EX5R - Synthesizer YAMAHA - Free user manual and instructions

Product Type	Rackmount Synthesizer
Model	Yamaha EX5R
Synthesis Types	AWM2, AN (Analog Physical Modeling), FDSP, VL (for EX5/EX5R)
Polyphony	64 notes
Multitimbral Parts	16
Sequencer	16 tracks, song and pattern modes, real-time and step recording
Arpeggiator	Yes, multiple arpeggio types with editable patterns
Effects	Reverb, Chorus, 2 Insertion effects per voice, system effects
Sampling	Yes, 16-bit, record and playback, sample editing
Storage	Internal memory, floppy disk drive, SCSI for external storage
Display	LCD with backlight
Connectivity	MIDI In/Out/Thru, analog outputs (L/R), headphone, SCSI, footswitch, breath controller
Power Supply	AC 120V/230V switchable, IEC connector
Dimensions (W x H x D)	482 x 133 x 380 mm (19-inch rack, 3U)
Weight	8.5 kg
Safety	Grounded plug, do not open, refer servicing to qualified personnel
Maintenance	Clean with soft dry cloth; avoid liquids and solvents
Reparability	No user-serviceable parts inside; consult qualified service
Accessories	Power cord, user manual, floppy disk (if included)
Warranty	Standard Yamaha warranty; modifications void warranty

Frequently Asked Questions - EX5R YAMAHA

How do I load a voice from a floppy disk?

Insert the disk, press DISK, select File Load (F2), choose the voice file, and confirm with INC.

How can I use the arpeggiator?

Go to PERFORM mode, press ARP (F5), set Arp Sw to on, select a type, and play chords on the keyboard or via MIDI.

What are the different synthesis types?

The EX5R offers AWM2 (sample playback), AN (analog physical modeling), FDSP (formulated digital signal processing), and VL (virtual lead, only for EX5/5R).

How many notes can the EX5R play simultaneously?

The EX5R has a polyphony of 64 notes, shared across all voices and parts.

Can I record my own samples?

Yes, use the SAMPLE REC mode. Connect a line source, set Rec Mode (mono/stereo) and Trigger Level, then press START.

How do I save my edited performance?

Press STORE (or SAVE in Disk mode), choose the destination number, and confirm. For disk storage, use DISK then File Save.

What controllers can be assigned?

You can assign modulation wheels, knobs, ribbon controller, aftertouch, foot controller, and breath controller to various parameters via CTRL SET.

How do I connect the EX5R to a computer?

Use a standard MIDI interface: connect MIDI Out to computer MIDI In, and vice versa. Set MIDI channels appropriately in MIDI Setup.

What is the FDSP effect?

FDSP (Formulated Digital Signal Processing) includes effects like EP Pickup, Ring Modulator, Flange, Phaser, and more, applied to a voice element.

Can I use external storage with SCSI?

Yes, the EX5R has a SCSI port for connecting external hard drives or CD-ROM drives. Use Device Select and Device Format in Disk mode.

USER MANUAL EX5R YAMAHA

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electrical shock.

IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.

ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturer's warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.

NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

EX5/EX7

YAMAHA
EX5R

Model

Serial No. ____

Purchase Date ____

IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply.
2. Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.
3. Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.
4. DANGER-Grounding Instructions: This product must be grounded and therefore has been equipped with a three pin attachment plug. If this product should malfunction, the ground pin provides a path of low resistance for electrical current, reducing the risk of electrical shock. If your wall socket will not accommodate this type plug, contact an electrician to have the outlet replaced in accordance with local electrical codes. Do NOT modify the plug or change the plug to a different type!
5. WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.
6. Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.

7. Temperature considerations: Electronic products should be installed in locations that do not seriously contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers etc., should be avoided.

8. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet /damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.
10. The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity.
11. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.
12. Electrical/electronic products should be serviced by a qualified service person when:

a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or
c. The product has been exposed to rain; or
d. The product does not operate, exhibits a marked change in performance; or
e. The product has been dropped, or the enclosure of the product has been damaged.

1. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist.
   IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
2. Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

1. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA.
2. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not

occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit "OFF" and "ON", please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

ADVARSEL!

IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord

WARNING: THIS APPARATUS MUST BE EARTHED

IMPORTANT. The wires in this mains lead are coloured in accordance with the following code:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug proceed as follows:

The wire which is coloured GREEN-and-YELLOW must be connected to the terminal in the plug which is marked by the letter E or by the safety earth symbol or colored GREEN or GREEN-and-YELLOW.

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

- This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

VORSICHTSMASSNAHMEN

AN-Synthese (Analog Physical Modeling)....33

FDSP-Synthese (Formulated Digital Signal Processing)....34

Wahl von Voice & Performance ....36

Play Effects & Groove Quantization ....64

Line drawing of a vehicle rear view showing front, side, and interior compartments (no text or symbols)

② Cursor-Schalter

EX5/7

EX5R

■ AN (Poly) + AWM Voices
■ AN (Layer) + AWM Voices

FDSP-Synthese (Formulated Digital Signal Processing)

graph LR
    A["AWM ELEMENT"] --> C["FDSP EFFECT"]
    B["AWM ELEMENT"] --> C
    D["AWM ELEMENT"] --> C
    E["AWM ELEMENT"] --> C
    C --> F["OUT"]

graph TD
    A["AN ELEMENT"] --> C["FDSP EFFECT"]
    B["AWM ELEMENT"] --> C
    D["AWM ELEMENT"] --> C
    E["AWM ELEMENT"] --> C
    C --> F["OUT"]

Polyphonie

Modulationshandrad 1 (Modulation 1 Wheel; EX5/EX7)

Modulationshandrad 2 (Modulation 2 Wheel; EX5/EX7)

Ribbon Controller (EX5/EX7)

Aftertouch (EX5/EX7)

Using these two parameters you can adjust the playback speed of EX samples as well as data recorded at different sampling rates.

