AVR500 - AV Receiver ARCAM - Free user manual and instructions

USER MANUAL AVR500 ARCAM

HANDBOOK AVR surround amplifier / AV processor

CAUTION

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ATTENTION

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CAUTION: To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer servicing to qualified service personnel.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

The lightning flash with an arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated 'dangerous voltage' within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.

CAUTION: In Canada and the USA, to prevent electric shock, match the wide blade of the plug to the wide slot in the socket and insert the plug fully into the socket.

Class II product

This equipment is a Class II or double insulated electrical appliance. It has been designed in such a way that it does not require a safety connection to electrical earth ('ground' in the U.S.).

Many of these items are common sense precautions but, for your own safety and to ensure that you do not damage the unit, we recommend that you read them.

Important safety instructions

This product is designed and manufactured to meet strict quality and safety standards. However, you should be aware of the following installation and operation precautions.

1. Take heed of warnings and instructions

You should read all the safety and operating instructions before operating this equipment. Retain this handbook for future reference and adhere to all warnings in the handbook or on the equipment.

2. Water and moisture

The presence of electricity near water can be dangerous. Do not use the equipment near water - for example next to a bathtub, washbowl, kitchen sink, in a wet basement or near a swimming pool, etc.

3. Object or liquid entry

Take care that objects do not fall and liquids are not spilled into the enclosure through any openings. Liquid-filled objects such as vases should not be placed on the equipment.

4. Placing the equipment

Only use a rack or shelf that is stable and strong enough to support the weight of this equipment.

5. Ventilation

Do not place the equipment on a bed, sofa, rug or similar soft surface, or in an enclosed bookcase or cabinet, since ventilation may be impeded.

6. Heat

Locate the equipment away from naked flames or heat-producing appliances such as radiators, stoves or other appliances that produce heat.

7. Climate

The equipment has been designed for use in moderate climates and in domestic situations. Unplug this equipment during lightning storms to prevent possible damage from a strike or mains surge.

8. Cleaning

Unplug the unit from the mains supply before cleaning. The case should normally only require a wipe with a soft, lint-free cloth. Do not use chemical solvents for cleaning. We do not advise the use of furniture cleaning sprays or polishes as they can cause permanent white marks.

9. Power sources

Only connect the equipment to a power supply of the type described in the operating instructions or as marked on the equipment.

The primary method of isolating the equipment from the mains supply is to remove the mains plug. The equipment must be installed in a manner that makes disconnection possible.

10. Power-cord protection

Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them. Pay particular attention to the point where they exit from the equipment.

11. Power lines

Locate any outdoor antenna/aerial away from power lines.

12. Speaker connections

Any speakers must be connected to the unit using high quality class II wire (i.e. no connection to Earth should be made). Failure to observe this precaution may cause the unit to become damaged.

13. Non-use periods

If the equipment is not being used for an extended period, we recommend that you unplug the power cord of the equipment from the outlet, to save power.

14. Abnormal smell

If an abnormal smell or smoke is detected from the equipment, turn the power off immediately and unplug the equipment from the wall outlet. Contact your dealer and do not reconnect the equipment.

15. Servicing

You should not attempt to service the equipment. Contact your dealer to arrange servicing.

16. Damage requiring service

The equipment should be serviced by qualified service personnel when:

A. the power-supply cord or the plug has been damaged, or
B. objects have fallen into, or liquid has spilled into the equipment, or
C. the equipment has been exposed to rain, or

D. the equipment does not appear to operate normally or exhibits a marked change in performance, or

E. the equipment has been dropped or the enclosure damaged.

Safety compliance

This equipment has been designed to meet the IEC/EN 60065 international electrical safety standard.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.

CAUTION

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ATTENTION

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before you begin... .E-4

audio/video connections.E-7

AVR600/AV888 rear panel connectors .E-8

Connection guide - AVR600/AV888. E-12

AVR500 rear panel connectors.. E-14

Connection guide - AVR500.. E-18

radio connectors. E-20

other connectors.. E-22

speakers. E-23

operation. E-25

front panel operation. E-27

remote control. E-28

essential setup. E-36

auto speaker setup. E-37

setup menus E-38

video & audio connection settings .... E-39

decoding modes. E-46

Dolby volume. E-48

tuner operation. E-50

network/usb operation E-52

external amplifiers. E-53

multi-room set up. E-54

Multi-room connection guide E-55

customising the CR102. E-56

Command summary. E-59

Device codes. E-59

troubleshooting. E-60

specifications. E-62

product guarantee E-63

device code tables. 64

Thank you and congratulations for purchasing your Arcam FMJ AVR500/AVR600 surround amplifier or AV888 AV processor.

Arcam has been producing specialist audio products of remarkable quality for over three decades and the new FMJ products are the latest in a long line of award winning Hi-Fi. The design of the FMJ range draws upon all of Arcam's experience as one of the UK's most respected audio companies, to produce Arcam's best performing range of products yet - designed and built to give you years of watching and listening enjoyment.

This handbook is intended to give you a detailed guide to using the AVR500/AVR600 surround amplifier and the closely related AV888 AV processor. It starts by giving advice on installation, moves on to describe how to use the product and finishes with additional information on the more advanced features. Use the contents list shown on this page to guide you to the section of interest.

We hope that your FMJ product will give you years of trouble-free operation. In the unlikely event of any fault, or if you simply require further information about Arcam products, our network of dealers will be happy to help you. Further information can also be found on the Arcam website at www.arcam.co.uk.

The FMJ development team

Professional Installation?

It may be that the unit has been installed and set up as part of your Hi-Fi installation by a qualified Arcam dealer. In this case, you may wish to skip the sections of this handbook dealing with installation and setting up, and move directly to the sections dealing with using the unit. Use the Contents list to guide you to these sections.

DIY setup?

The AVR500, AVR600 and AV888 are powerful and sophisticated items of AV equipment. If you are setting a unit up yourself, it is recommended that you read this handbook thoroughly before beginning. For instance, correct speaker configuration and placement is a key to getting the most out of your FMJ product and making sure that all the elements of your system work in harmony.

welcome

before you begin…

The AVR500/AVR600 is a high-quality and high-performance home-cinema processor and amplifier built to Arcam's quality design and manufacturing standards. The closely related AV888 is a home-cinema processor which provides multichannel input to an external amplifier (such as Arcam's P777). They both combine digital processing with high-performance audio and video components to form the locus of an unrivalled home-entertainment centre.

The AVR500/AVR600/AV888 allow switching and control of eight analogue and seven digital sources. The AVR500 and AVR600 have internal AM, FM and DAB radio and the AVR600 can accept a SiriusConnect™ Home Tuner input. The AVR600, AV888 and optionally the AVR500 can accept networked and USB audio sources - making it an ideal hub for both home-cinema and two-channel stereo systems.

Since many of these source components are also capable of generating video signals, the AVR500/ AVR600 receiver and the AV888 processor units include broadcast-quality switching for HDMI, Composite, S-Video, RGB and Component video signals. There are audio and video outputs for PVR and VCR recording, as well as two digital outputs for digital recording of digitised audio sources (AVR600/AV888 only). DVD-Audio and SACD can be connected via the multichannel input. Control of the AVR500, AVR600 or the AV888 is either by front panel control buttons, IR remote control or RS232 port.

The CR102 remote control supplied with either unit is an eight-device 'universal' learning remote control which is simple to use, and once set up is able to control a complete system. It can be programmed using its vast internal code library to control CD and DVD players, PVRs, TVs and other devices.

The installation of the AVR500, AVR600 or AV888 in a listening room is an important process which requires care at every stage. For this reason, the installation information is very comprehensive and should be followed carefully to achieve an unrivalled level of performance.

The AVR500/AVR600 surround amplifier and AV888 AV processor are designed to produce a level of performance that will truly bring music and movies to life.

*DAB and network/USB connectivity are optional for the AVR500, please contact your dealer for information.

Placing the unit

Place the unit on a level, firm surface, avoiding direct sunlight and sources of heat or damp.
- Do not place the unit on top of a power amplifier or other source of heat.
- Do not place the unit in an enclosed space such as a bookcase or closed cabinet unless there is good provision for ventilation. The unit will run warm during normal operation.
- Do not place any other component or item on top of the amplifier as this may obstruct airflow around the heat-sink, causing the amplifier to run hot. (The unit placed on top of the amplifier would become hot, too.)
Make sure the remote-control receiver on the front panel display is unobstructed, otherwise this will impair the use of the remote-control. If line-of-sight is impractical, a remote-control repeater can be used with the rear panel connector (see page 17).
- Do not place your record deck on top of this unit. Record decks are very sensitive to the noise generated by mains power supplies which will be heard as a background 'hum' if the record deck is too close.

Power

The amplifier is supplied with a moulded mains plug already fitted to the lead. Check that the plug supplied fits your supply - should you require a new mains lead, please contact your Arcam dealer.

If your mains supply voltage or mains plug is different, please contact your Arcam dealer immediately.

The amplifier can be switched for operation between 195-265V (switch position 230V ) and 85-132V (switch position 115V ).

NOTE

Ensure that the unit is switched off and the power lead removed before changing the position of the voltage range switch.

Push the IEC plug end of the power cable into the socket on the back of the amplifier, making sure that it is pushed in firmly. Plug the other end of the cable into your mains socket and, if necessary, switch the socket on.

The amplifier can be turned on using the POWER switch on the front panel. While switched on, the front panel LED will glow green.

Standby power

The unit can be switched into standby mode using the button on the CR102 remote control. While in standby mode the front panel LED will glow red and power consumption is around 3 watts.

While in Standby mode, it may be possible to hear a slight residual hum coming from the mains transformer inside the amplifier. This is perfectly normal. However, if the unit is to be left unused for an extended period, we recommend that you disconnect it from the mains supply to save power.

Interconnect cables

We recommend the use of high-quality screened cables that are designed for the particular application. Other cables will have different impedance characteristics that will degrade the performance of your system (for example, do not use cabling intended for video use to carry audio signals). All cables should be kept as short as is practically possible.

It is good practice when connecting your equipment to make sure that the mains power-supply cabling is kept as far away as possible from your audio cables. Failure to do so may result in unwanted noise in the audio signals.

For information on speaker cabling, please refer to the 'Speakers' section, beginning on page 23.

Radio interference

The AVR500, AVR600 and AV888 are audio devices containing microprocessors and other digital electronics. They have been designed to very high standards of electromagnetic compatibility.

This is a Class A product. In a domestic environment this product may cause radio interference, in which case the user may be required to take adequate measures.

If the unit causes interference to radio or television reception (which can be determined by switching the unit off and on), the following measures should be taken:

Re-orient the receiving antenna or route the antenna cable of the affected receiver as far as possible from the unit and its cabling.
Relocate the receiver with respect to the unit.
Connect the affected device and the unit to different mains outlets.

If the problem persists, please contact your Arcam dealer.

Trademark acknowledgements

Arcam is a registered trademark of A & R Cambridge Ltd.

DOLBY VOLUME1	Dolby Volume Manufactured under license from Dolby Laboratories. Dolby and the double-D symbol are trademarks of Dolby Laboratories.
DOLBY TRUE DIGITAL PLUS PRO LOGIC IIx	Dolby True HD, Digital, Digital Plus, PL IIx Manufactured under license from Dolby Laboratories. Dolby, Pro Logic, and the double-D symbol are trademarks of Dolby Laboratories.
dts-hd Master Audio	DTS-HD Master Audio Manufactured under license under U.S. Patent #s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535; 7,212,872; 7,333,929; 7,392,195; 7,272,567 & other U.S. and worldwide patents issued & pending. DTS is a registered trademark and the DTS logos, Symbol, DTS-HD and DTS-HD Master Audio are trademarks of DTS, Inc. © 1996-2008 DTS, Inc. All Rights Reserved. DTS-HD High Resolution Audio Manufactured under license under U.S. Patent #s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535; 7,212,872; 7,333,999 & other U.S. and worldwide patents issued & pending. DTS is a registered trademark and the DTS logos, Symbol, DTS-HD, DTS-HD High Resolution Audio and DTS-HD High Res Audio are trademarks of DTS, Inc. © 1996-2008 DTS, Inc. All Rights Reserved.
dts Digital Surround ES | Neo:6 | 96/24	DTS Digital Surround ES|Neo:6|96/24 Manufactured under license under U.S. Patent #s: 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535; 7,003,467; 7,212,872 & other U.S. and worldwide patents issued & pending. DTS, DTS Digital Surround, ES, and Neo:6 are registered trademarks and the DTS logos, Symbol and DTS 96/24 are trademarks of DTS, Inc. © 1996-2008 DTS, Inc. All Rights Reserved.
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FLAC

FLAC Decoder Copyright © 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008 Josh Coalson

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Before connecting your AVR500/AVR600 or AV888 and power amplifier (e.g. the Arcam P777) to your source components and speakers, please read through the next few pages which will explain all the input and output connectivity that is available. The 'Speakers' section explains how to connect up your speakers to avoid damage to the amplifier and how to arrange your speakers for best performance.

General

The inputs are named to make it easier to reference connected devices (e.g. 'DVD' or 'VCR'). They all have the same input circuit (with the exception of the 'PHONO' input), so there is no reason why you should not connect a different device to any of the inputs. For example, if you had two DVD players and the AV input was not being used, then the second DVD player could be connected to the AV input.

When connecting a video source, its audio must be connected to the corresponding sockets. For example, if you a had a satellite decoder plugged into a SAT video input, the audio must be connected to the SAT audio inputs!

The hierarchy for video connections for best quality is as follows;

HDMI
Component/RGB
S-Video
Composite.

You should connect as many of these as possible. The unit will automatically select the best quality connection for the source available. For any video source to be available in Zone 2 you must have an S-Video or Composite connection between the unit and the source.

Making connections

Important notes about Component/RGB video inputs and outputs

When you connect your devices to these connectors, take care to follow the letter/colour coding for each input. No damage will occur due to incorrect connection but incorrectly coloured or unstable pictures will result.
The Component video inputs have sufficient bandwidth for NTSC (525/60) or PAL (625/50) video and HDTV video signals.

• Wherever possible, connect both the analogue and digital outputs of digital sources. This enables use of a digital input for the main zone and the corresponding analogue input for recording onto an analogue tape deck, VCR or PVR, or for the Zone 2 or 3 output.
  Take care to place cables as far from any power supply cabling as is practicable, to reduce hum and other noise problems.

Product differences and options

Product operation is broadly similar for the AVR500, AVR600 and AV888, however, the AVR600 & AV888 have a greater variety of input connectors and a different rear panel layout. For this reason, two sections of connection diagrams are presented. Please see Page 8 for the AVR600 & AV888. For the AVR500 please skip ahead to Page 14.

HDMI connectors

AV, SAT, DVD, VCR, PVR

Connect the HDMI video outputs of your source equipment to these corresponding HDMI inputs.

OUT1

Connect this output to the HDMI video input of your main zone display device.

OUT2

Connect this output to the HDMI video input of your second display device or to another HDMI display device in a second living space. As the unit has only one processed video path, this signal will be a copy of the signal on OUT 1.

NOTE

All Zone 1 analogue video outputs will be disabled if an HDMI digital video source is selected.

Zone 3 connectors

Z3 OUT

Connect these analogue audio outputs to your Zone 3 equipment. See 'Multi-room Setup' on page 54 for information.

Component/RGB video connectors

These inputs are suitable for connection to source devices which output Component (YUV or YPbPr) or RGB high quality analogue video signals. These signals are usually available from DVD players, set-top boxes or games consoles.

If you are connecting up to an RGB source you will also need to connect the source's Composite output to the unit's Composite input to act as a video sync. The Composite signal should be on the same named input as the RGB signals.

RGB video outputs on source equipment are often on SCART connectors. You will need to use a SCART to 'RGB+Sync on phono' breakout cable, available from your Arcam dealer.

NOTE

When setting up the menus (later in this manual), you will need to select whether the three-wire high quality video input is Component or RGB for each input. This is done on the 'HQ Video In' line in the Input Config menu. Failure to do this can result in a green looking picture or a picture that is unstable.

AV, DVD, SAT, VCR, PVR

Connect the Component video outputs of your source equipment to these inputs.

OUT

Connect this output to the Component video input of your display device.

NOTE

Analogue RGB video output is not available from the AVR500, AVR600 or AV888. The analogue three-wire high quality video output is always configured as Component video.

Zone 2 connectors

Connect these analogue audio and video outputs to your Zone 2 equipment. See 'Multi-room Setup' on page 54 for information.

S-Video and Composite connectors

AV, DVD, SAT, VCR, PVR

Connect these inputs to the S-Video and Composite outputs of your available source equipment.

VCROUT,PVROUT,

These are recording outputs. Connect these to the 'S-Video in' or 'Composite in' sockets (usually labelled 'RECORD') on your recording device.

MAIN OUT

Connect this output to the S-Video or Composite sockets on your primary Zone 1 display.

Digital audio connectors

TAPE, CD, AV, DVD, SAT, VCR, PVR

Connect these inputs to the digital outputs of your available source equipment.

OPTICAL, COAX

Connect the optical or coaxial output to your digital recording device such as CD-R, digital VCR or Minidisc player. When a digital source is selected, the digital output will send an exact

copy of the incoming digital signal. For example, for a 5.1 digital source, the digital output will also be in 5.1 format.

When an analogue-only source is selected, this is digitized by the unit and routed to the digital outputs.

These outputs are muted if a source is selected where the HDMI connection is used and is transmitting HD audio. The digital audio from the HDMI link will not be routed to these outputs.

Phono

This input can be connected directly to a record deck which has a direct output from a moving magnet (MM) cartridge.

MCH input

This multichannel analogue audio input can be connected to a source device which outputs surround sound on its analogue outputs. Such devices typically include DVD-Audio and SACD players. This input does not pass through any of the audio processing in the unit, therefore functions such as speaker size and distance from the listening

position should be copied from the Setup menus into the Setup menus of your multichannel source. Note however that speaker level trims are applied to the MCH input on the unit. Therefore speaker level trim settings on multichannel source equipment should be left unset at zero.

Analogue pre-amplifier outputs

All pre-amplifier analogue outputs are buffered, have a low output impedance, are at line level and follow the Zone 1 volume control setting. They are able to drive long cables or several inputs in parallel if required.

For more information on connecting speakers or additional power amplifiers, see page 23 and 53.

Analogue audio inputs

TAPE, CD, AV, DVD, SAT, VCR, PVR

Connect the left and right inputs to the left and right outputs of your source equipment.

Analogue record outputs

VCROUT, PVROUT, TAPEOUT

Connect the left and right outputs to the left and right input sockets of your cassette

deck, PVR or VCR (usually labelled 'RECORD'). The PVR and VCR connectors may be used for a second and third cassette deck. These outputs are fixed at full line level.

Front panel AUX input

The front panel AUX input can be used as an analogue or optical digital input.

For analogue sources, use a stereo 3.5mm lead; for digital sources use a 3.5mm optical lead. The front input is also used for the auto-setup microphone input.

Front panel PHONES socket

This socket accepts headphones with an impedance rating between 32 and 600 , fitted with a 3.5mm stereo jack plug. The headphone socket is always active, except when AVR600/AV888 is muted.

When the headphone jack is inserted, the speaker outputs and analogue pre-amplifier outputs are automatically muted.

Trigger connectors

The trigger connectors (TRIG Z1, TRIG Z2 and TRIG Z3) provide an electrical signal whenever the amplifier is switched on and the relevant zone enabled.

The trigger signal can be used to switch on and off compatible pieces of home entertainment equipment, for example, you could set up a trigger to turn on your television and DVD player whenever the unit was switched on.

There are three trigger output sockets on the unit, each capable of outputting a 12V, 70mA switching signal. The socket

is designed for mono 3.5mm jacks: tip is the trigger output, sleeve is ground.

TRIGZ1

Use for remotely turning on and off power amps or source equipment for Zone 1. On = 12V Off = 0V

TRIG Z2

Use for remotely turning on and off power amps or source equipment for Zone 2. On = 12V Off = 0V

TRIG Z3

Use for remotely turning on and off power amps or source equipment for Zone 3. On = 12V Off = 0V

NOTE

Sockets with the prefix 'Z2' or 'Z3' refer to connections used in multi-room installation. For more information on these connectors, see page 54.

Infra-red (IR) connectors

The infra-red inputs (Z1 IR, Z2 IR and Z3 IR) allow the connection of external IR receivers, either when the unit's front panel IR receiver is fully or partially obstructed or to allow the use of a remote control in Zone 2 or Zone 3.

There are three IR inputs on the unit, each designed for stereo or mono 3.5mm jacks. Tip is the modulated signal, sleeve is ground.

Z1IR

This input is intended for use with a local IR receiver when the front panel of the unit is blocked.

Connecting an IR receiver to Z1 IR will disable to front panel IR receiver to prevent problems with multiple commands if the front panel IR receiver is only partially obstructed.

Z2IR

This input is intended for use with an IR receiver in Zone 2 to allow remote control of the unit from a second room.

Z3 IR

This input is intended for use with an IR receiver in Zone 3 to allow remote control of the unit from a third room.

IROUT

This output is an electrical combination of the Z1 (or front panel) +Z2 + Z3 infra-red signals above. It can be used to drive external IR emitters or can be connected directly to other Arcam equipment which have an IR input. This function can be useful as an IR 'repeater' so that someone in any of the zones can control the functions of a CD player in the main zone, for example. Tip is the modulated electrical IR signal, sleeve is ground.

A supplier of infra-red receivers and emitter accessories and systems is Xantech. See www.xantech.com for more information, or ask your Arcam dealer.

NOTE

The IR inputs on the unit are designed for modulated signals. If the external IR receiver demodulates the IR signal, it will not work. Also the unit does not provide power for external receivers on the IR jack, therefore an external power source will be required.

Connection guide - AVR600/AV888

DVD player

The diagram shows how to make audio and video connections from a typical DVD player.

The preferred video hook-up, in order of preference is:

• use the HDMI connector (if HDMI output is provided by the player), otherwise connect the three Component or four RGB+Sync video connectors.
  use the S-Video connection if HDMI or Component /RGB+Sync outputs are not provided by your player.
• use the Composite connection if HDMI, Component/RGB+Sync or S-Video are not provided by your player.

In each case, connect the video inputs labelled DVD on the unit.

The preferred audio hook-up is using the coaxial digital connector (usually marked DIGITAL AUDIO OUT), in addition to the coaxial analogue outputs for left and right channels.

In each case, use the audio inputs labelled DVD on the unit.

Satellite receiver

A satellite receiver is connected in the same way as a DVD player, with the same order of preference according to the outputs provided by the satellite receiver.

In each case, use the inputs labelled SAT on the unit. Note that digital audio input from a satellite receiver sometimes requires a coaxial/TOSLINK (digital connector) interconnect cable, as some satellite receivers do not implement audio over HDMI properly or at all.

CD player

Connect the digital audio output (if provided by the CD player) to the digital CD input of the unit, using a high quality coaxial interconnect cable.

Connect the right and left analogue audio outputs of the CD player to the analogue CD inputs of the unit, using a pair of high quality coaxial interconnect cables.

AVR600

Connecting an iPod using the Arcam rDock

The combination of the AVR600/AV888 and Arcam's optional rDock or rLead accessory provides a great platform for your iPod.

Connect the rDock as shown, power on the rDock, slot in your iPod and select IPOD as the source. Set the Audio In iPod item in the 'General Setup' menu to the audio input that you have used to connect the rDock. For video connections, select the video source you have used for the iPod input in the 'Video Inputs' menu.

Navigating through music and podcasts on your iPod is simple using the CR102 remote, with text appearing on the front panel display.

More information is given in the rDock quick start guide (or rLead quick start guide) supplied with these accessory units.

NOTE

Please read the 'Placing the unit', 'Power' and 'Interconnect cables' sections on page 5 before connecting up your AVR500!

HDMI connectors

AV, SAT, DVD, VCR, PVR

Connect the HDMI video outputs of your source equipment to these corresponding HDMI inputs.

OUT1

Connect this output to the HDMI video input of your main zone display device.

OUT2

Connect this output to the HDMI video input of your second display device or to another HDMI display device in a second living space. As the unit has only one processed video path, this signal will be a copy of the signal on OUT 1.

NOTE

All Zone 1 analogue video outputs will be disabled if an HDMI digital video source is selected.

Zone 2 connectors

Z2 AUDIO OUT, Z2 VIDEO OUT

Connect these analogue audio and video outputs to your Zone 2 equipment. See 'Multi-room Setup' on page 50 for information.

S-Video and Composite connectors

VCR, PVR

Connect these inputs to the S-Video and Composite outputs of your available source equipment.

Component/RGB video connectors

These inputs are suitable for connection to source devices which output Component (YUV or YPbPr) or RGB high quality analogue video signals. These signals are usually available from DVD players, set-top boxes or games consoles.

If you are connecting up to an RGB source you will also need to connect the source's Composite output to the unit's Composite input to act as a video sync. The Composite signal should be on the same named input as the RGB signals.

RGB video outputs on source equipment are often on SCART connectors. You will need to use a SCART to 'RGB+Sync on phono' breakout cable, available from your Arcam dealer.

NOTE

When setting up the menus (later in this manual), you will need to select whether the three-wire high quality video input is Component or RGB for each input. This is done on the 'HQ Video In' line in the Input Config menu. Failure to do this can result in a green looking picture or a picture that is unstable.

AV, SAT, DVD

Connect the Component video outputs of your source equipment to these inputs.

OUT

Connect this output to the Component video input of your display device.

NOTE

Analogue RGB video output is not available from the AVR500. The analogue three-wire high quality video output is always configured as Component video.

Digital audio connectors

TAPE, CD, AV, DVD, SAT, VCR, PVR

Connect these inputs to the digital outputs of your available source equipment.

Analogue audio inputs

TAPE, CD, AV, DVD, SAT, VCR, PVR

Connect the left and right inputs to the left and right outputs of your source equipment.

MCH input

This multichannel analogue audio input can be connected to a source device which outputs surround sound on its analogue outputs. Such devices typically include DVD-Audio and SACD players. This input does not pass through any of the audio processing in the unit, therefore functions such as speaker size and distance from the listening position should be copied from the Setup menus into the Setup

menus of your multichannel source. Note however that speaker level trims are applied to the MCH input on the unit. Therefore speaker level trim settings on multichannel source equipment should be left unset at zero.

Subwoofer outputs

Connect each of these outputs to the LFE input(s) on your subwoofer(s). The Subwoofer outputs are buffered, have a low output impedance, are at line level and follow the Zone 1 volume control setting. They are able to drive long cables or several inputs in parallel if required.

For more information on connecting speakers, see page 23.

Front panel AUX input

The front panel AUX input can be used as an analogue or optical digital input.

For analogue sources, use a stereo 3.5mm lead; for digital sources use a 3.5mm optical lead. The front input is also used for the auto-setup microphone input.

Front panel PHONES socket

This socket accepts headphones with an impedance rating between 32 and 600 , fitted with a 3.5mm stereo jack plug. The headphone socket is always active, except when AVR500 is muted.

When the headphone jack is inserted, the speaker outputs and analogue pre-amplifier outputs are automatically muted.

Trigger connectors

The trigger connectors (TRIG Z1 & TRIG Z2) provide an electrical signal whenever the amplifier is switched on and the relevant zone enabled.

The trigger signal can be used to switch on and off compatible pieces of home entertainment equipment, for example, you could set up a trigger to turn on your television and DVD player whenever the unit was switched on.

There are two trigger output sockets on the unit, each capable of outputting a 12V, 70mA switching signal. The socket

is designed for mono 3.5mm jacks: tip is the trigger output, sleeve is ground.

TRIGZ1

Use for remotely turning on and off power amps or source equipment for Zone 1. On = 12V Off = 0V

TRIG Z2

Use for remotely turning on and off power amps or source equipment for Zone 2. On = 12V Off = 0V

NOTE

Sockets with the prefix 'Z2' refer to connections used in multi-room installation. For more information on these connectors, see page 54.

Infra-red (IR) connectors

The infra-red inputs (Z1 IR and Z2 IR) allow the connection of external IR receivers, either when the unit's front panel IR receiver is fully or partially obstructed or to allow the use of a remote control in Zone 2.

There are two IR inputs on the unit, each designed for stereo or mono 3.5mm jacks. Tip is the modulated signal, sleeve is ground.

Z1IR

This input is intended for use with a local IR receiver when the front panel of the unit is blocked.

Connecting an IR receiver to Z1 IR will disable to front panel IR receiver to prevent problems with multiple commands if the front panel IR receiver is only partially obstructed.

Z2IR

This input is intended for use with an IR receiver in Zone 2 to allow remote control of the unit from a second room.

IROUT

This output is an electrical combination of the Z1 (or front panel) + Z2 infra-red signals above. It can be used to drive external IR emitters or can be connected directly to other Arcam equipment which have an IR input. This function can be useful as an IR 'repeater' so that someone in any of the zones can control the functions of a CD player in the main zone, for example. Tip is the modulated

electrical IR signal, sleeve is ground.

A supplier of infra-red receivers and emitter accessories and systems is Xantech. See www.xantech.com for more information, or ask your Arcam dealer.

NOTE

The IR inputs on the unit are designed for modulated signals. If the external IR receiver demodulates the IR signal, it will not work. Also the unit does not provide power for external receivers on the IR jack, therefore an external power source will be required.

Connection guide – AVR500

DVD player

The diagram shows how to make audio and video connections from a typical DVD player.

The preferred video hook-up, in order of preference is: use the HDMI connector (if HDMI output is provided by the player), otherwise connect the three Component or four RGB+Sync video connectors.

In each case, connect the video inputs labelled DVD on the unit.

The preferred audio hook-up is using the coaxial digital connector (usually marked DIGITAL AUDIO OUT), in addition to the coaxial analogue outputs for left and right channels.

