GFX 100 - Appareil photo moyen format numérique FUJIFILM - Notice d'utilisation et mode d'emploi gratuit
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| Type de produit | Appareil photo numérique moyen format |
| Marque | FUJIFILM |
| Modèle | GFX 100 |
| Capteur | 43.8 mm × 32.9 mm, 102 millions de pixels effectifs |
| Dimensions (L × H × P) | 156.2 mm × 144.0 mm × 75.1 mm |
| Poids (nu) | Environ 1155 g |
| Poids (avec batterie et carte) | Environ 1320 g |
| Alimentation | 2 batteries rechargeables NP-T125 (10.8 V, 1250 mAh) |
| Chargeur | BC-T125 (100-240 V AC, 50/60 Hz) |
| Monture d'objectif | FUJIFILM G mount |
| Viseur | EVF-GFX2 interchangeable, OLED 0.5", 5.76 M points |
| Écran arrière | LCD tactile 3.2", 2.36 M points, orientable 3 axes |
| Sensibilité ISO | 100-12800 (extensible à 50-102400) |
| Vitesse d'obturation | Mécanique: 60 min à 1/4000 s, Électronique: 60 min à 1/16000 s |
| Mode de prise de vue | P, S, A, M, rafale jusqu'à 5 im/s |
| Enregistrement vidéo | 4K jusqu'à 59.94p, Full HD, H.265/H.264 |
| Stockage | Double slot SD/SDHC/SDXC (UHS-II) |
| Connectivité | USB Type-C, HDMI micro, Bluetooth 4.2, Wi-Fi 802.11a/b/g/n/ac |
| Entretien | Nettoyage du capteur via menu, éviter poussière lors du changement d'objectif |
| Sécurité | Utiliser uniquement accessoires Fujifilm, suivre précautions batterie et chargeur |
| Pièces détachées | Batterie NP-T125, chargeur BC-T125, viseur EVF-GFX2, câbles, etc. |
| Réparabilité | Contactez un revendeur agréé Fujifilm pour toute réparation |
| Informations générales | Notice d'utilisation disponible en français sur notice-facile.com |
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MODE D'EMPLOI GFX 100 FUJIFILM
DIGITAL CAMERA
GFX100
Owner's Manual
Introduction
Thank you for your purchase of this product. Be sure that you have read this manual and understood its contents before using the camera. Keep the manual where it will be read by all who use the product.
For the Latest Information
The latest versions of the manuals are available from:
http://fujifilm-dsc.com/en/manual/

The site can be accessed not only from your computer but also from smartphones and tablets. It also contains information on the software license.


For information on firmware updates, visit:
http://www.fujifilm.com/support/digital Cameras/software/
Menu List iv
1 Before You Begin 1
2 First Steps 37
3 Basic Photography and Playback 55
4 Movie Recording and Playback 61
5 Taking Photographs 67
6 The Shooting Menus 103
7Playback and the Playback Menu 171
8 The Setup Menus 197
9 Shortcuts 249
10 Peripherals and Optional Accessories 263
11 Connections 281
12 Technical Notes 295
Menu List
Camera menu options are listed below.
Shooting Menus
Adjust settings when shooting photos or movies.

See page 103 for details.
| 1/3 | IMAGE QUALITY SETTING |
| IMAGE SIZE :104 | |
| IMAGE QUALITY :105 | |
| RAW RECORDING :106 | |
| FILM SIMULATION :107 | |
| B & W ADJ. (Warm/Cool) :108 | |
| GRAIN EFFECT :108 | |
| COLOR CHROME EFFECT :109 | |
| SMOOTH SKIN EFFECT :109 | |
| 2/3 | DYNAMIC RANGE :110 |
| D RANGE PRIORITY :111 | |
| WHITE BALANCE :112 | |
| HIGHLIGHT TONE :115 | |
| SHADOW TONE :115 | |
| COLOR :115 | |
| SHARPNESS :115 | |
| NOISE REDUCTION :116 | |
| 3/3 | LONG EXPOSURE NR :116 |
| LENS MODULATION OPTIMIZER :116 | |
| COLOR SPACE :116 | |
| PIXEL MAPPING :117 | |
| SELECT CUSTOM SETTING :117 | |
| EDIT/SAVE CUSTOM SETTING :118 |
| AF/MF SETTING | |
| 1/3 | FOCUS AREA :119 |
| AF MODE :120 | |
| AF-C CUSTOM SETTINGS :121 | |
| STORE AF MODE BY ORIENTATION :124 | |
| AF POINT DISPLAY [ ] :124 | |
| NUMBER OF FOCUS POINTS :125 | |
| PRE-AF :125 | |
| AF ILLUMINATOR :125 | |
| 2/3 | FACE/EYE DETECTION SETTING :126 |
| AF+MF :128 | |
| MF ASSIST :129 | |
| FOCUS CHECK :129 | |
| INTERLOCK SPOT AE & FOCUS AREA :130 | |
| INSTANT AF SETTING :130 | |
| DEPTH-OF-FIELD SCALE :131 | |
| RELEASE/FOCUS PRIORITY :131 | |
| 3/3 | TOUCH SCREEN MODE :132 |
| SHOOTING SETTING | |
| SELF-TIMER | 135 |
| SAVE SELF-TIMER SETTING | 135 |
| INTERVAL TIMER SHOOTING | 136 |
| INTERVAL TIMER SHOOTING | 137 |
| EXPOSURE SMOOTHING | |
| AE BKT SETTING | 138 |
| FILM SIMULATION BKT | 138 |
| FOCUS BKT | 139 |
| PHOTOMETRY | 140 |
| SHUTTER TYPE | 141 |
| FLICKER REDUCTION | 142 |
| ISO | 142 |
| IS MODE | 143 |
| MOUNT ADAPTER SETTING | 144 |
| 35mm FORMAT MODE | 146 |
| WIRELESS COMMUNICATION | 147 |
| FLASH SETTING | 148 |
| FLASH FUNCTION SETTING | 148 |
| RED EYE REMOVAL | 148 |
| TTL-LOCK MODE | 149 |
| LED LIGHT SETTING | 149 |
| MASTER SETTING | 150 |
| CH SETTING | 150 |
| MOVIE SETTING | |
| 1/4 | MOVIE MODE :151 |
| H.265(HEVC)/H.264 :153 | |
| MOVIE COMPRESSION :153 | |
| FILM SIMULATION :154 | |
| B & W ADJ. (Warm/Cool) :154 | |
| DYNAMIC RANGE :155 | |
| WHITE BALANCE :155 | |
| HIGHLIGHT TONE :156 | |
| 2/4 | SHADOW TONE :156 |
| COLOR :156 | |
| SHARPNESS :157 | |
| NOISE REDUCTION :157 | |
| INTERFRAME NR :157 | |
| F-Log/HLG RECORDING :158 | |
| PERIPHERAL LIGHT CORRECTION :159 | |
| FOCUS AREA :159 | |
| 3/4 | MOVIE AF MODE :159 |
| AF-C CUSTOM SETTING :160 | |
| FACE/EYE DETECTION SETTING :161 | |
| MF ASSIST :161 | |
| FOCUS CHECK :161 | |
| 4K MOVIE OUTPUT :162 | |
| FULL HD MOVIE OUTPUT :162 | |
| HDMI OUTPUT INFO DISPLAY :163 | |
| 4/4 | 4K HDMI STANDBY QUALITY :163 |
| HDMI REC CONTROL :163 | |
| ZEBRA SETTING :164 | |
| ZEBRA LEVEL :164 | |
| AUDIO SETTING :165 | |
| TIME CODE SETTING :167 | |
| TALLY LIGHT :169 | |
| MOVIE SILENT CONTROL :170 | |
ThePlaybackMenu
Adjust playback settings.

See page 177 for details.
| PLAY BACK MENU | |
| SWITCH SLOT | 177 |
| RAW CONVERSION | 178 |
| ERASE | 180 |
| SIMULTANEOUS DELETE (RAW SLOT1.JPG SLOT2) | 182 |
| CROP | 182 |
| RESIZE | 183 |
| PROTECT | 184 |
| IMAGE ROTATE | 185 |
| PLAY BACK MENU | |
| 2/3 | RED EYE REMOVAL ;186 |
| VOICE MEMO SETTING ;187 | |
| COPY ;188 | |
| IMAGE TRANSFER ORDER ;189 | |
| WIRELESS COMMUNICATION ;190 | |
| PHOTOBOOK ASSIST ;191 | |
| PRINT ORDER (DPOF) ;193 | |
| instax PRINTER PRINT ;194 | |
| 3/3 | DISP ASPECT ;195 |
Setup Menu
Adjust basic camera settings.

See page 197 for details.
| USER SETTING | |
| 1/2 | FORMAT :198 |
| DATE/TIME :199 | |
| TIME DIFFERENCE :199 | |
| 語 /LANG. :200 | |
| MY MENU SETTING :200 | |
| SENSOR CLEANING :201 | |
| BATTERY AGE :201 | |
| RESET :202 | |
| 2/2 | REGULATORY :202 |
| SOUND SETTING | |
| AF BEEP VOL. | 203 |
| SELF-TIMER BEEP VOL. | 203 |
| OPERATION VOL. | 204 |
| SHUTTER VOLUME | 204 |
| SHUTTER SOUND | 204 |
| PLAYBACK VOLUME | 204 |
| SCREEN SETTING | |
| 1/3 | EVF BRIGHTNESS :205 |
| EVF COLOR :205 | |
| EVF COLOR ADJUSTMENT :205 | |
| LCD BRIGHTNESS :206 | |
| LCD COLOR :206 | |
| LCD COLOR ADJUSTMENT :206 | |
| IMAGE DISP. :207 | |
| AUTOROTATE DISPLAYS :207 | |
| 2/3 | PREVIEW EXP./WB IN MANUAL MODE :208 |
| NATURAL LIVE VIEW :208 | |
| FRAMING GUIDELINE :209 | |
| AUTOROTATE PB :209 | |
| FOCUS SCALE UNITS :210 | |
| DUAL DISPLAY SETTING :210 | |
| DISP. CUSTOM SETTING :211 | |
| LARGE INDICATORS MODE(EVF) :212 | |
| 3/3 | LARGE INDICATORS MODE(LCD) :213 |
| LARGE INDICATORS DISP. SETTING :214 | |
| INFORMATION CONTRAST ADJ. :214 | |
| SUB MONITOR SETTING :215 | |
| REAR SUB MONITOR SETTING :218 | |
| SUB MONITOR BACKGROUND COLOR :220 | |
| REAR SUB MONITOR BRIGHTNESS :220 | |
| BUTTON/DIAL SETTING | |
| 1/2 | FOCUS LEVER SETTING ;221 |
| EDIT/SAVE QUICK MENU ;222 | |
| FUNCTION (Fn) SETTING ;223 | |
| COMMAND DIAL SETTING ;226 | |
| SHUTTER AF ;227 | |
| SHUTTER AE ;227 | |
| SHOOT WITHOUT LENS ;228 | |
| SHOOT WITHOUT CARD ;228 | |
| 2/2 | FOCUS RING ;229 |
| FOCUS RING OPERATION ;229 | |
| AE/AF-LOCK MODE ;230 | |
| AWB-LOCK MODE ;230 | |
| EXPO. COMP. BUTTON SETTING ;230 | |
| TOUCH SCREEN SETTING ;231 | |
| LOCK ;232 | |
| POWER MANAGEMENT | |
| AUTO POWER OFF | 233 |
| PERFORMANCE | 234 |
| SHOOTING STAND BY MODE | 235 |
| AUTO POWER SAVE | 235 |
| SAVE DATA SETTING |
| FRAME NO. :236 |
| SAVE ORG IMAGE :237 |
| EDIT FILE NAME :237 |
| CARD SLOT SETTING (STILL IMAGE) :237 |
| SELECT SLOT(SEQUENTIAL) :238 |
| SELECT SLOT(SEQUENTIAL) :238 |
| SELECT FOLDER :238 |
| COPYRIGHT INFO :239 |
| CONNECTION SETTING |
| Bluetooth SETTINGS :240 |
| NETWORK SETTING :242 |
| instax PRINTER CONNECTION SETTING :243 |
| PC CONNECTION MODE :244 |
| WIRELESS COM. FREQUENCY SETTING :245 |
| GENERAL SETTINGS :246 |
| INFORMATION :247 |
| RESET WIRELESS SETTING :247 |
Introduction.
For the Latest Information..
Menu List.. iv
Shooting Menus. iv
The Playback Menu vi
Setup Menus..
Supplied Accessories. xix
About This Manual. xx
Symbols and Conventions. xx
Terminology. xx
Before You Begin 1
Parts of the Camera 2
The Serial Number Plate 5
The Focus Stick (Focus Lever) 5
The DRIVE mode dial 6
The DRIVE Button. 7
The Command Dials 8
The Indicator Lamp 9
The LCD Monitor 10
The Viewfinder 12
Attaching the Viewfinder 13
The Eye Cup 14
Focusing the Viewfinder. 15
Camera Displays 16
The Electronic Viewfinder 16
The LCD Monitor 18
Choosing a Display Mode 20
Adjusting Display Brightness 21
The DISP/BACK Button 22
The Dual Display. 23
Customizing the Standard Display 24
The Secondary LCD Monitor. 26
The Rear Secondary Monitor 29
Using the Menus 30
Touch Screen Mode. 31
Shooting Touch Controls 31
Playback Touch Controls 35
Taking Pictures in Portrait Orientation 36
Display Rotation. 36
First Steps
37
Attaching the Strap 38
Attaching a Lens. 40
Charging the Batteries 41
Inserting the Batteries. 45
Inserting Memory Cards. 47
Using Two Cards 48
Compatible Memory Cards 49
Turning the Camera On and Off 50
Checking the Battery Level. 51
Basic Setup. 52
Choosing a Different Language 54
Changing the Time and Date 54
Basic Photography and Playback
55
Taking Photographs (Mode P) 56
Viewing Pictures 59
Deleting Pictures 60
4 Movie Recording and Playback
61
Recording Movies 62
Adjusting Movie Settings. 64
Viewing Movies. 65
Taking Photographs
67
P, S, A, and M Modes. 68
Mode P: Program AE 68
Mode S:Shutter-Priority AE 70
Mode A: Aperture-Priority AE. 73
Mode M: Manual Exposure 75
Autofocus. 77
Focus Mode. 78
Autofocus Options (AF Mode) 80
Focus-Point Selection. 82
Manual Focus. 85
Checking Focus. 87
Sensitivity. 90
AUTO 91
Metering. 92
Exposure Compensation 93
Focus/Exposure Lock. 94
Other Controls 95
Bracketing. 96
AE BKT. 97
ISO ISO BKT. 97
FILMSIMULATION BKT. 97
WB WHITE BALANCE BKT 98
DRDYNAMIC RANGE BKT 98
FOCUSFOCUSBKT 98
Continuous Shooting (Burst Mode) 99
Multiple Exposures. 101

The Shooting Menus
103
IMAGE QUALITY SETTING. 104
IMAGE SIZE 104
IMAGE QUALITY 105
RAW RECORDING 106
FILMSIMULATION. 107
B & W ADJ. A B (Warm/Cool) 108
GRAIN EFFECT 108
COLOR CHROME EFFECT 109
SMOOTH SKIN EFFECT 109
DYNAMIC RANGE 110
D RANGE PRIORITY 111
WHITE BALANCE 112
HIGHLIGHT TONE 115
SHADOW TONE 115
COLOR 115
SHARPNESS 115
NOISE REDUCTION 116
LONG EXPOSURE NR. 116
LENS MODULATION OPTIMIZER 116
COLOR SPACE 116
PIXEL MAPPING 117
SELECT CUSTOM SETTING 117
EDIT/SAVE CUSTOM SETTING 118
AF/MF SETTING 119
FOCUS AREA 119
AF MODE 120
AF-C CUSTOM SETTINGS. 121
STORE AF MODE BY ORIENTATION 124
AF POINT DISPLAY 124
NUMBER OF FOCUS POINTS 125
PRE-AF. 125
AF ILLUMINATOR 125
FACE/EYE DETECTION SETTING 126
AF+MF 128
MF ASSIST 129
FOCUS CHECK. 129
INTERLOCK SPOT AE & FOCUS AREA 130
INSTANT AF SETTING 130
DEPTH-OF-FIELD SCALE 131
RELEASE/FOCUS PRIORITY 131
TOUCH SCREEN MODE 132
SHOOTING SETTING 135
SELF-TIMER. 135
SAVE SELF-TIMER SETTING. 136
INTERVAL TIMER SHOOTING 136
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING 137
AE BKT SETTING 138
FILMSIMULATION BKT. 138
FOCUS BKT. 139
PHOTOMETRY 140
SHUTTERTYPE 141
FLICKER REDUCTION 142
ISO 142
IS MODE 143
MOUNT ADAPTER SETTING 144
35mm FORMAT MODE 146
WIRELESS COMMUNICATION 147
FLASH SETTING 148
FLASH FUNCTION SETTING 148
RED EYE REMOVAL 148
TTL-LOCK MODE 149
LED LIGHT SETTING 149
MASTER SETTING 150
CH SETTING 150
MOVIESETTING 151
MOVIE MODE 151
H.265(HEVC)/H.264 153
MOVIE COMPRESSION 153
FILMSIMULATION. 154
B & W ADJ. A B (Warm/Cool) 154
DYNAMIC RANGE. 155
WHITE BALANCE. 155
HIGHLIGHT TONE 156
SHADOW TONE 156
COLOR 156
SHARPNESS 157
NOISE REDUCTION 157
2k INTERFRAME NR. 157
F-Log/HLG RECORDING 158
PERIPHERAL LIGHT CORRECTION 159
FOCUS AREA. 159
MOVIE AF MODE 159
AF-C CUSTOM SETTING 160
FACE/EYE DETECTION SETTING 161
MF ASSIST. 161
FOCUS CHECK. 161
4K MOVIE OUTPUT 162
FULL HD MOVIE OUTPUT 162
HDMI OUTPUT INFO DISPLAY 163
4K HDMI STANDBY QUALITY 163
HDMI REC CONTROL. 163
ZEBRA SETTING 164
ZEBRA LEVEL 164
AUDIO SETTING 165
TIME CODE SETTING 167
TALLY LIGHT 169
MOVIESILENTCONTROL 170
7Playback and the Playback Menu 171
ThePlaybackDisplay 172
The DISP/BACK Button 173
Viewing Pictures 175
Playback Zoom. 176
Multi-Frame Playback 176
ThePlayback Menu 177
SWITCH SLOT 177
RAWCONVERSION 178
ERASE 180
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2) 182
CROP 182
RESIZE 183
PROTECT 184
IMAGE ROTATE 185
RED EYE REMOVAL 186
VOICE MEMO SETTING 187
COPY 188
IMAGE TRANSFER ORDER. 189
WIRELESS COMMUNICATION 190
PHOTOBOOK ASSIST 191
PRINT ORDER (DPOF) 193
instax PRINTER PRINT 194
DISP ASPECT 195
8 The Setup Menus 197
USER SETTING 198
FORMAT 198
DATE/TIME 199
TIME DIFFERENCE 199
言語/LANG. 200
MY MENU SETTING 200
SENSOR CLEANING 201
BATTERY AGE 201
RESET 202
REGULATORY 202
SOUND SETTING 203
AF BEEP VOL. 203
SELF-TIMER BEEP VOL. 203
OPERATION VOL. 204
SHUTTERVOLUME 204
SHUTTER SOUND 204
PLAYBACKVOLUME 204
SCREEN SETTING 205
EVF BRIGHTNESS 205
EVF COLOR 205
EVF COLOR ADJUSTMENT 205
LCD BRIGHTNESS. 206
LCD COLOR 206
LCD COLOR ADJUSTMENT 206
IMAGE DISP. 207
AUTOROTATE DISPLAYS 207
PREVIEW EXP./WB IN MANUAL MODE 208
NATURAL LIVE VIEW 208
FRAMINGGUIDELINE 209
AUTOROTATE PB 209
FOCUS SCALE UNITS. 210
DUAL DISPLAY SETTING. 210
DISP.CUSTOM SETTING. 211
LARGE INDICATORS MODE(EVF) 212
LARGE INDICATORS MODE(LCD) 213
LARGE INDICATORS DISP. SETTING 214
INFORMATION CONTRAST ADJ. 214
SUB MONITOR SETTING 215
REAR SUB MONITOR SETTING 218
SUB MONITOR BACKGROUND COLOR 220
REAR SUB MONITOR BRIGHTNESS 220
BUTTON/DIAL SETTING 221
FOCUS LEVER SETTING 221
EDIT/SAVE QUICK MENU 222
FUNCTION (Fn) SETTING 223
COMMANDDIAL SETTING 226
SHUTTER AF. 227
SHUTTER AE. 227
SHOOT WITHOUT LENS 228
SHOOT WITHOUT CARD 228
FOCUS RING 229
FOCUSRINGOPERATION 229
AE/AF-LOCK MODE 230
AWB-LOCK MODE 230
EXPO.COMP.BUTION SETTING 230
TOUCH SCREEN SETTING 231
LOCK 232
POWER MANAGEMENT 233
AUTO POWER OFF 233
PERFORMANCE 234
SHOOTING STAND BY MODE 235
AUTO POWER SAVE 235
SAVE DATA SETTING 236
FRAME NO. 236
SAVE ORG IMAGE 237
EDITFILENAME. 237
CARD SLOT SETTING (STILL IMAGE) 237
SELECT SLOT(Sequential) 238
SELECT SLOT(SEQUENTIAL) 238
SELECT FOLDER 238
COPYRIGHT INFO 239
CONNECTION SETTING 240
Bluetooth SETTINGS. 240
NETWORK SETTING 242
instax PRINTER CONNECTION SETTING 243
PC CONNECTION MODE 244
SMARTPHONE WIRELESS COM. FREQUENCY SETTING 245
GENERAL SETTINGS 246
INFORMATION 247
RESET WIRELESS SETTING 247

Shortcuts
249
Shortcut Options. 250
MY MENU 251
MY MENU SETTING 251
The Q (Quick Menu) Button 253
The Quick Menu Display 253
Viewing and Changing Settings 254
Editing the Quick Menu 255
The Fn (Function) Buttons 256
Assigning Roles to the Function Buttons 259
10 Peripherals and Optional Accessories 263
Lenses 264
Lens Parts 264
Lens Care. 265
Removing Lens Caps 265
Attaching Lens Hoods 265
Aperture ring. 266
Viewfinder Tilt Adapters 267
Attaching the EVF-TL1 268
Using the EVF-TL1 269
External Flash Units 270
Flash Settings 271
SYNC TERMINAL 272
SHOE MOUNT FLASH 273
MASTER(OPTICAL) 276
11 Connections 281
HDMI Output 282
Connecting to HDMI Devices 282
Shooting 283
Playback 283
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi) 284
Smartphones and Tablets: FUJIFILM Camera Remote 284
Tethered Shooting: Capture One Pro Fujiflm/
Adobe Photoshop Lightroom Classic CC + FUJIFIL Tether
Shooting Plug-in PRO for GFX/FUJIFILM X Acquire 286
Connecting to Computers via USB 287
Tethered Shooting: Capture One Pro Fujifilm/
Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether
Shooting Plug-in PRO for GFX/FUJIFILM X Acquire 290
Copying Pictures to a Computer 291
Converting RAW Images: FUJIFILM X RAW STUDIO 292
Backing up and Restoring Camera Settings
(FUJIFILM X Acquire) 292
instax SHARE Printers 293
Establishing a Connection 293
Printing Pictures 294
Technical Notes
295
Accessories from Fujifilm 296
Software for Use with Your Camera 298
FUJIFILM Camera Remote 298
MyFinePix Studio 298
Capture One Express Fujifilm 298
RAWFILECONVERTEREX 298
Capture One PRO Fujifilm 299
Adobe Photoshop Lightroom Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX 299
FUJIFILM X Acquire 299
FUJIFILM X RAW STUDIO 299
For Your Safety 300
Product Care 309
Cleaning the Image Sensor 310
Firmware Updates 311
Checking the Firmware Version 311
Troubleshooting 312
Warning Messages and Displays 321
Memory Card Capacity 324
Specifications 325
Supplied Accessories
The following are included with the camera:
- NP-T125 rechargeable batteries (× 2)
- BC-T125 battery charger
- Plug adapter
- EVF-GFX2 interchangeable electronic viewfinder
- Body cap (comes attached to camera)
Metal strap clips (× 2) - Clip attaching tool
- Protective covers (× 2)
Shoulder strap - Cable protector
- Hot shoe cover (comes attached to hot shoe)
- Sync terminal cap (comes attached to camera)
- Owner's Manual (this manual)

- The plug adapter supplied with the camera varies with the country or region of purchase; be sure to use the adapter appropriate to your country or region as described in the enclosed notice.
- For information on compatible computer software, see "Software for Use with Your Camera" (298).
About This Manual
This manual contains instructions for your FUJIFILM GFX100 digital camera. Be sure you have read and understood its contents before proceeding.
Symbols and Conventions
The following symbols are used in this manual:

Information that should be read to prevent damage to the product.

