FUJIAPN HYBRIDEX-1T5 - Digital Camera DARTY - Free user manual and instructions

USER MANUAL FUJIAPN HYBRIDEX-1T5 DARTY

FF220001 Owner’s Manual BL00005204-200 EN Introduction Thank you for your purchase of this product. Be sure that you have read this manual and understood its contents before using the camera. Keep the manual where it will be read by all who use the product. For the Latest Information The latest versions of the manuals are available from: https://fujifilm-dsc.com/en/manual/ The website can be accessed not only from your computer but also from smartphones and tablets. It also contains information on the software license. For information on firmware updates, visit: https://fujifilm-x.com/support/download/firmware/cameras/

3 Basic Photography and Playback

4 Movie Recording and Playback

5 Taking Photographs

6 The Shooting Menus

8 Network/USB Features and Settings

11 Peripherals and Optional Accessories

iii Menu List Camera menu options are listed below. Shooting Menus Menu List Adjust settings when shooting photos or movies. N See page 117 for details. Photo Menus N Items marked with both x and F icons are available in both the still photography and movie shooting menus. Changes to these items in either menu also apply to the item in the remaining menu.

4⁄4 xF MOUNT ADAPTOR SETTING

P A SHOOTING SETTING

F REC FRAME INDICATOR

AF-C CUSTOM SETTINGS

STORE AF MODE BY ORIENTATION

1⁄3 AF POINT DISPLAYyz xF WRAP FOCUS POINT

NUMBER OF FOCUS POINTS

PRE-AF xF AF ILLUMINATOR g FACE/EYE DETECTION SETTING

SUBJECT DETECTION SETTING

Movie Menus N Items marked with both x and F icons are available in both the still photography and movie shooting menus. Changes to these items in either menu also apply to the item in the remaining menu. Menu List

F REC FRAME INDICATOR

INTERNAL MIC LEVEL ADJUSTMENT

EXTERNAL MIC LEVEL ADJUSTMENT

F AF-C CUSTOM SETTING

The Playback Menu Adjust playback settings. N See page 225 for details. Menu List

TRANSFER IMAGE TO SMARTPHONE 239

Menu List Setup Menus Adjust basic camera settings. N See page 271 for details.

LCD COLOR ADJUSTMENT

PREVIEW EXP./WB IN MANUAL MODE 286

F-Log VIEW ASSIST P 2⁄4

AWB-LOCK MODE APERTURE RING SETTING (A) APERTURE SETTING 3⁄3 a Fn1 BUTTON SETTING

Menu List The Network/USB Settings Menu Adjust settings for network and USB connections. N See page 264 for details. Menu List

RESET WIRELESS SETTING

xxii Table of Contents

• NP-W235 rechargeable battery O For reasons of safety, the battery is not charged at shipment. The camera will not function if the battery is not charged; be sure to charge the battery before use (P 42).

• AC-5VJ AC power adapter
• USB cable (approx. 0.6 m/2 ft.)
• Body cap (comes attached to camera)
• Hot shoe cover (comes attached to hot shoe)
• Sync terminal cap (comes attached to camera)
• Basic Manual N • If you purchased a lens kit, check that a lens is included.
• The plug adapter supplied varies with the country or region.
• The headphone adapter converts the USB Type-C connector to a ⌀3.5 mm headphone jack.

• For information on compatible computer software, see “Software for Use with Your Camera” (P 359). xxv About This Manual This manual contains instructions for your FUJIFILM X-T5 digital camera. Be sure you have read and understood its contents before proceeding. Symbols and Conventions The following symbols are used in this manual: O Information that should be read to prevent damage to the product. Additional information that may be helpful when using the product. P Pages on which related information may be found. Menus and other text in the displays are shown in bold. Illustrations are for explanatory purposes only; drawings may be simplified, while photographs are not necessarily taken with the model of camera described in this manual. Terminology The optional SD, SDHC, and SDXC memory cards the camera uses to store pictures are referred to as “memory cards”. The electronic viewfinder may be referred to as the “EVF” and the LCD monitor as the “LCD”. Smartphones and tablets are referred to as “smartphones”. xxvi Before You Begin

The Serial Number Plate Do not remove the serial number plate, which provides the CMIIT ID, serial number, and other important information.

Before You Begin Serial number plate The Focus Stick (Focus Lever) Tilt or press the focus stick to select the focus area. The focus stick can also be used to navigate the menus. N To choose the role played by the focus stick, press and hold the center of the stick or use D BUTTON/DIAL SETTING > FOCUS LEVER SETTING. The Selector Press the selector up, right, down, or left to highlight items. The up, right, down, and left buttons also double as function buttons Fn3 through Fn6 (P 295, 321).

Parts of the Camera The Shutter Speed and Sensitivity Dials Press the dial lock release to release the dial before rotating it to the desired setting. Press the release again to lock the dial in place. Shutter speed

Before You Begin Sensitivity STILL/MOVIE mode dial Rotate the STILL/MOVIE mode dial to STILL to take photos and to MOVIE to record movies.

The Exposure Compensation Dial Rotate the dial to choose an exposure compensation amount.

Before You Begin The Drive Dial Rotate the dial to choose from the following the drive modes.

Parts of the Camera The Command Dials Rotate or press the command dials to: Front command dial Rear command dial

Rotate through menus

• Adjust aperture 1, 2 2, 5
• Adjust exposure compensation 2, 3
• View other pictures during playback

• Switch back and forth between Press aperture and sensitivity 2, 3, 6
• Press and hold to choose the option selected for D BUTTON/

DIAL SETTING > COMMAND

DIAL SETTING in the D (setup) menu tion of shutter speed and aperture (program shift)

• Choose a shutter speed 2
• Adjust settings in the quick menu
• Choose the size of the focus frame
• Zoom in or out in full frame playback
• Zoom in or out in multi-frame playback
• Perform the function assigned to the DIAL function button
• Zoom in on the active focus point 4
• Press and hold to choose the4 manual focus mode focus display
• Zoom in on the active focus point during playback 1 Lens not equipped with aperture ring; lens equipped with aperture ring and aperture set to A (auto) and COMMAND selected for D BUTTON/DIAL SETTING > APERTURE RING SETTING (A); or ON selected for MOVIE OPTIMIZED CONTROL oL. 2 Can be changed using D BUTTON/DIAL SETTING > COMMAND DIAL SETTING. 3 Sensitivity dial rotated to C or ON selected for MOVIE OPTIMIZED CONTROL oL.

• Choose the desired combina- 4 Available only if FOCUS CHECK is assigned to a function button. 5 Exposure compensation dial rotated to C or ON selected for MOVIE OPTIMIZED CONTROL oL. 6 Can be used to switch back and forth between aperture, sensitivity, and exposure compensation when exposure compensation dial is rotated to C or ON is selected for MOVIE OPTIMIZED CONTROL oL. N The rotation direction for the command dials can be selected using D BUTTON/DIAL SETTING > COMMAND DIAL DIRECTION.

Parts of the Camera The Indicator Lamp Camera status is shown by the indicator lamp.

• Camera on: Recording pictures, or picture displayed for confirmation after being taken with option other than OFF selected for D SCREEN SET-UP > IMAGE DISP. (additional pictures can be taken). off: Uploading pictures to a smartphone or tab• Camera let. * Recording pictures. No additional pictures can be taken at this time. Flash charging; flash will not fire when picture is taken. Lens or memory error.

• Displayed only if pictures are selected for upload. N • Warnings may also appear in the display.
• The indicator lamp remains off while your eye is to the viewfinder.
• The B MOVIE SETTING > TALLY LIGHT option can be used to choose the lamp (indicator or AF-assist) that lights during movie recording and whether the lamp blinks or remains steady.
• The indicator lamp blinks green whenever the displays are off during interval-timer photography.

Before You Begin Indicator lamp Glows green The LCD Monitor The LCD monitor can be tilted for easier viewing, but be careful not to touch the wires or trap fingers or other objects behind the monitor. Touching the wires could cause camera malfunction.

Before You Begin N The LCD monitor also functions as a touch screen that can be used for:

• Touch photography (P 27)
• Focus area selection (P 26)
• Function selection (P 29)
• Movie optimized control oL (P 28)
• Playback (P 31) “Tall” (Portrait) Orientation The display can also be tilted to take pictures from high or low angles when the camera is rotated to take pictures in “tall” (portrait) orientation.
• Press the tilt lock release and tilt the display as shown in Figure 1.
• To take high-angle shots, hold the camera in the orientation shown in Figure 2. Figure 1

Figure 2 Parts of the Camera The Eye Cup To remove the eye cup, hold the buttons on either side and slide eye cup up.

If the indicators displayed in the viewfinder are blurred, put your eye to the viewfinder and rotate the diopter adjustment control until the display is in sharp focus. To focus the viewfinder: A Lift the diopter adjustment control. B Rotate the control to adjust viewfinder focus. C Return the control to its original position and lock it in place. O Lift the control before use. Failure to observe this precaution could cause product malfunction.

Before You Begin Focusing the Viewfinder Camera Displays This section lists the indicators that may be displayed during shooting. O For illustrative purposes, displays are shown with all indicators lit. The Electronic Viewfinder

F LM N O P Q Before You Begin GHIJK S T X Y U V W

Before You Begin N Use D SCREEN SET-UP > VIEW MODE SETTING in the setup menu to choose a display mode for the EVF and LCD monitor. SHOOTING Option Description Putting your eye to the viewfinder turns the viewfinder on and the LCD monitor off ; taking your eye away turns

the viewfinder off and LCD monitor on. LCD ONLY LCD monitor on, viewfinder off. EVF ONLY Viewfinder on, LCD monitor off. Putting your eye to the viewfinder turns the viewfinder on; taking it away turns the viewfinder off. The LCD

monitor remains off. Putting your eye to the viewfinder during shooting turns the viewfinder on, but the LCD monitor is used for E EYE SENSOR + LCD the display of images once you remove your eye from the viewfinder after shooting. The options selected for IMAGE DISP. D SCREEN SET-UP > IMAGE DISP. apply to display in the LCD monitor. N Go to D SCREEN SET-UP > VIEW MODE SETTING in the setup menu and press the Q button to choose the view modes available.

LCD ONLY EVF ONLY Description Putting your eye to the viewfinder turns the viewfinder on and the LCD monitor off ; taking your eye away turns the viewfinder off and LCD monitor on. LCD monitor on, viewfinder off. Viewfinder on, LCD monitor off.

Before You Begin The Eye Sensor The eye sensor may respond to objects other than your eye or to light shining directly on the sensor. Eye sensor

Adjusting Display Brightness The brightness and saturation of the viewfinder and LCD monitor can be adjusted using the items in the D SCREEN SET-UP menu. Choose EVF BRIGHTNESS or EVF COLOR to adjust viewfinder brightness or saturation, LCD BRIGHTNESS or LCD COLOR to do the same for the LCD monitor.

Display Rotation Before You Begin When ON is selected for D SCREEN SET-UP > AUTOROTATE DISPLAYS, the indicators in the viewfinder and LCD monitor automatically rotate to match camera orientation.

Camera Displays The DISP/BACK Button The DISP/BACK button controls the display of indicators in the viewfinder and LCD monitor. N Indicators for the EVF and LCD must be selected separately. To choose the EVF display, place your eye to the viewfinder while using the DISP/BACK button.

Before You Begin Viewfinder Full screen Standard indicators Dual display (manual focus mode only)

Dual display (manual focus mode only) Info display The Dual Display The dual display consists of a large full-frame window and a smaller close-up of the focus area.

MF DISTANCE INDICATOR

Press DISP/BACK to save changes. Press DISP/BACK as needed to exit the menus and return to the shooting display.

Framing Outline Enable FRAMING OUTLINE to make the borders of the frame easier to see against dark backgrounds. Histograms Histograms show the distribution of tones in the image. Brightness is shown by the horizontal axis, the number of pixels by the vertical axis.

• Optimal exposure: Pixels are distributed in an even curve throughout the tone range.

• Overexposed: Pixels are clustered on the right side of the graph.

• Underexposed: Pixels are clustered on the left side of the graph. To view separate RGB histograms and a display showing areas of the frame that will be overexposed at current settings superimposed on the view through the lens, press the function button to which HISTOGRAM is assigned (P 295, 321). A Overexposed areas blink B RGB histograms

Camera Displays Virtual Horizon Check whether the camera is level. The display type can be chosen using D SCREEN SET-UP > ELECTRONIC LEVEL SETTING. Use the virtual horizon to level the camera when mounting it on a tripod or the like.

• OFF: The virtual horizon is not displayed.
• 2D: A white line shows the amount the camera is tilted left or right. The line turns green when the camera is level. The line may vanish if the camera is tilted forward or back.
• 3D: The display shows whether the camera is tilted left or right and forward or back. N ELECTRONIC LEVEL SWITCH can be assigned to a function button and the button then used to switch between the 2D and 3D displays.

Before You Begin The Menus Different menus are displayed during still photography, movie recording, and playback.

EXIT Shooting STILL/MOVIE mode dial rotated to STILL MOVIE SETTING

Using the Menus Selecting a Menu Tab To navigate the menus:

Press the selector right to place the cursor in the menu. N Use the front command dial to select menu tabs or page through menus and the rear command dial to highlight menu items.

Touch Screen Mode The LCD monitor also functions as a touch screen. Shooting Touch Controls

EVF TOUCH SCREEN AREA SETTINGS

EVF The LCD monitor can be used to select the focus area while pictures are being framed in the electronic viewfinder (EVF). Use D BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > EVF TOUCH SCREEN AREA SETTINGS to choose the area of the monitor employed for touch controls. N • When FACE DETECTION ON is selected for G AF/MF SETTING > g FACE/EYE DETECTION SETTING, you can choose the face used for focus.

• You can choose the type of subject on which the camera preferentially focuses when SUBJECT DETECTION ON is selected for G AF/MF SETTING > SUBJECT DETECTION SETTING.

Touch Screen Mode LCD Monitor The operation performed can be selected by tapping the touch screen mode indicator in the display. Touch controls can be used for the following operations: Mode

• In focus mode S (AF-S), the camera focuses when you tap your

AF OFF subject in the display. Focus locks at the current distance until you tap the AF OFF icon.

• In focus mode C (AF-C), the camera initiates focus when you tap your subject display. The camera will continue to adjust focus for changes in the distance to the subject until you tap the AF OFF icon.
• In manual focus mode (MF), you can tap the display to focus on the selected subject using autofocus. AREA Tap to select a point for focus or zoom. The focus frame will move to the selected point. OFF Touch screen mode off. O • The behavior of the touch screen varies with the AF mode.
• Different touch controls are used during focus zoom (P 161).

Before You Begin Tap your subject in the display to focus and release the shutter. TOUCH In burst mode, pictures will be taken while you keep your finger SHOOTING on the display. N • To disable touch controls and hide the touch screen mode indicator, select OFF for D BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > x TOUCH SCREEN SETTING.

• Touch control settings can be adjusted using G AF/MF SETTING > TOUCH SCREEN MODE. For information on the touch controls available during movie recording, see “Movie Recording (F TOUCH SCREEN MODE; P 210)”.

Before You Begin MOVIE OPTIMIZED CONTROL oL Selecting ON for B MOVIE SETTING > MOVIE OPTIMIZED CONTROL oL or tapping the movie-optimized mode button in the shooting display optimizes the command dials and touch controls for movie recording. This can be used to prevent camera sounds being recorded with movie footage.

ADJUSTMENT/EXTERNAL MIC

LEVEL ADJUSTMENT Movie-optimized mode button

• F IS MODE BOOST N • Enabling movie-optimized controls disables the aperture ring and the shutter-speed, sensitivity, and exposure compensation dials.
• When movie-optimized control is enabled, the movie-optimized mode button can be used to change shooting settings or disable movie-optimized control.

Touch Screen Mode Touch Function Functions can be assigned to the following flick gestures in much the same way as function buttons (P 321):

INTERNAL MIC LEVEL ADJUSTMENT

Before You Begin N • In some cases, touch-function flick ges-

Touch Zoom If the lens supports touch zoom, you can zoom in and out by touching the display. Tap the touch zoom button in the display to enable touch zoom.

Before You Begin Touch zoom is controlled using the buttons in the display. Button Touch zoom Zoom in Zoom out Description Enable touch zoom. Zoom in or out. Touch and hold to zoom in or out at a constant speed. Rocker switch The camera zooms in or out at a speed corresponding to the position of the rocker switch. Disable Disable touch zoom. N The rate at which the camera zooms in and out in response to the T and W buttons can be selected using D BUTTON/DIAL SETTING > LENS ZOOM/FOCUS SETTING > CONSTANT SPEED ZOOM (Fn).

Touch Screen Mode Playback Touch Controls When ON is selected for D BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > a TOUCH SCREEN SETTING, touch controls can be used for the following playback operations:

• Swipe: Swipe a finger across the display to view other images.

• Pinch-out: Place two fingers on the display and spread them apart to zoom in.

• Pinch-in: Place two fingers on the display and slide them together to zoom out. N Pictures can be zoomed out until the entire image is visible but no further.

• Double-tap: Tap the display twice to zoom in on the focus point.

• Drag: View other areas of the image during playback zoom.

Attaching the Strap Attach the strap. Attach the strap to the two strap clips as shown below.

First Steps O To avoid dropping the camera, be sure the strap is correctly secured.

Attaching a Lens The camera can be used with lenses for the FUJIFILM X-mount. Remove the body cap from the camera and the rear cap from the lens. Place the lens on mount, keeping the marks on the lens and camera aligned (A), and then rotate the lens until it clicks into place (B).

Removing Lenses To remove the lens, turn the camera off, then press the lens release button (A) and rotate the lens as shown (B). O To prevent dust accumulating on the lens or inside the camera, replace the lens caps and camera body cap when the lens is not attached. Lenses and Other Optional Accessories The camera can be used with lenses and accessories for the FUJIFILM X-mount. O Observe the following precautions when attaching or removing (exchanging) lenses.

• Check that the lenses are free of dust and other foreign matter.
• Do not change lenses in direct sunlight or under another bright light source. Light focused into the interior of the camera could cause it to malfunction.
• Attach the lens caps before exchanging lenses.
• See the manual provided with the lens for information on use.

First Steps O • When attaching lenses, ensure that dust or other foreign matter does not enter the camera.

• Be careful not to touch the camera’s internal parts.
• Rotate the lens until it clicks securely into place.
• Do not press the lens release button while attaching the lens. Inserting the Battery Insert the battery in the camera as described below.

Open the battery-chamber cover. Slide the battery-chamber cover latch as shown and open the battery-chamber cover. O • Do not open the battery-chamber cover when the camera is on. Failure to observe this precaution could damage image files or memory cards.

• Do not use excessive force when handling the battery-chamber cover.

Insert the battery as shown. O • Insert the battery in the orientation shown. Do not use force or attempt to insert the battery upside down or backwards.

• Confirm that the battery is securely latched.

Inserting the Battery

Close the battery-chamber cover. Close and latch the cover. O If the cover does not close, check that the battery is in the correct orientation. Do not attempt to force the cover shut. O The battery may become hot when used in high-temperature environments. Observe caution when removing the battery.

First Steps Removing the Battery Before removing the battery, turn the camera off and open the battery-chamber cover. To remove the battery, press the battery latch to the side, and slide the battery out of the camera as shown. Inserting Memory Cards Pictures are stored on memory cards (sold separately). N The camera can be used with two cards, one in each of its two slots.

Open the memory card slot cover. Unlatch and open the cover.

First Steps O Do not turn the camera off or remove the memory card while the memory card is being formatted or data are being recorded to or deleted from the card. Failure to observe this precaution could damage the card.

Insert the memory card. Holding the card in the orientation shown, slide it in until it clicks into place at the back of the slot. Close and latch the memory card slot cover. O Be sure card is in the correct orientation; do not insert at an angle or use force.

Inserting Memory Cards Removing Memory Cards Turn the camera off and open the memory card slot cover. Eject the card by pressing it in with a finger and then slowly releasing it; the card can then be removed by hand. O • Press the center of the card.

• Suddenly removing your finger from the card could cause the card to fall from the slot. Remove your finger slowly. touch. Wait for the card to cool before removing it.

• If the camera displays a p icon, the memory card may be hot to the Using Two Cards The camera can be used with two cards, one in each of its two slots. At default settings, photos are saved to the card in the second slot only when the card in the first slot is full. This can be changed using D SAVE DATA SET-UP > x CARD SLOT SETTING. Option

First Steps Description The card in the second slot is used only when the card in the first slot is full. If the second slot is selected for D SAVE SEQUENTIAL DATA SET-UP > SELECT SLOT(xSEQUENTIAL), (default) recording will start on the card in the second slot and switch to the first slot when the card in the second slot is full. BACKUP Display Each picture is recorded twice, once to each card. RAW pictures are recorded to the card in the first slot and JPEG or HEIF pictures to the card in the second slot. RAW+JPEG SEPARATE This setting takes effect only when FINE + RAW or NORMAL + RAW is selected for H IMAGE QUALITY SETTING > IMAGE QUALITY. RAW+HEIF The card used to store movies can be selected using B MOVIE SETTING > MEDIA REC SETTING.

Inserting Memory Cards Compatible Memory Cards

• The camera can be used with SD, SDHC, and SDXC memory cards. Both the UHS-I and UHS-II bus interfaces are supported.
• UHS-II cards are recommended for high-speed burst photography.
• The types of memory cards suitable for movie recording vary with the settings selected (P 68).
• A list of supported memory cards is available on the Fujifilm website. For details, visit: https://fujifilm-x.com/support/compatibility/cameras/. O • Do not turn the camera off or remove the memory card while the memo-

First Steps ry card is being formatted or data are being recorded to or deleted from the card. Failure to observe this precaution could damage the card.

• Memory cards can be locked, making it impossible to format the card or to record or delete images. Before inserting a memory card, slide the write-protect switch to the unlocked position.
• Memory cards are small and can be swallowed; keep out of reach of children. If a child swallows a memory card, seek medical assistance immediately.
• miniSD or microSD adapters that are larger or smaller than memory cards may not eject normally; if the card does not eject, take the camera to an authorized service representative. Do not forcibly remove the card.
• Do not affix labels or other objects to memory cards. Peeling labels can cause camera malfunction.
• Movie recording may be interrupted with some types of memory card.
• Formatting a memory card in the camera creates a folder in which pictures are stored. Do not rename or delete this folder or use a computer or other device to edit, delete, or rename image files. Always use the camera to delete pictures; before editing or renaming files, copy them to a computer and edit or rename the copies, not the originals. Renaming the files on the camera can cause problems during playback.

Charging the Battery For reasons of safety, the battery is not charged at shipment. The camera will not function if the battery is not charged; be sure to charge the battery before use. Before charging the battery, turn the camera off. O • An NP-W235 rechargeable battery is supplied with the camera.

• Charging takes about 180 minutes.

First Steps Attach the plug adapter to the AC power adapter. Attach the plug adapter as shown, making sure that it is fully inserted and clicks into place on the AC power adapter terminals. O • The supplied plug adapter is for use exclusively with the AC-5VJ AC power adapter. Do not use it with other devices.

• The shape of the plug adapter varies with the country of sale.

Charge the battery. Connect the camera to the supplied AC power adapter using the supplied USB cable. Then plug the AC power adapter into an indoor power outlet. O • Connect the cable to the camera’s USB connector (Type-C).

• Be sure the connectors are fully inserted.

Charging the Battery Charge Status The indicator lamp shows battery charge status as follows: Indicator lamp Battery status Battery charging Charging complete Blinks Charging error

O • The supplied AC power adapter is compatible with power supplies of 100 to 240 V (a plug adapter may be needed for overseas use).

• Do not use the AC power adapter or USB cable with other devices, as this could cause malfunction.

• Do not affix labels or other objects to the battery. Failure to observe this precaution could make it impossible to remove the battery from the camera.
• Do not short the battery terminals. The battery could overheat.
• Read the cautions in “The Battery and Power Supply”.
• Use only genuine Fujifilm rechargeable batteries designated for use in this camera. Failure to observe this precaution could result in product malfunction.
• Do not remove the labels from the battery or attempt to split or peel the outer casing.
• The battery gradually loses its charge when not in use. Charge the battery one or two days before use.
• If the battery fails to hold a charge, it has reached the end of its charging life and must be replaced.
• Unplug the AC power adapter from the power outlet when it is not in use.
• If the battery is left for long periods without charging, you may find that its quality degrades or that it no longer holds a charge. Charge the battery regularly.
• Remove dirt from the battery terminals with a clean, dry cloth. Failure to observe this precaution could prevent the battery from charging.
• Note that charging times increase at low or high temperatures.
• Selecting ON for Bluetooth/SMARTPHONE SETTING > Bluetooth ON/OFF in the network/USB settings menu increases the drain on the battery.

First Steps N • If the camera is turned on during charging, charging will end and the USB connection will instead be used to power the camera. The battery level will begin to gradually decline (P 270).

• The camera will display a “power supply” icon when powered via USB.

Charging the Battery Charging via Computer The camera can be charged via USB. USB charging is available with computers with a manufacturer-approved operating system and USB interface.

First Steps Leave the computer on during charging. The battery will not charge while the camera is on.

• Connect the supplied USB cable.
• Connect the camera directly to the computer; do not use a USB hub or keyboard.
• Charging stops if the computer enters sleep mode. To resume charging, activate the computer and disconnect and reconnect the USB cable.
• Charging may not be supported depending on the model of computer, computer settings, and the computer’s current state.
• The battery takes about 600 minutes to charge with a charging input of 5 V/500 mA.

Turning the Camera On and Off Use the ON/OFF switch to turn the camera on and off. Slide the switch to ON to turn the camera on, or to OFF to turn the camera off.

O Fingerprints and other marks on the lens or viewfinder can affect pic- First Steps tures or the view through the viewfinder. Keep the lens and viewfinder clean. N • Pressing the a button during shooting starts playback.

• Press the shutter button halfway to return to shooting mode.
• The camera will turn off automatically if no operations are performed for the length of time selected for D POWER MANAGEMENT > AUTO POWER OFF. To reactivate the camera after it has turned off automatically, press the shutter button halfway or turn the ON/OFF switch to OFF and then back to ON.

Checking the Battery Level After turning the camera on, check the battery level in the display. Battery level is shown as follows:

Description Battery partially discharged. Battery about 80% full. Battery about 60% full. Battery about 40% full. Battery about 20% full. First Steps Indicator

(red) (blinks red) Low battery. Charge as soon as possible. Battery exhausted. Turn camera off and recharge battery.

Basic Setup When you turn the camera on for the first time, you can choose a language and set the camera clock. Follow the steps below when turning the camera on for the first time.

Turn the camera on. A language-selection dialog will be displayed.

Choose a time zone. When prompted, choose a time zone and turn daylight savings time on or off using the selector, then highlight SET and press MENU/OK.

First Steps View information on the smartphone app. APPLICATION

• The camera will display a QR code you can scan with your smartphone

IMAGES CAN BE EASILY TRANSFERRED

TO THE SMARTPHONE. to open a website where you can download the smartphone app.

• Press MENU/OK to exit to the shooting display.

SCAN QR CODE TO ACQUIRE THE APP. SET N Use the smartphone app to download pictures from the camera or control the camera remotely (P 249).

Format the memory card (P 272). O Format memory cards before first use, and be sure to reformat all memory cards after using them in a computer or other device. N If the battery is removed for an extended period, the camera clock will be reset and the language-selection dialog will be displayed when the camera is turned on.

Basic Setup Choosing a Different Language To change the language:

Choose a language. Highlight the desired option and press MENU/OK. Changing the Time and Date To set the camera clock: First Steps

Set the clock. Press the selector left or right to highlight the year, month, day, hour, or minute and press up or down to change. Press MENU/OK to set the clock.

Basic Photography and Playback

Taking Photographs (Mode P) This section describes how to take pictures using program AE (mode P). See pages 72–81 for information on S, A, and M modes.

Rotate the STILL/MOVIE mode dial to STILL.

Slide the lens aperture mode switch to A. Basic Photography and Playback

Rotate the shutter speed dial to A. O To use the shutter speed dial, press the dial lock release and rotate the dial to the desired setting. P will appear in the display.

Taking Photographs (Mode P)

Rotate the drive dial to S.

Rotate the sensitivity dial to A.

Basic Photography and Playback

Rotate the focus mode selector to S.

• Hold the camera steady with both hands and brace your elbows against your sides. Shaking or unsteady hands can blur your shots.

• To prevent pictures that are out of focus or too dark (underexposed), keep your fingers and other objects away from the lens and AF-assist illuminator.

Basic Photography and Playback

Frame the picture. Lenses with Zoom Rings Use the zoom ring to frame the picture in the display. Rotate the ring left to zoom out, right to zoom in.

Taking Photographs (Mode P)

Focus. Press the shutter button halfway to set focus and exposure. Focus indicator Focus frame

• If the camera is able to focus, the focus frame and focus indicator will glow green.
• If the camera is unable to focus, the focus frame will turn red, s will be displayed, and the focus indicator will blink white. pressed halfway. Focus and exposure remain locked while the button is kept in this position (AF/AE lock).
• The camera will focus on subjects at any distance in the macro and standard focus ranges for the lens.

Shoot. Smoothly press the shutter button the rest of the way down to take the picture.

Basic Photography and Playback N • If the subject is poorly lit, the AF-assist illuminator may light to assist the focus operation.

• Focus and exposure will lock when the shutter button is

Basic Photography and Playback Additional pictures can be viewed by pressing the selector left or right or rotating the front command dial. Press the selector or rotate the dial right to view pictures in the order recorded, left to view pictures in reverse order. Keep the selector pressed to scroll rapidly to the desired frame. N Pictures taken using other cameras are marked with a m (“gift image”) icon to warn that they may not display correctly and that playback zoom may not be available. Two Memory Cards If two memory cards are inserted, you can press and hold the a button to choose a card for playback. You can also select a card using the C PLAY BACK MENU > SWITCH SLOT option.

Viewing Pictures HDMI Output Camera shooting and playback displays can be output to HDMI devices. Connecting to HDMI Devices Connect the camera to TVs or other HDMI devices using a third-party HDMI cable.

Turn the camera off. Connect the cable as shown below.

Basic Photography and Playback Insert into HDMI connector Insert into HDMI Micro connector (Type D)

Configure the device for HDMI input as described in the documentation supplied with the device.

Turn the camera on. The contents of the camera display will be shown on the HDMI device. The camera display turns off in playback mode (P 58). O • Making sure the connectors are fully inserted.

• Use an HDMI cable no more than 1.5 m (4.9 ft.) long.

Viewing Pictures Shooting Display live view or movie footage on a TV or save it to an external recorder that supports HDMI input. Playback To start playback, press the camera a button. The camera monitor turns off and pictures and movies are output to the HDMI device. Note that the camera volume controls have no effect on sounds played on the TV; use the television volume controls to adjust the volume.

N Some televisions may briefly display a black screen when movie playback begins. Basic Photography and Playback

Deleting Pictures Use the b button to delete pictures. O Deleted pictures cannot be recovered. Protect important pictures or copy them to a computer or other storage device before proceeding.

Press the selector left or right to scroll through pictures and press MENU/OK to delete (a confirmation dialog is not displayed). Repeat to delete additional pictures. N • Protected pictures cannot be deleted. Remove protection from any pictures you wish to delete (P 234).

• Pictures can also be deleted from the menus using the C PLAY BACK MENU > ERASE option (P 230).

Basic Photography and Playback

Movie Recording and Playback

Recording Movies Record movies with sound. Recording Movies Movies can be recorded by pressing the shutter button when the STILL/MOVIE mode dial is rotated to MOVIE or by pressing a function button to which MOVIE RECORDING RELEASE is assigned. The STILL/MOVIE Mode Dial (MOVIE) For access to a full range of camera settings when filming movies, rotate the STILL/MOVIE mode dial to MOVIE and record movies by pressing the shutter button.

Movie Recording and Playback Rotate the STILL/MOVIE mode dial to MOVIE.

Rotate the shutter speed dial to A. AUTO will appear in the display. Rotate the sensitivity dial to A.

Rotate the focus mode selector to C.

Movie Recording and Playback

O To use the shutter speed and sensitivity dials, press the dial lock release and rotate the dial to the desired setting. N These settings can also be adjusted using touch controls (P 28).

Press the shutter button all the way down. Recording will start.

• A recording indicator (V) is displayed while recording is in progress.
• The borders of the display turn Recording time red during movie recording, green Time remaining during high-speed recording.
• The time remaining is shown by a countdown display, while another display counts up to show the recording time.

Press the button again to end recording. Recording ends automatically when the maximum length is reached or the memory card is full.

Movie Recording and Playback

Recording Movies Using a Function Button (MOVIE RECORDING RELEASE) Use the function button to which MOVIE RECORDING RELEASE is assigned to quickly and easily record movies while in still photography mode. camera automatically selects focus mode C (AF-C); exposure is N The adjusted automatically.

• The time remaining is shown by a countdown display, while another display counts up to show the recording time.

Press the button again to end recording. Recording ends automatically when the maximum length is reached or the memory card is full.

Movie Recording and Playback Assign MOVIE RECORDING RELEASE to a function button (P 321). Press the selected button to start recording.

• A recording indicator (V) is displayed while recording is in progress.
• The borders of the display turn red during movie recording, green Recording time during high-speed recording. O • Sound is recorded via the built-in microphone or an optional external microphone. Do not cover the microphone during recording.
• Note that the microphone may pick up lens noise and other sounds made by the camera during recording.