In each case, use the audio inputs labelled DVD on the unit.

Satellite receiver

A satellite receiver is connected in the same way as a DVD player, with the same order of preference according to the outputs provided by the satellite receiver.

In each case, use the inputs labelled SAT on the unit. Note that digital audio input from a satellite receiver sometimes requires a coaxial/TOSLINK (digital connector) interconnect cable, as some satellite receivers do not implement audio over HDMI properly or at all.

CD player

Connect the digital audio output (if provided by the CD player) to the digital CD input of the unit, using a high quality coaxial interconnect cable.

Connect the right and left analogue audio outputs of the CD player to the analogue CD inputs of the unit, using a pair of high quality coaxial interconnect cables.

VCR, Camcorder, Games Console etc.

Connect other video equipment with S-Video or Composite Video outputs to the S-Video or CompositeVideo inputs VCR or PVR. S-Video provides the best picture quality. Connect the right and left analogue audio outputs of the device to the equivalent analogue audio inputs.

AVR600

Connecting an iPod using the Arcam rDock

The combination of the AVR500 and Arcam's optional rDock or rLead accessory provides a great platform for your iPod.

Connect the rDock as shown, power on the rDock, slot in your iPod and select IPOD as the source. Set the Audio In iPod item in the 'General Setup' menu to the audio input that you have used to connect the rDock. For video connections, select the video source you have used for the iPod input in the 'Video Inputs' menu.

Navigating through music and podcasts on your iPod is simple using the CR102 remote, with text appearing on the front panel display.

More information is given in the rDock quick start guide (or rLead quick start guide) supplied with these accessory units.

Aerial connectors – AVR500/AVR600 only

The AVR500/AVR600 is fitted with an AM/FM receiver module and Sirius connector or a DAB/FM receiver, depending on the region where it was sold. The type of aerial you need depends on your listening preferences and the local conditions.

Your AVR500/AVR600 is capable of superb radio reception, but only if it is receiving a good quality transmission signal.

Try the aerials supplied with your unit. If you are in a medium to strong signal area, these should be adequate for good reception. In areas with poor signal strength, you may require a roof or loft mounted aerial.

AVR500

AVR600

Contact your local Arcam dealer or aerial installation experts for advice about local reception conditions.

DAB option

(where fitted)

In strong signal areas, the DAB 'T' ribbon aerial supplied can be used with reasonable results. Mount the aerial as high up as possible on a wall.

In the UK the

T'-elements need to be positioned vertically for

DAB reception since broadcasts are vertically polarised. In other localities, check with your Arcam dealer or try both horizontal and vertical positions for best reception.

Try each usable wall of the room to see which gives best reception and use tacks or adhesive

tape to secure the aerial in a T shape, but note that no tacks should come into contact with the internal wire of the aerial.

When installed and receiving DAB, check the signal strength by pressing the front panel or remote control's INFO button until the signal quality indicator is displayed.

In weak signal areas, a high-gain, externally-mounted or roof-mounted aerial is desirable in order to receive the highest number of services.

In Band III transmission areas (such as the UK), use a multi-element Yagi aerial with the elements mounted vertically, as the transmissions are vertically polarised. If you are close to more than one transmitter, use an omnidirectional or folded dipole aerial.

If the DAB services in your area are transmitted on

L-band, then ask your dealer for advice for the best aerial to use.

Sirius

(where fitted)

The AVR600 is designed for use with the 'SiriusConnect™ Home Tuner' package which should be connected via the cable supplied in that package to the Sirius socket.

Listening to Satellite Radio

To listen to Satellite Radio, you'll need to connect either a SIRIUS or XM Satellite Radio tuner (sold separately) to your satellite-ready receiver. Satellite Radio is available to residents of the US (except Alaska and Hawaii) and Canada.

Satellite Radio delivers a variety of commercial-free music from categories ranging from Pop, Rock, Country, R&B, Dance, Jazz, Classical and many more plus coverage of all the top professional and college sports including play by play games from select leagues and teams. Additional programming includes expert sports talk, uncensored entertainment, comedy, family programming, local traffic and weather and news from your most trusted sources.

Whether you purchase a SIRIUS or XM tuner, you'll need to activate and subscribe to begin enjoying the service. Easy to follow installation and setup instructions are provided with the satellite tuners. Whichever service you choose, there are a variety of programming packages available, including the option of adding "The Best of SIRIUS" programming to your XM tuner or "The Best of XM" programming to your SIRIUS tuner, enabling you to enjoy the most popular programming among both services. The "Best of" packages are not available to SIRIUS or XM Canada subscribers at this time.

Family friendly packages are also available to restrict channels featuring content that may be inappropriate for children.

To subscribe to XM, U.S. customers should visit www.xmradio.com or call 1-800-XMRADIO

(1-800-967-2346); Canadian customers should visit www.xmradio.ca or call XM Listener Care at 1-877-GETXMSR (1-877-438-9677).

To subscribe to SIRIUS, U.S. and Canadian customers can call 1-888-539-SIRI (1-888-539-7474) or visit www.sirius.com (US) or www.siriuscanada.ca (Canada).

NOTE

The AVR600 provides power for the Sirius receiver, so an external power supply is not needed.

FM

Connecting an aerial

A suitable FM aerial must be connected to the AVR500 AVR600 before FM radio is received.

In strong signal areas, the FM ribbon aerial supplied can be used with reasonable results. Mount this as high up as possible on a wall with the top of the

T'-elements positioned vertically or horizontally, depending on the reception in your area. Try each usable wall of the room to see which gives best reception and use tacks or adhesive tape to secure the aerial, but note that no tacks should come into contact with the internal wire of the aerial.

When installed and receiving FM radio, check the signal strength by pressing the front panel or remote control's INFO button until the signal indicator is displayed.

In weak signal areas, or for optimal FM radio reception, a roof- or loft-mounted aerial is advised as this will give superior reception.

In some areas, cable radio may be available or, in an apartment building, a distributed aerial system may be installed. In either of these cases you should have sockets in your home marked FM or VHF (do not use those marked TV); these should be connected to the FM coaxial connector on the rear of the AVR500/AVR600.

AM

Connecting an aerial

An AM aerial is required to receive AM/medium wave radio signals, so a simple loop aerial is supplied with the AVR500/ AVR600. Follow the assembly instructions in the diagram below. Make sure that the aerial is positioned well away from the AVR500/AVR600 itself, TVs,

computers and other sources of RF 'interference'. Rotate the aerial to discover which position gives the best reception.

1. Release the tie-wrap and unwind the twisted lead. Fold the plastic stand forward through the loop frame.

2. Push the tab into the open slot in the base of the stand. Press until the tab clicks home.

3. Connect the lead wires to the AM socket at the rear of the AVR600 (the wires are not polarised). Rotate the aerial's stand until you obtain the best reception.

Data connectors

rLead/rDock

For use with an Arcam rLead or rDock accessory. See page 13 and the accessory documentation for details.

RS232 serial connector

Use with control devices having an RS232 serial port (for example, Crestron and AMX touch screen controllers). This connection is also used for upgrading the AVR500, AVR600 or AV888's internal software.

Network connectors

This section deals with installation of the unit into an existing home network. For information on how to use the units network features, the USB socket, and for a list of supported file types, refer to page 52.

Networking is a large subject and only the briefest guidelines are presented in this handbook. Please contact your Arcam dealer or specialist installer for more information about introducing the AVR500, AVR600 or AV888 into your computer network.

Ethernet

If an Ethernet cable is connected, the unit will automatically attempt to connect to your network.

You should use CAT5 cable plugged into the RJ45 socket labelled ETHERNET on the rear panel.

If your network uses static IP addressing rather than DHCP, you will need to provide any gateway, DNS and proxy information. See page 44 for information on setting up the network.

USB connector

The AVR600 and AV888 (and the AVR500 with the network option fitted) can play files stored on a USB mass storage device, typically a pen drive, but any USB device that complies with the 'mass storage device' class is compatible. The unit only supports the direct connection of USB devices and will not support devices

connected through a hub. If regular access to the USB socket is required, you may find it convenient to use a USB extension lead.

See page 46 for details of supported file types.

AVR500

AVR600

AV888

speakers

Connecting speakers - AVR500 & AVR600

The AVR500/AVR600 allows you to connect up to seven speakers and three active subwoofer in the main system. The output channels correspond to speakers installed in the front left, centre, front right, surround left, surround right, surround back left, surround back right and an active subwoofer.

The configuration and placement of your speakers is very important. All speakers, with the exception of the subwoofer, should be arranged around your normal viewing/listening position. The subwoofer should be placed in a position which gives an even frequency response in all listening positions. Incorrect placement leads to bass boom in some areas. Often the only way to find a good position for your subwoofer is by experimentation. A good place to start experimenting is close to a wall but at least 1m away from any corners. You can also consult your subwoofer handbook for placement suggestions.

AVR600
AVR500

To connect each of the speakers, unscrew the corresponding terminals on the back of the AVR500/ AVR600, insert the speaker wires through the hole in each post and screw the terminals back up. Make sure that the red (positive/+) terminal of the speaker is connected to the red (positive/+) terminal on the back panel, and the black (negative/-) terminal of the speaker is connected to the black (negative/-) terminal on the back panel.

It is important that no stray strands of wire from these connections are allowed to

touch another cable or the product casing. Failure to ensure this can cause a short circuit and damage your AVR500/AVR600.

Do not over-tighten the loudspeaker terminals, or use a wrench, pliers, etc., as this could damage the terminals and this would not be covered under the product's warranty.

Speaker cables

The speakers should be connected to the amplifier using good-quality, high-purity, low impedance copper cables. Cheap speaker cables should be avoided - they are a false economy and can significantly degrade the sound quality.

The cable runs to the speakers should be as short as practicable. Connections to the speaker terminals should always be finger tight, whether using bare wires or spade connectors.

AVR500

AVR600

Connecting subwoofoers

The AVR600 and the AV888 allow up to three active subwoofoers to be connected to the SW1, SW2 or SW3 outputs. The AVR500 has two subwoofer connections.

See your subwoofer handbook for the correct setting up and connection for your particular subwoofer.

Operating your AVR500 /AVR600 / AV888

For information display we recommend you use the OSD (On-Screen Display) on your display device whenever possible.

Switching on

Press the front panel power button in. The power LED will glow orange, the front display shows the word 'ARCM', followed by the volume setting and the name of the selected input. After initialization is complete, the power LED changes colour to green.

Please wait until the unit has finished initialising before operating the unit. It is recommended that if the unit is switched off, you should wait at least 10 seconds before switching the unit back on.

Standby

The unit has a standby mode which can be entered by pressing STANDBY on the remote control. When in standby mode, the display is blank and the POWER LED glows red.

While in Standby mode, it may be possible to hear a slight residual hum coming from the mains transformer inside the amplifier. This is perfectly normal. However, if the unit is to be left unused for an extended period, we recommend that you disconnect it from the mains supply to save power.

To switch on from standby

Press the STANDBY button on the remote control or any key on the front panel (other than the power button).

Front panel display

The unit is ready for use after about four seconds.

DVD Dolby Digital

70.0

The display window shows the currently selected source and the last selected information view setting (this information line can be changed using the INFO button). The active zones (Z1, Z2 or Z3) are highlighted - the example screen above shows that only Z1 (i.e. Zone1) is active. The current volume setting (70.0dB in the above example) is also displayed.

Selecting a source

To select a particular source, press the -INPUT or INPUT + buttons until that source is shown on the front panel display, or (if available) press the corresponding source button on the remote. The following sources are available:

CD	Compact Disc player input
AV	Audio-Visual input
DVD	DVD player input
SAT	Satellite receiver input
VCR	Video Cassette Recorder input
PVR	Personal Video Recorder input
PHONO1	Phono (MM cartridge) input
MCH	Selects MCH (multichannel) analogue input
TAPE	Audio only tape deck input
AUX	Auxiliary (front panel) input
NET2	Internal (Ethernet) and external USB solid-state device (e.g. pen drive) input.
IPOD	Requires an iPod® and Arcam rDock or rLead.

The following sources are only available on the AVR500/ AVR600:

AM/FM	Internal tuner input
DAB3	Internal tuner input
SIRIUS3	Requires an external receiver – see www.sirius.com for more information
1This source is not available on the AVR500.2This source is optional on the AVR500. Contact your dealer for upgrade information.3These sources are market dependent and may not be available on your unit.

Upon selecting a source, the unit will normally select an active digital input in preference to an analogue input. If you want to override the digital input and select the analogue input, set the Audio Source to Analogue in the Input Config. menu (see page AN8/FM6 in PHONO, MCH, SIRIUS, IPOD) do not have a digital input.

The processing mode and Stereo Direct functions are remembered and recalled for each individual input.

The MCH input is intended for direct analogue pass-through of DVD Audio or SACD sources. Apart from volume control and level trim, no processing modes are possible on this input, including bass management and delays. Please set bass management, speaker size and speaker delays in the source player. You can copy the distances and relative speaker levels from the Setup menus in the AVR500, AVR600 or AV888.

Tape operation (AVR600/AV888 only)

Three analogue audio outputs are provided for recording, VCR, PVR and TAPE OUT. The selected analogue input are routed to each of these outputs.

If the VCR input is selected, the VCR OUT output is muted to prevent feedback loops in recording equipment. Similarly the PVR OUT and TAPE OUT outputs are muted when their respective inputs are selected to prevent feedback.

VCR operation (AVR600/AV888 only)

Two outputs are provided for recording (Composite and S-Video only), VCR and PVROUT. The selected video input is routed to each of these outputs.

Stereo Direct

To listen to a pure analogue stereo input, press the DIRECT button. The Stereo Direct mode automatically bypasses all processing and any surround functions. In direct mode, digital processing is shut down to improve the sound quality and reduces digital noise with the unit to an absolute minimum.

Note: when Stereo Direct mode is selected, no digital output is available and no bass management is performed, meaning that bass signals will not be redirected to a subwoofer.

Volume control

It is important to realise that the level of the volume indicator is not an accurate indication of the power delivered to your loudspeakers. The amplifier often delivers its full output power long before the volume control reaches its maximum position, particularly when listening to heavily recorded music. In comparison, some movie sound tracks can appear very quiet, as many directors like to keep maximum levels in reserve for special effect sequences.

Headphones

To use headphones with the unit, plug the headphones into the PHONES socket in the centre of the front panel. When headphones are plugged into the front panel PHONES socket, the outputs for Zone 1 are muted and the audio will be down-mixed to two channels (2.0). The two-channel down-mix is required so that the centre channel and surround information can be heard via the headphones.

Using Zone 2 and 3

Zone 2 provides the option for the occupants of the master bedroom, conservatory, kitchen, etc. to view or listen to a different source at a different volume level from the main zone (Zone 1).

Zone 3 (AVR600/AV888 only) provides for a third living space to have a copy of the audio signal in Zone 2 at a different volume level.

Extended front panel menu

Pressing the MENU key and holding it for longer than four seconds will bring up the Extended Menu, allowing you to perform the following:

Restore to factory defaults

This option allows you to restore all settings on your AVR500/AVR600/AV888 to the defaults that it left the factory with. Note that this also erases any secure backups stored on the unit.

Restore secure backup Store secure backup

This option allows you to restore from and store to a PIN-protected copy of your settings. The default PIN is 1234.

Change remote code

The default RC5 system code the unit responds to is 16. If required, for example due to another device in your system also using this RC5 system code, it can be changed to 19.

Software versions

Information on the software version of the unit can be found here.

Updating firmware using a PC

Using a PC application (available on request from Arcam), you can update the firmware in your AVR500/ AVR600/AV888 using the back panel RS232 port connected to your PC.

front panel operation

remote control

The CR102 universal remote controller

The CR102 is a sophisticated 'universal' backlit remote control that can control up to eight devices. It is preprogrammed for use with the AVR500, AVR600, AV888 and many other Arcam products (FM/DAB tuners, CD players and DVD players).

With its extensive built-in library of codes, it can also be used with thousands of third party audio-visual components - TVs, satellite and set-top boxes, PVRs, CD players, etc. See the list of codes at the back of this handbook, beginning on page 64.

The CR102 is a 'learning' remote, so you can teach it almost any function from an old single-device remote. You can also program the CR102 to issue a sequence of commands ('macros') from a single button press.

Inserting batteries into the remote control

1. Open the battery compartment by pressing the button on the back of the handset.

1. Insert four 'AAA' batteries into the battery compartment - two facing the top of the unit, and two facing the end, as in the diagram.
2. Lower the end cap onto the plastic locating plate in the handset. This acts as a hinge, and you can now push the end cap firmly into its locked position with a click.

Using the remote control

Please keep in mind the following when using the remote control:

• Ensure there are no obstacles between the remote control and the remote sensor on the front panel. The remote has a range of about 7 metres. (If the remote sensor is obscured, the Z1 IR remote control input jack on the rear panel is available. Please consult your dealer for further information.)
  Remote operation may become unreliable if strong sunlight or fluorescent light is shining on the remote sensor of the unit.
• Replace the batteries when you notice a reduction in the operating range of the remote control.

Notes on batteries:

Incorrect use of batteries can result in hazards such as leakage and bursting.
Do not mix old and new batteries together.
- Do not use non-identical batteries together - although they may look similar, different batteries may have different voltages.
Ensure the plus (+) and minus (-) ends of each battery match the indications in the battery compartment.
Remove batteries from equipment that is not going to be used for a month or more.
- When disposing of used batteries, please comply with governmental or local regulations that apply in your country or area.

Useful information

Backlight

A blue backlight comes on for five seconds whenever a key is pressed. This helps you use the handset in subdued lighting conditions. It may be possible to hear a quiet tone being emitted from the remote control when the backlight is on. This is perfectly normal.

Power LED blinks

Short blinks indicate a valid key press.

Multiple short blinks convey information (such as a device code) or signal the beginning and successful completion of a programming sequence.

Long blinks indicate an invalid key press or entry. The symbol _^ is used in the manual to indicate a power LED blink.

Timeouts and unassigned keys

Time out - After 10 seconds the CR102 exits the programming state and returns to normal operation.

Stuck key timeout - After any key is pressed continuously for 30 seconds, the CR102 stops sending IR transmission to conserve battery life. The CR102 remains off until all keys are released.

Unassigned keys - the CR102 ignores any unassigned key presses for a particular Device Mode and does not transmit IR.

Low voltage indicator

When the batteries are running down, the IR transmit indicator on the CD102 (the LED under the Power button) flashes five times whenever you press a button:

If this happens, please fit four new AAA alkaline batteries as soon as possible.

Device Mode / Source keys

As the CR102 can control your AVR500, AVR600 or AV888 as well as a range of other equipment, many of the buttons have more than one function depending on the 'device mode' selected on the remote control.

The Device Mode keys (shown below) select the source on the AVR500/AVR600/AV888. If one of these keys is pressed briefly, a command is transmitted to change the source on the unit. Also the functionality of the remote control changes to operate the selected source device. It's like having eight different remotes in your hand!

DVD	DVD player
SAT	Satellite set-top box
AV	Audio-visual sound input (use with TV)
TUN	DAB, Sirius, FM or AM tuner
AMP	Controls the amplifier and setup features of the AVR500/AVR600 and AV888
AUX	Auxiliary input, or an iPod® via an Arcam rDock or rLead
PVR	Personal Video Recorder (or Digital Video Recorder)
CD	Compact Disc player

If you press and hold a Device Mode key for about four seconds, you change the Device Mode of the CR102 without changing the signal source on the AVR500/ AVR600/AV888. This can also be done by pressing SHIFT followed by a Device Mode key (within two seconds). These two methods allow you to change which device the CR102 controls without also changing the AVR500/ AVR600/AV888 source, allowing uninterrupted listening.

Each Device Mode changes the behaviour of many of the CR102 keys to control the source device appropriately. For example:

In CD mode plays the previous CD track.

In AV mode issues the TV 'channel down' command. The CR102 remains in the last selected Device Mode so it is not necessary to press a Device Mode key before every command key if all you are doing is playing or skipping tracks on a CD, for example.

Navigation keys

The Navigation keys steer the cursor in Setup menus or on-screen menus. They also replicate the navigation functions of original remotes supplied with other home entertainment devices in your system.

confirms a setting.

Volume control

By default, the CR102 is set up so that the volume control buttons always control the volume of the AVR500/AVR600/AV888, regardless of which Device Mode the remote is currently set for. This is known as volume 'punch through'.

For example, if you are listening to a CD, you will probably have the CR102 in CD Device Mode to control the CD player. You can use the volume controls on the remote directly to adjust the volume of the AVR500/

AVR600/AV888 without first having to press to put the remote into AMP Device Mode. The volume buttons 'punch through' the CD Device Mode on the remote to the AMP Device Mode. Volume 'punch through' can be disabled individually for any Device Mode if desired.

The CR102 complies with Part 15 of the FCC rules

This equipment has been tested and found to comply with the limits for a class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide a reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiated radio frequency energy and if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and receiver.

Connect the equipment into an outlet or a circuit different from that to which the receiver is connected.

Consult the dealer or an experienced radio/TV technician for help.

Controlling other devices

Method 1 (Direct code setup)

This section describes the simplest (preferred) way to program the CR102's Device Mode keys to control the non-Arcam devices in your system.

Some of the modes are locked to Arcam operation but can be unlocked if required (see page 52).
AM mode only controls Arcam equipment.

DVD mode	Locked
SAT mode	Unlocked
AV mode	Unlocked
TUN mode	Locked
AUX mode	Locked
VCR mode	Unlocked
CD mode	Locked

Here is a specific example of how to program the key to control an Addison television. The principles for controlling other devices are exactly the same.

1. Make sure your device is switched on (not just on standby).
2. Find the correct Device Code table (e.g. TV) for the type of device you want to control from the CR102.
3. Find the row containing the codes for the manufacturer of your device (e.g. Addison) (page 58). The most popular code is listed first.
4. Press the appropriate Device Mode key (e.g. ) on the CR102.
5. Press and hold (Shift) until the red Power LED blinks twice: (It actually blinks once when you press the key, then twice after about three seconds).
6. Enter the first four-digit device code using the number keys. The power key blinks twice:
7. Aim the CR102 at the device and press . If the device switches off, the setup is complete.
8. Turn your device back on and test all the CR102's functions to ensure they are working properly.
9. Important! Write your device code down on the right hand side of the page so you can remember it if you ever reset the CR102.

What if I still can't control my device?

If your device doesn't respond, repeat the above steps until one of the device codes listed for your brand works.
If none of the codes listed for your brand operates your device, or if your brand is not listed at all, try the Library Search Method described in the next section.

Notes:

Some codes are quite similar. If your device does not respond or is not functioning properly with one of the codes, try another code listed under your brand.
If your device's original remote control does not have a (POWER) key, press instead of when setting up your device.
Remember to press the corresponding device key before operating your device.
Many TVs do not switch on pressing. Please try pressing a number key ('channel select') to switch your TV back on.
To search for the code for another device follow the instructions above, but press the appropriate device key instead of () during step 2.

Method 2 (Library search)

This section describes another way to program the CR102 to control third-party equipment.

Library Search allows you to scan through all the codes contained in the CR102's memory. It can take a lot longer than the previous method, so only use this method if:

• Your device does not respond to the CR102 after you have tried all the codes listed for your brand.
• Your brand is not listed at all in the Device Code tables.

Example: To search for a TV code

1. Switch your TV on (not standby) and aim the CR102 at it.
2. Press on your CR102.
3. Press and hold (Shift) until the power LED blinks twice.
4. Press ⑨ ①. The power LED key blinks twice:
5. Press
6. Aim the CR102 at your Television and press repeatedly until your Television turns off.
   Every time you press the CR102 sends out a POWER signal from the next code contained in its memory. In the worst case, you may have to press this key up to 150 times, so patience is required! If you skip past a code, step back by pressing. Remember to keep pointing the CR102 at your Television while pressing this key.
7. As soon as your television turns off, press SHIFT to store the code.

Notes:

Many TVs do not switch on by pressing . Try pressing a number key ('channel select') to switch your TV back on.
If you cannot control your Television properly, please continue the Search Method: you may be using the wrong code.
To search for the code for another device follow the instructions above, but press the appropriate Device Mode key instead of (AV) during step 2.
If your device's original remote control does not have a () (STANDBY) key, press instead during step 5.

Code blink-back

Once you have set up your CR102, you can blink back your device set-up codes for future reference.

Example: To blink back your Television code

1. Press the appropriate Device Mode key (e.g. (A) once.
2. Press and hold SHIF until the red Power LED blinks twice (It actually blinks once when you press the key, then twice after about three seconds).
3. Press ⑨ ⑨ ⑩. The key blinks twice.
4. For the first digit of your four-digit code, press 1 and count all the red blinks. If there are no blinks, the digit is '0'.
5. For the second, third and fourth digits, repeat the previous step, pressing ② ③ or ④ in order.

Now you have the four-digit code.

Make a note of the codes

Write down the codes for your devices in the boxes below for future reference.

Device	Code
1
2
3
4
5
6
7
8

AMP Device Mode

The M P Device Mode button configures the CR102 to control the AVR500/AVR600/AV888. Pressing this button does not affect the currently selected input on the AVR500/AVR600/AV888.

IMPORTANT: The CR102 must also be in AMP Device Mode to control the following sources: PHONO, MCH (multichannel analogue), AUX, NET (optional network audio), USB, IPOD (for use with the optional Arcam rLead or rDock).

However to control the internal Tuner in the AVR500/ AVR600 (AM/FM/DAB or Sirius if fitted), the CR102 must first be in TUN Device Mode (see later).

The functionality of the CR102 is context sensitive for the internal sources and is described in the following table.

Single press - Toggles AVR500/AVR600/ AV888 power between standby and on in the current zone (zone in which the command is received). Press and hold - Forces all AVR500/ AVR600/AV888 zones into standby, regardless of which zone the command was received in.

The number keys can be used for source selection (without changing the CR102 Device Mode). Alternatively the Device Mode buttons can also be used with the SHIFT key.

① SAT (satellite) input
① PHONO input
② AV input
③ TUNER input
④ DVD input
⑤ TAPE input
⑥ VCR input
⑦ CD input
⑧ AUX(front panel) input
⑨ MCH (multichannel) input

Selects Tape input on the AVR500/AVR600/ AV888

SHIFT + (Tape) selects PHONO input on the AVR600/AV888

(for IPOD and NET sources)

SHIFT	Modifies many keys (see individual key descriptions below).
AUX (MCH)	Selects MCH (multichannel) input on the AVR500/AVR600/AV888 SHIFT + (MCH) selects AUX input on the AVR500/AVR600/AV888
ON	Navigate menus OK confirms a setting (equivalent to 'Enter' or 'Select' on some remote controls) Press and hold OK to force the analogue and digital video outputs to the default resolution: 480i (525-line NTSC). SHIFT + (O) decreases the picture resolution. SHIFT + (P) increases the picture resolution. SHIFT + (A) turns current zone (in which command is received) on SHIFT + (V) turns current zone (in which command is received) off.
NET (IPOD)	Selects IPOD input on the AVR500/AVR500/ AVR600/AV888 SHIFT + (IPOD) selects network (NET) internal input on the AVR500/AVR600/AV888 (where fitted).
MODE	Cycles through the available surround and downmix modes.
(MENU)	Displays the AVR500/AVR600/AV888 setup menu on the On Screen Display (see page 34).
DISP	Cycles through the front panel display's brightness options
OK	Toggles the mute function of the AVR500/ AVR600/AV888
(Track control for IPOD and NET sources) SHIFT + (Follow Zone1 source. When the command is received in Zone2 or Zone3, the source for that zone follows whatever input source is selected in Zone1
Decrease (-) and increase (+) AVR500/ AVR500/AVR600/AV888 volume
DIRECT	Stereo direct on/off. Provides a direct analogue path from the analogue inputs to the left and right front outputs. Switches off any surround processing modes and shuts down the DSP circuits for the best stereo sound quality.

EQ	Displays the room EQ settings menu
EFFECT	(for IPOD and NET sources)
BASS	Calls up a pop-up (and front screen) to adjust the bass setting for a particular input.
TRIM	Brings up the speaker trim menu. Use the▲,▼,◇ and navigation buttons. Press TRIM again to exit the speaker trim menu. As this is a temporary adjustment, these additional trim levels are reset to zero when the unit is turned off or put into standby, but are retained if the selected input is changed. These temporary trim levels are independent of the speaker levels found in the setup menu.
SYNC	Delays may be introduced into the video signal by video processing which causes a mismatch between the audio and video timing. You will notice this by speech sound being out of synchronization with the lip movements in the video. To compensate for this, you can adjust the lip sync delay. Press the SYNC button and use the▲ and navigation buttons. Press again to exit the lip sync trim menu.
SUB	Brings up the subwoofer trim menu. Use the▲ and navigation buttons. Press SUB again to exit the sub trim menu
TREBLE	Calls up a pop-up (and front screen) to adjust the treble setting for a particular input.
SRCH
FAV+	(for IPOD and NET sources)
SETUP
FAV-	(for IPOD and NET sources)
TITLE
HOME	(for IPOD and NET sources)
AUDIO
INFO	Cycles through the information displayed on the lower left portion of the front panel display.
SUBT

iPod commands

The iPod interface is selected by pressing (iPod) in AMP Device Mode on the CR102. When connected to an iPod via an optional rLead/rDock, the keys below are used to navigate music files in AMP Device Mode.

Navigate the files on screen.

OK selects/play the highlighted file.

RPT

Toggles random (shuffle) play of the playlist on and off.

SHIFT + (RND) cycles through the repeat options

Selects the previous/next track in the current playlist

Begins or resumes playback at the currently highlighted track

Toggles pause and playback of the current track

Stops playback

Network commands

The AVR500 (optional)/AVR600/AV888 Network client is selected by pressing SHIFT + in AMP Device Mode on the CR102.