Additional information that may be helpful when using the product.

Pages on which related information may be found.
Menu and other text in the displays are shown in bold. Illustrations are for explanatory purposes only; drawings may be simplified, while photographs are not necessarily taken with the model of camera described in this manual.
Terminology
The optional SD, SDHC, and SDXC memory cards the camera uses to store pictures are referred to as "memory cards". The electronic viewfinder may be referred to as the "EVF" and the LCD monitor as the "LCD".
Before You Begin
Parts of the Camera

① Fn2 button. 256
(2) Secondary LCD monitor mode button.....27
③ Secondary LCD monitor. 26
(4) Secondary monitor backlight button......28
(5) Hot shoe 271
(6) DRIVE mode dial release button............ 6
⑦ DRIVE button. 7
⑧ DRIVE mode dial
9 AF-assist illuminator. 125 Self-timer lamp. 135
10 Strap eyelet 38
(1) Connector cover 1
12 Connector cover 2
⑬ Sync terminal 272
(14) Lens signal contacts
(15) Battery tray latch. 45
16 Battery tray. 45
Vertical grip front command dial 8,36,226
18 Vertical grip Fn3 button. 36
(19) Lens release button 40
(20) Fn3 button 256
(21) Front command dial. 8, 226
(22) ON/OFF switch 50
(23) Shutter button. 58
(24) Fn1 button (exposure compensation) button.....93
25 Microphone jack. 165
26 Headphone jack. 166
27 USB connector (Type-C) 44, 287
28 HDMI Micro connector (Type D) 282
(29) 15 V DC-IN connector. 43
30 Hot shoe cover. 273
31 Body cap. 40

(32)面(delete)button. 60
33 AE-L (exposure lock) button. 95, 256
34 Focus stick (focus lever) 5, 82, 221
35 Focus mode selector. 78
36 AF-ON button 95,256
37 Rear command dial. 8, 175, 226
(38) Fn4 button 256
39 Q (quick menu) button. 253
40 Indicator lamp 1.
(41) Memory card slot cover 47
(42) Memory card slot cover latch. 47
43 Remote release connector cover.72
Indicator lamp 2 9,43
(45) Rear secondary monitor. 29
46 LCD monitor 10, 18, 20, 21 Touch screen 31, 132, 231
(47) (playback) button............59
48DISP(display)/BACKbutton. 22,173
(49) MENU/OK button. 30
(50) Memory card slot 1. 47
(51) Memory card slot 2. 47
52 Remote release connector. 72

53 Vertical grip focus stick (focus lever) 5, 36
54 Vertical grip AF-ON button 36,256
55 Vertical grip rear command dial 8,36,226
56 Vertical grip Fn2 button 36, 256
(57) Vertical grip Fn1 button
(2 exposure compensation) button
36, 93, 256
58 Vertical grip shutter button 36, 58
59 Vertical grip control lock. 36
60 Speaker 65,204
61 Vertical grip Fn4 button 36, 256
62 Vertical grip Q (quick menu) button 36, 253
⑥ Tripod mount
64 Fn5 button 80,256
65 Vertical grip AE-L (exposure lock) button 36, 95, 256
The Cable Protector
The cable protector prevents accidental disconnection of the USB cable or AC adapter. Attach the protector as shown and tighten the lock screw.
② Connect the cable and pass it through the protector as shown.


The Serial Number Plate
Do not remove the serial number plate, which provides the FCC ID, KC mark, CMIIIT ID, serial number, and other important information.

Serial number plate
The Focus Stick (Focus Lever)
Tilt or press the focus stick to select the focus area. The focus stick can also be used to navigate the menus.

The DRIVE mode dial
The DRIVE mode dial is used to select the drive mode. Hold the DRIVE mode dial release button while rotating the dial to select the desired mode.

| Option | Description |
| STILL | Take pictures one at a time or in bursts (◎ 56, 99). |
| MULTI | Record a multiple exposures or take a series of photographs using bracketing (◎ 96, 101). |
| MOVIE | Shoot movies (◎ 62). |
The DRIVE Button
Pressing the DRIVE button when STILL or MULTI is selected with the DRIVE mode dial displays drive mode options. Pressing the button when MOVIE is selected displays movie mode options (151).


Drive mode options (STILL)

Drive mode options (MULTI)

Drive mode options (MOVIE)
The Command Dials
Rotate or press the command dials to:
| Front command dial | Rear command dial | |
| Rotate | ·Select menu tabs or page through menus ·Choose the desired combination of shutter speed and aperture (program shift) ·Adjust aperture1,2 ·View other pictures during playback | ·Highlight menu items ·Choose the desired combination of shutter speed and aperture (program shift) ·Choose a shutter speed1,4 ·Adjust exposure compensation by pressing the button and rotating the dial1 ·Adjust settings in the quick menu ·Choose the size of the focus frame ·Zoom in or out in full frame play-back ·Zoom in or out in multi-frame playback |
| Press | ·Switch between aperture and ISO sensitivity2 ·Press and hold to choose the option selected for BUTTON/DIAL SETTING > COMMAND/DIAL SETTING in the (setup) menu | ·Zoom in on the active focus point3 ·Press and hold to choose the manual focus mode focus display3 ·Zoom in on the active focus point during playback |
1 Can be changed using 2 BUTTON/DIAL SETTING > COMMAND DIAL SETTING.
2 If the lens is equipped with an aperture ring with a "C" position, the camera command dials can be used to adjust aperture when the aperture ring is rotated to C.
3 Available only if FOCUS CHECK is assigned to a function button.
4 Only if a value other than auto is selected for shutter speed.
The Indicator Lamp
Camera status is shown by the indicator lamp 1.

| Indicator lamp 1 | Camera status |
| Glows green | Focus locked. |
| Blinks green | Focus or slow shutter speed warning. Pictures can be taken. |
| Blinks green and orange | • Camera on: Recording pictures. Additional pictures can be taken. • Camera off: Uploading pictures to a smartphone or tablet.* |
| Glows orange | Recording pictures. No additional pictures can be taken at this time. |
| Blinks red | Lens or memory error. |
- Displayed only if pictures are selected for upload.

-Warnings may also appear in the display.
- The indicator lamp remains off while your eye is to the viewfinder.
If the camera is off, the two lamps designated as "indicator lamp 2" light green while the batteries are charging. The lamp on the right shows the status of the battery in the right battery chamber, that on the left the status of the battery in the left battery chamber (43).

The LCD Monitor
The LCD monitor can be tilted for easier viewing, but be careful not to touch the wires or trap fingers or other objects behind the monitor. Touching the wires could cause camera malfunction.


The LCD monitor also functions as a touch screen that can be used for:
- Touch photography (32)
Focus area selection (31) - Function selection (34)
- Muting camera controls during movie recording (图33)
Full-frame playback (35)
"Tall" (Portrait) Orientation
The display can also be tilted to take pictures from high or low angles when the camera is rotated to take pictures in "tall" (portrait) orientation.
- Press the tilt lock release and tilt the display as shown in Figure 1.
- To take high-angle shots, hold the camera in the orientation shown in Figure 2.

Figure 1

Figure 2
The Viewfinder

① Hot shoe. 267, 273
(2) Viewfinder lock releases 13
③ VIEW MODE button. 20
④ Eye sensor. 20
⑤ Electronic viewfinder (EVF) 16, 20
(6) Eye cup 14
Diopter adjustment control. 15
8 Connectors. 13
(9) Hot shoe cover
⑩ Connector cover
The EVF-TL1
The optional EVF-TL1 tilt adapter lets you swivel the viewfinder left or right ± 45^ or up or down between 0^ and 90^ (267).

Attaching the Viewfinder
Using the viewfinder makes it easier to frame your subject accurately. Remove the hot shoe cover from the camera and slide the viewfinder onto the hot shoe, stopping when it clicks into place.

-Removing the Viewfinder
Keeping the lock releases pressed (①), press down on the front of the viewfinder (②) and slide it off as shown.

The Eye Cup
To remove the eye cup, press the bottom in with both thumbs and slide eye cup up.

Focusing the Viewfinder
If the indicators displayed in the viewfinder are blurred, put your eye to the viewfinder and rotate the diopter adjustment control until the display is in sharp focus.
To focus the viewfinder:
① Lift the diopter adjustment control.
② Rotate the control to adjust viewfinder focus.
③ Return the control to its original position and lock it in place.




Lift the control before use. Failure to observe this precaution could cause product malfunction.
Camera Displays
This section lists the indicators that may be displayed during shooting.
For illustrative purposes, displays are shown with all indicators lit.

The Electronic Viewfinder
① ISmode2 143
2 Flash (TTL) mode. 273
③ Flash compensation 273
(4) 35mm format mode. 146
⑤ Movie compression. 153
(6) Self-timer indicator 135
⑦ Continuous mode. 99
⑧ Shutter type. 141
9 AF+MF indicator 128
10 Bluetooth ON/OFF. 240
11 White balance 112
12 AWB lock. 230
(13) Film simulation 107
(14) F-Log/HLG recording 158
15 Dynamic range 110
(16) D-range priority 111
17 Image transfer status 240, 284
18 Date and time. 52, 54, 199
19 Movie mode 62, 151
20 Time remaining3 63
21 Card slot options. 48, 237
22 Number of available frames 324
23 Image size. 104
24 Image quality. 105
25 Touch screen mode 31, 132
26 Temperature warning 323
27 Virtual horizon. 25
(28) Focus frame. 82, 94
29 Histogram 25
30 External power source in use. 43
31 Battery level. 51
32 Sensitivity. 90
33 Exposure compensation. 93
③ 4 Aperture. .69,73,75
35Shutter speed. 69,70,75
36 TTL lock. 149,225,261
37 AE lock. 95,230
38 Metering. 92
39 Shooting mode 68
40 Focus mode 78
(41 Focus indicator2. 79
42 Manual focus indicator 78, 85
43 AFlock. 95,230
4 Distance indicator 87
45 Recording level2,3 165
46 Exposure indicator. 75, 93
47 Location data download status.....246, 284
48 Depth-of-field preview. 74, 87
(49) H.265(HEVC)/H.264 153
(50) Focus check. 88, 129
1 Shows "9999" if there is space for over 9999 frames.
2 Not displayed when ON is selected for SCREEN SET-UP > LARGE INDICATORS MODE(EVF).
3 Displayed during movie recording only.
The LCD Monitor

① Flash (TTL) mode. 273
(2) IS mode2 143
③ Focus check. 88, 129
(4) Depth-of-field preview. 74, 87
(5) H.265(HEVC)/H.264 153
(6) Location data download status....246, 284
⑦ 35mm format mode. 146
⑧ Movie compression. 153
9 Bluetooth ON/OFF. 240
10 Image transfer status. 240, 284
(11) Movie mode3 62, 151
Time remaining 63
13 Card slot options. 48, 237
14 Number of available frames 324
(15) Image size 104
16 Image quality. 105
17 Date and time. 52, 54, 199
18 Touch screen mode 31, 132
19 AWB lock 230
20 White balance. 112
(21) Film simulation 107
22 F-Log/HLG recording 158
23 Dynamic range 110
24 D-range priority 111
(25) Temperature warning 323
26 Focus frame. 82, 94
27 Histogram 25
28 External power source in use. 43
29 Battery level. 51
30 Distance indicator 87
31 Sensitivity. 90
③ 2 Exposure compensation.93
③ Aperture. 69,73,75
34 Time code. 167
35Shutter speed. 69,70,75
36 TTL lock. 149,225,261
37 AE lock. 95,230
38 Metering. 92
39 Shooting mode 68
40 Focus mode 78
(41 Focus indicator2. 79
42 Manual focus indicator78, 85
43 AFlock. 95,230
44 AF+MF indicator 128
(45)Shutter type. 141
(46) Recording level2,3 165
47 Continuous mode 99
48 Self-timer indicator. 135
49 Exposure indicator. 75, 93
50 Flash compensation. 273
1 Shows "9999" if there is space for over 9999 frames.
2 Not displayed when ON is selected for SCREEN SET-UP > LARGE INDICATORS MODE(LCD).
3 Displayed during movie recording only.
4 Camera functions can also be accessed via touch controls.
Choosing a Display Mode
Press the VIEW MODE button to cycle through the following display modes.

| Option | Description |
| EYE SENSOR | Putting your eye to the viewfinder turns the viewfinder on and the LCD monitor off; taking your eye away turns the viewfinder off and LCD monitor on. |
| EVF ONLY | Viewfinder on, LCD monitor off. |
| LCD ONLY | LCD monitor on, viewfinder off. |
| EVF ONLY + EYE SENSOR | Putting your eye to the viewfinder turns the viewfinder on; taking it away turns the viewfinder off. The LCD monitor remains off. |
| EYE SENSOR + LCD IMAGE DISP. | Putting your eye to the viewfinder during shooting turns the viewfinder on, but the LCD monitor is used for the display of images once you remove your eye from the viewfinder after shooting. |
The Eye Sensor
- The eye sensor may respond to objects other than your eye or to light shining directly on the sensor.
- The eye sensor is disabled while the LCD monitor is tilted.

Eye sensor
Adjusting Display Brightness
The brightness and hue of the viewfinder and LCD monitor can be adjusted using the items in the 2 SCREEN SET-UP menu. Choose EVF BRIGHTNESS or EVF COLOR to adjust viewfinder brightness or hue, LCD BRIGHTNESS or LCD COLOR to do the same for the LCD monitor.
The DISP/BACK Button
The DISP/BACK button controls the display of indicators in the viewfinder and LCD monitor.

Indicators for the EVF and LCD must be selected separately. To choose the EVF display, place your eye to the viewfinder while using the DISP/BACK button.


Viewfinder

Full screen


Full screen (no indicators)

Dual display (manual focus mode only)

Standard indicators

Standard (no indicators)
LCD Monitor

Standard indicators
↑


No indicators
↓

Dual display
manual focus mode only)


Info display
The Dual Display
The dual display consists of a large full-frame window and a smaller close-up of the focus area.
Customizing the Standard Display
To choose the items shown in the standard indicator display:
1 Display standard indicators.
Use the DISP/BACK button to display standard indicators.
2 Select DISP.CUSTOM SETTING.
Select 2 SCREEN SET-UP > DISP. CUSTOM SETTING in the setup menu.
3 Choose items.
Highlight items and press MENU/OK to select or deselect.
FRAMINGGUIDELINE
ELECTRONIC LEVEL
FOCUS FRAME
AF DISTANCE INDICATOR
- MF DISTANCE INDICATOR
HISTOGRAM
- LIVE VIEW HIGHLIGHT ALERT
- SHOOTING MODE
APERTURE/S-SPEED/ISO
INFORMATIONBACKGROUND
- Expo. Comp. (Digit)
- Expo. Comp. (Scale)
FOCUS MODE
- PHOTOMETRY
- SHUTTERTYPE
FLASH
CONTINUOUS MODE
DUAL IS MODE
- TOUCH SCREEN MODE
WHITE BALANCE
FILMSIMULATION
DYNAMIC RANGE
- BOOST MODE
- FRAMES REMAINING
- IMAGE SIZE/QUALITY
MOVIE MODE &REC.TIME
- 35mm FORMAT MODE
- IMAGE TRANSFER ORDER
- MIC LEVEL
GUIDANCEMESSAGE
BATTERY LEVEL
- FRAMING OUTLINE
4 Save changes.
Press DISP/BACK to save changes.
5 Exit the menus.
Press DISP/BACK as needed to exit the menus and return to the shooting display.
Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtual horizon. The camera is level when the two lines overlap. Note that the virtual horizon may not be displayed if the camera lens is pointed up or down. For a 3D display (shown), press the function button to which ELECTRONIC LEVEL is assigned (223, 259).

Framing Outline
Enable FRAMING OUTLINE to make the borders of the frame easier to see against dark backgrounds.
- Histograms
Histograms show the distribution of tones in the image. Brightness is shown by the horizontal axis, the number of pixels by the vertical axis.

- Optimal exposure: Pixels are distributed in an even curve throughout the tone range.
- Overexposed: Pixels are clustered on the right side of the graph.
- Underexposed: Pixels are clustered on the left side of the graph.

To view separate RGB histograms and a display showing areas of the frame that will be overexposed at current settings superimposed on the view through the lens, press the function button to which HISTOGRAM is assigned (223, 259).
① Overexposed areas blink
② RGB histograms

The Secondary LCD Monitor
Among the settings that can be viewed in the secondary LCD monitor are shutter speed, aperture, and ISO sensitivity.

Secondary LCD monitor

Default
| ① SHUTTERTPEED | ⑦ FILM SIMULATION |
| ② APERTURE | ⑧ BATTERY LEVEL |
| ③ ISO | ⑨ FRAMES REM. |
| ④ SHOOTING MODE | ⑩ CARD SLOT OPTIONS |
| ⑤ IMAGE SIZE/QUALITY | ⑪ ▼ Scale |
| ⑥ WHITE BALANCE |

The settings displayed can be selected using F SCREEN SET-UP > SUB MONITOR SETTING.
Cycling Through Indicators in the Secondary LCD Monitor
The indicators displayed in the secondary LCD monitor change each time the secondary LCD monitor mode button is pressed.


INFORMATION

DIALS

HISTOGRAM
The secondary LCD monitor backlight button
To turn on the secondary LCD monitor backlight when you find the secondary LCD monitor too dark to read, press the secondary LCD monitor backlight button. Press the button again to turn the backlight off.

Background Color
The background color (black or white) for the secondary LCD monitor can be selected using the SCREEN SET-UP > SUB MONITOR BACKGROUND COLOR option in the (setup) menu. Note that the background is displayed in white whenever the secondary LCD monitor backlight is on.
The Rear Secondary Monitor
Among the indicators that can be viewed in the rear secondary monitor are histograms and the exposure compensation indicator.

Rear secondary monitor

Default
① APERTURE
② SHUTTERTPEED
③ ISO
④ WHITE BALANCE
⑤ FILM SIMULATION
EXPO.COMP.

- Use 2 SCREEN SET-UP > REAR SUB MONITOR SETTING to choose the indicators displayed or turn the rear secondary monitor off.
- Putting your eye to the viewfinder when the eye sensor is enabled turns off the rear secondary monitor.
Using the Menus
To display the menus, press MENU/OK.


Shooting

Playback
To navigate the menus:
1 Press MENU/OK to display the menus.
2 Press the focus stick (focus lever) left to highlight the tab for the current menu.


3 Press the focus stick up or down to highlight the tab (0, 0, 0, 1, 2, 3, 4, 5, 6, 7, 8, 9) containing the desired item.
4 Press the focus stick right to place the cursor in the menu.

Use the front command dial to select menu tabs or page through menus and the rear command dial to highlight menu items.
Touch Screen Mode
The LCD monitor also functions as a touch screen.
Shooting Touch Controls
To enable touch controls, select ON for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING.

EVF
The LCD monitor can be used to select the focus area while pictures are being framed in the electronic viewfinder (EVF). Use BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > EVF TOUCH SCREEN AREA SETTINGS to choose the area of the monitor employed for touch controls.


If FACE SELECT 业 is enabled when FACE DETECTION ON is selected for AF/MF SETTING > FACE/EYE DETECTION SETTING, the face used for focus can be chosen via touch controls.
LCD Monitor
Touch controls can be used for such operations as focusing, choosing the focus area, and taking photographs. The operation performed can be selected by tapping the touch screen mode indicator in the display to cycle through the following options.

| Mode | Description |
| AF | In focus mode S (AF-S), the camera focuses when you tap your subject in the display. Focus locks at the current distance until you tap the AF OFF icon. In focus mode C (AF-C), the camera initiates focus when you tap your subject display. The camera will continue to adjust focus for changes in the distance to the subject until you tap the AF OFF icon. In manual focus mode (MF), you can tap the display to focus on the selected subject using autofocus. |
| AF OFF | |
| AREA | Tap to select a point for focus or zoom. The focus frame will move to the selected point. |
| OFF | Touch focus disabled. |

Different touch controls are used during focus zoom (134).

- To disable touch controls and hide the touch screen mode indicator, select OFF for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING.
- Touch control settings can be adjusted using AF/MF SETTING > TOUCH SCREEN MODE. For information on the touch controls available during movie recording, see "Movie Recording (TOUCH SCREEN MODE; 133)".
Muting Movie Controls
Movie settings can be adjusted using touch-screen controls, preventing the sounds made by camera controls being recorded with the movie. When ON is selected for MOVIE SETTING > MOVIE SILENT CONTROL in the shooting menu, a SET icon will be displayed in the LCD monitor; tap the icon to access the following controls:

- SHUTTERTPEED*
APERTURE
EXPOSURE COMPENSATION
ISO - INTERNAL MIC LEVEL
- ADJUSTMENT/EXTERNAL MIC LEVEL ADJUSTMENT
WIND FILTER
HEADPHONES VOLUME
FILMSimulation
WHITE BALANCE
- Selecting ON for Movie SETTING > Movie Silent Control disables dial controls.
Touch Function
Functions can be assigned to the following flick gestures in much the same way as function buttons (256):
- Flickrup: T-Fn1
- Flickr left: T-Fn2
- Flick right: T-Fn3
- Flick down: T-Fn4


- In some cases, touch-function flick gestures display a menu; tap to select the desired option.
- Touch-function gestures are disabled by default. To enable touch-function gestures, select ON for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > FIM TOUCH FUNCTION.