• Vertical or horizontal streaks may appear in movies containing very bright subjects. This is normal and does not indicate a malfunction. N • To monitor audio with headphones during recording, you will need to convert the USB connector to an audio jack using the supplied headphone adapter.
• The indicator lamp lights while recording is in progress (the B MOVIE SETTING > TALLY LIGHT option can be used to choose the lamp— indicator or AF-assist—that lights during movie recording and whether the lamp blinks or remains steady). During recording, you can change exposure compensation by up to ±2 EV and adjust zoom using the zoom ring on the lens (if available).
• To prevent the borders of the display changing color during movie recording, select OFF for B MOVIE SETTING > F REC FRAME INDICATOR.
• While recording is in progress, you can: - Adjust sensitivity - Refocus using any of the following methods:
• Press the shutter button halfway
• Press a function button to which AF-ON is assigned
• Use touch screen controls - Display a histogram or artificial horizon by pressing the button to which HISTOGRAM or ELECTRONIC LEVEL SWITCH has been assigned
• Recording may be unavailable at some settings, while in other cases settings may not apply during recording.
• To choose the focus area for movie recording, select G AF/MF SETTING > FOCUS AREA and use the focus stick (focus lever) and rear command dial (P 87).

Movie Recording and Playback

Recording Movies Temperature Warnings The camera automatically turns off to protect itself when its temperature or the temperature of the battery rises. If a temperature warning is displayed, image noise may increase. Turn the camera off and wait for it to cool before turning it on again. Using an External Microphone Sound can be recorded with external microphones that connect using jacks 3.5 mm in diameter; microphones that require plug-in power cannot be used. See the microphone manual for details. XLR Microphone Adapters The camera can be used with TEAC TASCAM CA-XLR2d-F XLR microphone adapters. For more information, visit the TASCAM website. https://tascam.jp/int/product/ca-xlr2d/#CA-XLR2d_Website

Movie Recording and Playback

Movie Recording and Playback Adjusting Movie Settings Movie settings can be adjusted from the movie menus or using the B MOVIE SETTING item in the photo menus (P 24).

• Use the B MOVIE SETTING item in the photo menus to quickly adjust settings when recording movies via a button to which MOVIE RECORDING RELEASE has been assigned (P 183).
• The movie menus contain options for use when recording movies via the shutter button with the STILL/MOVIE mode dial rotated to MOVIE (P 187).
• Settings such as frame rate and frame size can be adjusted using MOVIE MODE.
• Use MEDIA REC SETTING for such tasks as choosing the file type, bit rate, and the destination card slot.
• Focus mode is selected using the focus mode selector. Regardless of the option selected, the camera will automatically switch to C when FACE DETECTION ON or SUBJECT DETECTION ON is chosen for G AF/MF SETTING > g FACE/EYE DETECTION SETTING or SUBJECT DETECTION SETTING. Note, however, that choosing M when FACE DETECTION ON or SUBJECT DETECTION ON is selected disables face and subject detection. O • Changes made using the B MOVIE SETTING item in the photo menus also apply to the movie menus. Changes made in one set of menus automatically apply in the other.
• The type of memory card supported varies with the option select for B MOVIE SETTING > MEDIA REC SETTING. - Movies with a bit rate of 360 Mbps can be recorded to cards with a Video Speed Class of V60 or better. - Movies with a bit rate of 100 or 200 Mbps can be recorded to cards with a UHS Speed Class of 3 or better. Depth of Field To soften backgrounds, set aperture as wide as possible. Aperture can be adjusted manually at settings other than A.

Viewing Movies View movies on the camera. In full-frame playback, movies are identified by a W icon. Press the selector down to start movie playback. PLAY AUDIO SET. The following operations can be performed while a movie is displayed:

Playback paused (y (y) End playback Start/resume playback Single frame rewind/ advance Progress is shown in the display during playback. 29m59s O Do not cover the speaker during playback. STOP PAUSE N • Press MENU/OK to pause playback and display volume controls. Press the selector up or down to adjust the volume; press MENU/OK again to resume playback. Volume can also be adjusted using D SOUND SET-UP > PLAYBACK VOLUME.

• To listen to audio with headphones, you will need to convert the USB connector to an audio jack using the supplied headphone adapter.
• To view movies on a television connected via HDMI instead of in the camera monitor, press the a button (P 57).

Movie Recording and Playback Selector Playback in progress ((x

Viewing Movies Playback Speed Press the selector left or right to adjust playback speed during playback. Speed is shown by the number of arrows (M or N). Arrows

Movie Recording and Playback

29m59s Taking Photographs

P, S, A, and M Modes P, S, A, and M modes give you varying degrees of control over shutter speed and aperture. Mode P: Program AE Let the camera choose shutter speed and aperture for optimal exposure. Other values that produce the same exposure can be selected with program shift.

Rotate the STILL/MOVIE mode dial to STILL.

Rotate the shutter speed dial to A. P will appear in the display.

P, S, A, and M Modes O • If the subject is outside the metering range of the camera, the shutter speed and aperture displays will show “– – –”.

• To use the shutter speed dial, press the dial lock release and rotate the dial to the desired setting.

• If the lens is not equipped with an aperture ring, select AUTO for D BUTTON/DIAL SETTING > APERTURE SETTING. Program Shift If desired, you can rotate the rear command dial to select other combinations of shutter speed and aperture without altering exposure (program shift). Aperture Shutter speed O Program shift is not available in any of the following circumstances:
• When TTL is selected for F FLASH SETTING > FLASH FUNCTION N To cancel program shift, turn the camera off.

Taking Photographs SETTING

• When an auto option is selected for H IMAGE QUALITY SETTING > DYNAMIC RANGE
• In movie mode Mode S: Shutter-Priority AE Choose a shutter speed and let the camera adjust aperture for optimal exposure.

Rotate the STILL/MOVIE mode dial to STILL.

Rotate the shutter speed dial to select a shutter speed. Taking Photographs

S will appear in the display.

P, S, A, and M Modes O • If the correct exposure cannot be achieved at the selected shutter speed, aperture will be displayed in red.

• If the subject is outside the metering range of the camera, the aperture display will show “– – –”.

• To use the shutter speed dial, press the dial lock release and rotate the dial to the desired setting.

• If the lens is not equipped with an aperture ring, select AUTO for D BUTTON/DIAL SETTING > APERTURE SETTING. N • Shutter speed can also be adjusted in increments of 1⁄3 EV by rotating the rear command dial.
• Shutter speed can be adjusted while the AFON button is pressed or the shutter button is pressed halfway.
• At shutter speeds slower than 1 second, a count-down timer will be displayed while the exposure is in progress.
• To reduce “noise” (mottling) in long time-exposures, select ON for H IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this may increase the time needed to record images after shooting.
• The picture will go out of focus if the camera is moved during a long time-exposure; use of a tripod is recommended.

Set shutter speed to T.

Taking Photographs Time (T) Choose a shutter speed of T (time) for long time-exposures. Use of a tripod is recommended to prevent the camera moving during the exposure.

Rotate the rear command dial to choose a shutter speed.

Press the shutter button all the way down to take a picture at the selected shutter speed. At speeds of 1 s or slower, a count-down timer will be displayed while the exposure is in progress. N To reduce “noise” (mottling) in long time-exposures, select ON for H IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this may increase the time needed to record images after shooting.

Taking Photographs Bulb (B) Choose a shutter speed of B (bulb) for long time-exposures in which you open and close the shutter manually. Use of a tripod is recommended to prevent the camera moving during the exposure.

Set shutter speed to B. P, S, A, and M Modes

Press the shutter button all the way down.

• The shutter will remain open for up to 60 minutes while the shutter button is pressed.
• The display shows the time elapsed since the exposure started.
• Releasing the shutter button closes the shutter, ending the exposure. Processing will begin, and the camera will display the processing time remaining. O Bulb photography is not available in drive modes other than STILL IMAGE or when the electronic shutter is selected for A SHOOTING SETTING > SHUTTER TYPE. N • Selecting an aperture of A fixes shutter speed at 30 s.
• To reduce “noise” (mottling) in long time-exposures, select ON for H IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this may increase the time needed to record images after shooting.

Taking Photographs Using a Remote Release A remote release can be used for long time-exposures. When using an optional RR-100 remote release or an electronic release from third-party suppliers, connect it to the camera’s remote release connector.

Mode A: Aperture-Priority AE Choose an aperture and let the camera adjust shutter speed for optimal exposure.

Rotate the STILL/MOVIE mode dial to STILL.

Rotate the shutter speed dial to A.

Taking Photographs A will appear in the display.

Rotate the lens aperture ring to choose an aperture. P, S, A, and M Modes O • If the correct exposure cannot be achieved at the selected aperture, shutter speed will be displayed in red.

• If the subject is outside the metering range of the camera, the shutter speed display will show “– – –”.

• To use the shutter speed dial, press the dial lock release and rotate the dial to the desired setting.

• If the lens is not equipped with an aperture ring, select MANUAL for D BUTTON/DIAL SETTING > APERTURE SETTING. N Aperture can be adjusted even while the shutter button is pressed halfway. Previewing Depth of Field When PREVIEW DEPTH OF FIELD is assigned to a function button, pressing the button displays a L icon and stops aperture down to the selected setting, allowing depth of field to be previewed in the display.

Mode M: Manual Exposure In manual mode, the user controls both shutter speed and aperture. Shots can be deliberately overexposed (brighter) or underexposed (darker), opening the door for a variety of individual creative expression. The amount the picture would be under- or over-exposed at current settings is shown by the exposure indicator; adjust shutter speed and aperture until the desired exposure is reached.

Rotate the STILL/MOVIE mode dial to STILL.

Rotate the shutter speed dial to select a shutter speed other than A.

Taking Photographs M will appear in the display.

P, S, A, and M Modes

Rotate the shutter speed dial to choose a shutter speed and the lens aperture ring to choose an aperture. N The manual exposure display includes an exposure indicator that shows the amount the picture would be under- or over-exposed at current settings. O To use the shutter speed dial, press the dial lock release and rotate the dial to the desired setting. N Shutter speed can be adjusted in increments of 1⁄3 EV by rotating the rear command dial. Exposure Preview To preview exposure in the LCD monitor, select PREVIEW EXP./WB for D SCREEN SET-UP > PREVIEW EXP./WB IN MANUAL MODE.

or on other occasions on which exposure may change when the picture is taken.

Taking Photographs N Select an option other than PREVIEW EXP./WB when using the flash Autofocus Take pictures using autofocus.

Rotate the focus mode selector to S or C (P 83).

Take pictures. Choose the position and size of the focus frame (P 87).

Autofocus Focus Mode Use the focus mode selector to choose how the camera focuses. Choose from the following options: Mode

(manual) Description Single AF: Focus locks while the shutter button is pressed halfway. Choose for stationary subjects. Continuous AF: Focus is continually adjusted to reflect changes in the distance to the subject while the shutter button is pressed halfway. Use for subjects that are in motion. Manual: Focus manually using the lens focus ring. Choose for manual control of focus or in situations in which the camera is unable to focus using autofocus (P 91). justed continuously in modes S and C even when the shutter button is not pressed.

Taking Photographs N • Regardless of the option selected, manual focus will be used when the lens is in manual focus mode.

• If ON is selected for G AF/MF SETTING > PRE-AF, focus will be ad-

The Focus Indicator Focus status is shown by the focus indicator. Focus indicator Focus status Camera focusing. Subject in focus; focus locked (focus z (lights green) mode S). Subject in focus (focus mode C). (z) (lights green) Focus is automatically adjusted for Focus indicator changes in distance to subject. A (blinks white) Camera unable to focus. Manual focus (focus mode M).

Autofocus Autofocus Options (AF Mode) Focus can be adapted to a variety of subjects by changing the combination of settings selected for focus and AF modes.

Press MENU/OK and go to the shooting menu. Select G AF/MF SETTING > AF MODE. Choose an AF mode. How the camera focuses depends on the focus mode. Focus Mode S (AF-S) Option Description Sample image Camera focuses on subject in selected focus point. Use for pinSINGLE POINT point focus on selected subject.

ZONE Camera focuses on subject in selected focus zone. Focus zones include multiple focus points, making it easier to focus on subjects in motion. Camera focuses automatically on high-contrast subjects; display shows areas in focus. Rotate the rear command dial in the focus-point selection display (P 87, 88) to cycle through AF modes in the following order: r SINGLE POINT, y ZONE, and z WIDE.

Focus Mode C (AF-C) Option Description Sample image Focus tracks subject at selected focus point. Use for subjects moving SINGLE POINT toward or away from camera.

Camera tracks focus in selected focus zone. Use for subjects that are moving fairly predictably. Focus tracks subjects moving through wide area of frame. Rotate the rear command dial in the focus-point selection display (P 87, 88) to cycle through AF modes in the following order: r SINGLE POINT, y ZONE, and z TRACKING. Autofocus Focus-Point Selection Choose a focus point for autofocus. Viewing the Focus-Point Display

Press MENU/OK and go to the shooting menu.

Use the focus stick (focus lever) and rear command dial to choose a focus area. Select G AF/MF SETTING > FOCUS AREA to view the focus-point display. N The focus point can also be selected using touch controls (P 26). Selecting a Focus Point Use the focus stick (focus lever) to choose the focus point and the rear command dial to choose the size of the focus frame. The procedure varies with the option selected for AF mode. Taking Photographs Focus stick

Rear command dial AF mode Tilt Press Select focus point Select center focus point

Rotate Press Choose from 6 frame sizes Restore original size Choose from 3 frame sizes

N • Manual focus-point selection is not available when z WIDE/TRACKING is selected in focus mode S.

• If j ALL is selected for AF mode, you can rotate the rear command dial in the focus-point selection display to cycle through AF modes in the following order: r SINGLE POINT (6 frame sizes), y ZONE (3 frame sizes), and either z WIDE (focus mode S) or z TRACKING (focus mode C). The Focus-Point Display The focus-point display varies with the option selected for AF mode. N Focus frames are shown by small squares (), focus zones by the large squares. r SINGLE POINT AF mode y ZONE z WIDE/TRACKING

Taking Photographs Number of able can be G AF/MF NUMBER POINTS.

points avail- Choose from zones with Position focus frame over selected using 7 × 7, 5 × 5, or 3 × 3 focus subject you want to track SETTING > points. using continuous AF. OF FOCUS Autofocus Autofocus Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed below.

• Very shiny subjects such as mirrors or car bodies.
• Subjects photographed through a window or other reflective object.
• Dark subjects and subjects that absorb rather than reflect light, such as hair or fur.
• Insubstantial subjects, such as smoke or flame.
• Subjects that show little contrast with the background.
• Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a subject photographed against a backdrop of highly contrasting elements).

Autofocus Checking Focus To zoom in on the current focus area for precise focus, press the center of the rear command dial. Use the focus stick (focus lever) to choose another focus area. Press the center of the rear command dial again to cancel zoom. Normal display Focus zoom N • In focus mode S, zoom can be adjusted by rotating the rear command dial.

• The focus stick can be used to select the focus area while zoom is in effect.

• In focus mode S, select r SINGLE POINT for AF MODE.
• Focus zoom is not available in focus mode C or when G AF/MF SETTING > PRE-AF is on. D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING to change the function performed by the center of the rear command dial. You can also assign its default function to other controls (P 321).

Manual Focus Adjust focus manually.

Rotate the focus mode selector to M. j will appear in the display.

Focus manually using the lens focus ring. Rotate the ring left to reduce the focus distance, right to increase.

Take pictures. N • Use D BUTTON/DIAL SETTING > LENS ZOOM/FOCUS SETTING to reverse the direction of rotation of the focus ring.

• Regardless of the option selected, manual focus will be used when the lens is in manual focus mode.

• To use autofocus to focus on the subject in the selected focus area, press the button to which focus lock or AF-ON has been assigned (the size of the focus area can be chosen with the rear command dial).
• In manual focus mode, you can use this feature to quickly focus on a chosen subject using either single or continuous AF according to the option chosen for G AF/MF SETTING > xF INSTANT AF SETTING.

Manual Focus Checking Focus A variety of options are available for checking focus in manual focus mode. The Manual Focus Indicator The white line indicates the distance to the subject in the focus area (in meters or feet according to the option selected for D SCREEN SET-UP > FOCUS SCALE UNITS in the setup menu), the blue bar the depth of field, or in other words the distance in front of and behind the subject that appears to be in focus. Focus distance (white line) Depth of field

are selected in the D SCREEN SET-UP > DISP. CUSTOM SETTING list, the manual focus indicator can also be viewed using the depthof-field indicator in the standard display. Use the DISP/BACK button to display standard indicators.

• Use the G AF/MF SETTING > xF DEPTH-OF-FIELD SCALE option to choose how depth of field is displayed. Choose FILM FORMAT BASIS to help you make practical assessments of depth of field for pictures that will be viewed as prints and the like, PIXEL BASIS to help you assess depth of field for pictures that will be viewed at high resolutions on computers or other electronic displays.

Taking Photographs N • If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR Focus Zoom If ON is selected for G AF/MF SETTING > FOCUS CHECK, the camera will automatically zoom in on the selected focus area when the focus ring is rotated. Press the center of the rear command dial to exit zoom. N • Use the focus stick (focus lever) to choose another focus area.

• Zoom can be adjusted by rotating the rear command dial. Zoom cannot, however, be adjusted when DIGITAL SPLIT IMAGE or DIGITAL MICROPRISM is selected for MF assist. MF Assist Use G AF/MF SETTING > MF ASSIST (P 156) in the photo menus or G AF/MF SETTING > F MF ASSIST (P 208) in the movie menus to choose a focus check option.

N The focus check options for movies differ from those for still photography. Taking Photographs

• DIGITAL SPLIT IMAGE: Displays a split image in the center of the frame. Frame the subject in the split-image area and rotate the focus ring until the four parts of the split image are correctly aligned.

• DIGITAL MICROPRISM: A grid pattern that emphasizes blur is displayed when the subject is out of focus, disappearing to be replaced by a sharp image when the subject is in focus.

• FOCUS PEAK HIGHLIGHT: Highlights high-contrast outlines. Rotate the focus ring until the subject is highlighted.

• FOCUS METER: A meter is displayed below the focus point indicating whether focus is in front of or behind the subject. The needle swings left when focus is in front of the subject and right when it is behind the subject. Adjust focus so the needle is pointing straight up. N The display reverses when Y CCW is selected for D BUTTON/DIAL SETTING > LENS ZOOM/FOCUS SETTING > FOCUS RING ROTATE.

Sensitivity Adjust the camera’s sensitivity to light. Press the sensitivity dial lock release, rotate the dial to the desired setting, and press the release again to lock the dial in place. Option A (auto)

C (command) Taking Photographs 125–12800 Description Sensitivity is automatically adjusted in response to shooting conditions according to option chosen for A SHOOTING SETTING > ISO AUTO SETTING. Choose from AUTO1, AUTO2, and AUTO3. Rotate the front command dial to choose from AUTO1, AUTO2, AUTO3, and values of from 64 to 51200. This range includes “extended” values of 64 to 100, 25600, and 51200. Note that “extended” values may reduce dynamic range or increase mottling. Adjust sensitivity manually. Selected value is shown in display. Adjusting Sensitivity High values can be used to reduce blur when lighting is poor, while lower values allow slower shutter speeds or wider apertures in bright light; note, however, that mottling may appear in pictures taken at high sensitivities.

Sensitivity AUTO Use A SHOOTING SETTING > ISO AUTO SETTING to choose the base sensitivity, maximum sensitivity, and minimum shutter speed for the A position on the sensitivity dial. Settings for AUTO1, AUTO2, and AUTO3 can be stored separately; the defaults are shown below. Item Options DEFAULT SENSITIVITY 125–12800 MAX. SENSITIVITY 400–12800

The camera automatically chooses a sensitivity between the default and maximum values; sensitivity is only raised above the default value if the shutter speed required for optimal exposure would be slower than the value selected for MIN. SHUTTER SPEED.

Taking Photographs N • If the value selected for DEFAULT SENSITIVITY is higher than that selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to the value selected for MAX. SENSITIVITY.

• The camera may select shutter speeds slower than MIN. SHUTTER SPEED if pictures would still be underexposed at the value selected for MAX. SENSITIVITY.
• If AUTO is selected for MIN. SHUTTER SPEED, the camera will choose the minimum shutter speed automatically. The minimum shutter speed is not affected by the option selected for image stabilization. Metering Choose how the camera meters exposure. A SHOOTING SETTING > PHOTOMETRY offers a choice of the following metering options: O The selected option will only take effect if OFF is selected for g FACE/ EYE DETECTION SETTING and SUBJECT DETECTION SETTING in the G AF/MF SETTING menu. Mode

Taking Photographs SPOT

AVERAGE Description The camera instantly determines exposure based on an analysis of composition, color, and brightness distribution. Recommended in most situations. The camera meters the entire frame but assigns the greatest weight to the area at the center. The camera meters lighting conditions in an area equivalent to 2% of the frame. Recommended with backlit subjects and in other cases in which the background is much brighter or darker than the main subject. Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots with the same lighting, and is particularly effective for landscapes and portraits of subjects dressed in black or white. N To meter the subject in the selected focus area, choose ON for G AF/ MF SETTING > INTERLOCK SPOT AE & FOCUS AREA (P 157).

Exposure Compensation Adjust exposure. Rotate the exposure compensation dial. O • The amount of compensation available varies with the shooting mode.

• Exposure compensation can be previewed in the shooting display, although the display may not accurately reflect its effects if: the exposure compensation amount exceeds ±3 EV, W 200% or X 400% is selected for DYNAMIC RANGE, or STRONG or WEAK is selected for D RANGE PRIORITY. Exposure compensation can still be previewed in the viewfinder or LCD monitor by pressing the shutter button halfway. In movie mode, the display may not accurately reflect the effects of exposure compensation during F-log recording or when W 200% or X 400% is selected for DYNAMIC RANGE. An accurate preview can be obtained by selecting mode M and adjusting exposure directly.

Exposure Compensation C (Custom) When the exposure compensation dial is rotated to C, exposure compensation can be adjusted by rotating the front command dial. N • The front command dial can be used to set exposure compensation to values between −5 and +5 EV.

• The function assigned to the front command dial can be selected by pressing the dial (P 296).

Focus/Exposure Lock Focus and exposure lock when the shutter button is pressed halfway.

Position the subject in the focus frame and press the shutter button halfway to lock focus and exposure. Focus and exposure will remain locked while the shutter button is pressed halfway (AF/AE lock).

Press the button all the way down. N Focus and exposure lock via the shutter button is only available when ON is selected for D BUTTON/DIAL SETTING > SHUTTER AF, SHUTTER AE.

Focus/Exposure Lock Other Controls Focus and exposure can also be locked using the AEL and AFON buttons. At default settings, you can use the AEL button to lock exposure without locking focus. If the AFON button is assigned AF LOCK ONLY, it can similarly be used to lock focus without locking exposure. AEL button (exposure lock)

• While the assigned control is pressed,

pressing the shutter button halfway will not end the lock.

• If AE&AF ON/OFF SWITCH is selected for D BUTTON/DIAL SETTING > AE/ AF-LOCK MODE, the lock can only be ended by pressing the control a second time. AFON button Taking Photographs N • The focus lever (focus stick) can be used to reposition the focus point during exposure lock.
• The AEL and AFON buttons can be assigned other roles using D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING. Exposure and focus lock can also be assigned to other buttons (P 321).

Bracketing Automatically vary settings over a series of pictures.

Rotate the drive dial to BKT.

Navigate to DRIVE SETTING > BKT SETTING in the A SHOOTING SETTING menu (P 162). N This feature can also be accessed via shortcuts (P 312).

N Regardless of the bracketing amount, exposure will not exceed the limits of the exposure metering system.

Select a bracketing amount (±1⁄3, ±2⁄3, or ±1). Each time the shutter is released, the camera will take a picture at the current sensitivity and process it to create two additional copies, one with sensitivity raised and the other with sensitivity lowered by the selected amount.

Choose the number of shots in the bracketing sequence and the order in which the shots are taken. You can also choose the amount exposure is varied with each shot and whether the shots are taken one at a time or in a single burst. Bracketing

X FILM SIMULATION BKT

Each time the shutter is released, the camera takes one shot and processes it to create copies with different film simulation settings.

Select a bracketing amount (±1, ±2, or ±3). Each time the shutter is released, the camera takes one shot and processes it to create three copies: one at the current white balanced setting, one with fine-tuning increased by the selected amount, and another with fine-tuning decreased by the selected amount.

Each time the shutter button is pressed, the camera takes three shots with different dynamic ranges: 100% for the first, 200% for the second, and 400% for the third. Taking Photographs N While dynamic range bracketing is in effect, sensitivity will be restricted to a minimum of ISO 500; the sensitivity previously in effect is restored when bracketing ends.

Each time the shutter button is pressed, the camera takes a series of photos, varying focus with each shot. The number of shots, the amount focus changes with each shot, and the interval between shots can be selected using A SHOOTING SETTING > DRIVE SETTING > BKT SETTING > FOCUS BKT. BKT SETTING Settings for exposure, sensitivity, film simulation, white balance and focus bracketing can be adjusted using A SHOOTING SETTING > DRIVE SETTING > BKT SETTING.

Continuous Shooting (Burst Mode) Capture motion in a series of pictures.

Rotate the drive dial to select CH (highspeed burst) or CL (low-speed burst).

Navigate to DRIVE SETTING in the A SHOOTING SETTING menu and choose a frame advance rate. N This feature can also be accessed via shortcuts (P 312).

N Shooting ends when the shutter button is released or the memory card is full.

Taking Photographs Press and hold the shutter button; the camera will continue to take photos while the shutter button is pressed. Continuous Shooting (Burst Mode) file numbering reaches 9999 before shooting is complete, the reO • Ifmaining pictures will be recorded to a new folder.

• Shooting ends when the memory card is full; the camera will record all photos shot to that point. Burst shooting may not begin if the space available on the memory card is insufficient.
• Frame rates may slow as more shots are taken.
• Frame rate varies with the scene, shutter speed, sensitivity, and focus mode.
• Depending on shooting conditions, frame rates may slow or the flash may not fire.
• Recording times may increase during burst shooting.
• The choice of burst modes varies with the option selected for A SHOOTING SETTING > SHUTTER TYPE. Focus and Exposure

• Select focus mode C to vary focus with shot.
• To vary exposure with each shot, select OFF for D BUTTON/DIAL SETTING > SHUTTER AE.

Taking Photographs and focus tracking performance may vary with such factors N Exposure as aperture, sensitivity, and exposure compensation.

HDR Each time the shutter button is pressed, the camera takes three shots, varying exposure each time, and combines them into a single picture. The resulting photograph preserves details in highlights and shadows.

Rotate the drive dial to HDR.

Navigate to DRIVE SETTING > HDR MODE in the A SHOOTING SETTING menu and choose the amount the brightnesses of the exposures vary (P 166). AUTO 200% 400% 800% 800% +

Description Dynamic range is automatically set to a value of from 200% to 800%. Dynamic range is set to 200%. Dynamic range is set to 400%. Dynamic range is set to 800%. Camera settings are adjusted for maximum variation in dynamic range. Take photographs. The camera will create a combined image.

HDR O • Keep the camera steady.

• The desired results may not be achieved in the subject moves or the composition or lighting changes during shooting.

• The picture will be cropped a very small amount and the resolution will drop slightly.

• Mottling may appear in pictures taken at higher values. Choose a value according to the scene.

• “Extended” sensitivity values are not supported.
• Depending on the options selected for HDR and sensitivity, pictures may not be taken at the selected shutter speed.

• The flash does not fire. N HDR images are indicated by a t icon during playback.

Advanced Filters Take photos with filter effects.

Rotate the drive dial to ADV..

Navigate to DRIVE SETTING > ADV. FILTER SETTING in the A SHOOTING SETTING menu and choose a filter effect. N This feature can also be accessed via shortcuts (P 312).

Advanced Filters Advanced Filter Options Choose from the following filters: Filter

Description Choose for a retro toy camera effect. The tops and bottoms of pictures are blurred for a diorama effect. Create high-contrast images with saturated colors. Create bright, low-contrast images. Create uniformly dark tones with few areas of emphasized highlights. Dynamic tone expression is used for a fantasy effect. Create a look that is evenly soft throughout the whole image. Taking Photographs u PARTIAL COLOR (RED) v PARTIAL COLOR (ORANGE) Areas of the image that are the selected color are w PARTIAL COLOR (YELLOW) recorded in that color. All other areas of the image x PARTIAL COLOR (GREEN) are recorded in black-and-white. y PARTIAL COLOR (BLUE) z PARTIAL COLOR (PURPLE) N Depending on the subject and camera settings, images may in some cases be grainy or vary in brightness or hue.

To select the size of the angle through which you will pan the camera while shooting, press the selector left. Highlight a size and press MENU/OK.

Press the selector right to view a choice of pan directions. Highlight a pan direction and press MENU/OK.

Press the shutter button all the way down to start recording. There is no need to keep the shutter button pressed during recording.

Pan the camera in the direction shown by the arrow. Shooting ends automatically when the camera is panned to the end of the guides and the panorama is complete. Sweep camera along yellow line in direction of ANGLE DIRECTION

• Move the camera slowly in a small circle at a steady speed
• Keep the camera parallel or at right angles to the horizon and be sure to pan only in the direction shown by the guides

• Try panning at a different speed if the desired results are not achieved
• Prop your elbows against your sides
• For best results, use a lens with a focal length of 35 mm or less (50 mm or less in 35 mm format). O • If the shutter button is pressed all the way down before the panorama is complete, shooting will end and no panorama may be recorded.
• The last part of the panorama may not be recorded if shooting ends before the panorama is complete.

• Panoramas are created from multiple frames, and the camera may in some cases be unable to stitch the frames together perfectly.

• Panoramas may be blurred if the subject is poorly lit.
• Shooting may be interrupted if the camera is panned too quickly or Taking Photographs too slowly. Panning the camera in a direction other than that shown cancels shooting.
• The camera may in some cases record a greater or lesser angle than selected.
• The desired results may not be achieved with: - Moving subjects - Subjects close to the camera - Unvarying subjects such as the sky or a field of grass - Subjects that are in constant motion, such as waves and waterfalls - Subjects that undergo marked changes in brightness

• If ON is selected for D BUTTON/DIAL SETTING > SHUTTER AE, exposure for the entire panorama is determined by the first frame.

• In full-frame playback, you can use the rear command dial to zoom panoramas in or out.

• Panorama playback is controlled using the multi selector. Down Full-frame playback Start playback Left/right View other pictures Selector

Taking Photographs Panorama Panorama playback playback paused End playback Pause playback Resume playback Choose pan Scroll panorama direction manually Multiple Exposures Create a photograph that combines multiple exposures.

Select ON for A SHOOTING SETTING > MULTI EXPOSURE and choose a blend mode (P 176).

Take the first shot.

Press MENU/OK. The first shot will be shown superimposed on the view through the lens and you will be prompted to take the second shot. NEXT RETRY EXIT Taking Photographs would like to retake the first shot, press the selector left. N • IfToyou

• save the first shot and exit without creating a multiple exposure, press DISP/BACK.

Take the second shot, using the first frame as a guide. EXIT

Press MENU/OK. The combined exposures will be displayed as a guide to composing the next shot. RETRY EXIT would like to retake the second shot, press the selector left. N • IfToyou

• end shooting and create a multiple exposure from the shots taken to this point, press DISP/BACK.

Make additional exposures. Each photograph can contain up to nine exposures.

Press DISP/BACK to end shooting. The camera will create the combined image and multiple exposure shooting will end.

IMAGE QUALITY SETTING (Still Photography) Adjust image quality settings for still photography. To display image quality settings, press MENU/OK in the photo shooting display and select the H (IMAGE QUALITY SETTING) tab.

EXIT N The options available vary with the shooting mode selected. IMAGE SIZE Choose the size and aspect ratio at which still pictures are recorded.

IMAGE QUALITY SETTING (Still Photography) IMAGE QUALITY Choose a file format and compression ratio. Option FINE Description Low compression ratios are used for higher-quality images. Higher compression ratios are used to increase the number of NORMAL images that can be stored. FINE + RAW Record both RAW and fine-quality JPEG or HEIF images. NORMAL + RAW Record both RAW and normal-quality JPEG or HEIF images. RAW Record RAW images only. The Function Buttons To toggle RAW image quality on or off for a single shot, assign RAW to a function button (P 321). Press the button once to select the option in the right column, again to return to the original setting (left column). Option selected by pressing function button to which RAW is assigned FINE + RAW NORMAL + RAW FINE NORMAL FINE

The Shooting Menus Option currently selected for IMAGE QUALITY FINE NORMAL FINE + RAW NORMAL + RAW RAW RAW RECORDING Choose whether to compress RAW images. Option UNCOMPRESSED Description RAW images are not compressed. RAW images are compressed using a reversible algorithm that reduces file size with no loss of image data. The images can be viewed in Capture One Express for Fujifilm 1, Capture One for Fujifilm 1, Capture One 1, RAW FILE LOSSLESS COMPRESSED CONVERTER EX powered by SILKYPIX 2, FUJIFILM X RAW STUDIO, or other software that supports “lossless” RAW compression. Quality is the same as UNCOMPRESSED, but the resulting files are anywhere from about 30 to 90 percent of their uncompressed size. RAW images are compressed using a “lossy”, non-reversible algorithm. Quality is about the same as UNCOMPRESSED, COMPRESSED but the resulting files are anywhere from about 25 to 35 percent of their uncompressed size.

The Shooting Menus 1 For information on when support will be available, visit: https://www.captureone.com/ 2 For information on when support will be available, visit: https://fujifilm-x.com/support/compatibility/software/raw-file-converter-ex-poweredby-silkypix/

IMAGE QUALITY SETTING (Still Photography)

Choose whether pictures are recorded in JPEG or HEIF. Option JPEG HEIF Description Pictures are recorded in the widely-supported JPEG format. Pictures are recorded in HEIF, a format with excellent compression but limited options for viewing and sharing. O • JPEG is automatically selected in place of HEIF during filter-effect, panorama, multiple-exposure, and HDR photography.

• Selecting HEIF disables CLARITY and sets COLOR SPACE to sRGB.
• HEIF pictures are stored on the memory card as files with the extension “.HIF”. Before the pictures can be viewed on a computer, the extension must be changed to “.HEIC”. This occurs automatically when HEIF pictures are uploaded from the camera to a computer via USB.