When using the network client, the keys below are used to navigate music files in AMP Device Mode.

OK RND	Navigate the files and menus on the screen. OK selects the highlighted file or enters the highlighted menu on the screen
RPT RND	Toggles random ('shuffle') play of the playlist on and off SHIFT + RND cycles through the repeat options
	Selects the previous/next track in the current playlist
EQ ●	Begins or resumes playback at the currently highlighted track
EFFECT II	Toggles pause and playback of current track
SYNC ■	Stops playback
FAV+ SETUP	Adds the currently displayed file or radio station to favourites list when using the network client
FAV- TITLE	Removes the currently displayed file or radio station from favourites list when using the network client
HOME AUDIO	Returns navigation to the top level of the music files structure ('Home')
INFO SUBT	Cycles through the information displayed on the lower left portion of the front panel display

TUN TUN Device Mode

The TUN Device Mode button configures the CR102 to control the tuner functions of the AVR500/AVR600 (the AV888 is not equipped with tuner modules). Pressing this button also selects TUNER as the source.

When switching to TUNER from a different source, the AVR500/AVR600 enters the last used tuner band, be it AM / FM / DAB (if fitted) / Sirius (if fitted). Further presses of the TUN Device Mode button cycle through the available tuner bands.

Further information on the tuner can be found in the 'Tuner Operation' section on page 50.

(0)	(not used)
(1)...9	Number keypad used to store and recall presets
▲▼	Allows selection of previously stored Tuner presets.
▲▼	AM/FM Tuner: allows frequency tuning. DAB/Sirius Tuner (where fitted): scrolls through the channel list.
OK	Selects (tunes to) the currently displayed preset, or selects the currently displayed DAB or Sirius channel (or category) when strolling through the channel (or genre) list.
SETUP	Page up to the previous 10 presets on screen
TITLE	Page down to the next 10 tuner presets on screen
AUDIO	Delete the currently highlighted preset.

DVD Device Mode

The DVD Device Mode button configures the CR102 to control the DVD functions of Arcam DVD players, although this can be changed (see page 30). Pressing this button also selects DVD as the AVR500/AVR600/AV888 source.

0...9	Toggles power between standby and on
PHONO TAPE	Searches for and plays the track corresponding to the key pressed
RPT RND	Selects Tape input on the AVR500/AVR600/AV888. SHIFT + TAPE selects PHONO input on the AVR600/AV888.
SHIFT	Modifies many keys (see individual key descriptions, below)
AUX MCH	Selects multichannel (MCH) input on the AVR500/AVR600/AV888. SHIFT + MCH selects AUX input on the AVR500/AVR600/AV888.
NET IPOD	Selects IPOD input on the AVR500/AVR600/AV888. SHIFT + IPOD selects network (NET) internal input on the AVR500/AVR600/AV888.
ON OFF	Navigate setup and DVD programme selection menus. OK confirms a setting ('Enter' or 'Select' on some remotes). SHIFT + ON to switch on from standby SHIFT + OFF to switch to standby from on.
MODE	Cycles through available surround sound modes. SHIFT + MODE changes the HDMI setting.
MENU	Activates DVD player menu, if available.
DISP	Cycles through the front panel display's brightness options. SHIFT + DISP enables RPT A-B functionality
X	Toggles the mute function. By default this key operates the AVR500/AVR600/AV888 Mute

Press and release to skip back to the beginning of the current/previous track.

Press and release to skip forwards to the beginning of the next track.

Decrease (-) and increase (+) AVR500/ AVR600/AV888 volume

Fast rewind. SHIFT + ◆ cycles through slow play backwards speeds

Starts the playback of a DVD. SHIFT + ◆ cycles through the Angle options on an Arcam DVD player.

Pauses DVD play-back. Press ➔ to restart playback. SHIFT + ◆ cycles through Zoom options.

Fast forward. SHIFT + ◆ cycles through slow forward speeds

Ejects disc. SHIFT + ◆ displays speaker Trim menu on Arcam DVD players.

Stop playback of a DVD

Start recording (on products that have this feature).

Displays Search menu with Title, Track and Time options.

Displays Setup menu. SHIFT + SETUP displays programming screen on Arcam DVD players

Displays Title menu. SHIFT + TITLE clears bookmark, search and program display entries on Arcam DVD players

Changes Audio decode format (Dolby Digital, DTS, etc.). SHIFT + ◆ displays the 'Memory' function (Bookmarks)

Cycles through DVD subtitle language options, if available. SHIFT + ◆ displays STATUS INFO on Arcam DVD players

SAT Device Mode

The Device Mode button configures the CR102 to control the functions of a satellite receiver. You will need to configure this Device Mode to work with your equipment. Pressing this button also selects SAT as the AVR500/AVR600/AV888 source.

⑤	Toggles power between standby and on
①...⑨	Functions as original remote number key.
PHONO TAPE	Selects TAPE input on the AVR500/AVR600/AV888. SHIFT + TAPE selects PHONO input on the AVR500/AVR600/AV888.
TV/AV RND	Toggles between the available inputs on your satellite receiver
SHIFT	Modifies many keys (see individual key descriptions, below)
AUX MCH	Selects multichannel (MCH) input on the AVR500/AVR600/AV888. SHIFT + MCH selects AUX input on the AVR500/AVR600/AV888.
NET IPOD	Selects IPOD input on the AVR500/AVR600/AV888 SHIFT + IPOD selects network (NET) internal input on the AVR500/AVR600/AV888
OK OK	Navigate menus. OK confirms a setting (equivalent to 'Enter' or 'Select' on some remotes).
MODE	Controls Backup function, if available.
MENU	Performs same function as on original remote, if available.
DISP	On some Satellite and Cable set top boxes this key functions as the Guide key to open the EPG (Electronic Program Guide).
Toggles the mute function. By default this key operates the AVR500/AVR600/AV888 Mute
Channel down
Channel up
Decrease (-) and increase (+) AVR500/AVR600/AV888 volume
Fast rewind

Starts the playback

Toggles pause of playback

Fast forward

(not used)

Stop playback

Start recording

(not used)

Duplicates function of RED key for some Satellite and Cable set-top boxes

Duplicates function of GREEN key for some Satellite and Cable set-top boxes

Duplicates function of YELLOW key for some Satellite and Cable set-top boxes

Duplicates function of BLUE key for some Satellite and Cable set-top boxes

AV Device Mode

The AV Device Mode button configures the CR102 to control the functions of a television or other display device. You will need to configure this Device Mode to work with your equipment. Pressing this button also selects AV as the AVR500/AVR600/AV888 source.

0...9	Toggles power between standby and on. (Some TVs require you to use a number key to turn them on.)
PHONO TAPE	Functions as original remote number key – usually for channel selection.
	Selects Tape input on the AVR500/ AVR600/AV888. SHIFT + TAPE selects PHONO input on the AVR600/AV888.
TV/AV RND	Toggles between the available inputs on your display device (e.g. TV/AV)
SHIFT	Modifies many keys (see individual key descriptions, below)
AUX MCH	Selects multichannel (MCH) input on the AVR500/ADR600/AV888. SHIFT + MCH selects AUX input on the AVR500/ADR600/AV888.
OK	Navigate setup and programme selection menus. OK confirms a selection (equivalent to ‘Enter’ or ‘Select’ on some remotes).
MODE	EXIT function on some models.
MENU	Functions as original remote key, if available.
DISP	Display INFO or OSD (On Screen Display) function, if available.
X	Toggles the mute function. By default this key operates the AVR500/ AVR600/AV888 Mute
<	Channel down
>	Channel up
- +	Decrease (-) and increase (+) AVR500/ AVR600/AV888 volume.
<	Toggles TEXT page on/off
>	TEXT page off

II	Turns Programme-In-Programme (PIP) on, if available
→	Activates PIP move, if available
▲	Activates PIP swap, if available
■	Activates PIP freeze, if available
●	Activates PIP channel up, if available
SRCH	Activates PIP channel down, if available
SETUP (RED)	Duplicates function of RED key for Text TV
TITLE (GREEN)	Duplicates function of GREEN key for Text TV
AUDIO (YELLOW)	Duplicates function of YELLOW key for Text TV
SUBT (BLUE)	Duplicates function of BLUE key for Text TV

The Device Mode button configures the CR102 to control the functions of a video recorder or similar device. You will need to configure this Device Mode to work with your equipment. Pressing this button also selects PVR as the AVR500/AVR600/AV888 source.

⑤	Toggles power between standby and on.
0...9	Functions as original remote number key.
PHONO TAPE	Selects Tape input on AVR500/AVR600/ AV888. SHIFT + TAPE selects PHONO input on the AVR600/AV888.
TV/AV RND	Toggles between available inputs (e.g. AV1, AV2)
SHIFT	Modifies many keys (see individual key descriptions, below)
AUX MCH	Selects multichannel (MCH) input on AVR500/AVR600/AV888. SHIFT + MCH selects AUX input on the AVR500/AVR600/AV888.
NET IPOD	Selects IPOD input on AVR500/AVR600/ AV888. SHIFT + POD selects network (NET) internal input on the AVR500/AVR600/AV888.
OK	Navigate setup and programme selection menus. OK is equivalent to 'Enter' or 'Select' on some remotes.
MODE	Operates the Exit function if the PVR uses this feature
MENU	Turns on the Menu function if the PVR uses this feature
DISP	Toggles display between TV and PVR
OK	Toggles the mute function. By default this key operates the AMP Mute
OK	Channel down
OK	Channel up
Decrease (-) and increase (+) AVR500/ AVR600/AV888 volume
Fast rewind

Play

Toggles pause of playback

Fast forward

Operates the Favourites function if the PVR uses this feature.

Stop playback

Starts recording

(not used)

Duplicates function of RED key (if used)

Duplicates function of GREEN key (if used)

Duplicates function of YELLOW key (if used)

Duplicates function of BLUE key (if used).

The Device Mode button configures the CR102 to control the functions of a video recorder or similar device. You will need to configure this Device Mode to work with your equipment. Pressing this button also selects VCR as the AVR500/AVR600/AV888 source.

0...9	Functions as original remote number key.
PHONO TAPE	Selects Tape input on AVR500/AVR600/ AV888. SHIFT + TAPE selects PHONO input on the AVR600/AV888.
TV/AV RND	Toggles between available inputs (e.g. AV1, AV2)
SHIFT	Modifies many keys (see individual key descriptions, below)
AUX MCH	Selects multichannel (MCH) input on AVR500/AVR600/AV888. SHIFT + MCH selects AUX input on the AVR500/AVR600/AV888.
NET IPOD	Selects IPOD input on AVR500/AVR600/ AV888. SHIFT + IPOD selects network (NET) internal input on the AVR500/AVR600/AV888.
ON OFF	Navigate setup and programme selection menus. OK is equivalent to 'Enter' or 'Select' on some remotes.
MODE	Operates the Exit function if the VCR uses this feature
MENU	Turns on the Menu function if the VCR uses this feature
DISP	Toggles display between TV and VCR
R	Toggles the mute function, if available. By default this key operates the AMP Mute
←	Channel down
→	Channel up
- +	Decrease (-) and increase (+) AVR500/ AVR600/AV888 volume
↔	Fast rewind

Play

Toggles pause of playback

Fast forward

Ejects tape

Stop playback

Starts recording

(not used)

Duplicates function of RED key (if used)

Duplicates function of GREEN key (if used)

Duplicates function of YELLOW key (if used)

Duplicates function of BLUE key (if used).

The Device Mode button configures the CR102 to control the CD functions of Arcam CD players, although this can be changed (see page 25). Pressing this button also selects CD as the AVR500/AVR600/AV888 source.

0...9	Functions as original remote number key.
PHONO TAPE	Selects TAPE input on the AVR500/AVR600/AV888. SHIFT + TAPE selects PHONO input on the AVR600/AV888.
RPT RND	Toggles random ('shuffle') play on and off. SHIFT + RND cycles through the repeat options (track, disc, etc.).
SHIFT	Modifies many keys (see individual key descriptions, below)
AUX MCH	Selects multichannel (MCH) input on AVR500/AVR600/AV888. SHIFT + MCH selects AUX input on the AVR500/AVR600/AV888.
NET IPOD	Selects IPOD input on AVR500/AVR600/AV888. SHIFT + IPOD selects network (NET) internal input on the AVR500/AVR600/AV888.
OK MODE	Navigates track listings if supported by the player. OK selects the currently highlighted track if supported by the player
MENU	Changes the time display modes on Arcam CD player
DISP	not used)
DISP	Cycles through the front panel display's brightness options. SHIFT + DISP enables RPT A-B functionality if supported by the player.
OK	Toggles the mute function. By default this key operates the AVR500/AVR600/AV888 Mute.

Press and release to skip back to the beginning of the current/previous track.

Press and release to skip forwards to the beginning of the next track.

Decrease (-) and increase (+) AVR500/ AVR600/AV888 volume.

Fast rewind

Play

Toggles pause of playback

Fast forward

Open/close disc tray

Stop playback

Start recording (on products that have this feature)

Scans first 10 seconds of each track on CD, if supported by the player (Audio search)

Starts Program mode

Cleared programmed item

(not used)

(not used)

essential setup

Before you use your AVR500, AVR600 or AV888 it is essential that you enter some information about your system configuration into the Setup menus.

Many of the inputs have several different connection types available, for example, HDMI or component video; HDMI, digital or analogue audio. It is necessary to set the connection type used for each input by setting the Video Source and Audio Source options in the Input Config. menu (see page 41). These options must be set for each input.

The default for both audio and video sources is HDMI. If another connection type is used, there will be no sound or picture from the source until the Video Source and Audio Source menu items are correctly set.

It is essential that you enter some information into the Setup menus about your speaker configuration. This allows the unit to process any surround sound digital source to exactly match your system and give you the ultimate surround sound experience.

There are three pieces of vital information which are outlined in the sections: 'Speaker Types', 'Speaker Distances' and 'Speaker Levels'.

The way you enter this information manually into the unit is given later in the 'Setup Menus' section on page 38. The settings can also be established automatically using the Arcam Auto Speaker Setup function. However it is important to understand why these speaker settings must be entered, which is why this section is presented first.

Speaker types

You need to set the type of speakers that you have connected to your AVR500/AVR600 (or connected indirectly to your AV888):

Large	capable of full frequency range reproduction
Small	not capable of full frequency range reproduction at the low frequency end
None	speaker not present in your configuration

The terms 'Large' and 'Small' do not necessarily relate to the physical size of your speakers. As a rule of thumb, if a speaker cannot reproduce a flat frequency response down to about 40Hz (and very few can!) it is often better to consider them as 'Small' for setup purposes of home cinema.

When a speaker is set to 'Small', very low frequency sounds are redirected away from that speaker to a 'Large' speaker or a subwoofer, which are far better suited to reproducing these low frequency sounds.

Note that it is not possible to set all speakers to 'Small' unless there is a subwoofer in your speaker configuration. If you do not have a subwoofer, you will be forced to set your front speakers to 'Large'.

(Advanced users may wish to automatically override the 'Small' speaker setting for purely stereo music listening when not watching movies. This can be achieved in the 'Input Config.' menu - see page 40.)

Single Surround Back speaker

If you have just one Surround Back speaker in your configuration instead of two, ensure it is connected to the SBL speaker connector and set Surr. Back L/R in the Spkr Types menu to either '1 Small' or '1 Large' as appropriate.

Crossover frequency

If you have set any speakers as being Small, then you will be required to set a value for the crossover frequency. This is the frequency below which signals are filtered away from these Small speakers and redirected to Large speakers or the subwoofer (if present). A frequency of 80Hz is often a good starting point, however you will probably have to experiment with different values to find the best value for your system or consult your speaker handbook.

MCH sub level

If a subwoofer is present, this setting allows for a 10dB compensation on the subwoofer output when using the MCH input as required by many DVD-A players with audio outputs.

Use Surround Back channels

If not used in the main zone, it is possible to assign the Surround Back channels to bi-amp the Front Left/Right channels or to provide an amplified output to Zone 2.

Speaker Distances

It is essential for the distance from each speaker to the listening position to be accurately measured and entered into the 'Setup' menu. This ensures that the sounds from the various speakers arrive at the listening position at the correct time to recreate a realistic surround effect. The distance can be entered in centimetres or inches.

Speaker Levels

Finally the levels of all the speakers in the system need to be adjusted to match each other at the listening position, again to create a proper surround effect. To help with this the AVR500, AVR600 or AV888 can generate a test noise for each speaker which should be measured with a sound pressure level (SPL) meter. The meter should be set to 'C' weighting and slow response. The level of noise measured at the listening position from each speaker should be adjusted on the Speaker Trims page of the Setup menu so that the meter reads 75dB SPL. It does not matter what the system volume setting of the AVR500, AVR600 or AV888 is before turning the test noise on as the volume setting is overridden for the duration of the speaker noise test.

There are several basic SPL meters on the market at reasonable prices aimed at home cinema enthusiasts. Check your local technology store, search online or ask your dealer.

If you do not have an SPL meter, you can try to adjust the noise level of each speaker by ear. In this case it is not possible to adjust the speakers to the absolute 75dB SPL volume level, but you should aim for all speakers sounding equally loud. Setting speaker test noise levels by ear is not recommended as it is very difficult to do accurately, but is often better than doing nothing at all!

auto speaker setup

Auto speaker setup

There is a proprietary automatic loudspeaker setup function built into your AVR500, AVR600 or AV888. The Arcam Auto Speaker Setup function attempts to set all the essential speaker settings for all the speakers in your system. It also calculates room equalisation (Room EQ) filter values to remove some of the worst effects of resonant frequencies in the listening room.

Your AVR500/AVR600/AV888 package is supplied with a calibration microphone, which should be inserted into the AUX jack socket on the front panel and positioned at the main listening position. This microphone picks up the special calibration tones generated by the speakers when Auto Speaker Setup is run. The AVR500/AVR600/ AV888 then analyses the signal and computes:

which speakers are present,
speaker type,
speaker distance,
speaker level,
crossover frequency to the subwoofer (or large front speakers if no subwoofer is present),
problem resonant frequencies in the room which need control by filtering.

It also warns if any of the speakers are too close to the microphone or if the measured tone is clipped.

To help the system be as accurate as possible when performing Auto Speaker Setup, there are a few guidance rules that should be followed:

■ Minimise any background sounds in the listening room and other nearby rooms.
Close all windows and doors in the listening room.
Turn off all fans including air-conditioning systems.
If holding the microphone in the hand rather than mounting on a tripod or similar, keep your hand and fingers still to avoid generating 'handling noise'.
Position the set up microphone pointing upwards at roughly head height in the normal listening position. It is not necessary to point the microphone directly at the speaker generating the test tone. (It helps if you are able to position the microphone exactly where your head would normally be for listening, with the microphone in direct unobstructed view of all speakers.)
If your system includes an active subwoofer, start by setting its output level/gain control to a value halfway between maximum and minimum.

When activated, a calibration tone is played through each channel in turn, including the subwoofer channel. The calibration tone cycles round each of the speakers twice. If you do not have a full 7.1 speaker configuration there will be periods of silence between some speaker channels. Follow the 'progress' information on-screen.

After all the channels have been measured, a summary of the speaker configuration will be displayed on-screen. You can then choose to accept the settings, re-measure your system again or cancel Auto Speaker Setup without storing the settings.

The Auto Speaker Setup function is found within the Setup menus, see page 37. By default, Room EQ is not applied to any of the source inputs. You should enable Room EQ on inputs you think benefit from this feature, as required, by listening when playing typical source material through each input. This is enabled from within the Input Config menu.

While room equalisation can help to reduce problems with listening room acoustics, it is usually far better to try to solve these problems with the room directly. Proper loudspeaker positioning, acoustic wall treatments and moving the listening position away from walls should produce far better results overall. However it may be difficult to do this in a home environment, so Room EQ is your next best choice.

Problems

We advise you to look over the reported measurements on the screen following Auto Speaker Setup for any obviously incorrect results, in particular to ensure the reported speakers match your configuration and that the speaker distances to the listening position appear look roughly correct. If the results are not what you expected re-run Auto Speaker Setup.

The Auto Speaker Setup function is normally quite accurate but occasionally false results can be generated. Problems may be as a result of:

external sounds or rumbling / handling noises picked up by the microphone
sound reflections off hard surfaces (e.g. windows or walls) close to the listening position,
very strong acoustic resonances within the room.

If you are still experiencing difficulties or you wish to have the most accurate results for ultimate surround performance, we recommend using the manual method of establishing speaker distances and levels.

Using a subwoofer

If your system includes an active subwoofer you may need to re-run Auto Speaker Setup with the subwoofer output level / gain control set to a higher or lower value, if the summary screen reports problems setting the subwoofer up.

Auto Speaker Setup will attempt to choose a crossover frequency that allows the smoothest low frequency transition from the main speakers to the subwoofer. However if this does not produce pleasing results we recommend manually trying other crossover frequencies to find something more to your preference.

See the next sections for information of how to enter or change speaker settings manually.

The Setup menus allow you to configure all aspects of your AVR500, AVR600 or AV888. The next few pages will go through the menu items and explain their function. The Setup menus will probably look quite daunting if you are new to setting up home cinema, but the majority of them need only be configured once when you first install the system (or if your system changes or you move house!)

The only way to view the Setup menus is on your display device (TV or projector) using the on-screen display (OSD) capability of the unit. To view the OSD for the initial setting up, connect any of the video outputs to your display device. You do not need to have a video source connected to the video inputs.

Entering Setup mode

To enter the setup menu, press the MENU button on the remote control or font panel. The front panel display shows 'MENU' and the setup menu (pictured right) is displayed.

Unstable OSD menu or picture display?

The default AVR500/AVR600/AV888 output video resolution when first powered up out of the box is 525-line/60Hz NTSC for analogue video and 480i/60 for digital video. This has been chosen as most display devices can synchronise to this automatically. This can be changed in the Video Outputs section of the Setup Menus.

If the output resolution and frame rate is forced to a setting your display device does not support, the picture may become unstable or may not display at all. To reset the output video resolution and frame rate to the default values to restore the display, press and hold the OK button for three seconds.

Menu panel

The left-hand panel lists the setup screens available for adjustment. The selected menu is highlighted with a grey band.

Adjustment panel

The upper right-hand panel lists the parameters you can change as a user. The selected line is highlighted with a black band. Lines that cannot be selected are greyed-out.

Scroll bars

These indicate the position of the displayed screen within longer menus.

Help screen

The lower right-hand panel gives a short help text for the feature being adjusted.

Navigating the setup menu

... using the remote control

The setup menu can be navigated by using the cursor (arrow) keys on the remote control. This is by far the easiest method.

1. To enter the setup menu, press the MENU button (which is located immediately under the navigation buttons).
2. Use the and keys to navigate up and down the main section headings in the left-hand panel.
3. Once you have the main section that you require highlighted, use the key to enter the section.
4. Use the A and keys to navigate up and down the section settings in the left-hand panel. Some settings may be greyed out. These are either for information only (e.g. incoming sampling

frequency) or are not currently selectable (e.g. network IP address when DHCP is used). Scroll bars on the sides of the right hand panel indicate your position in the settings list where there are more items than can be displayed at once.

1. Pressing OK selects a setting to change it, pressing OK again de-selects the setting.
2. At any time, press the MENU button to exit the menu. Any changes to settings are saved.

... using the keys on the front panel

The front panel controls can be used to configure the unit. Follow the instructions for using the remote control, in this case using INPUT- for down, INPUT+ for up, INFO for left and MODE for right.

Each input on the AVR500/AVR600/AV888 has multiple connection possibilities for both audio and video, including HDMI, Component Video, digital audio and analogue audio. When an input is selected, by default the AVR500/AVR600/AV888 will select HDMI for both video and audio connections.

Set the Audio Source and Video Source to the connection type you are using: HDMI, Component, S-Video or Composite for video and HDMI, Digital or Analogue for audio.

Entering Setup mode

Before entering the menu, select the input that you wish to change (e.g. DVD). To enter the setup menu, press the AMP button followed by the MENU button on the remote control. The front panel display shows 'MENU' and the setup menu (pictured right) is displayed. Press the remote control key to enter the Input Config menu then use the key to navigate down to the Video Source option.

Selecting the video source

Once the Video Source option is highlighted as shown, press the OK key to select it for modification. Use the 和 and keys to select from the list the video type you are using on this source.

HDMI: the unit is forced to use the HDMI video input for this source.
Component: the unit is forced to use the Component/RGB video input for this source.
S-Video: the unit is forced to use the S-Video input for this source.
Composite: the unit is forced to use the Composite video input for this source.

Selecting the audio source

Highlight the Audio Source as shown and press the OK key to select it for modification. Use the and keys to select from the list the audio type you are using on this source. NOTE: you may experience some audio transients when changing this setting. As a precaution, we recommend that you reduce the volume level first.

HDMI: the unit is forced to use the HDMI audio input for this source.
Digital: the unit is forced to use the optical (TOSLINK) or coaxial (S/PDIF) digital audio input for this source
Analogue: the unit is forced to use the analogue audio input for this source.

Select the type of video: HDMI, Component, S-Video or Composite

Input Config.

The audio and video settings on this page of the Setup menu can be tailored specifically and independently to the currently selected input.

When a different input is selected on the Input line, all the input-specific settings for that input are displayed below it. These settings are applied to the named Input only and are stored in memory and recalled each time the unit is powered up and whenever that input is selected.

Input - The currently selected input connectors to which the settings below relate.

Name - The display name of the input. You can change the name of any input to more closely match your setup. For example, if you had two satellite receivers, you could connect the main receiver to the Sat audio and video input connectors and change the Name to 'SAT 1'. You could then connect the second satellite receiver to the VCR audio and video input connectors, but change the VCR Name to 'SAT 2'. It is then clearer to users of your AVR500/AVR600/AV888 which inputs they wish to select when scrolling though.

Lip Sync - Each input can have its own setting to add a time delay between the audio and video signals to compensate for the sound and picture not being synchronised. This is normally required when video processing is used in the system for scaling or de-interlacing video. The range of lip sync delay is -5 to +220 milliseconds.

The lip sync adjustment can only correct for delayed video. If the audio is late set lip sync to its minimum.

Mode - Sets the initial audio decode mode for stereo sources on this input.

Last Mode recalls the last used setting for this input when a stereo source was applied. See section 'Multichannel source modes' on page 41 for more information.

Ext.Mode - Sets the initial audio decode mode for multichannel digital sources on this input.

Last Mode recalls the last used setting for this input when a stereo source was applied. See section 'Multichannel source modes' on page 41 for more information.

Treble - Bass -

These allow you to alter the bass and treble tone controls for all currently active speakers for each individual

input. For example, if your PVR source sounds a little bass light, you can always correct for this by selecting PVR on the Input line at the top of this menu and add 2 or 3dB to the Bass control. Then, whenever the PVR input is selected, the bass is automatically boosted for as long as that input is selected.

Room EQ - When the Auto Speaker Setup function is run it also calculates Room Equalisation coefficients to remove some of the worst effects of resonant frequencies of the room at the listening position. By default Room EQ is not applied to any of the source inputs, however you can enable them on a per-input basis as you wish.

Not Calculated: (Information only) Auto Speaker Setup has not been run or has errors so cannot be selected.
On: Room EQ is applied to the current source.
Off: Room EQ is not applied to the current source.

Input Trim - Sets the maximum analogue input signal level (sensitivity) on this input before the ADC (Analogue-to-Digital converter) signal path clips. Options are 0.5, 1, 2 and 4 volts RMS maximum input. The default is 2Vrms maximum.

For example, analogue sources with low output levels may benefit by choosing the 1V maximum setting, or the 0.5V maximum setting if the source has a very low output. This helps maximise signal-to-noise performance of the unit and also helps keep the various analogue sources sounding about the same level for any given volume control setting.

Dolby Volume-Dolby Volume is an intelligent system that improves the perceived audio frequency response at lower listening levels and corrects for volume inconsistencies between sources (e.g. a rock radio station and a DVD) and between programming (e.g. a TV show and advertisement breaks).

Off: (default) Dolby Volume is not applied to this input.
Cinema: enables Dolby Volume for this source and configures the input for audio which comes mostly from movie soundtracks.
Music: enables Dolby Volume for this source and configures the input for audio which comes from other sources (CD, TV, Satellite, Tuner, etc.).

Dolby Leveller - This setting of Dolby Volume controls how closely quiet and loud sources and programme content are matched to each other, based on the ear's perception of loudness. The range of values is 0 (minimal levelling) to 10 (maximum levelling). The default setting is 9, however we recommend

experimenting with lower values if all your source material is more closely matched in level. If the Volume Leveller function is set off, no level matching between sources and programme material is performed. Note however that turning the Dolby Leveller setting of Dolby Volume to 'Off' is not the same as turning the entire function of Dolby Volume to 'Off', as volume related frequency response processing is still active. See Dolby Volume on page 48 for more information.

DV Calib. Offset - The Calibration Offset parameter of Dolby Volume allows you to compensate for speaker efficiencies and listening position. The default value is 0 and this should normally produce a good result when the speaker levels of the AVR600 (or AV888 and amplifier combination) are set using a sound pressure level meter.

See the Dolby Volume section on page 48 for further information on Calibration Offset.

Surround EX - Sets how the unit should configure its decode mode when a Dolby Digital EX bitstream is received. Note that this setting only applies if you have Surround Back loudspeakers. You may wish to experiment with these two decode modes to see which you prefer with Dolby Digital EX encoded material. Options are Auto DD EX, Auto PLIIx and Manual.