Referenzabschnitt

Voice-Modus

Voice Play-Modus

① Titel der Anzeige

LCD	Kategorie	LCD	Kategorie
--	No Assign	Pd	Synth Pad
Pf	Piano	Fx	Synth Sound Effects
Cp	Chromatic Percussion	Et	Ethnic
Or	Organ	Pc	Percussive
Gt	Guitar	Se	Sound Effects
Ba	Bass	Dr	Drums
St	Strings/Orchestral	Sc	Synth Comping
En	Ensemble	Vo	Vocal
Br	Brass	Co	Combination
Rd	Reed	Wv	Material Wave
Pi	Pipe	Sq	Sequence
Ld	Synth Lead

Voice-Bezeichnung

Normal + [EDIT] VL Element ......107

Normal + [EDIT] AN Element ......112

FDSP 123

-Drum + [EDIT]....141

Normal Voice (AWM Element)

[F1]: COM (Common)

FDSP(Formulated Digital Sound Processing):

● ● ● ● ● ● ● ● ● ● ● ●

[F2]: OSC (Oscillator)

LCD	Kategorie	LCD	Kategorie
--	No Assign	Pd	Synth Pad
Pf	Piano	Fx	Synth Sound Effects
Cp	Chromatic Percussion	Et	Ethnic
Or	Organ	Pc	Percussive
Gt	Guitar	Se	Sound Effects
Ba	Bass	Dr	Drums
St	Strings/Orchestral	Sc	Synth Comping
En	Ensemble	Vo	Vocal
Br	Brass	Co	Combination
Rd	Reed	Wv	Material Wave
Pi	Pipe	Sq	Sequence
Ld	Synth Lead

GESELL

☐ Einstellungen: 0 \~ 127

■ Vel Limit Low (Velocity Limit Low)

[F8]: EG (Pitch Envelope Generator)

■ Atck Time Vel (Attack Time Velocity)

☐ Einstellungen: off, H1 (Hold) At (Attack), D1 (Decay 1)

■ Dcy 1/2 Level (Decay 1/2 Level)

■ Rel1/Rel2 Level (Release 1/2 Level)

[F4]: SCF (Static Control Filter)

☐ Einstellungen: L/H Shelf (Low/High Shelving Filter), 2L Shelf (2-Low Shelving Filter), 2H Shelf (2-High Shelving Filter), LPF (Low Pass Filter), HPF (High Pass Filter), BPF (Band Pass Filter), InvertLPF (Inverted Low Pass Filter), PEQ (Parametric Equalizer), thru, boost 6dB/12dB/18dB

■ Input Gain

L/H Shelf (Low/High Shelving Filter)

■ High Freq (High Frequency)

■ Low Freq (Low Frequency)

■ High/Low Freq Vel (High/Low Frequency Velocity)

■ High/Low Gain Vel (High/Low Gain Velocity)

■ Low1/2 Freq (Low 1/2 Frequency)

■ Low1/2 Freq Vel (Low1/2 Frequency Velocity)

■ Low1/2 Gain Vel (Low 1/2 Gain Velocity)

■ High1/2 Freq (High 1/2 Frequency)

■ High1/2 Freq Vel (High1/2 Frequency Velocity)

■ High1/2 Gain Vel (High 1/2 Gain Velocity)

LPF (Low Pass Filter)

■ Freq Vel (Frequency Velocity)

■ Freq Random (Frequency Random)

■ Reso Vel (Resonance Velocity)

■ Reso Random (Resonance Random)

HPF (High Pass Filter)

BPF (Band Pass Filter)

InvertLPF (Inverted Low Pass Filter)

■ Freq Vel (Frequency Velocity)

■ Freq Random (Frequency Random)

■ Gain Vel (Gain Velocity)

☐ Einstellungen: LPF24A (Low Pass Filter 24A), LPF24D (Low Pass Filter 24D), LPF18 (Low Pass Filter 18), LPF12 (Low Pass Filter 12), LPF6 (Low Pass Filter 6), HPF (High Pass Filter), BPF (Band Pass Filter), BEF (Band Elimination Filter), thru

■ DCF2 Type (Filter 2 Type)

☐ Einstellungen: LPF (Low Pass Filter), BPF (Band Pass Filter), HPF (High Pass Filter), BEF (Band Elimination Filter)

■ Reso. Vel (Resonance Velocity)

■ DCF1/2 Reso (F1/2 Resonance)

LPF (Low Pass Filter)

LPF24A (Tiefpassfilter 24A):

LPF6 (Tiefpassfilter 6):

HPF (High Pass Filter)

BPF (Band Pass Filter)

[F6]: SENS (Sensitivity)

■ Atck Time Vel (Attack Time Velocity)

☐ Einstellungen: off, Hl (Hold), At (Attack), D1 (Decay 1)

■ Dcy 1/2 Level (Decay 1/2 Level)

■ Rel1/Rel2 Level (Release 1/2 Level)

■ Atck Time Vel (Attack Time Velocity)

■ Dcy1 Time Vel (Decay 1 Time Velocity)

■ Decay Level Vel (Decay Level Velocity)

■ Init Level (Initial Level)

Anfangspegel = Attack-Pegel

Attack-Modus 2

[F6]: LFO (Low Frequency Oscillator)

[F7]: LFO1 (Low Frequency Oscillator1)

Pure geometric line drawing with two triangles and a horizontal axis (no text or symbols)

tri (Triangle)

Pure electrical circuit lines without any symbols

squ (Rechteck)

Pure electrical circuit lines without any symbols

■ Sync

■ AMD (Amplitude Modulation Depth)

■ PMD (Pitch Modulation Depth)

[F8]: LFO2 (Low Frequency Oscillator 2)

■ Wave

Simple sine wave waveform diagram with no text or labels

tri (triangle wave; Dreieckswelle)

Pure electrical circuit lines without any symbols

Pure geometric line drawing with two triangles and a horizontal axis (no text or symbols)

saw d (saw down wave; Sägezahnwelle, abwäats)

Pure geometric line drawing with two triangles and a horizontal axis, no text or symbols present

squ (square wave; Rechteck welle)

Pure electrical circuit lines without any symbols

trpzd (trapezoid wave; Trapezwelle)

Simple line drawing of a waveform with no text or symbols

s/h 1 (sample & hold1)

Abstract geometric line drawing with no text or symbols

s/h 2 (sample & hold2)

Abstract black line drawing on white background with no text or symbols

■ Sync

■ Dest (Destination)

[F7]: CTRL (Controller)

[F7]: PITCH (Pitch Control)