FILM SIMULATION Simulate the effects of different kinds of film, including blackand-white (with or without color filters). Choose a palette according to your subject and creative intent. Option

Description The Shooting Menus c PROVIA/STANDARD Ideal for a wide range of subjects. d Velvia/VIVID Vibrant reproduction, ideal for landscape and nature. e ASTIA/SOFT Softer color and contrast for a more subdued look. i CLASSIC CHROME Soft color and enhanced shadow contrast for a calm look. g PRO Neg. Hi Ideal for portrait with slightly enhanced contrast. h PRO Neg. Std Ideal for portrait with soft gradations and skin tones. g CLASSIC Neg. Enhanced color with hard tonality to increase image depth. Amber tinted highlights and rich shadow tone for printed photo look. Soft color and rich shadow tone suitable for film look movie. Unique color with low saturation and high contrast. Suitable for still and movie. Shoot in Black and White In rich details with sharpness. Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of gray corresponding to hues complementary to the selected color.

• d ACROS+Ye FILTER: Slightly enhances contrast and darkens skies.
• c ACROS+R FILTER: Enhances contrast and darkens skies considerably.
• b ACROS+G FILTER: Produces pleasing skin tones in portrait. n NOSTALGIC Neg.

IMAGE QUALITY SETTING (Still Photography) Option b MONOCHROME f SEPIA Description Shoots in black and white. Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of gray corresponding to hues complementary to the selected color.

• e MONOCHROME+Ye FILTER: Slightly enhances contrast and darkens skies.
• d MONOCHROME+R FILTER: Enhances contrast and darkens skies considerably.
• f MONOCHROME+G FILTER: Produces pleasing skin tones in portrait. Shoots in sepia tone. N • Film simulation options can be combined with tone and sharpness settings.
• Film simulation settings can also be accessed via shortcuts (P 312).
• For more information, visit: https://fujifilm-x.com/global/tag/the-world-of-film-simulation/?post_type=xstories

Description Choose for rougher grains. Choose for smoother grains. Turn the effect off. SIZE The Shooting Menus Option LARGE SMALL

Description Choose for coarser grains. Choose for finer grains. MONOCHROMATIC COLOR SET IMAGE QUALITY SETTING (Still Photography)

Increase the range of tones available for rendering colors that tend to be highly saturated, such as reds, yellows, and greens. Option STRONG WEAK OFF Description Choose for a strong effect. Choose for a weak effect. Turn the effect off.

COLOR CHROME FX BLUE

Increase the range of tones available for rendering blues. Option STRONG WEAK OFF Description Choose for a strong effect. Choose for a weak effect. Turn the effect off.

Description The Shooting Menus Option STRONG WEAK OFF Choose for a strong effect. Choose for a weak effect. Turn the effect off.

WHITE BALANCE For natural colors, choose a white balance option that matches the light source.

The Shooting Menus Option WA WHITE PRIORITY AUTO AA AMBIENCE PRIORITY k CUSTOM 1 l CUSTOM 2 m CUSTOM 3 k COLOR TEMPERATURE i DAYLIGHT j SHADE k FLUORESCENT LIGHT-1 l FLUORESCENT LIGHT-2 m FLUORESCENT LIGHT-3 n INCANDESCENT Description White balance is adjusted automatically. Choose for whiter whites in scenes lit by incandescent bulbs. White balance is adjusted automatically. White balance is adjusted automatically. Choose for warmer whites in scenes lit by incandescent bulbs. Measure a value for white balance. Choose a color temperature. For subjects in direct sunlight. For subjects in the shade. Use under “daylight” fluorescent lights. Use under “warm white” fluorescent lights. Use under “cool white” fluorescent lights. Use under incandescent lighting. Reduces the blue cast typically associated with underwater g UNDERWATER lighting. N • In conditions in which AUTO fails to produce the desired results—for example, under certain types of lighting or in close-ups of portrait subjects—use custom white balance or choose a white balance option suited to the light source.

• White balance is adjusted for flash lighting only in AUTO, WA WHITE PRIORITY, AA AMBIENCE PRIORITY, and g modes. Turn the flash off using other white balance options.
• White balance options can also be accessed via shortcuts (P 312).

IMAGE QUALITY SETTING (Still Photography) Fine-Tuning White Balance Pressing MENU/OK after selecting a white balance option displays the dialog shown at right; use the selector to fine-tune white balance. WB SHIFT SET N • To exit without fine-tuning white balance, press DISP/BACK after selecting a white balance option.

• You cannot tilt the focus stick diagonally when fine-tuning white balance.

Custom White Balance Choose k, l, or m to adjust white CUSTOM 1 balance for unusual lighting conditions using a white object as a reference (colored objects can also be used to lend photos a color cast). A white balance tarSHUTTER : NEW WB SHIFT NOT CHANGE get will be displayed; position and size the target so that it is filled by the reference object and press the shutter button all the way down to measure white balance (to select the most recent custom value and exit without measuring white balance, press DISP/BACK, or press MENU/OK to select the most recent value and display the fine-tuning dialog).

• If “COMPLETED !” is displayed, press MENU/OK COMPLETED ! to set white balance to the measured value.
• If “UNDER” is displayed, raise exposure compensation and try again. SET CANCEL
• If “OVER” is displayed, lower exposure compensation and try again. The Shooting Menus k: Color Temperature Adjust white balance to match the color temperature of the light source. N Color temperature can be adjusted to make pictures “warmer” or “colder” or deliberately produce colors that differ radically from those in real life.

IMAGE QUALITY SETTING (Still Photography)

Select k in the white balance menu. The option currently selected for color temperature will be displayed. WHITE BALANCE COLOR TEMPERATURE R:0 B:0 SET

Edit the color temperature using the selector and press MENU/OK. A fine-tuning dialog will be displayed. SHIFT COLOR TEMPERATURE SET SHIFT N • You can also adjust color temperature in increments of 10 K by rotating the rear command dial.

• Choose from values of from 2500 to 10000 K.
• To exit without fine-tuning white balance, press DISP/BACK after choosing a color temperature.

Color Temperature Color temperature is an objective measure of the color of a light source, expressed in Kelvin (K). Light sources with a color temperature close to that of direct sunlight appear white; light sources with a lower color temperature have a yellow or red cast, while those with a higher color temperature are tinged with blue.

Press the selector up, down, left, or right to highlight a fine-tuning amount. Press MENU/OK. The changes will be applied. The selected color temperature will appear in the display. DYNAMIC RANGE Adjust dynamic range. Wide dynamic ranges reduce loss of detail in highlights for more natural results with high-contrast or backlit scenes. Option Description V 100% Choose for increased contrast. AUTO W 200% Reduce loss of detail in highlights. X 400% O Mottling may appear in pictures taken at higher values. Choose a value according to the scene. N • If AUTO is selected, the camera will automatically choose either V 100% or W 200% according to the subject and shooting conditions. Shutter speed and aperture will be displayed when the shutter button is pressed halfway.

• W 200% is available at sensitivities of from ISO 250 to ISO 12800, X 400% at sensitivities of from ISO 500 to 12800.

Reduce loss of detail in highlights and shadows for natural-looking results when photographing high-contrast scenes. Option AUTO STRONG WEAK OFF Description Contrast is adjusted automatically in response to lighting conditions. Adjust dynamic range by a large amount for very high-contrast scenes. Adjust dynamic range by a smaller amount for moderately high-contrast scenes. Contrast reduction off. N • WEAK is available at sensitivities of from ISO 250 to ISO 12800, STRONG at sensitivities of from ISO 500 to 12800.

• When an option other than OFF is selected, TONE CURVE, and DYNAMIC RANGE will be adjusted automatically; if you wish to adjust these settings manually, choose OFF.

IMAGE QUALITY SETTING (Still Photography) TONE CURVE With reference to a tone curve, adjust the appearance of highlights or shadows, making them harsher or softer. Choose higher values to make shadows and highlights harsher, lower values to make them softer. Option HIGHLIGHTS SHADOWS TONE CURVE HIGHLIGHTS SHADOWS SET CANCEL Description -2 to +4 -2 to +4 COLOR Adjust color density.

SHARPNESS Sharpen or soften outlines.

Reduce noise in pictures taken at high sensitivities. Choose higher values to reduce noise and smooth outlines, lower values to leave outlines visible.

CLARITY Increase definition while altering tones in highlights and shadows as little as possible. Choose higher values for increased definition, lower values for a softer effect.

O The additional processing required at settings other than 0 increases the time need to save each shot.

Select ON to reduce mottling in long time-exposures. The Shooting Menus Options

OFF O The additional processing required when ON is selected increases save times.

IMAGE QUALITY SETTING (Still Photography)

LENS MODULATION OPTIMIZER

Select ON to improve definition by adjusting for diffraction and the slight loss of focus at the periphery of the lens. Options

OFF COLOR SPACE Choose the gamut of colors available for color reproduction. Option sRGB Adobe RGB Description Recommended in most situations. For commercial printing. PIXEL MAPPING Use this option if you notice bright spots in your pictures. Press MENU/OK in the shooting display and select the H IMAGE QUALITY SETTING tab.

Highlight PIXEL MAPPING and press MENU/OK to perform pixel mapping. O • Results are not guaranteed.

• Be sure the battery is fully charged before beginning pixel mapping.
• Pixel mapping is not available when the camera temperature is elevated.

• Processing may take a few seconds.

x SELECT CUSTOM SETTING Recall settings saved to custom settings banks 1 through 7 (CUSTOM 1 through CUSTOM 7) using x EDIT/SAVE CUSTOM SETTING. Banks NOTHING SELECTED CUSTOM 4 CUSTOM 1 CUSTOM 5 CUSTOM 2 CUSTOM 6 CUSTOM 3 CUSTOM 7 you would prefer not to recall saved settings, select NOTHING N IfSELECTED. x EDIT/SAVE CUSTOM SETTING Adjust settings as desired and save them to a custom settings bank. Saved settings can be recalled using H IMAGE QUALITY SETTING > x SELECT CUSTOM SETTING. menu settings can be adjusted when the STILL/MOVIE mode dial N Photo is rotated to STILL.

Saving Custom Settings Create a new custom settings bank. The Shooting Menus

Select H IMAGE QUALITY SETTING > x EDIT/SAVE CUSTOM SETTING in the shooting menu and press MENU/OK.

Highlight a destination bank for the new settings (CREATE NEW C1 through C7) and press MENU/OK. A confirmation dialog will be displayed.

Highlight OK and press MENU/OK. Current camera settings will be saved to the selected bank.

EDIT/SAVE CUSTOM SETTING

IMAGE QUALITY SETTING (Still Photography) Editing Custom Settings Edit existing custom settings banks.

Select H IMAGE QUALITY SETTING > x EDIT/SAVE CUSTOM SETTING in the shooting menu and press MENU/OK. N To save settings for movie recording, navigate to B MOVIE SETTING in the movie menus and select F EDIT/SAVE CUSTOM SETTING.

EDIT/SAVE CUSTOM SETTING

The camera will display a list of shooting menu items; highlight an item you wish to edit and press MENU/OK. Adjust the selected item as desired.

EXIT Press MENU/OK to save the changes and return to the shooting menu list. Adjust additional items as desired.

N If DISABLE is selected for H IMAGE QUALITY SETTING > AUTO UPDATE CUSTOM SETTING in the photo menu or for B MOVIE SETTING > FAUTO UPDATE CUSTOM SETTING in the movie menu, red dots will appear next to the edited items but the changes will not be saved automatically.

• To save the changes for selected items, highlight the items in the list and press Q.

• To save changes for all items, return to Step 3 and select SAVE THE CHANGES. To cancel all changes and restore the previous settings, select RESET THE CHANGES.
• If you copy an item marked by a red dot, the item will be copied with the changes intact.

IMAGE QUALITY SETTING (Still Photography) Copying Custom Settings Copy custom settings from one bank to another, overwriting the settings in the destination bank. If the source bank has been renamed, the name will also be copied to the destination bank.

Select H IMAGE QUALITY SETTING > x EDIT/SAVE CUSTOM SETTING in the shooting menu and press MENU/OK. N To save settings for movie recording, navigate to B MOVIE SETTING in the movie menus and select F EDIT/SAVE CUSTOM SETTING.

EDIT/SAVE CUSTOM SETTING

Highlight the destination bank (C1 through C7) and press MENU/OK. A confirmation dialog will be displayed. The Shooting Menus

Highlight OK and press MENU/OK. The selected settings will be copied to the destination bank, overwriting any existing settings. COPY CUSTOM 1 CUSTOM 2 COPY OK?

Deleting Custom Settings Delete settings from selected custom settings banks.

Select H IMAGE QUALITY SETTING > x EDIT/SAVE CUSTOM SETTING in the shooting menu and press MENU/OK. N To save settings for movie recording, navigate to B MOVIE SETTING in the movie menus and select F EDIT/SAVE CUSTOM SETTING.

EDIT/SAVE CUSTOM SETTING

Highlight OK and press MENU/OK. Any custom settings saved to the selected bank will be deleted. ERASE CUSTOM 1 ERASE OK?

IMAGE QUALITY SETTING (Still Photography) Renaming Custom Settings Banks Rename selected custom settings banks.

Select H IMAGE QUALITY SETTING > x EDIT/SAVE CUSTOM SETTING in the shooting menu and press MENU/OK. N To save settings for movie recording, navigate to B MOVIE SETTING in the movie menus and select F EDIT/SAVE CUSTOM SETTING.

Highlight EDIT CUSTOM NAME and press MENU/OK.

EDIT/SAVE CUSTOM SETTING

Enter a new name for the custom settings bank and select SET. The selected bank will be renamed.

AUTO UPDATE CUSTOM SETTING

Choose whether changes to saved custom settings apply automatically. Option ENABLE DISABLE Description Changes to custom settings banks CUSTOM 1 through CUSTOM 7 apply automatically. Changes do not apply automatically. Any changes to custom settings must be applied manually (P 135).

xF MOUNT ADAPTOR SETTING Adjust settings for lenses attached via a mount adapter. The camera can store settings for multiple lenses (LENS 1 through LENS 6). N • DISTORTION CORRECTION, COLOR SHADING CORRECTION, and PERIPHERAL ILLUMINATION CORRECTION are available with lenses connected via an M mount adapter.

• Any changes made using this item also apply in movie mode (P 204).

The Shooting Menus DISTORTION CORRECTION Choose from STRONG, MEDIUM, or WEAK options to correct BARREL or PINCUSHION distortion.

Color (shading) variations between the center and edges of the frame can be adjusted separately for each corner. To use color shading correction, follow the steps below. NEXT SET

Rotate the rear command dial to choose a corner. The selected corner is indicated by a triangle.

Use the selector to adjust shading until there is no visible difference in color between the selected corner and the center of the image.

• Press the selector left or right to adjust colors on the cyan– red axis.
• Press the selector up or down to adjust colors on the blue– yellow axis. N To determine the amount required, adjust color shading correction while taking photos of blue sky or a sheet of gray paper.

IMAGE QUALITY SETTING (Still Photography)

PERIPHERAL ILLUMINATION CORRECTION

Choose from values between –5 and +5. Choosing positive values increases peripheral illumination, while choosing negative values reduces peripheral illumination. Positive values are recomSET CANCEL mended for vintage lenses, negative values to create the effect of images taken with an antique lens or a pinhole camera. N To determine the amount required, adjust peripheral illumination correction while taking photos of blue sky or a sheet of gray paper.

Change the lens name.

AF/MF SETTING (Still Photography) Adjust focus settings for still photography. To display AF/MF settings, press MENU/OK in the photo shooting display and select the G (AF/MF SETTING) tab.

AF-C CUSTOM SETTINGS

PRE-AF EXIT N The options available vary with the shooting mode selected. FOCUS AREA Choose the focus area for autofocus, manual focus, and focus zoom (P 87). AF MODE Choose the AF mode for focus modes S and C (P 85).

AF-C CUSTOM SETTINGS

Select focus-tracking options for focus mode C. Choose from Sets 1–5 according to your subject or select Set 6 for custom focus-tracking options.

AF-C CUSTOM SETTINGS

The Shooting Menus Description A standard tracking option that works well with

the typical range of moving subjects. The focus system attempts to track the chosen SET 2 IGNORE OBSTACLES & subject. Choose with subjects that are hard to CONTINUE TO TRACK SUBJECT keep in the focus area or if other objects are likely to enter the focus area with the subject. The focus system attempts to compensate for

SET 3 FOR ACCELERATING/

subject acceleration or deceleration. Choose for DECELERATING SUBJECT subjects prone to rapid changes in velocity. The focus system attempts to focus quickly on SET 4 FOR SUDDENLY APPEARING subjects entering the focus area. Choose for subSUBJECT jects that appear abruptly or when rapidly switching subjects. Choose for hard-to-track subjects prone not only

SET 5 FOR ERRATICALLY MOVING

to sudden changes in velocity but also to large

& ACCEL./DECEL. SUBJECT

movements front to back and left to right. Adjust TRACKING SENSITIVITY, SPEED TRACKING SENSITIVITY, and ZONE AREA SET 6 CUSTOM SWITCHING to suit your preferences based on the values for Sets 1–5 (P 145, 147).

AF/MF SETTING (Still Photography) Focus Tracking Options The individual parameters that are part of a focus tracking set are described below. TRACKING SENSITIVITY This parameter determines how long the camera waits to switch focus when an object enters the focus area behind or in front of the current subject. The higher the value, the longer the camera will wait. TRACKING SENSITIVITY QUICK LOCKED ON

O • The higher the value, the longer it takes the camera to refocus when you attempt to switch subjects.

• The lower the value, the more likely the camera is to switch focus from your subject to other objects in the focus area.

SETS THE SPEED TRACKING

O The higher the value, the more difficulty the camera will have focusing in situations in which autofocus does not perform well, such as when the subject is highly reflective or low in contrast.

This parameter determines how sensitive the tracking system is to changes in subject velocity. The higher the value, the greater the precision with which the system attempts to respond to sudden movement.

ADJUST Option FRONT AUTO CENTER SWITCH Description Zone AF assigns priority to the subjects closest to the camera. The camera locks focus on the subject at the center of the zone and then switches focus areas as necessary to track it. Zone AF assigns priority to subjects in the center of the zone. O This option takes effect only when y ZONE is selected for AF mode. Set Values Parameter values for the different sets are listed below.

The Shooting Menus SET 1 SET 2 SET 3 SET 4 SET 5

Select AF-C CUSTOM SETTINGS > SET 6 CUSTOM.

AF-C CUSTOM SETTINGS

SET 6 CUSTOM TRACKING SENSITIVITY

SPEED TRACKING SENSITIVITY

Press the selector up or down to highlight items and rotate the front command dial to change. To reset settings to their original values, press b.

Press DISP/BACK when settings are complete.

Choose whether the AF mode used when the camera is in portrait orientation is stored separately from that used when the camera is in landscape orientation. Option Description OFF The same settings are used in both orientations. FOCUS AREA ONLY The focus area for each orientation can be selected separately. The focus mode and focus area can be selected separately. AF POINT DISPLAY yz Choose whether individual focus frames are displayed when ZONE or WIDE/TRACKING is selected for G AF/MF SETTING > AF MODE. Options

OFF The Shooting Menus xF WRAP FOCUS POINT Choose whether focus-area selection is bounded by the borders of the display or “wraps around” from one edge of the display to another. Option ENABLE DISABLE

Description Focus-area selection “wraps around” from one edge of the display to another. Focus-area selection is bounded by the borders of the display. AF/MF SETTING (Still Photography)

NUMBER OF FOCUS POINTS

Choose the number of focus points available for focus-point selection in manual focus mode or when SINGLE POINT is selected for AF MODE. Option Description Choose from 117 focus points arranged in a 9- by 13-point 117 POINTS (9 × 13) grid. Choose from 425 focus points arranged in a 17- by 25-point 425 POINTS (17 × 25) grid. PRE-AF If ON is selected, the camera will continue to adjust focus even when the shutter button is not pressed halfway. The camera adjusts focus continuously, allowing it to focus faster when the shutter button is pressed halfway. Choosing this option helps prevent missed shots. Options

The Shooting Menus O Choosing ON increases the drain on the battery.

xF AF ILLUMINATOR If ON is selected, the AF-assist illuminator will light to assist autofocus. Options

OFF O • The camera may be unable to focus using the AF-assist illuminator in some cases.

• If the camera is unable to focus, try increasing the distance to the subject.

• Avoid shining the AF-assist illuminator directly into your subject’s eyes. N Any changes made using this item also apply in movie mode (P 207).

AF/MF SETTING (Still Photography) g FACE/EYE DETECTION SETTING If the camera detects human faces, it will assign them priority over the background and adjust settings appropriately for portraits when setting focus and exposure. You can also choose whether the camera focuses on the left or right eye when face detection is on. Option O • If the subject moves as the shutter button is pressed, the face may not be in the area indicated by the green border when the picture is taken.

• In some modes, the camera may set exposure for the frame as a whole rather than the portrait subject.
• Enabling Intelligent Face Detection via FACE DETECTION ON automatically selects OFF for SUBJECT DETECTION SETTING.

The Shooting Menus Description Adjust settings for Intelligent Face Detection. You can also adjust eye detection settings.

• g EYE OFF: Intelligent Face Detection only.
• u EYE AUTO: The camera automatically chooses which eye to focus on when a face is detected. FACE DETECTION w RIGHT EYE PRIORITY: The camera focuses preferential• ly on the right eye of subjects detected using Intelligent Face Detection.
• v LEFT EYE PRIORITY: The camera focuses preferentially on the left eye of subjects detected using Intelligent Face Detection. OFF Intelligent Face Detection and eye priority off. N • A single face detected in or near the focus area will be marked with a white frame.
• If multiple faces are detected in the focus area, the camera will select one automatically.

• You can choose a different subject by tapping the display to repo-

The Shooting Menus sition the focus area. The focus stick (focus lever) can also be used if z WIDE is selected for AF MODE.

• When DIRECT AF POINT SELECTION or EDIT FOCUS AREA is chosen for D BUTTON/DIAL SETTING > FOCUS LEVER SETTING > TILT o, you can also switch subjects using the focus stick (focus lever) or (during viewfinder photography) touch controls (P 26).
• When the camera is focused on an eye, you can switch from one eye to the other using a function button to which RIGHT/LEFT EYE SWITCH has been assigned.
• If the selected subject leaves the frame, the camera will wait a set time for its return and consequently the white frame may sometimes appear in locations where no face is seen.
• Depending on shooting conditions, face selection may be suspended at the close of burst shooting.
• Faces can be detected with the camera in vertical or horizontal orientation.
• If the camera is unable to detect the subject’s eyes because they are hidden by hair, glasses, or other objects, the camera will instead focus on faces.
• Face/eye detection options can also be accessed via shortcuts (P 312).

AF/MF SETTING (Still Photography)

SUBJECT DETECTION SETTING

Choose whether the camera prioritizes subjects of a selected type, such as animals or vehicles, when setting focus. Option Description Select one of the subject types listed below to enable subject detection.

• E ANIMAL: The camera detects and tracks focus on dogs and cats.
• F BIRD: The camera detects and tracks focus on birds.
• G AUTOMOBILE: The camera detects and tracks focus on the body or front ends of cars, primarily those of types used SUBJECT DETECTION ON for motor sports.
• H MOTORCYCLE&BIKE: The camera detects and tracks focus on the riders of motorcycles and bicycles.
• I AIRPLANE: The camera detects and tracks focus on the cockpits, noses, or bodies of airplanes.
• J TRAIN: The camera detects and tracks focus on the driver compartments or front ends of trains. OFF Subject detection off. O Enabling subject detection via SUBJECT DETECTION ON automatical- The Shooting Menus ly selects OFF for g FACE/EYE DETECTION SETTING.

N • A single subject of the chosen type detected in or near the focus area will be marked with a white frame.

• If multiple subjects are detected in the focus area, the camera will select one automatically.

• You can choose a different subject by tapping the display to reposition the focus area. The focus stick (focus lever) can also be used if z WIDE is selected for AF MODE.
• When DIRECT AF POINT SELECTION or EDIT FOCUS AREA is chosen for D BUTTON/DIAL SETTING > FOCUS LEVER SETTING > TILT o, you can also switch subjects using the focus stick (focus lever) or (during viewfinder photography) touch controls (P 26).
• If the selected subject leaves the frame, the camera will wait a set time for its return and consequently the white frame may sometimes appear in locations where no subject of the chosen type is seen.
• Depending on shooting conditions, subject detection may be suspended at the close of burst shooting.
• Subjects can be detected with the camera in vertical or horizontal orientation.
• Subject detection options can also be accessed via shortcuts (P 312).

AF/MF SETTING (Still Photography) AF+MF If ON is selected and focus has been locked (whether by pressing the shutter button halfway or by other means), focus lock can be ended and focus adjusted manually by rotating the focus ring. Options

OFF O • Lenses with a focus distance indicator must be set to manual focus mode (MF) before this option can be used. Selecting MF disables the focus distance indicator.

• If the lens is equipped with a focus distance indicator, set the focus ring to the center, as the camera may fail to focus if the ring is set to infinity or the minimum focus distance. N • The previously-selected focus mode will be restored if no operations are performed for a set period after the focus ring is rotated.
• DIGITAL SPLIT IMAGE and DIGITAL MICROPRISM focus assist options selected via MF ASSIST cannot be used.

The Shooting Menus AF + MF Focus Zoom Selecting ON for G AF/MF SETTING > FOCUS CHECK when SINGLE POINT is chosen for AF MODE lets you zoom in on the current focus area by rotating the focus ring. The zoom ratio can be selected using the rear command dial. MF ASSIST Choose how focus is displayed in manual focus mode (P 94). Option Description Displays a black-and-white (MONOCHROME) or color (COLOR) DIGITAL SPLIT split image in the center of the frame. Frame the subject in the IMAGE split-image area and rotate the focus ring until the four parts of the split image are correctly aligned. A grid pattern that emphasizes blur is displayed when the subject DIGITAL is out of focus, disappearing to be replaced by a sharp image when MICROPRISM the subject is in focus. FOCUS PEAK The camera heightens high-contrast outlines. Choose a color and HIGHLIGHT peaking level. Focus is displayed normally (focus peaking, digital split image, and OFF digital microprism are not available).

FOCUS CHECK If ON is selected, the display will automatically zoom in on the selected focus area when the focus ring is rotated in manual focus mode. The Shooting Menus Options

OFF N • Pressing the center of the rear command dial cancels focus zoom.

• The zoom position is centered on the current focus area and changes when the focus area is changed.

AF/MF SETTING (Still Photography)

INTERLOCK SPOT AE & FOCUS AREA

Choose ON to meter the current focus frame when SPOT or MULTI metering is selected. Options

OFF xF INSTANT AF SETTING Choose whether the camera focuses using single AF (AF-S) or continuous AF (AF-C) when a button to which focus lock or AF-ON is assigned is pressed in manual focus mode. Option AF-S AF-C Description The camera focuses when the button is pressed. The camera focuses while the button is pressed. N Any changes made using this item also apply in movie mode (P 208). xF DEPTH-OF-FIELD SCALE Choose the basis for the depth-of-field scale.

Description Provides a precision reference for use when assessing depth of field PIXEL BASIS for pictures that will be viewed at high resolutions on computers or other electronic displays. Provides a practical reference for use when assessing depth of field FILM FORMAT for pictures that will be viewed at lower resolutions, for example BASIS as prints. N Any changes made using this item also apply in movie mode (P 209).

The Shooting Menus Option

RELEASE/FOCUS PRIORITY

Choose how the camera focuses in focus mode AF-S or AF-C. Option RELEASE FOCUS Description Shutter response is prioritized over focus. Pictures can be taken when the camera is not in focus. Focus is prioritized over shutter response. Pictures can be only taken when the camera is in focus. O Regardless of the option selected, pictures can still be taken when the camera is not in focus if ON is selected for AF+MF.

AF/MF SETTING (Still Photography) xF AF RANGE LIMITER Limit the range of available focus distances for increased focus speed. Option OFF CUSTOM PRESET1 PRESET2 Description Focus limiter disabled. Limit focus to a range of distances defined by a minimum and maximum.

• OK: Limit focus to the selected range.
• SET: Choose two objects and limit focus to the distance between them. Limit focus to a preset range. O • Choosing a focus range that includes distances shorter than the minimum focus distance of the lens disables the focus limiter.
• The values listed and displayed for the focus limiter may differ from the actual focus distance.

• Focus range can be set independently on lenses equipped with focus range selectors. Be sure that the option selected in the camera menus overlaps with that chosen with the lens.

range. Instead of tapping an object in the display, you set the maximum focus distance to infinity by rotating the focus ring.

• Any changes made using this item also apply in movie mode (P 209).

The Shooting Menus N • The following additional operations can be performed when CUSTOM is selected: - You can tap objects in the touch screen display to choose the focus

Choose the shooting operations performed using touch controls. Mode Description Tap your subject in the display to focus and release the shutter. TOUCH In burst mode, pictures will be taken while you keep your finger SHOOTING on the display.

• In focus mode S (AF-S), the camera focuses when you tap your

AF OFF subject in the display. Focus locks at the current distance until you tap the AF OFF icon.

• In focus mode C (AF-C), the camera initiates focus when you tap your subject display. The camera will continue to adjust focus for changes in the distance to the subject until you tap the AF OFF icon.
• In manual focus mode (MF), you can tap the display to focus on the selected subject using autofocus. AREA Tap to select a point for focus or zoom. The focus frame will move to the selected point. OFF Touch screen mode off.

The Shooting Menus N • The behavior of the touch screen varies with the AF mode.

AF/MF SETTING (Still Photography) Touch Controls for Focus Zoom Different touch controls are used during focus zoom (focus check enabled). Central Area Tapping the center of the display performs the operations below. Mode TOUCH SHOOTING AREA OFF Still Photography AF-S/MF: Take a picture AF-S: AF MF: Instant AF AF-S: AF MF: Instant AF

Other Areas Tapping other areas simply scrolls the display, whether during still photography or movie recording and regardless of the option selected for touch screen mode.

SHOOTING SETTING (Still Photography) Adjust shooting options for still photography. To display shooting settings, press MENU/OK in the photo shooting display and select the A (SHOOTING SETTING) tab. N The options available vary with the shooting mode selected. SHOOTING SETTING DRIVE SETTING

BKT SELECT The following options are available when BKT is selected for drive mode. The Shooting Menus

SHOOTING SETTING (Still Photography) AE BKT The following options are available when O AE BKT is chosen for BKT SELECT. Option

1 FRAME/CONTINUOUS SEQUENCE SETTING Description Choose the number of shots in the bracketing sequence and the amount exposure is varied with each shot.

• FRAMES: Choose the number of shots in the bracketing sequence.
• STEP: Choose the amount exposure is varied with each shot.
• 1 FRAME: The shots in the bracketing sequence are taken one at a time.
• CONTINUOUS: The shots in the bracketing sequence are taken in a single burst. Choose the order in which the shots are taken. ISO BKT The following options are available when W ISO BKT is chosen for BKT SELECT. Options ±2⁄3

Choose the three film simulation types used for film simulation bracketing (P 122).

The following options are available when V WHITE BALANCE BKT is chosen for BKT SELECT.

The Shooting Menus ±1⁄3

Choose from AUTO and MANUAL focus bracketing modes.

• MANUAL: In MANUAL mode, you choose the following. Option FRAMES STEP INTERVAL Description Choose the number of shots. Choose the amount focus changes with each shot. Choose the interval between shots. Focus and FRAMES/STEP The relation between focus and the options chosen for FRAMES and STEP is shown in the illustration. Step Frames

Starting focus position The Shooting Menus

• Focus proceeds from the starting position toward infinity.
• Small STEP values translate to small changes in focus, larger values to larger changes.

• Regardless of the option chosen for FRAMES, shooting ends when focus reaches infinity.

SHOOTING SETTING (Still Photography)

• AUTO: In AUTO mode, the camera calculates FRAMES and STEP automatically.

Navigate to A SHOOTING SETTING > DRIVE SETTING > BKT SETTING in the photo menus, highlight FOCUS BKT, and press MENU/OK.

Select AUTO and choose an INTERVAL. The view through the lens will be displayed.

Focus on the nearest end of the subject and press MENU/OK. The selected focus distance appears as A on the focus distance indicator.

SET same focus range can be chosen by focusing on the farthest N The end of the subject first.

SET Instead of pressing the DISP/BACK button, you can press MENU/OK N and select A again.

Take photographs. The camera will calculate values for FRAMES and STEP automatically. The number of frames will appear in the display.

The Shooting Menus Focus on the farthest end of the subject and press DISP/BACK. The selected focus distance (B) and focus range (A to B) appear on the focus distance indicator.

Select the frame rate used when the drive dial is rotated to CH (continuous high speed). The display frame rate when the electronic shutter is used is 40 fps, or 60 fps in 1.29× crop mode. 20fps(1.29X CROP) R 1 15fps 2 Options 13fps(1.29X CROP) R 1 10fps 3 10fps(1.29X CROP) R 1 1 Available with electronic shutter only. 2 13 fps with electronic shutter. 3 8.9 fps with electronic shutter.

Select the frame rate used when the drive dial is rotated to CL (continuous low speed). 7.0fps * Options 5.0fps 3.0fps

• 6.7 fps with electronic shutter.

The Shooting Menus HDR MODE Each time the shutter button is pressed, the camera takes three shots, varying exposure each time, and combines them into a single picture. The resulting photograph preserves details in highlights and shadows (P 107).

Choose the filter used when the drive dial is rotated to ADV. (P 110).

SHOOTING SETTING (Still Photography)

Take pictures using the crop in the center of the display. Choose this option for pictures of athletes, birds, and other moving subjects. Option OFF Description Pictures are taken using a 1.29× crop, reducing the picture angle by an amount equivalent to increasing lens focal length by 1.29×; the crop is shown by a frame in the display. The 1.29× crop is disabled. N • The H IMAGE QUALITY SETTING > IMAGE SIZE item in the shooting menu is fixed at P.

• The sports finder is not available in modes that offer an electronic shutter.

PRE-SHOT sJ To reduce the lag between your pressing the shutter button all the way down and the resulting picture being recorded to the memory card, the camera starts shooting with the electronic shutter when the shutter button is pressed halfway and saves a series shots starting just before the shutter button is pressed the rest of the way down. Options

OFF N • Pre-shot photography is available only when s ELECTRONIC SHUTTER is selected in CH (high speed burst) drive mode (P 170).