Auto DD EX: When a Dolby Digital EX-flagged bitstream is detected, the decode mode automatically changes to Dolby Digital EX. This can be temporarily overridden by pressing the MODE button on the remote or front panel.
Auto PLIIx: When a Dolby Digital EX-flagged bitstream is detected, the decode mode automatically changes to Pro Logic IIx Movie. This can be temporarily overridden by pressing the MODE button on the remote or front panel.
- Manual: The received Dolby Digital EX is treated as if it is an ordinary Dolby Digital stream in that it does not automatically select the EX or PLIIx decode modes. Instead, the previously used decode mode for a multichannel digital source on this input is applied. However, either of the EX or PLIIx decode modes can be applied manually by pressing the MODE button.

Stereo Mode - If you have configured your system to have a subwoofer, then you have the flexibility to choose how bass information is distributed between the front left/right speakers and the subwoofer when listening to stereo (two channel only) analogue and digital sources. Choose the option which gives you the most solid, even sounding bass. If you are using

a subwoofer for stereo, please also see Sub Stereo below to set the level of the subwoofer. For best results test with a set-up disc or live programme material. This setting can be used to override your normal speaker settings in the Spkr Types menu whenever the unit plays stereo material. It is quite common to find that two channel stereo music listening is best done with a slightly different sub/ speaker setting than for surround movies.

As Spkr Types: When an analogue or digital stereo source is played, your normal speaker configuration (as in Spkr Types menu) is used to reproduce the signal.
- Left/Right: Full frequency stereo information. All audio is sent to the front left and right speakers only without any bass redirection. You can use this setting if you consider your front left/right speakers to be able to handle the full frequency range of music. If you have set your front left/right speaker size as Small in the Spkr Types setup page, you may wish to use this option to override the setting to Large for stereo music listening, if you have full frequency range left/right speakers.
It can often be beneficial to set full frequency range speakers to Small in the Spkr Types setup page for use with movies, if you have a subwoofer in your system. Doing so may deliver more impact on movie soundtracks as subwooers are designed to handle reproduction of high bass content. However you may find that for stereo music a better overall result is obtained by not using the subwoofer and effectively treating the front left/right speakers as Large.
- Left/Right+Sub: Full frequency range stereo is fed to the front left and right speakers and extracted bass is sent to the subwoofer. In this case the low frequency information is effectively duplicated.
Sat+Sub: Use this setting if you really do have Small satellite front left and right speakers, or if you prefer the overall sound of bass being handled by the subwoofer. Full bass management is used so that analogue and digital stereo sources are fed to the DSP where the bass is filtered off front left and right and redirected to the subwoofer.

NOTE

The Stereo Mode function is not available when using an analogue source in Stereo Direct mode.

Sub Stereo - If Left/Right+Sub or Sat+Sub is selected in Stereo Mode above, this setting adjusts the level of the subwoofer when the source is two channel stereo.

Brightness - Sets the video brightness for this input. This setting can be used to compensate for an overly dark or bright source picture on this input when compared with other video sources.

Contrast - Sets the video contrast for this input. This setting can be used to compensate for too much or too little contrast in the source picture on this input when compared with other video sources.

Colour - Sets the video colour saturation for this input. This setting can be used to compensate for too much or too little colour in the source picture on this input when compared with other video sources.

Picture Mode - Sets how the video processor in the AVR500/AVR600/AV888 interprets the video on this input. Normally the video processor automatically detects the original source type and correctly sets either Video mode or Film mode processing. In the unlikely event that the video processor misinterprets the video type, resulting in subtle picture artefacts, the video processor can be manually forced into Video mode or Film mode. This function should normally be set to Auto.

Edge Enhancement - Sharpens the picture from a source on this input.

Mosquito N.R. - Removes haziness that sometimes appears around objects in a picture from a source on this input.

Noise Reduction - Removes random noise within the picture from a source on this input.

Block N.R. - Removes block artefacts in overly compressed digital video from a source on this input.

Component Mode - Configures the current three-wire high quality analogue video input for component (YUV) video signals or RGB video signals. It is important to match the setting to the incoming video format otherwise the colours will be incorrect and the picture may be unstable.

Options are Normal, RGsB and RGB+Sync.

Normal: (default) the three-wire input is configured for normal Component (YUV / YPbPr) analogue video.
RGsB: the three-wire input is configured for RGB analogue video with video 'sync-on-green'.
RGB+Sync: the three wire input is configured for RGB analogue video, with the video sync signal on the composite input for the current named source.

You should typically select RGB+Sync if you are using a standard SCART to 4-wire phono breakout cable to connect an RGB SCART source.

Note that if RGB+Sync is selected, the S-Video and Composite inputs cannot be selected as video inputs for the current source.

Audio Source - Selects the particular connection type for each input. The default is HDMI; this setting must be changed if another connection is used.

Select from the list the audio type you are using on this source.

NOTE: you may experience some audio transients when changing this setting. As a precaution, we recommend that you reduce the volume level first.

HDMI: the unit is forced to use the HDMI audio input for this source.
Digital: the unit is forced to use the optical (TOSLINK) or coaxial (S/PDIF) digital audio input for this source
Analogue: the unit is forced to use the analogue audio input for this source.

Video Source - Selects the video signal connection for this source. The default is HDMI; this setting must be changed if another connection is used.

HDMI: the unit is forced to use the HDMI video input for this source.
Component: the unit is forced to use the COMPONENT/RGB video input for this source.
S-Video: the unit is forced to use the S-VIDEO input for this source.
Composite: the unit is forced to use the COMPOSITE video input for this source.

General Setup

General information and system controls.

Source Input - (Information only) The currently selected input to which the settings below relate.

Incoming Format - (Information only) The format of the digital audio stream connected to this input, if present.

Incoming Sample Rate - (Information only) The sample rate of the digital audio stream connected to this input, if present.

Incoming Bit Rate - (Information only) The bit rate of the digital audio stream connected to this input, if present.

Dialnorm - (Information only) If a Dolby Digital audio stream is connected to this input, this is the Dialogue Normalisation setting requested by the stream.

Video Input - The currently selected video input. For inputs that have video connections (e.g. SAT, PVR etc), audio and video inputs normally switch over together. However, here you can temporarily select a different video source for the current audio source. This feature may be useful, for example, if you are watching a sports game on satellite but on this occasion wish to listen to the commentary on the radio instead. This temporary override is reset when the input source is changed so that the Video Input follows the Audio Input setting (or the setting in the Video Inputs menu, if applicable).

Audio Compression - Allows selection of compression which is ideal for late night listening. The compression effect increases the volume of the quiet passages and decreases the volume of the louder passages. Compression only applies to some Dolby Digital and DTS soundtracks that support this function.

Off: (default) no audio compression is applied.
On: Audio compression is applied whenever a soundtrack supporting compression is received.
On / Auto: As for On above, except for Dolby TrueHD soundtracks which support an additional Auto on/off setting

This setting applies to all inputs when a relevant digital audio stream is detected. It is stored in memory and recalled each time the unit is powered up.

Balance - To alter the sound balance temporarily between front left and right speakers. You can alter the sound stage to either the left or the right by up to 6dB. Note that it is not possible to shift the audio signal completely over to one channel. This function resets to equal left/right balance when the input is changed.

PLII Dimension -

PLII Centre Width -

PLII Panorama -

These allow the adjustment of the sound field for Dolby Pro Logic II Music mode decoding of two-channel sources. These setting apply to all inputs when PLII or PLIIx Music decoding is selected. The settings are stored in memory and recalled each time PLII or PLIIx Music mode is selected.

Dimension: Allows the user gradually to adjust the sound field either towards the front or towards the rear. Settings range from -3 to +3. We recommend Dimension is set to 0 for normal use.

Centre Width: Controls the centre image width. With Pro Logic decoding, dominant centre signals come only from the centre speaker. If no centre speaker is present, the decoder splits the centre signal equally to the left and right speakers to create a 'phantom' centre image. The Centre Width control allows variable adjustment of the centre image so it may be heard only from the centre speaker; only from the left/right speakers as a phantom image; or from all three front speakers to varying degrees. We recommend Centre Width is set to 3 for normal use.

Panorama: Extends the front centre image to include the surround speakers for an exciting 'wrap-around' effect with side-wall imaging.

Digital Output Freq. - Sets the sampling frequency of the audio Analogue-to-Digital converter. This setting applies to all inputs when analogue audio is being processed (i.e. not Stereo Direct mode). It is stored in memory and recalled each time the unit is powered up.

Volume Adjustment - Sets the step size of the volume control.

Normal: (default) volume control is in 1dB steps
Fine: volume control is in 0.5dB steps

Maximum Volume - Limits the maximum volume setting the system can be turned up to in the main zone. This is a useful feature to prevent accidental overdriving of low power-handling speakers (for example). It is stored in memory and recalled each time the unit is powered up.

Max On Volume - Limits the maximum volume the system operates in the main zone when it is switched on or comes out of Standby. The system comes on at this stored volume setting if the last used (possibly very loud) volume exceeds this value. It is stored in memory and recalled each time the unit is powered up.

Audio In iPod - If you have an iPod connected to the AVR500/AVR600/AV888 using an Arcam rDock or rLead, this control allows you to set which audio input is used.

Auto Setup

Auto Speaker Setup of your loudspeakers and subwoofer (if present) is controlled by this menu. A full description of how Auto Speaker Setup works is given on page 37. Remember to insert the calibration microphone into the AUX input on the front panel and position the microphone at the listening position before running Auto Setup.

Run Auto Setup - Press OK (or OK on the remote) to start Auto Speaker Setup. The process will generate test tones from the speakers and will typically take less than two minutes. The test tone generator will cycle round each speaker twice.

Accept Setup - When Auto Speaker Setup has completed without errors you can choose to accept or reject the settings

No: The settings are not stored in memory.
- Yes: All the speaker settings (speakers present, type, distance, level and crossover frequency) are stored in the relevant sections of the Setup Menu and overwrite any previous settings.

Auto Setup Progress - Gives a summary of what Auto Speaker Setup is doing as it progresses, starting with which speaker is being tested.

Calculating EQ: Data gathered from each of the speakers is being processed.
Completed Error: A problem was detected with the speaker setup. See the descriptions for each of the individual speakers, below. Alternatively an invalid speaker configuration was detected.

Front Left -

Centre -

Front Right -

Surr. Right -

Surr. Back Right -

Surr. Back Left -

Surr. Left -

Subwoofer -

If the above speakers are correctly detected as present in your speaker configuration, their size (Small or Large), distance from the listening position and trim level (dB) will be displayed. Note that size does not apply to the subwoofer. Otherwise one of the following messages will be displayed:

Not Present: A speaker was not detected on this channel.

• Clipped: The test tone detected by the microphone was distorted or clipped. This could be because you have very sensitive speakers and they are very close to the listening position. However it is more likely that the detected signal was corrupted by microphone handling noise or other external sounds. Try running Auto Speaker Setup again.
• Mic too close: The speaker is too close to the listening position to be able to calculate its distance. If possible, try moving the speaker slightly further away from the listening position and run Auto Speaker Setup again.

Crossover Freq. - The frequency at which Auto Speaker Setup determined is the best point to filter low frequency sounds away from Small speakers and into the subwoofer (or Large speakers if a subwoofer is not present).

Spkr Types

Settings for the types of loudspeaker you have connected to your AVR500, AVR600 or AV888 and power amplifier (e.g. the Arcam P777). These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Front Left / Right -

Centre -

Surr. Left / Right -

Surr. Back L/R -

Here you set the type of speakers that you have connected to your AVR500/AVR600/AV888:

Large: capable of full frequency range reproduction
Small: not capable of full frequency range reproduction at the low frequency end
None: speaker not present in your configuration
Subwoofer: Set whether a subwoofer is present or not. For Surr. Back L/R, the number before Large and Small in the dropdown options list is the number of Surround Back speakers in your configuration. If you only have one Surround Back speaker connect it to the SBL output.

NOTE

It is not possible to set all speakers to Small unless there is a subwoofer in your speaker configuration. If you do not have a subwoofer, you will be forced to set your front speakers to Large.

Crossover Freq - This is the frequency at which loudspeakers set as Small start to redirect bass signals to the Subwoofer or Large speakers in your system. Small

speakers redirect bass to the subwoofer, if present. The exception is the Centre speaker which, if Small, redirects its bass to front left/right provided that they themselves are Large. This is done to help keep Centre bass directly in front of the listening position.

MCH Sub Levels - This setting controls the subwoofer level from an externally decoded multichannel source (DVD-A, SACD, etc). Most DVD players require a +10dB compensation on the subwoofer channel to maintain the correct balance with the main channels.

+10dB comp.: for normal DVD players which output the analogue subwoofer channel at the low 0dB level. Gain compensation of +10dB is added to the subwoofer channel of the MCH INPUT in the AVR500, AVR600 or AV888.
No comp.: for DVD players which output the analogue subwoofer channel at the correct +10dB level. No subwoofer gain compensation is needed on the subwoofer channel of the MCH INPUT in the AVR500, AVR600 or AV888.

Use Channels 6+7 for - If your main zone speaker set up does not include Surround Back Left and Right speakers, you can choose to use the Surround Back amplifier channels to bi-amp the Front Left and Right pair, or as a stereo power amplifier for Zone 2 (but note that powered Zone 2 is not available on the AV888).

Spkr Distance

Calibration settings for the distances between the loudspeakers and the listening position.

NOTE

Speakers that are not present in your configuration will be greyed out.

These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Units - Select whether you wish to measure distances in centimetres or inches.

Front Left -

Centre -
Front Right -
Surr. Right -
Surr. Back Right -
Surr. Back Left -
Surr. Left -
Subwoofer -

As described in 'essential setup' on page 36, measure the distance from each loudspeaker in your system to your ear in the main listening position and enter the values. This allows the AVR500/AVR600/AV888 to calculate the correct relative delay for each loudspeaker.

Spkr Levels

Calibration settings for the test noise signal level through the loudspeakers and measured at the listening position.

NOTE

Speakers that are not present in your configuration will be greyed out.

These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Use the A and navigation buttons on the remote control to select the relevant speaker. Press OK to enable/disable the calibration noise and the and navigation buttons to adjust the noise level from each speaker.

Front Left -

Centre -

Front Right -

Surr. Right -

Surr. Back Right -

Surr. Back Left -

Surr. Left -

Subwoofer -

As described in 'essential setup' on page 36, adjust the level of the test noise from each speaker so that an SPL meter at the listening position measures 75dB SPL.

Video Inputs

Settings to optionally assign a video source to each of the normally audio-only inputs.

These settings are stored in memory and recalled each time the unit is powered up.

Video Input Tape -

Video Input CD -

Video Input Aux -

Video Input AM/FM

Video Input Phono -

Video Input MCH -

Video Input iPod -

Video Input Net -

Video In Digital Radio -

The default for each of the audio inputs is 'None', however for example you could associate the satellite 'Sat' video with AM, FM and Digital Radio audio if you wished. This way you could listen to the FM or AM or Digital Radio commentary of a sports game but have the pictures from the satellite coverage.

Video Outputs

The settings in this menu control the output resolution from the video processor in the unit as well as the operation of the two HDMI outputs.

These settings are applied to all video inputs and are stored in memory and recalled each time the unit is powered up.

Progressive scan playback

The AVR500, AVR600 and AV888 can support 1080p, 24 frames per second source materials. To enjoy

24p playback both the source device (e.g., a Blu-ray disc player) and the display device (e.g. a TV or projector) must be capable of supporting 24p. To enjoy 24p playback, set the Video Source to HDMI in the Input Config. menu, and set the Output resolution to 1080p (i.e. not to Preferred) in the Video Outputs menu. Also, ensure that the Frame Rate is set to Auto.

NOTE

Important points to remember:

For analogue outputs

The analogue output resolution should be chosen carefully; Composite and S-Video connections can only carry 480i (525-line NTSC) or 576i (625-line PAL) signals. If an output resolution higher than this is chosen in Out 1 Resolution, the Composite and S-Video main zone outputs will be disabled.

You should also set the frame rate (50Hz Interlaced for PAL, 60Hz Interlaced for NTSC) and the aspect ratio (4:3 standard or 16:9 widenscreen) to match your display device. Note that S-Video and Composite can only carry Interlaced video. If you select Progressive analogue video, Zone 1 S-Video and Composite outputs will be disabled.

For HDMI outputs

The output resolution, frame rate and display aspect ratio can be automatically determined by the unit. Alternatively these settings can be manually selected. If you have two HDMI display devices connected, you can also configure which of the two HDMI outputs takes priority.

Zone 1 OSD - Selects whether the main zone pop-up OSD messages are On or Off. It is stored in memory and recalled each time the unit is powered up.

When On, all user adjustments that are made during the general use of the unit are displayed on screen as well as the front panel display. This includes the adjustment of volume, subwoofer level, lip sync, tone controls, etc. It is stored in memory and recalled each time the unit is powered up.

• When Off, the above user adjustments will not appear on screen, only on the front panel display. This leaves the picture on your display device clear of pop-up text. However, regardless of this setting the Setup menus are always displayed on screen.

Analogue Output - This setting controls the output resolution of the analogue video outputs of Zone 1. This applies to all Zone 1 analogue video outputs: Component, S-Video and Composite. This setting is only valid if neither of the HDMI outputs OUT 1 or OUT 2 are being used at the time. See 'Important points to remember' above regarding analogue resolutions.

The dropdown list shows all the resolutions that the unit's video processor can output.

Analogue Frame Rate - This setting controls the output frame rate of the analogue video outputs of Zone 1. This applies to all Zone 1 analogue video outputs: Component, S-Video and Composite. This setting is only valid if neither of the HDMI outputs OUT 1 or OUT 2 are being used at the time. See the Note 'Important points to remember' regarding analogue frame rates.

Display Type - Set the aspect ratio of your display device; 4:3 standard or 16:9 widenscreen.

Output Switching - This setting controls the operation of the two HDMI outputs.

• Auto-Priority Out 1/Out 2 senses which display device is turned on and gives priority to the named output (OUT 1 or OUT 2) if both display devices are on at the same time. When both display devices are on at the same time, the output with the highest priority is used to configure the settings of the unit's video processor.
  Output 1 or Output 2: forces only the named HDMI output to be enabled.
• Output 1 & 2: enables both HDMI outputs simultaneously. In order to do this however, the settings of the unit's video processor are reduced down to the highest common set that can be supported by both display devices.

Out 1 Resolution - This setting controls the output resolution of HDMI output OUT 1. This setting is only valid if HDMI output OUT 1 is the only active HDMI output at the time.

The dropdown list shows all the resolutions that the video processor can output. Resolutions that are not supported by the connected display device are greyed out and cannot be selected.
- Preferred: sets the OUT1 resolution to be the preferred resolution that is requested by the display device. This is often the highest resolution the display device can receive.

Out 1 Frame Rate - This setting controls the output frame rate of HDMI output OUT 1. This setting is only valid if HDMI output OUT 1 is the only active HDMI output at the time.

The dropdown list shows all the frame rates that the video processor can output. Frame rates that are not supported by the connected display device at

the above resolution are greyed out and cannot be selected.

Auto sets the OUT1 frame rate to be the preferred frame rate that is requested by the display device for the currently used resolution.
Follow Input forces the OUT1 frame rate to the same as the input frame rate, regardless of the reported capabilities of the display device.

Lipsync 1 - (Information only) Displays how much lip sync is automatically applied to HDMI output OUT 1 to compensate for video processing delays in the attached display device. Not all display devices support this function.

Out 2 Resolution - This setting controls the output resolution of HDMI output OUT2. This setting is only valid if HDMI output OUT2 is the only active HDMI output at the time.

The dropdown list shows all the resolutions that the AVR500, AVR600 or AV888 video processor can output. Resolutions that are not supported by the connected display device are greyed out and cannot be selected.
- Preferred: sets the OUT2 resolution to be the preferred resolution that is requested by the display device. This is often the highest resolution the display device can receive.

Out 2 Frame Rate - This setting controls the output frame rate of HDMI output OUT2. This setting is only valid if HDMI output OUT2 is the only active HDMI output at the time.

The dropdown list shows all the frame rates that the video processor can output. Frame rates that are not supported by the connected display device at the above resolution are greyed out and cannot be selected.
Auto: sets the OUT 2 frame rate to be the preferred frame rate that is requested by the display device for the currently used resolution.
Follow Input forces the OUT 2 frame rate to the same as the input frame rate, regardless of the reported capabilities of the display device.

Lipsync 2 - (Information only) Displays how much lip sync is automatically applied to HDMI output OUT 2 to compensate for video processing delays in the attached display device. Not all display devices support this function.

Out 1 & 2 Resolution - This setting controls the output resolution when both HDMI outputs are used simultaneously. This setting is only valid if Output Switching is set to Output 1 & 2.

The dropdown list shows all the resolutions that the video processor can output. Resolutions that are not supported by the connected display devices are greyed out and cannot be selected.
Best: sets the HDMI output to be the highest common resolution that is supported by both display devices.

Out 1 & 2 Frame Rate - This setting controls the output frame rate when both HDMI outputs are used simultaneously. This setting is only valid if Output Switching is set to Output 1 & 2.

The dropdown list shows all the frame rates that the video processor can output. Frame rates that are not supported by the connected display devices at the above resolution are greyed out and cannot be selected.
Auto: sets the HDMI output to be the highest preferred common frame rate that is supported by both display devices for the above resolution.
- Follow Input forces the OUT 1 & 2 frame rate to the same as the input frame rate, regardless of the reported capabilities of the display device.

Lipsync 1 & 2 - (Information only) Displays how much lip sync is automatically applied to HDMI outputs OUT 1 and OUT 2 simultaneously to compensate for video processing delays in the attached display devices. Not all display devices support this function.

Mode

Lists the decode and downmix options you wish to include when cycling through the options on the MODE button. Settings are Yes or No. The list is divided into two sections depending on the source audio type. See section 'Multichannel source modes' on page 47 for more information on each processing a decoding mode. These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

For Stereo sources:

Dolby ProLogic -

Dolby PLIIx Movie -

Dolby PLIIx Music -

Dolby PLIIx Matrix -

Dolby PLIIx Game -

Neo:6 Cinema

Neo:6 Music -

The first section, 'Stereo sources' is the list of processing modes you wish to make available for stereo signals (analogue stereo, digital PCM stereo, Dolby 2.0, DTS 2.0, etc). When a stereo signal is applied, each press of the MODE button cycles through the processing modes you have enabled in the 'Stereo sources' section. The unprocessed Stereo option is always available for stereo signals therefore it is not shown in the list.

For Multichannel sources:

Stereo Downmix - Dolby Digital EX -

Dolby PLIIx Movie - Dolby PLIIx Music -

The second section, 'Multichannel sources' is the list of processing modes you wish to make available for multichannel digital signals (any Dolby or DTS digital stream that has more channels than stereo 2.0). When a multichannel digital signal is applied, each press of the MODE button cycles through the processing modes you have enabled in the 'Multichannel sources' section.

Zone Settings

Lists the volume and control settings for Zone 2 and Zone 3 (Zone 3 available with AVR600/AV888 only). These settings are applied to all audio inputs and are stored in memory and recalled each time the unit is powered up.

Z2 Audio Input - Selects the analogue audio to be routed to Zone 2.

Z2 Video Output - Selects the analogue video to be routed to Zone 2 for the current audio input.

Zone 2 Volume - The current volume in Zone 2.

Zone 2 Max. Vol - Limits the maximum volume setting the system can be turned up to in the Zone 2. This is a useful feature to prevent accidental overdriving of low power-handling speakers, for example.

Zone 2 Fixed Vol - The Zone 2 volume control can be locked at the current value for use with an external amplifier with its own volume control in Zone 2.

Zone 2 Max On Vol - Limits the maximum volume the system operates in the Zone 2 when it is switched on or comes out of Standby. The system comes on at this volume if the last used (possibly very loud) volume exceeds this value.

Zone 3 Volume - The current volume in Zone 3.

Zone 3 Max. Vol - Limits the maximum volume setting the system can be turned up to in the Zone 3. This is a useful feature to prevent accidental overdriving of low power-handling speakers (for example).

Zone 3 Fixed Vol - The Zone 3 volume control can be locked at the current value for use with an external amplifier with its own volume control in Zone 3.

Zone 3 Max On Vol - Limits the maximum volume the system operates in the Zone 3 when it is switched on or comes out of Standby. The system comes on at this volume if the last used (possibly very loud) volume exceeds this value.

Standby - When a Standby command is received by an infra-red eye in Zone 2, this setting controls which parts of the AVR500, AVR600 or AV888 to turn on and off: When Local Only, the Standby IR command only affects the zone it was received in (Zone2 or Zone3).

When All Off, the Standby IR command affects the entire system in all zones.

Network

The AVR600 and AV888 are fitted with a network audio client (optional for the AVR500) which is capable of playing internet radio stations as well as stored music on a network storage device such as a PC, or on a USB flash drive.

Use DHCP - Select if your network uses DHCP

No: To assign a fixed IP address manually.
Yes: To use network parameters given by the DHCP server.

MAC address - (Information only) The unique address of the network card in your AVR500/AVR600/AV888.

IP Address - If not using DHCP, enter the IP address you have assigned to the AVR500/AVR600/AV888 for your network.

Subnet Mask - If not using DHCP, enter the subnet mask for the AVR500/AVR600/AV888 on your network.

Gateway - If not using DHCP, enter the IP address of the router the AVR500/AVR600/AV888 is connected to.

Primary DNS - If not using DHCP, enter the Primary DNS IP address of your internet service provider.

Alternate DNS - If not using DHCP, enter the Secondary DNS IP address of your internet service provider.

Use Proxy - Select if you connect to the network via a Proxy Server.

No: If you connect directly onto the network.
Yes: If you connect to the network via a Proxy Server.

Proxy Address - If connecting via a Proxy Server, enter its IP address.

Proxy Port - If connecting via a Proxy Server, enter the port number to which the Proxy responds.

decoding modes

Introduction

Your AVR500/AVR600 receiver or AV888 pre-amp provides all the key decoding and processing modes for analogue and digital signals, including the latest high definition audio formats over HDMI.

Modes for digital sources

Digital recordings are usually encoded to include information about their format type. The unit detects automatically the relevant format in a digital signal - such as Dolby TrueHD, Dolby Digital Plus, DTS-HD Master Audio, Dolby Digital, or DTS - and switches in the appropriate decoding.

Modes for analogue sources

Analogue recordings do not contain information about their encoding formats, so the desired mode - such as Dolby Pro Logic - needs to be selected manually.

Mode memory

Dolby Digital or DTS audio (including the high definition formats) can be output in two mix modes, selected using the MODE button:

Surround (e.g., five main channels plus a subwoofer for a 5.1 source)
Stereo downmix.

Two-channel audio, regardless of whether it is analogue or digital can also be output in two mix modes, selected using the mode button:

Surround (e.g., Dolby Pro Logic II Movie, Neo:6 Music, etc.)
Stereo.

TheAVR500/AVR600/AV888 stores the settings for each source (except MCH). Thus the decoding mode for the following groups of source material can be stored independently:

Dolby Digital (multichannel) and DTS source material
Two channel Dolby, PCM or Analogue source material

Two-channel source modes

The following decoding and surround modes are available for standard and high definition Dolby Digital 2.0, DTS 2.0, PCM or analogue sources:

Stereo

Pro Logic II Movie

Pro Logic II Music

Pro Logic II Game

Pro Logic IIx Movie

Pro Logic IIx Music

Pro Logic IIx Game

Pro Logic

Neo:6 Cinema

Neo:6 Music

NOTE

Pro Logic IIx modes are only selectable when Surround Back speakers are present.

Stereo

In this mode the unit works as a conventional high quality audio amplifier. Note that if the subwoofer is enabled in stereo mode, then some processing of the signal will be carried out. To achieve ultimate sound quality with analogue sources, select the Stereo Direct function if an analogue connection is present.

Dolby Pro Logic II

Dolby Pro Logic II decoding is designed to produce five-channel output from two-channel source material.

There are three different modes available in Pro Logic II: 'Movie', 'Music' and 'Game' modes, which are intended for use as their names suggest. Due to the different recording methods used for movies, music and video games, it is recommended that the correct decoding mode for your source material is used to obtain best results.

Movie mode: This is intended for use with 'cinematic' material, which is mixed and monitored in a calibrated multichannel environment. Movie mode is a 'fixed' mode that is designed to give a similar sound when listening using a home cinema system to that obtained in a cinema.
Music mode: Stereo music is not designed for surround processing, although good surround effects can be obtained through careful production. As the optimum decoding method varies according

to the recording, Music mode allows the user adjustment of the processing characteristics.

Game mode: Video games today are extremely sophisticated, with dramatic 5.1 surround audio tracks. Game mode gives augmented bass management to capture the full effect of game sounds panned to the surrounds, ensuring the bass impact from purer surround effects are fully delivered to the subwoofer.

Dolby Pro Logic IIx

Dolby Pro Logic IIx is an extension of the Dolby Pro Logic matrix-decoding method. The decoder allows the processor to derive seven outputs from a two or multichannel (up to 5.1 with EX) source to take better advantage of all amplifiers and speakers in a 7.1 setup. As with Pro Logic, there are three different modes available: Movie, Music and Game. Due to different recording methods used for movies and music, you should select the correct mode for your source material.

Dolby Pro Logic

Dolby Pro Logic is a legacy mode that is designed to produce a five-channel output from two-channel source material. It should be used only when the source material is encoded as Dolby Pro Logic; otherwise, we recommend the use of Dolby Pro Logic II. This is because Pro Logic processing on straight stereo sources can sound muffled and compressed.

DTS Neo:6

DTS Neo:6 provides up to six full-band channels of decoding from stereo material. The AVR500, AVR600 or AV888 will derive separate channels corresponding to the standard home theatre layout.

Cinema: A movie mode designed to reproduce a movie theatre environment. Neo:6 technology allows various sound elements within a channel or channels to be steered separately, and in a way which follows the original presentation naturally.
Music: A music mode designed to produce a lively, high-integrity surround-effect from most two-channel music sources from all available speakers. Neo:6 music mode expands stereo recordings into the five or six-channel layout without diminishing the subtlety and integrity of the original stereo recording.