[F8]: SET (Controller set)

graph LR
    A["Controller\nTastatur,\nModulations-Handrad,\nKnöpfe, usw."] --> B["Voice Control 1~16\nSatz 1\n...\nSatz 16"]
    B --> C["Elemente\n1\n2\n3\n4"]

■ Ctrl (Controllers)

[F8]: EFCT (Effects)

■ ① InsEF Elem Sw (Insertion Effect Element Switch)

■ ②InsEF Connect (Insertion Effects Connect)

■⑤Rev Send (Reverb Send)

■ ⑨ Cho → Rev (Chorus → Reverb)

■⑩Rev Pan (Reverb Pan)

[F5]: INS1 (Insertion 1)

[F6]: INS2 (Insertion 2)

[F2]: OSC (Oscillator)

[F6]: WAVE

■ Bank

[F3]: PITCH (Pitch Parameters)

[F6]: PARAM (Parameters)

[F7]: SCALE

[F8]: EG (Pitch Envelope Generator)

[F7]: EQ (Equalizer)

■ EQ1 \~ EQ5 Freq (EQ1 \~ EQ5 Frequency)

[F8]: DCF (Dynamic Control Filter)

■ Resonance

■ Cutoff Freq (Cutoff Frequency)

■ Freq K.Follow (Frequency Key Follow)

■ Freq K.Flw BP (Frequency KeyFollow Break Point)

[F8]: EG (Envelope Generator)

[F6]: LFO (Low Frequency Oscillator)

[F8]: LFO (Low Frequency Oscillator)

[F7]: CTRL (Controller)

Normal Voice (AN Element)

[F3:Algorithm]....113

[F4:VCO]....114

[F5:Modulation]....116

[F6:Wave] 116

[F7:Mix]....81

[F8:Zone] 82

[F3:PTCH]....117

[F6:Parameter] 83

[F7:Scaling] 83

[F8:EG] 117

[F4:FILTER]....118

[F7:VCF]....118

[F8:EG] 119

[F5:AMPLITUDE]......119

[F6:Parameter] 96

[F7:Mixing] 119

[F8:EG]....120

[F6:LFO] 121

[F8:LFO]....121

[F7:CONTROLLER]....123

[F7:Pitch Control] 103

[F8:Controller Set] ......123

[F8: EFFECT] 105

[F4:Type] 105

[F5:Insertion Effect 1] ......106

[F6:Insertion Effect 2] ......106

[F7:Reverb]....107

[F8:Chorus]....107

[F2]: OSC (Oscillator)

graph TD
    A["Master of VCO1\nVCO2\nLFO1, 2\nEG, etc."] -->|FM| B["Master of VCO1\nSlave VCO1"]
    A -->|Sync| C["Master of VCO1\nSlave VCO1"]

graph TD
    A["Master of VCO1\nVCO2\nLFO1, 2\nEG, etc."] --> B["FM"]
    C["Master of VCO1"] --> D["Sync\nGlove\nVCO1"]
    D --> B

Sync

FM (Frequenz Modulation)

■ FM Src (FM Source)

[F4]: VCO (Voltage Controlled Oscillator)

■ VCO1/2 Freq Fine (VCO1/2Frequency Fine)

VCO2: saw, pulse, saw2, mix

saw (Sägezahnwelle)

Innr1 (Inner1: Inner1)

Innr2 (Inner2: Inner2)

Innr3 (Inner3: Inner3)

Three waveforms showing periodic oscillations with no text or labels

[F5]: MOD (Modulation)

■ VCO1/2 Mod (VCO1/2Modulation)

■ VCO1 ModSw (VCO1 Modulation Switch)

[F3]: PITCH (Pitch Parameters)

[F6]: PARAM (Parameters)

[F7]: SCALE

[F8]: EG (Envelope Generator)

[F7]: VCF (Voltage Controlled Filter)

■ Cutoff Freq (Cutoff Frequency)

■ HPF Freq (High Pass Filter Cutoff Frequency)

■ Freq Vel Sens (Frequency Velocity Sensitivity)

■ Time K.Follow (Time KeyFollow)

■ Time K.Follow (Time KeyFollow)

[F6]: LFO (Low Frequency Oscillator)

[F8]: LFO (Low Frequency Oscillator)

■ LFO1 Wave (Low Frequency Oscillator1 Wave)

☐ Einstellungen: sine, sine†, sine††, sine180†, sine180††, tri, trit, tri††, tri180†, tri180††, squ, squ††, aqu180†, saw dwn, saw dwn††, saw up, saw up††, s/h, s/h††, s/h2, s/h2††

Abstract geometric line pattern with irregular step-like shapes and a horizontal baseline (no text or symbols)

s/h2 ↑↑

Abstract black line drawing on white background with no text or symbols

■ LFO1 Delay

■ LFO1 FMD (LFO1Frequency Modulation)

■ LFO2 Wave (Low Frequency Oscillator 2 Wave)

[F7]: CTRL (Controller)

[F8]: SET (Controller Set)

FDSP (Formulated Digital Sound Processing)

■ ElmSw (Element Switch)

☐ Einstellungen: 01: EP Pickup (Electric Piano Pickup)

02: EG Pickup (Electric Guitar Pickup)

03: Water

04: PWM (Pulse Width Modulation)

05: Flange

06: Phaser

07: Self FM

08: Tornado

09: Ring Mod (Ring Modulator)

10: Seismic

01: EP Pickup (Electric Piano Pickup)

different (differentiate):

■ Drive K.Flw (Drive KeyFollow)

■ BP Low (Break Point Low)

■ BP High (Break Point High)

■ Pos High Kf (Position High KeyFollow)

■ Pos Hmid Kf (Position High Mid KeyFollow)

■ Pos Low Kf (Position Low KeyFollow)

■ Out High Kf (Out High KeyFollow)

■ HPF (High Pass Filter)

■ HPF K.Flw (High Pass Filter KeyFollow)

■ Freq K.Flw (Frequency KeyFollow)