Playback Touch Controls
When ON is selected for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING, touch controls can be used for the following playback operations:
- Swipe: Swipe a finger across the display to view other images.
- Pinch-out: Place two fingers on the display and spread them apart to zoom in.
- Pinch-in: Place two fingers on the display and slide them together to zoom out.




Pictures can be zoomed out until the entire image is visible but no further.
- Double-tap: Tap the display twice to zoom in on the focus point.
- Drag: View other areas of the image during playback zoom.


Taking Pictures in Portrait Orientation
The vertical-grip buttons, command dials, and focus stick (focus lever) make the camera easier to use when rotated to take pictures in portrait ("tall") orientation.

Landscape ("wide") orientation

Portrait ("tall") orientation

- To use the vertical-grip buttons, command dials, and focus stick, slide the vertical grip control lock from LOCK to . Selecting LOCK prevents you accidentally using the vertical-grip controls when the camera is rotated to take pictures in landscape ("wide") orientation.
- The vertical-grip command dials perform the same functions as their landscape-orientation counterparts.
Display Rotation
When ON is selected for SCREEN SET-UP > AUTOROTATE DISPLAYS, the indicators in the viewfinder and LCD monitor automatically rotate to match camera orientation.
First Steps
Attaching the Strap
Attach the strap clips to the camera and then attach the strap.
1 Attach a protective cover.
Place a protective cover over the eyelet as shown, with the black side of the cover toward the camera.

Protective cover
2 Open a strap clip.
Use the clip attaching tool(A) to open a strap clip(B).

3 Slide the clip onto the tool.
Slide the clip onto the tool so that it hooks over the projection.

4 Place the strap clip on an eyelet.
Hook the strap eyelet in the clip opening. Remove the tool, using the other hand to keep the clip in place.

Keep the tool in a safe place, as you will need it to open the strap clips when removing the strap.


5 Pass the clip through the eyelet.
Rotate the clip fully through the eyelet until it clicks closed.

6 Fasten the strap.
Insert the strap through a protective cover and strap clip and fasten the buckle as shown.

Strap clip

To avoid dropping the camera, be sure the strap is correctly secured.

Buckle
Repeat the above steps for the second eyelet.
Attaching a Lens
The camera can be used with lenses for the FUJIFILM G-mount.
Remove the body cap from the camera and the rear cap from the lens. Place the lens on mount, keeping the marks on the lens and camera aligned (①), and then rotate the lens until it clicks into place (②).


- When attaching lenses, ensure that dust or other foreign matter does not enter the camera.
- Be careful not to touch the camera's internal parts.
- Rotate the lens until it clicks securely into place.
- Do not press the lens release button while attaching the lens.
-Removing Lenses
To remove the lens, turn the camera off, then press the lens release button (①) and rotate the lens as shown (②).

To prevent dust accumulating on the lens or inside the camera, replace the lens caps and camera body cap when the lens is not attached.

Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM G-mount.

Observe the following precautions when attaching or removing (exchanging) lenses.
- Check that the lenses are free of dust and other foreign matter.
- Do not change lenses in direct sunlight or under another bright light source. Light focused into the interior of the camera could cause it to malfunction.
- Attach the lens caps before exchanging lenses.
- See the manual provided with the lens for information on use.
Charging the Batteries
The batteries are not charged at shipment. Before use, charge the batteries in the supplied battery charger.

- The camera is supplied with NP-T125 batteries.
- Charging takes about 140 minutes.
1 Connect the plug adapter.

The plug adapter supplied with the camera varies with the country or region of purchase; use the adapter appropriate to your country or region as described in the enclosed notice.
2 Place the battery in the charger.
Insert the battery in the orientation shown by the arrow.

3 Plug the charger in.
Plug the charger into an indoor power outlet. The charging indicator will light.

4 Charge the battery.
Remove the battery when charging is complete.
The Charging Indicator
The charging indicator shows battery charge status as follows:

| Charging indicator | Battery status | Action |
| Off | Battery not inserted. | Insert the battery. |
| Battery fully charged. | Remove the battery. | |
| On | Battery charging. | — |
| Blinks | Battery fault. | Unplug the charger and remove the battery. |

- The supplied charger is compatible with power supplies of 100 to 240 volts (a plug adapter may be needed for overseas use).
- Do not affix labels or other objects to the battery. Failure to observe this precaution could make it impossible to remove the battery from the camera.
- Do not short the battery terminals. The battery could overheat.
- Read the cautions in "The Battery and Power Supply".
- Use only genuine Fujifilm rechargeable batteries designated for use in this camera. Failure to observe this precaution could result in product malfunction.
- Do not remove the labels from the battery or attempt to split or peel the outer casing.
- The battery gradually loses its charge when not in use. Charge the battery one or two days before use.
- If the battery fails to hold a charge, it has reached the end of its charging life and must be replaced.
- Unplug the charger when it is not in use.
- Remove dirt from the battery terminals with a clean, dry cloth. Failure to observe this precaution could prevent the battery from charging.
Note that charging times increase at low or high temperatures.
-Charging via AC Adapter
The battery inserted in the camera will also charge when the camera is powered by an optional AC-15V AC adapter. Charging takes about 120 minutes.

Battery charge status is shown by battery status icons when the camera is on (playback mode) and by the two lamps designated as "indicator lamp 2" when the camera is off. The left lamp shows the status of battery in chamber "L", the right lamp that of the battery in chamber "R".

| Battery status icon (camera on) | Indicator lamp 2 (camera off) | Battery status |
| (yellow) | On | Battery charging |
| (green) | Off | Charging complete |
| (red) | Blinks | Battery fault |

Charging times may increase if the camera is left on during charging.

The camera will display an "external power source" icon when powered via an AC-15V AC adapter.

- Charging from a Computer or Portable Battery
The batteries also charge if the camera is connected to a computer or portable battery. Turn the camera off, insert the batteries, and connect a USB cable.

USB connector (Type-C)
- Battery status is shown by indicator lamp 2.
| Indicator lamp 2 | Battery status |
| On | Battery charging |
| Off | Charging complete |
| Blinks | Battery fault |
- Connect the camera directly to the computer; do not use a USB hub or keyboard.
- Charging stops if the computer enters sleep mode. To resume charging, activate the computer and disconnect and reconnect the USB cable.
- Charging may not be supported depending on the model of computer, computer settings, and the computer's current state.
- Information on supported portable batteries is available on the Fujifilm website.

If the camera is turned on during charging, charging will end and the battery level will begin to gradually decline.

The camera will display an "external power source" icon when powered via USB.

Inserting the Batteries
After charging the batteries, insert them in the camera as described below.
1 Remove the battery tray.
Rotate the battery tray latch and remove the battery tray.

- Do not remove the battery tray when the camera is on. Failure to observe this precaution could damage image files or memory cards.
- Do not use excessive force when handling the battery tray.

2 Insert the batteries as shown.


- Insert the battery in the orientations shown. Do not use force or attempt to insert the batteries upside down or backwards.
- Confirm that the battery are secure.
3 Insert the battery tray and hold it in place while rotating the latch to its original position.

-Removing the Batteries
After turning the camera off, rotate the battery tray latch and remove the battery tray. Remove the batteries as shown.


The battery may become hot when used in high-temperature environments. Observe caution when removing the battery.
Inserting Memory Cards
Pictures are stored on memory cards (sold separately).

The camera can be used with two cards, one in each of its two slots.
1 Open the memory card slot cover.
Unlatch and open the cover.


Do not open the memory card-slot cover when the camera is on. Failure to observe this precaution could damage image files or memory cards.
2 Insert the memory card.
Holding the card in the orientation shown, slide it in until it clicks into place at the back of the slot. Close and latch the memory card slot cover.


Be sure card is in the correct orientation; do not insert at an angle or use force.
3 Format the memory card (198).

Format memory cards before first use, and be sure to reformat all memory cards after using them in a computer or other device.
-Removing Memory Cards
Before removing memory cards, turn the camera off and open the memory card slot cover.
Press and release the card to eject it part way (to prevent the card falling from the slot, press the center of the card and release it slowly, without removing your finger from the card). The card can then be removed by hand.

Using Two Cards
The camera can be used with two cards, one in each of its two slots. At default settings, photos are saved to the card in the second slot only when the card in the first slot is full. This can be changed using SAVE DATA SET-UP > CARD SLOT SETTING (STILL IMAGE).
| Option | Description | Display |
| SEQUENTIAL (default) | The card in the second slot is used only when the card in the first slot is full. If the second slot is selected for SAVE DATA SET-UP > SELECT SLOT(SEQUENTIAL), re-cording will start on the card in the second slot and switch to the first slot when the card in the second slot is full. | 12 |
| BACKUP | Each picture is recorded twice, once to each card. | 12 |
| RAW / JPEG | As forSEQUENTIAL, except that the RAW copy of pictures taken with SUPER FINE+RAW, FINE+RAW, or NORMAL+RAW selected for IMAGE QUALITY SETTING > IMAGE QUALITY will be saved to the card in the first slot and the JPEG copy to the card in the second slot. | 12RJ |
The card used to store movies can be selected using SAVE DATA SET-UP > SELECT SLOT(SEQUENTIAL).
Compatible Memory Cards
- The camera can be used with SD, SDHC, and SDXC memory cards. Both the UHS-I and UHS-II bus interfaces are supported.
UHS-II cards are recommended for high-speed burst photography. - Use cards with a video speed class of V60 or better to record movies at a bit rate of 400 Mbps. To record movies with lower bit rates, use cards with a UHS speed class of 3 or better or a video speed class of V30 or better.
- A list of supported memory cards is available on the Fujifilm website. For details, visit:
http://www.fujifilm.com/support/digital Cameras/compatibility/.

-
Do not turn the camera off or remove the memory card while the memory card is being formatted or data are being recorded to or deleted from the card. Failure to observe this precaution could damage the card.
-
Memory cards can be locked, making it impossible to format the card or to record or delete images. Before inserting a memory card, slide the write-protect switch to the unlocked position.

- Memory cards are small and can be swallowed; keep out of reach of children. If a child swallows a memory card, seek medical assistance immediately.
- miniSD or microSD adapters that are larger or smaller than memory cards may not eject normally; if the card does not eject, take the camera to an authorized service representative. Do not forcibly remove the card.
- Do not affix labels or other objects to memory cards. Peeling labels can cause camera malfunction.
- Movie recording may be interrupted with some types of memory card.
- Formatting a memory card in the camera creates a folder in which pictures are stored. Do not rename or delete this folder or use a computer or other device to edit, delete, or rename image files. Always use the camera to delete pictures; before editing or renaming files, copy them to a computer and edit or rename the copies, not the originals. Renaming the files on the camera can cause problems during playback.
Turning the Camera On and Off
Use the ON/OFF switch to turn the camera on and off.
Slide the switch to ON to turn the camera on, or to OFF to turn the camera off.


Fingerprints and other marks on the lens or viewfinder can affect pictures or the view through the viewfinder. Keep the lens and viewfinder clean.

- Pressing the button during shooting starts playback.
- Press the shutter button halfway to return to shooting mode.
- The camera will turn off automatically if no operations are performed for the length of time selected for POWER MANAGEMENT > AUTO POWER OFF. To reactivate the camera after it has turned off automatically, press the shutter button halfway or turn the ON/OFF switch to OFF and then back to ON.
Checking the Battery Level
After turning the camera on, check the battery level in the display.
Battery level is shown as follows:
| Indicator | Description |
| □□□ | Battery partially discharged. |
| □□□ | Battery about 80% full. |
| □□□ | Battery about 60% full. |
| □□□ | Battery about 40% full. |
| □□ | Battery about 20% full. |
| □□(red) | Low battery. Charge as soon as possible. |
| □□(blinks red) | Battery exhausted. Turn camera off and recharge battery. |


- The display shows the level of inserted batteries only.
- When a full complement of batteries are inserted in the camera, the batteries will be used in the following order:
(1) The battery (L)
(2) The battery (R)
Basic Setup
When you turn the camera on for the first time, you can choose a language and set the camera clock. At default settings, you can also pair the camera with a smartphone or tablet so that you can later synchronize the clocks or download pictures. Follow the steps below when turning the camera on for the first time.

If you intend to pair the camera with a smartphone or tablet, install and launch the latest version of the FUJIFILM Camera Remote App on the smart device before proceeding. For more information, visit: http://app.fujifilm-dsc.com/en/camera_remote/
1 Turn the camera on.
A language-selection dialog will be displayed.


2 Choose a language.
Highlight a language and press MENU/OK.


3 Pair the camera with the smartphone or tablet.
Press MENU/OK on the camera and tap PAIRING REGISTRATION in FUJIFILM Camera Remote.

To skip pairing, press DISP/BACK.

4 Check the time.
When pairing is complete, you will be prompted to set the camera clock to the time reported by the smartphone or tablet. Check that the time is correct.

To set the clock manually, press DISP/BACK (图54).
5 Synchronize the camera settings with the settings configured on your smartphone or tablet.

The option selected can be changed at any time using CONNECTION SETTING > Bluetooth SETTINGS.
6 Set the clock.
Press MENU/OK to set the camera clock to the time reported by the smartphone or tablet and exit to shooting mode.

If the battery is removed for an extended period, the camera clock will be reset and the language-selection dialog will be displayed when the camera is turned on.
-Skipping the Current Step
If you skip a step, a confirmation dialog will be displayed; select NO to avoid repeating any steps you skipped the next time the camera is turned on.
Choosing a Different Language
To change the language:
1 Display language options. Select USER SETTING > 言語/LANG..
2 Choose a language. Highlight the desired option and press MENU/OK.
Changing the Time and Date
To set the camera clock:
1 Display DATE/TIME options. Select 2 USER SETTING > DATE/TIME.
2 Set the clock. Press the focus stick (focus lever) left or right to highlight the year, month, day, hour, or minute and press up or down to change. Press MENU/OK to set the clock.
Basic Photography andPlayback
Taking Photographs (Mode P)
This section describes how to take pictures using program AE (mode P). See pages 68-76 for information on S, A, and M modes.
1 Rotate the DRIVE mode dial to STILL.

2 Adjust settings for program AE.

| Setting | 图 | |
| ① Aperture | A (auto) | 68 |
| ② Shutter speed | Auto | 68 |
| ③ Focus mode | S (single AF) | 78 |
Press the button to which SHOOTING MODE is assigned (at default settings, the Fn2 button) to switch between shutter speeds of auto and User-selected (manually selected shutter speed). This function can be assigned to a different button if desired (图 259).
3 Check the shooting mode.
Confirm that appears in the display.

4 Ready the camera.
- Hold the camera steady with both hands and brace your elbows against your sides. Shaking or unsteady hands can blur your shots.
- To prevent pictures that are out of focus or too dark (underexposed), keep your fingers and other objects away from the lens and AF-assist illuminator.


5 Frame the picture.
Lenses with Zoom Rings
Use the zoom ring to frame the picture in the display. Rotate the ring left to zoom out, right to zoom in.

6 Focus.
Press the shutter button halfway to focus.

Focus frame
- If the camera is able to focus, it will beep twice and focus frame and focus indicator will glow green.
- If the camera is unable to focus, the focus frame will turn red, !AF will be displayed, and the focus indicator will blink white.

- If the subject is poorly lit, the AF-assist illuminator may light to assist the focus operation.
- Focus and exposure will lock when the shutter button is pressed halfway. Focus and exposure remain locked while the button is kept in this position (AF/AE lock).
- The camera will focus on subjects at any distance in the macro and standard focus ranges for the lens.
7 Shoot.
Smoothly press the shutter button the rest of the way down to take the picture.
To view pictures full frame, press

Additional pictures can be viewed by pressing the focus stick (focus lever) left or right or rotating the front command dial. Press the focus stick or rotate the dial right to view pictures in the order recorded, left to view pictures in reverse order. Keep the focus stick pressed to scroll rapidly to the desired frame.

Pictures taken using other cameras are marked with a "gift image" icon to warn that they may not display correctly and that playback zoom may not be available.
- Two Memory Cards
If two memory cards are inserted, you can press and hold the button to choose a card for playback. You can also select a card using the PLAY BACK MENU > SWITCH SLOT option.
Use the button to delete pictures.

Deleted pictures cannot be recovered. Protect important pictures or copy them to a computer or other storage device before proceeding.
1 With a picture displayed full frame, press the button and select FRAME.


2 Press the focus stick (focus lever) left or right to scroll through pictures and press MENU/OK to delete (a confirmation dialog is not displayed). Repeat to delete additional pictures.

- Protected pictures cannot be deleted. Remove protection from any pictures you wish to delete (184).
- Pictures can also be deleted from the menus using the 回 PLAY BACK MENU > ERASE option (图 180).
Movie Recording andPlayback
This section describes how to film movies in auto mode.
1 Rotate the DRIVE mode dial to MOVIE.

2 Adjust settings for program AE.

| Setting | 图 | |
| ① Aperture | A (auto) | 68 |
| ② Shutter speed | Auto | 68 |
| ③ Focus mode | S (single AF) | 78 |

Press the button to which SHOOTING MODE is assigned (at default settings, the Fn2 button) to switch between shutter speeds of auto and User-selected (manually selected shutter speed). This function can be assigned to a different button if desired (图 259).
3 Press the shutter button to start recording. A recording indicator (⊙) and the time remaining are displayed while recording is in progress.

4 Press the button again to end recording. Recording ends automatically when the maximum length is reached or the memory card is full.

- Sound is recorded via the built-in microphone or an optional external microphone. Do not cover the microphone during recording.
- Note that the microphone may pick up lens noise and other sounds made by the camera during recording.
- Vertical or horizontal streaks may appear in movies containing very bright subjects. This is normal and does not indicate a malfunction.

- Indicator lamp 1 lights while recording is in progress.
- Zoom can be adjusted using the zoom ring on the lens (if available).
- If the lens is equipped with an aperture ring, select the aperture mode before beginning recording. If an option other than A is selected, shutter speed and aperture can be adjusted while recording is in progress.
- During recording, you can change exposure compensation by up to ± 2 EV.
- Recording may be unavailable at some settings, while in other cases settings may not apply during recording.
Adjusting Movie Settings
- Frame size and rate can be selected using Movie SETTING > MOVIE MODE.
- To choose the card used to store movies, use SAVE DATA SET-UP > SELECT SLOT(SEQUENTIAL).
- Focus mode is selected using the focus mode selector; for continuous focus adjustment, select C, or choose S and enable Intelligent Face Detection. Intelligent Face Detection is not available in focus mode M.
Depth of Field
Choose low f-numbers to soften background details.
In full-frame playback, movies are identified by a icon. Press the focus stick (focus lever) down to start movie playback.

The following operations can be performed while a movie is displayed:

| Focus stick (focus lever) | Full-frame playback | Playback in progress (▶) | Playback paused (■) |
| Up | — | End playback | |
| Down | Start playback | Pause playback | Start/resume playback |
| Left/right | View other pictures | Adjust speed | Single frame rewind/ advance |
Progress is shown in the display during playback.

Do not cover the speaker during playback.


Press MENU/OK to pause playback and display volume controls. Press the focus stick (focus lever) up or down to adjust the volume; press MENU/OK again to resume playback. Volume can also be adjusted using SOUND SET-UP > PLAYBACK VOLUME.
Playback Speed
Press the focus stick (focus lever) left or right to adjust playback speed during playback. Speed is shown by the number of arrows ( or

Arrows
Taking Photographs
P, S, A, and M Modes
P, S, A, and M modes give you varying degrees of control over shutter speed and aperture.
Mode P: Program AE
Let the camera choose shutter speed and aperture for optimal exposure. Other values that produce the same exposure can be selected with program shift.

Setting
| ① DRIVE mode dial | STILL |
| ② Aperture | A (auto) |
| ③ Shutter speed | Auto |
Confirm that P appears in the display.


If the subject is outside the metering range of the camera, the shutter speed and aperture displays will show "--".

Press the button to which SHOOTING MODE is assigned (at default settings, the Fn2 button) to switch between shutter speeds of auto and User-selected (manually selected shutter speed). This function can be assigned to a different button if desired (图 259).
-Program Shift
If desired, you can rotate the rear command dial to select other combinations of shutter speed and aperture without altering exposure (program shift).


Program shift is not available in any of the following circumstances:
- With flash units that support TTL auto
- When an auto option is selected for IMAGE QUALITY SETTING > DYNAMIC RANGE
In movie mode

To cancel program shift, turn the camera off.
Mode S:Shutter-Priority AE
Choose a shutter speed and let the camera adjust aperture for optimal exposure.

Setting
| ① DRIVE mode dial | STILL |
| ② Aperture | A (auto) |
| ③ Shutter speed | User-selected |
Confirm that S appears in the display.


- If the correct exposure cannot be achieved at the selected shutter speed, aperture will be displayed in red.
- If the subject is outside the metering range of the camera, the aperture display will show "---".

- Shutter speed can be adjusted while the shutter button is pressed halfway.
- Press the button to which SHOOTING MODE is assigned (at default settings, the Fn2 button) to switch between shutter speeds of auto and User-selected (manually selected shutter speed). This function can be assigned to a different button if desired (图259).
- Shutter speed can be locked by pressing and holding the button to which SHOOTING MODE is assigned. To unlock shutter speed, press the button again.
- At shutter speeds slower than 1 second, a count-down timer will be displayed while the exposure is in progress.
- To reduce "noise" (mottling) in long time-exposures, select ON for IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this may increase the time needed to record images after shooting.
- The picture will go out of focus if the camera is moved during a long time-exposure; use of a tripod is recommended.
Bulb (B)
Select a shutter speed of B (bulb) for long time-exposures in which you open and close the shutter manually. Use of a tripod is recommended to prevent the camera moving during the exposure.
1 Set shutter speed to B.

2 Press the shutter button all the way down. The shutter will remain open for up to 60 minutes while the shutter button is pressed; the display shows the time elapsed since the exposure started.

- Selecting an aperture of A fixes shutter speed at 30s
- To reduce "noise" (mottling) in long time-exposures, select ON for IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this may increase the time needed to record images after shooting.
Using a Remote Release
A remote release can be used for long time-exposures. When using an optional RR-100 remote release or an electronic release from third-party suppliers, connect it to the camera's remote release connector.

Mode A: Aperture-Priority AE
Choose an aperture and let the camera adjust shutter speed for optimal exposure.

Setting
| ① DRIVE mode dial | STILL |
| ② Aperture | User-selected |
| ③ Shutter speed | Auto |
Confirm that A appears in the display.


- If the correct exposure cannot be achieved at the selected aperture, shutter speed will be displayed in red.
- If the subject is outside the metering range of the camera, the shutter speed display will show "--".