Multichannel source modes

Digital multichannel source material is normally provided as '5.1 audio'. The '5.1 channels' comprise of: left, centre and right front speakers, two surround speakers and a low frequency effects (LFE) channel. Since the LFE channel is not a full range channel, it is referred to as '1'.

Surround systems decode and reproduce the 5.1 channels directly. Dolby Digital EX and DTS-ES matrix enhanced decoding systems create one extra rear channel from information buried in the two surround signals of the 5.1 source. These EX and ES enhanced systems are sometimes referred to as '6.1' systems. This extra surround back channel is normally reproduced through two separate loudspeakers, creating a '7.1' system.

DTS-ES discrete is a true '6.1' source, with six discretely encoded channels, plus the '1' LFE channel.

Dolby Digital Plus, Dolby True-HD and DTS-HD are high-resolution surround formats found on Blu-ray and HD-DVD discs

Decoding modes

The modes given in the following table are available for multichannel digital sources.

Special modes such as DTS-ES 6.1 discrete, Dolby Digital Plus, Dolby Tru-HD and DTS-HD are only available from the correct source material.

High resolution audio sources
Dolby True-HD	Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no losses in the compression process. Data rates can be up to 18Mbps.
Dolby Digital Plus	Provides up to 7.1 discrete channels of audio with less compression than traditional Dolby Digital encoding. Data rates can be up to 6Mbps.
DTS-HD Master Audio	Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no losses in the compression process. Data rates can be up to 24.5Mbps.
For Dolby Digital sources
Dolby Digital 5.1	The most commonly used sound format for DVD video, and is also the standard for US television. Dolby Digital 5.1 sources deliver sound with five discrete full-range channels; left, centre, right, surround left, surround right, plus a low frequency effects (LFE) channel.
Dolby Digital 5.1 Stereo Downmix	Provides a stereo downmix of the source material for use with headphones.
For DTS sources
DTS 5.1	Less common than the Dolby Digital format, but generally recognised within the audio industry as being of superior sound quality. DTS 5.1 delivers surround sound with five full range channels plus an LFE channel.
DTS 5.1 Stereo Downmix	Provides a stereo downmix of the source material for use with headphones.
DTS-ES 6.1 Matrix	This is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix encoded into the surround left and surround right channels. The sixth channel is a surround centre channel and is directed to the surround back left and surround back right speakers.
DTS-ES 6.1 Discrete	This is a true discrete 6.1 channel sound format (unlike DTS-ES Matrix). DTS-ES discrete mode operates only on sources with DTS-ES 6.1 discrete audio encoding.
DTS96/24	Provides up to 5.1 channels of audio at 96kHz, 24bit resolution for superior sound quality compared to standard DTS 5.1
Post-processing
Dolby Digital EX decoding can be applied to any source if one or two surround speakers are present. Pro Logic IIx decoding can be applied to any source if two surround back speakers are present.
Dolby Digital EX	This is an extension to Dolby Digital decoding that provides a 6-channel output from a 5-channel input. The extra channel is the centre-surround channel (for which the two surround back speakers are used), and is derived from the left and right surround channel information. This decode mode should be used only when the source material is 'Surround EX' encoded (which is normally indicated on the disc packaging and should be detected automatically by the AVR500/AVR600/AV888), but may be used at other times if desired.
Pro Logic IIx Movie	This mode is used to derive information for the individual surround back channels from the surround channels, using the Pro Logic IIx Movie decoder.
Pro Logic IIx Music	This mode is used to derive information for the individual surround back channels from the surround channels, using the Pro Logic IIx Music decoder. The controls for adjusting Pro Logic IIx Music in 'General Setup' can be used in this mode.

Dolby volume

DOLBY

VOLUME

Dolby Volume is a sophisticated new

technology that resolves the problem of

different volume levels between programme content (e.g. a TV show and advert breaks) and between sources (e.g. a rock radio station and DVD, or between two TV stations). It lets the listener enjoy everything at the same preferred listening level without having to reach for the volume control to compensate for the different recording/output levels. This is the Volume Leveller function of Dolby Volume.

Dolby Volume also works in conjunction with the AVR500, AVR600 or AV888 volume control setting to compensate for the ear's changing sensitivity at different frequencies depending on how loud the audio is. It is based on a model of how human hearing works. It properly balances low, mid and high frequencies to maintain all the nuances and impact of the original audio regardless of the actual selected playback volume level. This is the Volume Modeller function of Dolby Volume.

Dolby Volume measures, analyses and maintains volume levels based on how people perceive sound. A variety of audio parameters are monitored including spectral- and time-based loudness to ensure that perceived dynamics, timbre and bass performance remain consistent at all volume levels.

Dolby Volume also lets the listener control a programme's dynamic range - the range between loud and quiet sounds. For example, with the volume turned down for late-night viewing, dynamic range can be adjusted so that speech remains clear and loud effects or music passages retain their impact without waking up the family.

Settings

Dolby Volume can be applied to any analogue or digital stereo source or any digital multichannel source. It is not available in Stereo Direct or on the analogue multichannel input. Dolby Volume can even be applied to processing of stereo signals (e.g. PLII Music) or when down-mixing a digital multichannel source (e.g. Dolby Digital 5.1 down to stereo).

Dolby Volume can be enabled and configured separately for each audio input in the Input Config menu. The default is Off for 'audiophile' listening to analogue or digital stereo sources, however you may wish to enable

Dolby Volume on some or all inputs to maintain the same perceived overall listening level between sources and frequency response regardless of the volume setting. There are two modes for Dolby Volume: 'Cinema' and 'Music', which calibrate the system to match the type of audio material generally played on each input. Movie should be selected for sources which typically play movie soundtracks. Music should be selected for all other sources (CD, TV, Satellite, Tuner, etc.). Most of the controlling parameters of Dolby Volume are automatic as they are dependent on analysis of the audio signal and the volume setting of the AVR500, AVR600 or AV888. However, the Volume Leveller and Calibration Offset controls (see below) can be adjusted to your preference.

Volume Leveller

The Volume Leveller function of Dolby Volume controls how closely quiet and loud sources and programme content are matched to each other, based on the ear's perception of loudness. The range of values is 0 (minimal levelling) to 10 (maximum levelling). The default setting is 9. If the Volume Leveller function is turned off, no level matching between sources and programme material is performed. This is not the same as turning Dolby Volume off as volume related frequency response processing is still active.

When Dolby Volume is being applied to the current input, a Dolby Volume processing mode indicator is shown on the OSD and the front panel display.

Calibration Offset

The Calibration Offset parameter of Dolby Volume allows you to compensate for speaker efficiencies and listening position - effectively moving the reference listening level up or down the volume scale. The default value is 0 and this should normally produce a good result when the speaker levels are set using a sound pressure level meter at the listening position (75dB SPL, 'C' weighting, slow response).

Tuner - AVR500/AVR600 only

The AVR500/AVR600 is fitted with an internal AM/FM tuner. Depending on your location and installed options, it may also be fitted with a DAB tuner (Europe) or Sirius satellite radio connection (Americas; AVR600 only). Sirius requires the purchase of the 'SiriusConnect™ Home Tuner' kit and Sirius subscription - please visit www.sirius.com for details.

This section deals with tuner operation, for information on setting up the tuner and installing aerials, see page 14.

When a tuner input is selected, the OSD shows a list of radio presets plus an information panel giving all available information about the current frequency (for AM and FM) or channel (for DAB or Sirius).

The front panel will also give the same information, pressing the INFO key will cycle through the various items of information:

AM

• Processing mode (default)
  Frequency
  Signal strength

FM

• Processing mode (default)
• Radiotext (if available; shows 'No radiotext' if none present)
  Programme type (if available)
  Signal strength

DAB

• Processing mode (default)
• Radiotext (if available; shows 'No radiotext' if none present)
  Programme type
  Signal quality
• Bit-rate of transmission

Sirius

• Processing mode (default)
• Artist Name: Song Title
  Composer (if available)
• Category Name
• Signal quality

Tuning/Channel Selection

When switching to the internal TUNER source, the AVR500/AVR600 enters the last used tuner band, be it AM / FM / DAB (if fitted) / Sirius (if fitted). Repeatedly pressing TUN cycles through the available tuner bands on your AVR600.

FM/AM analogue radio

Frequency tuning on FM and AM radio is done using the and buttons on the CR102 remote control in TUN device mode. Individual presses move the frequency down and up one step. If you press and hold either of the tuning buttons for two seconds, the tuner scans to the next strong signal. You can stop a scan at any time by pressing one of the tuning buttons again.

In Europe, the internal FM radio is capable of receiving RDS (Radio Data System) radiotext signals that are transmitted on some stations. The RDS information typically includes the radio station name, the music or speech genre as well as additional information related to the current programme. On music stations this is often information on the currently playing track.

DAB digital radio

If your AVR500/AVR600 is fitted with the optional DAB tuner you will need to scan for available stations before being able to listen to them.

To scan for DAB stations, first select the DAB tuner then press and hold OK until the display indicates scanning has started. The AVR500/AVR600 will then scan all the DAB radio frequencies and compile a list of the stations that are available.

When the scan is complete, you can scroll through the station list using the and buttons on the CR102 remote control. To listen to the currently displayed station press the OK. If you do not press OK within two seconds, the display will revert to displaying the currently playing station.

Internet radio

Please see the Network/USB Operation section on page 52 for details of internet radio operation.

Saving and selecting Presets

Preset selection uses the and keys on the remote to browse and OK to select the preset when the CR102 is in TUN device mode.

Up to 99 presets can be stored and these can be from any band, for example Preset 1 could be an AM station, preset two a DAB station, etc. Pressing the OK key causes the next available preset number to be displayed, then pressing the OK key again stores the current frequency/channel in that preset. If a different preset number is required, press the A or keys until the desired number is displayed before pressing the OK key for a second time.

Deleting Presets

When in tune browse mode (using A and to scroll through the presets), the yellow button on the CR102 remote is used to delete the currently highlighted (but not playing) station or frequency.

Sirius satellite radio (AVR600, US & Canada only)

In this section it is assumed that you already have a 'SiriusConnect' Home Tuner' kit and a Sirius subscription, and that the antenna is already correctly placed to receive Sirius broadcasts. Please visit www.sirius.com for more information.

Add to your subscription

Before being able to receive satellite radio broadcasts you will need to update your Sirius subscription to add the ID number of the Sirius receiver module in your AVR600. The Sirius ID can be found by switching to the Sirius source and selecting channel 0. The AVR600 displays the 12-digit number on the OSD and on the front panel display. You should make a note of this ID number, then select Sirius channel 184 while you apply this ID number to your account at www.sirius.com or by calling 1.888.539.SIRIUS (7474).

Once your subscription is updated, a code is sent over Sirius channel 184. When this code is received the AVR600 displays 'SUBSCRIPTION' UPDATED. This display remains until cleared by pressing any button. The Sirius radio module is now fully operational.

Please note that, depending on your subscription, some channels may not be available. If a channel is not part of your subscription package, you are invited to subscribe to the channel - 'CALL 888-539-SIRIUS To Subscribe' is displayed and audio is muted. If you have any queries about your subscription, please contact Sirius.

Operation

In addition to the channel and preset selection, previously mentioned, you can also cycle through the channel categories (Rock, Pop, Country, etc.) using the and keys. The first channel in each category is displayed. You can then scroll through other channels in that particular category using the or buttons on the CR102 remote. On the OSD a star (*") is shown before the category name to show you are scrolling through channels only in the current category. Press OK to select the currently displayed channel to listen to it otherwise the display times out and returns to the currently playing channel information.

Locking Channels

The Sirius module in the AVR600 has a parental lockout feature which allows you to assign a 4-digit code to any channels you do not wish to be generally available to users.

Channels can be locked out individually by pressing and holding the MODE key. 'Lock?' also appears on the lower line of the On Screen Display. Pressing OK confirms and applies the parental lock to the channel and the display returns to the channel name.

If a locked channel is selected, the audio will be muted and the user prompted on the display to enter the unlocking code. Unlock code :_____ is displayed.

The default unlock code is 0000.

If the code is entered correctly the audio for this channel unmutes. If the code is not entered correctly, the previously played channel is re-selected.

To remove the parental lock from one of the locked channels (so that the unlocking code is no longer required to listen to them), navigate to the channel, select it and enter the unlocking code to unmute the channel. Press and hold the MODE key until the display shows 'Unlock?' Press OK to remove the lock from the channel.

To change your locking code, in TUN device mode on the remote, press and hold the key.

NOTE

The locking code is reset to 0000 if a factory reset of the AVR600 is performed.

Sirius errors

If an invalid channel is selected, the AVR600 displays 'INVALID CHANNEL' and the channel reverts to the previous valid channel.

If there is a loss of signal, the AVR600 displays 'ACQUIRING SIGNAL'.

If the antenna is disconnected, the AVR600 displays 'ANTENNA ERROR'.

During the channel map update, the message 'Updating channels - xxx' is displayed. Note that audio is muted until the update is complete. When complete, the AVR600 retunes to the original channel and restores the audio.

network/usb operation

The AVR600 and AV888 are fitted with a network audio client which is capable of playing internet radio stations as well as stored music on a network storage device such as a PC, or from a USB flash drive. The network audio client is an optional extra for the AVR500, please contact your dealer for upgrade information.

For information on installing the AVR500, AVR600 or AV888 on your network, see page 22.

The unit supports the following file formats:

MP3
WMA (Windows Media Audio)
WAV
FLAC (Free Lossless Audio CODEC)
MPEG-4 AAC (iTunes) with DRM10 support
Ogg Vorbis

Favourites

You can store tracks or radio stations in your 'favourites' folder for easy access later. Once playing, pressing the FAV+ key adds the track to the 'favourites' folder. Pressing FAV- removes the track from the 'favourites' folder (this key only has an effect if the track is in the favourites folder).

Selecting the playback source

Selecting the network client will allow playback of internet radio stations and stored music on a networked storage device or USB memory device.

To select the network source the CR102 remote must first be in AMP device mode (press ). Then press
+ on the remote to select the Network source. You can also cycle to it using the -INPUT / INPUT+ keys on the front panel.

The 'home' page will display all available storage devices, as well as your 'favourites' folder. Navigate through these devices using the , , and keys. Folders that may contain playable files have a symbol, playable files have a symbol. Once you reach the track you wish to play, press OK.

Once playing, pressing OK again or II will pause the track.

Pressing the key skips forward one track. If the last track is reached the key is ignored.

Pressing the key skips back one track. If the first track is reached, the key is ignored.

Pressing and holding the OK or key for two seconds stops playback.

The key exits any navigation pages and shows the "Now Playing" screen.

Pressing the RND key on the remote plays the tracks in the current folder in a random order.

Pressing the key on the remote repeats the current track, pressing it again repeats all the files in the current folder, pressing it again cancels the repeat function.

NOTE

For playback from a network device, the network device needs to running a universal plug and play (uPnP) service, such as Windows Media Player 11. This can be downloaded free of charge from www.microsoft.com or installed via the Windows update installer. Windows Vista™ has this functionality built in.

Other free and paid-for uPnP services are available for other computer operating systems. Some network attached storage (NAS) systems include a built-in version of a uPnP service.

USB playback

Insert a USB device into the socket on the rear panel and select select the network client input. The USB device appears in the list of folders that can be navigated. Navigate to the music file and press the OK key.

Internet radio stations

Although you can manually enter the URL of an internet radio station, the unit uses the vTuner service to allow easy browsing of internet radio stations and podcasts. To set up this service for your AVR500, AVR600 or AV888, please visit www.arcamradio.co.uk

There, you will be asked to enter the Media Access Controller (MAC) address which is the unique ID of your AVR500/AVR600/AV888. This MAC address can be found in the network section of the setup menu.

Once you have entered the MAC address, you can then browse stations and podcasts and set up groups of favourite stations. When you next connect your unit to the internet, these groups will appear in the selection list.

Pressing the INFO key will cycle what is shown on the lower right portion of the front panel display between:

Elapsed Time (default)
Processing mode
■ Album (if available)
Artist (if available)
File information (bitrate, type).

iPod

It is possible to connect an iPod to your AVR500, AVR600 or AV888 using either the Arcam rLead or rDock accessories (please contact your dealer).

Connect the 9-way plug into the socket marked 'rLead/rDock' and the audio leads to the AV input. If your iPod has video output and you are using the rDock, connect the composite and S-Video leads to the AV video inputs.

To select the iPod input, press the (iPod) key on the remote while in AMP Device Mode, or cycle to it using the -INPUT/INPUT + keys on the front panel.

external amplifiers

Analogue pre-amplifier outputs (AVR600/AV888 only)

All pre-amplifier analogue outputs are buffered, have a low output impedance and are at line level. They are able to drive long cables or several inputs in parallel if required.

R,L,C

Connect these to the equivalent (Right, Left and Centre) front channels of your power amplifier.

SW1

Main subwoofer output. Connect this to the input of your active subwoofer, if present.

SW2, SW3

Subwoofer 2 and Subwoofer 3 auxiliary outputs. These are equivalent to SW1 but they allow the use of multiple subwoofoers.

SR, SL

Surround Right and Surround Left outputs. Connect these to the Surround Right and Left power amplifier inputs.

SBR, SBL

Surround Back Right and Surround Back Left outputs (only used in 6.1 and 7.1 channel systems). Connect these to the Surround Back Right and Surround Back Left power amplifier inputs.

For 6.1 channel speaker configurations, connect the single Surround Back power amplifier to the SBL output.

AV888

XLR balanced line outputs - AV888 only

The AV888 processor provides XLR connectors for each of seven channels, to an XLR-equipped amplifier (e.g. the Arcam P777). Three XLR subwoofer outputs are provided in addition.

RIGHT,LEFT,CENTRE

Connect these to the equivalent (Right, Left and Centre) front channels of your power amplifier.

SW1

Main subwoofer output. Connect this to the input of your active subwoofer, if present.

SW2, SW3

Subwoofer 2 and Subwoofer 3 auxiliary outputs. These are equivalent to SW1 but they allow the use of multiple subwoofoers.

SR, SL

Surround Right and Surround Left outputs. Connect these to the Surround Right and Left power amplifier inputs.

SBR, SBL

Surround Back Right and Surround Back Left outputs (only used in 6.1 and 7.1 channel systems). Connect these to the Surround Back Right and Surround Back Left power amplifier inputs.

For 6.1 channel speaker configurations, connect the single Surround Back power amplifier to the SBL output.

The AVR500, AVR600 and AV888 allow independent routing and control of analogue audio, Composite and S-Video to a separate set of equipment, typically used for a second living space, e.g., bedroom or lounge. The AVR600 and AV888 also allow a copy of the Zone 2 analogue audio to be routed to and controlled in a third living space, Zone 3.

The connection guide on the facing page shows how the AVR600 or AV888 is normally connected in a multi-room installation.

Zone 2

Zone 2 receives only signals obtained by the AVR500, AVR600 or AV888 from the analogue audio, Composite and S-Video inputs. The analogue inputs are required because there is no analogue-to-digital, digital-to-analogue or DSP processing available for Zone 2 signals - the unit only converts video formats for Zone 1.

For this reason, we recommend that in addition to any digital connections, the Composite and/or S-Video outputs from your source devices are connected to the AVR500, AVR600 or AV888.

Video outputs

The Z2 S-Video and/or Composite output connectors of the AVR500/AVR600/AV888 should be connected to the analogue video inputs (usually labelled S-VIDEO IN or COMPOSITEVIDEO IN) of the display device in Zone 2.

If you wish to make an HDMI connection to Zone 2, you must accept the limitations of the AVR500/AVR600/ AV888 video processing system.

HDMI OUT 1 and OUT 2 both carry the same signals (as there is only one video processing engine) and are primarily intended for use in Zone 1. Full HDMI video functionality in Zone 2 can only be achieved if Zone 1 is not being used at the same time.

If Zone 1 is being used at the same time as Zone 2, Zone 2 must follow the Zone 1 source selection if you wish to receive HDMI signals in Zone 2. Zone 2 must also be the same video resolution as Zone 1. If you wish to watch a different source in Zone 2 than is currently showing over HDMI in Zone 1, Zone 2 will be forced to use the analogue video connections into and out of the AVR500/AVR600/AV888.

Due to the complications of using HDMI in Zone 2 we recommend the use of analogue video connections instead, particularly as it is not possible to apply audio lip sync to Zone 2 audio to compensate for video processing delays.

Audio outputs

The Z2 OUT, R and L phono sockets should be connected to the analogue audio inputs (Usually labelled ANALOGUE AUDIO IN) of the Zone 2 display device, or to the inputs of an additional stereo power amplifier in Zone 2 (for example, the Arcam P38).

Zone 3 (AVR600/AV888 only)

A line-level signal from the stereo analogue audio is available for Zone 3. This is a copy of the Zone 2 audio signal, but has its own independent volume control.

Audio outputs

The Z3 OUT, R and L phono sockets should be connected to the inputs of an additional stereo power amplifier in Zone 3 (for example, the Arcam P38).

Zone 2 and 3 control outputs

The AVR500, AVR600 and AV888 also allow remote control from remote zones.

Z2 IR and Z3 IR

This allows the AVR500/AVR600/AV888 to be controlled remotely from Zone 2 (or Zone 3) via Infrared remote control. Connect a remote IR receiver in Zone 2 (or Zone 3) to allow control of the AVR500/AVR600/AV888 from these listening/viewing areas.

For more information on remote IR receivers, see "Z1 IR" on page 17.

TRIG Z2 and TRIG Z3

This allows the AVR500/AVR600/AV888 to remotely switch on devices in Zone 2 (or 3) when the appropriate Zone is selected. For example you could set your television in Zone 2 to switch on when 'Zone 2' is selected on AVR500/AVR600/AV888.

For more information on triggers, see 'Trigger connectors' on page 17. Please note that not all AV devices have this feature, nor are triggers essential for listening and viewing in a separate zone.

Multi-room connection guide

Code Learning

The CR102 comes with a complete library of preprogrammed codes. After you have set up the CR102 for your device, you may find that there are one or more functions on your original remote which do not have a place on the CR102 keypad. For convenience, the CR102 offers a Code Learning feature that allows you to copy up to 16 functions from an original remote control onto the CR102 keypad.

Before you start, make sure that:

The original remote control is working correctly.
The remotes are not pointing at your device.
The remotes have new batteries.
The remotes are not in direct sunlight or under strong fluorescent lights.

Learned functions are mode-dependent: You could theoretically assign up to eight different functions to a single key (the CR102 can handle a total of 16 learned functions).

Example: To copy the 'text hold' function from a TV remote onto the key of your CR102

1. Place both remotes on a flat surface, 2 to 5cm apart, with the IR ports facing each other.

2. On the CR102, press and hold (SHFT) until the power LED blinks twice:

3. Press ⑨ ⑦ ⑤ . The power LED blinks twice:

4. On the CR102, press the device key that matches the 'source' device (e.g. if you're learning a TV function, press AV).
5. On the CR102, press the key to which you want to assign the learned function (e.g. ). The device key blinks rapidly.
6. On the original remote, press and hold the function key that you want to learn (e.g. TEXT HOLD) until the CR102 device key blinks twice:
7. If you want to learn other functions from the same source device, simply repeat steps 5 and 6 pressing the next key you want to learn.

8. To exit Code Learning mode, press and hold until the device key blinks twice:

9. To use the learned function on the CR102, press the Device Mode key, followed by the function key. In this example, you'd press

followed by

Shifted Learning

You can assign a learned function to a CR102 key without sacrificing its original function.

You can assign Shifted Learning functions to any key except for: Device Mode keys (e.g. AV), SHIFT, or number keys (0 to 9).

1. To assign a Shifted Learning function, simply follow Code Learning steps in the previous section. During step 5, press (SHIFT) once before you press the key to which you want to assign the learned function.
2. To access the shifted function, press SHIFT and then the target key.

Important notes

Once you start a Code Learning session, you have approximately 10 seconds to conduct each step. Any longer, and a timeout means that you'll have to start the process again.
The Learning feature is mode-specific - you can copy one feature per mode onto a key.
The CR102 can learn approximately 16 functions in total.
To replace a learned function, simply assign a new one to the same key.
- Learned functions are retained when you change batteries.
If Code Learning fails, try altering the distance between the two remotes; make sure that the light in the area is not too bright.

To delete a learned function

1. Press and hold until the power LED blinks twice:
2. Press ⑨ ⑦ ⑥ . The power LED blinks twice:
3. Press a Device Mode key once. For example, if you want to delete one of your learned TV functions, press AV
4. Press twice on the key you want to deassign. The handset blinks twice: _^ to confirm.

The original function of the CR102 is restored.

To delete a Shifted Learned function:

To delete a Shifted Learned function, press SHIFT before you press the key to be deassigned (during step 4 above).

To delete ALL learned functions within a given Device Mode

1. Press and hold (Shift) until the power LED blinks twice:
2. Press ⑨ ⑦ ⑥ - the power LED blinks twice:
3. Press the appropriate Device Mode key twice.

Creating Macros

You can program your CR102 to issue a sequence of commands when you press a single key. Any sequence of commands you regularly use can be reduced to a single key press for your convenience.

For example, you might want to turn off your TV, VCR and Satellite at the same time.

A key programmed with a Macro is available in all modes; it will replace that key's different functions for all modes.

A Macro can consist of up to eight key presses.

Example: To assign a Macro to the key

1. Press and hold (SHIFT) until the power LED blinks twice:

2. Press⑨⑨⑤.

3. Press (SRCH) (the Macro will be assigned to this key).

4. Press a, , VCR, , SAT, . (These are the Macro steps you wish to record.)

5. To store the Macro, press and hold shift until the power LED blinks twice:

Now, whenever you press (SRCH), the CR102 will toggle the power to your TV, VCR and Satellite.

The important word here is 'toggle'. For example, if the TV and Satellite devices are currently on, but the VCR is off, pressing switch off the TV and Satellite and switch on the VCR (rather than switching all three devices on or off).
- When using Macros, remember that you may need to change mode or use (SHIFT), and that each key press (including changing modes and pressing (SHIFT) counts as one of the Macro steps. You cannot use a Macro key within another Macro.
If the amount of memory storage for a particular Macro is exceeded, the power LED comes on for five seconds. You can, however, save the macro steps up to that point by pressing SHIFT, or you can cancel the Macro recording by pressing any other key.
The delay between key presses is recorded as part of the Macro. A delay of up to 30 seconds is permitted.

Example: To deassign the Macro associated with the SCH key

1. Press and hold (Shift) until the power LED blinks twice:
2. Press⑨⑨⑤
3. Press (SCH).
4. Press and hold (SHIFT) until the power LED blinks twice:

Volume punch-through

Volume punch-through means that, no matter which Device Mode is selected, the CR102 controls the AVR500, AVR600 or AV888 volume. You don't need to press on your CR102; this feature is switched on by default.

There are times, however, when you might want to control a device's volume directly when in a specific Device Mode.

Example: To cancel volume punch-through for a TV (AV mode)

1. Press AV once.
2. Press and hold until the power LED blinks twice:
3. Press⑨⑨③.
4. Press . The power LED blinks four times.

Now, while in TV (AV) mode, you will be able to control the volume or mute functions of your TV directly.

To completely cancel all volume punchthrough settings

1. Press and hold until the power LED blinks twice:
2. Press ⑨ ⑨ ③.
3. Press + . The power LED blinks four times

Now, whichever mode you're in, you will have direct access to that device's volume or mute functions, assuming they are available. You would need to switch to AMP mode to alter the AVR500/AVR600/AV888 volume.

Example: To restore default volume punchthrough settings to all Device Modes

1. Press and hold until the power LED blinks twice:
2. Press ⑨ ⑨ ③.
3. Press . The power key LED blinks twice:

Key Mover

Sometimes you might find that a key you use a lot for your system is in the 'wrong' place on the CR102 keypad for your comfort. It's quite easy to reassign a favourite function to a more accessible key. It is even possible to move a function from one Device Mode to another Device Mode.

Example: To assign the DISP function to the MENU key in SAT mode

1. Press (SAT).
2. Press and hold until the power LED blinks twice:
3. Press ⑨ ⑨ ④.
4. Press the key you want to move (e.g. P )
5. Press the key you want to move the key to (e.g. MEN ). Now, pressing either DISP or MEN while in SAT Device Mode makes the CR102 transmit the DISP function.

To completely swap over the functionality of the two keys to put the MENU functionality on the DISP key, repeat the above process again, but swap over the DISP and MENU key presses in the example.

Note that the function that is copied over to the new key is always the original function of the old key.

Restore a moved key

To restore a key to its previous function, repeat the example above, pressing the key to be restored twice (copy it back to itself).

Restore all moved keys for a Device Mode

To restore all keys in a Device Mode to their original functional positions, repeat the example above, but press the relevant Device Mode key (e.g. M P ) at points 1,4 and 5 in the example.

Copy a key between Device Modes

It is possible to copy functions between Device Modes. However, remember that button functions are Device Mode specific and therefore effectively 'punch-through' to the original Device Mode when copied over.

The following example copies the AVR500/AVR600/ AV888 DIRECT function from the CR102 AMP device mode to the shifted function of the button on AV Device Mode.

1. Press and hold (SHIFT) until the power LED blinks twice:
2. Press⑨⑨④.
3. Press the Device Mode key of the function you want to move (e.g. AMP).
4. Press the function key you want to move (e.g., DIRECT)
5. Press the key of the Device Mode you want to copy the function to (e.g. )
6. Press the SHIFT button graphic
7. Press the key you want to copy the function to (e.g.

If you prefer to copy the key to the main function of the button instead of the 'shifted' function, omit point 6 in the above example.

Mode Mover

If your home entertainment setup contains devices of the same type (e.g. two TVs, perhaps from different manufacturers) you can still control both those devices with the CR102. You simply need to reassign an unused Device Mode key.