02: EG Pickup (Electric Guitar Pickup)

graph TD
    A["Input"] --> B["Delay Delay"]
    B --> C["Buffer"]
    C --> D["picking notch"]
    D --> E["pickup notch"]
    E --> F["Picking position Pickup Position"]
    F --> G["Drive"]
    G --> H["Integ"]
    H --> I["Magnetic Field"]
    I --> J["Diff"]
    J --> K["Emp"]
    K --> L["HPF"]
    L --> M["LPF"]
    M --> N["Output"]
    O["Flet control"] --> B
    P["Note dependent note dependent"] --> B
    Q["Distance"] --> H
    R["Pickup type"] --> J
    S["Highpass"] --> L
    T["Cutoff/Resonance"] --> M
    U["Filter bypass"] --> M

Technical line drawings of two types of electric shock absorbers (no text or symbols on the diagrams)

■ Coarse

■ Picking Pos (Picking Position)

■ Picking P Kf (Picking Position KeyFollow)

■ Pickup Pos (Pickup Position)

■ Pickup P Kf (Pickup Position KeyFollow)

■ Output KFlw (Output KeyFollow)

■ HPF (High Pass Filter)

■ HPF K.Flw (High Pass Filter KeyFollow)

■ Freq K.Flw (Frequency KeyFollow)

■ Freq Mod (Frequency Modulation)

■ Mod Speed (Modulation Speed)

■ Mod Smooth (Modulation Smooth)

■ High Dump Kf (High Dump KeyFollow)

■ HPF (High Pass Filter)

■ LFO Mode (Low Frequency Oscillator Mode)

■ LFO Depth (Low Frequency Oscillator Depth)

■ LFO Speed (Low Frequency Oscillator Speed)

■ LFO Wave (Low Frequency Oscillator Wave)

■ LFO Phase (Low Frequency Oscillator Phase)

■ Decay T.Kf (Decay Time KeyFollow)

■ Sustain Lvl (Sustain Level)

■ LFO Depth (Low Frequency Oscillator Depth)

■ LFO Speed (Low Frequency Oscillator Speed)

■ LFO Depth (Low Frequency Oscillator Depth)

■ LFO Speed (Low Frequency Oscillator Speed)

■ Drive K.Flw (Drive KeyFollow)

■ LPF (Low Pass Filter)

■ LPF K.Flw (Low Pass Filter KeyFollow)

■ Wet Vel (Wet Level Velocity)

■ Dry Vel (Dry Level Velocity)

■ Pre LPF (Low Pass Filter)

■ HPF (High Pass Filter)

■ HPF K.Flw (High Pass Filter KeyFollow)

■ LPF (Low Pass Filter)

■ LPF K.Flw (Low Pass Filter KeyFollow)

■ Wet Vel (Wet Level Velocity)

09: Ring Mod (Ring Modulator)

■ Drive Vel (Drive Velocity)

■ Drive K.Flw (Drive KeyFollow)

■ Decay T.Kf (Decay Time KeyFollow)

■ Sustain Lvl (Sustain Level)

■ HPF (High Pass Filter)

■ HPF K.Flw (High Pass Filter KeyFollow)

■ Output (Output Level)

[F7]: Ctrl (Controller)

[F8]: SET (Controllersatz)

[F2]: OSC (Oscillator)

■ Recv Note Off (Receive Note Off)

■ Rev Send (Reverb Send)

[F6]: LFO (Low Frequency Oscillator)

[F8]: LFO (Low Frequency Oscillator)

■ Wave

■ PMD (Pitch Modulation Depth)

[F7]: Ctrl (Controller)

[F8]: SET (Controller Set)

[F8]: EFCT (Effects)

[F1]: Init Voice (Initialize Voice)

■ ④Types of Source Data

■ LpLength (Loop Length)

■ Freq Mode (Frequency Mode)

■ Wave

①Anzeige-Titel

④Performance Category/name

■ Performance Category

PART-MENÜ

■ Total Volume

[F5]: ARP-EDIT (Arpeggio Edit)

■ Arp Sw (Arpeggio Switch)

■ ①Rev Type (Reverb Type)

■ ③ Cho → Rev (Chorus → Reverb)

■④Rev Pan (Reverb Pan)

[F7]: CTRL (Controller)

F6:WHEEL	PB (Pitch Bend Wheel)RC (Ribbon Controller)MW1 (Modulation Wheel 1)MW2 (Modulation Wheel 2)
F7:KNOB	KN1 (Knobs 1)KN2 (Knobs 2)KN3 (Knobs 3)KN4 (Knobs 4)KN5 (Knobs 5)KN6 (Knobs 6)
F8:OTHER	AT (Attack Touch)FC (Foot Controller)BC (Breath Controller)

■ Part

□ Einstellungen: L, 1 \~ 16

■ Rev Send (Reverb Send)

■ ⑥MIDI to TG (MIDI to Tone Generator)

■ VelCurve (Velocity Curve)

Vel Sens (Velocity Sensitivity):

PEG (Pitch Envelope Generator)

■ PEG RelL (PEG Release Level)

[F7]: CTRL (Controllers)

■ Trns Sw (Transmission Switch)

Bank/PC:MD (Bank/Program Change: MIDI)

■ Ctrl To TG (Controller To Tone Generator)

[F1]: Init Perform (Initialize Performance)

[F2]: Recall Perform (Recall Performance)

[F3]: Copy Perform (Copy Performance)

■ ③Types of Source Data

■ Rec Mode (Record Mode)

■ Fraction (Loop Fraction)

■ Src Sample (Source Sample Bank)

□ Settings: DRAM, FLS (FLASH)

■ Src Sample (Source Sample Number)

■ Src Sample (Source Sample Bank)

□ Settings: DRAM, FLS (FLASH)

■ Src Sample (Source Sample Number)

■ Src1 Sample (Source 1 Sample Number)

■ Src2 Sample (Source 2 Sample Number)

[F4]: Normalize Sample

■ Src Sample (Source Sample Number)

[F5]: Extract Sample

■ Src Sample (Source Sample Number)

■ Measure/SONG (Song Name)

[F2]: PFX (Play Effects)

■ Str (Quantize Strength)

☐ Einstellungen: 0% \~ 100% \~ 200%

[F3]: TCH (Transmit Channel)

■ T-Ch (Transmit Channel)

[F4]: NAME (Song Name)

[F6]: OVER (Over Dubbing)

[F7]: RPLC (Replace)

[F8]: PNCH (Punch In)