- Aperture can be adjusted even while the shutter button is pressed halfway.
- Press the button to which SHOOTING MODE is assigned (at default settings, the Fn2 button) to switch between shutter speeds of auto and User-selected (manually selected shutter speed). This function can be assigned to a different button if desired (图 259).
-Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned to a function button, pressing the button displays a 9 icon and stops aperture down to the selected setting, allowing depth of field to be previewed in the display.

Mode M: Manual Exposure
In manual mode, the user controls both shutter speed and aperture. Shots can be deliberately overexposed (brighter) or underexposed (darker), opening the door for a variety of individual creative expression. The amount the picture would be under- or over-exposed at current settings is shown by the exposure indicator; adjust shutter speed and aperture until the desired exposure is reached.

| Setting | ||
| ① DRIVE mode dial | STILL | |
| ② Aperture | User-selected | |
| ③ Shutter speed | User-selected | |
Confirm that M appears in the display.


- Press the button to which SHOOTING MODE is assigned (at default settings, the Fn2 button) to switch between shutter speeds of auto and User-selected (manually selected shutter speed). This function can be assigned to a different button if desired (图 259).
- Shutter speed can be locked by pressing and holding the button to which SHOOTING MODE is assigned. To unlock shutter speed, press the button again.
- Exposure Preview
To preview exposure in the LCD monitor, select an option other than OFF for SCREEN SET-UP > PREVIEW EXP./WB IN MANUAL MODE.


Select OFF when using the flash or on other occasions on which exposure may change when the picture is taken.
Autofocus
Take pictures using autofocus.
1 Rotate the focus mode selector to S or C (78).

2 Choose an AF mode (80).
3 Choose the position and size of the focus frame (82).

4 Take pictures.

For information on the autofocus system, visit: http://fujifilm-x.com/af/en/index.html
Focus Mode
Use the focus mode selector to choose how the camera focuses.

Choose from the following options:
| Mode | Description |
| S(AF-S) | Single AF: Focus locks while the shutter button is pressed halfway.Choose for stationary subjects. |
| C(AF-C) | Continuous AF: Focus is continually adjusted to reflect changes in the distance to the subject while the shutter button is pressed halfway.Use for subjects that are in motion. |
| M(manual) | Manual: Focus manually using the lens focus ring. Choose for manual control of focus or in situations in which the camera is unable to focus using autofocus (☐ 85). |

- Regardless of the option selected, manual focus will be used when the lens is in manual focus mode.
- If ON is selected for AF/MF SETTING > PRE-AF, focus will be adjusted continuously in modes S and C even when the shutter button is not pressed.
The Focus Indicator
Focus status is shown by the focus indicator.
| Focus indicator | Focus status |
| () | Camera focusing. |
| ● (lights green) | Subject in focus; focus locked (focus mode S). |
| (●) (lights green) | Subject in focus (focus mode C). Focus is automatically adjusted for changes in distance to subject. |
| ○ (blinks white) | Camera unable to focus. |
| MF | Manual focus (focus mode M). |

Focus indicator
Autofocus Options (AF Mode)
Choose how the camera focuses in modes S and C.
1 Press a function button (by default, Fn5) to display AF mode options.

2 Choose an AF mode.

- The Fn5 button can be assigned other roles using BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING. The role described above can also be assigned to other function buttons (259).
- AF mode can also be selected using AF/MF SETTING > AF MODE.
How the camera focuses depends on the focus mode.
Focus Mode S (AF-S)
| Option | Description | Sample image |
| SINGLE POINT | Camera focuses on subject in selected focus point. Use for pin-point focus on selected subject. | |
| ZONE | Camera focuses on subject in se-lected focus zone. Focus zones in-clude multiple focus points, mak-ing it easier to focus on subjects in motion. | |
| WIDE | Camera focuses automatically on high-contrast subjects; display shows areas in focus. | |
| ALL | Rotate the rear command dial in the focus-point selection display (82, 83) to cycle through AF modes in the following order: SINGLE POINT, ZONE, and WIDE. | |
| ALL | ||
Focus Mode C (AF-C)
| Option | Description | Sample image |
| SINGLE POINT | Focus tracks subject at selected focus point. Use for subjects moving toward or away from camera. | |
| ZONE | Focus tracks subject in selected focus zone. Use for subjects that are moving fairly predictably. | |
| TRACKING | Focus tracks subjects moving through wide area of frame. | |
| ALL ALL | Rotate the rear command dial in the focus-point selection display (82, 83) to cycle through AF modes in the following order: SINGLE POINT, ZONE, and TRACKING. | |
Focus-Point Selection
Choose a focus point for autofocus.
Viewing the Focus-Point Display
1 Press MENU/OK and go to the shooting menu.
2 Select AF/MF SETTING > FOCUS AREA to view the focus-point display.
3 Use the focus stick (focus lever) and rear command dial to choose a focus area.

The focus point can also be selected using touch controls (图31).
Selecting a Focus Point
Use the focus stick (focus lever) to choose the focus point and the rear command dial to choose the size of the focus frame. The procedure varies with the option selected for AF mode.


| AF mode | Focus stick | Rear command dial | ||
| Tilt | Press | Rotate | Press | |
| Select focus point | Select center focus point | Choose from 6 frame sizes | Restore original size | |
| Choose from 3 frame sizes | ||||
| — | ||||

Manual focus-point selection is not available when WIDE/TRACKING is selected in focus mode S.
The Focus-Point Display
The focus-point display varies with the option selected for AF mode.

Focus frames are shown by small squares () , focus zones by the large squares.
AF mode
| SINGLE POINT | ZONE | WIDE/TRACKING |
| Number of points available can be selected using AF/MF SETTING > NUMBER OF FOCUS POINTS. | Choose from zones with 7 × 7, 5 × 5, or 3 × 3 focus points. | Position focus frame over subject you want to track. |
-Autofocus
Although the camera boasts a high-precision autofocus system, it may be unable to focus on the subjects listed below.
- Very shiny subjects such as mirrors or car bodies.
- Subjects photographed through a window or other reflective object.
- Dark subjects and subjects that absorb rather than reflect light, such as hair or fur.
- Insubstantial subjects, such as smoke or flame.
- Subjects that show little contrast with the background.
- Subjects positioned in front of or behind a high-contrast object that is also in the focus frame (for example, a subject photographed against a backdrop of highly contrasting elements).
Checking Focus
To zoom in on the current focus area for precise focus, press the center of the rear command dial. Use the focus stick (focus lever) to choose another focus area. Press the center of the rear command dial again to cancel zoom.


Normal display

Focus zoom

- In focus mode S, zoom can be adjusted by rotating the rear command dial.
- The focus stick can be used to select the focus area while zoom is in effect.
- In focus mode S, select · SINGLE POINT for AF MODE.
- Focus zoom is not available in focus mode C or when AF/MF SETTING > PRE-AF is on.
- Use 2 BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING to change the function performed by the center of the rear command dial. You can also assign its default function to other controls (图259).
Manual Focus
Adjust focus manually.
1 Rotate the focus mode selector to M.

will appear in the display.

2 Focus manually using the lens focus ring. Rotate the ring left to reduce the focus distance, right to increase.

3 Take pictures.

- Use 2 BUTTON/DIAL SETTING > FOCUS RING to reverse the direction of rotation of the focus ring.
- Regardless of the option selected, manual focus will be used when the lens is in manual focus mode.
Quick Focus
- To use autofocus to focus on the subject in the selected focus area, press the button to which focus lock or AF-ON has been assigned (the size of the focus area can be chosen with the rear command dial).
- In manual focus mode, you can use this feature to quickly focus on a chosen subject using either single or continuous AF according to the option chosen for AF/MF SETTING > INSTANT AF SETTING.
Checking Focus
A variety of options are available for checking focus in manual focus mode.
The Manual Focus Indicator
The manual focus indicator indicates how closely the focus distance matches the distance to the subject in the focus brackets. The white line indicates the distance to the subject in the focus area (in meters or feet according to the option selected for SCREEN SET-UP > FOCUS SCALE UNITS in the setup menu), the blue bar the depth of field, or in other words the distance in front of and behind the subject that appears to be in focus.


Focus distance (white line)
Depth of field

- If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR are selected in the 2 SCREEN SET-UP > DISP. CUSTOM SETTING list, the manual focus indicator can also be viewed using the depth-of-field indicator in the standard display. Use the DISP/BACK button to display standard indicators.
- Use the AF/MF SETTING > DEPTH-OF-FIELD SCALE option to choose how depth of field is displayed. Choose FILM FORMAT BASIS to help you make practical assessments of depth of field for pictures that will be viewed as prints and the like, PILKEL BASIS to help you assess depth of field for pictures that will be viewed at high resolutions on computers or other electronic displays.
Focus Zoom
If ON is selected for AF/MF SETTING > FOCUS CHECK, the camera will automatically zoom in on the selected focus area when the focus ring is rotated. Press the center of the rear command dial to exit zoom.

- Use the focus stick (focus lever) to choose another focus area.
- If STANDARD or FOCUS PEAK HIGHLIGHT is selected for AF/MF SETTING > MF ASSIST, zoom can be adjusted by rotating the rear command dial. Zoom cannot be adjusted when DIGITAL SPLIT IMAGE or DIGITAL MICROPRISM is selected.
MF Assist
Use AF/MF SETTING > MF ASSIST to choose a focus check option.

The MF ASSIST menu can be displayed by pressing and holding the center of the rear command dial.
The following options are available:
- FOCUS PEAK HIGHLIGHT: Highlights high-contrast outlines. Rotate the focus ring until the subject is highlighted.
- DIGITAL SPLIT IMAGE: Displays a split image in the center of the frame. Frame the subject in the split-image area and rotate the focus ring until the four parts of the split image are correctly aligned.


- DIGITAL MICROPRISM: A grid pattern that emphasizes blur is displayed when the subject is out of focus, disappearing to be replaced by a sharp image when the subject is in focus.


Sensitivity
Adjust the camera's sensitivity to light.
Set sensitivity using SHOOTING SETTING > ISO.
| Option | Description |
| AUTO1 | Sensitivity is automatically adjusted in response to shooting conditions according to combination of standard and maximum sensitivity and minimum shutter speed chosen for SHOOTING SETTING > ISO. Choose from AUTO1, AUTO2, and AUTO3 (91). |
| AUTO2 | |
| AUTO3 | |
| 12800-100 | Adjust sensitivity manually. Selected value is shown in display. |
| H (102400/51200/25600), L (50) | Choose for special situations. Note that mottling may appear in pictures taken at H, while L reduces dynamic range. |
Sensitivity is not reset when the camera is turned off.
- If desired, you can use 2 BUTTON/DIAL SETTING > COMMAND DIAL SETTING to configure the camera so that ISO sensitivity can be adjusted using the front or rear command dial.
-Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower values allow slower shutter speeds or wider apertures in bright light; note, however, that mottling may appear in pictures taken at high sensitivities.
AUTO
Choose the base sensitivity, maximum sensitivity, and minimum shutter speed for AUTO1, AUTO2, and AUTO3.
| Item | Options | Default | ||
| AUTO1 | AUTO2 | AUTO3 | ||
| DEFAULT SENSITIVITY | 12800–100 | 100 | ||
| MAX. SENSITIVITY | 12800–200 | 800 | 1600 | 3200 |
| MIN. SHUTTER SPEED | ½00–¼ SEC, AUTO | ½0 SEC | ||
The camera automatically chooses a sensitivity between the default and maximum values; sensitivity is only raised above the default value if the shutter speed required for optimal exposure would be slower than the value selected for MIN. SHUTTER SPEED.

- If the value selected for DEFAULT SENSITIVITY is higher than that selected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to the value selected for MAX. SENSITIVITY.
- The camera may select shutter speeds slower than MIN. SHUTTERT SPEED if pictures would still be underexposed at the value selected for MAX. SENSITIVITY.
Choose how the camera meters exposure.
SHOOTING SETTING > PHOTOMETRY offers a choice of the following metering options:

The selected option will only take effect when AF/MF SETTING > FACE/EYE DETECTION SETTING is OFF.
| Mode | Description |
| [ ] (multi) | The camera instantly determines exposure based on an analysis of composition, color, and brightness distribution. Recommended in most situations. |
| [ ] (center-weighted) | The camera meters the entire frame but assigns the greatest weight to the area at the center. |
| [ • ] (spot) | The camera meters lighting conditions in an area at the center of the frame equivalent to 2% of the total. Recommended with backlit subjects and in other cases in which the background is much brighter or darker than the main subject. |
| [ ] (average) | Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots with the same lighting, and is particularly effective for landscapes and portraits of subjects dressed in black or white. |

Exposure Compensation
Adjust exposure.
Hold the button and rotate the rear command dial until the desired value is displayed in the viewfinder or LCD monitor.

The amount of compensation available varies with the shooting mode.
The Button
If ON/OFF SWITCH is selected for BUTTON/DIAL SETTING > EXPO. COMP. BUTTON SETTING, exposure compensation can be set by pressing the button once, rotating the rear command dial, and then pressing the button again. Exposure compensation can be assigned to other controls using BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING.
Focus/Exposure Lock
Focus and exposure lock when the shutter button is pressed halfway.
1 Position the subject in the focus frame and press the shutter button halfway to lock focus and exposure. Focus and exposure will remain locked while the shutter button is pressed halfway (AF/AE lock).

2 Press the button all the way down.

Focus lock using the shutter button is only available when ON is selected for BUTTON/DIAL SETTING > SHUTTERT AF, SHUTTERT AE.
Other Controls
Focus and exposure can also be locked using function buttons. At default settings, you can use the AE-L button to lock exposure without locking focus. If the AF-ON button is assigned AF LOCK ONLY (223, 256), it can similarly be used to lock focus without locking exposure.
While the assigned control is pressed, pressing the shutter button halfway will not end the lock.
- If AE&AF ON/OFF SWITCH is selected for BUTTON/DIAL SETTING > AE/ AF-LOCK MODE, the lock can only be ended by pressing the control a second time.

AE-L button (exposure lock)

AF-ON button

Function buttons can be assigned other roles using BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING. Exposure and focus lock can also be assigned to other function buttons (图259).
Automatically vary settings over a series of pictures.
1 Rotate the DRIVE mode dial to MULTI.

2 Press the DRIVE button to display drive mode options.

3 Highlight the desired bracketing option using the focus stick and press MENU/OK.
4 Take photographs.

AE BKT
Use SHOOTING SETTING > AE BKT SETTING to choose the bracketing amount, bracketing order, and number of shots. Each time the shutter button is pressed, the camera will take the specified number of shots: one using the metered value for exposure and the others over- or under-exposed by multiples of the selected bracketing amount.

Regardless of the bracketing amount, exposure will not exceed the limits of the exposure metering system.

ISO BKT
Select a bracketing amount (± 1/3, ± 2/3, or ± 1) in the drive mode display. Each time the shutter is released, the camera will take a picture at the current sensitivity and process it to create two additional copies, one with sensitivity raised and the other with sensitivity lowered by the selected amount.

FILMSIMULATION BKT
Each time the shutter is released, the camera takes one shot and processes it to create copies with different film simulation settings, chosen using SHOOTING SETTING > FILM SIMULATION BKT.
WHITE BALANCE BKT
Select a bracketing amount (± 1, ± 2, or ± 3) in the drive mode display. Each time the shutter is released, the camera takes one shot and processes it to create three copies: one at the current white balanced setting, one with fine-tuning increased by the selected amount, and another with fine-tuning decreased by the selected amount.
DR DYNAMIC RANGE BKT
Each time the shutter button is pressed, the camera takes three shots with different dynamic ranges: 100% for the first, 200% for the second, and 400% for the third.

While dynamic range bracketing is in effect, sensitivity will be restricted to a minimum of ISO 400; the sensitivity previously in effect is restored when bracketing ends.
FOCUS BKT
Each time the shutter button is pressed, the camera takes a series of photos, varying focus with each shot. The number of shots, the amount focus changes with each shot, and the interval between shots can be selected using SHOOTING SETTING > FOCUS BKT.
1 Rotate the DRIVE mode dial to STILL.

2 Press the DRIVE button to display drive mode options.

3 If CL LOW SPEED BURST or CH HIGH SPEED BURST is selected, the camera will take pictures continuously while the shutter-release button is pressed.
Shooting ends when the shutter button is released or the memory card is full.

- If file numbering reaches 9999 before shooting is complete, the remaining pictures will be recorded to a new folder.
- Shooting ends when the memory card is full; the camera will record all photos shot to that point. Burst shooting may not begin if the space available on the memory card is insufficient.
- Frame rates may slow as more shots are taken.
- Frame rate varies with the scene, shutter speed, sensitivity, and focus mode.
- Depending on shooting conditions, frame rates may slow or the flash may not fire.
- Recording times may increase during burst shooting.
Exposure
To vary exposure with each shot, select OFF for BUTTON/DIAL SETTING > SHUTTER AE.

Depending on such factors as aperture, sensitivity, and exposure compensation, exposure may not be adjusted automatically.

Multiple Exposures
Create a photograph that combines two exposures.

1 Rotate the DRIVE mode dial to MULTI.

2 Press the DRIVE button to display drive mode options.

3 Select MULTIPLE EXPOSURE.
4 Take the first shot.
Press MENU/OK. The first shot will be shown superimposed on the view through the lens and you will be prompted to take the second shot.

To return to Step 4 and retake the first shot, press the focus stick (focus lever) left.
- To save the first shot and exit without creating a multiple exposure, press DISP/BACK.

6 Take the second shot, using the first frame as a guide.

7 Press MENU/OK to create the multiple exposure, or press the focus stick left to return to Step 6 and retake the second shot.


Multiple exposures cannot be recorded via tethered shooting (244).
The Shooting Menus

IMAGE QUALITY SETTING
Adjust image quality settings.
To display image quality settings, press MENU/OK in the shooting display and select the (IMAGE QUALITY SETTING) tab.


The options available vary with the shooting mode selected.
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
| Option | Image size |
| 4:3 | 11648 × 8736 |
| 3:2 | 11648 × 7768 |
| 16:9 | 11648 × 6552 |
| 1:1 | 8736 × 8736 |
| Option | Image size |
| L 65:24 | 11648 × 4304 |
| L 5:4 | 10928 × 8736 |
| L 7:6 | 10192 × 8736 |
| Option | Image size |
| M 4:3 | 8256 × 6192 |
| M 3:2 | 8256 × 5504 |
| M 16:9 | 8256 × 4640 |
| M 1:1 | 6192 × 6192 |
| Option | Image size |
| M 65:24 | 8256 × 3048 |
| M 5:4 | 7744 × 6192 |
| M 7:6 | 7232 × 6192 |
| Option | Image size |
| S 4:3 | 4000 × 3000 |
| S 3:2 | 4000 × 2664 |
| S 16:9 | 4000 × 2248 |
| S 1:1 | 2992 × 2992 |
| Option | Image size |
| S 65:24 | 4000 × 1480 |
| S 5:4 | 3744 × 3000 |
| S 7:6 | 3504 × 3000 |

IMAGE SIZE is not reset when the camera is turned off or another shooting mode is selected.
IMAGE QUALITY
Choose a file format and compression ratio.
| Option | Description |
| SUPER FINE | Very low compression ratios are used for maximum image quality. |
| FINE | Low compression ratios are used for higher-quality images. |
| NORMAL | Higher compression ratios are used to increase the number of images that can be stored. |
| SUPER FINE + RAW | Record both RAW and super-fine quality JPEG pictures. |
| FINE + RAW | Record both RAW and fine-quality JPEG images. |
| NORMAL + RAW | Record both RAW and normal-quality JPEG images. |
| RAW | Record RAW images only. |
The Function Buttons
To toggle RAW image quality on or off for a single shot, assign RAW to a function button (图259). Press the button once to select the option in the right column, again to return to the original setting (left column).
| Option currently selected for IMAGE QUALITY | Option selected by pressing function button to which RAW is assigned |
| SUPER FINE | SUPER FINE + RAW |
| FINE | FINE + RAW |
| NORMAL | NORMAL + RAW |
| SUPER FINE + RAW | SUPER FINE |
| FINE + RAW | FINE |
| NORMAL + RAW | NORMAL |
| RAW | FINE |
RAW RECORDING
Choose whether to compress RAW images.
RECORDING TYPE
| Option | Description |
| UNCOMPRESSED | RAW images are not compressed. |
| LOSSLESS COMPRESSED | RAW images are compressed using a reversible algorithm that reduces file size with no loss of image data. The images can be viewed in Capture One Express Fujifilm (®, 298), RAW FILE CONVERTER EX (®, 298), FUJIFILM X RAW STUDIO (®, 299), or other software that supports "lossless"RAW compression. |
OUTPUT DEPTH(bit)
| Option | Description |
| 16bit | RAW pictures are recorded at a bit depth of 16 bits. |
| 14bit | RAW pictures are recorded at a bit depth of 14 bits. |
When selected, 16bit only takes effect in single-frame drive mode.
FILM SIMULATION
Simulate the effects of different kinds of film, including black-and-white (with or without color filters). Choose a palette according to your subject and creative intent.
| Option | Description |
| PROVIA/STANDARD | Standard color reproduction. Suited to a wide range of subjects, from portraits to landscapes. |
| Velvia/VIVID | A high-contrast palette of saturated colors, suited to nature photos. |
| ASTIA/SOFT | Enhances the range of hues available for skin tones in portraits while preserving the bright blues of daylight skies. Recommended for outdoor portrait photography. |
| CLASSIC CHROME | Soft color and enhanced shadow contrast for a calm look. |
| PRO Neg. Hi | Offers slightly more contrast than PRO Neg. Std. Recommended for outdoor portrait photography. |
| PRO Neg. Std | A soft-toned palette. The range of hues available for skin tones is enhanced, making this a good choice for studio portrait photography. |
| ETERNAL/CINEMA | Film movies using a palette that features subdued colors and deep shadows. |
| ACROS* | Take black-and-white photos with rich gradation and out-standing sharpness. |
| MONochrome* | Take pictures in standard black and white. |
| SEPIA | Take pictures in sepia. |
- Available with yellow (Ye), red (R), and green (G) filters, which deepen shades of gray corresponding to hues complementary to the selected color. The yellow (Ye) filter deepens purples and blues and the red (R) filter blues and greens. The green (G) filter deepens reds and browns, including skin tones, making it a good choice for portraits.

- Film simulation options can be combined with tone and sharpness settings.
- Film simulation settings can also be accessed via shortcuts (图250).
- For more information, visit: http://fujifilm-x.com/en/x-stories/the-world-of-film-simulation-episode-1/
B & W ADJ. (Warm/Cool)
Add a reddish or bluish tinge (warm or cool color cast) to monochrome pictures taken with the A ACROS or B MONOCHROME film simulation.
| Option | Description |
| +9—+1 | Higher positive values equate to a redder color cast. |
| 0 | Normal monochrome (grayscale). |
| -1—-9 | Lower negative values equate to a bluer color cast. |
GRAIN EFFECT
Add a film grain effect. Select an amount (STRONG or WEAK) or choose OFF to turn film grain off.
| Options | ||
| STRONG | WEAK | OFF |
COLOR CHROME EFFECT
Deepen colors in shadows. Select an amount (STRONG or WEAK) or choose OFF to turn the effect off.
| Options | ||
| STRONG | WEAK | OFF |
SMOOTH SKIN EFFECT
Smooth complexes.
| Options | ||
| STRONG | WEAK | OFF |
DYNAMIC RANGE
Control contrast. Choose lower values to increase contrast when shooting indoors or under overcast skies, higher values to reduce loss of detail in highlights when photographing high-contrast scenes. Higher values are recommended for scenes that include both sunlight and deep shade, for such high-contrast subjects as sunlight on water, brightly-lit autumn leaves, and portraits taken against a blue sky, and for white objects or people wearing white.
| Options | |||
| AUTO | 100 100% | 200 200% | 400 400% |

Mottling may appear in pictures taken at higher values. Choose a value according to the scene.