NOTE

Before using Mode Mover, make sure both the source and destination Device Mode keys are unlocked (see next section).

Example: To use the SAT key to control a second TV

1. Press and hold until the power LED blinks twice:

1. Press ⑨ ⑨ ②

2. Press the Device Mode key for the type of device you want to control (e.g. for a TV, press ()

3. Press the Device Mode key you want to use (e.g. SAT).
4. Don't forget to set up the CR102 to control the second device, using one of the methods on page 25.

Note that volume punch-through is not applied to a Device Mode that has been copied using Mode Mover. However, volume punch-through functionality can be restored when you have used Mode Mover, by copying -,+ and \& from the AMP Device Mode to the same physical buttons on the new moved Device Mode using the last example shown in Key Mover.

To restore a moved Device Mode key to its original state

1. Press and hold (Shift) until the power LED blinks twice:
2. Press⑨⑨②
3. Press the Device Mode key you want to restore twice.

Locking/Unlocking a specific Device Mode

When you first unpack your CR102 and insert the batteries, for your convenience it is able to control certain Arcam components automatically (e.g. DVD players, Amplifiers, Tuners and CD Players). We achieve this by preprogramming specific Arcam device codes onto the relevant Device Mode keys, then locking the Device Modes so you don't reprogram them inadvertently.

If you want to override these locked default settings - to control a third-party DVD player, for example - you will first need to unlock DVD Mode before setting up the CR102 using one of the methods described at the start of this guide.

Here are the factory default settings:

Device Mode	Default status	Default Arcam codes
DVD	Locked	0762
SAT	Unlocked	1205
AV	Unlocked	0586
TUN	Locked	2009
AMP	Locked	1242
PVR	Unlocked	1930
VCR	Unlocked	0111
CD	Locked	2010

Alternative codes are available for multi-room solutions, or in the case of code clashes with other manufacturer's products.

For example:

DVD (system code 12) 1655

AMP (system code 19) 1954

You will need to change the system code on the product you wish to control, as well as the CR102.

NOTE

The AMP Device Mode can only be used to control Arcam amplifiers like the AVR500, AVR600 and AV888, either on its default or alternative IR system codes.

To toggle a Device Mode lock setting:

1. Press the Device Mode key you want to unlock (e.g. DVD)
2. Press and hold (SHIFT) until the power LED blinks twice:
3. Press⑨⑧②.
   The power LED blinks twice when being locked, and blinks four times when being unlocked.
   If you enter an invalid key sequence, the power LED gives one long blink and returns to normal operation.

While the Device Mode key is locked, the Direct Code Setup and Move Mode functions are not available.

Mode key IR punch-through

The Mode key IR punch-through default is 'on'.

Example: To set the Mode key IR punchthrough to AMP

1. Press and hold until the power LED blinks twice:
2. Press ⑨ ⑦ ① . The power LED blinks twice:
3. Press to punch through IR from it.

Now, whenever you press and release a Mode key, the IR data assigned to AMP is transmitted, no matter what the current mode is (i.e. it 'punches through' any other device).

To cancel Mode key IR punch-through

1. Press and hold shift until the power LED blinks twice:
2. Press ⑨ ⑦ ① . The power LED blinks twice:
3. Press until the power LED blinks twice:

Resetting the CR102

Resetting the CR102 will erase all learned functions across all modes, as well as some other programmed functions like Macros. It will not reset the Device Mode keys; these will remain programmed to your choice of component.

1. Press and hold until the power LED blinks twice:
2. Press ⑨ ⑧ ① . The power LED blinks four times:
3. Press and hold until the power LED blinks twice:
4. Press ⑨ ⑨ ③.
5. Press . The power key LED blinks twice:
6. Press and hold (SHIFT) until the power LED blinks twice:
7. Press ⑨ ⑦ ① . The power LED blinks twice:
8. Press . The power key LED blinks twice:

Command summary

Direct code setup

(e.g. AV mode, NNNN=code number)

AV SHHT NNNN

Library search

(e.g. AV mode)
AV SHIFT 9 ⑨ 1 ① until unit turns off
Shift to save

Code blink back

AV 9 ⑨ 0

① count blinks for first N
② count blinks for second N
③ count blinks for third N
count blinks for fourth N

Code learning

(e.g. AV mode fast forward key)

SHF 975 AV (many rapid blinks)

(Press key on original remote that you wish to copy)

SHIFT

Delete a learned function

(e.g. AV mode fast forward key)

SHF ⑨⑦⑤ AN

Delete all learned functions with a device

(e.g. AV mode)

SHF ⑨⑦5AVAV

Creating macros

(e.g. SRCH key)

SHIFT 9 95 SRCH AV VCR SAT SHFT

Deassign macro

SHIFT ⑨ ⑨ ⑤ ⑤ ⑤ ⑤

Key mover

(e.g. SAT mode, DISP key to MENU key)

SATSHIFT ⑨⑨④ DISPMENU

Mode mover

(e.g. change SAT to TV(AV))

SHF ⑨②AV SAT

Restore device mode

(e.g. restore SAT)

SHF ⑨⑨② SAT

Locking/unlocking a mode

(e.g. DVD mode)

DVID SHIFT ⑨⑧②

(i.e. two blinks for lock)

DWD SHIFT ⑨⑧②

(i.e. four blinks for unlock)

Cancel all volume punch-through

SHIF ⑨③+

Restore volume punch-through

SHIFT ⑨③

Mode key IR punch-through

SHIF ⑨⑦① AMP

Cancel mode key IR punch-through

SHIFT ⑨ ⑦ ①

NOTE

As elsewhere in this Handbook, a single 'blink' of the red LED behind the power button is indicated by the symbol .

Device codes

The tables that begin on page 64 (in the final section of this Handbook) list the four-figure codes for different manufacturers' devices.

Use these when setting your CR102 up to control your devices, as described in Method 1 (see page 30).

If more than one code number is listed, try the first number. If the results are unsatisfactory, continue trying the numbers for that manufacturer to get the best 'fit' with the functionality required.

If the manufacturer of your equipment is not listed, you can try Method 2, the Library Search (see page 30). This allows you to scan through every set of codes contained in the CR102's memory.

trouble-shooting

Problem	Check that...
There are no lights on the unit	■ the power cord is plugged into the unit and the mains socket it is plugged into is switched on. ■ the power button is pressed in. If a red LED is present, the unit is in standby mode. Press any button on the front panel or remote control.
The unit responds erratically or not at all to the remote control	■ there are fresh batteries in the remote control. ■ the front panel window is visible and you are pointing the remote control towards it.
The front panel display is blank	■ the display hasn't been turned off. Press the DISPLAY button on the front panel or remote control.
No picture is being produced	■ your viewing device is turned on and switched to display your AVR500/ AVR600/AV888. Test by pressing the MENU button on the AVR500/AVR600/ AV888 or on the remote and look for the main menu screen on your display device. ■ the correct video input is selected on the AVR500/AVR600/AV888. ■ the video source is on, is operating normally, and is in 'play' mode if appropriate. ■ you have the AVR500/AVR600/AV888 in a video resolution that is compatible with the connection you are using and with your display device. For example, composite video is only capable of carrying 480i and 576i resolutions. Test this by pressing and holding the OK key for more than two seconds to force 480i / 576i output resolutions.
There are bright edges or 'ghosts' on the picture	■ the cables used for analogue video connections are designed to carry video (i.e., they are 75Ω coaxial cables). ■ ensure the 'sharpness' control on your display device is switched off or set to near minimum. ■ for HDMI connections, try using a shorter cable or alternatively a different brand.
No sound is produced	■ the correct input has been selected. ■ the source equipment is on, is operating normally and is in 'play' mode if appropriate. ■ the volume is turned up to a reasonable level and the unit is not in mute mode.
The sound is poor or distorted	■ you have not excessively increased the input sensitivity (i.e. reduced the maximum input signal voltage) in the Input Config. menu if an analogue input is being used. ■ you have selected the correct size of speakers to suit your system in the setup menu.
Sound only comes from some of the speakers	■ you have an appropriate surround source selected and playing. ■ the DVD disc is encoded in the appropriate format, and the correct format has been selected in the disc start menu of the DVD player (if applicable). ■ the DVD player has been set to output 'bitstream' audio on the digital output. ■ the display window indicates that the disc you are playing is a multichannel recording (you may need to press the INFO key several times until you get to the 'incoming format' display). ■ all the speakers are correctly connected to the speaker terminals and are secure. ■ you have not selected 'Stereo' as the decoding mode. ■ your speaker balance is correct. ■ you have configured the unit to include all the speakers in your system.
Unable to select Dolby Digital or DTS decoding modes	The AVR500/AVR600/AV888 can only apply Dolby Digital and DTS decoding to sources which have been encoded in the same format. Check that: ■ digital source is selected and connected. ■ the source is playing appropriately encoded material. ■ the DVD disc is encoded in the appropriate format and that the correct format has been selected in the disc start menu of the DVD player (if applicable). ■ the DVD player has been set to output 'bitstream' audio on the digital output (not PCM).
When playing a Dolby Digital DVD, the AVR600 selects Dolby Pro Logic	■ you have a digital connection from your DVD player. ■ sometimes Dolby Digital DVD discs contain material at either the beginning or the end of the main movie that is not in full 5.1 format, but in two-channel or Pro Logic decoding.
Hum on the analogue input	■ all cables are making a good connection. If necessary withdraw the cable from the connector and plug it fully in again (turn the power off before doing this). ■ the connections inside the source cable connector are not broken or badly soldered. ■ if the hum originates only when one particular source component is connected, that an aerial cable, or dish connection to this source is ground isolated. Contact your installation contractor.
There is radio or television reception interference	■ where the interference is coming from. Switch off each source component in turn, then any other equipment. Most electronic equipment does generate low levels of interference. ■ try re-arranging cabling from the nuisance source away from other cabling. ■ ensure that the cabling used is high quality, specified for its purpose, and is properly screened. ■ if the problem persists, contact your dealer.

Problem	Check that...
The source switching changes randomly or freezes on one source	■ there are no static or impulse interference problems caused by nearby power equipment switching, e.g., heating or air conditioning control. Switch the unit off, wait ten seconds, then switch it on again to clear an operating problem. Contact your installer if the problem returns or persists. ■ there is no direct sunlight shining on the infra-red detector behind the front panel display.
Volume is always too loud when I turn on	■ the ‘max on volume’ setting is not set too high.
When Zone 2 or 3 is put into standby, the main zone is also switched off	■ the ‘zone standby’ setting in the setup menu is set to LOCAL.
When a USB memory device is connected, ‘USB’ is not shown in the network client's list of folders	■ a USB memory device is connected that conforms to the mass storage class. ■ a USB hub is not being used.
If files on a USB memory device cannot be played:	■ the USB device is formatted in FAT16 or FAT32. ■ the USB device does not have multiple partitions. ■ the files are in a compatible format.
If files on a computer cannot be played	■ the files are in a compatible format. ■ the computer is connected via a network and not USB – the AVR500/ AVR600/AV888 USB port cannot be used for a direct connection to a computer
If you cannot connect to a wired network	■ the Ethernet cable you are using is correctly connected between the AVR500/ AVR600/AV888 and the network hardware. ■ the network is set up for fixed IP addressing and you have the AVR500/ AVR600/AV888 set to use DHCP. ■ the network is set up for DHCP and you have the AVR500/ AVR600/AV888 set to use fixed IP addressing.
If you cannot connect to a favourite internet radio station	■ the station is still broadcasting or is not congested – try again later.
If the internet radio station sound quality is poor or broken	■ the radio station does not have a low bit rate (use the INFO key to find this or look on the OSD). ■ the network is not slow or congested.

specifications

Continuous power output (20Hz-20kHz at 0.05% THD), per channel (AVR600)
2 channels driven	150W
All channels driven	120W
THD at full rated power	<0.2%
Residual noise & hum	<0.25mV unweighted 20Hz - 22kHz
Continuous power output (20Hz-20kHz at 0.05% THD), per channel (AVR500)
2 channels driven	120W
All channels driven	100W
THD at full rated power	<0.2%
Residual noise & hum
Inputs
Phono input:
Input sensitivity at 1kHz	5mV
Input impedance	47kΩ
Signal/noise ratio (CCIR, 65W)	88dB
Overload margin	31dB
Line inputs:
Nominal sensitivity	500mV-4V (user adjustable)
Input impedance	47kΩ
Signal/noise ratio (CCIR, 65W)	100dB
Preamplifier outputs
Max output level	6V RMS
Output impedance	<50Ω
THD+N (20Hz-20kHz)	-100dB
Video inputs
Component video signal/noise	85dB
Composite video signal/noise	70dB
Headphone output
Maximum output level into 600Ω	4V p-p
Output impedance	<5Ω

General
Mains voltage	110-120V or 220-240V
Power consumption (maximum)
AVR500/AVR600	1.5kVA (Thermal dissipation approx. 2300 BTU/hour)
AV888	120VA (Thermal dissipation approx. 410BTU/hour)
Power consumption (idle, typical)	120VA (Thermal dissipation approx. 410 BTU/hour)
Power consumption (standby)	3VA
Dimensions W x D x H (including feet)	432 x 450 x 180mm
Weight (net)
AVR500	23.0kg
AVR600	25.0kg
AV888	12.0kg
Weight (packed)
AVR500	28.0kg
AVR600	30.0kg
AV888	17.0kg
Supplied accessories	Mains lead CR102 remote control 4 x AAA batteries Manual HDMI lead support bar DAB aerial (if DAB module fitted) FM aerial (if AM/FM fitted) AM loop aerial (if AM/FM fitted) Calibration microphone

E&OE
NOTE: All specification values are typical unless otherwise stated.

Continual improvement policy

Arcam has a policy of continual improvement for its products. This means that designs and specifications are subject to change without notice.

Worldwide Guarantee

This entitles you to have the unit repaired free of charge, during the first three years after purchase, at any authorised Arcam distributor provided that it was originally purchased from an authorised Arcam dealer or distributor. The manufacturer can take no responsibility for defects arising from accident, misuse, abuse, wear and tear, neglect or through unauthorized adjustment and/or repair, neither can they accept responsibility for damage or loss occurring during transit to or from the person claiming under the guarantee.

The warranty covers:

Parts and labour costs for three years from the purchase date. After three years you must pay for both parts and labour costs. The warranty does not cover transportation costs at any time.

Claims under guarantee

This equipment should be packed in the original packing and returned to the dealer from whom it was purchased, or failing this, directly to the Arcam distributor in the country of residence.

It should be sent carriage prepaid by a reputable carrier – not by post. No responsibility can be accepted for the unit whilst in transit to the dealer or distributor and customers are therefore advised to insure the unit against loss or damage whilst in transit.

For further details contact Arcam at:

Arcam Customer Support Department,

Pembroke Avenue, Waterbeach, CAMBRIDGE, CB25 9QR, England

or via www.arcam.co.uk.

Problems?

If your Arcam dealer is unable to answer any query regarding this or any other Arcam product please contact Arcam Customer Support at the above address and we will do our best to help you.

On-line registration

You can register your product on-line at www.arcam.co.uk.

Correct disposal of this product

This marking indicates that this product should not be disposed with other household waste throughout the EU.

To prevent possible harm to the environment or human health from uncontrolled waste disposal and to

conserve material resources, this product should be recycled responsibly.

To dispose of your product, please use your local return and collection systems or contact the retailer where the product was purchased.

device code tables

TV

888	0294
A.R. Systems	0067 0382 0586
	0404 0485
Accent	0039 0067 0586
Acoustic Research	1299
Acura	0039
Adcom	0655
Addison	0683 0138
ADL	1247
Admiral	0123 0193 0448
	0294
Advent	0906
Adyson	0247 0246
AEA	0067 0586
AEG	0636 1193
Agashi	0246 0294 0247
Aiko	0039 0067 0586
	0246 0065 0463
	0294 0247
Aim	0067 0586 0783
	0238 0736
Aiwa	1535
Akai	0039 0632 0238
	0586 0067 0463
	0065 0783 0193
	0759 0744 0745
	0578 0510 0247
	0661 0246 0294
	0208 0407 0636
	1067 0503 1289
	1278
Akashi	0890 0039
Akiba	0485 0067 0586
Akira	0448
Akito	0067 0586
Akura	0067 0294 0586
	0698 0039 0744
Alaron	0246
Alba	0039 0067 1067
	0586 0744 0448
	0400 0698 0246
	0193 0517 0473
Alkos	0065
All-Tel	0895
Allorgan	0247
Allstar	0067 0586
Amplivision	0247 0400
Amstrad	0039 0067 0294
	0463 0586 1067

Anam	0067 0680	0586	0039
Anam National	0067	0586	0680
Andersson	1193	1179
Anglo	0039	0294
Anitech	0039 0586	0294	0067
Ansonic	0400	0067	0586
	0039	0698	0404
	0193
AOC	0039	0090	0123
	0138	0208
Aolingpike	0294
Apex Digital	1247
Apollo	0503
Arc en Ciel	0139
Arcam	0246	0247
Ardem	0516	0744	0067
	0663	0586
Aristona	0586	0067
Arthur Martin	0193
ASA	0135	0376	0100
Asberg	0067	0586
Asora	0039
Astra	0067	0586
Asuka	0247	0246	0294
ATD	0728
Atlantic	0067	0586	0246
Atori	0039
Auchan	0193
Audiosonic	0039	0067	0404
	0850	0139	0586
	0744	0745	0247
	0400	0294	0516
Audioton	0247	0516	0400
	0294
Audioworld	0728
Aumark	0090
Autovox	0247
AWA	0039	0404	0067
	0586	0246	0636
	0247	0138	0294
	1406
Axpent	0039
Axxon	0744
B&D	1247
Baier	0906
Baihe	0039	0294
Baile	0039	0404	0691
Baird	0139	0373	0247
	0238	1226

Bang & Olufsen	0595
BaoHuaShi	0294
Baosheng	0039
Barco	0193
Basic Line	0039 0193 0247	0404 0698 0485	0067 0586 1067
Bastide	0247
Bauer	0039
Baur	0039 0225	0067 0586	0542 1535
Bazin	0247
Beaumark	0208
Beijing	0039 0294 0691	0238 0404	0256 0512
Beko	0400 0516	0744 0745	0067 0400
	0448 0636	1067 0838
Belson	1221
Bennett	0586	0067
Beon	0067	0586	0448
Berthen	0698
Best	0400
Bestar	0067 0404	0586	0400
Bestar-Daewoo	0404
Binatone	0247
Black Diamond	0850 0783	1067 1193	0586
Black Strip	0065
Blaupunkt	0225 0485	0230 0200	0357
Blue Sky	0067 0744	0586 1067	0698 0517
	0744 0745	1067 1939	0485 0485
	1221	0838	1393
Boots	0247	0039
Bosch	0357
BPL	0067	0586	0926
Brandt	0139 0373	0655 0590	0365
BrandtElectronique	0365
Brinkmann	0067 0448	0586 0516	0698
Brionvega	0067 0246	0586 0247
Britannia	0246	0247
Brother	0294
Bruns	0516
BSR	0193
Bush	0039 0744	1067 0698	0067 0193
	0404 0404	0728 0728	0294 0294
	0517 0517	0238 0238	0247 0247
	0586 1278	0808 1067	1289
C-Tech	0926	0921
Caihong	0039
Caishi	0921
Capsonic	0294
Carad	0640 0698	0067 1067	0586
	0698	1067
Carena	0485	0067	0586
Carrefour	0100	0067	0586
Carver	0200
Cascade	0039	0067	0586
Casio	0067	0586	0193
Cathay	0067	0586
CCE	0067	0247	0586
Celestial	0850
Centrex	0810	0921
Centrum	1067

Centurion	0067	0586
CGE	0104	0448	0400
	0193
Changcheng	0039	0294	0404
	0691
Changfei	0039	0404
Changfeng	0294	0783
Changhai	0039
Changhong	0850	0039	0294
	0538
Chengdu	0039
Ching Tai	0039
Chun Yun	0039
Chunfeng	0039	0294
Chung Hsin	0138
Chunsun	0039
Cimline	0039
Citizen	0090
City	0039
Clarivox	0067	0448	0586
	0100
Clatronic	0067	0400	0744
	0294	0586	0247
	0039	0636	1193
Clayton	1067
CMS	0246
CMS hightec	0247
Cobolt	0921
Concorde	0039
Condor	0067	0400	0586
	0246	0039	0448
	0193	0294
Conia	0784	0850
Conrac	0838
Conrad	0067	0586
Conrowa	0039	0294	0728
	0783	1200
Contec	0039	0246	0294
	0067	0586
Continental Edison	0139	0517
Cosmel	0039	0067	0586
Crosley	0104	0193
Crown	0039	0742	0067
	0400	0516	0586
	0448	0517	0744
	0636	0745	0238
	0683	1067
CS Electronics	0246
Curtis Mathes	0090	0123
Cytronix	1328
D-Vision	0067	0586
Daewoo	0664	0691	0404
	1939	0529	0067
	0586	0039	0246
	0247	1167	0208
	0200	0910	0138
	0906	0895
Dainichi	0246
Dansai	0067	0586	0294
	0065	0246	0039
	0247	0238
Dantax	0400	0516	0744
	0636	0745
Datsura	0238
Dawa	0039	0067	0586
Daytek	0728	0736	1406
Dayton	0039
Daytron	0039	0404	0067
	0586
Dayu	0404	0691
de Graaf	0238	0578	0193
DEC	0890	0921

Decca	0067 1167	0586 0247
Deitron	0067	0586 0404
Denko	0294
Denver	0067 1219	0586 0636
Desmet	0067	0586 0039
Diamant	0067	0586
Diamond	0294 0855	0728 0039
	0246 0890
	0850
Digatron	0067	0586
Digihome	1179
Digiline	0067 0698	0586 0135
DigLogic	0067	0586
Digitex	0850
Digitor	0067	0586
DigiX	0910
DiK	0067	0586
Dixi	0039 0247	0067 0586
DL	0921 0617	0810 0067
	0895
Domeos	0698
Domland	0424
Dongda	0039
Donghai	0039
Dream Vision	1734
Drean	0067
DSE	0850
DTS	0039
Dual	0247 0586	0373 0067
	0382 0424
	0193 1167	0661
	1179	1067
Dual Tec	0247
Dumont	0100	0247
Dunai	0193
Durabrand	0067	0586 0208
Dux	0067	0586
DVX	0921
Dynatech	0247
Dynatron	0067	0586
e:max	0636
Easy Living	1278	1289
Ecco	0803	0736
ECE	0067	0586
Edison-Minerva	0517
Elbe	0400	0193 0067
	0586	0640 0247
Elcit	0193
Electrograph	1785
Elekta	0039 0294	0067 0586
	0294
Elfunk	1238	1067
ELG	0067	0586
Elin	0067	0246 0578
	0586	0135 0193
	0039
Elite	0067	0586
Elta	0039	0294 0246
Emerson	0208	0744 0067
	0586	0100 1939
	0516	0400 0193
	0698
Enzer	0783
Erae	1401
Erres	0067	0586
ESC	0067	0586 0247
Estèle	0193
Ether	0039

Etron	0039	0067	0586
	0193	0850
Eurofeel	0294	0247
EuroLine	0067
Euroman	0246	0294	0067
	0586	0247	0400
Europa	0067	0586
Europhon	0067	0193	0247
	0586	0246
Evesham	1278	1289
Excel	0067	0586
Expert	0193
Exquisit	0067	0586
Fagor	0067	0586
FairTec	1221
Family Life	0067	0586
Feilang	0039
Feitu	0039
Feiyan	0294
Feiyue	0039
Fenner	0404	0039
Ferguson	0067	0139	0655
	0365	0373	0590
	0586	0065	0683
	0138	0578	0473
	1067
Fidelity	0193	0246	0542
	0067	0586	0294
Filsai	0247
Finlandia	0238	0376	0578
	0193	0373
Finlux	0067	0135	0100
	0586	0744	0376
	0247	0193	0745
	0661	0522	0510
	0503	0448	0636
	0838
Firstar	0039
Firstline	0039	0067	0246
	0586	0247	0404
	0698	0744	0193
	1939	0238	1067
	1221	0838	1393
	1193	1401
Fisher	0247	0238	0400
	0193
Flint	0067	0485	0586
	0640	0294
Force	1179
Formenti	0067	0193	0586
	0516	0246
Formenti-Phoenix	0246
Fortress	0123
Fraba	0067	0586	0400
	0039	0067	0586
	0400	0529	0640
Frontech	0193	0294	0247
	0039
Fujimaro	0895
Fujitsu	0713	0883	0247
	0193	0039	0382
	0067	0586
Fujitsu General	0039	0247	0193
Fujitsu Siemens	1328	1289	1278
	1193
Funai	0698	0294
Furi	0294
Furichi	0890
Futronic	0294	0890
Future	0067	0586
Galaxi	0067	0586	0193
Galaxis	0400	0448	0067
	0586
Galeria	0039
Gateway	1785

GBC	0193	0039	0404
GE	0373	0208	0123
	0590	0139	0365
	0655
Geant Casino	0193
GEC	0067	0193	0247
	0586
Geloso	0039	0193	0404
General	0139
General Electric	0373
General Technic	0039
Genesis	0039	0067	0586
Genexxa	0193	0067	0586
	0039
Gericom	0895	1328	1247
	0910
Gevalt	1401
Giant	0247
Go Video	0090
Goldfunk	0698
Goldhand	0246
GoldStar	0039	0067	0208
	0400	0407	0247
	0586	0246	0193
	0139	0636	0744
	0745	0485
Gooding	0517
Goodmans	0664	1289	1278
	0067	1067	0529
	0247	0586	0744
	0373	0698	1939
	0404	0294	0039
	0517	0065	0510
	0590	0365	0691
	0910	0617	1406
Gorenje	0400
Gradiente	0067	0683	0200
	0586
Graetz	0193	0744	0067
	0586	1193
Granada	0067	0586	0238
	0256	0247	0138
	0503	0365	0590
	0193	0373	0578
Grandin	0067	0586	0039
	0193	0640	0744
	0745	0698	0404
	0485	1067	0895
	1221	0910
Gronic	0247	0193
Grundig	0225	0538	1401
	0067	0100	0517
	0586	0617	0473
	0736	0039	0400
	0208	1406	0373
Grunkel	1193
H&B	0838
Haaz	0736
Haier	0728	0921	0294
Haihong	0039
Haiyan	0294
Halifax	0294	0246	0247
Hallmark	0208
Hammerstein	0294	0090
Hampton	0246	0247
Hankook	0208
Hanseatic	0067	0586	0529
	0193	0691	0424
	0664	0400	0039
	0247	0407	0744
	0838	0516
Hantarex	0039	0067	0586
Hantor	0067	0586
Harsper	0895
Harwa	0803	1226	1299

Harwood	0039 0067 0586
	0517
Hauppauge	0067 0586
Havermy	0123
HCM	0039 0067 0586
	0247 0448 0294
Hedzon	0586 0067
helios	0895
Hema	0247 0039
Hifivox	0139
Higashi	0246
Highline	0294 0067 0586
Hinari	0039 0238 0067
	0586 0193 0473
	0517 0294
Hisawa	0485 0640 0744
HISense	1393 0238 0039
	0538 0783 1200
	1238 0810 0586
Hitachi	0193 0208 1255
	0039 0608 0135
	0138 0503 0373
	0247 0139 0511
	0529 0067 0538
	0586 0578 0664
	0774 1067 1167
	1200 0522 1511
	0542 0510 1606
	1179
Hitachi Fujian	0138
Hitsu	0039 0640 0485
Hoher	0744 0895
Home Electronics	0636
Hongmei	0039 0123 0294
Hongyan	0294
Hornyphon	0067 0586
Hoshai	0485
Hua Tun	0039
Huafa	0039
Huanghaimei	0039
Huanghe	0039
Huanglong	0039
Huangshan	0039 0294
Huanyu	0246 0404 0294
Huaqiang	0294
Huari	0294
Hugoson	0920 1247
Hygashi	0247 0246
Hyper	0039 0246 0247
Hypson	0067 0294 0586
	0744 0745 0247
	0485 1067 0698
	0516
Hyundai	0067 0895 0586
	0736 0890 0783
	0906
Iberia	0067 0586
ICE	0247 0294 0067
	0039 0586 0246
ICES	0246
Ict	0067 1167 0586
IISonic	1406
Iiyama	1247 0920
Imperial	0067 0104 0193
	0400 0448 0586
Imperial Crown	0039 0294 0404
	0691
Indiana	0067 0586
InFocus	0782 1194
Ingenlen	0193 0517 0640
	0744
Ingersoll	0039
Inno Hit	0039 0067 0586
	0247 1193

Kingsley	0246
Kioto	0736	0586
Kiton	0586	0067 0698
KLL	0067
Kneissel	0067	0400 0640
	0404	0529 0586
Kolin	0138
Kolster	0067	0586
Kongque	0039	0294
Konichi	0039
Konka	0067	0586 0744
	0448	0617 0784
Kontakt	0517
Korpel	0067	0586
Korting	0400
Kosmos	0067	0586
Kotron	0294
Koyoda	0039
Kreisen	0906
KTV	0247
Kuaile	0039	0294
Kuba	0193
Kuba Electronic	0193
Kulun	0039
Kunlun	0238	0256 0294
	0404	0691
Kyoshu	0448	0294
Kyoto	0193	0246 0247
L&S Electronic	0895	0744
LaSAT	0516	0400
Lavis	1067	0067 0193
Leader	0039
Lecson	0067	0586
Legend	0039
Lenco	0067	0039 0193
	0404	0586 0617
	1067
Lenoir	0039
Levis Austria	0067	0586
Lexsor	1226
Leyco	0067	0294 0586
LG	0067	0208 0400
	0039	0407 1295
	0586	0247 0744
	0246	0674 0193
	0090	0138 0636
	0139	0728 0745
	1667	1221
Liesenk & Tter	0067	0357 0586
Liesenkotter	0067	0357 0586
Lifetec	0067	0039 0404
	0698	0542 1067
	1167	0586 0294
	0713	1278 1289
	0744
Lloyd's	0039
Local Malaysia TV	0728
Lodos	1067	1179
Loewe	0542	0663 0820
	0067	0586 0400
Logik	0090	0728 0803
	0039	0294 0910
	1247	1067
Logix	0698
Longjiang	0294
Luma	0067	0193 0586
	0404	0039
Lumatron	0067	0586 0193
	0247	0294
Lux May	0067	0039 0586