Step Recording: Tr1\~Tr16

■ Location (Measure, Beat, Clock)

ppp (8), pp (24), p (40), mp (56), norm (64), mf (72), f (88), ff (104), fff (120)

Beispiel 2

Keyboard Illustration

■ [F1]/[F2]/[F3]/[F4]: REST/TIE/DEL (Delete)/BKDEL (Back Delete)

■ CAT (Channel After Touch)

■ PAT (Polyphonic After Touch)

[F2]: PFX (Pattern Play Effects Track)

[F3]: PTN (Pattern Track)

2. Copy Track

■ Src Track (Source Track)

■ Track

■ Src Track (Source track)

■ Dst Track (Destination track)

■ Track

■ Track

■ Src Track (Quellenspur)

■ Src Meas (Source Measure)

■ Track

■ Measure

■ Measure

■ Track

☐ Program Change, Control Change (Control number), Ch After Touch, PolyAfterTouch: 0 \~ 127

□ Pitch Bend: -8192 \~ +8192

7. Chord Sort

■ Streng (Quantize Strength)

■ Vel (Swing Velocity)

STEMIH

☐ Einstellungen: 000% \~ 100% \~ 200%

■ Offset

■ Track

■ Track

■ Track

■ Track

■ Src Event (Source Event)

■ Dst Event (Destination Event)

■ Measure/PTN (Pattern Name)

■⑧Metronome (Click) Beat

[F2]: PFX (Play Effects)

■ Length (Loop Length)

[F3]: TCH (Transmit Channel)

■ T-Ch (Transmit Channel)

[F4]: NAME (Pattern Name)

[F6]: OVER (Over Dubbing)

[F7]: RPLC (Replace)

-F7:UNDO]....237

■ Ptn

■ Src Pth (Source Pattern)

■ Src Trk (Source Track)

■ Track

■ Src Track (Source track)

■ Dst Track (Destination track)

■ Src Ptn (Source Pattern)

■ Src Track (Source Track)

■ Src Ptn (Source Pattern)

■ Src Track (Source Track)

■ Track

■ Src Track (Source Track)

■ Src Meas (Source Measure)

■ Track

■ Src Song Track (Source Song Track)

■ Src Ptn (Source Pattern)

■ Track (Source Track)

■ Track

■ Track

☐ Program Change, Control Change (Control number), Ch After Touch, PolyAfterTouch: 0 \~ 127

□ Pitch Bend: -8192 \~ +8192

7. Chord Sort

■ Track

■ Track

■ Streng (Quantize Strength)

□ Einstellungen: 0% \~ 100%

■ Vel (Swing Velocity)

☐ Einstellungen: 0% \~ 100% \~ 200%

■ Gate (Swing Gate Time)

☐ Einstellungen: 0% \~ 100% \~ 200%

2. Move Clock

■ Src Event (Source Event)

■ Dst Event (Destination Event)

■ Measure/ARP (Arpeggio Type Name)

[F2]: PFX (Play Effects)

Track Section

[F4]: NAME (Arpeggio Type Name)

[F6]: OVER (Over Dubbing)

[F7]: RPLC (Replace)

■ Src Arp (Source Arpeggio)

■ Src Arp (Source Arpeggio)

■ Src Track (Source Track)

Track

■ Src Track (Source Track)

■ Src Arp (Source Arpeggio)

■ Src Track (Source Track)

■ Src Arp (Source Arpeggio)

■ Src Track (Source Track)

■ Track

■ Src Trk (Source Track)

■ Src Meas (Source Measure)

■ Track

■ Src Song Track (Source Song Track)

■ Track

■ Track

☐ Note: Key = 1 \~ 16, Oct = -4 \~ +3

☐ Program Change, Control Change (Control number), Ch After Touch, PolyAfterTouch: 0 \~ 127

□ Pitch Bend: -8192 \~ +8192

■ Track

■ Track

■ Streng (Quantize Strength)

□ Einstellungen: 0% \~ 100%

■ Vel (Swing Velocity)

☐ Einstellungen: 0% \~ 100% \~ 200%

■ Gate (Swing Gate Time)

□ Einstellungen: 0% \~ 100% \~ 200%

2. Move Clock

HIYWEI

HINWEI

GEMLUH

■ Src Event (Source Event)

■ Dst Event (Destination Event)

1 Performance, 1 Voice

F1 F2 F3 F4 F5 F6 F7

Grundmenü

[F7]: NAME (File Name)

[F8]: DIR (Directory)

[F1]: SAVE (File Save)

[F2]: LOAD (File Load)

[F3]: RNAM (File Rename)

[F5]: MKDIR (Make Directory)

[F1]: SYN (Synthesizer Setup)

■ Master Volume

■ Keyboard Transpose

Modulation Wheel (Modulations-Handrad): Minimum

After Touch: Minimum

■①Global Recv Ch (Global Receive Channel)

■ VelCurve (Velocity Curve)

PB (Pitch Bend Wheel)

RC (Ribbon Controller)

MW1 (Modulation Wheel 1)

MW2 (Modulation Wheel 2)

KN1 (Knobs 1)

KN2 (Knobs 2)

KN3 (Knobs 3)

KN4 (Knobs 4)

KN5 (Knobs 5)

KN6 (Knobs 6)

AT (After Touch)

FC (Foot Controller)

BC (Breath Controller)

[F3]: SEQ (Sequencer Setup)

[F6]: CLICK (MIDI Click)

■ Channel

Ch. AT (Channel After Touch; Kanal-After Touch)

PolyAT (Polyphonic After Touch; Poluphoner After Touch)

Note

■ Event Chase

■ Global Recv Ch (Global Receive Channel)

■ Receive Pgm Chng (Receive Program Change)

[F5]: CTRL (Controller Setup)

[F6]: OTHER (Other Setup)

☐ Einstellungen: internal (EX = master), external (EX = slave)

[F7]: MSG (Greeting Message)

Diagram of a hand pressing down on a panel with an arrow indicating motion (no text or symbols present)

Diagram of a hand pressing down on a component with an arrow indicating force (no text or symbols present)

Architectural floor plan sketch showing room layouts and structural elements (no text or labels)

Illustration of a hand inserting a component into a device, showing a downward arrow (no text or symbols present)

Line drawing of a device with a hand inserting a component into a box (no text or symbols)