• Flash photography is disabled. SELF-TIMER Choose a shutter release delay. Option

The Shooting Menus Description The shutter is released two seconds after the shutter button is pressed. Use to reduce blur caused by the camera moving when the shutter R 2 SEC button is pressed. The self-timer lamp blinks as the timer counts down. The shutter is released ten seconds after the shutter button is pressed. S 10 SEC Use for photographs in which you wish to appear yourself. The self-timer lamp blinks immediately before the picture is taken. OFF Self-timer off. If an option other than OFF is selected, the timer will start when the shutter button is pressed all the way down. The display shows the number of seconds remaining until the shutter is released. To stop the timer before the picture is taken, press DISP/BACK.

O • Stand behind the camera when using the shutter button. Standing in front of the lens can interfere with focus and exposure.

• The self-timer turns off automatically when the camera is turned off.

SHOOTING SETTING (Still Photography)

SAVE SELF-TIMER SETTING

If ON is selected, the chosen self-timer setting will remain in effect after a picture is taken or the camera is turned off. Options

OFF SELF-TIMER LAMP If ON is selected, the self-timer lamp will light during self-timer photography. Select OFF when shooting night scenes or in other situations in which you would prefer that the lamp remain unlit. Options

OFF PHOTOMETRY Choose how the camera meters exposure (P 98).

SHUTTER TYPE Choose the shutter type. Choose the electronic shutter to mute the shutter sound. Option t MECHANICAL SHUTTER s ELECTRONIC SHUTTER t E-FRONT CURTAIN SHUTTER u MECHANICAL + ELECTRONIC v E-FRONT + MECHANICAL Description Take pictures with the mechanical shutter. Take pictures with the electronic shutter. Take pictures with the electronic front curtain shutter. The camera chooses the mechanical or electronic shutter according to shooting conditions. The camera chooses the mechanical or electronic front curtain shutter according to shooting conditions. The camera chooses the mechanical, electronic, or w E-FRONT + electronic front curtain shutter according to shooting MECHANICAL + ELECTRONIC conditions.

If s ELECTRONIC SHUTTER, u MECHANICAL + ELECTRONIC, or w E-FRONT + MECHANICAL + ELECTRONIC is selected, shutter speeds faster than 1⁄8000 s can be chosen by rotating the shutter speed dial to 8000 and then rotating the rear command dial. The Shooting Menus O • When using the electronic shutter, note the following: - Distortion may be visible in shots of moving subjects. - Distortion may also be visible in hand-held shots taken at high shutter speeds; use of a tripod is recommended. Banding and fog may occur in shots taken under fluorescent lights or other flickering or erratic illumination. - When taking pictures with the shutter muted (P 279), respect your subjects’ image rights and right to privacy.

• When using the electronic front-curtain shutter, note the following: - Faster shutter speeds are more likely to result in uneven exposure and loss of resolution in out-of-focus areas of the frame.

N The following restrictions apply when the electronic shutter is used:

• Sensitivity is restricted to values of ISO 12800–125
• Long exposure noise reduction has no effect
• The flash will not fire unless pixel-shift multi-shot is enabled.

SHOOTING SETTING (Still Photography)

END CANCEL you are using a remote release with its own timer, select WITH N IfEXTERNAL TIMER. You will be returned to the shooting display, where you can start interval-timer photography using the remote release. Use the selector to choose the interval and number of shots. Press MENU/OK to proceed.

CANCEL Use the selector to choose the starting time and then press MENU/OK. Shooting will start automatically. CANCEL O Interval timer photography cannot be used at a shutter speed of “bulb” or with multiple exposure photography. In burst mode, only one picture will be taken each time the shutter is released.

N • Use of a tripod is recommended.

• We recommend using an AC-5VJ AC power adapter.
• To view the pictures taken so far, press the a button during interval-timer photography. To return to the shooting display, press the a button again or wait until the start of the next interval.
• The display turns off between shots and lights a few seconds before the next shot is taken.
• The display can be activated at any time by pressing the shutter button.
• The indicator lamp blinks green whenever the displays are off during interval-timer photography.
• To continue shooting until the number of shots taken equals the number of exposures remaining at the time interval-timer photography started, set the number of shots to ∞.

INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING

Select ON to automatically adjust exposure during interval-timer photography to prevent it changing dramatically between shots. Options

OFF The Shooting Menus O • Large changes in subject brightness may make exposure appear erratic. We recommend that you choose shorter values for INTERVAL TIMER SHOOTING > INTERVAL with subjects that brighten or dim dramatically during shooting.

• In manual mode (mode M), exposure smoothing is only available if an A (auto) option is selected for sensitivity.

If ON is selected, the camera will adjust shutter speed during interval-timer photography to ensure that exposures are not longer than the interval between photographs. Options

OFF O This option takes effect only when shutter speed is set to A (auto). FLICKER REDUCTION Reduce flicker in pictures and the display when shooting under fluorescent lighting and other similar light sources. Option ALL FRAMES FIRST FRAME OFF Description Flicker reduction is applied to all frames continuous shooting frame rate reduces. Flicker measurement is taken prior to the first frame only and the same reduction amount is applied to all subsequent frames that flicker may occur. Flicker reduction disabled. ter is used.

• Flicker reduction is not available during movie recording.

The Shooting Menus O • Flicker reduction increases the time needed to record pictures.

• OFF is selected for FLICKER REDUCTION when the electronic shut-

Select ON to allow shutter speed to be fine-tuned to reduce flicker caused by LED lighting and the like. Options

OFF N This option takes effect only in modes S and M. IS MODE Turn image stabilization on or off. Option CONTINUOUS SHOOTING ONLY OFF

Description Image stabilization on. Image stabilization enabled only when the shutter button is pressed halfway (focus mode C) or the shutter is released. Image stabilization off ; x appears in the display. N • The setting selected with the lens image stabilization switch, if any, takes priority over the setting chosen with IS MODE.

• Note that vibration or camera sounds may be noticeable as image stabilization takes effect. The Shooting Menus

SHOOTING SETTING (Still Photography)

Choose the base sensitivity, maximum sensitivity, and minimum shutter speed for use when ISO sensitivity is set to A (auto). Settings for AUTO1, AUTO2, and AUTO3 can be stored separately (P 97). DIGITAL TELE-CONV. Zoom in on your subject during shooting using ultra-high-resolution digital zoom. Option 2.0x 1.4x OFF Description Take pictures using 2× zoom. O- and P-size pictures are automatically cropped to size Q. Take pictures using 1.4× zoom. O-size pictures are automatically cropped to size P. Digital teleconverter off. O Image quality may drop when the digital teleconverter is used. N The digital teleconverter cannot be used when a 1.29× crop is selected

The Shooting Menus during burst photography or when ON is selected for SPORTS FINDER MODE. MULTI EXPOSURE Choose how the camera combines shots to create a multiple exposure. Option

The Shooting Menus OFF Description Adjust multiple exposure settings and record multiple exposures.

• ADDITIVE: The camera adds the exposures together. You may need to lower exposure compensation depending on the number of shots.
• AVERAGE: The camera automatically optimizes exposure for the final picture. The background in series shot without changing the composition will be optimally exposed.
• BRIGHT: The camera compares the exposures and chooses only the brightest pixel at each location. Colors may be mixed depending on their brightness and hue.
• DARK: The camera compares the exposures and chooses only the darkest pixel at each location. Colors may be mixed depending on their brightness and hue. Multiple exposure mode disabled. N The camera can combine up to nine exposures.

SHOOTING SETTING (Still Photography)

PIXEL SHIFT MULTI SHOT

The camera takes a series of 20 shots, using in-body image stabilization to move the image sensor by half a pixel with each shot and recording each frame in RAW format. Using specialized computer software, the frames can then be combined to create a high-resolution RAW picture.

Navigate to A SHOOTING SETTING in the photo menus, highlight PIXEL SHIFT MULTI SHOT, and press MENU/OK.

Choose a value for INTERVAL.

• We recommend setting INTERVAL to SHORTEST.
• If you intend to use the flash with every shot, choose a value for INTERVAL long enough to allow the flash to charge between shots.

Press the shutter button to start shooting.

• The shots are recorded to the memory card in RAW format.
• To minimize vibration, use the self-timer or a remote release. Combine the shots on a computer.
• The shots can be combined using FUJIFILM Pixel Shift Combiner.
• To save high-resolution RAW pictures in other formats, use Capture One Express for Fujifilm, Capture One for Fujifilm, or Capture One Pro, available from Capture One A/S. FUJIFILM X RAW STUDIO and RAW FILE CONVERTER EX powered by SILKYPIX cannot be used for this purpose.

N • Visit the websites below to learn more about or download the following computer software:

FUJIFILM Pixel Shift Combiner: https://fujifilm-x.com/products/software/pixel-shift-combiner/ Capture One Express for Fujifilm: https://www.captureone.com/products-plans/capture-one-express/fujifilm Capture One for Fujifilm: https://www.captureone.com/explore-features/fujifilm Capture One Pro: https://www.captureone.com/explore-features

• Pixel-shift multi-shot photography can be performed via tethered shooting. For this purpose, use FUJIFILM Pixel Shift Combiner.

• The flash will synchronize with the shutter at shutter speeds of ½5 s or slower.

• The following limitations apply to the use of the pixel-shift multi-shot option:

Pixel-shift multi-shot photography can only be performed using the electronic shutter. Sensitivity is restricted to a maximum of ISO 1600. Choosing higher values or a setting of AUTO results in a sensitivity of ISO 1600, while lower values remain unchanged. The only option available for RAW RECORDING is LOSSLESS COMPRESSED. Pictures taken with C (AF-C) selected for focus mode will be shot in focus mode S (AF-S). Pictures taken with S (AF-S) or M (manual) selected are shot in the chosen focus mode. If the subject or camera moves during shooting, the desired results may not be achieved when the shots are combined. A SHOOTING SETTING > FLICKER REDUCTION is automatically set to OFF. The value selected for exposure compensation applies to all 20 shots. Playback Pictures taken using the pixel-shift multi-shot option are indicated by a pixel-shift multi-shot icon in full-frame playback (P 220).

SHOOTING SETTING (Still Photography) xF WIRELESS COMMUNICATION Connect to smartphones running the latest version of apps. The smartphone can then be used to:

• Control the camera and take pictures remotely
• Receive pictures uploaded from the camera
• Browse the pictures on the camera and download selected pictures
• Upload location data to the camera N For more information, visit: https://app.fujifilm-dsc.com/

FLASH SETTING (Still Photography) Adjust flash-related settings for still photography. To display flash settings, press MENU/OK in the photo shooting display and select the F (FLASH SETTING) tab. FLASH SETTING

Choose a flash control mode, flash mode, or sync mode or adjust the flash level. The options available vary with the flash. MODE EF-X8 N For more information on flash settings, see “External Flash Units” (P 341) in “Peripherals and Optional Accessories”.

Remove red-eye effects caused by the flash. The Shooting Menus Option FLASH OFF Description Flash red-eye reduction only. Flash red-eye reduction and digital red-eye removal off. N Flash red-eye reduction can be used in TTL flash control mode.

END FLASH SETTING (Still Photography) TTL-LOCK MODE Instead of adjusting flash level with each shot, TTL flash control can be locked for consistent results across a series of photographs. Option Description Flash output is locked at the value metered for the most

LOCK WITH LAST FLASH

recent photo. LOCK WITH METERING The camera emits a series of pre-flashes and locks flash FLASH output at the metered value. N • To use TTL lock, assign TTL-LOCK to a camera control and then use the control to enable or disable TTL lock (P 321).

• Flash compensation can be adjusted while TTL lock is in effect.
• Selecting LOCK WITH LAST FLASH displays an error message if no previously metered value exists.

Choose whether to use the flash unit’s LED video light (if available) as a catchlight or AF-assist illuminator when taking photos. Role of LED video light in still photography Catchlight AF-assist illuminator AF-assist illuminator and catchlight None N In some cases, this option can also be accessed via the FLASH FUNCTION SETTING menu.

FLASH SETTING (Still Photography) COMMANDER SETTING Choose groups when using the camera flash unit as a commander for Fujifilm optical wireless remote flash control. This option is available when the camera is used with clip-on flash units that support Fujifilm optical wireless flash control. Options Gr A Gr B Gr C OFF N In some cases, this option can also be accessed via the FLASH FUNCTION SETTING menu. CH SETTING Choose the channel used for communication between the commander and remote flash units. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity. Options

CH2 CH3 CH4 MOVIE SETTING (Still Photography) Adjust options for movies shot during still photography using function buttons that have been assigned MOVIE RECORDING RELEASE. To display movie settings, press MENU/OK in the photo shooting display and select the B (MOVIE SETTING) tab. N The options available vary with the shooting mode selected. MOVIE SETTING MOVIE MODE

FREC FRAME INDICATOR

EXIT MOVIE MODE This item is also found in the movie menus (P 188). Changes here also apply to the item in the movie menus.

This item is also found in the movie menus (P 189). Changes here also apply to the item in the movie menus.

This item is also found in the movie menus (P 190). Changes here also apply to the item in the movie menus.

This item is also found in the movie menus (P 196). Changes here also apply to the item in the movie menus.

This item is also found in the movie menus (P 196). Changes here also apply to the item in the movie menus. AUDIO SETTING Adjust audio-related settings for movie recording.

INTERNAL MIC LEVEL ADJUSTMENT

Adjust the recording level for the built-in microphone. Option AUTO MANUAL OFF Description The camera adjusts the recording level automatically. Adjust the recording level manually. Choose from 25 recording levels. Turn the built-in microphone off.

EXTERNAL MIC LEVEL ADJUSTMENT

Adjust the recording level for external microphones. Option AUTO MANUAL OFF

Description The camera adjusts the recording level automatically. Adjust the recording level manually. Choose from 25 recording levels. Disable recording using external microphones. MOVIE SETTING (Still Photography)

Specify the type of hardware connected to the microphone jack. Option MIC LINE Description Choose this option for direct connection to an external microphone. Choose this option for external audio devices connected via line output.

Reduces distortion caused by input that exceeds the limits of the microphone’s audio circuits. Options

OFF WIND FILTER Choose whether to enable wind noise reduction during movie recording.

Choose whether to enable the low-cut filter, reducing low-frequency noise during movie recording. Options

OFF HEADPHONES VOLUME Adjust the headphone volume. Option 1—10 Description Mute output to the headphones. Choose a volume of from 1 to 10.

MOVIE SETTING (Still Photography)

XLR MIC ADAPTER SETTING

Adjust microphone input channel settings and the like for use with XLR microphone adapters. Option

The Shooting Menus Description Record four-channel (quadraphonic) sound with the help of the camera’s built-in microphone, or two-channel (stereo) sound using only a microphone connected via the XLR microphone adapter. MIC INPUT CHANNEL • 4ch XLR+CAMERA: Record four-channel sound with the help of the camera’s built-in microphone.

• 2ch XLR ONLY: Record two-channel sound using only an external microphone connected via the XLR microphone adapter. Choose the source of sound output to headphones or other audio monitors during movie recording. XLR: Monitor sound from external microphones con• 4ch AUDIO MONITORING nected via the XLR microphone adapter.
• CAMERA: Monitor sound from camera’s built-in microphone. Choose source of audio output to the HDMI connector.
• XLR: Audio from external microphones connected via HDMI 4ch AUDIO the XLR microphone adapter is output to the HDMI conOUTPUT nector.
• CAMERA: Audio from camera’s built-in microphone is output to the HDMI connector. N • If an external microphone is connected to the camera’s microphone jack, audio will be recorded not via the camera’s built-in microphone but via the external microphone instead.
• Four-channel recording is available only when MOV is selected for movie file format.

F REC FRAME INDICATOR

This item is also found in the movie menus (P 198). Changes here also apply to the item in the movie menus.

View current movie recording settings. N These options can also be viewed by pressing the DISP/BACK button while the movie quick menu is displayed.

MOVIE MODE Before shooting movies, choose the frame rate and the frame size and aspect ratio. MOVIE MODE

HIGH QUALITY 4K MOVIE

WITH 6.2K OVERSAMPLING

Press the selector up or down to highlight the desired frame size and aspect ratio (A) and press the selector right.

• Choose J16 : 9 for 6.2 K movies with an aspect ratio of 16 : 9.
• Choose T16:9 or W17:9 for high-quality 4 K movies with aspect ratios of 16 or 17 to 9.
• Choose V16 : 9 or d17 : 9 for 4K movies with aspect ratios of 16 or 17 to 9.
• Choose W16 : 9 or W17 : 9 for Full HD movies with aspect ratios of 16 or 17 to 9.

The Shooting Menus 23.98P 24P 25P Options 29.97P 50P N The choice of frame rates varies with the movie mode.

59.94P MOVIE SETTING (Movie Recording)

Record high-frame-rate movies. High-frame-rate movies can be played back in slow motion, giving you time to view fast-moving subjects or details too fleeting for the naked eye. Select ON to choose the recording and playback rates separately. N Choose ON HDMI ONLY to record footage only to external recorders connected via HDMI. Note that this option does not support playback frame-rate selection. Frame Size Options W16 : 9 W17 : 9 Playback 23.98P 24P 25P Options 29.97P 50P 59.94P

Recording 120P 200P 240P N • High-speed movies are recorded with no sound.

• The footage recorded to the memory card is compressed with the goal of maintaining the selected bit rate.

• The options available for playback rate vary with the option selected for rate of recording.

The Shooting Menus Options 100P F SELF-TIMER Choose the delay between the shutter button being pressed all the way down and the start of recording.

• The display shows the number of seconds remaining before recording begins.
• To stop the timer before recording begins, press DISP/BACK. Options 3 SEC 5 SEC 10 SEC OFF

Choose movie file settings, including destination, file type, compression, and bit rate.

Choose movie file settings, including destination, file type, and compression. The Shooting Menus Destination Choose save options and save and output destinations for movies. Option

Description Footage is recorded to the memory card in Slot 1 until the card fills. Any additional footage will then automatically be recorded to the card in Slot 2. Footage is recorded to the memory card in Slot 2 until the card fills. Any additional footage will then automatically be recorded to the card in Slot 1. Each movie is recorded twice, once to each card. Movies are recorded only to devices connected via HDMI. O The current movie mode applies to both copies; settings for backup copies cannot be adjusted separately.

MOVIE SETTING (Movie Recording) File Type and Compression Choose the movie file type and compression. Option H.264 ALL-I 420 MOV H.264 LongGOP 420 MOV H.264 LongGOP 420 MP4 H.265 ALL-I 420 MOV H.265 LongGOP 420 MOV H.265 ALL-I 422 MOV N • 4 : 2 : 2 chroma sub-sampling is used for footage output to external devices connected via HDMI; H.264 footage is output at a bit depth of 8 bits and footage in other formats at a depth of 10 bits.

• All-I compresses each frame separately. Files are larger, but the fact that the data for each frame are saved separately makes this a good choice for footage that will be further processed.
• Long GOP balances good image quality with high compression. Files are smaller, making it a good choice for longer movies.
• The options available for file type and compression vary with the options selected for MOVIE MODE, HIGH SPEED REC, and F-Log/HLG RECORDING.

The Shooting Menus H.265 LongGOP 422 MOV Description A highly-portable compressed format. Footage is recorded at a depth of 8 bits using All-I interframe compression and 4 : 2 : 0 chroma sub-sampling. A highly-portable compressed format. Footage is recorded at a depth of 8 bits using Long GOP interframe compression and 4 : 2 : 0 chroma sub-sampling. A format suitable for movies that will be uploaded to the web. A format with a higher compression ratio than H.264. Footage is recorded at a depth of 10 bits using All-I interframe compression and 4 : 2 : 0 chroma sub-sampling. A format with a higher compression ratio than H.264. Footage is recorded at a depth of 10 bits using Long GOP interframe compression and 4 : 2 : 0 chroma sub-sampling. A format with a higher compression ratio than H.264. Footage is recorded at a depth of 10 bits using All-I interframe compression and 4 : 2 : 2 chroma sub-sampling. A format with a higher compression ratio than H.264. Footage is recorded at a depth of 10 bits using Long GOP interframe compression and 4 : 2 : 2 chroma sub-sampling. Bit Rate Choose the movie bit rate. Options 50Mbps 100Mbps 200Mbps 360Mbps N The options available for bit rate vary with the settings chosen for highspeed movie recording and compression. The actual bit rate may be slower than the selected value depending on the subject.

Adjust settings for use when the shooting display is output to an HDMI device.

HDMI OUTPUT INFO DISPLAY

If ON is selected, HDMI devices to which the camera is connected will mirror the information in the camera display. Options

OFF The Shooting Menus

Choose whether the camera sends movie start and stop signals to the HDMI device when the shutter button is pressed to start and stop movie recording. Options

Choose whether to output RAW footage to external recorders connected via HDMI. Option Description RAW OUTPUT Output RAW footage to ATOMOS video recorders. SETTING ATOMOS RAW OUTPUT Output RAW footage to Blackmagic Design video recorders. SETTING Blackmagic OFF Do not output RAW footage to external recorders. N • Movie frame size automatically changes to 6.2K.

• RAW footage output to external devices is not saved to the memory cards inserted in the camera.

• In-camera image enhancements are not applied to the RAW output.
• ISO sensitivity is restricted to values between ISO 800 and ISO 12800.
• Footage output to external devices is generated from the original

FIX MOVIE CROP MAGNIFICATION

Fix the movie crop ratio at 1.25∶1. This makes it easier to match crops after changing movie settings. Options

The Shooting Menus RAW data and its quality, which varies with device specifications, may not be equal to that achieved as the end result of post-production or the like.

• Focus zoom is not available when RAW is selected for HDMI output.
• RAW footage output via HDMI to incompatible devices will not display correctly but will instead will display as a mosaic.
• RAW output is disabled in some movie and high-speed recording modes. F-Log/HLG RECORDING Choose the destination for F‐Log and HLG (Hybrid Log-Gamma) movies shot while the camera is connected to an HDMI device. Option Description The footage is processed using film simulation and both cPYP saved to the memory card and output to the HDMI device. The footage is recorded to the memory card and output to c F-Log Y F-Log the HDMI device in F-Log format. The footage is recorded to the memory card and output to c FLog2 Y FLog2 the HDMI device in F-Log2 format. The footage is recorded to the memory card and output to c HLG Y HLG the HDMI device in HLG format. N • F-Log and FLog2 offer gentle gamma curves with wide gamuts suit-

The Shooting Menus able for further processing post-production. Sensitivity is restricted to values between ISO 500 and ISO 12800 (F-Log) or between ISO 1000 and ISO 12800 (FLog2).

• The HLG (Hybrid Log-Gamma) recording format conforms to the international ITU-R BT2100 standard. When viewed on HLG-compatible displays, high-quality HLG footage faithfully captures high-contrast scenes and vivid colors. Sensitivity is restricted to values between ISO 800 and ISO 12800.
• Film simulation (P) footage is recorded using the option selected for H IMAGE QUALITY SETTING > F FILM SIMULATION in the shooting menu.

MOVIE SETTING (Movie Recording)

Choose a signal range for movie recording. Option VIDEO RANGE FULL RANGE Description The signal range for 8-bit movies is limited to 16–235 and that for 10-bit movies to 64–940. The signal ranges for 8-bit and 10-bit movies are respectively 0–255 and 0–1023. F PHOTOMETRY Options are the same as those for still photography, but settings must be adjusted separately (P 98).

F FLICKERLESS S.S. SETTING

Options are the same as those for still photography, but settings must be adjusted separately (P 174). Options

Turn image stabilization on or off. Option IBIS/OIS

OFF Description Enable in-body (IBIS) and optical (OIS) image stabilization. IBIS is used with lenses that do not support OIS. Enable in-body (IBIS), optical (OIS), and digital (DIS) image stabilization. The crop is adjusted according to the option selected for MOVIE MODE. Image stabilization off ; x appears in the display. N • The setting selected with the lens image stabilization switch, if any, takes priority over the setting chosen with the IS mode.

• Note that vibration or camera sounds may be noticeable as image stabilization takes effect.

Choose the image stabilization level. Option OFF

Description Suitable for hand-held shooting with no panning. Suitable for hand-held shooting with panning. The Shooting Menus N Assigning IS MODE BOOST to a function button allows the image stabilization level to be changed while recording is in progress (P 321).

MOVIE SETTING (Movie Recording) ZEBRA SETTING Highlights that may be overexposed are shown by zebra stripes in the movie mode display. Option ZEBRA RIGHT ZEBRA LEFT OFF Description Right-slanting stripes. Left-slanting stripes. Stripes off. ZEBRA LEVEL Choose the brightness threshold for the zebra stripe display.

MOVIE OPTIMIZED CONTROL oL Select ON to allow movie settings to be adjusted using only the command dials and touch-screen controls. You may find this helpful in preventing the sounds of camera controls being recorded with movies (P 28). Options

F REC FRAME INDICATOR

If ON is selected, the borders of the display will turn red during movie recording. Options

OFF N The borders are displayed in green during high-speed movie recording.

MOVIE SETTING (Movie Recording) TALLY LIGHT Choose the lamp (indicator or AF-assist) that lights during movie recording and whether the lamp blinks or remains steady. Indicator lamp Description The indicator lamp lights during movie recording. The indicator lamp blinks during movie recording. The indicator and AF-assist lamps light during movie recording. The AF-assist lamp lights during movie recording.

The indicator and AF-assist lamps blink during movie recording. The AF-assist lamp blinks during movie recording. The indicator and AF-assist lamps remain off during movie recording.

Options are the same as those for still photography, but settings must be adjusted separately (P 134).

F EDIT/SAVE CUSTOM SETTING

Options are the same as those for still photography, but settings must be adjusted separately (P 134).

F AUTO UPDATE CUSTOM SETTING

This item is also found in the photo menus (P 139). xF WIRELESS COMMUNICATION This item is also found in the photo menus (P 179).

IMAGE QUALITY SETTING (Movie Recording) Adjust image quality settings for movies. To display image quality settings, press MENU/OK in the movie shooting display and select the H (IMAGE QUALITY SETTING) tab.

EXIT N The options available vary with the shooting mode selected.

Options are the same as those for still photography, but settings must be adjusted separately (P 122).

F MONOCHROMATIC COLOR

Options are the same as those for still photography, but settings must be adjusted separately (P 124).

Options are the same as those for still photography, but settings must be adjusted separately (P 126).

Choose a dynamic range for movie recording. Option V100% W200% X400% Description See “DYNAMIC RANGE” (P 130). N • AUTO (automatic dynamic range control) is not available during movie recording.

• W200% is available at sensitivities of from ISO 250 to ISO 12800, X400% at sensitivities of from ISO 500 to 12800. item is available when cPYP is selected for B MOVIE SETTING > F-Log/HLG RECORDING.

• This The Shooting Menus

Options are the same as those for still photography, but settings must be adjusted separately (P 131). F COLOR Options are the same as those for still photography, but settings must be adjusted separately (P 131).

IMAGE QUALITY SETTING (Movie Recording) F SHARPNESS Options are the same as those for still photography, but settings must be adjusted separately (P 131).

Options are the same as those for still photography, but settings must be adjusted separately (P 132). INTERFRAME NR Select AUTO to automatically adjust interframe noise reduction according to shooting conditions. Options AUTO OFF N “Ghosting” may occur with moving subjects or if the camera is moved during shooting.

IMAGE QUALITY SETTING (Movie Recording)

F PERIPHERAL LIGHT CORRECTION

Select ON to enable peripheral illumination correction during movie recording. Options

OFF N • If ON is selected when a lens that does not transmit data to the camera is attached, peripheral illumination will be adjusted according to the option selected for H IMAGE QUALITY SETTING > xF MOUNT

ADAPTER SETTING > PERIPHERAL ILLUMINATION CORRECTION

in the shooting menu (P 142).

• Select OFF if you notice banding in movies recorded using this option. xF MOUNT ADAPTOR SETTING This item is also found in the photo menus (P 140). Changes to one apply to the other.

AF/MF SETTING (Movie Recording) Adjust focus settings for movies. To display AF/MF settings, press MENU/OK in the movie shooting display and select the G (AF/MF SETTING) tab.

FAF-C CUSTOM SETTING

xFWRAP FOCUS POINT xFAF ILLUMINATOR Fg FACE/EYE DETECTION SETTING

FSUBJECT DETECTION SETTING

FAF+MF EXIT N The options available vary with the shooting mode selected.

Choose the focus area for autofocus, manual focus, and focus zoom (P 87). O The focus area cannot be resized while recording is in progress.

Choose how the camera selects the focus point for movie recording. Description The camera selects the focus area automatically. The camera focuses on the subject in the selected focus area.

F AF-C CUSTOM SETTING

Select focus-tracking options when recording movies in focus mode C. TRACKING SENSITIVITY Choose how long the camera waits to switch focus when an object enters the focus area behind or in front of the current subject. See “TRACKING SENSITIVITY” (P 145).

O • The higher the value, the longer it takes the camera to refocus when you attempt to switch subjects.

• The lower the value, the more likely the camera is to switch focus from your subject to other objects in the focus area.

AF SPEED Adjust the autofocus response speed. Choose higher values for faster response times, lower values for slower response times. The Shooting Menus

xF WRAP FOCUS POINT This item is also found in the photo menus (P 148). Changes to one apply to the other.

AF/MF SETTING (Movie Recording) xF AF ILLUMINATOR This item is also found in the photo menus (P 150). Changes to one apply to the other. Fg FACE/EYE DETECTION SETTING Enable or disable Intelligent Face Detection when recording movies. Option

OFF Description See “g FACE/EYE DETECTION SETTING” (P 151). Intelligent Face Detection and eye priority off. O When Intelligent Face Detection is enabled, the camera will focus using continuous AF even when single AF (S) is chosen with the focus mode selector. Intelligent Face Detection is not available in manual focus mode.

F SUBJECT DETECTION SETTING

Options are the same as those for still photography, but settings must be adjusted separately (P 153). DETECTION ON is selected for G AF/MF SETTING > F SUBJECT DETECTION SETTING, even if the focus mode selector is rotated to S. Subject detection is not available in manual focus mode. F AF+MF Select ON to enable manual focus in focus modes S and C. Manual focus can be suspended by pressing the AFON button. Options

The Shooting Menus O The camera automatically switches to continuous AF when SUBJECT

Choose how focus is displayed in manual focus mode (P 94). Option Description The camera heightens high-contrast outlines. Choose a

FOCUS PEAK HIGHLIGHT

color and peaking level. A needle indicates whether focus is in front of or behind FOCUS METER the subject.

Focus is indicated by both a meter and peak highlights. HIGHLIGHT Focus is displayed normally (focus peaking and the focus OFF meter are not available).

Options are the same as those for still photography, but settings must be adjusted separately (P 156).

xF INSTANT AF SETTING This item is also found in the photo menus (P 157). Changes to one apply to the other. The Shooting Menus N Instant AF is disabled during movie recording. Use instant AF to focus before recording begins.

AF/MF SETTING (Movie Recording) xF DEPTH-OF-FIELD SCALE This item is also found in the photo menus (P 157). Changes to one apply to the other. xF AF RANGE LIMITER This item is also found in the photo menus (P 159). Changes to one apply to the other.

Choose the shooting operations performed using touch controls. Mode

The Shooting Menus OFF Description Tapping the display focuses the camera on the selected point. Use the shutter button to start and stop recording.

• In focus mode S (AF-S), you can refocus at any time by tapping your subject in the display.
• In focus mode C (AF-C), the camera will continuously adjust focus for changes in the distance to the subject at point selected by tapping the display.
• When shooting movies in focus mode M (MF), you can tap the display before recording begins to focus on the selected point using Instant AF, and tap the display during recording to position the focus point. Tap to position the focus area. Use the shutter button to start and stop recording.
• In focus mode S (AF-S), you can reposition the focus area at any time by tapping your subject in the display. To focus, use the button to which AF-ON is assigned.
• In focus mode C (AF-C), the camera will continuously adjust focus for changes in the distance to the subject at point selected by tapping the display.
• In manual focus mode (MF), you can tap the display to position the focus area over your subject. Touch screen mode off. N • The behavior of the touch screen varies with the AF mode.
• To disable touch controls and hide the touch screen mode indicator, select OFF for D BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > x TOUCH SCREEN SETTING.

AF/MF SETTING (Movie Recording) Touch Controls for Focus Zoom Different touch controls are used during focus zoom (focus check enabled). Central Area Tapping the center of the display performs the operations below. Mode AREA OFF Movie Recording AF-S: AF MF: Instant AF AF-S: AF MF: Instant AF

Other Areas Tapping other areas simply scrolls the display, whether during still photography or movie recording and regardless of the option selected for touch screen mode.

AF/MF SETTING (Movie Recording)

Choose whether focus zoom remains in effect once movie recording begins. Options

OFF AUDIO SETTING (Movie Recording) Adjust settings for audio recorded during filming. To display audio settings, press MENU/OK in the movie shooting display and select the P (AUDIO SETTING) tab. AUDIO SETTING

INTERNAL MIC LEVEL ADJUSTMENT

EXTERNAL MIC LEVEL ADJUSTMENT

INTERNAL MIC LEVEL ADJUSTMENT

Adjust the recording level for the built-in microphone. Option AUTO MANUAL OFF Description The camera adjusts the recording level automatically. Adjust the recording level manually. Choose from 25 recording levels. Turn the built-in microphone off.

EXTERNAL MIC LEVEL ADJUSTMENT

Adjust the recording level for external microphones. MANUAL OFF Description The camera adjusts the recording level automatically. Adjust the recording level manually. Choose from 25 recording levels. Disable recording using external microphones.

Specify the type of hardware connected to the microphone jack. Option MIC LINE Description Choose this option for direct connection to an external microphone. Choose this option for external audio devices connected via line output.

Reduces distortion caused by input that exceeds the limits of the microphone’s audio circuits. Options

OFF WIND FILTER Choose whether to enable wind noise reduction during movie recording.