Luxor	1193	0510	0522
	0238	0578	0193
	0376	0503	1067
	0247	0661
LXI	0208
Madison	0067	0586
Magnadyne	0193
Magnafon	0246
Magnavox	0067	0586	0736
	0810
Magnum	0744	0067	0586
	0745	1319
Mandor	0294
Manesth	0067	0247	0586
	0294	0065	0193
Manhattan	0067	0906	0586
	0698	1067	0193
	0808
Marantz	0067	0586
Mark	0067	0586	0247
	0246	0404	0039
	0744	0745
Master's	0529	0067
Mastro	0810	0728
Masuda	0039	0294	0067
	0247	0586
Matsui	0039	0067	0586
	0065	0517	0238
	0247	0473	0463
	0485	0193	0225
	0365	0744	1067
Matsushita	0680
Matsuyama	0617
Maxam	0294
Maxdorf	0803
Maxent	1785
MCE	0039
Meck	0921	0728
Mediator	0067	0586
Medion	0067	0698	0744
	1067	0838	0586
	0542	1167	0728
	1278	1289	0910
	1319
Megas	0640
Megatron	0208
MEI	1067	0067	0586
Meile	0294
Melectronic	0039	0376	0067
	0542	0139	0373
	0193	0135	0247
	0404	0510	0522
	0246	0586	0664
	0225	0691	0744
Memorex	0039	1067	0208
	0680	0090
Memphis	0039
Mercury	0067	0039	0586
Mermaid	0067
Merritt	0578	0193
Metronic	0655
Metz	0418	0477	0776
	1193	0225	0067
	0586	0617	0698
	1067	1563
MGA	0208	0067	0586
Micromaxx	0067	0586	0698
	1067	0838
Microstar	0838
MicroTEK	0850
Mikomi	1179
Minato	0067	0586
Minerva	0100	0517	0225
	0138
Minoka	0067	0586

Mitsubishi	0138	0123	0542
	0067	0208	0586
	0238	1067
Mitsuri General	0193
Mivar	0246	0400	0639
	0247
Monaco	0039
Morgan's	0067	0586
Motorola	0123
MTC	0090	0400	0542
	0193	0246
MTLogic	0744
Mudan	0039	0238	0256
	0294
Multitec	0067	0586	0516
	0698	1067
Multitech	0039	0246	0516
	0067	0247	0400
	0586	0294
Murphy	0246	0193
Musikland	0067	0586
MyCom	1406	0208
Myryad	0586	0067
NAD	0208	0193
Naiko	0067	0636	0586
Nakimura	0404	0067	0586
Nanbao	0039	0294
Nansheng	0294
Naonis	0193
NAT	0256
National	0256	0238	0538
NEC	0200	0617	1200
	0208	0039	0485
	0404	0247	0067
	0586	0294	0538
	1734	0529	0683
	0691
Neckermann	0067	0400	0586
	1535	0230	0193
	0357	0448	0247
	0542
NEI	0067	0586	0193
Neovia	0895	1401	0906
	1406
Netsat	0067	0586
Neufunk	0067	0039	0586
	0640	0744
New Tech	0067	0039	0586
	0373	0247
Newave	0039	0208	0123
Nicamagic	0246
Nikkai	0065	0067	0586
	0246	0247	0294
	0039
Nikkei	0744
Nikko	0208
Nishi	0512
Nobilex	0067	0294	0512
Nobiko	0100	0246
Nogamatic	0139
Nokia	0193	0503	0510
	0578	0636	0522
	0661	0238	0404
	0376	0640	0139
Nordic	0247
Nordmende	0139	0744	0921
	0373	0590	0225
	0067	0586	0365
	0193	1289	1278
Norfolk	0193
Normerel	0067	0586
Novak	0067	0586
Novatronic	0067	0135	0404
	0586
NU-TEC	0485	0728

Nurnberg	0193
Oceanic	0193 0578	0238 0510	0503
Odeon	0294
Okano	0400 0294	0067 0039	0586
Olidata	1406
Omega	0294
Omni	0810	0921	0728
Onwa	0632	0463
Opera	0067	0586
Optimus	0680
Optonica	0123
Orbit	0067	0586
Orion	0067 0744	0473 0039	0586 0294
	0444 0910	0586 1226
Orline	0067	0586
Ormond	0698	1067	0067
	0586
Osaki	0247	0294	0067
	0404	0586
Osio	0067	0586
Osume	0067	0586
Otto Versand	1535	0067	0247
	0373	0123	0542
	0586	0225	0139
	0256	0039
Pacific	0067	0586	1167
	0744	1067	0473
Pael	0246
Palladium	0400	0067	0448
	0744	1167	1535
	0230	0586	0357
	0193	0247
Palsonic	0294	0803	0067
	0247	0407	0728
	0586	0448	0808
	1226
Panama	0039	0247	0294
	0246	0067	0586
Panasonic	0680	0256	0138
	1340	0067	0586
	0193	0238	0538
	0926	0578	0883
	0208	0090
Panavision	0067	0586
Panda	0039	0810	0238
	0256	0294	0736
	0921	0538	0728
Papouw	0067	0586
Pathe Cinema	0193	0246	0400
Pathe Marconi	0139
Pausa	0039
Peng Sheng	0921
Penney	0208	0090
Perdio	0193	0067	0246
	0586
Perfekt	0067	0586
Philco	0067	0104	0448
	0586	0193	0400
	0511	0208
Philex	0193
Philharmonic	0247
Philips	0067	0586	0373
	0208	0138	0404
	0802	0039	0230
Phocus	1319	0744
Phoenix	0067	0586	0400
	0516	0193	0246
Phonola	0067	0586	0246
Pilot	0586	0067	0742
	0736

Pioneer	0790 0067 0139
	0200 0193 0586
	1290 0400 0373
	0516 0542
Pionier	0400 0516
Plantron	0067 0586 0294
	0039
Playsonic	0744 0067 0247
	0745
Polaroid	0895
Policom	0139 0193 0100
	0104
Poppy	0039
Portland	0404 1939
Powerpoint	0517 0067 0586
	0728
Precision	0247
Premier	0039 0294
President	0890
Prima	0039 0294 1299
Princess	0728
Prinston	1067
Profex	0039 0193
Profi	0039
Profitronic	0067 0586
Proline	0067 0586 0655
	0664 1406
Prosonic	0067 0586 0400
	0404 0698 0744
	0246 0247
Protech	0039 0067 0586
	0247 0294 0448
	0698 0193 0516
	1067
Proton	0208 0039 0674
Provision	0529 0067 0586
	1067 0744
PVision	1221 0906
Pye	0067 0586 0404
Pymi	0039
Qingdao	0238 0256 0294
Quasar	0680 0895 0039
Quelle	0067 1535 0100
	0104 0139 0542
	0247 0357 0135
	0698 0586 0225
	0230 0294 1067
	0376 0039
R-Line	0067 0586 0193
Radialva	0139 0193 0067
	0586
Radiola	0067 0586 0247
Radiomarelli	0067 0586
RadioShack	0067 0586 0208
Radiotone	0039 0067 0586
	0400 0448 0698
	0294 1067
Rank	0100
Rank Arena	0632 0783
RBM	0100
RCA	0090 0648 0123
	0655 0208 0590
	0365 0373 0783
Realistic	0208
Recor	0067 0448 0586
Rectiligne	0067 0586
Rediffusion	0578 0376
Redstar	0067 0586
Reflex	0067 0586 1067
	0698
Relisys	0895 0906 0907
	1328
Reoc	0744 0664 1939
Revox	0067 0586 0400
Rex	0193 0294
RFT	0400 0294 0067
	0586 0516
Rhapsody	0246
Ricoh	0067 0586
Rinex	0803 0448
Roadstar	0039 1067 0294
	0448 0067 0586
	0744 0698 1219
Rodex	0067 0586
Rover	0907
Rowa	0067 0294 0728
	0039 0247 0742
	0246 0617 0586
Royal Lux	0400 0365
Rukopir	0586 0067
Saba	0139 0655 0193
	0590 0365 0373
	0578 0680 0744
Sagem	0640 0485 0860
	1343 0648
Saige	0039
Saisho	0039 0294 0247
	0193
Saivod	0067 0586 1193
	0698 0742 1067
Sakai	0193
Sakyno	0485
Salora	0193 0578 0238
	0510
Salsa	0365
Sampo	1785 0039 0123
	0208 0680
Samsung	0090 0648 0674
	0512 0617 0796
	0067 0208 0586
	1279 0039 0123
	1265 0247 0400
	0294 0246 0238
	0193 0256 0655
Sandra	0246 0247
Sanjian	0294
Sansui	0067 0759 0586
	0736 0632 0485
	0783 1401
Santon	0039
Sanyo	0238 1238 0400
	0246 0247 0039
	0538 0193 0067
	0138 0586 0516
	0200
Sanyuan	0039 0123
Save	0067 0586
SBR	0067 0586
Schaub Lorenz	0578 0744 0636
	0516 0404 1221
Schneider	0067 1167 0586
	0698 0424 0382
	0373 0247 1067
	0193 0744 1939
	0100
Scotch	0208
Scotland	0193
Scott	1219 0208
Sears	0208
Seaway	0664
Seelver	0586 1067 0067
SEG	0067 0247 0586
	0294 1067 0698
	0517 0039 0193
	0664 0246 1193
	1939 0744
SEI	1535 0193 0067
	0586
Sei-Sinudyne	1535 0067 0586

Seitech	1247
Seleco	0193	0294	0376
Sencora	0039
Sentra	0065	0039
Serie Dorada	0208
Serino	0640	0485	0246
	0123
Shancha	0294
Shanghai	0039	0238	0256
	0294
Sharp	0123	0039	1223
	1423	0683	0680
	0230	0790	1193
Shen Ying	0039
Shencai	0039	0294
Sheng Chai	0039
Sheng Chia	0039	0123
Shenyang	0039	0294	0783
Sherwood	0039
Shintoshi	0067	0586
Shivaki	0067	0586	0473
	0404	0208
Show	0448	0039
Siam	0067	0586
Siarem	0193
Siemens	0067	0225	0230
	0357	0586
Siera	0067	0586	0617
Siesta	0400
Silva	0067	0586	0246
	0475	0193
SilverCrest	1067	0067	0586
Singer	0039	0067	0586
	0365	0193
Sinotec	0803
Sinudyne	0193	1535	0067
	0586
Sky	0067	0910	0208
	0586
SKY Brasil	0910
Skymaster	0135
Skysonic	0783
Skyworth	0067	0586	0039
	0294	0728	0783
Sliding	0895	0910
SLX	0698
Smaragd	0517
Soemtron	0895	1328
Solavox	0193	0578	0067
	0586
Songba	0039
Soniko	0067	0586
Sonitron	0238	0400	0247
Sonneclair	0067	0586
Sonoko	0039	0067	0586
	0294	0247
Sonolor	0193	0238	1535
	0578
Sontec	0067	0586	0400
	0039
Sony	1535	0104	1681
	0680	0683	1781
	0383	0067	0586
	0123	0200
Sound & Vision	0404	0067	0586
Sounddesign	0208
Soundwave	0067	0448	0586
	0745
Sowa	0090	0256	0208
Soyea	0803
Spectra	0039
Ssangyong	0039

Staksonic	0039
Standard	0039 0586	0067 1067	0247 0404
Starlite	0039 0586	0193 0294	0067 0624
Stern	0193	0294
Strato	0067 0039	0586	0294
Strong	1193 0067	1179 0586	1067
Stylandia	0247
Sunic Line	0067	0586
Sunkai	0485 0586	0640 0517	0067 0895
Sunstar	0067 0294	0586	0039
Sunwatt	0485
Sunwood	0067	0586	0039
Superla	0246	0247
SuperScan	0123
Supersonic	0238 0294	0586 0485	0728
SuperTech	0039 0586	0246	0067
Supra	0208	0404	0039
Susumu	0365
Sutron	0039
SVA	0617	0895
Swisstec	0910
Sydney	0246	0247
Synco	0090	0123	0208
Syline	0067	0586
Sytong	0246
T+A	0477
Tacico	0208	0039
Tai Yi	0039
Taishan	0039	0404
Tandberg	0139	0193
Tandy	0123	0247	0193
Targa	1401
Tashiko	0247	0680	0200
	0246	0193
Tatung	0039	0067	0586
	0090	0247	1401
	1289	1278	1221
TCL	0736	0728
TCM	0744	1319	0838
Teac	0039	0728	0067
	0542	0294	1067
	0448	0586	0485
	0742	0698	0247
	0736	1939	0208
	0200	0744	1179
	1785
TEC	0247	0039	0365
	0067	0586	0193
Tech Line	0067	0586	0698
	1193
Tech Lux	1219
Technics	0680
TechniSat	0067	0586	0193
Technisson	0744	1319
Technosonic	0067	0586
Techwood	1193
Tecnimagen	0586
Teco	0039	0123	0208
	0294	0683
Tedelex	0247	0448	0636
	0039	0736	0238
	0728	0617	0921
	0067	0586
Teiron	0039
Teknika	0090
Tele System	0906

Teleavia	0139	0373
Telecor	0067	0586	0193
	0247	0424
Telefunken	0655	0104	0590
	0139	0617	0365
	0728	0373	0742
	0850	0926	0784
	0067	0586	0516
	0744	0376
Telefusion	0067	0586
Telegazi	0067	0193	0294
	0586
Telemeister	0067	0586
Telesonic	0067	0586
Telestar	0039	0067	0586
Teletech	0039	0067	0586
	0698	1067
Teleton	0247	0193
Televideon	0193	0246
Teview	0067	0586
Tempest	0039	0067	0586
	0294
Tennessee	0067	0586
Tensai	0067	0586	0247
	0039	0135	0404
	0407	0745	0193
	1067
Tenson	0039
Tesla	0067
Tevion	1278	1328	0067
	1289	0586	0838
	0698	1167	0744
	1067	1319
Texet	0246	0247	0404
	0039
Thomson	0139	0655	0590
	0373	0365	0067
	0586	0246
Thorn	0065	0138	0067
	0139	0104	0373
	1535	0529	0542
	0586	0365	0404
	0100
Thorn-Ferguson	0138	0373	0139
	0365	0529	0065
Tiane	0123
Tiny	1226	1299
TMK	0208
Tobo	0039	0294
Tokai	0067	0586	0698
	0193	0247	0404
	0039	1067
Tokaido	1067
Tokyo	0246	0065
Tongguang	0294
Tongtel	0810	0617
Topline	1067	0698
Toshiba	0538	0090	0680
	1538	0039	0065
	0123	1734	1194
	1319	0100	1295
	0744	0294	0247
	0139	0225	0648
	0674	0728	0067
	1193
Towada	0247
Toyoda	0039	0294
Trakton	0039	0294	0247
Trans Continens	0698	0247	1067
	0067	0586	0516
TRANS-continents	0895
Transonic	0067	0728	0586
	0742	0485	0617
	0542	0294	0448
	0039

Transtec	0246
Triad	0067	0586
Trident	0247
Tristar	0294
Triumph	0376	0586	0067
TunTEX	0039
TVTEXT 95	0586
Uher	0067	0586	0404
	0448	0516	0400
	0510
Ultravox	0404	0246	0193
	0067	0586
Unic Line	0067	0586	0503
	0485
United	0744	0067	0745
	0586	1067	0617
Universal	0744	0067	0586
Universum	0067	0376	0104
	0135	0225	0294
	0503	0400	0522
	0510	0230	0448
	0542	0100	0193
	0586	0357	1535
	0698	0247	0139
	0661	0039	1067
	0200	1193	1179
	0648
Univox	0067	0586	0193
Utax	0193
V7 Videoseven	1785	0208	0910
	1406	1247
Vestel	0067	0193	0247
	0586	0698	1067
	1193
Vexa	0039	0067	0586
Victor	0683	0680
Videocon	0538
Videologic	0246
Videologique	0246	0247
VideoSystem	0067	0586
Videotechnic	0246	0247	0404
Videoton	0193
Vidtech	0208
Viewpia	0906
ViewSonic	1785
Visiola	0246
Vision	0067	0294	0586
	0247
Vortec	0067	0586
Voxson	0193	0208	0067
	0586	0448
Waltham	0247	0448	0067
	0586	0698	0139
	1067	0193	0473
Wards	0208
Warumaia	0404	0691
Watson	0067	1067	1278
	1289	0586	0193
	0039	0698	0424
	1406	0357
Watt Radio	0193	0246
Wega	0067	0586
Wegavox	0039	0067	0586
Weipai	0039
Welltech	0744
Weltblick	0067	0586	0247
Westinghouse	0920
Weston	0067	0586
Wharfdale	0067	0926	0586
White	0067	0246	0586
Westinghouse	1939
Windsor	0698	1067
Windy Sam	0586
Wintel	0744

World-of-Vision	0910 1319 1247	0920 1328	0895 0907
Worldview	0485
X-View	1221
Xenius	0664	0691
Xiahua	0039 0803	0294	0728
Xianghai	0039
Xiangyang	0294
Xihu	0294
Xingfu	0039
Xinghai	0294
Xingyu	0039
XLogic	0728	0890
Xoro	1226	1247
Xrypton	0067	0586
Yamaha	0680	1606
Yamishi	0485	0067	0586
	0247
Yingge	0039
Yokan	0067	0586
Yoko	0067 0586	0247	0294
	0246
Yonggu	0039
Yousida	0039
Yuhang	0039
Zanussi	0247
Zenith	1939	0208	1295
Zhuhai	0039	0404
Zonda	0728

VCR

Accent	0102
Admiral	0078
Adventure	0030
Adyson	0102
Aiko	0308
Aim	0308	0672	0378
Aiwa	0030	0378	0382
	0067	0772	1167
	0062
Akai	0067	0136	0345
	0672	0382	0270
	0378
Akashi	0102
Akiba	0102
Akura	0102
Alba	0308	0102	0382
	0030	0345	0378
	0111
Allorgan	0270
Allstar	0111
America Action	0308
Amstrad	0030	0308	0102
Anam	0067	0256	0270
	0308
Anitech	0102
Ansonic	0030
Aristona	0111
ASA	0067	0111
Asha	0270
Asuka	0102	0067	0111
	0030
Audiosonic	0308
Audiovox	0067	0308
AVP	0382	0030
AWA	0067	0308	0672
	0073
Baird	0136	0308	0134
	0030
Basic Line	0308	0102	0134
Beaumark	0270
Beko	0134
Bell & Howell	0134
Bestar	0308
Black Diamond	0672	0308
Black Panther	0308
Blaupunkt	0256	1592	0111
Blue Sky	0067	0378	0102
	0382	0308	0030
	0510	0672	1167
Bondstec	0102
Brandt	0350
Brinkmann	0378
Broksonic	0378
Bush	0102	0308	0345
	0382	0030	0378
	0111	0672	0772
Calix	0067
Carena	0111
Carrefour	0075
Carver	0111
Casio	0030
Cathay	0308
CCE	0102	0308
CGE	0030
Cimline	0102
Cineral	0308
CineVision	1167
Citizen	0067	0308
Clatronic	0102	0030
Colt	0102

Combitech 0382

Condor 0308

Craig 0067 0102 0270

Crown 0067 0308 0102 0510

Cybernex 0270

Cyrus 0111

Daewoo 0308 0672 0667

116700750378

0382 Dollars: $102

Dahsai 0102 0308
Bao 0202

Dantax 0382

Daytron 0308

de Graaf 0072 0196 0111

0134 0078

Decca 0030 0111 0097

0378 0382

Deitron 0308

Denko 0102

Denon 0072

Diamant 0067

Diamond 0308

Digitor 0672

DSE 0672

Dual 0111 0308 0030

0378

Dumont 0030 0111 0134

Durabrand 0672

Dynatech 0030

Elbe 0308

Elcatech 0102

Electrohome 0067

Electrophonic 0067

Elin 0270

Elsay 0102

Elta 0102 0308

Emerex 0062

Emerson 0030 0102 0067

0075 0073 1167

0308

ESC 0308 0270

EuroLine 0378

Ferguson 0350 0030 0308

Fidelity 0030 0102 0270

0462 0382

Finlandia 0134 0111 0072

0196 0030 0078

0067 0073 0136

0256 Total 100

Finlux 0030 0111 0134 0072

0072 Firstline 010203780073

Firstline 00670072

0308 1167

Fisher 0134

Flint 0378

Frontech 0102

Fujitsu 0030

Fujitsu General 0067

Funai 0030

Galaxy 0030

Galaxis 0308

Garrard 0030

GE 0350 0078 0270

GEC 0111

General Electric 0067

General Technic 0378

Genexxa 0134

Go Video 04621167

Goldhand 0102

GoldStar 0067 0510 0030

1167

Goodmans 0030 0102 0270

0308 0067 0111

0378 0667 0382

06/2

GPX 0067

Gradient 0030

Graetz 0134 0270

Granada 013400780111

0270 0067 0256

00/2 0030

Grandin 010200670030

0308

Grundig 0270 0377 0111

0256 0350 0378

0102 0382 0772

Haaz 0378

Hanimex 0382

Hanseatic 0067 0308 0111

Harley Davidson 0030

Harman/Kardon 0111

Harwood 0102

HCM 0102

Hinari 0102 0382 0308

0270

Hisawa 0382

Hischito 0075

Hitachi 0072 0196 0030

0270 0111 0134

Hoher 0308 0672

Hornyphon 0111

Hughes Network 0072

Systems

Hypson 0102 0308 0382

0030 0067 0510

Imperial 0030 0270

Ingersoll 0270

Inno Hit 0270 0308 0102

Interbuy 0067 0102

Interfunk 0111 0134

Internal 0308 0667

International 0308 0067

Intervention 0030 0308 0067

0378

Irradio 0102 0067 0111

1167

ITT 013601340270

ITT Nokia 0078

ITV 0308 0067

JMB 03820378

Joyce 0030

JVC 0097

Kaisui 0102

Kambrook 0067

Karcher 0308

KEC 0067 0308

Kendo 0136 0345 0378

010200670308

Kenwood 0097

KIC 0030

Kioto 0378

KLH 0102

Kneissel 0382 0378 0067

0308

Kodak 0067

Kolster 0378

Korpel 0102

Kyoto 0102

Lenco 0308

Leyco 0102

LG 0067 0510 0030

0308 1167

Lifetec 0378

Lloyd's 0030

Loewe 0111 1592 0256

0067

Logik 0270 0102 0136

Lumatron 0308

Lux May 0102

Luxor 0136 0073 0102

0134 0078 0345

LXI 0067

Magnasonic 0308

Magnavox 0111 0030 0672

Magnin 0270

Magnum 0672

Manesth 0102 0075 0111

Marantz 0111

Mark 0308

Marta 0067

Mastec 0672

Master's 0308

Matsui 0378 0067 0270

0382 0030 0772

Mediator 0111

Medion 0378 0382

Melectronic 0030 0067

Memorex 0134 0030 0067

0078 0378 0270

Memphis 0102

Metronic 0111

Metz 159203770866

0111 0256 0067

MGA 0073

MGN Technology0270

Micormay 0378

Micromaxx 0378

Migros 0030

Minolta 0072

Mitsubishi 0073 0097 0078

0111 0510 0030

0672

Motorola 0078

MTC 0270 0030

Multitec 0067

Multitech 0030 0102 0134

Murphy 0030

Myrvad 0111

NAD 0134

Naiko 0672 0378

National 02561592

NEC 009700700134

0067 0308 1167

Neckermann 0111

Nesco 0102 0030 0382

Neufunk 0067

Nikkai 0102 0308

Nikko 0067

Noblex 0270

Nokia 013401360345

0308 0270 0078

0072

Nordmende 0350

NU-TEC 0378

Oceanic 0030 0078 0136

0111

Okano 0345 0378 0102

0308

Olympus 0256

Onimax 0672

Optimus 0067

0462

Orbit 0102

Orion 038203780772

Orson 0030

Osaki 0030 0067 0102

Osume 0102

Otto Versand 0111

Pace 0382

Pacific 0030

Palladium 0102

0270

Palsonic 0102

Panasonic 0256

Pathe Cinema 0073

Penney 0067

0270

Pentax 0072

Perdio 0030

Philco 0102

Philips 0111

Phoenix 0308

Phonola 0111

Pilot 0067

Pioneer 0097

Portland 0308

Prinz 0030

Profitronic 0111

Proline 0030

0672

Proisco 0308

Prosonic 0308

Protech 0102

Provision 0308

Pve 0111

Quasar 0308

Quelle 0111

Radialva 0067

0078

Radiola 0111

Radionette 1167

RadioShack 0030

Radix 0067

Randex 0067

PCA 0136

RCA 0150
0350

Realistic 0030

Reaistic 8830
0134

Reoc 0378

RFT 0102

Roadstar 0270

0308

Royal 0102

Saba 0350

Saisho 0378

Salora 0073

Samsung 0270

Sanky 0078

Sansei 0078

Sansui 0097

0102

Sanyo 0134

0097

Saville 0382

SBR 0111

ScanSonic 0270

Schaub Lorenz 0134

0345

Schneider 0102

0111

1167

0672

Scott 0073

Sears 0030

0134

Seaway 0308

SEG 0102

0672

SEI 0111

Sei-Sinudyne 0111

Seleco 0067

Semivox 0075

Semp 0075

P
Sentra 0102

Setron 0102

Sharp 0078

Shintom 0102

Shiyaki 0067

Shogun 0270

Siemens 0067

0350

Siera 0111

Silva 0067

Silver 0308

SilverCrest 0672

Singer 0378

Sinudyne 0111 0382

Smaragd 0378

Sonneclair 0102

Sonoko 0308

Sonolor 0078

Sontec 0067

Sonwa 0672

Sony 0062

Soundwave 0067

Ssangyong 0102

Standard 0308

Starlite 0067 0134

Stern 0308

STS 0072

Sunkai 0378 0308

Sunstar 0030

Suntronic 0030

Sunwood 0102

Sunwood 006702700378

0308

Sylvania 0030 0073 0111

Symphonic 0030 0102

T+A 0256

Tandberg 0308

Tandy 00300134

Tashiyo 0030.0078

Rasinkke 888 0111

Tatung 0030 0111 0078

0073 0378 0382

Tchibo 0378

TCM 0378

Teac 0102 0030 0308

0672

0667

TEC 0308 0102

Tech Line 0102

Technics 0256

TechniSat 0378

Tedelex 0067 0378 0672

Teknika 0030

United Quick Star0308

Universum 0030 0111 0270

0067 0136 0378

0134

Vector 0075

Vector Research 0070

Victor 0097

Video Concepts 0070 0075

Video Technic 0030

Videosonic 0270

Wards 0030,0072,0078

0102 0111 0270

Watson 0111

0672

Weltblick 0067

Wharfedale 0672

White 0102 0308

Westinghouse

World 0378

XR-1000 00300102

Yamishi 0102

Yokan 0102

Yoko 0067

Yoshita 0102

Zenith 0030 0667 1167

ZX 03780382

---

CBL

ADB	1260	1299
Amstrad	1252
Auna	1299	1260
Austar	0306
Canal Plus	0473
Comcrypt	0473
Comtec	0049
Contec	0049
Daeryung	0507
Fastweb	1660
Filmnet	0473
Foxtel	1252
France Telecom	0847	1764
freebox	1512
Funai	0049
General Instrument	0306
Jerrold	0306	0049
Macab	0847
Madritel	1260
MNet	0473	0049
Motorola	0306	1136 1513
Multichoice	0049	0473
Nokia	1599
Noos	0847	1654
NTL	1090	1098
Oak	0049
Ono	1098
Optus	0306	1090
Pace	1098	1607 1090
Philips	0847
Sagem	0847	1654
Samsung	1696
Scientific Atlanta	0507
Tele+1	0473
Telepiu	0473
Telewest	1098	1090
Telsey	1660
Thomson	1764	1612
Trans PX	0306
UPC	1612
US Electronics	0306
Visiopass	0847

VIDAC

Gateway	1302
Hewlett Packard	1302
Microsoft	1302
Pinnacle Systems	1477
Sony	1302

CD

Advantage	0062
Aiwa	0187
Arcam	0187	2010
Audio Research	0187
Audiolab	0187
Audiomeca	0187
Audioton	0187
Balanced Audio Technology	0187
Cairn	0187
California Audio Labs	0059	0333
Cambridge Audio	0187
Carver	0187
CCE	0187
Copland	0423
Cyrus	0187
Denon	0033	0796 0656
DKK	0030
Dual	0033
Dynaco	0187
Elektra	0423
Garrard	0423
Genexxa	0030	0062
Goldmund	0187
Grundig	0187
Harman/Kardon	0187
Hitachi	0062
JVC	0102
Kenwood	0220	0656 0066
Krell	0187
Linn	0187
Loewe	0187
Magnavox	0187
Marantz	0187	0656 0059
Matsui	0187
MCS	0059
Memorex	0062
Meridian	0187
Micromega	0187
Mission	0187
Musical Fidelity	0423
Myryad	0187
NAD	0751	0030
Naim	0187
NSM	0187
Onkyo	0131
Optimus	0030	0062
Orion	0423
Panasonic	0333	0059
Philips	0187	0656
Pioneer	0062
Primare	0187
Proton	0187
QED	0187
Quad	0187
Quasar	0059
Radiola	0187
Restek	0187
Revox	0187
Rotel	0187
SAE	0187
Sansui	0187
Siemens	0187
Simaudio	0187
Sony	0030	0520 0187
Tag McLaren	0187