AN(Poly) + AWM Voices 34

AN-Synthese (Analog Physical Modeling) 33

Bank/PC:MD (Bank/Program Change: MIDI) 170

Beat Number 221

Beat Graph 199

BP High (Break Point High) 125

BP Low (Break Point Low) 124

BP1\~4 Level(Pegel) 97

CAT (Channel After Touch) 203

Cat(Category) 81

CC (Control Change) 202

Ceiling 137

Center Key 83

Center Key (Center-Schalter) 179

Channel 272

Cho (Chorus) 106, 107, 162

Cho Pan (Chorus Pan) 106, 162

Cho Return (Chorus Return) 106, 162

Cho Send (Chorus Send) 106, 145, 165

Cho Type (Chorus Type) 162

Cho → Rev (Chorus → Reverb) 106, 162

Chord Separate 211, 234, 255

Chord Sort 211, 233, 255

Chorus 65

Clear Arp 250

Clear Arpeggio 250

Clear Pattern 229

Clear Song 207

Clear Track 208, 229, 251

Click (Click-Modus) 220, 239

Click (Metronome) (Click-Modus) 186

Click (Metronome) Beat 186

CLICK (MIDI Click) 272

Clk (Clock Shift) 189

ClkSft (Clock Shift) 191

Clock 211, 215, 234, 235, 255, 256

Clock Number 222

Coar (Coarse Tune) 153

Coarse 127

Coarse Tune 83,144

COM (Common) 77, 107, 112, 123, 142, 159

COM-MENU 158

Connect 92, 271

Contents 7

Controller 170

Controller Reset 271

Copy Measure 209, 231, 253

Copy Pattern 229

Copy Perform (Copy Performance) 173

Copy Sample 183

Copy Track 208, 229, 251

Copy Voice 149

Copy Wave 155

Create Measure 209

Crescendo 217, 236, 258

CTRL (Controller Setup) 275

CTRL (Controller) 103, 111, 123, 147, 163, 272

Ctrl (Controllers) 104, 169

Ctrl to MIDI (Contoroller To MIDI) 170

Ctrl To TG (Controller To Tone Generator) 170

Ctrl(Controller) 141

Current Voice 150

Curve 163,272

Cutoff Freq (Cutoff Frequency) 110, 118

D

DCF (Dynamic Control Filter) 91, 110

DCF1 Type (Filter 1 Type) 91

DCF1/2 EG (F1/2 EG) 92

DCF1/2 Freq (F1/2Frequency) 91

DCF1/2 Gain 91

DCF1/2 LFO (F1/2 LFO) 92

DCF1/2 Reso (F1/2 Resonance) 92

DCF2 Type (Filter 2 Type) 91

Dcy 1/2 Level (Decay 1/2 Level) 85, 96

Dcy 1/2 Time (Decay 1/2 Time) 85, 96

Dcy 1-3 Level 99

Dcy 1\~3 Time (Decay 1-3 Time) 99

Dcy1 Time Vel (Decay 1 Time Velocity) 98

Decay Level Vel (Decay Level Velocity) 99

Decay T.Kf (Decay Time KeyFollow) 133, 140

Decay Time 111, 119, 120, 133, 137, 140, 168

DEL (Delete) 268

Delay 100, 103

Delete Measure 210

Delete Sample 183

Delete Wave 155

Depth 103, 163, 272

Der Arpeggiator 61

Effect Bypass 67,276

EG (Pitch Envelope Generator) 84, 109

EG Depth 83

EG Depth (Envelope Generator Depth) ...... 132, 134, 137

EG Depth Vel

(Envelope Generator Depth Velocity) ...... 132, 134, 137

EG Mode (Envelope Generator Mode) .... 131, 134, 136, 139

EG Pickup (Electric Guitar Pickup) 126

EG Random 83

EG Shape (Envelope Generator Shape) 131

EG Time (Envelope Generator Time) ..... 131, 134, 136, 139

EG Time Kflw

(Envelope Generator Time KeyFollow) .... 132, 134, 136, 139

High1/2 Freq Vel (High1/2 Frequency Velocity) 87

High1/2 Gain 88

High1/2 Gain Vel (High 1/2 Gain Velocity) 88

HPF (High Pass Filter) ..... 89, 93, 125, 128, 129, 137, 141

HPF Freq (High Pass Filter Cutoff Frequency) 118

HPF K.Flw (High Pass Filter KeyFollow) .... 126, 128, 137, 141

I

Index 296

Init Level (Initial Level) 99

Init Performance (Initialize Performance) 173

Init Voice (Initialize Voice) 149

Initial Level 109

InitVal KN1\~6 (Initial Values KN1\~6) 171

InitVal MW1/MW2/AT/FC/BC/RB (Initial Values) 170

InitVal PB (Initial Value Pitch Bend) 170

Input Gain 86

Input Level 140

Input Level Bar 176

Ins → Cho 148

Ins → Rev 148

INS1 (Insertion 1) 106

INS2 (Insertion 2) 106

InsEF Connect (Insertion Effects Connect) 105

InsEF Elem Sw (Insertion Effect Element Switch) .. 105, 146

InsEF Sw (Insertion Effect Switch) 165

InsEF1 (Insertion Effect 1) 106

InsEF2 (Insertion Effect 2) 106

Insertion-Effekte 6

InvertLPF (Inverted Low Pass Filter) 89

J

JOB1 207,228,250

JOB2 209, 231, 252

JOB3 212, 234, 255

K

K.Flw Coarse (KeyFollow Coarse) 138

K.Flw Fine (KeyFollow Fine) 138

Kbd/TG Mode (Keyboard/Tone Generator-Modus) .... 160, 271

Key 24

Key Assign 79,146,165

Keyboard Illustration 200

Keyboard Transpose 270

KeyFollow 83, 128, 130, 132, 134, 135

KeyOn Delay 81, 108, 144

Knob 17

Knob To MIDI 171

Knob To TG (Knob To Tone Generator) 171

Kopfhörer 1

L

L (Loop) 85

L(Loop) 96

L/H Shelf (Low/High Shelving Filter) 86

Length (Loop Length) 221

Level 81, 96, 145

Level K.Flw BP (Level Key Follow Break Point) 110

Level K.Follow (Level Key Follow) 110

Level KeyFollow 97

Level Vel (Level Velocity) 97, 145

LFO (Low Frequency Oscillator) 100, 111, 121, 147

LFO Depth (Low Frequency Oscillator Depth) .... 131, 133, 134

LFO Mode (Low Frequency Oscillator Mode) 130