Options The Shooting Menus

Choose whether to enable the low-cut filter, reducing low-frequency noise during movie recording. Options

Description Mute output to the headphones. Choose a volume of from 1 to 10. OFF AUDIO SETTING (Movie Recording)

XLR MIC ADAPTER SETTING

Adjust microphone input channel settings and the like for use with XLR microphone adapters. Option N • If an external microphone is connected to the camera’s microphone jack, audio will be recorded not via the camera’s built-in microphone but via the external microphone instead.

• Four-channel recording is available only when MOV is selected for movie file format.

The Shooting Menus Description Record four-channel (quadraphonic) sound with the help of the camera’s built-in microphone, or two-channel (stereo) sound using only a microphone connected via the XLR microphone adapter. MIC INPUT CHANNEL • 4ch XLR+CAMERA: Record four-channel sound with the help of the camera’s built-in microphone.

• 2ch XLR ONLY: Record two-channel sound using only an external microphone connected via the XLR microphone adapter. Choose the source of sound output to headphones or other audio monitors during movie recording. XLR: Monitor sound from external microphones con• 4ch AUDIO MONITORING nected via the XLR microphone adapter.
• CAMERA: Monitor sound from camera’s built-in microphone. Choose source of audio output to the HDMI connector.
• XLR: Audio from external microphones connected via HDMI 4ch AUDIO the XLR microphone adapter is output to the HDMI conOUTPUT nector.
• CAMERA: Audio from camera’s built-in microphone is output to the HDMI connector. TIME CODE SETTING (Movie Recording) Adjust time code (hour, minute, second, and frame number) display settings for movie recording. To display time code settings, press MENU/OK in the movie shooting display and select the Q (TIME CODE SETTING) tab.

Select ON to display time codes during movie recording and playback. Options

Choose the time code starting time. The Shooting Menus Option Description MANUAL INPUT Choose a start time manually. CURRENT TIME Set the start time to the current time. RESET Set the start time to 00:00:00.

Choose whether time is clocked continuously or only during movie recording. Option REC RUN FREE RUN Description Time is clocked only during movie recording. Time is clocked continuously. DROP FRAME At frame rates of 59.94P, and 29.97P, a discrepancy will gradually develop between the time code (measured in seconds) and the actual recording time (measured in fractions of a second). Choose whether the camera drops frames as necessary to match the recording time to the time code. Option OFF Description The camera drops frames as necessary to maintain a strict match between the time code and the actual recording time. Frames are not dropped. N • The time code display varies with the option selected.

• Selecting a frame rate of 23.98P disables frame drop.

The Playback Display This section lists the indicators that may be displayed during playback. O For illustrative purposes, displays are shown with all indicators lit.

1/999 12/31/2022 12:10 AM ISO BACK Info display 3 NEXT Info display 2 Zooming in on the Focus Point Press the center of the rear command dial to zoom in on the focus point. Press again to return to full-frame playback.

Viewing Pictures Read this section for information on playback zoom and multi-frame playback. Use the rear command dial to go from full-frame playback to playback zoom or multi-frame playback. Full-frame playback DISP/BACK MENU/OK Nine-frame view Medium zoom Playback and the Playback Menu Playback zoom Multi-frame playback

Viewing Pictures Playback Zoom Rotate the rear command dial right to zoom in on the current picture, left to zoom out. To exit zoom, press DISP/BACK, MENU/OK, or the center of the rear command dial. N The maximum zoom ratio varies with the option selected for H IMAGE QUALITY SETTING > IMAGE SIZE. Scroll When the picture is zoomed in, the selector can be used to view areas of the image not currently visible in the display. Playback and the Playback Menu

Navigation window Multi-Frame Playback To change the number of images displayed, rotate the rear command dial left when a picture is displayed full frame. N • Use the selector to highlight images and press MENU/OK to view the highlighted image full frame.

• In the nine- and hundred-frame displays, press the selector up or down to view more pictures.

ERASE SIMULTANEOUS DELETE CROP RESIZE PROTECT EXIT SWITCH SLOT N If two memory cards are inserted, you can press and hold the a button to choose a card for playback. Playback and the Playback Menu Choose the card from which images will be played back.

RAW CONVERSION Even if you don’t have a computer, you can use the camera to modify RAW pictures and save them in other formats. Saving RAW Pictures in Another Format

Press the selector up or down to highlight the desired option.

Press the Q button. A preview of the copy will be displayed.

Press MENU/OK. The copy will be saved. Press MENU/OK to select the highlighted option. The settings list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to adjust additional settings. N RAW conversion options can also be displayed by pressing the Q button when a RAW pictures is displayed during playback.

The Playback Menu The settings that can be adjusted when converting pictures from RAW to another format are: Setting REFLECT SHOOTING COND. FILE TYPE IMAGE SIZE IMAGE QUALITY

Description Create a copy using the settings in effect at the time the photo was taken. Choose a file format. Choose an image size. Adjust image quality. Adjust exposure. Enhance details in highlights for natural contrast. Reduce loss of detail in highlights and shadows for natural-looking results when photographing high-contrast scenes. Simulate the effects of different types of film. Choose a monochrome tint for photographs taken using FILM SIMULATION > a ACROS and b MONOCHROME. Add a film grain effect. Increase the range of tones available for rendering colors that tend to be highly saturated, such as reds, yellows, and greens. Increase the range of tones available for rendering blues. Smooth complexions. Adjust white balance. Fine-tune white balance. Adjust highlights and shadows. Adjust color density. Sharpen or soften outlines.

CLARITY Description Process the copy to reduce mottling. Increase definition. Improve definition by adjusting for diffraction and the

LENS MODULATION OPTIMIZER

slight loss of focus at the periphery of the lens. COLOR SPACE Choose the color space used for color reproduction. HDR MODE Reduce loss of detail in highlights and shadows. DIGITAL TELE-CONV. Switch to the crop in effect when the photo was taken. O Some settings may be unavailable depending on the options chosen when the picture was taken. Playback and the Playback Menu

Choose the memory card to which the converted pictures will be saved. Options SLOT 1 SLOT 2 Playback and the Playback Menu Options TIFF 8bit

ERASE Delete individual pictures, multiple selected pictures, or all pictures. O Deleted pictures cannot be recovered. Protect important pictures or copy them to a computer or other storage device before proceeding. Option FRAME SELECTED FRAMES ALL FRAMES Description Delete pictures one at a time. Delete multiple selected pictures. Delete all unprotected pictures. Playback and the Playback Menu FRAME 1 Select FRAME for ERASE in the playback menu.

Press the selector left or right to scroll through pictures and press MENU/OK to delete. N • A confirmation dialog is not displayed before pictures are deleted; be sure the correct picture is selected before pressing MENU/OK.

• Additional pictures can be deleted by pressing MENU/OK. Press the multi selector left or right to scroll through pictures and press MENU/OK to delete.

• Selected pictures are indicated by check marks (R).

When the operation is complete, press DISP/BACK to display a confirmation dialog.

Highlight OK and press MENU/OK to delete the selected pictures. N Pictures in photobooks or printer orders are shown by S. ALL FRAMES 1 Select ALL FRAMES for ERASE in the playback menu.

A confirmation dialog will be displayed; highlight OK and press MENU/OK to delete all unprotected pictures. N • Pressing DISP/BACK cancels deletion; note that any pictures deleted before the button was pressed cannot be recovered.

• If a message appears stating that the selected images are part of a DPOF print order, press MENU/OK to delete the pictures.

SIMULTANEOUS DELETE Taking photos with SEPARATE selected for D SAVE DATA SET-UP > x CARD SLOT SETTING creates two copies. Choose whether deleting the RAW image will also delete the JPEG or HEIF copy. Option OFF Playback and the Playback Menu

Description Deleting the RAW image from the card in Slot 1 also deletes the JPEG or HEIF copy from the card in Slot 2. Deleting the RAW image from the card in Slot 1 does not delete the JPEG or HEIF copy from the card in Slot 2. CROP Create a cropped copy of the current picture.

Display the desired picture.

Press MENU/OK to display a confirmation dialog. Select CROP in the playback menu. Use the rear command dial to zoom in and out and press the selector up, down, left, or right to scroll the picture until the desired portion is displayed. Press MENU/OK again to save the cropped copy to a separate file. N • The higher the zoom ratio, the smaller the number of pixels in the cropped copy.

• If the size of the final copy will be a, YES will be displayed in yellow.
• All copies have an aspect ratio of 3∶2.

The Playback Menu RESIZE Create a small copy of the current picture.

Display the desired picture.

PROTECT Protect pictures from accidental deletion. Highlight one of the following options and press MENU/OK. Option FRAME SET ALL RESET ALL Description Protect selected pictures. Press the selector left or right to view pictures and press MENU/OK to select or deselect. Press DISP/BACK when the operation is complete. Protect all pictures. Remove protection from all pictures. Playback and the Playback Menu O Protected pictures will be deleted when the memory card is formatted. N • Protecting images currently selected for upload to paired smartphones or tablets removes upload marking.

• Protection can also be added or removed by pressing the AFON button during playback.

Select ON for D SCREEN SET-UP > AUTOROTATE PB.

Press MENU/OK. The picture will automatically be displayed in the selected orientation whenever it is played back on the camera. Display the desired picture. Select IMAGE ROTATE in the playback menu. Press the selector down to rotate the picture 90° clockwise, up to rotate it 90° counterclockwise. devices. Pictures rotated on the camera will not be rotated when viewed on a computer or on other cameras.

• Pictures taken with D SCREEN SET-UP > AUTOROTATE PB are automatically displayed in the correct orientation during playback. Playback and the Playback Menu N • Protected pictures cannot be rotated. Remove protection before rotating pictures.
• The camera may not be able to rotate pictures created with other

Add a voice memo to the current photograph.

Select ON for VOICE MEMO SETTING in the playback menu. Display a photo to which you wish to add a voice memo. Press and hold the center of the front command dial to record the memo. Recording ends after 30 s or when you release the dial. Playback and the Playback Menu N • The new memo will be recorded over any existing memos.

• Voice memos cannot be added to protected pictures.
• Deleting the picture also deletes the memo. Playing Voice Memos Pictures with voice memos are indicated by q icons during playback.
• To play a memo, select the picture and press the center of the front command dial.
• A progress bar will be displayed while the memo plays back.
• Volume can be adjusted by pressing MENU/OK to pause playback and display volume controls. Press the selector up or down to adjust the volume and press MENU/OK again to resume playback. Volume can also be adjusted using D SOUND SET-UP > PLAYBACK VOLUME.

Select RATING in the playback menu. Rotate the front command dial to choose a picture and the rear command dial to choose a rating of from 0 to 5 stars (“I”). single-frame, nine-frame, or hundred-frame playback.

• Use touch controls to zoom in or out.
• Ratings cannot be applied to: - Protected pictures - Movies - “Gift” pictures (pictures taken with other cameras) Playback and the Playback Menu N • The selector can be used in place of the front command dial to choose a picture.
• The rating dialog can also be displayed by pressing the AEL button in

COPY Copy pictures between the cards in the first and second slots.

Select COPY in the playback menu. Highlight one of the following options. Option Description Copy pictures from the card in the first slot to the card in SLOT1 y SLOT2 the second slot. Copy pictures from the card in the second slot to the card SLOT2 y SLOT1 in the first slot. Playback and the Playback Menu

Press the selector right. Highlight one of the following options and press MENU/OK. Option FRAME ALL FRAMES Description Copy selected pictures. Press the selector left or right to view pictures and press MENU/OK to copy the current picture. Copy all pictures. O • Copying ends when the destination is full.

• If you attempt to copy a file over 4 GB in size to a memory card with a capacity of 32 GB or less, copying will end and the file will not be copied.

TRANSFER IMAGE TO SMARTPHONE

Select photos for upload to a paired smartphone or tablet via Bluetooth (P 249).

Select TRANSFER IMAGE TO SMARTPHONE > SELECT FRAMES. N Select RESET to remove “upload to smartphone” marking from all pictures before proceeding.

Mark pictures for upload. Highlight pictures and press MENU/OK to mark them for upload.

• To switch to the memory card in the other slot or display only pictures that meet selected criteria, press DISP/BACK before marking begins.
• To select all pictures, press the Q button.
• Selecting any two pictures with the AEL button also selects all pictures between them.

Filtering Pictures/Choosing a Slot To switch to the memory card in the other slot or display only pictures that meet selected criteria, press DISP/BACK in the picture-selection dialog.

• To display only pictures that meet selected cri- SELECT FRAMES teria, choose FILTERING. START TRANSFER FILTERING
• To switch to the memory card in the other slot,

choose SWITCH MEMORY CARD SLOT.

WITH CONDITIONS O Switching slots or changing the filter criteria removes any existing upPlayback and the Playback Menu

load marking. N • Image transfer orders can contain a maximum of 999 pictures.

• The following cannot be selected for upload: - Protected pictures - Movies - RAW images - “Gift” pictures (pictures taken with other cameras)
• If ON is selected for both IMAGE TRANSFER WHILE POWER OFF and Bluetooth/SMARTPHONE SETTING > Bluetooth ON/OFF in the network/USB settings menu, upload to the paired device will continue even while the camera is off.
• When a SMARTPHONE TRANSFER ORDER is selected for D BUTTON/DIAL SETTING > a Fn1 BUTTON SETTING, the picture-selection dialog can be displayed by pressing the Fn1 button.

The Playback Menu xF WIRELESS COMMUNICATION Connect to smartphones running the latest apps. The smartphone can then be used to:

• Control the camera and take pictures remotely
• Receive pictures uploaded from the camera
• Browse the pictures on the camera and download selected pictures
• Upload location data to the camera for D BUTTON/ DIAL SETTING > a Fn1 BUTTON SETTING, you can connect to the smartphone using the Fn1 button. SLIDE SHOW View pictures in an automated slide show. Press MENU/OK to start and press the selector right or left to skip ahead or back. Press DISP/BACK at any time during the show to view on-screen help. The show can be ended at any time by pressing MENU/OK. N The camera will not turn off automatically while a slide show is in progress.

Playback and the Playback Menu N • For downloads and other information, visit: https://app.fujifilm-dsc.com/

• If r WIRELESS COMMUNICATION is selected

PHOTOBOOK ASSIST Create books from your favorite photos. Creating a Photobook 1 Select NEW BOOK for C PLAY BACK MENU > PHOTOBOOK ASSIST.

Scroll through the images and press the selector up to select or deselect. Press MENU/OK to exit when the book is complete. Playback and the Playback Menu N • Neither photographs a or smaller nor movies can be selected for photobooks.

• The first picture selected becomes the cover image. Press the focus stick down to select the current image for the cover instead.

Highlight COMPLETE PHOTOBOOK and press MENU/OK (to select all photos for the book, choose SELECT ALL). The new book will be added to the list in the photobook assist menu. N • Books can contain up to 300 pictures.

• Books that contain no photos are automatically deleted.

The Playback Menu Viewing Photobooks Highlight a book in the photobook assist menu and press MENU/OK to display the book, then press the selector left or right to scroll through the pictures. Playback and the Playback Menu Editing and Deleting Photobooks Display the photobook and press MENU/OK. The following options will be displayed; select the desired option and follow the onscreen instructions.

• EDIT: Edit the book as described in “Creating a Photobook”.
• ERASE: Delete the book.

Display a picture you wish to include in or remove from the print order.

Press the selector up or down to choose the number of copies (up to 99). Select WITH DATE s to print the date of recording on pictures, WITHOUT DATE to print pictures without dates, or RESET ALL to remove all pictures from the print order before proceeding. N To remove a picture from the order, press the selector down until the number of copies is 0.

PRINT ORDER (DPOF) DPOF: 00001 01 SHEETS FRAME SET Total number of prints Number of copies N Repeat steps 3–4 to complete the print order.

The total number of prints is displayed in the monitor. Press MENU/OK to exit. N • The pictures in the current print order are indicated by a u icon during playback.

• Print orders can contain a maximum of 999 pictures from a single memory card.

• If a memory card is inserted containing a print order created by another camera, you will need to delete the order before creating as described above.

Use the selector to display the picture you want to print, then press MENU/OK. The picture will be sent to the printer and printing will start. PRINTER PRINT SET instax-12345678 100-0020 CANCEL N • Pictures taken with other cameras cannot be printed.

• The area printed is smaller than the area visible in the LCD monitor.
• The displays may vary depending on the printer connected.

DISP ASPECT Choose the aspect ratio used for the display of still pictures on High Definition (HD) devices (this option is available only when an HDMI cable is connected). Options Playback and the Playback Menu 16 : 9 3:2 N Choose 16 : 9 to display photos with an aspect ratio of 3 : 2 full screen. The pictures will be displayed full screen with tops and bottoms cropped out.

Network/USB Features and Settings

Overview This chapter outlines features that can among other things be used to upload pictures to, or control the camera and take pictures remotely from, a smartphone or computer. Supported Features This camera supports the following features: Feature Network/USB Features and Settings

Description Connect to smartphones via Bluetooth® and upload Connecting to the pictures or control the camera remotely while the smartphone app smartphone displays the view through the lens. Connect a card reader to a computer or smartphone USB card readers via USB and copy pictures from memory cards. Connect the camera to a computer via USB for use Web camera as a webcam. instax printers Print pictures on connected instax printers. Take pictures from a computer to which the camera Tethered photography is connected (“tethered”) via wireless LAN or USB. Harness the power of the camera’s image RAW processing processing engine when processing RAW pictures on a computer. Saving and Loading Save camera settings to, or load existing settings Settings from, a computer or smartphone.

Connecting to Smartphones (Bluetooth) Connect the camera with a smartphone via Bluetooth® to copy pictures to the smartphone or control the camera remotely while previewing the view through the lens in the smartphone display. N The camera automatically switches to a wireless LAN connection when copying pictures to the smartphone. https://app.fujifilm-dsc.com/ N The apps available vary with the smartphone operating system. Connecting to a Smartphone Pair the camera with the smartphone and connect via Bluetooth®. Network/USB Features and Settings Installing Smartphone Apps Before establishing a connection between the smartphone and camera, you will need to install at least one dedicated smartphone app. Visit the following website and install the desired apps on your phone.

Press the x(Bluetooth) button when the camera is in shooting mode. N You can also proceed directly to Step 3 by holding the x button during playback.

Launch the app on the smartphone and pair the smartphone with the camera. More information is available at the following website: https://app.fujifilm-dsc.com/ When pairing is complete, the camera and smartphone will automatically connect via Bluetooth. A smartphone icon and a white Bluetooth icon will appear in the camera display when a connection is established. N • Once the devices have been paired, the smartphone will automatically connect to the camera when the app is launched.

• Disabling Bluetooth when the camera is not connected to a smartphone reduces the drain on the battery.

Connecting to Smartphones (Bluetooth) Using the Smartphone App Read this section for information on the options available for downloading pictures to your smartphone using the smartphone app. N Before proceeding, select ON for Bluetooth/SMARTPHONE SETTING > Bluetooth ON/OFF. Selecting and Downloading Pictures Using the Smartphone App You can download selected pictures to a smartphone using the smartphone app. N More information is available from the following website: Uploading Pictures as They Are Taken Pictures taken with ON selected for Bluetooth/SMARTPHONE SETTING > AUTO IMAGE TRANSFER ORDER in the network/USB setting menu will automatically be uploaded to the paired device. N • If ON is selected for both IMAGE TRANSFER WHILE POWER OFF and Bluetooth/SMARTPHONE SETTING > Bluetooth ON/OFF in the network/USB settings menu, upload to the paired device will continue even while the camera is off.

• Selecting ON for Bluetooth/SMARTPHONE SETTING > RESIZE IMAGE FOR SMARTPHONE in the network/USB setting menu enables compression, reducing file size for upload (P 266).
• Pictures are uploaded in the format chosen for Bluetooth/ SMARTPHONE SETTING > SELECT FILE TYPE in the network/USB setting menu. Selecting Pictures for Upload in the Playback Menu Use TRANSFER IMAGE TO SMARTPHONE > SELECT FRAMES to select pictures for upload to a paired smartphone or tablet via Bluetooth® (P 239).

Network/USB Features and Settings https://app.fujifilm-dsc.com/

Connecting to Smartphones (USB) Connect to smartphones and computers via USB to upload pictures from the camera. Copying Pictures to a Smartphone Before connecting to the smartphone to upload pictures via USB, select either AUTO or POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu. Network/USB Features and Settings For Customers Using Android Devices How you will connect the camera depends on the type of USB connector with which your smartphone is equipped. Type-C Use the supplied USB cable. Supplied USB cable Type-C connector (male)

Type-C connector (male) Connecting to Smartphones (USB) Micro-B Use a USB on-the-go (OTG) cable. Third-party USB cable Type-C connector (male) USB OTG cable Micro-B connector (male) Type-A connector (male) with a USB Type-C–to– Mirco-B cable. Use an OTG cable.

Select either AUTO or POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu.

Select USB CARD READER for CONNECTION MODE. Connect the camera and smartphone using a USB cable. N If the smartphone asks for permission for an app other than the “Camera Importer” to access the camera, tap “Cancel” and move on to the next step.

On your smartphone, tap the notification “Connected to USB PTP”.

Network/USB Features and Settings O • The smartphone must support USB OTG.

• The desired results cannot be achieved Type-A connector (female)

From the recommended apps, select “Camera Importer”. The app will automatically start and allow you to import photos and movies to your smartphone. N If the message “There is no MTP device connected” appears on the app, please try again from step 3. For Customers Using iOS Use a camera adapter. Given that the camera is equipped with a USB Type-C connector, you will need to supply a cable with a USB Type-A connector for connection to the camera adapter. Network/USB Features and Settings

Third-party USB cable Type-C connector (male) Apple Lightning to USB Camera Adapter Use an Apple Lightning to USB Camera Adapter Type-A connector (male)

Select POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu.

Select USB CARD READER for CONNECTION MODE. Connect the camera and smartphone using a USB cable. Launch the Photos app to import photos and movies to your smartphone. O • A Type-C to Type-C USB cable is required for connection to iPad and other devices equipped with USB Type-C connectors.

• The desired results cannot be achieved with a USB Type-C–to– Lightning cable. Use a camera adapter.

Connecting to Smartphones (USB) Connecting the Camera and Computer 1 Select either AUTO or POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu.

Select USB CARD READER for CONNECTION MODE. Turn the camera off. Turn the computer on. Connect a USB cable. Network/USB Features and Settings USB connector (Type-C) O The USB cable must be no more than 1 m (3.3 ft.) long and be suitable for data transfer.

Turn the camera on. Copy pictures to your computer.

• Mac OS X/OS X/macOS: Pictures can be copied to your computer using Image Capture (supplied with your computer) or other software. Use a card reader to copy files over 4 GB in size.
• Windows: Pictures can be copied to your computer using apps supplied with the operating system.

Connecting to Smartphones (USB) O • Turn the camera off before disconnecting the USB cable.

• When connecting USB cables, be sure the connectors are fully in- Network/USB Features and Settings

serted in the correct orientation. Connect the camera directly to the computer; do not use a USB hub or keyboard.

• Loss of power during transfer could result in loss of data or damage to the memory card. Insert a fresh or fully-charged battery before connecting the camera.
• If a memory card containing a large number of images is inserted, there may be a delay before the software starts and you may be unable to import or save images. Use a memory card reader to transfer pictures.
• Make sure that the indicator lamp is off or lit green before turning the camera off.
• Do not disconnect the USB cable while transfer is in progress. Failure to observe this precaution could result in loss of data or damage to the memory card.
• Disconnect the camera before inserting or removing memory cards.
• In some cases, it may not be possible to access pictures saved to a network server using the software in the same way as on a standalone computer.
• Do not immediately remove the camera from the system or disconnect the USB cable once the message stating that copying is in progress clears from the computer display. If the number of images copied is very large, data transfer may continue after the message has ceased to be displayed.
• The user bears all applicable fees charged by the phone company or Internet service provider when using services that require an Internet connection.

Using the Camera as a Webcam The camera can be connected to a computer for use as a webcam.

Select either AUTO or POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu.

Select the camera in the app where it will be used as a webcam. Connect the camera to the computer via USB and then turn the camera on (P 255). Network/USB Features and Settings

instax SHARE Printers Print pictures from your digital camera to instax SHARE printers. Establishing a Connection Select instax PRINTER CONNECTION SETTING in the network/USB setting menu and enter the instax SHARE printer name (SSID) and password. Network/USB Features and Settings The Printer Name (SSID) and Password The printer name (SSID) can be found on the bottom of the printer; the default password is “1111”. If you have already chosen a different password to print from a smartphone, enter that password instead.

Use the selector to display the picture you want to print, then press MENU/OK. PRINTER PRINT CANCEL N • Pictures taken with other cameras cannot be printed.

• The area printed is smaller than the area visible in the LCD monitor.

• The displays may vary depending on the printer connected.

The picture will be sent to the printer and printing will start. Network/USB Features and Settings SET instax-12345678 100-0020

Tethered Photography Computers connected via USB or wireless LAN can be used to control the camera and take photographs remotely or to download pictures from the camera for storage. Tethered Photography via USB Connect the camera to a computer via USB for tethered photography. Network/USB Features and Settings

Select either AUTO or POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu.

Select USB TETHER SHOOTING AUTO or USB TETHER SHOOTING FIXED for CONNECTION MODE. O • If USB TETHER SHOOTING AUTO is selected, tethered photography will be enabled automatically when the computer to which the camera is connected is turned on. When the computer is off or not connected, tethered photography will be suspended and pictures will be saved to the camera memory card.

• If the camera is disconnected from the computer while USB TETHER SHOOTING FIXED is selected, it will continue to function in tethered mode and no pictures will be recorded.

Connect the camera to the computer via USB and then turn the camera on (P 255).

Tethered Photography

Take pictures via tethered photography. Use software such as “Adobe Lightroom Classic + FUJIFILM Tether Shooting Plug-in”, “FUJIFILM X Acquire”, or “Capture One”. N • To take pictures when using X Acquire, use the shutter button on the camera.

• For more information on tethered photography, visit the website below. https://app.fujifilm-dsc.com/en/tether/
• Visit the website below for information on the software used. https://fujifilm-x.com/products/software/ Connect the camera to a computer via wireless LAN for tethered photography.

Connect the camera to a wireless LAN using NETWORK SETTING in the network/USB setting menu.

Take pictures via tethered photography. Use software such as “Adobe Lightroom Classic + FUJIFILM Tether Shooting Plug-in” or “FUJIFILM X Acquire”. N • To take pictures when using X Acquire, use the shutter button on the camera.

• For more information on tethered photography, visit the website below. https://app.fujifilm-dsc.com/en/tether/
• Visit the website below for information on the software used. https://fujifilm-x.com/products/software/

Network/USB Features and Settings Tethered Photography via Wireless LAN

RAW Processing Using X RAW STUDIO, you can harness the power of the camera’s image processing engine when processing RAW pictures on a computer. Network/USB Features and Settings

Select either AUTO or POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu.

Connect the camera to the computer via USB and then turn the camera on (P 255).

Launch X RAW STUDIO. RAW processing can be performed using X RAW STUDIO. N Visit the website below for information on the software used. https://fujifilm-x.com/products/software/

Saving and Loading Settings Camera settings can be saved to or loaded from computers using FUJIFILM X Acquire. Saving and Loading Settings Using a Computer Select either AUTO or POWER SUPPLY OFF/COMM ON for USB POWER SUPPLY/COMM SETTING in the network/USB setting menu.

Connect the camera to the computer via USB and then turn the camera on (P 255).

Launch FUJIFILM X Acquire. Camera settings can be saved or loaded using FUJIFILM X Acquire. N Visit the website below for information on the software used. https://fujifilm-x.com/products/software/ Network/USB Features and Settings

Network/USB Setting Menus Adjust camera network and USB settings. To access network/USB settings from the shooting or playback display, press MENU/OK and select the I (network/USB setting) tab.

RESET WIRELESS SETTING

EXIT Bluetooth/SMARTPHONE SETTING Adjust Bluetooth-related settings as well as a variety of smartphone-related settings. Network/USB Features and Settings

N Be sure your smartphone or tablet is running the latest version of the smartphone app. PAIRING REGISTRATION Pair the camera with a smartphone or tablet to which the smartphone app has been installed.

SELECT PAIRING DESTINATION

Choose a connection from a list of devices with which the camera has been paired using PAIRING REGISTRATION. Select NO CONNECTION to exit without connecting. DELETE PAIRING REG. Delete existing pairing information for a smartphone or tablet. N The selected device will be removed from the pairing list.

Network/USB Setting Menus Bluetooth DEVICE LIST List the devices with which the camera is paired (other than the smartphone) or end pairing with selected devices. Bluetooth ON/OFF If ON is selected, the camera will automatically connect with paired smartphones or tablets running the smartphone app. Options

OFF O Location data will only be downloaded while the smartphone app is running. Download will be interrupted if pairing is ended. The camera location data icon will be displayed in red if location data have not been updated for over 30 minutes. NAME Choose a name (NAME) to identify the camera on the wireless network (the camera is assigned a unique name by default).

Network/USB Features and Settings

AUTO IMAGE TRANSFER ORDER

Select ON to upload pictures automatically as they are taken.

If ON is selected, the camera will continue to upload pictures to paired smartphones or tablets even while off. Options

Select ON (recommended) to enable compression, reducing file size for upload. Options Network/USB Features and Settings

OFF N • The pictures on the camera memory card are not affected.

• Compression is used only for pictures taken at sizes of L and M.

WIRELESS COM. FREQUENCY SETTING

Choose the band for wireless LAN connections. Options 2.4GHz (IEEE802.11 b/g/n) 5GHz (IEEE802.11 a/n/ac) O • Some countries and regions prohibit outdoor use of certain channels in the 5 GHz band. Check whether use of the 5.2 GHz (W52) band is permitted before selecting the 5 GHz option.

Choose the format or formats used for upload. Pictures can be uploaded in JPEG format and/or HEIF.

Network/USB Setting Menus AIRPLANE MODE Select ON to disable the camera’s wireless LAN and Bluetooth features. Options

OFF NETWORK SETTING Adjust settings for connection to wireless networks. Option Description

• SIMPLE SETUP: Connect to an access point using simple settings. IP ADDRESS SETTING

• MANUAL SETUP: Manually adjust settings for connection to a wireless network. Choose the network from a list (SELECT FROM NETWORK LIST) or enter the name manually (ENTER SSID).
• AUTO: The IP address is assigned automatically.
• MANUAL: Assign an IP address manually. Manually choose the IP address (IP ADDRESS), subnet mask (SUBNET MASK), and gateway address (GATEWAY ADDRESS). instax PRINTER CONNECTION SETTING Adjust settings for connection to optional Fujifilm instax SHARE printers (P 258).

Network/USB Features and Settings ACCESS POINT SETTING

CONNECTION MODE Adjust settings for connection to external devices. Option Network/USB Features and Settings

Description Connecting the camera to a computer via USB automatically enables data transfer mode, allowing data to be copied to

the computer. The camera functions normally when not connected. Connect the camera to a computer via USB for use as a USB WEBCAM webcam. The camera can be controlled from computers, gimbals, drones, or other devices connected via USB. The camera automatically enters “tethered shooting” (i.e., remote-control) mode when the external device is turned on and returns to normal operation when the external device turned off or disconnected.

• Photographs can be taken remotely and automatically USB TETHER downloaded to computers running Capture One, Adobe® SHOOTING AUTO Photoshop® Lightroom® + Tether Plugin, FUJIFILM X Acquire, or FUJIFILM Pixel Shift Combiner. FUJIFILM X Acquire can also be used to save and load camera settings.
• Remote photography and movie recording are available when the camera is connected to a compatible device such as a gimbal or drone. Use camera controls to switch between still photography and movie recording. The features available vary with the device connected.

Network/USB Setting Menus Option O D POWER MANAGEMENT > AUTO POWER OFF settings also apply during tethered shooting. To prevent the camera turning off automatically, select OFF for AUTO POWER OFF. N For information on compatible computer software, see “Software for Use with Your Camera” (P 359).

Network/USB Features and Settings Description As for USB TETHER SHOOTING AUTO, except that the camera remains in “tethered shooting” (remote-control) mode when the external device is off or not connected, alUSB TETHER lowing the device to resume control when the connection SHOOTING FIXED is re-established after an accidental disconnection or other disruption. At default settings, pictures are not recorded to the memory card. Choose this option for wireless remote photography. Select WIRELESS TETHER an access point using NETWORK SETTING in the network/ SHOOTING FIXED USB setting menu. Connecting the camera to a computer via USB automatically enables USB RAW conversion/backup restore mode. The camera functions normally when not connected. USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the camUSB RAW CONV./ • era’s image processing engine to rapidly convert RAW files BACKUP RESTORE to other formats while maintaining image quality.

• BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load camera settings. Reconfigure the camera in an instant or share settings with other cameras of the same type.

Network/USB Setting Menus

USB POWER SUPPLY/COMM SETTING

Choose whether USB connections to computers, smartphones, or other devices are used for power delivery or data transfer. Option Description The camera switches between power delivery and data transAUTO fer automatically. POWER SUPPLY ON/ The camera draws power from the connected device, reducing COMM OFF the drain on the battery. Data transfer is disabled. POWER SUPPLY The camera can exchange data with, but not draw power from, OFF/COMM ON the connected device. Network/USB Features and Settings

O The camera cannot draw power from Lightning connections or from devices that do not supply power. Select POWER SUPPLY OFF/COMM ON before connecting the camera to such devices. The connection may not be available for data transfer or the like when POWER SUPPLY ON/COMM OFF is selected. N Regardless of the option selected, the battery will charge while the camera is off. INFORMATION View the camera’s MAC, Bluetooth, and wireless network IP addresses.

RESET WIRELESS SETTING

Restore wireless settings to their default values.

SENSOR CLEANING EXIT FORMAT To format a memory card:

Select D USER SETTING > FORMAT in the D (SET UP) tab.

A confirmation dialog will be displayed. To format the memory card, highlight OK and press MENU/OK. Highlight the slot containing the card you wish to format and press MENU/OK.

CANCEL The Setup Menus N To exit without formatting the memory FORMAT FORMAT CARD IN SLOT 1, OK?