Tandy	0062
Teac	0423
Technics	0333 0059
Thorens	0187
Thule Audio	0187
Traxdata	0656
Universum	0187
Victor	0102
Wards	0187
Yamaha	0066 0520 0062
Zonda	0187

TUNER

AEG	1420
AFK	1419
Aiwa	0151 1188	0219 1288
Akai	0639 1250	1250 1420
All-Tel	1420
Anam	0639
Arcam	0219 1299	1119 1219
ASCOMTEC	1419
Audiolab	1119 1319	1219 1299
Audiosonic	1419
Audiovox	1420
Audioworld	1420
Balanced Audio Technology	1119 1319	1219 1299
Bang & Olufsen	0829
Basic Line	1584
Belson	1419
Blue Sky	1420
Bose	1259	1385
Bush	1119 1319	1219 1299
Cairn	0219
Cambridge Audio	0219 1219
Carver	0219 1119	1219 1219
CCE	1382
Centrum	1250	1584 1419
Classic	1382
Clatronic	1250
Copland	1119 1319	1219 1299
Denon	1390	1134
Denver	1419
Diamond	1420
DK digital	1450
DMTECH	1420
Dual	1250	1420 1450
Electrocompaniet	1219
Elta	1420
Fisher	1831
Genexxa	0216
Goldmund	0219 1299	1119 1219
Goodmans	0639 1641	1229 1450
Grundig	1119 1319	1219 1299
Hanseatic	1420
Harman/Kardon	1334 1299	1119 1219
HCM	1420
HE	1419
Hitachi	1831	1250 1584
Hiteker	1419
Integra	0165	1350
JVC	0104 1525	1404 1229
Kenwood	1057 0216	1343 1599
KLH	1420
KXD	1419
Lenoxx	1641
Lenoxx Sound	1641
LG	1323
Linn	0219 1299	1119 1219
Loewe	1119 1319	1219 1299

Magnavox	0219 1119 1219
	1299
Magnum	1641
Marantz	0219 1119 1219
	1299 1319
Mark	1119 1219 1299
	1319
MBO	1382
Medion	1450
MEI	1420
Melectronic	0639
Meridian	1119 1219 1299
	1319
Metz	1584
Micromaxx	1450
Micromega	1119 1219 1299
	1319 0219
Mitsubishi	0206
Mustek	1382
Myryad	1219 1119 1299
	1319 0219
NAD	0350 0639
Naim	1119 1219 1299
	1319
Nikkai	1419
Nikko	0639
Norcent	1419
Okano	0639
Onkyo	0165 1350
Optimus	0216 1053
Palladium	1250
Panasonic	1548 1338 1339
	1793 1809 1795
Philco	1420
Philips	0219 1219 1299
	1119 1319
Pioneer	1053 0216 1119
	1219 1299 1319
	1489
Polk Audio	1319
Proline	1420
Proson	0639
Provision	1419
QONIX	1450
Quad	1119 1219 1299
	1319
Radiola	1119 1219 1299
	1319 0219
Radionette	1664 1323
RCA	1184 1420 1489
Red Star	1419
Restek	0219
Revox	1119 1219 1299
	1319 0219 0216
Revoy	1119 1219 1299
	1319
Roadstar	1641
Rotel	0823
Saba	1184
Samsung	1325 1229
Sansui	0219 1119 0639
Sanyo	1831
Schneider	1420 1229 1250
SEG	1584
Sharp	0216 1664 1644
Sherwood	0683
Siemens	0639
Silva Schneider	1323
Sony	1188 1288 1888
	1789 1088 1688
	1752 1652 1142
Soundwave	0639
Sunfire	1343

Sunstech	1450
Tag McLaren	1219
Teac	1229	0639	1420
Technics	1338	1339	1793
	1548	1795
Techwood	0639	1584
Telefunken	1419
Tevion	1641
Thomson	1184	1384
Thorens	1219	1119	1299
	1319	0219
Toshiba	1602
United	1420
Universum	1250	0639	1420
	1119	1219	1299
	1319	0219
Venturer	1420
Victor	0104
Voxson	1450
Waitec	1382
Wards	0219
Wharfedale	0639	1420
Yamaha	0206	1361	1306
	0216	0742
Yukai	1382

DVD

3D LAB	0569
4Kus	1188
A-Trend	0744
Acoustic Solutions	0760	0743	1258
AEG	0818	0800	0820
AFK	1258	1182
Aim	0808	0702
Airis	1254	1351	0702
	1035	1375
Aiwa	0725	0899	0563
Akai	0820	0809	0800
	0818	0725	1145
	0928	0746	0743
	0882	0735	1725
	1263
Akashi	0868
AKI	1035
Akira	0808	1351
Akura	1201	0928	1081
	1170
Alba	0747	0743	0753
	0725	0760	0569
	0702	1170	1081
	1560	1725
Alize	1181
All-Tel	0820	1481	0865
Amitech	0800	0880
Amoi	0882
Amoisonic	0865
Amstrad	0743	1145	1181
	1601
AMW	0902
Ansonic	0789	0861
Apex Digital	0702	0747	1034
Arcam	0762
Arena	0882
Asono	1254
ATACOM	1254
Audiovox	0820	0747
Audioworld	0820
Audix	1134	1182
Autovox	0743
Auvio	0873
Avious	1195
AWA	0760	0902
Axion	0760
Base	1481
Basic Line	0743
Baze	1195	0928	0702
BBK	0892	1254
Bel Canto Design	1601
Bellagio	0902
Best Buy	0887
Black Diamond	0743	0863
Blaupunkt	0747
Blusens	1263
Blue Parade	0601
Blue Sky	0743	0725	0702
	0873	0808	0681
	0820
BNI	1351
Boghe	1034
Boman	0818	0928	1035
Brainwave	0800	1145
Brandt	0681	0581	0533
Broksonic	0725	1449

Bush	0743 1725	0725 0760	0863 0861
	0747 0848	0808 0753	0546 1195
	1466 1170	1449	1513
C-Tech	0798	1182
Cambridge Audio	1139	0781
Campomatic Digital	1081
CAT	0819
Celestial	0702
cello	1760
Centrex	0702	1034
Centrum	0743 1035	0819	0809
CGV	0800	0781
Cinea	0871
Cineral	0760
Cinetec	0743	0902
CineVision	0899	0863
Classic	0760	1760
Clatronic	0818	0809	0848
	0702	1195	0705
Clayton	0743
Coby	0808	1137	0760
	1195	0882
Codex	1263
Conia	0702	0882	0546
	0865	1351
Contel	0818
Continental Edison	0902	0861
Craig	0861
Crown	0800	0681
Crypto	1258
Cybercom	0861
CyberHome	0744	0846
Cytron	0746	0681	0735
	0861	1377
D-Vision	1145
Daenyx	0902
Daewoo	0800	0863	0899
	1513	0735	0744
	1466	0902	0808
Dalton	1066
Dansai	0800	1145	1725
Dantax	0753	0725
Daytek	0902	1035
Dayton	0902
DCE	0861
DEC	0808	0848
Decca	0800
Denon	0520	0664	1664
Denver	0808	0818	0928
	0848	1137	1351
	0702
Denzel	0695
Diamond	0681	0798	0781
	0808	0753	0820
Digihome	0743
DigiLogic	0743
digiRED	0747
Digitor	1035
Digitrex	0702	1034
DiK	0861
Dinamic	0818
DiViDo	0735
DK digital	0861
DMTECH	0820	1301
Dragon	0861
DSE	1760	0863	1182

Dual	0861 0743 0695
	0681 0760 0809
	0820
Durabrand	0861 0743
DVX	0798
E-Boda	0753
E-Dem	1254
e:max	1263 1351
EagleTec	0744
eBench	1182
Eclipse	0753 0781
Electrohome	0800
Elfunk	0880 0743
Elin	0800
Ellion	0880 1451
Elta	0800 0818 0820
	1145 1181 1263
	1081
Eltax	1351
Emerson	0621 0705 0735
	0899
ENG	1601
Enterprise	0621
Enzer	0695
EuroLine	0818 1145 1263
	0705
Ferguson	0681 1760 0928
	0743
Finlux	0771 0800 0621
	0702 0781 1195
Fintec	0743
Firstline	0899 0681 1560
Fisher	0700
Funai	0725 0705
Gateway	1188
GE	0747
General Electric	0747
Germatic	1081
Global Link	1254
Global Solutions	0798
Global Sphère	0798
Go Video	0774 1188 0899
	0863
GoldStar	0621 0771
Goodmans	0743 1034 0753
	0781 0760 0681
	0820 0848 0863
	1170 1760
GP Audio	1170
GPX	0681 0771
Gradienté	0681
Graetz	0695
Gran Prix	0861
Grandin	0746 0702
	1170 1760
Grundig	0725 0735 0805
	0569 0681 0820
	0743 0700 0753
	1725 1034 1760
	1466 1513
Grunkel	0800 0861
H&B	0848 0743 0871
	0880 1263 1451
Haaz	0798 0781
Haier	0873
Hanseatic	0771 0820
Harman/Kardon	0732
HCM	0818
HDT	0735
HE	0760
Henß	0743
HiMAX	0887 0873

Hitachi	0694	0725	0809
	0695	0603	0887
	0743
Hiteker	0702
Höher	0861	1034	1254
Home Electronics	0760	0800
Home Tech Industries	1254
Hyundai	0880	1258
Ikeei	1137
Ingelen	0818
Inno Hit	0743
Integra	0657
Irradio	0771	1145	1254
	1263	0899	0800
ISP	0725
Jaton	0695
JBL	0732
JDB	0760
JDV	1258
Jeken	0808
Jepssen	1213
JMB	0725
JNC	0702	1301
JVC	0653	0588	1194
	0569	0533	0897
jWIN	1081
Kansai	1137
Kansas Technologies	1263	1560
Kendo	0743	0861	0702
	1377
Kennex	0800	0743	0928
Kenwood	0564	0520
KeyPlug	0800
Kiro	0800
Kingavon	0848
Kiss	0871	0695
KLH	0820
KLH Digital	0747
Kodak	0848
Koss	0681
Kreisen	1451
KXD	0887	1137	1351
Lawson	0735	0746	0798
Leiker	0902
Lenco	0681	0800	0808
	0848	0743	0861
	1195
Lenoir	1258
Lenoxx	0868
LG	0771	0601	0621
	1936	0899
Lifetec	0681	0861	1377
Limit	0746	0798
LiteOn	1188
Lodos	0743
Loewe	0569	0771
LogicLab	0798
Logik	0743
Logix	0735
Lumatron	0735	1145	0771
	0863	1351	0743
	0760	0928
Luxman	0603
Luxor	1034	0743	1760
	0760
Magnasonic	0681
Magnavox	0533	0705	0848
	1170	0569	0743
Magnex	0753	1195
Magnum	1466
Majestic	1137	1375

Manhattan	0735	0743
Marantz	0569
Mark	0743	0725	1725
Marquant	0800	1481
Mastec	1036
Matsui	0681	0743	0702
	0725	1760
Maxdorf	0818
Mexent	1377
Maxim	0743
Maya	1375
MBO	0760
MDS	0808
Mecotek	0800
Medion	0861	1377	0681
	0746	1375	0660
	1195	1036
MEI	0820
Memorex	0861
Memory	0760	1081
Metz	0601	0555	0743
MiCO	0753	0781	1253
Micromaxx	1725	0725	1377
Micromedia	0533	0569
Micromega	0569
Microsoft	0552
Microstar	0861
Minax	0743
Minerva	0735
Minoka	0800	1145
Minowa	1195
Mintek	0747
Mitsubishi	0743
Mizuda	0848	0887	1481
Monyka	0695
MPX	0873
Mustek	0760	1760
Mx Onda	0681	0781	0753
	1253
Mystral	0861
NAD	0771
Naiko	0800	1034
NEC	0899	0621	0771
Neovia	1301
Nesa	0747
Neufunk	0695
Nevir	0861	0800
Nintaus	1081
Nordmende	0861
Nowa	0873
NU-TEC	0546	1258
Omni	0808	0863	1134
	1258
Onix	0868
Onkyo	0657	0533
Oopla	1188
Oppo	1254
Optim	0873
Optimus	0601	0555
Orava	0848
Orbit	0902
Orion	0725	1725	1036
	1263	1449	0928
Oritron	0681
P&B	0848	1481
Pacific	0798	0820	0789
	0743	0861
Packard Bell	0861
Palladium	0725	0809
Palsonic	0865	0702	0882
Panasonic	0520	1864	1938

Panda	0747	1137
Papouw	0563
peeKTON	1254	0928
Philco	0753	0892	0818
	0820
Philips	0569	0676	1370
	0705	0533	1188
Philo	1375
Phonotrend	1195
Pioneer	0601	0661	1995
	0555	1601
Plu2	0880
Pointer	0800
Polk Audio	0569
Portland	0800
Powerpoint	0902	1035
Presidian	0705
Prima	1258
Prinz	0861
Prism	1036	0861
Pro2	1375
ProCaster	1034
Proline	0681	0702	0820
	1034	1513	0863
Proscan	0552
Proson	0743
Prosonic	1137
Provision	0848	1351	1137
	0760
Pye	0676	0569
QONIX	0808	1081
Qwestar	0681
Radionette	0771	0899	1936
Raite	0695
RCA	0552	0681	0820
	1995
REC	0520
Red Star	0789	0793	0800
	0818	0928	1137
	1375
Relisys	1377
Reoc	0798
Revoy	0871
Rex	0868
Richmond	1263
Rimax	1181
Rio Audio	0899
Roadstar	0743	0848	0760
	1081	0928	0863
	1257
Rocksonic	0819
Ronin	0902
Rotel	0653	0588
Rowa	0789	1034	0546
	0555	0747
Rownsonic	0819	0753
Saba	0681	0581
Sabaki	0798
Saivod	0789	0861	0800
Salora	0771
Sampo	1377
Samsung	0603	0774	1962
	0520
Sansui	0725	0746	0798
	0753	0800	0781
	1258	1725
Sanyo	0700	0903	0725
	0820	0743
Scan	0735	0865	0880
ScanMagic	0760	1760
ScanSonic	0887
SCE	0819
Schaub Lorenz	0818	1195	0800

Schneider	0861	0809	0569
	0735	0818	0743
	0681	0899	0820
	0676
Scientific Labs	0798	1182
Scott	0681	0702	1066
	1263
Seeltech	1254	1481
SEG	0743	0695	0798
	0902	0793	1560
Semp	0533
Shanghai	0702
Sharp	0660	1286	0743
	0725	1449
Sherwood	0747	0771
Shinco	0747
Siemens	1412
Signatek	0887	1254
Silva	0818	0928	0861
Silva Schneider	0861	1936
SilverCrest	1182
Singer	0746	0753	0781
	0798
Sinudyne	1170
Sistemas	0702
Skymaster	0760	0798
Skyworth	0928
Sliding	1145
Slim Art	0800
Slim Devices	0653	0563
SM Electronic	0760	0798
Smart	0735	0743
Sonashi	0746	0861
Sonic Blue	0899
Soniko	0818
Sony	0563	0894	1663
	0802	1100	2011
	1463	0603
Sound Color	1263
Soundmaster	0798
Soundmax	0798
Spectra	0902
Standard	0681	0798	0818
	0861	0928
Star Clusters	0798	1257	1182
StarLogic	1035
Starmedia	0848	1254	1035
Strong	0743
Sunfly	0887
Sunkai	0800	0880
Sunstech	0861
Sunwood	0818
SuperDigital	1217
Supervision	0760	0798
SVA	0702	0747
Sylvania	0705	0660
Symphonic	0705
Synn	0798
Tandberg	0743	1725
Tangent	1351
Targa	0771	1188	1257
Tatung	0800
Tchibo	0771
TCM	0771
Teac	0747	0771	0546
	0601	0798	0621
	0789	1036	0820
	1227	0863	1257
	1195	0705
TEC	0928
Technics	0520	1938
Technika	0800	1145	0861
	1195

Technosonic	1081	1145
Techwood	0743	1560	0569
Tedelex	1258
Telefunken	0820	0819	0818
	1258
Teletech	0743
Tensai	0681	0800
Tevion	0681	1066	1412
	0798	1257	0863
	1377	1760
Theta Digital	0601
Thomson	0581	0552
Tokai	0695	0928	0818
Tokiwa	0735	0746
Tom-Tec	0819
Top Suxess	1254
Toshiba	0533	0725	1075
	1540
TRANS-continentis	0902	0861	1195
Transonic	0702	1195
Tredex	0873
Triio	0800
TruVision	0887	1481
TSM	1254
TYT	0735
Umax	1181
United	0818	0760	0820
	1258	0702	1195
	0725	1145	0798
	1263	0743	1182
	0705
Universal Multimedia	0798
Universum	0771	0743	0621
	0809	1257	0820
	1560
Uptek	0793
upXus	1375
Urban Concepts	0533
Venturer	0820
Vestel	0743	1560
Vieta	0735
Viewmaster	0892	1254
Voxson	0760	0861
VTrek	1258
Waitec	1254
Walkvision	0747
Waltham	1560
Welkin	0861
Wellington	0743
Weltstar	0743
Wharfedale	0798	0753	0781
Wilson	0861	1263
Windy Sam	0603
Wintech	1217
Woxter	1181	1254
XBox	0552
XLogic	0800	0798	1258
XMS	0818	0800
Xoro	1213
Yakumo	1034
Yamada	1034	0902	1181
	1188
Yamaha	0569	0520	0676
Yamakawa	0695	0902	1134
Yukai	0760
Zenith	0533	0899	0621
	0771

PVR

@sat	1330
@Sky	1364
Amstrad	1205
Arnion	1330
ASCI	1364
Astro	1130
Aurora	1463
Austar	1206
B@tytronic	1442
Brainwave	1244
British Sky Broadcasting	1205
BSkyB	1205
Bush	1675
CanalSatellite	1369
Chess	1364
CityCom	1206
Comag	1442
DigiFusion	1675
DigiQuest	1330
Dream Multimedia1267
eMTech	1244
Foxtel	1206 1386
Galaxis	1206
GbSAT	1244
Gecco	1442
General Satellite	1206
Globo	1364 1442
Hanseatic	1130
HB	1244
HDT	1189
Hirschmann	1442
Homecast	1244
Humax	1206 1457 1705
Hyundai	1189
ID Digital	1206
Imperial	1130 1364
Interstar	1244
Jaeger	1364
Jepssen	1244
Kathrein	1591
Kongque	1330
L&S Electronic	1364
Maximum	1364
Mediacom	1236
Medion	1364 1442
Multichoice	1463
Neotion	1364
Opentel	1442
Orbis	1364 1442
Orbitech	1130
Pace	1205 1386 1453
	1880
Panasonic	1334
Pilotime	1369
Pino	1364
Premiere	1130 1206
Rebox	1244
Sagem	1283
Samsung	1236
Sat Control	1330
Satplus	1130
Schaub Lorenz	1244
Schneider	1236
Schwaiger	1364 1442
Siemens	1364
Sky	1205
SKY Italia	1878 1880

Sky XL	1442
SKY+	1205
Skymaster	1364
skyplus	1364 1442
Stream	1878
Strong	1189 1330
Sunny	1330
Systec	1364
TechniSat	1130
Technosat	1236
Telestar	1130 1364
Televes	1244 1330 1364
Tevion	1364
Thomson	1205 1930
Topfield	1236 1575 1813
TPS	1283
UEC	1386
Worldsat	1244
XSat	1244
Xtreme	1330
Zehnder	1364 1442
Zinwell	1206

SAT

@sat	1330
@Sky	1364
ABsat	1353	0743
ADB	0672	0917 1289
	1397	1503 1521
Adcom	0230
Akai	0230
Alba	0743	1314
Allsat	0230	1047
Allsonic	0399
Alltech	0743
Allvision	1262
Alpha	0230
Amitronica	0743
Ampere	0162
Amstrad	0877	1205 0743
	0162	1143
Anglo	0743
Ankaro	0399	0743 1309
AntSat	1047
Arcon	1309	0162 1105
Armstrong	0230
Arnion	1330
ASA	0329
Asat	0230
ASCI	1364
ASLF	0743
AssCom	0883
Aston	1159	1291
Astra	0743
Astratec	1773
Astro	0163	0203 0399
	0688	1143 1129
	1130	0230
Audioline	1459
Aurora	0909	0672 1463
Austar	1289	0672 0909
	1206
Axil	1487
Axis	1141	0399
B@ytronic	1442
Bentley Walker	1047
Best	0399
Big Sat	1487
Black Diamond	1314
Blaupunkt	0203
Blue Sky	0743
Blue Star	1309
Boca	0162	1396 0743
	1262
Boston	0162
Brainwave	1244	0688 1702
British Sky Broadcasting	0877	1205
Broco	0743
BSkyB	0877	1205
BT	1326
Bubu Sat	0743
Bush	1501	1702 1675
	1773
Canal Digital	1883	0883 0197
	1076
Canal+	0883	1883
CanalSatellite	0883	1369 1883
Centrex	1577
CGV	1443
Cherokee	1353
Chesley	1577
Chess	1364	0743 1656

CityCom	1206	1262	0329
	0848	0534	1105
Clatronic	1443
CNS	1397
Colombia	0162
Columbia	0162
Comag	0162	1396	1443
	1262	1442
Condor	0399
Connexions	0399
Conrad	0399	0162
Coship	1487
Crown	1314
Cyrus	0230
D-box	1144	0753
Daewoo	1326	0743	1773
	1141
Deltasat	1105
DGTEC	1272	1572
Digatron	1324
Digenius	0329	1191
DigiFusion	1675	1773
Diginet	1577
DigiQuest	1487	1330
DigiSat	1262
Digisky	1487
Digital+	1883
DigitAll World	1257
DiPro	1577	1503	1397
DirecTV	0129	0886
Distratel	1313
Distrisat	0230
DMT	1105
DNT	0230
Dream Multimedia	1267
DSv	0672	0909
Dune	0399
Durabrand	1314
Echostar	1230	0640	0197
	0883	0743	1353
	1503	1439	1797
Einhell	0162	0743
Elap	0743	1159	1597
Elsat	0743
Elta	0230	0399
Emme Esse	0399
eMTech	1244
Engel	1047	0743	1281
EuroLine	1281
Europa	0230
Europhon	0329	0162
Eurosat	1597
Eurosky	0162	0329	0399
Eurostar	0848
Eutelsat	0743
Eycos	1309
Fenner	0743	0399
Ferguson	1321	0741	1773
Flair Mate	0743
FMD	1281	1487	1443
Force	1224
Fortec Star	1047
Foxtel	1386	0909	0750
	1206	1192
Fracarro	0155
Freecom	0203
FTEmaximal	0399	0743
Fuba	1831	0399	0203
	1191	0329	1281
Fugionkyo	0155
Galaxis	1141	1206	0883
	0399	0909

Gardiner	0848
Garnet	1105
GbSAT	1244
Gecco	1442	1303
General Satellite	1206
Globo	1281	1656	1442
	1459	1364
GOD Digital	0230
Gold Box	0883
Gold Vision	1047
Golden Interstar	1313
Goodmans	1314
Gradienté	0917
Grundig	0203	0877	1321
	0909	0883
H&B	1577
Hanseatic	1129	1130
Hänsel & Gretel	0162
Hauppauge	1324	1702
HB	1244
HDT	1189
HE@D	1309
Hills	1262
Hirschmann	1141	1143	0203
	0329	1262	0399
	0155	1442
Hitachi	1314
HNE	1262	0162
Homecast	1244
Humax	1206	1457	1705
	1255	1773
Huth	0162	1047	1105
Hyundai	1189	1105
iCan	1397
ID Digital	1206
Imperial	1459	1364	1129
	1130	1225	1227
	0230	1702
International	0162
Interstar	1047	1244
itronic	0162
ITT Nokia	0753
Jadeworld	0672
Jaeger	1364
Jeppsen	1244
K-SAT	0743
Kamm	0743
Kaon	1330
KaTelco	1141
Kathrein	0534	1597	0510
	1591	0688	0203
	0230	0743	0848
	1353	1446
Kennex	0155
Kenwood	0883
Key West	0162
Kongque	1330
Kreiling	0688
Kreiselmeyer	0203
Kyostar	0162
L&S Electronic	0399	0162	1364
Labgear	1326
LaSAT	0399	0162	0329
Lenco	0743	0399
Lennox	0399
Lennoxx	1641
Lexus	0230
LG	1444	1105
Lifesat	0162	0399	0329
	0743
Lodos	1314
Logik	1314

Logix	1047	1105
Lorenzen	0329	1324	1191
	0162
Lupus	0399
Macab	0883
Madriitel	0672
Manata	0743	0162
Manhattan	1047
Marantz	0230
Maspro	0743	0203
Matsui	0203	1773
Maximum	1105	1364
MDS	1255
Mediabox	0883
Mediacom	1236
MediaSat	0883
Medion	1262	0329	0743
	0162	1105	1442
	1656	1364	0399
Medison	0743
Mega	0230
Melectronic	0848
Metronic	0743	1309	1313
	0848	0162
Metz	0203
Micro	0743	1324
Micro electronic	0743
Micro Technology	0743
Micromaxx	0329	0399
Microstar	1105
Microtec	0743
Morgan's	0230	0743	0162
	1439
Motorola	0886
Multichoice	0672	0909	1463
Myryad	0230
Mysat	0743
Neotion	1364
Netgem	1352
Netsat	0917	0129
Neuf TV	1352
Neuhaus	0743
Neuling	1262
Neusat	0743	1309
Neveling	1191
NextWave	1047
Nikko	0743	0753	0230
Nokia	1144	1253	1053
	0753	0883	1753
Nordmende	1641
Nova	0909
OctalTV	1324
Opentel	1262	1442
Optex	1313	0743	1641
Optus	0909	0883
Orbis	1364	1442
Orbitech	1129	1130	0230
P/Sat	1262
Pace	0877	0917	1205
	1386	1880	0271
	1353	0821	0750
	0230	0883	1453
Pacific	1314
Packard Bell	1141
Palcom	0329	1191	1439
Panasat	0909
Panasonic	0877	1334	1434
Panda	0203
Patriot	0162
peeKTON	1487

Philips	0230	1144	0883
	0129	0163	0848
	1702	0203	1459
Phoenix	1303
Phonotrend	1047	1230
Pilotime	1369
Pino	1364
Pioneer	0883	1338	0382
Portland	1326
Power Sky	1309
Preisner	0162	1143	1396
Premiere	0883	1144	0753
	1141	1206	1225
	1130	0688
Primacom	1141
QNS	1397	1434
Quadral	0399	1353
Quelle	0329
Radiola	0230
Radix	1143
RCA	1321
Rebox	1244
Red Star	0399
Regal	1281
RFT	0230
Roadstar	0743	0883
Rover	0743	0399
Rownsonic	1597
S-ZWO	1237
SAB	1281
Sagem	1144	1283	1720
Samsung	1273	1600	1488
	1047	1236	0883
Sat Control	1330
Sat Team	0743
SAT+	1439
Satec	0743
Satelco	0399
Satplus	1130
Schaub Lorenz	1244
Schneider	1281	1236
Schwaiger	0534	1364	1487
	1442	1141	0162
	1105
SCS	0329
Sedea Electronique	0155	0162	1313
	1656	1309
SEG	1281	0399	1656
	1105
Serino	0640
Servimat	1641
ServiSat	1281	0743
Sherwood	1641
Siemens	0203	1459	1364
Silva	0329
Skantin	0743
SKR	0743
Sky	0129	0877	0886
	0917	1205	0741
SKY Brasil	0672	0917
SKY Italia	1878	1880
Sky XL	1442	1281
SKY+	1205
Skymaster	0743	1439	1230
	1105	1641	1364
Skymax	0230
skyplus	1262	1364	1442
SkySat	0743
SL	0162	1702
SM Electronic	0743	1230	1105

Smart	1303	0162	0329
	1143	1262	0743
	1443
Soniq	1597
Sony	0877	1588	0312
	0883
SR	0162
Star Sat	0162
Starland	0743
Stream	1878
Strong	0155	1397	1439
	1656	0399	0909
	0883	1189	1330
	1503	1314
Sunny	1330
Sunny Sound	0399
Sunsat	0743
Sunstar	0399	0162	0672
Supermax	1313
Systec	0162	1364
Tarbs	1255
TBoston	1487
Teac	1257	1255	1352
Tecatel	1230
TechniSat	1129	1130	1225
	1227	0230	1352
Technomate	1313
Technosat	1236
Technosonic	1702
Technotrend	1459
Technowelt	0162
Techsan	1047
Techwood	1314	1656
	1281	1364	1656
Tele System	1281	1439	1641
	1831
Tele System Electronic	1641
TeleClub	1397
Telecom	0743
Telestar	1129	1130	0230
	1281	1364	1656
Televes	0162	1244	1330
	1364	1439
Televisa	0917
Telewire	1262
Tevion	1364	1702	0743
	1439	1597
Thomson	0741	0877	1321
	1930	0743	1205
	0883	1076
Tiny	1702
Tioko	0162
Tokai	0230
Tonna	1641	0743
Topfield	1236	1237	1575
	1813
TPS	1283
Triax	0230	0743	0883
	1281	1326	1321
	0162	1129	1143
	1257	1656
Trio	1105
TT-micro	1459
Turnsat	0743
Twinner	0162	0743
UEC	0909	1192	1386
Unimax	1577
Unisat	0230	0162
United	1281
Universum	0203	0329	1129
Van Hunen	1191	0329
Variosat	0203

ARCAM