LFO Phase (Low Frequency Oscillator Phase) 131

LFO Speed (Low Frequency Oscillator Speed) 131, 133, 134

LFO Wave (Low Frequency Oscillator Wave) 131

LFO1 (Low Frequency Oscillator1) 100

LFO1 AMD (LFO1 Amplitude Modulation) 123

LFO1 Delay 123

LFO1 FMD (LFO1Frequency Modulation) 123

LFO1 Speed 123

LFO1 Sync 123

LFO1 Wave (Low Frequency Oscillator1 Wave) 121

LFO2 (Low Frequency Oscillator 2) 102

LFO2 Speed 123

LFO2 Wave (Low Frequency Oscillator 2 Wave) ..... 123

LOAD (File Load) 265

Local (MIDI Control Out) 275

Location (Measure, Beat, Clock) 198

LOOP 181, 186

Loop End 181

Loop Length 180

Loop Length Offset 144

Loop Start/End Point 186

Loop Top 180

LoopTune 179

Low 1/2 Gain Vel (Low 1/2 Gain Velocity) 87

Low Freq (Low Frequency) 86

Low1/2 Freq (Low 1/2 Frequency) 87

Low1/2 Freq Vel (Low1/2 Frequency Velocity) 87

Low1/2 Gain 87

LPF (Low Pass Filter) 88, 92, 135, 137

LPF K.Flw (Low Pass Filter KeyFollow) 136, 137

LpLength (Loop Length) 152

Lvl (Level) 153

LYR (Layer) 165

M

M.FreqCoarse (Main Frequency Coarse) 139

M.FreqFine (Main Frequency Fine) 139

M.Mod Depth (Main Modulation Depth) 139

M.Mod EG (Main Modulation Envelope Generator) ..... 139

M.Mod EG Vel (Main Modulation Envelope Generator

velocity) 139

Master Note Shift 270

Master Tune 270

Master Volume 270

MaxLng (Maximum Length) 220

MD BankLSB (MIDI Bank Select LSB) 170

MD BankMSB (MIDI Bank Select MSB) 170

Measure..186, 194, 208, 210, 211, 212, 215, 216, 217, 218,

220, 224, 230, 231, 232, 233, 234, 235, 236, 237, 239, 246, 250, 253, 254, 255, 256, 257, 258

232, 250, 254, 255, 256, 257, 258

Measure Number 221

Measure/ARP (Arpeggio Type Name) 238

Measure/PTN (Pattern Name) 219

Measure/SONG (Song Name) 185

MIDI to TG (MIDI to Tone Generator) 166

MIDI Trans Ch (MIDI Transmit Channel) 271

MIDI Trns Ch 274

MIDI-A/MIDI-B (MIDI OUT A/B) 192, 222

MIDI-Anschlüsse 22

MOD (Modulation) 116

Mod Smooth (Modulation Smooth) 129

Mod Speed (Modulation Speed) 129

MODE 24

Modify GateTime 215, 235, 256

Modify Velocity 216, 235, 257

Mono/Poly 79

Mono/Poly (Monophonic/Polyphonic) 165

Move Clock 214, 235, 256

MSG (Greeting Message) 277

MTC Start Offset (MTC Start Offset) 274

MULTI 195,224

NAME (Arpeggio Type Name) 244

NAME (File Name) 262

NAME (Pattern Name) 222

NAME (Song Name) 192

No (Pattern Number) 220, 224

Noise Level 120

Normal Voice (AN Element) 112

Normal Voice (AWM Element) 77

Normal Voice (VL Element) (nur EX5/5R) 107

Out High Kf (Out High KeyFollow) 125

Out Hmid Kf (Out High Mid KeyFollow) 125

Out Level (Output Level) 125

Out Lmid Kf (Out Low Mid Keyfollow) 125

Out Low Kf (Out Low KeyFollow) 125

Out Select (Output Select) 164

Output 128

Output (Output Level) 141

Output KFlw (Output KeyFollow) 128

OVER (Over Dubbing) 195, 224, 246

Overdrive 141

PAT (Polyphonic After Touch) 203

Pattern 186

Pattern Edit-Modus 226

PEG (Pitch Envelope Generator) 168

PEG Atck (PEG Attack) 168

PEG Decay Time 118

PEG Depth 117

PEG Depth (Pitch Envelope Generator Depth) 139

PEG DepthVel

(Pitch Envelope Generator Depth Velocity) 139

PEG Init (PEG Initial) 168

PEG Mode 117

PEG ReIL (PEG Release Level) 168

PEG ReIT (PEG Release Time) 168

PEQ (Parametric Equalizer) 90

Performance Category 157

Picking P Kf (Picking Position KeyFollow) 127

Picking Pos (Picking Position) 127

PickingNotch 127

Pickup Notch 127

Pickup P Kf (Pickup Position KeyFollow) 127

Pickup Pos (Pickup Position) 127

Pickup Type 124, 127

PITCH 83,111,146

PITCH (Pitch Control) 103

PITCH (Pitch Parameters) 108, 117

Pitch Bend Lower 103,169

Pitch Bend Upper 103, 169

Pitch Coarse 128, 130, 132, 133, 135, 138

Pitch EG Depth 144

Pitch EG VelSens (PEG Velocity Sensitivity) 144

Pitch Fine 128, 132, 138

PLAY 26

Play Effect Thru 220

Play Effects & Groove Quantization 64

Play Effects Thru 185, 239

Play Mode 175

PMD (Pitch Modulation Depth) 102, 147

PNCH (Punch In) 195

Polarity 13

Polyphonie 45,78

Port (Portamento) 169

Port Mode (Portamento Mode) 104, 169

Port Sw (Portamento Switch) 103, 169

Port Time (Portamento Time) 103.169

Pos High Kf (Position High KeyFollow) 125

Pos Hmid Kf (Position High Mid KeyFollow) 125

Pos Lmid Kf (Position Low Mid KeyFollow) 125

Pos Low Kf (Position Low KeyFollow) 125

Position 125

Post EQ 109

PRE (Preset) 170

Pre Gain 136

Pre LPF (Low Pass Filter) 136

PTN (Pattern Track) 205

PTN (Pattern) 219, 223, 261, 264, 267

Ptn No (Pattern Number) 194

Ptn Tr (Pattern Track) 195

Pulse Width 130

Punch 6

Put Phrase 232

PWM (Pulse Width Modulation) 130

PWM Depth (Pulse Width Modulation Depth) 130

PWM DepthVel (Pulse Width Modulation Depth Velocity) ....

