. p. A.

Roland (Switzerland) AG

Musitronic AG

Atlantic Close, Swansca

Enterprise Park, SWANSEA

SA7 9FJ,

UNITED KINGDOM

TEL: [phone]

MIDDLE EAST

BAHRAIN

Moon Stores

Bab Al Bahrain Road,

P.O. Box 20077

State of BAHRAIN