- If AUTO is selected, the camera will automatically choose either 100% or 200% according to the subject and shooting conditions. Shutter speed and aperture will be displayed when the shutter button is pressed halfway.
- 200 200% is available at sensitivities of from ISO 200 to ISO 12800, 400% 400% at sensitivities of from ISO 400 to 12800.
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-looking results when photographing high-contrast scenes.
| Option | Description |
| AUTO | Contrast is adjusted automatically in response to lighting conditions. |
| STRONG | Adjust dynamic range by a large amount for very high-contrast scenes. |
| WEAK | Adjust dynamic range by a smaller amount for moderately high-contrast scenes. |
| OFF | Contrast reduction off. |

- WEAK is available at sensitivities of from ISO 200 to ISO 12800, STRONG at sensitivities of from ISO 400 to 12800.
- When an option other than OFF is selected, HIGHLIGHT TONE, SHADOW TONE, and DYNAMIC RANGE will be adjusted automatically; if you wish to adjust these settings manually, choose OFF.
WHITE BALANCE
For natural colors, choose a white balance option that matches the light source.
| Option | Description |
| AUTO | White balance is adjusted automatically. |
| Ω1/Ω2/Ω3 | Measure a value for white balance. |
| K | Choose a color temperature. |
| # | For subjects in direct sunlight. |
| # | For subjects in the shade. |
| #1 | Use under "daylight" fluorescent lights. |
| #2 | Use under "warm white" fluorescent lights. |
| #3 | Use under "cool white" fluorescent lights. |
| # | Use under incandescent lighting. |
| # | Reduces the blue cast typically associated with underwater light-ing. |

- In conditions in which AUTO fails to produce the desired results—for example, under certain types of lighting or in close-ups of portrait subjects—use custom white balance or choose a white balance option suited to the light source.
- White balance is adjusted for flash lighting only in AUTO and modes. Turn the flash off using other white balance options.
- White balance options can also be accessed via shortcuts (图250).
Fine-Tuning White Balance
Pressing MENU/OK after selecting a white balance option displays a fine-tuning dialog; use the focus stick (focus lever) to fine-tune white balance.


- To exit without fine-tuning white balance, press DISP/BACK after selecting a white balance option.
- The focus stick (focus lever) does not tilt diagonally.
Custom White Balance
Choose _1,_2 or _3 to adjust white balance for unusual lighting conditions using a white object as a reference (colored objects can also be used to lend photos a color cast). A white balance target will be displayed; position and size

the target so that it is filled by the reference object and press the shutter button all the way down to measure white balance (to select the most recent custom value and exit without measuring white balance, press DISP/BACK, or press MENU/OK to select the most recent value and display the fine-tuning dialog).
- If "COMPLETED!" is displayed, press MENU/OK to set white balance to the measured value.
- If "UNDER" is displayed, raise exposure compensation and try again.
- If "OVER" is displayed, lower exposure compensation and try again.

K:Color Temperature
Selecting K in the white balance menu displays a list of color temperatures; highlight a color temperature and press MENU/OK to select the highlighted option and display a fine-tuning dialog, then highlight the desired value and press MENU/OK again. The selected color temperature will be shown in the display.


Color Temperature
Color temperature is an objective measure of the color of a light source, expressed in Kelvin (K). Light sources with a color temperature close to that of direct sunlight appear white; light sources with a lower color temperature have a yellow or red cast, while those with a higher color temperature are tinged with blue. You can match color temperature to the light source, or choose options that differ sharply from the color of the light source to make pictures "warmer" or "colder."
HIGHLIGHT TONE
Adjust the appearance of highlights.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 |
SHADOW TONE
Adjust the appearance of shadows.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 |
COLOR
Adjust color density.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 |
SHARPNESS
Sharpen or soften outlines.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 |
NOISE REDUCTION
Reduce noise in pictures taken at high sensitivities.
| Options | ||||||||
| +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 |
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures.
| Options | |
| ON | OFF |
LENS MODULATION OPTIMIZER
Select ON to improve definition by adjusting for diffraction and the slight loss of focus at the periphery of the lens.
| Options | |
| ON | OFF |
COLOR SPACE
Choose the gamut of colors available for color reproduction.
| Option | Description |
| sRGB | Recommended in most situations. |
| Adobe RGB | For commercial printing. |
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
1 Press MENU/OK in the shooting display and select the IMAGE QUALITY SETTING tab.
2 Highlight Pixel MAPPING and press MENU/OK to perform pixel mapping.

Results are not guaranteed.
- Be sure the battery is fully charged before beginning pixel mapping.
- Pixel mapping is not available when the camera temperature is elevated.
- Processing may take a few seconds.
SELECT CUSTOM SETTING
Settings can be recalled from any of the seven custom settings banks.
| Banks | ||||
| CUSTOM 1 | CUSTOM 2 | CUSTOM 3 | CUSTOM 4 | |
| CUSTOM 5 | CUSTOM 6 | CUSTOM 7 | ||
EDIT/SAVE CUSTOM SETTING
Save up to 7 sets of custom camera settings for commonly-encountered situations. Saved settings can be recalled using IMAGE QUALITY SETTING > SELECT CUSTOM SETTING.
1 Press MENU/OK in shooting mode to display the shooting menu. Select the IMAGE QUALITY SETTING tab, then highlight EDIT/SAVE CUSTOM SETTING and press MENU/OK.
2 Highlight a custom settings bank and press MENU/OK to select.

3 Adjust the following as desired:
ISO
DYNAMIC RANGE
D RANGE PRIORITY
FILMSIMULATION
B & W ADJ. A E (Warm/Cool)
GRAIN EFFECT
COLOR CHROME EFFECT
- SMOOTH SKIN EFFECT
- WHITE BALANCE
HIGHLIGHT TONE - SHADOW TONE
COLOR
SHARPNESS - NOISE REDUCTION

4 Press DISP/BACK. A confirmation dialog will be displayed; highlight OK and press MENU/OK.


- To store current camera settings in the selected bank, highlight SAVE CURRENT SETTINGS in Step 3 and press MENU/OK.
- To restore default settings for the current bank, select RESET.
- Banks can be renamed using EDIT CUSTOM NAME.
To display focus settings, press MENU/OK in the shooting display and select the (AF/MF SETTING) tab.


The options available vary with the shooting mode selected.
FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus zoom.
AF MODE
Choose the AF mode for focus modes S and C.
| Option | Description |
| SINGLE POINT | The camera focuses on the subject in the selected focus point. The number of focus points available can be selected using AF/MF SETTING > NUMBER OF FOCUS POINTS. Use for pin-point focus on a selected subject. |
| ZONE | The camera focuses on the subject in the selected focus zone. Focus zones include multiple focus points, making it easier to focus on subjects that are in motion. |
| WIDE/TRACKING | In focus mode S, the camera automatically focuses on high-contrast subjects; the areas in focus are shown in the display. In focus mode C, the camera tracks focus on the subject in the selected focus point while the shutter button is pressed halfway. The camera may be unable to focus on small objects or subjects that are moving rapidly. |
| ALL | Rotate the rear command dial in the focus-point selection display (82, 83) to cycle through AF modes in the following order: SINGLE POINT, ZONE, and WIDE/TRACKING. |
| ALL |
AF-C CUSTOM SETTINGS
Select focus-tracking options for focus mode C. Choose from Sets 1-5 according to your subject or select Set 6 for custom focus-tracking options.

| Option | Description |
| SET 1 MULTI PURPOSE | A standard tracking option that works well with the typical range of moving subjects. |
| SET 2 UNUSED OBSTACLES & CONTINUE TO TRACK SUBJECT | The focus system attempts to track the chosen subject. Choose with subjects that are hard to keep in the focus area or if other objects are likely to enter the focus area with the subject. |
| SET 3 FOR ACCELERATING/ DECELERATING SUBJECT | The focus system attempts to compensate for subject acceleration or deceleration. Choose for subjects prone to rapid changes in velocity. |
| SET 4 FOR SUDDENLY APPEARING SUBJECT | The focus system attempts to focus quickly on subjects entering the focus area. Choose for subjects that appear abruptly or when rapidly switching subjects. |
| SET 5 FOR ERRATICALLY MOVING & ACCEL./DECEL. SUBJECT | Choose for hard-to-track subjects prone not only to sudden changes in velocity but also to large movements front to back and left to right. |
| SET 6 CUSTOM | Adjust TRACKING SENSITIVITY, SPEED TRACKING SENSITIVITY, and ZONE AREA SWITCHING to suit your preferences based on the values for Sets 1-5 (122, 124). |
Focus Tracking Options
The individual parameters that are part of a focus tracking set are described below.
TRACKING SENSITIVITY
This parameter determines how long the camera waits to switch focus when an object enters the focus area behind or in front of the current subject. The higher the value, the longer the camera will wait.

| Options | ||||
| 0 | 1 | 2 | 3 | 4 |

- The higher the value, the longer it takes the camera to refocus when you attempt to switch subjects.
- The lower the value, the more likely the camera is to switch focus from your subject to other objects in the focus area.
SPEED TRACKING SENSITIVITY
This parameter determines how sensitive the tracking system is to changes in subject velocity. The higher the value, the greater the precision with which the system attempts to respond to sudden movement.

| Options | ||
| 0 | 1 | 2 |

The higher the value, the more difficulty the camera will have focusing in situations in which autofocus does not perform well, such as when the subject is highly reflective or low in contrast.
ZONE AREA SWITCHING
This parameter determines the focus area given priority in zone AF.

| Option | Description |
| FRONT | Zone AF assigns priority to the subjects closest to the camera. |
| AUTO | The camera locks focus on the subject at the center of the zone and then switches focus areas as necessary to track it. |
| CENTER | Zone AF assigns priority to subjects in the center of the zone. |

This option takes effect only when ZONE is selected for AF mode.
-Set Values
Parameter values for the different sets are listed below.
| TRACKING SENSITIVITY | SPEED TRACKING SENSITIVITY | ZONE AREA SWITCHING | |
| SET 1 | 2 | 0 | AUTO |
| SET 2 | 3 | 0 | CENTER |
| SET 3 | 2 | 2 | AUTO |
| SET 4 | 0 | 1 | FRONT |
| SET 5 | 3 | 2 | AUTO |
Custom Focus Tracking Options
Follow the steps below to adjust settings for Set 6.
1 Select AF-C CUSTOM SETTINGS > SET 6 CUSTOM.

2 Highlight items using the focus stick (focus lever) and rotate the front command dial to change. To reset settings to their original values, press l .
3 Press DISP/BACK when settings are complete.
STORE AF MODE BY ORIENTATION
Choose whether the focus mode and focus area used when the camera is in portrait orientation are stored separately from those used when the camera is in landscape orientation.
| Option | Description |
| OFF | The same settings are used in both orientations. |
| FOCUS AREA ONLY | The focus area for each orientation can be selected separately. |
| ON | The focus mode and focus area can be selected separately. |
AF POINT DISPLAY
Choose whether individual focus frames are displayed when ZONE or WIDE/TRACKING is selected for AF/MF SETTING > AF MODE.

NUMBER OF FOCUS POINTS
Choose the number of focus points available for focus-point selection in manual focus mode or when SINGLE POINT is selected for AF MODE.
| Option | Description |
| 117 POINTS (9 × 13) | Choose from 117 focus points arranged in a 9- by 13-point grid. |
| 425 POINTS (17 × 25) | Choose from 425 focus points arranged in a 17- by 25-point grid. |
PRE-AF
If ON is selected, the camera will continue to adjust focus even when the shutter button is not pressed halfway. The camera adjusts focus continuously, allowing it to focus faster when the shutter button is pressed halfway. Choosing this option helps prevent missed shots.
| Options | |
| ON | OFF |
Choosing ON increases the drain on the battery.
AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist autofocus.
| Options | |
| ON | OFF |

- The camera may be unable to focus using the AF-assist illuminator in some cases.
- If the camera is unable to focus, try increasing the distance to the subject.
- Avoid shining the AF-assist illuminator directly into your subject's eyes.
FACE/EYE DETECTION SETTING
Intelligent Face Detection sets focus and exposure for human faces anywhere in the frame, preventing the camera from focusing on the background in group portraits. Choose for shots that emphasize portrait subjects. You can also choose
whether the camera detects and focuses on either the left or right eye when Intelligent Face Detection is on.

| Option | Description |
| FACE DETECTION ON | Adjust settings for Intelligent Face Detection. You can also adjust eye detection settings. • EYE OFF: Intelligent Face Detection only. • EYE AUTO: The camera automatically chooses which eye to focus on when a face is detected. • RIGHT EYE PRIORITY: The camera focuses on the right eye of subjects detected using Intelligent Face Detection. • LEFT EYE PRIORITY: The camera focuses on the left eye of subjects detected using Intelligent Face Detection. |
| OFF | Intelligent Face Detection and eye priority off. |

- If the subject moves as the shutter button is pressed, the face may not be in the area indicated by the green border when the picture is taken.
- In some modes, the camera may set exposure for the frame as a whole rather than the portrait subject.

- The face selected by the camera is indicated by a green border. Any other faces detected by the camera are indicated by gray borders. To have the camera focus on a different subject, tap inside the gray border. The icon will change from white to green.
- You can also switch subjects by pressing the function button to which FACE SELECT is assigned and then using the focus stick (focus lever) or (during viewfinder photography) touch controls (225).
- To switch from face detection to manual focus-area selection, press the center of the focus stick (focus lever). Press again to re-enable face detection.
- If the selected subject leaves the frame, the camera will wait a set time for its return and consequently the green frame may sometimes appear in locations where no face is seen.
- You cannot switch subjects during burst photography.
- Depending on shooting conditions, face selection may be suspended at the close of burst shooting.
- Faces can be detected with the camera in vertical or horizontal orientation.
- If the camera is unable to detect the subject's eyes because they are hidden by hair, glasses, or other objects, the camera will instead focus on faces.
- Face/eye detection options can also be accessed via shortcuts (图250).
AF+MF
If ON is selected in focus mode S and focus has been locked (whether by pressing the shutter button halfway or by other means), focus lock can be ended and focus adjusted manually by rotating the focus ring.
Options
ON
OFF

- Lenses with a focus distance indicator must be set to manual focus mode (MF) before this option can be used. Selecting MF disables the focus distance indicator.
- If the lens is equipped with a focus distance indicator, set the focus ring to the center, as the camera may fail to focus if the ring is set to infinity or the minimum focus distance.

Standard and focus peaking MF assist options are supported.
AF + MF Focus Zoom
When ON is selected for AF/MF SETTING > FOCUS CHECK and SINGLE POINT selected for AF MODE, focus zoom can be used to zoom in on the selected focus area. The zoom ratio can be selected using the rear command dial.
MF ASSIST
Choose how focus is displayed in manual focus mode.
| Option | Description |
| STANDARD | Focus is displayed normally (focus peaking, digital split image, and digital microprism are not available). |
| DIGITAL SPLIT IMAGE | Displays a black-and-white (MONochrome) or color (COLOR) split image in the center of the frame. Frame the subject in the split-image area and rotate the focus ring until the four parts of the split image are correctly aligned. |
| DIGITAL MICROPRISM | A grid pattern that emphasizes blur is displayed when the subject is out of focus, disappearing to be replaced by a sharp image when the subject is in focus. |
| FOCUS PEAK HIGHLIGHT | The camera heightens high-contrast outlines. Choose a color and peaking level. |

You can also choose MF assist options by holding the center of the rear command dial.
FOCUS CHECK
If ON is selected, the display will automatically zoom in on the selected focus area when the focus ring is rotated in manual focus mode.
| Options | |
| ON | OFF |

- Pressing the center of the rear command dial cancels focus zoom.
- The zoom position is centered on the current focus area and changes when the focus area is changed.
INTERLOCK SPOT AE & FOCUS AREA
Select ON to meter the current focus frame when SINGLE POINT is selected for AF MODE and SPOT is selected for PHOTOMETRY.
| Options | |
| ON | OFF |
INSTANT AF SETTING
Choose whether the camera focuses using single AF (AF-S) or continuous AF (AF-C) when a button to which focus lock or AF-ON is assigned is pressed in manual focus mode.
| Options | |
| AF-S | AF-C |
DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assessments of depth of field for pictures that will be viewed as prints and the like, PILKEL BASIS to help you assess depth of field for pictures that will be viewed at high resolutions on computers or other electronic displays.
| Options | |
| PIXEL BASIS | FILM FORMAT BASIS |
RELEASE/FOCUS PRIORITY
Choose how the camera focuses in focus mode AF-S or AF-C.
| Option | Description |
| RELEASE | Shutter response is prioritized over focus. Pictures can be taken when the camera is not in focus. |
| FOCUS | Focus is prioritized over shutter response. Pictures can be only taken when the camera is in focus. |
TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
Still Photography
| Mode | Description | |
| AF | In focus mode S (AF-S), the camera focuses when you tap your subject in the display. Focus locks at the current distance until you tap the AF OFF icon. In focus mode C (AF-C), the camera initiates focus when you tap your subject display. The camera will continue to adjust focus for changes in the distance to the subject until you tap the AF OFF icon. In manual focus mode (MF), you can tap the display to focus on the selected subject using autofocus. | |
| OFF | AREA | Tap to select a point for focus or zoom. The focus frame will move to the selected point. |
| OFF | OFF | Touch focus disabled. |
Movie Recording
| Mode | Description |
| AF | Tapping the display focuses the camera on the selected point. Use the shutter button to start and stop recording. ·In focus mode S (AF-S), you can refocus at any time by tapping your subject in the display. ·In focus mode C (AF-C), the camera will continuously adjust focus for changes in the distance to the subject at point selected by tapping the display. ·In manual focus mode (MF), the camera will focus using auto-focus when you tap the display; during recording, you can tap the display again to move the focus area to a new location. |
| AREA | Tap to position the focus area. Use the shutter button to start and stop recording. ·In focus mode S (AF-S), you can reposition the focus area at any time by tapping your subject in the display. To focus, use the button to which AF-ON is assigned. ·In focus mode C (AF-C), the camera will continuously adjust focus for changes in the distance to the subject at point selected by tapping the display. ·In manual focus mode (MF), you can tap the display to position the focus area over your subject. |
| OFF | Touch focus disabled. |

To disable touch controls and hide the touch screen mode indicator, select OFF for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN SETTING.
- Touch Controls for Focus Zooms
Different touch controls are used during focus zoom (focus check enabled).
Central Area
Tapping the center of the display performs the operations below.

| Mode | Still Photography | Movie Recording |
| AF | AF-S: AF | AF-S: AF |
| MF: Instant AF | MF: Instant AF | |
| AREA | AF-S: AF | AF-S: AF |
| MF: Instant AF | MF: Instant AF | |
| OFF | AF-S/MF: OFF | AF-S/MF: OFF |
Other Areas
Tapping other areas simply scrolls the display, whether during still photography or movie recording and regardless of the option selected for touch screen mode.


SHOOTING SETTING
Adjust shooting options.
To display shooting options, press MENU/OK in the shooting display and select the (SHOOTING SETTING) tab.

The options available vary with the shooting mode selected.

SELF-TIMER
Choose a shutter release delay.
| Option | Description |
| 2 SEC | The shutter is released two seconds after the shutter button is pressed. Use to reduce blur caused by the camera moving when the shutter button is pressed. The self-timer lamp blinks as the timer counts down. |
| 10 SEC | The shutter is released ten seconds after the shutter button is pressed. Use for photographs in which you wish to appear yourself. The self-timer lamp blinks immediately before the picture is taken. |
| OFF | Self-timer off. |
If an option other than OFF is selected, the timer will start when the shutter button is pressed all the way down. The display shows the number of seconds remaining until the shutter is released. To stop the timer before the picture is taken, press DISP/BACK.


- Stand behind the camera when using the shutter button. Standing in front of the lens can interfere with focus and exposure.
- The self-timer turns off automatically when the camera is turned off.
SAVE SELF-TIMER SETTING
If ON is selected, the chosen self-timer setting will remain in effect after a picture is taken or the camera is turned off.

INTERVAL TIMER SHOOTING
Configure the camera to take photos automatically at a preset interval.



1 Highlight INTERVAL TIMER SHOOTING in the (SHOOTING SETTING) tab and press MENU/OK.
2 Use the focus stick (focus lever) to choose the interval and number of shots. Press MENU/OK to proceed.
3 Use the focus stick to choose the starting time and then press MENU/OK. Shooting will start automatically.

Interval timer photography cannot be used at a shutter speed of B (bulb) or with multiple exposure photography. In burst mode, only one picture will be taken each time the shutter is released.

- Use of a tripod is recommended.
- We recommend using an AC-15V AC power adapter.
- The display turns off between shots and lights a few seconds before the next shot is taken.
- The display can be activated at any time by pressing the shutter button.
- To continue shooting until the number of shots taken equals the number of exposures remaining at the time interval-timer photography started, set the number of shots to .
INTERVAL TIMER SHOOTING EXPOSURE SMOOTHING
Select ON to automatically adjust exposure during interval-timer photography to prevent it changing dramatically between shots.
| Options | |
| ON | OFF |

- Large changes in subject brightness may make exposure appear erratic. We recommend that you choose shorter values for INTERVAL TIMER SHOOTING > INTERVAL with subjects that brighten or dim dramatically during shooting.
- In manual mode (mode M), exposure smoothing is only available if an AUTO option is selected for ISO.
AE BKT SETTING
Adjust exposure bracketing settings.
| Option | Description |
| FRAMES/STEP SETTING | Choose the number of shots in the bracketing sequence and the amount exposure is varied with each shot. • FRAMES: Choose the number of shots in the bracketing sequence. • STEP: Choose the amount exposure is varied with each shot. |
| 1 FRAME/CONTINUOUS | • 1 FRAME: The shots in the bracketing sequence are taken one at a time. • CONTINUOUS: The shots in the bracketing sequence are taken in a single burst. |
| SEQUENCE SETTING | Choose the order in which the shots are taken. |
FILMSIMULATION BKT
Choose the three film simulation types used for film simulation bracketing (107).
| Options | ||
| PROVIA/STANDARD | Velvia/VIVID | ASTIA/SOFT |
| CLASSIC CHROME | PRO Neg. Hi | PRO Neg. Std |
| ETERNA/CINEMA | ACROS | MONOCHROME* |
| SEPIA | ||
- Available with yellow (Ye), red (R), and green (G) filters.
FOCUS BKT
Adjust focus bracketing settings.
| Option | Description |
| FRAMES | Choose the number of shots. |
| STEP | Choose the amount focus changes with each shot. |
| INTERVAL | Choose the interval between shots. |

Do not adjust zoom during shooting.
-Focus and FRAMES/STEP
The relation between focus and the options chosen for FRAMES and STEP is shown in the illustration.