O • All data—including protected pictures—will be deleted from the

N The format menu can also be displayed by pressing the center of the card, select CANCEL or press DISP/BACK. memory card. Be sure important files have been copied to a computer or other storage device.

• Do not open the battery-chamber cover during formatting. rear command dial while pressing and holding the b button.

USER SETTING b AREA SETTING Adjust settings for your current time zone. AREA SETTING Choose your time zone from a map. DAYLIGHT SAVINGS Turn daylight saving time on or off. Option OFF Description Daylight saving time on. Daylight saving time off. DATE/TIME To set the camera clock: Select D USER SETTING > DATE/TIME in the D (SET UP) tab.

Press MENU/OK to set the clock. Press the selector left or right to highlight the year, month, day, hour, or minute and press up or down to change. To change the order in which the year, month, and day are displayed, highlight the date format and press the selector up or down. The Setup Menus

TIME DIFFERENCE Switch the camera clock instantly from your home time zone to the local time at your destination when traveling. To specify the difference between your local and home time zone: O Use b AREA SETTING to choose your home time zone before selecting a local time zone using g LOCAL.

Highlight g LOCAL and press MENU/OK. Use the selector to choose the local time zone. Press MENU/OK when settings are complete. N Select ON to enable daylight saving time. To set the camera clock to local time, highlight g LOCAL and press MENU/OK. To set the clock to the time in your home time zone, select h HOME. Options g LOCAL h HOME The Setup Menus N If g LOCAL is selected, g will be displayed in yellow for about three seconds when the camera is turned on.

Edit the items listed in the E (MY MENU) tab, a personalized custom menu of frequently-used movie menu options (P 313). The Setup Menus

SENSOR CLEANING Remove dust from the camera image sensor. Option

Description Clean the sensor immediately. Sensor cleaning will be performed when the camera is

turned on. Sensor cleaning will be performed when the camera turns WHEN SWITCHED OFF off (sensor cleaning is not however performed if the camera turns off in playback mode). N Dust that cannot be removed using sensor cleaning can be removed using a blower (P 374). BATTERY AGE Check battery age. Age is expressed as a number between 0 and 4. The higher the number, the older the battery. BATTERY AGE The Setup Menus N The older the battery, the faster it loses its charge. We recommend that batteries be replaced as they wear out.

SOUND SETTING Make changes to camera sounds. To access sound settings, press MENU/OK, select the D (SET UP) tab, and choose SOUND SET-UP. SOUND SETTING AF BEEP VOL. SELF-TIMER BEEP VOL. OPERATION VOL.

FREC START/STOP VOLUME

ttELECTRONIC SHUTTER VOLUME ttELECTRONIC SHUTTER SOUND sELECTRONIC SHUTTER VOLUME sELECTRONIC SHUTTER SOUND EXIT AF BEEP VOL. Choose the volume of the beep that sounds when the camera focuses. The beep can be muted by selecting eOFF. Options b (high) c (medium) d (low) eOFF (mute) SELF-TIMER BEEP VOL. Choose the volume of the beep that sounds while the self-timer is active. The beep can be muted by selecting eOFF. The Setup Menus Options b (high)

c (medium) d (low) eOFF (mute) SOUND SETTING OPERATION VOL. Adjust the volume of the sounds produced when camera controls are operated. Choose eOFF to disable control sounds. Options b (high) c (medium) d (low) eOFF (mute)

F REC START/STOP VOLUME

Choose the volume at the start and end of movie recording. Options b (high) c (medium) d (low) eOFF (mute) tt ELECTRONIC SHUTTER VOLUME Adjust the volume of the sounds produced by the mechanical or electronic front-curtain shutter. Options b (high) c (medium) d (low) eOFF (mute) The Setup Menus

tt ELECTRONIC SHUTTER SOUND Choose the sound made by the mechanical or electronic front-curtain shutter. i SOUND 1 Options j SOUND 2 k SOUND 3 s ELECTRONIC SHUTTER VOLUME Adjust the volume of the sounds produced by the electronic shutter. Choose eOFF to disable the shutter sound. Options b (high) c (medium) d (low) eOFF (mute) s ELECTRONIC SHUTTER SOUND Choose the sound made by the electronic shutter. i SOUND 1 The Setup Menus

4ch AUDIO PLAYBACK Adjust audio settings for use when viewing 4ch movies. Option Description XLR The camera plays audio recorded via external microphones connected via the XLR microphone adapter. CAMERA The camera plays audio recorded via the camera’s built-in microphone or external microphones connected via the microphone jack. N You can also switch sources while viewing the playback display by pressing the center of the focus stick (focus lever). The Setup Menus

LCD COLOR ADJUSTMENT

MANUAL Description The camera automatically adjusts brightness around a selected level in response to changes in ambient lighting conditions. Adjust brightness manually; choose from options between −7 and +5. EVF COLOR Adjust the saturation of the display in the electronic viewfinder.

Adjust the color of the display in the electronic viewfinder.

Adjust colors using the selector.

LCD BRIGHTNESS Adjust monitor brightness.

LCD COLOR Adjust monitor saturation.

LCD COLOR ADJUSTMENT

Adjust the color of the display in the LCD monitor.

SCREEN SETTING IMAGE DISP. Choose how long images are displayed after shooting. Option CONTINUOUS

OFF Description Pictures are displayed until the MENU/OK button is pressed or the shutter button is pressed halfway. To zoom in on the active focus point, press the center of the rear command dial; press again to cancel zoom. Pictures are displayed for the selected time or until the shutter button is pressed halfway. Pictures are not displayed after shooting. N • Colors may differ slightly from those in the final image.

• “Noise” mottling may be visible at high sensitivities. AUTOROTATE DISPLAYS Choose whether the indicators in the viewfinder and LCD monitor rotate to match camera orientation. Options

PREVIEW EXP./WB IN MANUAL MODE

Choose whether to enable exposure and/or white balance preview in manual exposure mode. Option Description PREVIEW EXP./WB Enable exposure and white balance preview. Preview white balance only. Choose this option in situations in PREVIEW WB which exposure is likely to change during shooting, as may be the case when you use a flash during daylight. Disable exposure and white balance preview. Choose this option in situations in which both exposure and white balance OFF are likely to change during shooting, as may be the case when you use a flash with an incandescent monitoring lamp.

Choose whether the effects of film simulation, white balance, and other settings are visible in the monitor. Option The Setup Menus

Description The effects of camera settings are not visible in the monitor, but shadows in low-contrast, back-lit scenes and other hardto-see subjects more visible. Colors and tone will differ from those in the final picture. The display will however be adjusted to show the effects of monochrome and sepia settings. The effects of film simulation, white balance, and other settings can be previewed in the monitor. SCREEN SETTING F-Log VIEW ASSIST Select ON to display a tone-corrected preview (equivalent to BT.709) when recording or viewing F-log movies. Options

For “rule of thirds” composition.

A six-by-four grid. Frame HD pictures in the crop shown by the lines at the top and bottom of the display. N Framing guides are not shown at default settings but can be displayed using D SCREEN SET-UP > DISP. CUSTOM SETTING (P 21). The Setup Menus

SCREEN SETTING AUTOROTATE PB Choose ON to automatically rotate “tall” (portrait-orientation) pictures during playback. Options

Choose the units used for the focus distance indicator. Options METERS FEET

APERTURE UNIT FOR CINEMA LENS

Choose whether the camera displays aperture as a T-number (used for movie camera lenses) or an f/-number (used for still camera lenses) when an optional FUJINON MKX-series lens is attached. For information on using cinema lenses, see the documentation provided with the lens. Option F NUMBER

The Setup Menus T NUMBER Description A measure of lens aperture commonly used by cinematographers. Lens transmittance is taken into account to better calculate exposure. A measure of lens aperture commonly used by photographers. Lens transmittance is assumed to be 100%, meaning that the same aperture may produce different exposures depending on the lens.

Choose the content of the two windows in the dual display. Option Description The right (small) window shows a close-up of the focus area,

while the left (large) window shows the entire frame. The right (small) window shows the entire frame, while the left

(large) window shows a close-up of the focus area.

SCREEN SETTING LARGE INDICATORS MODE(EVF) Select ON to display large indicators in the electronic viewfinder. The indicators displayed can be selected using D SCREEN SET-UP > LARGE INDICATORS DISP. SETTING. OFF

O Some icons are not displayed when ON is selected for LARGE INDICATORS MODE(EVF) (P 13). N If LARGE INDICATORS MODE is assigned to a function button, the button can be used to toggle LARGE INDICATORS MODE on (ON) and off (OFF) (P 321). The Setup Menus LARGE INDICATORS MODE(LCD) Select ON to display large indicators in the LCD monitor. The indicators displayed can be selected using D SCREEN SET-UP > LARGE INDICATORS DISP. SETTING.

O Some icons are not displayed when ON is selected for LARGE INDICATORS MODE(LCD) (P 15). N If LARGE INDICATORS MODE is assigned to a function button, the button can be used to toggle LARGE INDICATORS MODE on (ON) and off (OFF) (P 321).

Option A Expo. DISP. B d Scale C L1, L2, L3, L4 D R1, R2, R3, R4 Description Choose the items listed at the bottom of the display. Selected items are indicated by check marks (R); to deselect, highlight the check marks and press MENU/OK. Select ON to display the exposure indicator. Choose up to four large icons for display on the left side of the screen. Choose up to four large icons for display on the right side of the screen. INFORMATION CONTRAST ADJ. Adjust display contrast. The Setup Menus Option HIGH CONTRAST STANDARD LOW CONTRAST

Description High contrast. Normal contrast. Low contrast. Contrast adjusted for dim ambient lighting. SCREEN SETTING LOCATION INFO Select ON to display location info downloaded from a smartphone. Options

OFF x Q MENU BACKGROUND Choose the background color used for the quick menu when it is displayed during still photography. Options TRANSPARENT BLACK

Choose the background color used for the quick menu when it is displayed during movie recording. Options TRANSPARENT BLACK The Setup Menus

Access options for camera controls. To access control options, press MENU/OK, select the D (SET UP) tab, and choose BUTTON/DIAL SETTING.

Choose the functions performed by pressing the center of the focus stick (focus lever) or by pressing the stick up, down, left, or right. PUSH Option OFF The Setup Menus

Description Pressing the center of the stick has no effect. Press the center of the stick to choose the focus area size. If g FACE/EYE DETECTION SETTING or SUBJECT

DETECTION SETTING is on, you can instead position the focus frame over the desired face, eye, animal, or object. Press the center of the stick to zoom in on the active focus ZOOM area (P 90). RESET TO CENTER Press the center of the stick to select the center focus area. TILT o Option OFF

Description Pressing the stick up, down, left, or right has no effect. Choose the focus area without leaving the shooting display. Press the stick up, down, left, or right to view a focus-area display and choose the focus area.

x EDIT/SAVE QUICK MENU Choose the items displayed in the quick menu during still photography (P 315).

F EDIT/SAVE QUICK MENU

Choose the items displayed in the quick menu when filming movies (P 315). FUNCTION (Fn) SETTING Choose the roles played by the function buttons (P 321). POWER ZOOM LENS FUNCTION (Fn) SETTING Choose the roles played by the function buttons available on some power zoom lenses (P 329).

SELECTOR BUTTON SETTING

Choose the roles played by the up, down, left, and right buttons on the selector. Description The selector buttons serve as function buttons. The selector buttons can be used to position the focus area. N Selecting FOCUS AREA prevents you accessing the functions assigned to the function buttons. The Setup Menus Option Fn BUTTON FOCUS AREA

COMMAND DIAL SETTING

Choose the roles played by the command dials. Option FRONT COMMAND DIAL 1 FRONT COMMAND DIAL 2 Description Assign shutter speed (S.S. (PROGRAM SHIFT)) or aperture (APERTURE) 1 to FRONT COMMAND DIAL 1. Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture (APERTURE) 1, exposure compensation (EXP. COMPENSATION) 2, sensitivity (ISO) 3, or no role (NONE) FRONT COMMAND to FRONT COMMAND DIAL 2 or FRONT COMMAND DIAL 3 DIAL 3. Assign shutter speed (S.S. (PROGRAM SHIFT)), apREAR COMMAND erture (APERTURE) 1, exposure compensation (EXP. DIAL COMPENSATION) 2, sensitivity (ISO) 3, or no role (NONE) to the rear command dial. 1 Aperture set to A (auto) and lens equipped with aperture ring or COMMAND selected for D BUTTON/DIAL SETTING > APERTURE RING SETTING (A). 2 Exposure compensation dial rotated to C. 3 Sensitivity dial rotated to C. The Setup Menus DIAL SETTING can also be accessed by pressing and N • COMMAND holding the center of the front command dial.

• You can also press the center of the front command dial to cycle through settings in the order FRONT COMMAND DIAL 1, FRONT COMMAND DIAL 2, and FRONT COMMAND DIAL 3.

o S.S OPERATION Select OFF to disable shutter-speed fine-tuning using the command dials. Options

Choose the direction in which the command dials are rotated to choose values. Settings for the front and rear command dials can be adjusted separately. Option

Description Rotate the dial right for higher values or to move to the next item. Rotate the dial left for higher values or to move to the next item. The Setup Menus

SHUTTER AF Choose whether the camera focuses when the shutter button is pressed halfway. Option Description AF-S

• ON: Focus locks when the shutter button is pressed halfway.
• OFF: No focus operation is performed when the shutter button is pressed halfway.

• ON: The camera focuses while the shutter button is pressed AF-C halfway.

• OFF: No focus operation is performed when the shutter button is pressed halfway. SHUTTER AE If ON is selected, exposure will lock while the shutter button is pressed halfway. The setting for focus mode C (AF-C) can be adjusted separately from that for modes S (AF-S) and M (manual focus). Options

OFF The Setup Menus N Select OFF to allow the camera to adjust exposure before each shot taken in burst mode.

Choose ON to enable the shutter release when no lens is attached. Options

Choose whether the shutter can be released without a memory card inserted in the camera. Option OFF Description When no memory card is inserted, the shutter can be released to test camera function and the shooting and setup menus can be displayed. The shutter is disabled if no memory card is inserted, preventing accidental loss of pictures taken without a memory card. The Setup Menus

Adjust settings for compatible lenses with focus rings or power zoom.

Choose the direction in which the focus ring is rotated to increase the focus distance. Options X CW (clockwise) Y CCW (counterclockwise)

FOCUS RING OPERATION

Choose how the camera adjusts focus in response to the movement of the focus ring. Option Description NONLINEAR Focus is adjusted at the same rate as the ring is rotated. Focus is adjusted linearly according to the amount the ring is rotated, LINEAR but the focusing speed is unaffected by the speed the ring is rotated. The Setup Menus

F CONSTANT SPEED FOCUS (Fn) Choose the rate at which the focus distance changes when adjusted using function buttons during manual focus with compatible power zoom lenses. The higher the number, the higher the rate. Options 1(SLOW)

8(FAST) CONSTANT SPEED ZOOM (Fn) Choose the rate at which compatible power zoom lenses can be zoomed in or out using function buttons. The higher the number, the higher the rate. Options 1(SLOW)

CONSTANT SPEED ZOOM/FOCUS (Fn) OPERATION Choose whether the function buttons on compatible power zoom lenses need only be pressed once to start and stop power focus or power zoom. Option START/STOP SWITCH ACTIVE WHILE PRESSING Description The operation starts when the button is pressed and stops when it is pressed a second time. The operation continues while the button is pressed and stops when the button is released.

Choose role played by the zoom/focus control ring on compatible power zoom lenses. The Setup Menus Options ZOOM FOCUS

This option determines the behavior of the button to which exposure and/or focus lock is assigned. Option Description

Exposure and/or focus will lock while the button is pressed. PRESSING AE&AF ON/OFF Exposure and/or focus will lock when the button is pressed and remain locked until it is pressed again. SWITCH AWB-LOCK MODE Choose the behavior of function buttons assigned auto white balance (AWB) lock. Auto white balance lock is used to lock white balance at the value metered by the camera when WA WHITE PRIORITY, AUTO, or AA AMBIENCE PRIORITY is selected for white balance. Option Description

Auto white balance locks while the button is pressed. PRESSING AWB ON/OFF Press the button once to lock auto white balance and again to end the lock. SWITCH The Setup Menus

APERTURE RING SETTING (A) Choose whether the front command dial can be used to adjust aperture when aperture is set to A (auto). Option AUTO COMMAND Description The camera adjusts aperture automatically. Aperture can be adjusted using the front command dial. APERTURE SETTING Choose the method used to adjust aperture when using lenses with no aperture rings. Option AUTO + o MANUAL AUTO MANUAL Description Rotate the front command dial to choose the aperture. Rotate past minimum aperture to choose A (auto). Aperture is selected automatically; camera functions in exposure mode P (program AE) or S (shutter-priority AE). Rotate the front command dial to choose the aperture; camera functions in exposure mode A (aperture-priority AE) or M (manual). Option Description Pressing the button displays a dialog where pictures can be selected for upload to a smartphone with which the camera a SMARTPHONE is paired (P 239). If the camera is not currently paired with TRANSFER ORDER a smartphone, Bluetooth/SMARTPHONE SETTING options will be displayed instead (P 264). r WIRELESS The button can be used for wireless connections. COMMUNICATION

The Setup Menus a Fn1 BUTTON SETTING Choose the role performed by the Fn1 button during playback.

Enable or disable touch-screen controls. x TOUCH SCREEN SETTING Option OFF Description The LCD monitor functions as a touch screen during shooting. Touch controls disabled. x DOUBLE TAP SETTING Option OFF Description Tap the LCD monitor twice to zoom in on your subject during shooting. Touch zoom disabled. c TOUCH FUNCTION Option OFF Description Enable touch-function gestures. Disable touch-function gestures. The Setup Menus TOUCH ZOOM Option OFF

Description If the lens supports touch zoom, you can zoom in and out by touching the LCD monitor (P 30). Touch zoom disabled. a TOUCH SCREEN SETTING Option OFF

Description The LCD monitor functions as a touch screen during playback. Touch controls disabled.

Select the area of the LCD monitor used for touch controls while the viewfinder is active. The area used for touch controls can be selected from: Option

OFF Description All. Right half. Top right quarter. Bottom right quarter. Left half. Top left quarter. Bottom left quarter. Touch controls disabled. LOCK Lock selected controls to prevent unintended operation. Option FUNCTION SELECTION Choose the controls locked when SELECTED FUNCTION is chosen for LOCK SETTING. N The controls selected using SELECTED FUNCTION can be locked at any time during shooting by pressing and holding MENU/OK. To unlock the controls, press and hold the button again.

The Setup Menus Description Choose from the following:

• UNLOCK: Reset lock options. ALL FUNCTION: Lock all controls in the FUNCTION LOCK SETTING • SELECTION list.
• SELECTED FUNCTION: Lock only the controls selected in the FUNCTION SELECTION list.

POWER MANAGEMENT Adjust power management settings. To access power management settings, press MENU/OK, select the D (SET UP) tab, and choose POWER MANAGEMENT. POWER MANAGEMENT

Choose the length of time before the camera turns off automatically when no operations are performed. Shorter times increase battery life; if OFF is selected, the camera must be turned off manually. Options 5 MIN 2 MIN 1 MIN 30 SEC 15 SEC OFF The Setup Menus PERFORMANCE Select BOOST to improve focus and viewfinder display performance. Option BOOST NORMAL

Description Boost camera focus and viewfinder display performance. The battery drains faster than when is NORMAL selected. Choose for standard focus and viewfinder display performance and battery endurance. Limit autofocus and viewfinder performance. This option offers better battery endurance than does NORMAL. POWER MANAGEMENT

EVF/LCD BOOST SETTING

Adjust the behavior of the EVF and LCD monitor when BOOST is selected for PERFORMANCE. Option

PRIORITY (100P) Description Display brightness is adjusted to make subjects in shadows easier to see. Motion blur may cause ghosting. Display resolution is increased to make details easier to see. The refresh rate for the EVF is increased, smoothing motion. The refresh rate for the EVF is increased beyond EVF

FRAME RATE PRIORITY (100P) smoothing motion PRIORITY (200P EQUIV.) still further. The EVF may darken. AUTO POWER OFF TEMP. If its temperature rises beyond a certain point, the camera will first display a message and then, if the temperature rise continues, automatically end shooting and power down. Choose the temperature at which the camera turns off automatically. STANDARD HIGH Description The camera turns off automatically when its temperature reaches the STANDARD value. Shooting can continue at temperatures higher than the STANDARD value, extending the time available to record movies and the like. Because remaining in contact with the camera at these high temperatures could result in low-temperature burns, this option should only be used after mounting the camera on a tripod or taking other steps to avoid prolonged contact with the camera.

Make changes to file management settings. To access file management settings, press MENU/OK, select the D (SET UP) tab, and choose SAVE DATA SET-UP.

xCARD SLOT SETTING SELECT SLOT(x SEQUENTIAL) SELECT FOLDER COPYRIGHT INFO GEOTAGGING EXIT FRAME NO. Frame number New pictures are stored in image files named using a four-digit file number assigned by adding one to the last file number used. The File file number is displayed during playback as Directory number number shown. FRAME NO. controls whether file numbering is reset to 0001 when a new memory card is inserted or the current memory card is formatted. Option The Setup Menus

CONTINUOUS RENEW Description Numbering continues from the last file number used or the first available file number, whichever is higher. Choose this option to reduce the number of pictures with duplicate file names. Numbering is reset to 0001 after formatting or when a new memory card is inserted. N • If the frame number reaches 999-9999, the shutter release will be disabled. Turn the camera off and insert a formatted memory card before resuming shooting.

• Selecting D USER SETTING > RESET sets FRAME NO. to CONTINUOUS but does not reset the file number.
• Frame numbers for pictures taken with other cameras may differ.

Change the file name prefix. sRGB images use a four-letter prefix (default “DSCF”), Adobe RGB images a three-letter prefix (“DSF”) preceded by an underscore. Option sRGB AdobeRGB Default prefix DSCF _DSF Sample file name ABCD0001 _ABC0001 x CARD SLOT SETTING Choose the role played by the card in the second slot. Option SEQUENTIAL BACKUP SEPARATE Description The card in the second slot is used only when the card in the first slot is full. Each picture is recorded twice, once to each card. RAW pictures will be saved to the card in the first slot and JPEG or HEIF pictures to the card in the second slot. This option only takes effect when FINE+RAW or NORMAL+RAW is selected for H IMAGE QUALITY SETTING > IMAGE QUALITY. Options SLOT 1 SLOT 2 The Setup Menus SELECT SLOT(xSEQUENTIAL) Choose the card that is recorded to first when SEQUENTIAL is selected for x CARD SLOT SETTING.

SELECT FOLDER Create folders and choose the folder used to store subsequent pictures. Option Description To choose the folder in which subsequent pictures will be stored, press the selector up or down to highlight an existing folder and press MENU/OK. Enter a five-character folder name. The new folder will be created with the next picture you take and subsequent pictures will be stored in that folder. SELECT FOLDER CREATE FOLDER COPYRIGHT INFO Copyright information, in the form of Exif tags, can be added to new images as they are taken. Changes to copyright information are reflected only in images taken after the changes are made. The Setup Menus

Option Description DISP COPYRIGHT INFO View the current copyright information. ENTER AUTHOR’S INFO Enter the creator’s name. ENTER COPYRIGHT INFO Enter the name of the copyright holder. Delete the current copyright information. This change applies DELETE COPYRIGHT INFO only to images taken after this option is selected; copyright information recorded with existing images is not affected. GEOTAGGING If ON is selected, location data downloaded from a smartphone will be embedded in pictures as they are taken. Options

Shortcut Options Customize camera controls to suit your style or situation. Frequently-used options can be added to the Q menu or a custom “my” menu or assigned to a function button or touch-function gesture for direct access: Shortcut Option Description Add frequently-used options to this custom menu, “My menu” which can be viewed by pressing MENU/OK and selecting the E (“MY MENU”) tab. The Q menu is displayed by pressing the Q button. The Quick Menu Use the Q menu to view or change the options selected for frequently-used menu items. Use the function buttons for direct access to selectThe function buttons ed features. Use touch function button flick gestures (T-Fn1, Touch-function T-Fn2, T-Fn3, and T-Fn4) for direct access to selected gestures features. Use the function buttons on the lens (if any) for diLens function buttons rect access to selected features. Shortcuts

To choose the items listed in the E (MY MENU) tab:

ADD ITEMS RANK ITEMS REMOVE ITEMS N To reorder items, select RANK ITEMS. To delete items, select REMOVE ITEMS.

Press the selector up or down to highlight ADD ITEMS and press MENU/OK. Options that can be added to “my menu” are highlighted in blue.

SELECT CANCEL N Items currently in “my menu” are indicated by check marks. Shortcuts IMAGE SIZE IMAGE QUALITY RAW RECORDING

SAVE Press MENU/OK to return to the edit display. Repeat Steps 3 and 4 until all the desired items have been added. N “My menu” can contain up to 16 items. Shortcuts

The Quick Menu Use the quick menu for quick access to selected options. To view the quick menu, press the Q button. The Quick Menu Display The quick menu offers different options in photo and movie modes. At default settings, it contains the following items: Still photography

• If no settings bank is currently selected for x SELECT CUSTOM SETTING, the shooting mode will be displayed instead. The quick menu shows the options currently selected for items B–P, which can be changed.

• If no settings bank is currently selected for F SELECT CUSTOM SETTING, the shooting mode will be displayed instead. The quick menu shows the options currently selected for items B–H, which can be changed.

The Quick Menu Viewing and Changing Settings 1 Press Q to display the quick menu during shooting.

Use the selector to highlight items and rotate the rear command dial to change.

N To jump to the x EDIT/SAVE CUSTOM SETTING or F EDIT/ SAVE CUSTOM SETTING menu, press and hold the Q button when the quick menu is displayed.

Press Q to exit when settings are complete. can assign the Q button roles normally reserved for the function buttons or assign the Q button’s default role to a function button (P 321).

Shortcuts N • The quick menu can also be edited using touch controls.

Press and hold the Q button during shooting. N The camera displays the photo quick menu during still photography and the movie quick menu when in movie mode.

The current quick menu will be displayed; use the selector to highlight the item you wish to change and press MENU/OK.

The Quick Menu Available Items (Still Photography) Choose from:

• AF-C CUSTOM SETTINGS
• g FACE/EYE DETECTION SETTING

• SUBJECT DETECTION SETTING

• INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT

The Quick Menu Available Items (Movies)

• SUBJECT DETECTION SETTING

• INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT

Default PHOTOMETRY WHITE BALANCE PERFORMANCE FILM SIMULATION Function Controls Assigning Roles to the Function Buttons Pressing and holding the DISP/BACK button displays a dialog where you can choose the roles assigned to the function buttons.

Press and hold the DISP/BACK button until a control selection menu is displayed. N You can also assign roles to function buttons using D BUTTON/ DIAL SETTING > FUNCTION (Fn) SETTING.

Highlight the desired control and press MENU/OK. Highlight any of the following options and press MENU/OK to assign it to the selected control. Shortcuts

Roles That Can Be Assigned to the Function Buttons Choose from: Shortcuts

• AF-C CUSTOM SETTINGS
• FACE DETECTION ON/OFF
• RIGHT/LEFT EYE SWITCH
• SUBJECT DETECTION ON/OFF

• INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT

• PREVIEW EXP./WB IN MANUAL MODE

• NONE N • The selector cannot be assigned more than one role at a time.
• To disable the function button, choose NONE. AF-ON Controls to which AF-ON is assigned can be used for autofocus. MODELING FLASH If MODELING FLASH is selected when a compatible shoe-mounted flash unit is attached, you can press the control to test-fire the flash and check for shadows and the like (modeling flash). TTL-LOCK If TTL-LOCK is selected, you can press the control to lock flash output according to the option selected for F FLASH SETTING > TTL-LOCK MODE (P 181). Shortcuts

RECALL CUSTOM 1 SETTING

Controls to which RECALL CUSTOM 1 SETTING has been assigned can be pressed to temporarily recall the settings saved to C1 (CUSTOM 1). Pressing the button a second time restores the previous settings.

Touch-Function Gestures Assign roles to touch-function gestures (T-Fn1, T-Fn2, T-Fn3, or T-Fn4) for quick access to selected features. N Touch-function gestures are disabled by default. To enable touch-function gestures, select ON for D BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > c TOUCH FUNCTION. Touch-Function Gesture Defaults The default assignments for the different gestures are: Shortcuts Touch-Function Gestures A T-Fn1 (flick up) B T-Fn2 (flick left) C T-Fn3 (flick right) D T-Fn4 (flick down)

Function Controls Assigning Roles to Touch Function Gestures Pressing and holding the DISP/BACK button displays a dialog where you can choose the roles assigned to touch function gestures.

Press and hold the DISP/BACK button until a control selection menu is displayed. N Button assignments can also be selected using D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING.

Roles That Can Be Assigned to Touch Function Gestures Choose from: Shortcuts

• AF-C CUSTOM SETTINGS
• FACE DETECTION ON/OFF
• RIGHT/LEFT EYE SWITCH
• SUBJECT DETECTION ON/OFF

• INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT

• PREVIEW EXP./WB IN MANUAL MODE
• NONE N To disable touch-function gestures, choose NONE.

Function Controls Lens Function Buttons Choose the roles played by the function buttons on the lens (where applicable). Lens Function Button Defaults The default assignments are: N A XF18-120mmF4 LM PZ WR lens is used here for illustrative purposes. Lens function button Default

Assigning Roles to the Lens Function Buttons The roles played by the lens function buttons can be selected using the D BUTTON/DIAL SETTING > POWER ZOOM LENS FUNCTION (Fn) SETTING option in the setup menu. Shortcuts

• AF-C CUSTOM SETTINGS
• FACE DETECTION ON/OFF
• RIGHT/LEFT EYE SWITCH
• SUBJECT DETECTION ON/OFF

• INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT

• PREVIEW EXP./WB IN MANUAL MODE

Peripherals and Optional Accessories

Lenses The camera can be used with lenses for the FUJIFILM X-mount. Lens Parts Peripherals and Optional Accessories A Lens hood B Mounting marks C Focus ring D Zoom ring E Aperture ring F O.I.S. switch G Aperture mode switch H Lens signal contacts I Front lens cap J Rear lens cap N A XF18-55mmF2.8-4 R LM OIS lens is used here for illustrative purposes.

• Use a blower to remove dust, then gently wipe with a soft, dry cloth. Any remaining stains can be removed by wiping gently with a piece of Fujifilm lens-cleaning paper to which a small amount of lens-cleaning fluid has been applied.
• Replace the front and rear caps when the lens is not in use. Removing Lens Caps Remove lens caps as shown. Peripherals and Optional Accessories O Lens caps may differ from those shown.

Attaching Lens Hoods When attached, lens hoods reduce glare and protect the front lens element. Peripherals and Optional Accessories

Lenses Lenses with Aperture Rings At settings other than A, you can adjust aperture by rotating the lens aperture ring (exposure modes A and M). A 16 11 8 5.6 4 2.8 A 16 11 8 5.6 4 Aperture ring N • Selecting ON for MOVIE OPTIMIZED CONTROL oL disables the aperture ring.

• If COMMAND is selected for D BUTTON/DIAL SETTING > APERTURE RING SETTING (A) when the aperture ring is set to A, aperture can be adjusted by rotating the command dials. The Aperture Mode Switch If the lens has an aperture mode switch, aperture can be adjusted manually by sliding the switch to Z and rotating the aperture ring. Peripherals and Optional Accessories Aperture ring Aperture mode switch

Lenses with No Aperture Rings The method used to adjust aperture can be selected using D BUTTON/DIAL SETTING > APERTURE SETTING. When an option other than AUTO is selected, aperture can be adjusted using the front command dial. N Aperture control defaults to the front command dial, but can be reassigned to the rear command dial using D BUTTON/DIAL SETTING > COMMAND DIAL SETTING. Lenses with O.I.S. Switches If the lens supports optical image stabilization (O.I.S.), the image stabilization mode can be chosen in the camera menus. To activate image stabilization, slide the O.I.S. switch to ON. O.I.S. switch Peripherals and Optional Accessories

Lenses Manual Focus Lenses Slide the focus ring to the front for autofocus. For manual focus, slide the focus ring to the back and rotate it while checking the results in the camera display. The focus distance and depth-of-field indicators can be used to assist manual focus. O Note that manual focus may not be available in all shooting modes. Peripherals and Optional Accessories The Depth-of-Field Indicator The depth-of-field indicator shows the approximate depth of field (the distance in front of and behind the focus point that appears to be in focus). The indicator is displayed in film format.

Lenses Power Zoom Lenses Zoom can be adjusted on power zoom lenses using the zoom/ focus control ring, zoom button, or zoom ring. O Adjusting zoom while the lens is wet makes it easier for water to find its way inside the lens. Wipe any water from the lens before adjusting zoom. N A XF18-120mmF4 LM PZ WR lens is used here for illustrative purposes. Control A Zoom ring Peripherals and Optional Accessories

Description Rotate the zoom ring to zoom in or out manually. Rotate the zoom/focus control ring to zoom in or out B Zoom/focus control ring using powered zoom. The zoom speed is proportional to the speed with which the ring is rotated. Switch the role of zoom/focus control ring from focus C Z/F (zoom/focus) button to zoom or vice versa. Press a zoom button to zoom in or out at a steady speed using powered zoom. Zoom ends when the D Zoom buttons button is pressed a second time. N • The Z/F and zoom buttons can be assigned other roles using D BUTTON/DIAL SETTING > POWER ZOOM LENS FUNCTION (Fn) SETTING.

• The speed at which zoom can be adjusted via the zoom buttons can be chosen using D BUTTON/DIAL SETTING > LENS ZOOM/FOCUS SETTING.