130

PWM Src (Pulse Width Modulation Source) 116

Q

Quant (Quantize value) 191

Quantize 212, 234, 256

Qunt (Quantize Value) 212, 234, 256

R

Random Depth 97,145

Range 217, 236, 258

Rate 189, 215, 216, 235, 236, 257

Rate (Swing Rate) 213, 235, 256

Real Time Recording: Pattern 196

Real Time Recording: Tempo 198

Recall Perform (Recall Performance) 173

Recall Voice 149

Receive GM On 274

Receive Pgm Chng (Receive Program Change) 274

Recv Note Off (Receive Note Off) 145

Rel (Rel1/2) Time 99

Rel1 Level 99

Rel1/Rel2 Level (Release 1/2 Level) 85, 96

Rel1/Rel2 Time (Release 1/2 Time) 85, 96

Release Time 109, 111, 119, 121, 129, 133, 134, 137, 168

REMAP 104

Reso (Resonance) 88, 91

Reso Random (Resonance Random) 88

Reso Vel (Resonance Velocity) 88

Reso. Vel (Resonance Velocity) 91

Resonance 110, 118, 126, 128, 129

Rev (Reverb) 106, 107, 162

Rev Pan (Reverb Pan) 106, 162

Rev Return (Reverb Return) 106, 162

Rev Send (Reverb Send) 106, 145, 165

Rev Type (Reverb Type) 161

Reverb 65

Ribbon Controller Modus 276

Ribbon Mode (Ribbon-Modus) 160

Ring Mod (Ring Modulator) 138

Ring Mod Level (Ringmodulation Level) 120

RNAM (File Rename) 268

Rndm (Ramdom) 101

RPLC (Replace) 195, 224, 246

RPN (Registered Parameter Number) 203

S

S.FreqCoarse (Sub Frequency Coarse) 139

S.FreqFine (Sub Frequency Fine) 139

S.Mod Depth (Sub Modulation Depth) 139

S.Mod EG (Sub Modulation Envelop Generator Depth) .. 139

S.Mod EG Vel (Sub Modulation Envelop Generator Velocity) ..... 139

Sample Bank 144, 145, 146, 152, 175

Sample Number (Sample-Nummer) .... 144, 145, 146, 152, 175

Sample Play 145

Sample Play-Modus 175

Sample Record-Modus 176

Sample-Modus 175

SAVE (File Save) 263

SCALE 83, 94, 97, 108, 117

Scene Controller Assign 276

SCF (Static Control Filter) 86

SENS (Sensitivity) 93

SEQ (Sequencer Setup) 272

SEQ (Tr1\~16:Sequenzerspuren 1\~16) 202

SET (Controller set) 104, 123, 147

SET [Controllersatz] 141

Shift Event 218, 237, 258

Shift Note 217, 236, 257

Size 210

SMF (MIDI File) 260, 264, 267

SMPL (Sample) 152

SmpIPlay (Sample Play) 152, 179

SONG 185.194.261.264.267

Song Control 187

Song Edit-Modus 201

Song Job-Modus 206
Song Modus 185
Song Play-Modus 185
Song Record-Modus 193
SOUND 167
Source 176
Source Element 149
Source Part 173
Source Performance Number 173
Source Voice Bank 149
Source Voice Number 149
Specifications 295
Speed 101, 103, 147
Speichern einer Szene 57
Spelchern von Samples auf Diskette 71
Split Arpeggio 252
Split Keyboard (Tastatur-Tellung) 50
Split Pattern 230
Src (Source) 194
Src Arp (Source Arpeggio) 250, 251, 252
Src Event (Source Event) 218, 237, 258
Src Meas (Source Measure) 209, 231, 253
Src Ptn (Source Pattern) 229, 230, 232
Src Sample (Source Sample Bank) 183
Src Sample (Source Sample Number) 183, 184
Src Song Track (Source Song Track) 232, 253
Src Sw(Source Switch) 104
Src Track (Quellenspur) 209
Src Track (Source Track) 208, 230, 231, 251, 252
Src Trk (Source Track) 229, 230, 253
Src Wave (Source Wave) 155
Src1 Sample (Source 1 Sample Number) 184
Src2 Sample (Source 2 Sample Number) 184
START (Start point) 181
Start Offset 144
Start/End 184
StartOfs (Start Offset) 152
STEP 195.224.246
Step (schrittweise Aufzeichnung) 63
Step Recording-Anzeige 198
Step Recording: Tr1-Tr16 198
Step-Aufzeichnung 225, 246
Steuerungs-Elemente und Modifizierer 31
Str (Quantize Strength) 188
Streng (Quantize Strength) 213, 235, 256
Stromversorgung 16
Struktur der einzelnen Elemente 40
Struktur des Gesamtsystems 42
Struktur eines FDSP Voice-Elements 35
Sub Pitch 138
Sustain Level 111, 119, 120
Sustain Lvl (Sustain Level) 133, 140
SYN (Synth All) 264, 265
SYN (Synthesizer Setup) 270
Sync 100, 103, 114, 147, 273
Sync Depth 114
Sync Pitch 114
Sync Src (Sync Source) 114
Synth All 260
SysEX Interval (System Exclusive Interval) 273
System-Effekte 65
System-Initialisierung 27
System-Überblick 40
Szenen-Abruf und Umschaltung 57
Szenen-Steuerung (Szenen-Morphen) 58
Szenen-Umschaltung und -Morphen 57

T

Time Scale 85, 95, 98

Time Signature .... 186, 194, 199, 220, 224, 239, 246

Time Stretch 208, 231, 252

Wet Level 129, 133, 134, 136, 138

Wet Vel (Wet Level Velocity) 136, 138