Focus proceeds from the starting position toward infinity.
- Small STEP values translate to small changes in focus, larger values to larger changes.
- Regardless of the option chosen for FRAMES, shooting ends when focus reaches infinity.
PHOTOMETRY
Choose how the camera meters exposure.

The selected option will only take effect when AF/MF SETTING > FACE/EYE DETECTION SETTING is OFF.
| Mode | Description |
| [ ] (multi) | The camera instantly determines exposure based on an analysis of composition, color, and brightness distribution. Recommended in most situations. |
| [ ] (center-weighted) | The camera meters the entire frame but assigns the greatest weight to the area at the center. |
| [ • ] (spot) | The camera meters lighting conditions in an area at the center of the frame equivalent to 2% of the total. Recommended with backlit subjects and in other cases in which the background is much brighter or darker than the main subject. |
| [ ] (average) | Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots with the same lighting, and is particularly effective for landscapes and portraits of subjects dressed in black or white. |
SHUTTERTYPE
Choose the shutter type. Choose the electronic shutter to mute the shutter sound.
| Option | Description |
| MS MECHANICAL SHUTTER | Take pictures with the mechanical shutter. |
| ES ELECTRONIC SHUTTER | Take pictures with the electronic shutter. |
| EF E-FRONT CURTAIN SHUTTER | The camera chooses the mechanical or electronic front curtainshutter according to shooting conditions. |
| M-E MECHANICAL + ELECTRONIC | The camera chooses the mechanical or electronic shutter according to shooting conditions. |
| EF E-FRONT + ELECTRONIC | The camera chooses the mechanical, electronic, or electronic front curtainshutter according to shooting conditions. |
If EFE-FRONT CURTAIN SHUTTER is selected, MS MECHANICAL SHUTTER will automatically take effect at high shutter speeds.

- When using the electronic shutter, note the following:
Distortion may be visible in shots of moving subjects.
Distortion may also be visible in hand-held shots taken at high shutter speeds; use of a tripod is recommended. - Banding and fog may occur in shots taken under fluorescent lights or other flickering or erratic illumination.
- When taking pictures with the shutter muted (国204), respect your subjects' image rights and right to privacy.
- When using the electronic front-curtain shutter, note the following:
- Faster shutter speeds are more likely to result in uneven exposure and loss of resolution in out-of-focus areas of the frame.

The following restrictions apply when the electronic shutter is used:
- Sensitivity is restricted to values of ISO 12800-100
- Long exposure noise reduction has no effect
The flash cannot be used
FLICKER REDUCTION
Select ON to reduce flicker in pictures and the display when shooting under fluorescent lighting and other similar light sources.
Options
ON
OFF

- Enabling flicker reduction disables the electronic shutter and increases the time needed to record pictures.
- Flicker reduction is not available during movie recording.
ISO
Adjust the camera's sensitivity to light.
| Option | Description |
| AUTO1 | Sensitivity is automatically adjusted in response to shooting conditions. |
| AUTO2 | |
| AUTO3 | |
| 12800–100 | Adjust sensitivity manually. Selected value is shown in display. |
| H (102400) | |
| H (51200) | Choose for special situations. Note that mottling may appear in pictures taken at H, while L reduces dynamic range. |
| H (25600) | |
| L (50) |

Sensitivity is not reset when the camera is turned off.
Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower values allow slower shutter speeds or wider apertures in bright light; note, however, that mottling may appear in pictures taken at high sensitivities.
IS MODE
Reduce blur.
| Option | Description |
| CONTINUOUS | Image stabilization on. |
| SHOOTING ONLY | Image stabilization enabled only when the shutter button is pressed halfway (focus mode C) or the shutter is released. |
| OFF | Image stabilization off; appears in the display. Choose when the camera is mounted on a tripod or otherwise fixed in place. |

- The setting selected with the lens image stabilization switch, if any, takes priority over the setting chosen with IS MODE.
- Note that vibration or camera sounds may be noticeable as image stabilization takes effect.
MOUNT ADAPTER SETTING
Adjust settings for lenses attached via a mount adapter.
Shutter Select
When using lenses with an internal shutter, choose whether to use the shutter on the camera (BODY) or the lens (LENS).
This option may have no effect with some lenses.
Saved Settings
Store settings for up to 6 lenses, or choose OFF to disable corrections for focal length, distortion, color shading, and peripheral illumination.
Choosing a Focal Length
Use the focus stick (focus lever) to enter the focal length.

Distortion Correction
Choose from STRONG, MEDIUM, or WEAK options to correct BARREL or PINCUSHION distortion.

Color Shading Correction
Color (shading) variations between the center and edges of the frame can be adjusted separately for each corner.
To use color shading correction, follow the steps below.

1 Rotate the rear command dial to choose a corner. The selected corner is indicated by a triangle.
2 Use the focus stick (focus lever) to adjust shading until there is no visible difference in color between the selected corner and the center of the image.
- Press the focus stick left or right to adjust colors on the cyan-red axis.
- Press the focus stick up or down to adjust colors on the blue-yellow axis.

To determine the amount required, adjust color shading correction while taking photos of blue sky or a sheet of gray paper.
Peripheral Illumination Correction
Choose from values between -5 and +5. Choosing positive values increases peripheral illumination, while choosing negative values reduces peripheral illumination. Positive values are recommended for vintage lenses, negative values to create the effect of images taken with an antique lens or a pinhole camera.


To determine the amount required, adjust peripheral illumination correction while taking photos of blue sky or a sheet of gray paper.
35mm FORMAT MODE
Enabling SHOOTING SETTING > 35mm FORMAT MODE in the shooting menu sets the picture angle to 35mm ; the change is reflected in the display.

| Option | Description |
| ON | The picture angle is set to 35 mm; the change is reflected in the display. |
| OFF | 35 mm format mode disabled. |
| AUTO | 35 mm format mode is enabled automatically when a mount adapter that supports automatic detection is attached. |

- The 2 SCREEN SET-UP > DISP.CUSTOM SETTING item in the setup menu (24, 211) includes an option (enabled by default) for displaying a 35mm FORMAT MODE icon.
- The IMAGE QUALITY SETTING > IMAGE SIZE item in the shooting menu is fixed at 3:2.
WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
- Receive pictures uploaded from the camera
- Browse the pictures on the camera and download selected pictures
- Upload location data to the camera

For downloads and other information, visit: http://app.fujifilm-dsc.com/en/camera_remote/

FLASH SETTING
Adjust flash-related settings.
To display flash-related settings, press MENU/OK in the shooting display and select the (FLASH SETTING) tab.

The options available vary with the shooting mode selected.

FLASH FUNCTION SETTING
Choose a flash control mode, flash mode, or sync mode or adjust the flash level. The options available vary with the flash.

For more information on flash settings, see "External Flash Units" (270) in "Peripherals and Optional Accessories".

RED EYE REMOVAL
Remove red-eye effects caused by the flash.
| Option | Description |
| FLASH+REMOVAL | A red-eye reduction pre-flash is combined with digital red-eye removal. |
| FLASH | Flash red-eye reduction only. |
| REMOVAL | Digital red-eye removal only. |
| OFF | Flash red-eye reduction and digital red-eye removal off. |

- Flash red-eye reduction can be used in TTL flash control mode.
- Digital red-eye removal is performed only when a face is detected.
- Digital red-eye removal is not available with RAW images.
TTL-LOCK MODE
Instead of adjusting flash level with each shot, TTL flash control can be locked for consistent results across a series of photographs.
| Option | Description |
| LOCK WITH LAST FLASH | Flash output is locked at the value metered for the most recent photo. |
| LOCK WITH METERING FLASH | The camera emits a series of pre-flashes and locks flash output at the metered value. |

- To use TTL lock, assign TTL-LOCK to a camera control and then use the control to enable or disable TTL lock (图259).
- Flash compensation can be adjusted while TTL lock is in effect.
- Selecting LOCK WITH LAST FLASH displays an error message if no previously metered value exists.
LED LIGHT SETTING
Choose whether to use the flash unit's LED video light (if available) as a catchlight or AF-assist illuminator when taking photos.
| Option | Role of LED video light in still photography |
| CATCHLIGHT | Catchlight |
| AF ASSIST | AF-assist illuminator |
| AF ASSIST+CATCHLIGHT | AF-assist illuminator and catchlight |
| OFF | None |

In some cases, this option can also be accessed via the FLASH FUNCTION SETTING menu.
MASTER SETTING
Choose a flash group (A, B, or C) for the flash mounted on the camera hot shoe when it functions as a master flash controlling remote flash units via Fujifilm wireless optical flash control, or choose OFF to limit master flash output to a level that does not affect the final picture.
| Options | |||
| Gr A | Gr B | Gr C | OFF |

In some cases, this option can also be accessed via the FLASH FUNCTION SETTING menu.
CH SETTING
Choose the channel used for communication between the master flash and remote flash units when using Fujilm optical wireless flash control. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity.
| Options | |||
| CH1 | CH2 | CH3 | CH4 |

MOVIE SETTING
Adjust movie-recording options.
To display options for movie recording, press MENU/OK in the shooting display and select the (MOVIE SETTING) tab.

The options available vary with the shooting mode selected.

MOVIE MODE
Before shooting movies, choose the frame rate, bit rate, and frame size and aspect ratio.

1 In the shooting menu, select Movie SETTING, then highlight Movie MODE and press MENU/OK.
2 Press the focus stick (focus lever) up or down to highlight the desired frame size and aspect ratio (①) and press the stick right.
- Choose 4K 16:9 or DC17:9 for 4K movies with aspect ratios of 16 or 17 to 9.
- Choose FHD 16:9 or FHD 17:9 for Full HD movies with aspect ratios of 16 or 17 to 9.
3 Press the focus stick (focus lever) up or down to highlight a frame rate (2) and press the stick right.
| Options | |||||
| 59.94P | 50P | 29.97P | 25P | 24P | 23.98P |
4 Press the focus stick up or down to highlight a bit rate (③) and press MENU/OK.
| Options | |||
| 400Mbps | 200Mbps | 100Mbps | 50Mbps |

The choice of frame and bit rates varies with the movie mode.
H.265(HEVC)/H.264
Choose a codec for movie recording.
| Option | Description |
| H.265(HEVC) | Use for higher quality footage with a high compression ratio. Movies can be viewed only on devices that support H.265 (HEVC). |
| H.264 | Movies filmed using this widely-supported codec can be viewed on a variety of devices. |
MOVIE COMPRESSION
Choose type of compression used to record movies.
| Option | Description |
| ALL-Intra | Each frame is compressed separately. Files are larger, but the fact that the data for each frame are saved separately makes this a good choice for footage that will be further processed. |
| Long GOP | Balances good image quality with high compression. Files are smaller, making this a good choice for longer movies. |
Choose a film simulation effect for movie recording.
| Option | Description |
| STD PROVIA/STANDARD | See "FILM SIMULATION" (107). |
| Velvia/VIVID | |
| ASTIA/SOFT | |
| CLASSIC CHROME | |
| PRO Neg. Hi | |
| PRO Neg. Std | |
| ETERNA/CINEMA | |
| ACROS | |
| MONochrome | |
| SEPIA SEPIA |

B & W ADJ. (Warm/Cool)
Add a reddish or bluish tinge (warm or cool color cast) to monochrome pictures taken with the A ACROS or B MONOCHROME film simulation.
| Option | Description |
| +9—+1 | Higher positive values equate to a redder color cast. |
| 0 | Normal monochrome (grayscale). |
| -1—-9 | Lower negative values equate to a bluer color cast. |

DYNAMIC RANGE
Choose a dynamic range for movie recording.
| Option | Description |
| ≥100 100% | See “DYNAMIC RANGE” (图110). |
| ≥200 200% | |
| ≥200 400% |

- Auto dynamic range adjustment (AUTO) is not supported.
- 200200% is available at sensitivities of from ISO 400 to ISO 12800, 400400% at sensitivities of from ISO 800 to 12800.
- The Movie SETTING > Dynamic Range option is available when 0 is selected for Movie SETTING > F-Log/HLG RECORDING.

WHITE BALANCE
Adjust white balance for movie recording.
| Option | Description |
| AUTO | See "WHITE BALANCE" (国112). |
| Ω1/Ω2/Ω3 | |
| K | |
| 澡 | |
| 空 | |
| 孕1 | |
| 孕2 | |
| 孕3 | |
| 杂 |

HIGHLIGHTTONE
Choose how the camera records highlights when shooting movies.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 |

SHADOW TONE
Choose how the camera records shadows when shooting movies.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 |

COLOR
Adjust color density for movie recording.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 |

SHARPNESS
Sharpen or soften outlines in movies.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 |

NOISE REDUCTION
Reduce noise in movies shot at high sensitivities.
Options
| +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 |

INTERFRAME NR
Select ON to enable interframe noise reduction.
Options
| ON | OFF |

- Interframe noise reduction is available only when frame rates of 29.97P or slower are selected at a frame size of 4K or DCI.
- "Ghosting" may occur with moving subjects or if the camera is moved during shooting.
F-Log/HLG RECORDING
Choose the destination for F-Log and HLG (Hybrid Log-Gamma) movies shot while the camera is connected to an HDMI device.
| Option | Description |
| SD F-Log HDMI F-Log | The footage is processed using film simulation and both saved to the memory card and output to the HDMI device. |
| SD F-Log HDMI F-Log | The footage is recorded to the memory card and output to the HDMI device in F-Log format. |
| SD F-Log HDMI F-Log | The footage is output to the HDMI device in F-Log format but saved to the memory card with film simulation applied. |
| SD F-Log HDMI | The footage is recorded to the memory card in F-Log format but output to the HDMI device with film simulation applied. |
| SD HLG HDMI HLG | The footage is recorded to the memory card and output to the HDMI device in HLG format. |

- F-Log offers a gentle gamma curve with a wide gamut suitable for further processing post-production. Sensitivity is restricted to values between ISO 800 and ISO 12800.
- The HLG (Hybrid Log-Gamma) recording format conforms to the international ITU-R BT2100 standard. When viewed on HLG-compatible displays, high-quality HLG footage faithfully captures high-contrast scenes and vivid colors. Sensitivity is restricted to values between ISO 1250 and ISO 12800. HLG recording is available when H.265(HEVC) is selected for MOVIE SETTING > H.265(HEVC)/H.264 in the shooting menu.
- Film simulation (film) footage is recorded using the option selected for Movie SETTING > FILM SIMULATION in the shooting menu.
- Footage shot with SD F-Log or SD F-Log cannot be recorded to the memory card and output to the HDMI at different frame sizes (4K, Full HD). In addition, the following MOVIE SETTING options are unavailable:
MOVIE MODE frame rate options of 59.94P and 50P
- INTERFRAME NR
HDMI OUTPUT INFO DISPLAY

PERIPHERAL LIGHT CORRECTION
Select ON to enable peripheral illumination correction during movie recording.
Options
ON
OFF

- If ON is selected when a lens that does not transmit data to the camera is attached using a FUJIFILM M MOUNT ADAPTER (available separately), peripheral illumination will be adjusted according to the option selected for SHOOTING SETTING > MOUNT ADAPTER SETTING > PERIPHERAL ILLUMINATION CORRECTION in the shooting menu (145).
- Select OFF if you notice banding in movies recorded using this option.

FOCUS AREA
Choose the focus area for movies shot using autofocus. You can also choose the focus area (and consequently also the focus zoom position) for movies shot using manual focus.
MOVIE AF MODE
Choose how the camera selects the focus point for movie recording.
| Option | Description |
| MULTI | Automatic focus-point selection. |
| AREA | The camera focuses on the subject in the selected focus area. |
Select focus-tracking options when recording movies in focus mode C.
TRACKING SENSITIVITY
Choose how long the camera waits to switch focus when an object enters the focus area behind or in front of the current subject. See "TRACKING SENSITIVITY" (122).
| Options | ||||
| 0 | 1 | 2 | 3 | 4 |
AF SPEED
Adjust the autofocus response speed.
| Options | ||||||||||
| -5 | -4 | -3 | -2 | -1 | 0 | +1 | +2 | +3 | +4 | +5 |

FACE/EYE DETECTION SETTING
Enable or disable Intelligent Face Detection when recording movies.
| Option | Description |
| FACE DETECTION ON | See “FACE/EYE DETECTION SETTING” (国 126). |
| OFF | Intelligent Face Detection and eye priority off. |

When Intelligent Face Detection is enabled, the camera will focus using continuous AF even when single AF (S) is chosen with the focus mode selector. Intelligent Face Detection is not available in manual focus mode.

MF ASSIST
Choose how focus is displayed in manual focus mode.
| Option | Description |
| STANDARD | Focus is displayed normally (focus peaking is not available). |
| FOCUS PEAK HIGHLIGHT | The camera heightens high-contrast outlines. Choose a color and peaking level. |

FOCUS CHECK
If ON is selected, the display will automatically zoom in on the selected focus area when the focus ring is rotated in manual focus mode.
| Options | |
| ON | OFF |
4K MOVIE OUTPUT
Choose the destination for 4K movies shot while the camera is connected to an HDMI recorder or other device that supports 4K.
| Option | Description |
| SD 4K HDMI 4K | 4K movies are recorded to the camera memory card and output to the HDMI device in 4K. |
| SD 4K HDMI FHD | 4K movies are recorded to a camera memory card in 4K and output to the HDMI device in Full HD. |
| SD FHD HDMI 4K | 4K movies are output to the HDMI device in 4K and recorded to the camera memory card in Full HD. |
| SD - HDMI 4K | 4K movies are output to the HDMI device in 4K. The camera does not record 4K movies to a memory card. |

This option is only available when 4K 16:9 or DC17:9 is selected for
MOVIE SETTING > MOVIE MODE in the shooting menu.
FULL HD MOVIE OUTPUT
Choose the destination for Full HD movies shot while the camera is connected to an HDMI device.
| Option | Description |
| SD FHD HDMI FHD | Full HD movies are output to the HDMI device and recorded to the camera memory card. |
| SD - HDMI FHD | Full HD movies are not recorded to the camera memory card but are output to the HDMI device. |

- This option is only available when HD:16:9 or HD:17:9 is selected for MOVIE SETTING > MOVIE MODE in the shooting menu.
- When OFF is selected for HDMI OUTPUT INFO DISPLAY, movies will be output to the HDMI device in 4:2:2 10-bit format.
HDMI OUTPUT INFO DISPLAY
If ON is selected, HDMI devices to which the camera is connected will mirror the information in the camera display.
| Options | |
| ON | OFF |
4K HDMI STANDBY QUALITY
Choose whether output to connected HDMI devices switches from 4K to Full HD during standby.
| Option | Description |
| 4K | Output to HDMI devices continues at 4K during standby. |
| FHD | Output to HDMI devices switches to Full HD during standby, reducing the drain on the battery. |
HDMI REC CONTROL
Choose whether the camera sends movie start and stop signals to the HDMI device when the shutter button is pressed to start and stop movie recording.
| Options | |
| ON | OFF |
ZEBRA SETTING
Highlights that may be overexposed are shown by zebra stripes in the movie mode display.
| Option | Description |
| ZEBRA RIGHT | Right-slanting stripes. |
| ZEBRA LEFT | Left-slanting stripes. |
| OFF | Stripes off. |
ZEBRA LEVEL
Choose the brightness threshold for the zebra stripe display.
| Options | ||||||||||
| 100 | 95 | 90 | 85 | 80 | 75 | 70 | 65 | 60 | 55 | 50 |
AUDIO SETTING
Adjust audio-related settings for movie recording.
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in microphone.
| Option | Description |
| AUTO | The camera adjusts the recording level automatically. |
| MANUAL | Adjust the recording level manually. Press the focus stick (focus lever) right to choose from 25 recording levels. |
| OFF | Turn the built-in microphone off. |
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
| Option | Description |
| AUTO | The camera adjusts the recording level automatically. |
| MANUAL | Adjust the recording level manually. Press the focus stick (focus lever) right to choose from 25 recording levels. |
| OFF | Disable recording using external microphones. |
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the microphone's audio circuits.
| Options | |
| ON | OFF |
WIND FILTER
Choose whether to enable wind noise reduction during movie recording.
| Options | |
| ON | OFF |
LOW CUT FILTER
Choose whether to enable the low-cut filter, reducing low-frequency noise during movie recording.
| Options | |
| ON | OFF |
HEADPHONES VOLUME
Adjust the headphone volume.
| Option | Description |
| 10—1 | Choose a volume of from 1 to 10. |
| 0 | Mute output to the headphones. |
TIME CODE SETTING
Adjust time code (hour, minute, second, and frame number) display settings for movie recording.
TIME CODE DISPLAY
Select ON to display time codes during movie recording and playback.
| Options | |
| ON | OFF |
START TIME SETTING
Choose the time code starting time.
| Option | Description |
| MANUAL INPUT | Highlight this option and press the focus stick (focus lever) right to choose a start time manually. |
| CURRENT TIME | Set the start time to the current time. |
| RESET | Set the start time to 00:00:00. |
COUNT UP SETTING
Choose whether time is clocked continuously or only during movie recording.
| Option | Description |
| REC RUN | Time is clocked only during movie recording. |
| FREE RUN | Time is clocked continuously. |
DROP FRAME
At frame rates of 59.94P, and 29.97P, a discrepancy will gradually develop between the time code (measured in seconds) and the actual recording time (measured in fractions of a second). Choose whether the camera drops frames as necessary to match the recording time to the time code.
| Option | Description |
| ON | The camera drops frames as necessary to maintain a strict match between the time code and the actual recording time. |
| OFF | Frames are not dropped. |

The time code display varies with the option selected.


- Selecting a frame rate of 23.98P disables frame drop.
HDMI TIME CODE OUTPUT
Choose whether time codes are output to HDMI devices.
| Options | |
| ON | OFF |
TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie recording and whether the lamp blinks or remains steady.

Indicator lamp 1

AF-assist illuminator
| Option | Description |
| FRONT OFFREAR | The indicator lamp lights during movie recording. |
| FRONT OFFREAR | The indicator lamp blinks during movie recording. |
| FRONT OFFREAR | The indicator and AF-assist lamps light during movie recording. |
| FRONT OFFREAR | The AF-assist lamp lights during movie recording. |
| FRONT OFFREAR | The indicator and AF-assist lamps blink during movie recording. |
| FRONT OFFREAR | The AF-assist lamp blinks during movie recording. |
| FRONT OFFREAR | The indicator and AF-assist lamps remain off during movie recording. |
MOVIE SILENT CONTROL
Select ON to disable camera dials and adjust movie settings using touch-screen controls, preventing the sounds made by camera controls being recorded with the movie (图33).
| Options | |
| ON | OFF |
Playback and the Playback Menu
ThePlaybackDisplay
This section lists the indicators that may be displayed during playback.
For illustrative purposes, displays are shown with all indicators lit.