External Flash Units Use optional external flash units for flash photography. Some units support high-speed sync (FP) and can be used at shutter speeds faster than the flash sync speed, while others can function as commanders controlling remote units via optical wireless flash control. O You may be unable to test-fire the flash in some circumstances, for example when a setup menu is displayed on the camera. Peripherals and Optional Accessories Red-Eye Removal Red-eye removal is available when FLASH is selected for F FLASH SETTING > RED EYE REMOVAL. Red-eye removal minimizes “red-eye” caused when light from the flash is reflected from the subject’s retinas. Flash Sync Speed The flash will synchronize with the shutter at shutter speeds of ½50 s or slower. Optional Flash Units from Fujifilm The camera can be used with optional Fujifilm shoe-mounted flash units. Third-Party Flash Units Do not use third-party flash units that apply over 300 V to the camera hot shoe.

Flash Settings 1 Connect the unit to the camera.

Description Displayed when an optional EF-X8 flash unit is mounted on the hot shoe and raised. Adjust settings for flash units connected via the sync terminal. SYNC TERMINAL is displayed if the EF-X8 is lowered and either no flash unit, or an incompatible flash unit, is mounted on the hot shoe. Displayed when an optional flash unit other than the EF-X8 is mounted on the hot shoe and turned on. Displayed if an optional flash unit functioning as a commander for Fujifilm optical wireless remote flash control is connected and turned on. Highlight items using the selector and rotate the rear command dial to change the highlighted setting. Press DISP/BACK to put the changes into effect.

END External Flash Units EF-X8 The following settings are available when an optional EF-X8 shoe-mounted flash unit is attached. MODE EF-X8 ADJUST END Setting

Peripherals and Optional Accessories Description Choose from the following options:

• TTL: TTL mode. Adjust flash compensation (B) and choose a flash mode (C).
• M: The flash fires at the selected output (B) regardless of subject brightness or camera settings. Output is expressed in fractions of full power, from ⁄ to ⁄. The desired results may not be achieved at low values if they exceed the limits of the flash control system; take a test shot and check the A Flash control mode results.
• C (COMMANDER): Choose if the flash is being used to control remote synced flash units, for example as part of a studio flash system.
• D (OFF): The EF-X8 does not fire. Flash units connected via the sync terminal will still fire when the shutter is released, but can be disabled by lowering the EF-X8 and turning the units off in the flash settings menu. Adjust flash level. The options available vary with the flash Flash compensation/ control mode (A). output

Setting C Flash mode (TTL) D Sync Peripherals and Optional Accessories

Description Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) selected.

• E (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A p icon displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken.
• F (STANDARD): The flash fires with every shot if possible; flash level is adjusted according to subject brightness. The flash will not fire if not fully charged when the shutter is released.
• G (SLOW SYNC.): Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released. Choose whether the flash is timed to fire immediately after the shutter opens (H/1ST CURTAIN) or immediately before it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in most circumstances. External Flash Units SYNC TERMINAL The following options are available when no compatible flash unit is connected or if a unit is connected via the sync terminal or uses only the X-contact on the hot shoe. MODE SYNC TERMINAL ADJUST END Setting The Sync Terminal Use the sync terminal to connect flash units that require a sync cable. Peripherals and Optional Accessories Description Choose from the following options:
• M: A trigger signal is transmitted via the hot shoe X contacts when a picture is taken. Choose a shutter speed slower than A Flash control mode the sync speed; even slower speeds may be required if the unit uses long flashes or has a slow response time.
• D (OFF): The trigger signal is disabled. Choose whether the flash is timed to fire immediately after the shutter opens (H/1ST CURTAIN) or immediately before B Sync it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in most circumstances.

The following options are available when an optional shoe-mounted flash unit is attached and turned on. MODE

ADJUST Setting END Peripherals and Optional Accessories Description The flash control mode selected with the flash unit. This can in some cases be adjusted from the camera; the options available vary with the flash.

• TTL: TTL mode. Adjust flash compensation (B).
• M: The flash fires at the selected output regardless of subject A Flash control mode brightness or camera settings. Output in some cases can be adjusted from the camera (B).
• MULTI: Repeating flash. Compatible shoe-mounted flash units will fire multiple times with each shot.
• D (OFF): The flash does not fire. Some flash units can be turned off from the camera.

External Flash Units Setting Peripherals and Optional Accessories Description The options available vary with flash control mode.

• TTL: Adjust flash compensation (the full value may not be applied if the limits of the flash control system are exceeded). In the cases of the EF-X20, EF-20, and EF-42, the selected value is added to the value selected with the flash unit. B Flash compensation/ • M/MULTI: Adjust flash output (compatible units only). output Choose from values expressed as fractions of full power, from ⁄ (mode M) or ¼ (MULTI) down to ⁄ in increments equivalent to ⁄ EV. The desired results may not be achieved at low values if they exceed the limits of the flash control system; take a test shot and check the results. Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) selected.
• E (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A p icon displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken. F (STANDARD): The flash fires with every shot if possible; C Flash mode (TTL) flash level is adjusted according to subject brightness. The flash will not fire if not fully charged when the shutter is released.
• G (SLOW SYNC.): Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released.

Setting D Sync E Zoom F Lighting Peripherals and Optional Accessories G LED light G Number of flashes * H Frequency * Description Control flash timing.

• H (1ST CURTAIN): The flash fires immediately after the shutter opens (generally the best choice).
• I (2ND CURTAIN): The flash fires immediately before the shutter closes.
• R (AUTO FP(HSS)): High-speed sync (compatible units only). The camera automatically engages front-curtain highspeed sync at shutter speeds faster than the flash sync speed. Equivalent to 1ST CURTAIN when MULTI is selected for flash control mode. The angle of illumination (flash coverage) for units that support flash zoom. Some units allow the adjustment to be made from the camera. If AUTO is selected, zoom will automatically be adjusted to match coverage to lens focal length. If the unit supports this feature, choose from:
• J (FLASH POWER PRIORITY): Gain range by slightly reducing coverage.
• K (STANDARD): Match coverage to picture angle.
• L (EVEN COVERAGE PRIORITY): Slightly increase coverage for more even lighting. Choose how the built-in LED light functions during still photography (compatible units only): as a catchlight (M/CATCHLIGHT), as an AF-assist illuminator (N/AF ASSIST), or as both a catchlight and an AF-assist illuminator (O/AF ASSIST+CATCHLIGHT). Choose OFF to disable the LED during photography. Choose the number of times the flash fires each time the shutter is released in MULTI mode. Choose the frequency at which the flash fires in MULTI mode.

• Full value may not be applied if limits of flash control system are exceeded.

External Flash Units COMMANDER(OPTICAL) The options will be displayed if the unit is currently functioning as a commander for Fujifilm optical wireless remote flash control. MODE COMMANDER(OPTICAL) ADJUST END

Peripherals and Optional Accessories Fujifilm optical wireless remote flash control offers a choice of four channels (Channels 1 through 4) for the exchange of optical signals between the commander and remote flash units. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity. The flash units can also be placed in up to three groups (A, B, and C) and flash mode and flash level adjusted separately for each group.

Description Choose flash control modes for groups A, B, and C. TTL% is available for groups A and B only.

• TTL: The units in the group fire in TTL mode. Flash compensation can be adjusted separately for each group.
• TTL%: If TTL% is selected for either group A or B, you can specify the output of the selected group as a percentage of the other and adjust overall flash compensation for both groups.
• M: In mode M, the units in the group fire at the selected output (expressed as a fraction of full power) regardless of subject brightness or camera settings.
• MULTI: Choosing MULTI for any group sets all the units in all groups to repeating flash mode. All units will fire multiple times with each shot.
• D (OFF): If OFF is selected, the units in the group will not fire. Adjust flash level for the selected group according to option selected for flash control mode. Note that the full value may not be applied if the limits of the flash control system are exceeded.
• TTL: Adjust flash compensation.
• M/MULTI: Adjust flash output.
• TTL%: Choose the balance between groups A and B and adjust overall flash compensation. External Flash Units Setting G Flash mode (TTL) I Zoom J Lighting

Peripherals and Optional Accessories H Sync Description Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) selected.

• E (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A p icon displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken.
• F (STANDARD): The flash fires with every shot if possible; flash level is adjusted according to subject brightness. The flash will not fire if not fully charged when the shutter is released.
• G (SLOW SYNC.): Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released. Control flash timing.
• H (1ST CURTAIN): The flash fires immediately after the shutter opens (generally the best choice).
• I (2ND CURTAIN): The flash fires immediately before the shutter closes.
• R (AUTO FP(HSS)): High-speed sync (compatible units only). The camera automatically engages front-curtain highspeed sync at shutter speeds faster than the flash sync speed. Equivalent to 1ST CURTAIN when MULTI is selected for flash control mode. The angle of illumination (flash coverage) for units that support flash zoom. Some units allow the adjustment to be made from the camera. If AUTO is selected, zoom will automatically be adjusted to match coverage to lens focal length. If the unit supports this feature, choose from:
• J (FLASH POWER PRIORITY): Gain range by slightly reducing coverage.
• K (STANDARD): Match coverage to picture angle.
• L (EVEN COVERAGE PRIORITY): Slightly increase coverage for more even lighting.

External Flash Units Setting K Commander K Number of flashes L Channel L Frequency Peripherals and Optional Accessories

Description Choose the group for units functioning as a commander for Fujifilm optical wireless remote flash control in TTL, TTL%, or M mode. This option is available only with clipon flash units that support Fujifilm optical wireless remote flash control.

• Gr A: Assign the commander to group A.
• Gr B: Assign the commander to group B.
• Gr C: Assign the commander to group C.
• OFF: Output from the commander is held to a level that does not affect the final picture. Choose the number of times the flash fires each time the shutter is released in MULTI mode. Choose the channel used by the commander for communication with the remote flash units. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity. Choose the frequency at which the flash fires in MULTI mode. Handgrips Using a handgrip makes the camera easier to hold. The MHG-XT5 handgrip attaches to the tripod socket. Peripherals and Optional Accessories

Accessories from Fujifilm The following optional accessories are available from Fujifilm. For the latest information on the accessories available in your region, check with your local Fujifilm representative or visit https://fujifilm-x.com/support/compatibility/cameras/. Rechargeable Li-ion batteries NP-W235: Additional high-capacity NP-W235 rechargeable batteries can be purchased as required. Dual battery chargers BC-W235: The BC-W235 can charge up to two NP-W235 batteries at a time. At +25 °C/+77 °F, the batteries will charge in about 200 minutes. Using a device that supplies power with an outputs of 30 W or above reduces charging times to as little as 150 minutes. Eye cups EC-XH W/EC-XT L/EC-XT M/EC-XT S/EC-GFX: Attach viewfinder eyecups to prevent light leaking into the viewfinder window. Remote releases RR-100: Use to reduce camera shake or keep the shutter open during a time exposure (⌀2.5 mm). Stereo microphones MIC-ST1: An external microphone for movie recording. FUJINON lenses XF-/XC-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM X-mount. FUJINON MKX-series lenses: Cinema lenses for the FUJIFILM X-mount. Technical Notes Macro extension tubes MCEX-11/16: Attach between the camera and the lens to shoot at high reproduction ratios. Teleconverters XF1.4X TC WR: Increases the focal length of the compatible lenses by about 1.4×. XF2X TC WR: Increases the focal length of the compatible lenses by about 2.0×.

Accessories from Fujifilm Mount adapters FUJIFILM M MOUNT ADAPTER: Allows the camera to be used with a wide selection of M-mount lenses. Body caps BCP-001: Cover the camera lens mount when no lens is attached. Handgrips MHG-XT5: Makes the camera easier to hold. Pictures can be taken and batteries and memory cards inserted or removed with the camera still in its case. Technical Notes Shoe-mounted flash units EF-X500: In addition to manual and TTL flash control, this clip-on flash unit has a Guide Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to be used at shutter speeds that exceed the flash sync speed. Featuring support for the optional EF-BP1 battery pack and Fujifilm optical wireless flash control, it can be used as a commander or remote flash unit for remote wireless flash photography. EF-BP1: A battery pack for EF-X500 flash units. Takes up to 8 AA batteries. EF-60: In addition to manual and TTL flash control, this clip-on flash unit has a Guide Number of 60/197 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to be used at shutter speeds that exceed the flash sync speed. It can also be used as remote flash under the control of an optional EF-W1 wireless commander. EF-W1: With support for the NAS * wireless communication standard developed by Nissin Japan, this wireless flash commander can be used with optional EF-60 clip-on flash units and other NAS-compliant units.

• NAS is a registered trademark of Nissin Japan Ltd. EF-X8: This compact, clip-on flash unit draws power from the camera has a Guide Number of approximately 8/26 (ISO 100, m/ft.) and can cover the angle of view of a 16 mm lens (equivalent to 24 mm in 35 mm format). EF-42: This clip-on flash unit has a Guide Number of 42/137 (ISO 100, m/ft.) and supports manual and TTL flash control. EF-X20: This clip-on flash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and supports manual and TTL flash control. EF-20: This clip-on flash unit has a Guide Number of 20/65 (ISO 100, m/ft.) and supports TTL flash control (manual flash control is not supported).

Accessories from Fujifilm Tripod grips TG-BT1: Record movies, take photographs, or adjust zoom on compatible power zoom lenses while holding this Bluetooth tripod grip. Grip belts GB-001: Improves grip. Combine with a hand grip for more secure handling. instax SHARE printers SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax film. Technical Notes

Software for Use with Your Camera The camera can be used with the following software. For the latest information on software available from Fujifilm, visit https://fujifilm-x.com/support/compatibility/cameras/. Smartphone Apps Establish a wireless connection between your camera and a smartphone or tablet. https://app.fujifilm-dsc.com/ RAW FILE CONVERTER EX powered by SILKYPIX RAW FILE CONVERTER EX powered by SILKYPIX is RAW conversion software from Ichikawa Soft Laboratory Co., Ltd. View RAW pictures on your computer and convert them into other formats. RAW FILE CONVERTER EX powered by SILKYPIX is available free of charge from the Fujifilm website. https://fujifilm-x.com/support/download/software/raw-file-converterex-powered-by-silkypix/ N • “RAW FILE CONVERTER EX powered by SILKYPIX” is supplied by Ichikawa Soft Laboratory Co., Ltd.

Capture One Express for Fujifilm View RAW pictures on your computer and convert them into other formats. Capture One Express for Fujifilm is available free of charge from Capture One A/S. https://www.captureone.com/products-plans/capture-one-express/fujifilm N Visit the website above for information on when support will be available. Capture One for Fujifilm Capture One for Fujifilm workflow software from Capture One A/S supports tethered shooting and the conversion of RAW pictures into other formats. https://www.captureone.com/explore-features/fujifilm N Visit the website above for information on when support will be available. FUJIFILM Tether Shooting Plug-in (Exclusively for Lightroom) A plug-in for Adobe Lightroom Classic.

Software for Use with Your Camera FUJIFILM X Acquire This computer application lets you connect to the camera via USB or Wi-Fi and automatically download photos to a specified folder as they are taken, or backup and restore the camera via USB. https://fujifilm-x.com/products/software/x-acquire/

FUJIFILM X RAW STUDIO

When the camera is connected to a computer via USB, FUJIFILM X RAW STUDIO can use the camera’s unique image processing engine to rapidly convert RAW files to create high-quality images in other formats. https://fujifilm-x.com/products/software/x-raw-studio/ FUJIFILM Pixel Shift Combiner Computer software for combining pictures taken using pixel-shift multi-shot or reducing false colors (P 177). https://fujifilm-x.com/products/software/pixel-shift-combiner/ Technical Notes

IMPORTANT SAFETY INSTRUCTIONS

Instructions: All the safety and operating instructions

• Read Instructions should be read before the appliance is operated. Instructions: The safety and operating instructions
• Retain Instructions should be retained for future reference. Warnings: All warnings on the appliance and in the
• Heed Warnings operating instructions should be adhered to. Instructions: All operating and use instructions
• Follow Instructions should be followed. Installation Power Sources: This video product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your appliance dealer or local power company. For video products intended to operate from battery power, or other sources, refer to the operating instructions. Technical Notes

Grounding or Polarization: This video product is equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug. Alternate Warnings: This video product is equipped with a three-wire grounding-type plug, a plug having a third (grounding) pin. This plug will only fit into a grounding-type power outlet. This is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the grounding type plug. Overloading: Do not overload wall outlets and extension cords as this can result in a risk of fire or electric shock. Ventilation: Slots and openings in the cabinet are provided for ventilation, to ensure reliable operation of the video product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the video product on a bed, sofa, rug, or other similar surface. This video product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer’s instructions have been adhered to. This video product should never be placed near or over a radiator or heat register. Attachments: Do not use attachments not recommended by the video product manufacturer as they may cause hazards. Water and Moisture: Do not use this video product near water—for example, near a bath tub, wash bowl, kitchen sink, or laundry tub, in a wet basement, or near a swimming pool, and the like.

Power-Cord Protection: Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance. Accessories: Do not place this video product on an unstable cart, stand, tripod, bracket, or table. The video product may fall, causing serious injury to a child or adult, and serious damage to the appliance. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the video product. Any mounting of the appliance should follow the manufacturer’s instructions, and should use a mounting accessory recommended by the manufacturer. An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn. Antennas Outdoor Antenna Grounding: If an outside antenna or cable system is connected to the video product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges.

Section 810 of the National Electrical Code, ANSI/NFPA No.

70, provides information with respect to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.

EXAMPLE OF ANTENNA GROUNDING AS

PER NATIONAL ELECTRICAL CODE

Ground Clamp Electric Servicee Equipmentt Antenna Lead in Wire Anntenna Discharge Unit (NEC N SECTION 810-20) Ground Clamps Power Service Grounding Electrode System (NEC ART 250. PART H) Grounding Conductors (NEC

For Your Safety Power Lines: An outside antenna system should not be locat- Damage Requiring Service: Unplug this video product from ed in the vicinity of overhead power lines or other electric the wall outlet and refer servicing to qualified service personlight or power circuits, or where it can fall into such power nel under the following conditions: lines or circuits. When installing an outside antenna system, • When the power-supply cord or plug is damaged extreme care should be taken to keep from touching such • If liquid has been spilled, or objects have fallen into the power lines or circuits as contact with them might be fatal. video product.

• If the video product has been exposed to rain or water. Use If the video product has been dropped or the cabinet has Cleaning: Unplug this video product from the wall outlet be- • been damaged. fore cleaning. Do not use liquid cleaners or aerosol cleaners. If the video product does not operate normally follow the Use a damp cloth for cleaning. operating instructions. Adjust only those controls that are Object and Liquid Entry: Never push objects of any kind into covered by the operating instructions as an improper adjustthis video product through openings as they may touch dan- ment of other controls may result in damage and will often gerous voltage points or short out parts that could result in require extensive work by a qualified technician to restore a fire or electric shock. Never spill liquid of any kind on the the video product to its normal operation. video product. When the video product exhibits a distinct change in perforLightning: For added protection for this video product re- mance — this indicates a need for service. ceiver during a lightning storm, or when it is left unattended Replacement Parts: When replacement parts are required, be and unused for long periods of time, unplug it from the wall sure the service technician has used replacement parts specoutlet and disconnect the antenna or cable system. This will ified by the manufacturer or have the same characteristics as prevent damage to the video product due to lightning and the original part. Unauthorized substitutions may result in power-line surges. fire, electric shock or other hazards. Service Safety Check: Upon completion of any service or repairs to Servicing: Do not attempt to service this video product this video product, ask the service technician to perform yourself as opening or removing covers may expose you to safety checks to determine that the video product is in propdangerous voltage or other hazards. Refer all servicing to er operating condition. qualified service personnel. Be sure to read these notes before use Safety Notes

• Make sure that you use your camera correctly. Read these The symbols on the product (including the accesories) represent the following: safety notes and your Basic Manual carefully before use.

• After reading these safety notes, store them in a safe place.

About the Icons The icons shown below are used in this document to indicate the severity of the injury or damage that can result if the information indicated by the icon is ignored and the product is used incorrectly as a result. Class II equipment (The construction of the product is double-insulated.) WARNING This icon indicates that death or serious inWARNING jury can result if the information is ignored. The icons shown below are used to indicate the nature of the instructions which are to be observed. Triangular icons tell you that this information requires attention (“Important”). Circular icons with a diagonal bar tell you that the action indicated is prohibited (“Prohibited”). Filled circles with an exclamation mark indicate an action that must be performed (“Required”). Unplug from power socket Do not allow water or foreign objects to enter the camera or connecting cables. Do not use the camera or connecting cables following ingress of fresh or salt water, milk, beverages, detergents, or other liquids. Should liquid find its way into the camera or connecting cables, turn the camera off, remove the battery, disconnect the USB cable, and disconnect and unplug the AC adapter. Continued use of the camera can cause a fire or electric shock. Contact your Fujifilm dealer.

Technical Notes This icon indicates that personal injury or CAUTION material damage can result if the information is ignored. If a problem arises, turn the camera off, remove the battery, disconnect the USB cable, and unplug the AC power adapter. Continued use of the camera when it is emitting smoke, is emitting any unusual odor, or is in any other abnormal state can cause a fire or electric shock. Contact your Fujifilm dealer.

WARNING Do not use in the bathroom or shower Do not disassemble Do not touch internal parts Do not use the camera in the bathroom or shower. This can cause a fire or electric shock. Never attempt to change or take apart the camera (never open the case). Failure to observe this precaution can cause fire or electric shock. Should the case break open as the result of a fall or other accident, do not touch the exposed parts. Failure to observe this precaution could result in electric shock or in injury from touching the damaged parts. Remove the battery immediately, taking care to avoid injury or electric shock, and take the product to the point of purchase for consultation. Do not change, heat or unduly twist or pull the connection cord and do not place heavy objects on the connection cord. These actions could damage the cord and cause a fire or electric shock. If the cord is damaged, contact your Fujifilm dealer. Do not use cables with bent connectors. Do not place the camera on an unstable surface. This can cause the camera to fall or tip over and cause injury. Never attempt to take pictures while in motion. Do not use the camera while walking or driving. This can result in you falling down or being involved in a traffic accident. Do not touch any metal parts of the camera during a thunderstorm. This can cause an electric shock due to induced current from the lightning discharge. Do not use the battery except as specified. Load the battery as shown by the indicator. Technical Notes Do not disassemble, modify, or heat batteries. Do not drop, strike, or throw batteries or otherwise subject them to strong impacts. Do not use batteries that show signs of leaking, deformation, discoloration, or other abnormalities. Use only designated chargers to recharge rechargeable batteries and do not attempt to recharge non-rechargeable Li-ion or alkaline batteries. Do not short batteries or store them with metallic objects. Failure to observe these precautions could result in the batteries overheating, igniting, rupturing, or leaking, causing fire, burns, or other injury. Use only batteries or AC power adapters specified for use with this camera. Do not use voltages other than the power supply voltage shown. The use of other power sources can cause a fire.

WARNING If the battery leaks and fluid gets in contact with your eyes, skin or clothing, flush the affected area with clean water and seek medical attention or call an emergency number right away. Do not use the charger to charge batteries other than those specified here. The supplied charger is for use only with batteries of the type supplied with the camera. Using the charger to charge conventional batteries or other types of rechargeable batteries can cause the battery to leak, overheat or burst. Using a flash too close to a person’s eyes may cause visual impairment. Take particular care when photographing infants and young children. Do not remain in prolonged contact with hot surfaces. Do not leave one part of the body in contact with the product for prolonged periods while the product is on. Failure to observe this precaution could result in low-temperature burns, particularly during prolonged use, at high ambient temperatures, when HIGH is selected for AUTO POWER OFF TEMP., or with users who suffer from poor circulation or reduced sensation, in which case use of a tripod or similar precautions are recommended. Do not use in the presence of flammable objects, explosive gases, or dust. When carrying the battery, install it in a digital camera or keep it in the hard case. When storing the battery, keep it in the hard case. When discarding, cover the battery terminals with insulation tape. Contact with other metallic objects or batteries could cause the battery to ignite or burst. Keep memory cards, hot shoes, and other small parts out of the reach of small children. Children may swallow small parts; keep out of reach of children. Should a child swallow a small part, seek medical attention or call emergency. Keep out of reach of small children. Among the elements that could cause injury are the strap, which could become entangled about a child’s neck, causing strangulation, and the flash, which could cause visual impairment. Follow the directions of airline and hospital personnel. This product generates radio-frequency emissions that could interfere with navigational or medical equipment. For Your Safety CAUTION Do not use this camera in locations affected by oil fumes, steam, humidity or dust. This can cause a fire or electric shock. Do not leave this camera in places subject to extremely high temperatures. Do not leave the camera in locations such as a sealed vehicle or in direct sunlight. This can cause a fire. Do not place heavy objects on the camera. This can cause the heavy object to tip over or fall and cause injury. Do not move the camera while the AC power adapter is still connected. Do not pull on the connection cord to disconnect the AC power adapter. This can damage the power cord or cables and cause a fire or electric shock. Do not cover or wrap the camera or the AC power adapter in a cloth or blanket. This can cause heat to build up and distort the casing or cause a fire. Do not use the plug if it is damaged or if it does not fit securely into the outlet. Failure to observe this precaution could result in fire or electric shock. When you are cleaning the camera or you do not plan to use the camera for an extended period, remove the battery and disconnect and unplug the AC power adapter. Failure to do so can cause a fire or electric shock. When charging ends, unplug the charger from the power socket. Leaving the charger plugged into the power socket can cause a fire. When a memory card is removed, the card could come out of the slot too quickly. Use your finger to hold it and gently release the card. Injury could result to those struck by the ejected card. Do not handle the memory card immediately after shooting. The memory card may be hot, resulting in burns. Wait for the card to cool before removing it from the camera. Technical Notes Request regular internal testing and cleaning for your camera. Build-up of dust in your camera can cause a fire or electric shock. Contact your Fujifilm dealer to request internal cleaning every two years. Please note that this service is not free of charge. Dispose of the product in accord with location regulations. Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type. Batteries (battery pack or batteries installed) shall not be exposed to excessive heat such as sunshine, fire or the like.

The Battery and Power Supply Note: Check the type of battery used in your camera and read ■ Cautions: Handling the Battery the appropriate sections.

• Do not transport or store with metal objects such as neckWARNING: Battery shall not be exposed to excessive heat laces or hairpins.
• Do not expose to flame or heat. such as sunshine, fire or the like. Do not disassemble or modify. The following describes the proper use of batteries and how • Do not expose to low atmospheric pressures. to prolong their life. Incorrect use can shorten battery life or •
• Use with designated chargers only. cause leakage, overheating, fire, or explosion.
• Dispose of used batteries promptly. Li-ion Batteries
• Do not drop or subject to strong physical shocks. Read this section if your camera uses a rechargeable Li-ion • Do not expose to water. battery.
• Keep the terminals clean. The battery is not charged at shipment. Charge the battery • The battery and camera body may become warm to the touch after extended use. This is normal. before use. Keep the battery in its case when not in use. ■ Caution: Disposal ■ Notes on the Battery The battery gradually loses its charge when not in use. Dispose of used batteries in accord with local regulations. Attention should be drawn to the environmental aspects of Charge the battery one or two days before use. battery disposal. Use the apparatus under moderate climate. Battery life can be extended by turning the camera off when Do not mechanically crush or split batteries. not in use. Technical Notes

Battery capacity decreases at low temperatures; a depleted AC Power Adapters battery may not function when cold. Keep a fully charged • The AC power adapter is for indoor use only. spare battery in a warm place and exchange as necessary, • Be sure the cable is securely connected to the camera. or keep the battery in your pocket or other warm place and • Turn the camera off before disconnecting the adapter. Disinsert it in the camera only when shooting. Do not place the connect the adapter by the plug, not the cable. battery in direct contact with hand warmers or other heating • Do not disassemble. devices.

• Do not expose to high heat and humidity.
• Do not subject to strong physical shocks. ■ Charging the Battery The battery can be charged using the camera and supplied • The adapter may hum or become hot to the touch during AC adapter or an optional BC-W235 dual battery charger. use. This is normal. Charging times will increase at ambient temperatures below • If the adapter causes radio interference, reorient or relocate +10 °C (+50 °F) or above +35 °C (+95 °F). Do not attempt to the receiving antenna. charge the battery at temperatures above +40 °C (+104 °F); at temperatures below +5 °C (+41 °F), the battery will not charge. Do not attempt to recharge a fully charged battery. The battery does not however need to be fully discharged before charging. The battery may be warm to the touch immediately after charging or use. This is normal. ■ Battery Life A noticeable decrease in the length of time the battery will hold a charge indicates that it has reached the end of its service life and should be replaced. If the battery is left for long periods without charging, you may find that its quality degrades or that it no longer holds a charge. Charge the battery regularly. ■ Storage If the camera will not be used for an extended period, store it at room temperature with the battery charged to approximately one half to ⁄ capacity. If the camera will not be used for an extended period, remove the battery and store it in a dry place with an ambient temperature of from +15 °C to +25 °C (+59 °F to +77 °F). Do not store in locations exposed to extremes of temperature.

For Your Safety Using the Camera Trademark Information including artificial light sources or natural light sources Digital Split Image is a trademark or registered trademark of such as the sun in a cloudless sky. Failure to observe this FUJIFILM Corporation. Digital Micro Prism is a trademark or precaution could damage the camera image sensor. registered trademark of FUJIFILM Corporation. The typefaces

• Strong sunlight focused through the viewfinder may dam- included herein are solely developed by DynaComware Taiage the panel of electronic viewfinder (EVF). Do not aim wan Inc. Apple, iPhone, iPad, Mac, Mac OS X, OS X, macOS, the electronic viewfinder at the sun. Lightning and Apple ProRes are registered trademarks of Apple Inc. in the U.S.A. and other countries. Windows is a Take Test Shots registered trademark of Microsoft Corporation in the U.S.A. Before taking photographs on important occasions (such as and other countries. Android is a trademark or registered at weddings or before taking the camera on a trip), take a trademark of Google LLC. Adobe, the Adobe logo, Phototest shot and view the results to ensure that the camera is shop, and Lightroom are trademarks or registered trademarks functioning normally. FUJIFILM Corporation cannot accept of Adobe Systems Incorporated in the U.S.A. and other counliability for damages or lost profits incurred as a result of tries. Wi-Fi®, the Wi-Fi CERTIFIED logo, and Wi-Fi Protected product malfunction. Setup® are registered trademarks of the Wi-Fi Alliance®. The Notes on Copyright Bluetooth® word mark and logos are registered trademarks Unless intended solely for personal use, images recorded owned by the Bluetooth SIG, Inc., and any use of such marks using your digital camera system cannot be used in ways by Fujifilm is under license. The SDHC and SDXC logos are that infringe copyright laws without the consent of the own- trademarks of SD-3C, LLC. CFexpress is a trademark of the CFA er. Note that some restrictions apply to the photographing (CompactFlash Association). The HDMI logo is a trademark or of stage performances, entertainments, and exhibits, even registered trademark of HDMI Licensing LLC. All other trade when intended purely for personal use. Users are also asked names mentioned in this manual are the trademarks or registo note that the transfer of memory cards containing images tered trademarks of their respective owners. or data protected under copyright laws is only permissible Electrical Interference within the restrictions imposed by those copyright laws. This camera may interfere with hospital or aviation equipHandling ment. Consult with hospital or airline staff before using the To ensure that images are recorded correctly, do not subject camera in a hospital or on an aircraft. the camera to impact or physical shocks while images are Color Television Systems being recorded. NTSC (National Television System Committee) is a color teleLiquid Crystal vision telecasting specification adopted mainly in the U.S.A., In the event that the display is damaged, care should be tak- Canada, and Japan. PAL (Phase Alternation by Line) is a color en to avoid contact with liquid crystal. Take the urgent action television system adopted mainly in European countries and indicated should any of the following situations arise: China.
• If liquid crystal comes in contact with your skin, clean the Exif Print (Exif Version 2.32) area with a cloth and then wash thoroughly with soap and Exif Print is a newly revised digital camera file format in which running water. information stored with photographs is used for optimal col• If liquid crystal enters your eyes, flush the affected eye with or reproduction during printing. clean water for at least 15 minutes and then seek medical assistance. IMPORTANT NOTICE: Read Before Using the Software
• If liquid crystal is swallowed, rinse your mouth thoroughly Direct or indirect export, in whole or in part, of licensed softwith water. Drink large quantities of water and induce vom- ware without the permission of the applicable governing iting, then seek medical assistance. bodies is prohibited. Although the display is manufactured using extremely Lenses and Other Accessories high-precision technology, it may contain pixels that are always lit or that do not light. This is not a malfunction, and • Use a screw 4.5 mm or shorter when attaching a tripod.
• Fujifilm will not be held liable for performance issues or images recorded with the product are unaffected. damage caused by the use of third-party accessories.

• Do not aim the camera at extremely bright light sources, Technical Notes

NOTICES To prevent fire or shock hazard, do not expose the unit to rain or moisture. Please read the “Safety Notes” and make sure you understand them before using the camera. Perchlorate Material—special handling may apply. See: http://www.dtsc.ca.gov/hazardouswaste/perchlorate For Customers in the U. S. A. Tested To Comply With FCC Standards

FOR HOME OR OFFICE USE

Technical Notes Contains IC : 10293A-WMBACBM25 Contains FCC ID : COF-WMBACBM25 FCC Statement: This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. CAUTION: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help. FCC Caution: Any changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate this equipment. This transmitter must not be co-located or operating in conjunction with any other antenna or transmitter.