① Date and time. 52, 54, 199
2 Face detection indicator. 126
③ Bluetooth ON/OFF. 240
(4) Image transfer order 189
⑤ Image transfer status. 240, 284
6 Number of frames selected for upload... 189
7 Card slot. 177
(8) Frame number. 236
9 Protected image. 184
10 Location data. 246, 285
11 Image quality. 105
12 Image size 104
(13) Film simulation 107
14 Dynamic range 110
(15) White balance 112
Sensitivity. 142
17 Exposure compensation. 93
(18) Aperture. 69, 73, 75
(19)Shutter speed. 69,70,75
20Playback mode indicator. 59
(21) Movie icon 65
22 Time code. 167
(23) Red-eye removal indicator. 148, 186
24 Gift image. 59
25 Photobook assist indicator. 191
(26) DPOF print indicator. 193
(27) Voice memo 187
(28) Rating. 173
The DISP/BACK Button
The DISP/BACK button controls the display of indicators during playback.


-Favorite: Rating Pictures
To rate the current picture, press DISP/BACK and press the focus stick (focus lever) up and down to select from zero to five stars.
Viewing Photo Information
The photo information display changes each time the focus stick (focus lever) is pressed up.


Basic data

Info display 2

info display 1
-Zooming in on the Focus Point
Press the center of the rear command dial to zoom in on the focus point. Press again to return to full-frame playback.



Viewing Pictures
Read this section for information on playback zoom and multi-frame playback.
Use the rear command dial to go from full-frame playback to playback zoom or multi-frame playback.


Full-frame playback
Multi-frame playback




Nine-frame view








Hundred-frame view

Playback zoom
DISP/BACK
MENU/OK


Medium zoom




Maximum zoom

Playback Zoom
Rotate the rear command dial right to zoom in on the current picture, left to zoom out. To exit zoom, press DISP/BACK, MENU/OK, or the center of the rear command dial.

- The maximum zoom ratio varies with the option selected for IMAGE QUALITY SETTING > IMAGE SIZE.
- Playback zoom is not available with cropped or resized copies saved at a size of 640.
Scroll
When the picture is zoomed in, the focus stick (focus lever) can be used to view areas of the image not currently visible in the display.

Navigation window
Multi-Frame Playback
To change the number of images displayed, rotate the rear command dial left when a picture is displayed full frame.

- Use the focus stick (focus lever) to highlight images and press MENU/OK to view the highlighted image full frame.
- In the nine- and hundred-frame displays, press the focus stick up or down to view more pictures.

The Playback Menu
Adjust playback settings.
The playback menu is displayed when you press MENU/OK in playback mode.

SWITCH SLOT
Choose the card from which images will be played back.

If two memory cards are inserted, you can press and hold the button to choose a card for playback.
RAW CONVERSION
Even if you don't have a computer, you can use the camera to modify RAW pictures and save them in JPEG or TIFF format.
Saving RAW Pictures in Another Format
1 Display a RAW picture.
2 Highlight RAW CONVERSION in the playback menu.
3 Press MENU/OK. A list of settings will be displayed.

4 Press the focus stick (focus lever) up or down to highlight a setting.
5 Press the focus stick right to display options.

6 Press the focus stick up or down to highlight the desired option.
7 Press MENU/OK to select the highlighted option. The settings list shown in Step 3 will be displayed. Repeat Steps 4 to 7 to adjust additional settings.
8 Press the Q button. A preview of the JPEG or TIFF copy will be displayed.
9 Press MENU/OK. The JPEG or TIFF copy will be saved.

RAW conversion options can also be displayed by pressing the Q button when a RAW picture is displayed during playback.
The settings that can be adjusted when converting pictures from RAW to another format are:
| Setting | Description |
| REFLECT SHOOTING COND. | Create a JPEG copy using the settings in effect at the time the photo was taken. |
| FILE TYPE | Choose a file format. |
| IMAGE SIZE | Choose an image size. |
| IMAGE QUALITY | Adjust image quality. |
| PUSH/PULL PROCESSING | Adjust exposure. |
| DYNAMIC RANGE | Enhance details in highlights for natural contrast. |
| D RANGE PRIORITY | Reduce loss of detail in highlights and shadows for natural-looking results when photographing high-contrast scenes. |
| FILM SIMULATION | Simulate the effects of different types of film. |
| B & W ADJ. (Warm/Cool) | Add a warm or cool cast to monochrome pictures. |
| GRAIN EFFECT | Add a film grain effect. |
| COLOR CHROME EFFECT | Deepen colors in shadows. |
| SMOOTH SKIN EFFECT | Smooth complexions. |
| WHITE BALANCE | Adjust white balance. |
| WB SHIFT | Fine-tune white balance. |
| HIGHLIGHT TONE | Adjust highlights. |
| SHADOW TONE | Adjust shadows. |
| COLOR | Adjust color density. |
| SHARPNESS | Sharpen or soften outlines. |
| NOISE REDUCTION | Process the copy to reduce mottling. |
| LENS MODULATION OPTIMIZER | Improve definition by adjusting for diffraction and the slight loss of focus at the periphery of the lens. |
| COLOR SPACE | Choose the color space used for color reproduction. |
ERASE
Delete individual pictures, multiple selected pictures, or all pictures.

Deleted pictures cannot be recovered. Protect important pictures or copy them to a computer or other storage device before proceeding.
| Option | Description |
| FRAME | Delete pictures one at a time. |
| SELECTED FRAMES | Delete multiple selected pictures. |
| ALL FRAMES | Delete all unprotected pictures. |
FRAME
1 Select FRAME for ERASE in the playback menu.
2 Press the focus stick (focus lever) left or right to scroll through pictures and press MENU/OK to delete.

- A confirmation dialog is not displayed before pictures are deleted; be sure the correct picture is selected before pressing MENU/OK.
- Additional pictures can be deleted by pressing MENU/OK. Press the focus stick left or right to scroll through pictures and press MENU/OK to delete.
SELECTED FRAMES
1 Select SELECTED FRAMES for ERASE in the playback menu.
2 Highlight pictures and press MENU/OK to select.
- Selected pictures are indicated by check marks (☑).
- To deselect a highlighted picture, press MENU/OK again.
3 When the operation is complete, press DISP/BACK to display a confirmation dialog.
4 Highlight OK and press MENU/OK to delete the selected pictures.

Pictures in photobooks or printer orders are shown by 11.
ALL FRAMES
1 Select ALL FRAMES for ERASE in the playback menu.
2 A confirmation dialog will be displayed; highlight OK and press MENU/OK to delete all unprotected pictures.

- Pressing DISP/BACK cancels deletion; note that any pictures deleted before the button was pressed cannot be recovered.
- If a message appears stating that the selected images are part of a DPOF print order, press MENU/OK to delete the pictures.
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
Taking photos with RAW/JPEG selected for SAVE DATA SET-UP > CARD SLOT SETTING (STILL IMAGE) creates two copies. Choose whether deleting the RAW image will also delete the JPEG copy.
| Option | Description |
| ON | Deleting the RAW image from the card in Slot 1 also deletes the JPEG copy from the card in Slot 2. |
| OFF | Deleting the RAW image from the card in Slot 1 does not delete the JPEG copy from the card in Slot 2. |
CROP
Create a cropped copy of the current picture.
1 Display the desired picture.
2 Select CROP in the playback menu.
3 Use the rear command dial to zoom in and out and press the focus stick (focus lever) up, down, left, or right to scroll the picture until the desired portion is displayed.
4 Press MENU/OK to display a confirmation dialog.
5 Press MENU/OK again to save the cropped copy to a separate file.

- The higher the zoom ratio, the smaller the number of pixels in the cropped copy.
If the size of the final copy will be 840, YES will be displayed in yellow. - All copies have an aspect ratio of 4:3.
RESIZE
Create a small copy of the current picture.
1 Display the desired picture.
2 Select RESIZE in the playback menu.
3 Highlight a size and press MENU/OK to display a confirmation dialog.
4 Press MENU/OK again to save the resized copy to a separate file.
The sizes available vary with the size of the original image.
PROTECT
Protect pictures from accidental deletion. Highlight one of the following options and press MENU/OK.
| Option | Description |
| FRAME | Protect selected pictures. Press the focus stick (focus lever) left or right to view pictures and press MENU/OK to select or deselect. Press DISP/BACK when the operation is complete. |
| SET ALL | Protect all pictures. |
| RESET ALL | Remove protection from all pictures. |
Protected pictures will be deleted when the memory card is formatted.
Protecting images currently selected for upload to paired smartphones or tablets removes upload marking.
IMAGE ROTATE
Rotate pictures.
1 Display the desired picture.
2 Select IMAGE ROTATE in the playback menu.
3 Press the focus stick (focus lever) down to rotate the picture 90^ clockwise, up to rotate it 90^ counterclockwise.
4 Press MENU/OK. The picture will automatically be displayed in the selected orientation whenever it is played back on the camera.

- Protected pictures cannot be rotated. Remove protection before rotating pictures.
- The camera may not be able to rotate pictures created with other devices. Pictures rotated on the camera will not be rotated when viewed on a computer or on other cameras.
- Pictures taken with 2 SCREEN SET-UP > AUTOROTATE PB are automatically displayed in the correct orientation during playback.
RED EYE REMOVAL
Remove red-eye from portraits. The camera will analyze the image; if red-eye is detected, the image will be processed to create a copy with reduced red-eye.
1 Display the desired picture.
2 Select RED EYE REMOVAL in the playback menu.
3 Press MENU/OK.

- Results vary depending on the scene and the camera's success in detecting faces.
- The amount of time needed to process the image varies with the number of faces detected.
- Red eye cannot be removed from pictures that have already been processed using red-eye removal, which are indicated by a icon during playback.
- Red eye removal cannot be performed on RAW images.
VOICE MEMO SETTING
Add a voice memo to the current photograph.
1 Select ON for VOICE MEMO SETTING in the playback menu.
2 Display a photo to which you wish to add a voice memo.
3 Press and hold the center of the front command dial to record the memo. Recording ends after 30 s or when you release the dial.

- The new memo will be recorded over any existing memos.
Voice memos cannot be added to protected pictures. - Deleting the picture also deletes the memo.
-Playing Voice Memos
Pictures with voice memos are indicated by icons during playback.
- To play a memo, select the picture and press the center of the front command dial.
- A progress bar will be displayed while the memo plays back.
- Volume can be adjusted by pressing MENU/OK to pause playback and then pressing the focus stick (focus lever) up or down to adjust the volume. Press MENU/OK again to resume playback. Volume can also be adjusted using SOUND SET-UP > PLAYBACK VOLUME.
COPY
Copy pictures between the cards in the first and second slots.
1 Select COPY in the playback menu.
2 Highlight one of the following options.
| Option | Description |
| SLOT1 → SLOT2 | Copy pictures from the card in the first slot to the card in the second slot. |
| SLOT2 → SLOT1 | Copy pictures from the card in the second slot to the card in the first slot. |
3 Press the focus stick (focus lever) right.
4 Highlight one of the following options and press MENU/OK.
| Option | Description |
| FRAME | Copy selected pictures. Press the focus stick left or right to view pictures and press MENU/OK to copy the current picture. |
| ALL FRAMES | Copy all pictures. |

- Copying ends when the destination is full.
- If you attempt to copy a file over 4 GB in size to a memory card with a capacity of 32 GB or less, copying will end and the file will not be copied.
IMAGE TRANSFER ORDER
Select photos for upload to a paired smartphone or tablet.
1 Select IMAGE TRANSFER ORDER > SELECT FRAMES in the playback menu.
2 Highlight photos and press MENU/OK to select or deselect. Repeat until all the desired photos have been selected.
3 Press DISP/BACK to exit to playback.

If ON is selected for both CONNECTION SETTING > Bluetooth SETTINGS > Bluetooth ON/OFF and AUTO IMAGE TRANSFER, upload will begin shortly after you exit to playback or turn the camera off.

- Image transfer orders can contain a maximum of 999 pictures.
-
The following cannot be selected for upload:
-
Protected pictures
Movies - RAW images
-
"Gift" pictures (pictures taken with other cameras)
-
If PAIRING/TRANSFER ORDER is selected for CONNECTION SETTING > GENERAL SETTINGS > BUTTON SETTING, photos can also be marked for upload using the Fn1 button.
- To remove upload marking from all pictures in the current order, select IMAGE TRANSFER ORDER > RESET ORDER.
- If ON is selected for CONNECTION SETTING > Bluetooth SETTINGS > AUTO IMAGE TRANSFER, photos will automatically be marked for upload as they are taken.
WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM Camera Remote app. The smartphone can then be used to:
Control the camera and take pictures remotely
- Receive pictures uploaded from the camera
- Browse the pictures on the camera and download selected pictures
- Upload location data to the camera

For downloads and other information, visit: http://app.fujifilm-dsc.com/en/camera_remote/
PHOTOBOOK ASSIST
Create books from your favorite photos.
Creating a Photobook
1 Select NEW BOOK for 2 PLAY BACK MENU > PHOTOBOOK ASSIST.
2 Scroll through the images and press the focus stick (focus lever) up to select or deselect. Press MENU/OK to exit when the book is complete.

- Neither photographs 640 or smaller nor movies can be selected for photobooks.
- The first picture selected becomes the cover image. Press the focus stick down to select the current image for the cover instead.
3 Highlight COMPLETE PHOTOBOOK and press MENU/OK (to select all photos for the book, choose SELECT ALL). The new book will be added to the list in the photobook assist menu.

Books can contain up to 300 pictures.
- Books that contain no photos are automatically deleted.
Photobooks
Photobooks can be copied to a computer using MyFinePix Studio software.
Viewing Photobooks
Highlight a book in the photobook assist menu and press MENU/OK to display the book, then press the focus stick (focus lever) left or right to scroll through the pictures.
Editing and Deleting Photobooks
Display the photobook and press MENU/OK. The following options will be displayed; select the desired option and follow the on-screen instructions.
- EDIT: Edit the book as described in "Creating a Photobook".
- ERASE: Delete the book.
PRINT ORDER (DPOF)
Create a digital "print order" for DPOF-compatible printers.
1 Select回PLAY BACK MENU > PRINT ORDER (DPOF).
2 Select WITH DATE to print the date of recording on pictures, WITHOUT DATE to print pictures without dates, or RESET ALL to remove all pictures from the print order before proceeding.
3 Display a picture you wish to include in or remove from the print order.
4 Press the focus stick (focus lever) up or down to choose the number of copies (up to 99).

To remove a picture from the order, press the focus stick down until the number of copies is 0.


Repeat steps 3-4 to complete the print order.
5 The total number of prints is displayed in the monitor. Press MENU/OK to exit.

- The pictures in the current print order are indicated by a icon during playback.
- Print orders can contain a maximum of 999 pictures from a single memory card.
- If a memory card is inserted containing a print order created by another camera, you will need to delete the order before creating as described above.
instax PRINTER PRINT
To print pictures to optional Fujifilm instax SHARE printers, first select CONNECTION SETTING > instax PRINTER CONNECTION SETTING and enter the instax SHARE printer name (SSID) and password, then follow the steps below.
1 Turn the printer on.
2 Select PLAY BACK MENU > instax PRINTER PRINT. The camera will connect to the printer.

3 Use the focus stick (focus lever) to display the picture you want to print, then press MENU/OK. The picture will be sent to the printer and printing will start.


- Pictures taken with other cameras cannot be printed.
- The area printed is smaller than the area visible in the LCD monitor.
- The displays may vary depending on the printer connected.
DISP ASPECT
Choose how High Definition (HD) devices display pictures with an aspect ratio of 4:3 (this option is available only when an HDMI cable is connected).

| Option | ||
| 16:9 | 4:3 | |
| Display | ||

Select 16:9 to display the image so that it fills the screen with its top and bottom cropped out, 4:3 to display the entire image with black bands at either side.
MEMO
The Setup Menus
Adjust basic camera settings.
To access basic camera settings, press MENU/OK, select the (SET UP) tab, and choose USER SETTING.

FORMAT
To format a memory card:
1 Select USER SETTING > FORMAT in the (SET UP) tab.
2 A confirmation dialog will be displayed. To format the memory card, highlight OK and press MENU/OK.

To exit without formatting the memory card, select CANCEL or press DISP/BACK.


- All data—including protected pictures—will be deleted from the memory card. Be sure important files have been copied to a computer or other storage device.
- Do not remove the battery tray during formatting.

The format menu can also be displayed by pressing the center of the rear command dial while pressing and holding the button.
DATE/TIME
To set the camera clock:
1 Select USER SETTING > DATE/TIME in the (SET UP) tab.
2 Press the focus stick (focus lever) left or right to highlight the year, month, day, hour, or minute and press up or down to change. To change the order in which the year, month, and day are displayed, highlight the date format and press the focus stick up or down.
3 Press MENU/OK to set the clock.
TIME DIFFERENCE
Switch the camera clock instantly from your home time zone to the local time at your destination when traveling. To specify the difference between your local and home time zone:
1 Highlight + LOCAL and press MENU/OK.
2 Use the focus stick (focus lever) to choose the time difference between local time and your home time zone. Press MENU/OK when settings are complete.
To set the camera clock to local time, highlight LOCAL and press MENU/OK. To set the clock to the time in your home time zone, select HOME.
Options
+LOCAL
HOME

If LOCAL is selected, will be displayed in yellow for about three seconds when the camera is turned on.
Choose a language.
MY MENU SETTING
Edit the items listed in the My (MY MENU) tab, a personalized custom menu of frequently-used options.
1 Highlight USER SETTING > MY MENU SETTING in the (SET UP) tab and press MENU/OK.


To reorder items, select RANK ITEMS. To delete items, select REMOVE ITEMS.
2 Press the focus stick (focus lever) up or down to highlight ADD ITEMS and press MENU/OK. Options that can be added to "my menu" are highlighted in blue.


Items currently in "my menu" are indicated by check marks.
3 Choose a position for the item and press MENU/OK. The item will be added to "my menu".

4 Press MENU/OK to return to the edit display.
5 Repeat Steps 3 and 4 until all the desired items have been added.

"My menu" can contain up to 16 items.
SENSOR CLEANING
Remove dust from the camera image sensor.
| Option | Description |
| OK | Clean the sensor immediately. |
| WHEN SWITCHED ON | Sensor cleaning will be performed when the camera is turned on. |
| WHEN SWITCHED OFF | Sensor cleaning will be performed when the camera turns off (sensor cleaning is not however performed if the camera turns off in playback mode). |

Dust that cannot be removed using sensor cleaning can be removed using a blower (310).
BATTERY AGE
Check battery age. Age is expressed as a number between 0 and 4. The higher the number, the older the battery.


The older the battery, the faster it loses its charge. We recommend that batteries be replaced as they wear out.
RESET
Reset shooting or setup menu options to default values.
1 Highlight the desired option and press MENU/OK.
| Option | Description |
| SHOOTING MENU RESET | Reset all shooting menu settings other than custom white balance and custom settings banks created using EDIT/SAVE CUSTOM SETTING to default values. |
| SET-UP RESET | Reset all setup menu settings other than DATE/TIME, TIME DIFFERENCE, COPYRIGHT INFO, and con- nection-related CONNECTION SETTING options to default values. |
2 A confirmation dialog will be displayed; highlight OK and press MENU/OK.
REGULATORY
Display product certificates.

SOUND SETTING
Make changes to camera sounds.
To access sound settings, press MENU/OK, select the (SET UP) tab, and choose SOUND SET-UP.

AF BEEP VOL.
Choose the volume of the beep that sounds when the camera focuses. The beep can be muted by selecting OFF.

SELF-TIMER BEEP VOL.
Choose the volume of the beep that sounds while the self-timer is active. The beep can be muted by selecting OFF.

OPERATION VOL.
Adjust the volume of the sounds produced when camera controls are operated. Choose OFF to disable control sounds.
Options
(high)
(medium)
(low)
OFF (mute)
SHUTTER VOLUME
Adjust the volume of the sounds produced by the electronic shutter. Choose OFF to disable the shutter sound.
Options
(1) (high)
(medium)
(1ow)
OFF (mute)
SHUTTERTOUND
Choose the sound made by the electronic shutter.
Options
1SOUND 1
2 SOUND 2
3 SOUND 3
PLAYBACK VOLUME
Adjust the volume for movie playback.
Options
10
9
8
7
6
5
4
3
2
1
0

SCREEN SETTING
Make changes to display settings.
To access display settings, press MENU/OK, select the (SET UP) tab, and choose SCREEN SET-UP.

EVF BRIGHTNESS
Adjust the brightness of the display in the electronic viewfinder.
| Option | Description |
| AUTO | Automatic brightness adjustment. |
| MANUAL | Adjust brightness manually; choose from options between +5 and -7. |
EVF COLOR
Adjust the hue of the display in the electronic viewfinder.
| Options | ||||||||||
| +5 | +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 | -5 |
EVF COLOR ADJUSTMENT
Adjust the color of the display in the electronic viewfinder.
1 Adjust colors using the focus stick (focus lever).