Radiation Exposure Statement: This device meets the government’s requirements for exposure to radio waves. This device is designed and manufactured not to exceed the emission limits for exposure to radio frequency (RF) energy set by the Federal Communications Commission of the U.S. Government. The exposure standard for wireless device employs a unit of measurement known as the Specific Absorption Rate, or SAR. The SAR limit set by the FCC is 1.6W/kg. Tests for SAR are conducted using standard operating positions accepted by the FCC with the device transmitting at its highest certified power level in all tested frequency bands. Notes on the Grant: To comply with Part 15 of the FCC Rules, this product must be used with a Fujifilm-specified ferrite-core A/V cable, USB cable, and DC supply cord. A lithium ion battery that is recyclable powers the product you have purchased. Please call 1-800-8-BATTERY for information on how to recycle this battery. California Code of Regulations, Title 20, Division 2, Chapter 4, Article 4, Appliance Efficiency Regulations, Sections 1601 through

For Your Safety For Customers in Canada CAN ICES-003 (B)/NMB-003(B) CAUTION: This Class B digital apparatus complies with Canadian ICES-003. Industry Canada statement: This device complies with Industry Canada’s licence-exempt RSSs. Operation is subject to the following two conditions: (1) This device may not cause interference; and (2) This device must accept any interference, including interference that may cause undesired operation of the device. Disposal of Electrical and Electronic Equipment in Private Households In the European Union, Norway, Iceland and Liechtenstein: This symbol on the product, or in the manual and in the warranty, and/or on its packaging indicates that this product shall not be treated as household waste. Instead it should be taken to an applicable collection point for the recycling of electrical and electronic equipment. By ensuring this product is disposed of correctly, you will help prevent potential negative consequences to the environment and human health, which could otherwise be caused by inappropriate waste handling of this product. This device and its antenna(s) must not be co-located or operating in conjunction with any other antenna or transmitter, except tested built-in radios. The County Code Selection This symbol on the batteries or accumulators feature is disabled for products marketed in the US/ Canada. indicates that those batteries shall not be treated Radiation Exposure Statement: The available scientific evi- as household waste. dence does not show that any health problems are associated with using low power wireless devices. There is no proof, however, that these low power wireless devices are absolutely safe. Low power Wireless devices emit low levels of radio frequency energy (RF) in the microwave range while being used. Whereas high levels of RF can produce health effects (by heating tissue), exposure of low-level RF that does not produce heating effects causes no known adverse health effects. Many studies of low-level RF exposures have not found any biological effects. Some studies have suggested that some biological effects might occur, but such findings have not been confirmed by additional research. X-T5 has been tested and found to comply with IC radiation exposure limits set forth for an uncontrolled environment and meets RSS-102 of the IC radio frequency (RF) Exposure rules. Operation in the band 5150–5250 MHz is only for indoor use to reduce the potential for harmful interference to co-channel mobile satellite systems. If your equipment contains easy removable batteries or accumulators please dispose these separately according to your local requirements. The recycling of materials will help to conserve natural resources. For more detailed information about recycling this product, please contact your local city office, your household waste disposal service or the shop where you purchased the product. In Countries Outside the European Union, Norway, Iceland and Liechtenstein: If you wish to discard this product, including the batteries or accumulators, please contact your local authorities and ask for the correct way of disposal. In Japan: This symbol on the batteries indicates that they are to be disposed of separately. Caring for the Camera To ensure continued enjoyment of the product, observe the following precautions. Technical Notes Storage and Use If the camera will not be used for an extended period, remove the battery and memory card. Do not store or use the camera in locations that are:

• exposed to rain, steam, or smoke
• very humid or extremely dusty
• exposed to direct sunlight or very high temperatures, such as in a closed vehicle on a sunny day
• subject to strong vibration
• exposed to strong magnetic fields, such as near a broadcasting antenna, power line, radar emitter, motor, transformer, or magnet
• in contact with volatile chemicals such as pesticides
• next to rubber or vinyl products

Wireless Network and Bluetooth Devices: Cautions This product complies with the following EU Directives:

• RoHS Directive 2011/65/EU
• RE Directive 2014/53/EU Hereby, FUJIFILM Corporation declares that the radio equipment type FF220001 is in compliance with Directive 2014/53/EU. The full text of the EU declaration of conformity is available at the following internet address: https://dl.fujifilm-x.com/global/products/cameras/x-t5/pdf/x-t5_doc-ysk.pdf The full text of the UK declaration of conformity is available at the following internet address: https://dl.fujifilm-x.com/en-gb/products/cameras/x-t5/pdf/x-t5_doc-ysk_uk.pdf This compliance is indicated by the following conformity marking placed on the product: This marking is valid for non-Telecom products and EU harmonized Telecom products (e.g. Bluetooth®).
• Maximum radio-frequency power (EIRP): WLAN 2.4 GHz: 12.17 dBm WLAN 5 GHz: 14.30 dBm Bluetooth: 3.69 dBm IMPORTANT: Read the following notices before using the camera’s built-in wireless transmitter. Q This product, which contains encryption function developed in the United States, is controlled by the United States Export Administration Regulations and may not be exported or re-exported to any country to which the United States embargoes goods. device. Fujifilm does not accept liability for damages resulting from unauthorized
• Use only a wireless network or Bluetooth device. Technical Notes

use. Do not use in applications requiring a high degree of reliability, for example in medical devices or other systems that may directly or indirectly impact human life. When using the device in computer and other systems that demand a greater degree of reliability than offered by wireless network or Bluetooth devices, be sure to take all necessary precautions to ensure safety and prevent malfunction.

• Use only in the country in which the device was purchased. This device conforms to regulations governing wireless network and Bluetooth devices in the country in which it was purchased. Observe all location regulations when using the device. Fujifilm does not accept liability for problems arising from use in other jurisdictions.
• Do not use the device in locations subject to magnetic fields, static electricity, or radio interference. Do not use the transmitter in the vicinity of microwave ovens or in other locations subject to magnetic fields, static electricity, or radio interference that may prevent reception of wireless signals. Mutual interference may occur when the transmitter is used in the vicinity of other wireless devices operating in the 2.4 GHz band.
• The wireless transmitter operates in the 2.4 GHz and 5 GHz bands using DSSS, OFDM and GFSK modulation.
• Security: Wireless network and Bluetooth devices transmit data via radio and consequently their use requires greater attention to security than applies in the case of wired networks. - Do not connect to unknown networks or networks to which you do not have access rights, even if they are displayed on your device, as such access may be considered unauthorized. Connect only to networks to which you have access rights. - Be aware that wireless transmissions may be vulnerable to interception by third parties. - Do not connect this device directly to telecommunications networks (including public wireless LANs) operated by providers or mobile, landline, Internet, or other telecommunications services. The
• following may be punishable by law: - Disassembly or modification or this device - Removal of device certification labels
• This device operates on the same frequency as commercial, educational, and medical devices and wireless transmitters. It also operates on the same frequency as licensed transmitters and special unlicensed low-voltage transmitters used in RFID tracking systems for assembly lines and in other similar applications.
• To prevent interference with the above devices, observe the following precautions. Confirm that the RFID transmitter is not in operation before using this device. Should you observe that the device causes interference in licensed transmitters used for RFID tracking, immediately stop using the affected frequency or move the device to another location. If you notice that this device causes interference in low-voltage RFID tracing systems, contact a Fujifilm representative.

• Do not use this device on board an aircraft. When on an aircraft, follow the instructions of airline personnel. Note that this prod- uct may emit radio-frequency radiation even when off. This can be prevented by selecting ON for AIRPLANE MODE in the network/USB setting menu before boarding.
• Requirements in AT/BE/BG/CZ/DK/EE/FR/DE/IS/IE/IT/EL/ES/CY/LV/LI/LT/LU/HU/MT/NL/NO/PL/PT/RO/SI/SK/TR/FI/SE/CH/ UK/HR. 5150 MHz–5350 MHz is for indoor use only. Specific Absorption Rate (SAR) Information SAR is measured with the device at 0 mm to the body, while transmitting at the highest certified output power level in all frequency bands of the device. The maximum SAR value is 0.093 W/kg (head/body) averaged over 10 gram of tissue. U.K. Importer: FUJIFILM UK Limited Fujifilm House, Whitbread Way, Bedford, Bedfordshire, MK42 0ZE, United Kingdom EU Importer: FUJIFILM Electronic Imaging Europe GmbH Fujistrasse 1 47533 Kleve, Germany Technical Notes

For Your Safety Be sure to read these notes before using the lens Safety Notes WARNING

• Make sure that you use the lens correctly. Read these safety notes and the camera Basic Manual carefully before use.
• After reading these safety notes, store them in a safe place. About the Icons The icons shown below are used in this document to indicate the severity of the injury or damage that can result if the information indicated by the icon is ignored and the product is used incorrectly as a result. This icon indicates that death or serious WARNING injury can result if the information is ignored. This icon indicates that personal injury or CAUTION material damage can result if the information is ignored. The icons shown below are used to indicate the nature of the instructions which are to be observed. Triangular icons tell you that this information requires attention (“Important”). Circular icons with a diagonal bar tell you that the action indicated is prohibited (“Prohibited”). Filled circles with an exclamation mark indicate an action that must be performed (“Required”). Do not immerse Do not immerse in or expose to water. Failure to observe this precaution can cause a fire or electric shock. Do not disassemble Do not disassemble (do not open the case). Failure to observe this precaution can cause fire, electric shock, or injury due to product malfunction. Do not touch internal parts Should the case break open as the result of a fall or other accident, do not touch the exposed parts. Failure to observe this precaution could result in electric shock or in injury from touching the damaged parts. Remove the battery immediately, taking care to avoid injury or electric shock, and take the product to the point of purchase for consultation. Do not place on unstable surfaces. The product may fall, causing injury. Do not view the sun through the lens or camera viewfinders. Failure to observe this precaution can cause permanent visual impairment. CAUTION Do not use or store in locations that are exposed to steam, or smoke or are very humid or extremely dusty. Failure to observe this precaution can cause fire or electric shock. Do not leave in direct sunlight or in locations subject to very high temperatures, such as in a closed vehicle on a sunny day. Failure to observe this precaution can cause fire. Keep out of the reach of small children. This product could cause injury in the hands of a child. Do not handle with wet hands. Failure to observe this precaution can cause electric shock. Keep the sun out of the frame when shooting backlit subjects. Sunlight focused into the camera when the sun is in or close to the frame can cause fire or burns. Technical Notes When the product is not in use, replace the lens caps and store out of direct sunlight. Sunlight focused by the lens can cause fire or burns. Do not carry the camera or lens while they are attached to a tripod. The product can fall or strike other objects, causing injury.

Product Care To ensure continued enjoyment of the product, observe the following precautions. Camera body: Use a soft, dry cloth to clean the camera body after each use. Do not use alcohol, thinner, or other volatile chemicals, which could discolor or deform the leather on the camera body. Any liquid on the camera should be removed immediately with a soft, dry cloth. Use a blower to remove dust from the monitor, taking care to avoid scratches, and then gently wipe with a soft, dry cloth. Any remaining stains can be removed by wiping gently with a piece of Fujifilm lens-cleaning paper to which a small amount of lens-cleaning fluid has been applied. To prevent dust entering the camera, replace the body cap when no lens is in place. Image sensor: Multiple photographs marred by spots or blotches in identical locations may indicate the presence of dust on the image sensor. Clean the sensor using D USER SETTING > SENSOR CLEANING. Technical Notes

Cleaning the Image Sensor Dust that cannot be removed using D USER SETTING > SENSOR CLEANING can be removed manually as described below. O Note that there will be a charge to repair or replace the image sensor if it is damaged during cleaning.

Use a blower (not a brush) to remove dust from the sensor. N Do not use a brush or blower brush. Failure to observe this precaution could damage the sensor.

Check whether the dust has been successfully removed. Repeat Steps 1 and 2 as necessary.

Firmware Updates Updates to product firmware may result in changes not described in the manual. For more information, visit: https://fujifilm-x.com/support/download/firmware/cameras/ Checking the Firmware Version O The camera will only display the firmware version if a memory card is inserted.

Turn the camera off and check that a memory card is inserted.

Turn the camera off. Turn the camera on while pressing the DISP/BACK button. The current firmware version will be displayed; check the firmware version. N To view the firmware version or update firmware for optional accessories such as interchangeable lenses, shoe-mounted flash units, and mount adapters, mount the accessories on the camera. Technical Notes

Troubleshooting Consult the table below should you encounter problems using your camera. If you don’t find the solution here, contact your local Fujifilm distributor. Power and Battery Problem Solution

• The battery was not charged before first use: The battery is not The camera does not turn on. The monitor does not turn on. Technical Notes

charged at shipment. Charge the battery before first use (P 42).

• The battery is exhausted: Charge the battery or insert a fully-charged spare battery (P 42).
• The battery is inserted incorrectly: Reinsert in the correct orientation (P 36).
• The battery-chamber cover is not latched: Latch the battery-chamber cover (P 36). The monitor may not turn on if the camera is turned off and then on again very quickly. Keep the shutter button pressed halfway until the monitor activates. Troubleshooting Problem Solution

• The battery is cold: Warm the battery by placing it in a pocket or other warm place and reinsert it in the camera immediately before taking a picture.
• There is dirt on the battery terminals: Clean the terminals The battery runs down with a soft, dry cloth. quickly.
• ON is selected for G AF/MF SETTING > PRE-AF: Turn PRE-AF off (P 149).
• The battery has been charged many times: Select BATTERY AGE to view the battery age; if the battery is old, replace it with a new battery (P 276). The battery is exhausted: Charge the battery or insert a The camera turns off fully-charged spare battery (P 42). suddenly. The camera does not The camera may be busy. Check the indicator lamp turn off. (P 9). Technical Notes

• Make sure that the AC power adapter is correctly plugged in (P 42).

• Ensure that the plug adapter is correctly connected to the Charging does not start. AC power adapter (P 42).

• The battery has not been recharged for an extended period: If the battery has not been charged for an extended period, charging will be disabled to ensure safety. Replace it with a new battery.
• Insert the camera battery (P 36).
• Reinsert the camera battery in the correct orientation (P 36). Charging does not start • Confirm that the camera is connected to the computer (USB). (P 45).
• If the computer is off or in sleep mode, turn on or wake the computer and disconnect and reconnect the USB cable (P 45).
• Insert the battery. Charging does not start • Reinsert the battery in the correct orientation. (battery charger).
• The AC adapter is not correctly connected to the charger: Check that adapter is correctly connected to the charger. Charging is slow. Charge the battery at room temperature. Technical Notes

• There is dirt on the battery terminals: Clean the terminals The indicator lamp blinks, but the battery does not charge. with a soft, dry cloth (P 36).

• The battery has been charged many times: Select BATTERY AGE to view the battery age; if the battery is old, replace it with a new battery (P 276). If the battery still fails to charge, contact your Fujifilm dealer (P 356). The power supply icon is Confirm that POWER SUPPLY ON/COMM OFF is senot displayed. lected for USB POWER SUPPLY/COMM SETTING (P 270). Menus and Displays Problem Solution Select ENGLISH for D USER SETTING > Qa Display is not in English. (P 50, 275). Technical Notes

Shooting Problem Solution

• The memory card is full: Insert a new memory card or delete pictures (P 38, 230).

• The memory card is not formatted: Format the memory card in the camera (P 272).

• There is dirt on the memory card contacts: Clean the contacts with a soft, dry cloth. No picture is taken when The memory card is damaged: Insert a new memory card the shutter button is (P 38). pressed.
• The battery is exhausted: Charge the battery or insert a fully-charged spare battery (P 42).
• The camera has turned off automatically: Turn the camera on (P 46).
• You are using a third-party mount adapter: Select ON for SHOOT WITHOUT LENS (P 299). Mottling (“noise”) Gain is increased to aid composition when the subject is appears in the monitor poorly lit and aperture is stopped down, which may result or viewfinder when in noticeable mottling when images are previewed in the the shutter button is displays. Images taken with the camera are unaffected. pressed halfway.
• The subject is not suited to autofocus: Use focus lock or manual focus (P 101). The camera does not focus.
• The focus area is too small for the intended subject: Increase the size of the focus area by a couple of steps (P 88). Technical Notes

Troubleshooting Problem No panorama is recorded when the shutter button is pressed. Solution The indicator lamp was orange when you attempted to record a panorama: Wait until the indicator lamps turns off (P 9).

• The subject’s face is obscured by sunglasses, a hat, long hair, or other objects: Remove the obstructions (P 151).

• The subject’s face occupies only a small area of the frame: Change the composition so that the subject’s face occupies a larger area of the frame (P 151). No face is detected.
• The subject’s face is turned away from the camera: Ask the subject to face the camera (P 151).
• g FACE/EYE DETECTION SETTING is off: Turn g FACE/EYE DETECTION SETTING on (P 151).
• The camera is tilted: Keep the camera level.
• The subject’s face is poorly lit: Shoot in better light.
• The subject is partially hidden: Choose a vantage point where you can see as much of the subject as possible (P 153).
• The subject occupies only a small portion of the frame: Get No subject is detected. closer to your subject so it occupies more of the frame (P 153).
• OFF is selected for SUBJECT DETECTION SETTING: Select SUBJECT DETECTION ON (P 153).
• The subject is poorly lit: Shoot in better light. Technical Notes

• The flash is disabled: Adjust settings (P 180).
• The electronic shutter is enabled: Choose a SHUTTER TYPE that does not use the electronic shutter (P 170). The flash does not fire.

• The battery is exhausted: Charge the battery or insert a fully-charged spare battery (P 42).

• The camera is in bracketing or continuous mode: Select single frame mode (P 6).

• The subject is not in range of the flash: Position the subject in The flash does not fully light the subject. range of the flash.

• The flash window is obstructed: Hold the camera correctly.
• Shutter speed is faster than the sync speed: Choose a slower shutter speed (P 74, 80, 398). Technical Notes

• The lens is dirty: Clean the lens.
• The lens is blocked: Keep objects Pictures are blurred. Pictures are mottled. away from the lens (P 54).
• s is displayed during shooting and the focus frame is displayed in red: Check focus before shooting (P 55).
• Shutter speed is slow and the ambient temperature is* high: This is normal and does not indicate a malfunction. Use pixel mapping (P 133).
• X-rays, cosmic rays, and other forms of radiation interacting with the image sensor may cause bright spots of various colors such as white, red, and blue. Pixel mapping helps reduce the occurrence of such bright spots.

• The camera has been used continuously at high temperatures: Turn the camera off and wait for it to cool down (P 46, 393).
• A temperature warning is displayed: Turn the camera off and wait for it to cool down (P 46, 393). Technical Notes

Playback Problem Pictures are grainy. Playback zoom is unavailable. No sound in movie playback. Solution The pictures were taken with a different make or model of camera. The pictures were created using RESIZE or with a different make or model of camera.

• Playback volume is too low: Adjust playback volume (P 281).
• The microphone was obstructed: Hold the camera correctly during recording.
• The speaker is obstructed: Hold the camera correctly during playback. Selected pictures are not deleted. Some of the pictures selected for deletion are protected. Pictures remain after Remove protection using the device with which it was ERASE > ALL FRAMES is originally applied (P 234). selected. The battery-chamber cover was opened while the camFile numbering is era was on. Turn the camera off before opening the batunexpectedly reset. tery-chamber cover (P 308). Technical Notes

Troubleshooting Connections Problem Solution The camera is connected to a TV: Pictures will be displayed on The monitor is blank. the TV instead of in the camera monitor (P 57). The display mode selected with the VIEW MODE button is Both the TV and camera EVF ONLY + E: Put your eye to the viewfinder. Use the VIEW MODE button to choose another display mode monitor are blank. (P 16).

• The camera is not properly connected: Connect the camera properly (P 57). No picture or sound
• Input on the television is set to “TV”: Set input to “HDMI” on TV. (P 57).
• The volume on the TV is too low: Use the controls on the television to adjust the volume (P 57). The computer does not Be sure the camera and computer are correctly connected recognize the camera. (P 255).

FUJIFILM X RAW STUDIO

Check the option selected for CONNECTION MODE or FUJIFILM X Acquire on the camera. Select USB RAW CONV./BACKUP fails to correctly detect RESTORE before connecting the USB cable (P 263). the camera. Technical Notes

Problem Cannot connect to iPhones or iPads. Cannot connect to smartphone. Technical Notes

Solution POWER SUPPLY ON/COMM OFF is selected for USB POWER SUPPLY/COMM SETTING. Select POWER SUPPLY OFF/COMM ON when the camera is connected via a Lightning connection to a device that do not supply power (P 270). Confirm that the camera is correctly connected: The procedure for connecting the camera varies with the type of connector with which the smartphone is equipped (P 252). Troubleshooting Wireless Transfer For additional information on troubleshooting wireless connections, visit: https://digitalcamera-support-en.fujifilm.com/ Problem Cannot connect to smartphone. The camera is slow to connect or upload pictures to the smartphone. Upload fails or is interrupted. Solution

• The smartphone is too far away: Move the devices closer (P 249).

• Nearby devices are causing radio interference: Move the camera and smartphone away from microwave ovens or cordless phones (P 249).

• The smartphone is connected to another device: The smart- Technical Notes phone and camera can connect to only one device at a time. End the connection and try again (P 249).
• There are several smartphones in the vicinity: Try connecting again. The presence of multiple smartphones can make Cannot upload images. connection difficult (P 249).
• The image was created on another device: The camera may not be able to upload images created on other devices.
• The image is a movie: Uploading movies takes some time. In addition, smartphones may not accept upload of movies in formats they do not support. Select ON for Bluetooth/SMARTPHONE SETTING > RESIZE IMAGE FOR SMARTPHONE. Selecting OFF Smartphone will not increases upload times for larger images; in addition, display pictures. some phones may not display images over a certain size (P 266).

Troubleshooting Miscellaneous Problem Solution

• Temporary camera malfunction: Remove and reinsert the battery (P 36).

• The battery is exhausted: Charge the battery or insert a fulThe camera is unresponsive. ly-charged spare battery (P 42).

• The camera is connected to a wireless LAN: End the connection.

• The controls are locked: Press and hold the MENU/OK button The camera does not function as expected. No sound. Pressing the Q button does not display the quick menu. Technical Notes

to unlock the controls (P 13, 15). Remove and reinsert the battery (P 36). If the problem persists, contact your Fujifilm dealer. Adjust the volume (P 278). TTL-LOCK is active: End TTL-LOCK (P 181). Warning Messages and Displays The following warnings appear in the display. Warning Description Low battery. Charge the battery or insert a fully-charged i (red) spare battery. Battery exhausted. Charge the battery or insert a fulj (blinks red) ly-charged spare battery. The camera cannot focus. Use focus lock to focus on ans (displayed in red with other subject at the same distance, then recompose the red focus frame) picture. The subject is too bright or too dark and the picture will be Aperture or shutter over- or under-exposed. Use the flash for additional lightspeed displayed in red ing when taking photographs of poorly-lit subject. FOCUS ERROR Camera malfunction. Turn the camera off, remove the lens, LENS CONTROL ERROR and check for foreign matter between the lens and the TURN OFF THE CAMERA camera body, then replace the lens and turn the camera AND TURN ON AGAIN on. If the problem persists, contact a Fujifilm dealer.

• The memory card is not formatted or the memory card has been formatted in a computer or other device: Format the memory card using D USER SETTING > FORMAT. CARD NOT INITIALIZED • The memory card contacts require cleaning: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card.
• Camera malfunction: Contact a Fujifilm dealer. Technical Notes

Description Turn the camera off, remove the lens, and check for foreign matter between the lens and the camera body, then replace the lens and turn the camera on. If the problem persists, contact a Fujifilm dealer.

• The memory card is not formatted for use in the camera: Format the card.
• The memory card contacts require cleaning or the memory card is damaged: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card.
• Incompatible memory card: Use a compatible card.
• Camera malfunction: Contact a Fujifilm dealer. The memory card is locked. Unlock the card. The memory card is incorrectly formatted. Use the camera to format the card. The memory card is full and pictures cannot be recorded. Delete pictures or insert a memory card with more free space. Warning Messages and Displays Warning Description

turn the camera off and then on again. If the message persists, contact a Fujifilm dealer.

• Not enough memory remaining to record additional pictures: Delete pictures or insert a memory card with more free space.
• The memory card is not formatted: Format the memory card.
• The memory card was removed while data were being recorded: Do not remove the memory card during recording.
• The memory card write speed is slow: When recording movies, be sure the memory card write speed is fast enough. The camera has run out of frame numbers (current frame number is 999-9999). Insert a formatted memory card and select RENEW for D SAVE DATA SET-UP > FRAME NO.. Take a picture to reset frame numbering to 100-0001, then select CONTINUOUS for FRAME NO.. Technical Notes

• The file is corrupt or was not created with the camera: The file cannot be viewed. READ ERROR

• The memory card contacts require cleaning: Clean the con- tacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card.
• Camera malfunction: Contact a Fujifilm dealer. An attempt was made to delete or rotate to a protected picPROTECTED FRAME ture. Remove protection and try again. The picture is damaged or was not created with the camera.

Print orders can contain no more than 999 pictures. Copy any additional pictures you wish to print to another memoDPOF FILE ERROR ry card and create a second print order. The picture cannot be printed using DPOF.

F CAN NOT SET DPOF Movies cannot be printed using DPOF. The selected picture cannot be rotated.

F CAN NOT ROTATE Movies cannot be rotated. Technical Notes

Warning Messages and Displays Warning Description F CANNOT EXECUTE The selected operation is not supported: Check whether the m CANNOT EXECUTE picture was recorded with a different model of camera. The camera is approaching the maximum temperature alp (yellow) CAMERA IS APPROACHING lowed when STANDARD is selected for AUTO POWER OFF TEMP. and will shortly turn off automatically. Turn the STANDARD camera off and wait for it to cool. TEMPERATURE LIMIT The camera is approaching the maximum temperature allowed when HIGH is selected for AUTO POWER OFF p (yellow) TEMP. and will shortly turn off automatically. Remaining

CAMERA IS APPROACHING

in contact with the camera could result in low-temperature HIGH TEMPERburns; mount the camera on a tripod or take other steps to

avoid prolonged contact with the camera. The camera will

shortly turn off automatically. Turn the camera off and wait

LONG PERIODS OF TIME

for it to cool. Mottling may increase in pictures taken when this warning is displayed. The camera temperature has reached the cutoff point and p (red) the camera is about to turn off automatically. Turn the camHIGH TEMPERATURE era off and wait for it to cool. Mottling may increase in picLIMIT REACHED tures taken when this warning is displayed. SHUTTING DOWN Technical Notes

Memory Card Capacity The following table shows the recording time or number of pictures available at different image sizes. All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored. The number of exposures or length remaining may not diminish at an even rate. SD memory cards 64 GB Capacity

• Assumes default bit rate. O • The types of memory cards suitable for movie recording vary with the settings selected (P 68).
• Shots over an hour in length may be recorded across multiple files without interruption. In addition, movies over 4 GB in size will be recorded uninterrupted across multiple files to SD memory cards with capacities 32 GB or less. Technical Notes

Specifications System Model Product Number Effective pixels Image sensor Storage media Memory card slots File system FUJIFILM X-T5 FF220001 Approx. 40.2 million

23.5 mm × 15.7 mm (APS-C), X-Trans CMOS 5 HR sensor with

primary color filter Fujifilm-recommended SD/SDHC/SDXC memory cards Two SD memory card slots (UHS-II compliant)

• Still pictures: Compliant with DCF 2.0
• Compressed: Exif 2.32 JPEG-baseline compliant; DPOF compliant; HEIF compliant (4 : 2 : 2, 10-bit)
• Uncompressed or compressed using a reversible or non-reversible algorithm: RAW (original RAF format; special-purpose software required); RAW+JPEG available; TIFF (RGB)
• Movies: Compliant with HEVC/H.265, and H.264
• Audio (including voice memos): - LPCM (two channels: 24-bit, 48 kHz sampling) - AAC (MP4 recordings only)
• Audio (via XLR microphone adapter): - LPCM (two channels: 24-bit, 48 kHz sampling; four channels: 24-bit, 48 kHz sampling) - AAC (MP4 recordings only; two channels: 16-bit, 48 kHz sampling) Technical Notes

MULTI, SPOT, AVERAGE, CENTER WEIGHTED

Exposure control Programmed AE (with program shift); shutter-priority AE; aperture-priority AE; manual exposure Exposure compensation • Still pictures: −5 EV – +5 EV in increments of ⁄ EV

• Movies: −2 EV–+2 EV in increments of ⁄ EV Technical Notes

Specifications System Shutter speed

• MECHANICAL SHUTTER, E-FRONT CURTAIN SHUTTER, E-FRONT + MECHANICAL ⁃ Modes P and A: 30 s to ⁄ s ⁃ Modes S and M: 15 min. to ⁄ s ⁃ Bulb: Max. 60 min.
• ELECTRONIC SHUTTER ⁃ Modes P and A: 30 s to ⁄ s ⁃ Modes S and M: 15 min. to ⁄ s ⁃ Bulb: Fixed at 1 s

1 Available with electronic shutter only. 2 13 fps with electronic shutter. 3 8.9 fps with electronic shutter. 4 6.7 fps with electronic shutter. O The frame rate and number of frames per burst varFocus

• Mode: Single or continuous AF; manual focus with focus ring
• Autofocus system: Intelligent hybrid AF (TTL contrast-detect/ phase-detection AF)

• Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING, ALL Technical Notes ies with shooting conditions and type of memory card used.

System White balance Technical Notes Auto (WHITE PRIORITY, AUTO, AMBIENCE PRIORITY), Custom 1, Custom 2, Custom 3, color temperature selection, direct sunlight, shade, daylight fluorescent, warm white fluorescent, cool white fluorescent, incandescent, underwater Self-timer

• Still pictures: Off, 2 sec., 10 sec.
• Movies: Off, 3 sec., 5 sec., 10 sec. Flash mode
• MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.),
• SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (highspeed sync)
• RED EYE REMOVAL: L FLASH, OFF Hot shoe Provided (supports TTL flash control); supports sync speeds as fast as ½ s Sync contact X contact; supports sync speeds as fast as ½ s Sync terminal Provided Electronic viewfinder 0.5-in., 3690k-dot OLED viewfinder; magnification 0.80× with 50 mm lens (35 mm format equivalent) at infinity and (EVF) diopter set to −1.0 m−1; diagonal angle of view approximately 39° (horizontal angle of view approximately 32°)
• Diopter adjustment: −5 to +3 m−1
• Eyepoint: Approximately 24 mm LCD monitor 3.0-in/7.6 cm, 1840k-dot color LCD touch screen with 3-way tilt Movies
• Movie size: J 16:9, T 16∶9, W 17∶9, V 16∶9, d 17∶9, (with stereo sound) W 16∶9, W 17∶9
• Frame rate: 59.94P, 50P, 29.97P, 25P, 24P, 23.98P

Specifications System High-speed movies

Power supply/other Power supply NP-W235 rechargeable battery (supplied with camera) Battery life

• Battery type: NP-W235
• External flash units: Disabled
• Shooting mode: Mode P Number of shots PERFORMANCE LCD EVF Approx. 570 Approx. 500 BOOST 1 NORMAL Approx. 580 Approx. 590 ECONOMY Approx. 740 Approx. 670 Total length of footage that can be recorded on a single charge Continuance Actual battery life battery life of Mode of movie capture movie capture Approx. 90 minutes Approx. 130 minutes Approx. 80 minutes Approx. 130 minutes Approx. 90 minutes Approx. 150 minutes High-speed movies 4 Approx. 100 minutes 1 EVF FRAME RATE PRIORITY (100P) selected EVF/LCD BOOST SETTING. 2 At a frame rate of 29.97 fps. 3 At a frame rate of 59.94 fps. 4 At a frame rate of 120 fps. Technical Notes CIPA standard. Measured using battery supplied with camera and SD memory card. Note: Battery endurance varies with battery charge level and the figures given above are not guaranteed. Battery endurance will decline at low temperatures.

Specifications Power supply/other Camera size

129.5 mm × 91 mm × 63.8 mm (37.9 mm excluding projections,

(W × H × D) measured at thinnest part)/5.1 in. × 3.58 in. × 2.51 in. (1.49 in.) Camera weight Approx. 476 g/16.8 oz., excluding battery, accessories, and memory card Shooting weight Approx. 557 g/19.6 oz., including battery and memory card Operating conditions • Temperature: −10 °C to +40 °C/+14 °F to +104 °F (+5 °C to +40 °C/+41 °F to +104 °F when battery is charging)

• Humidity: 10% to 80% (no condensation) Technical Notes Wireless transmitter Wireless LAN Standards IEEE 802.11a/b/g/n/ac (standard wireless protocol) Operating frequency • Israel, Indonesia : 2,412 MHz–2,462 MHz (11 channels) (center frequency)
• USA, Canada, Brazil, China, India, Korea, Malaysia : 2,412 MHz–2,462 MHz (11 channels) : 5,180 MHz–5,320 MHz (W52, W53) : 5,745 MHz–5,825 MHz (UNII-3)
• European Union, Japan, United Kingdom, Australia, Norway, New zealand, Turkey, Hong Kong, Philippines, Vietnam, Singapore, Thailand, UAE, Russia, Taiwan, Saudi Arabia, Qatar, Bahrain, Oman, Egypt, Iran, Kuwait, Lebanon, Uzbekistan : 2,412 MHz–2,462 MHz (11 channels) : 5,180 MHz–5,320 MHz (W52, W53) : 5,500 MHz–5,700 MHz (W56) Access protocols Infrastructure Bluetooth® Standards Bluetooth version 4.2 (Bluetooth Low Energy) Operating frequency 2,402 MHz–2,480 MHz (center frequency)

Specifications NP-W235 rechargeable battery Nominal voltage

Nominal capacity 2350 mAh Rating capacity 2200 mAh Operating 0 °C to +40 °C/+32 °F to +104 °F temperature

38.92 mm × 22.8 mm × 52.26 mm/

1.5 in. × 0.9 in. × 2.1 in.

(W × H × D) Weight Approx. 79 g/2.8 oz. AC-5VJ AC power adapter Manufacturer Address Model name Rated input Input capacity Rated output Average active efficiency Efficiency at load 10% No-load power consumption Operating temperature Weight Dongguan Yingiu Power Co.,Ltd. No.6 Yongxing Road, Shayao Village, Shijie Town, 523292 Dongguan City, Guangdong Province,

PEOPLE'S REPUBLIC OF CHINA

AC-5VJ 100 V – 240 V AC, 50/60 Hz Max. 50 VA DC5.0V 3.0A 15.0W

0 °C to +40 °C/+32 °F to +104 °F Approx. 45 g ± 2 g/1.6 oz. ± 0.1 oz. O Specifications and performance are subject to change without notice. Fujifilm will not be held liable for any errors this manual may contain. The appearance of the product may differ from that described in this manual. Technical Notes