2 Press MENU/OK.
LCD BRIGHTNESS
Adjust monitor brightness.
Options
| +5 | +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 | -5 |
LCD COLOR
Adjust monitor hue.
Options
| +5 | +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 | -5 |
LCD COLOR ADJUSTMENT
Adjust the color of the display in the LCD monitor.
1 Adjust colors using the focus stick (focus lever).
2 Press MENU/OK.
IMAGE DISP.
Choose how long images are displayed after shooting.
| Option | Description |
| CONTINUOUS | Pictures are displayed until the MENU/OK button is pressed or the shutter button is pressed halfway. To zoom in on the active focus point, press the center of the rear command dial; press again to cancel zoom. |
| 1.5 SEC | Pictures are displayed for the selected time or until the shutter button is pressed halfway. |
| 0.5 SEC | |
| OFF | Pictures are not displayed after shooting. |

- Colors may differ slightly from those in the final image.
- "Noise" mottling may be visible at high sensitivities.
AUTOROTATE DISPLAYS
Choose whether the indicators in the viewfinder and LCD monitor rotate to match camera orientation.
| Options | |
| ON | OFF |
PREVIEW EXP./WB IN MANUAL MODE
Choose whether to enable exposure and/or white balance preview in manual exposure mode.
| Option | Description |
| PREVIEW EXP./WB | Enable exposure and white balance preview. |
| PREVIEW WB | Preview white balance only. Choose this option in situations in which exposure and white balance are likely to change during shooting, as may be the case when you use a flash with an incandescent monitoring lamp. |
| OFF | Disable exposure and white balance preview. Choose this option when using a flash or on other occasions on which exposure may change when the picture is taken. |
NATURAL LIVE VIEW
Choose whether the effects of film simulation, white balance, and other settings are visible in the monitor.
| Option | Description |
| ON | The effects of camera settings are not visible in the monitor, but shadows in low-contrast, back-lit scenes and other hard-to-see subjects more visible. Colors and tone will differ from those in the final picture. The display will however be adjusted to show the effects of monochrome and sepia settings. |
| OFF | The effects of film simulation, white balance, and other settings can be previewed in the monitor. |
FRAMING GUIDELINE
Choose a framing grid for shooting mode.
| Option | ||
| GRID 9 | GRID 24 | HD FRAMING |
| For "rule of thirds" composition. | A six-by-four grid. | Frame HD pictures in the crop shown by the lines at the top and bottom of the display. |

Framing guides are not shown at default settings but can be displayed using SCREEN SET-UP > DISP.CUSTOM SETTING (图211).
AUTOROTATE PB
Choose ON to automatically rotate "tall" (portrait-orientation) pictures during playback.
| Options | |
| ON | OFF |
FOCUS SCALE UNITS
Choose the units used for the focus distance indicator.
| Options | |
| METERS | FEET |
DUAL DISPLAY SETTING
Choose the content of the two windows in the dual display.
| Option | Description |
| R:FOCUS L:FRAME | The right (small) window shows a close-up of the focus area, while the left (large) window shows the entire frame. |
| R:FRAME L:FOCUS | The right (small) window shows the entire frame, while the left (large) window shows a close-up of the focus area. |
DISP. CUSTOM SETTING
Choose the items shown in the standard indicator display.
1 In shooting mode, use the DISP/BACK button to display standard indicators.
2 Press MENU/OK and select SCREEN SET-UP > DISP.CUSTOM SETTING in the (SET UP) tab.
3 Highlight items and press MENU/OK to select or deselect.
| Item | Default | Item | Default |
| FRAMING GUIDELINE | □ | CONTINUOUS MODE | ✔ |
| ELECTRONIC LEVEL | □ | DUAL IS MODE | ✔ |
| FOCUS FRAME | ✔ | TOUCH SCREEN MODE | ✔ |
| AF DISTANCE INDICATOR | □ | WHITE BALANCE | □ |
| MF DISTANCE INDICATOR | ✔ | FILM SIMULATION | □ |
| HISTOGRAM | □ | DYNAMIC RANGE | ✔ |
| LIVE VIEW HIGHLIGHT ALERT | □ | BOOST MODE | ✔ |
| SHOOTING MODE | ✔ | FRAMES REMAINING | □ |
| APERTURE/S-SPEED/ISO | ✔ | IMAGE SIZE/QUALITY | □ |
| INFORMATION BACKGROUND | ✔ | MOVIE MODE & REC. TIME | □ |
| Expo. Comp. (Digit) | □ | 35mm FORMAT MODE | ✔ |
| Expo. Comp. (Scale) | □ | IMAGE TRANSFER ORDER | ✔ |
| FOCUS MODE | ✔ | MIC LEVEL | ✔ |
| PHOTOMETRY | ✔ | GUIDANCEMESSAGE | ✔ |
| SHUTTERTYPE | ✔ | BATTERY LEVEL | □ |
| FLASH | ✔ | FRAMING OUTLINE | □ |
4 Press DISP/BACK to save changes.
5 Press DISP/BACK as needed to exit the menus and return to the shooting display.
LARGE INDICATORS MODE(EVF)
Select ON to display large indicators in the electronic viewfinder. The indicators displayed can be selected using 2 SCREEN SET-UP > LARGE INDICATORS DISP. SETTING.

OFF

ON

Some icons are not displayed when ON is selected for LARGE INDICATORS MODE(EVF) (图17).

If LARGE INDICATORS MODE is assigned to a function button, the button can be used to toggle LARGE INDICATORS MODE on (ON) and off (OFF) (223, 259).
LARGE INDICATORS MODE(LCD)
Select ON to display large indicators in the LCD monitor. The indicators displayed can be selected using 2 SCREEN SET-UP > LARGE INDICATORS DISP. SETTING.

OFF

ON

Some icons are not displayed when ON is selected for LARGE INDICATORS MODE(LCD) (图19).

If LARGE INDICATORS MODE is assigned to a function button, the button can be used to toggle LARGE INDICATORS MODE on (ON) and off (OFF) (223, 259).
LARGE INDICATORS DISP. SETTING
Choose the indicators displayed when ON is selected for SCREEN SET-UP > LARGE INDICATORS MODE(EVF) or LARGE INDICATORS MODE(LCD).

| Option | Description |
| ① Expo. DISP. | Choose the items listed at the bottom of the display. Selected items are indicated by check marks (☑); to deselect, highlight the check marks and press MENU/OK. |
| ② Scale | Select ON to display the exposure indicator. |
| ③ L1, L2, L3, L4 | Choose up to four large icons for display on the left side of the screen. |
| ④ R1, R2, R3, R4 | Choose up to four large icons for display on the right side of the screen. |
INFORMATION CONTRAST ADJ.
Adjust display contrast.
| Option | Description |
| HIGH CONTRAST | High contrast. |
| STANDARD | Normal contrast. |
| LOW CONTRAST | Low contrast. |
| DARK AMBIENT LIGHTING | Contrast adjusted for dim ambient lighting. |
SUB MONITOR SETTING
Choose the indicators displayed in the secondary LCD monitor. Separate displays are available for still photography and movie recording. Choose from the following:
| Option | Description |
| INFORMATION | Display camera settings. You can choose the settings displayed. |
| DIALS | Display dials showing ISO sensitivity and shutter speed. |
| HISTOGRAM | Display a histogram. |

You can switch between displays by pressing the secondary LCD monitor mode button.
The INFORMATION Display
Follow the steps below to choose the indicators shown in the INFORMATION display.
1 Select 2 SCREEN SET-UP > SUB MONITOR SETTING in the setup menu.
2 Highlight STILL MODE or MOVIE MODE and press MENU/OK.
3 Highlight INFORMATION and press MENU/OK.

4 Highlight the indicator you wish to change and press MENU/OK.

5 Highlight the indicator you wish to display and press MENU/OK.

Choose from:
- SHUTTERTPEED
- APERTURE
EXPO.COMP.
ISO
MOVIE MODE - SHOOTING MODE
- PHOTOMETRY
-
DRIVE MODE
FOCUS MODE
WHITE BALANCE -
IMAGE SIZE/QUALITY
- SHUTTERTYPE
FILMSimulation
DYNAMIC RANGE - 35mm FORMAT MODE
- BOOST MODE
DUAL IS MODE
SELF-TIMER - NONE
6 Repeat Steps 4 and 5 to change additional indicators.

The 2 Scale indicator can only be enabled or disabled.

REAR SUB MONITOR SETTING
Choose the indicators displayed in the rear secondary monitor. Separate displays are available for still photography and movie recording. Choose from the following:
| Option | Description |
| INFORMATION 1 | Display a preset selection of indicators (INFORMATION 1 or INFORMATION 2). |
| INFORMATION 2 | |
| Scale | Display an exposure indicator. |
| HISTOGRAM | Display a histogram. |
| OFF | Turn the rear secondary monitor off. |
The INFORMATION 1 and INFORMATION 2 Displays
Follow the steps below to choose the indicators shown in the INFORMATION 1 or INFORMATION 2 display.
1 Select SCREEN SET-UP > REAR SUB MONITOR SETTING in the setup menu.
2 Highlight STILL MODE or MOVIE MODE and press MENU/OK.
3 Highlight INFORMATION 1 or INFORMATION 2 and press MENU/OK.
4 Highlight the indicator you wish to change and press MENU/OK.

5 Highlight the indicator you wish to display and press MENU/OK.

Choose from:
- SHUTTERTPEED
APERTURE
EXPO.COMP.
ISO
MOVIE MODE - FRAMES REM.
REC. TIME - SHOOTING MODE
PHOTOMETRY - DRIVE MODE
FOCUS MODE
WHITE BALANCE - IMAGE SIZE/QUALITY
BATTERY LEVEL -
SHUTTERTYPE
FILMSimulation
DYNAMIC RANGE -
IMAGE TRANSFER ORDER
- 35mm FORMAT MODE
H.265 (HEVC)/H.264
MOVIE COMPRESSION
HIGHLIGHT TONE - SHADOW TONE
COLOR
SHARPNESS - NOISE REDUCTION
- GRAIN EFFECT
- COLOR CHROME EFFECT
- SMOOTH SKIN EFFECT
- BOOST MODE
DUAL IS MODE
FLASH
SELF-TIMER
NONE
6 Repeat Steps 4 and 5 to change additional indicators.
SUB MONITOR BACKGROUND COLOR
Adjusting the background color of the secondary LCD monitor according to lighting conditions makes the display easier to read.
| Option | Description |
| BLACK | Recommended for use with dark ambient lighting. |
| WHITE | Recommended for use with bright ambient lighting. |

The background is displayed in white when the secondary LCD monitor backlight is on.
REAR SUB MONITOR BRIGHTNESS
Adjust the brightness of the rear secondary monitor.
| Options | ||||||||||
| +5 | +4 | +3 | +2 | +1 | 0 | -1 | -2 | -3 | -4 | -5 |

BUTTON/DIAL SETTING
Access options for camera controls.
To access control options, press MENU/OK, select the (SET UP) tab, and choose BUTTON/DIAL SETTING.

FOCUS LEVER SETTING
Choose the functions performed by the focus stick (focus lever).
| Option | Description |
| LOCK (OFF) | The focus stick cannot be used during shooting. |
| PUSH TO UNLOCK | Press the stick to view the focus-point display and tilt the stick to select a focus point. |
| ON | Tilt the stick to view the focus-point display and select a focus point. |
EDIT/SAVE QUICK MENU
Choose the items displayed in the quick menu.
1 Select BUTTON/DIAL SETTING > EDIT/SAVE QUICK MENU in the (SET UP) tab.
2 The current quick menu will be displayed; use the focus stick (focus lever) to highlight the item you wish to change and press MENU/OK.
3 Highlight any of the following options and press MENU/OK to assign it to the selected position.
- IMAGE SIZE
- IMAGE QUALITY
FILMSIMULATION
B & W ADJ. A B (Warm/Cool)* - GRAIN EFFECT*
- COLOR CHROME EFFECT*
- SMOOTH SKIN EFFECT
DYNAMIC RANGE
D RANGE PRIORITY - WHITE BALANCE
HIGHLIGHT TONE - SHADOW TONE*
- COLOR*
- SHARPNESS*
- NOISE REDUCTION*
- SELECT CUSTOM SETTING*
-
AF MODE (MOVIE AF MODE)
-
Stored in custom settings bank.
-
AF-C CUSTOM SETTINGS
- FACE/EYE DETECTION SETTING
MF ASSIST - TOUCH SCREEN MODE
SELF-TIMER - PHOTOMETRY
- SHUTTERTYPE
FLICKER REDUCTION
ISO - FLASH FUNCTION SETTING
FLASH COMPENSATION
MOVIE MODE - INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
- EVF/LCD BRIGHTNESS
- EVF/LCD COLOR
- NONE

- Select NONE to assign no option to the selected position.
- When SELECT CUSTOM SETTING is selected, current settings are shown in the quick menu by the label BASE.

The quick menu can also be accessed in shooting mode by holding the Q button.
FUNCTION (Fn) SETTING
Choose the roles played by the function buttons.
1 Select BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING in the (SET UP) tab.
2 Highlight the desired control and press MENU/OK.
3 Highlight any of the following options and press MENU/OK to assign it to the selected control.

- AE LOCK ONLY, AF LOCK ONLY, AE/AF LOCK, AF-ON, and AWB LOCK ONLY cannot be assigned to the touch function buttons (T-Fn1 through T-Fn4).
- Function button assignment options can also be accessed by holding the DISP/BACK button.
Choose from:
EXPO.COMP.
- IMAGE SIZE
- IMAGE QUALITY
- RAW
FILMSIMULATION
- GRAIN EFFECT
COLOR CHROME EFFECT
- SMOOTH SKIN EFFECT
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
- SELECT CUSTOM SETTING
FOCUS AREA
FOCUS CHECK
- AF MODE
- AF-C CUSTOM SETTINGS
- FACE SELECT :EVF
- FACE DETECTION ON/OFF
SELF-TIMER
- AEBKT SETTING
- FOCUS BKT SETTING
- PHOTOMETRY
- SHUTTERTYPE
FLICKER REDUCTION
ISO
- IS MODE
- 35mm FORMAT MODE
WIRELESS COMMUNICATION
- FLASH FUNCTION SETTING
- TTL-LOCK
- MODELING FLASH
ZEBRA SETTING
- INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
MOVIE SILENT CONTROL
- PREVIEW DEPTH OF FIELD
- PREVIEW EXP/WB IN MANUAL MODE
- NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE
- AE LOCK ONLY
- AF LOCK ONLY
AE/AF LOCK
AF-ON
- AWB LOCK ONLY
- LOCK SETTING
PERFORMANCE
- AUTO IMAGE TRANSFER
- SELECT PAIRING DESTINATION
Bluetooth ON/OFF
- PLAYBACK
- SHOOTING MODE
- NONE (control disabled)
AF-ON
If AF-ON is selected, you can press the control instead of keeping the shutter button pressed halfway.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mounted flash unit is attached, you can press the control to test-fire the flash and check for shadows and the like (modeling flash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock flash output according to the option selected for FLASH SETTING > TTL-LOCK MODE (149).
FACE SELECT EVF
FACE SELECT can be enabled or disabled by pressing the button to which FACE SELECT is assigned. Enabling FACE SELECT allows the focus stick (focus lever) or (during viewfinder photography) touch controls (31) to be used to select the face that will be used for focus.

The following features can be accessed using the focus stick or during viewfinder photography when FACE SELECT is enabled:
- The face used to set focus can be selected using the focus stick. To switch from face detection to manual focus-area selection, press the center of the focus stick (focus lever) (图82). Press again to re-enable face detection.
- The touch screen (monitor) or focus stick can be used to select the face used to set focus during viewfinder photography.
COMMAND DIAL SETTING
Choose the roles played by the command dials.
| Option | Description |
| FRONT COMMANDDIAL 1 | Assign shutter speed (S.S. (PROGRAM SHIFT)) or aperture (APERTURE (PROGRAM SHIFT))* to FRONT COMMAND DIAL 1. |
| FRONT COMMANDDIAL 2 | Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture (APERTURE (PROGRAM SHIFT))*, sensitivity (ISO), or no role (NONE) to FRONT COMMAND DIAL 2 or FRONT COMMAND DIAL 3. |
| FRONT COMMANDDIAL 3 | |
| REAR COMMANDDIAL | Assign shutter speed (S.S. (PROGRAM SHIFT)), aperture (APERTURE (PROGRAM SHIFT))*, sensitivity (ISO), or no role (NONE) to the rear command dial. |
| EXP. COMPENSATIONASSIGNMENT | Exposure compensation can be adjusted using either or both of the front and rear command dials while the ☑ (ex-posurcompensation) button is pressed. |
- Aperture ring rotated to C.

- COMMAND DIAL SETTING can also be accessed by pressing and holding the center of the front command dial.
- You can also press the center of the front command dial to cycle through settings in the order FRONT COMMAND DIAL 1, FRONT COMMAND DIAL 2, and FRONT COMMAND DIAL 3.
- The selected option also applies to the vertical-grip command dials.
SHUTTER AF
Choose whether the camera focuses when the shutter button is pressed halfway.
| Option | Description |
| AF-S | ON: Focus locks when the shutter button is pressed halfway. OFF: No focus operation is performed when the shutter button is pressed halfway. |
| AF-C | ON: The camera focuses while the shutter button is pressed halfway. OFF: No focus operation is performed when the shutter button is pressed halfway. |
SHUTTER AE
If ON is selected, exposure will lock while the shutter button is pressed halfway.
| Option | Description |
| AF-S/MF | ON: Exposure locks when the shutter button is pressed halfway. OFF: Exposure does not lock when the shutter button is pressed halfway. |
| AF-C | ON: Exposure locks while the shutter button is pressed halfway. OFF: Exposure does not lock when the shutter button is pressed halfway. |

Select OFF to allow the camera to adjust exposure before each shot taken in burst mode.
SHOOT WITHOUT LENS
Choose ON to enable the shutter release when no lens is attached.
| Options | |
| ON | OFF |
SHOOT WITHOUT CARD
Choose whether the shutter can be released without a memory card inserted in the camera.
| Option | Description |
| ON | When no memory card is inserted, the shutter can be released to test camera function and the shooting and setup menus can be displayed. |
| OFF | The shutter is disabled if no memory card is inserted, preventing accidental loss of pictures taken without a memory card. |
FOCUS RING
Choose the direction in which the focus ring is rotated to increase the focus distance.
Options
CW (clockwise)
CCW (counterclockwise)
FOCUS RING OPERATION
Choose how the camera adjusts focus in response to the movement of the focus ring.
| Option | Description |
| NONLINEAR | Focus is adjusted at the same rate as the ring is rotated. |
| LINEAR | Focus is adjusted linearly according to the amount the ring is ro-tated, but the focusing speed is unaffected by the speed the ring is rotated. |
AE/AF-LOCK MODE
This option determines the behavior of the button to which exposure and/or focus lock is assigned.
| Option | Description |
| AE&AF ON WHEN PRESSING | Exposure and/or focus will lock while the button is pressed. |
| AE&AF ON/OFF SWITCH | Exposure and/or focus will lock when the button is pressed and remain locked until it is pressed again. |
AWB-LOCK MODE
Choose the behavior of function buttons assigned auto white balance (AWB) lock. Auto white balance lock is used to lock white balance at the value metered by the camera when AUTO is selected for white balance.
| Option | Description |
| AWB ON WHEN PRESSING | Auto white balance locks while the button is pressed. |
| AWB ON/OFF SWITCH | Press the button once to lock auto white balance and again to end the lock. |
EXPO. COMP. BUTTON SETTING
Control the behavior of the rear command dial and the button to which exposure compensation is assigned. If ON WHEN PRESSING is selected, exposure compensation can be adjusted by holding the button while rotating dial; if ON/OFF SWITCH is selected, exposure compensation can be set by pressing the button once, rotating the dial, and then pressing the button again.
| Options | |
| ON WHEN PRESSING | ON/OFF SWITCH |
TOUCH SCREEN SETTING
Enable or disable touch-screen controls.
| Option | Description |
| TOUCH SCREEN SETTING | ON: The LCD monitor functions as a touch screen during shooting. OFF: Touch controls disabled. |
| DOUBLE TAP SETTING | ON: Tap the LCD monitor twice to zoom in on your subject during shooting. OFF: Touch zoom disabled. |
| TAP TOUCH FUNCTION | Enable or disable touch function gestures. |
| TOUCH SCREEN SETTING | ON: The LCD monitor functions as a touch screen during playback. OFF: Touch controls disabled. |
| EVF TOUCH SCREEN AREA SETTINGS | Select the area of the LCD monitor used for touch controls while the viewfinder is active. The area used for touch controls can be selected from: - (all) - (left half) - (right half) - (top left quarter) - (top right quarter) - (bottom left quarter) - (bottom right quarter) Choose OFF to disable touch controls while the viewfinder is active. |
LOCK
Lock selected controls to prevent unintended operation.
| Option | Description |
| LOCK SETTING | Choose from the following: ·UNLOCK: Reset lock options. ·ALL FUNCTION: Lock all controls in the FUNCTION SELECTION list. ·SELECTED FUNCTION: Lock only the controls selected in the FUNCTION SELECTION list. |
| FUNCTION SELECTION | Choose the controls locked when SELECTED FUNCTION is chosen for LOCK SETTING. |

POWER MANAGEMENT
Adjust power management settings.
To access power management settings, press MENU/OK, select the (SET UP) tab, and choose POWER MANAGEMENT.

AUTO POWER OFF
Choose the length of time before the camera turns off automatically when no operations are performed. Shorter times increase battery life; if OFF is selected, the camera must be turned off manually.
| Options | |||||
| 5 MIN | 2 MIN | 1 MIN | 30 SEC | 15 SEC | OFF |
PERFORMANCE
Select BOOST to improve focus and viewfinder display performance.
| Option | Description |
| BOOST | Boost camera focus and/or viewfinder display performance. The battery drains faster than when is NORMAL selected. You can choose to assign priority to: • AF PRIORITY: Focus speed. • EVF RESOLUTION PRIORITY: Viewfinder resolution. • EVF FRAME RATE PRIORITY: Viewfinder frame rate for smoother motion. Regardless of the option selected, the camera functions in AF PRIORITY mode while the monitor is on. |
| NORMAL | Choose for standard focus and viewfinder display performance and battery endurance. |
SHOOTING STAND BY MODE
Choose the delay before the camera enters shooting standby mode.
| Option | Description |
| 5 MIN | The camera will suspend all functions and enter power- ing-saving (standby) mode if no operations are performed for the selected period. |
| 2 MIN | |
| 1 MIN | |
| 30 SEC | |
| 15 SEC | |
| OFF | Shooting standby mode disabled. |
AUTO POWER SAVE
If ON is selected, the display frame rate will drop to save power if no operations are performed for a short period, but the normal frame rate can be restored by operating camera controls.
| Options | |
| ON | OFF |
Make changes to file management settings.
To access file management settings, press MENU/OK, select the (SET UP) tab, and choose SAVE DATA SET-UP.

FRAME NO.
New pictures are stored in image files named using a four-digit file number assigned by adding one to the last file number used. The file number is displayed during playback as shown. FRAME NO. controls whether file num
bering is reset to 0001 when a new memory card is inserted or the current memory card is formatted.
Frame number
100-0001
Directory
File
number
number
| Option | Description |
| CONTINUOUS | Numbering continues from the last file number used or the first available file number, whichever is higher. Choose this option to reduce the number of pictures with duplicate file names. |
| RENEW | Numbering is reset to 0001 after formatting or when a new memory card is inserted. |

- If the frame number reaches 999-9999, the shutter release will be disabled. Format the memory card after transferring to a computer any pictures you wish to keep.
- Selecting Z USER SETTING > RESET sets FRAME NO. to CONTINUOUS but does not reset the file number.
- Frame numbers for pictures taken with other cameras may differ.
SAVE ORG IMAGE
Choose ON to save unprocessed copies of pictures taken using RED EYE REMOVAL.
| Options | |
| ON | OFF |
EDIT FILE NAME
Change the file name prefix. sRGB images use a four-letter prefix (default "DSCF"), Adobe RGB images a three-letter prefix ("DSF") preceded by an underscore.
| Option | Default prefix | Sample file name |
| sRGB | DSCF | ABCD0001 |
| AdobeRGB | _DSF | _ABC0001 |
CARD SLOT SETTING ( STILL IMAGE)
Choose the role played by the card in the second slot.
| Option | Description |
| SEQUENTIAL | The card in the second slot is used only when the card in the first slot is full. |
| BACKUP | Each picture is recorded twice, once to each card. |
| RAW / JPEG | RAW pictures will be saved to the card in the first slot and JPEG pictures to the card in the second slot. |
SELECT SLOT(Sequential)
Choose the card that is recorded to first whenSEQUENTIAL is selected for CARD SLOT SETTING (STILL IMAGE).
| Options | |
| SLOT 1 | SLOT 2 |
SELECT SLOT(SEQUENTIAL)
Choose the slot used to store movies.
| Options | |
| SLOT 1 | SLOT 2 |
SELECT FOLDER
Create folders and choose the folder used to store subsequent pictures.
| Option | Description |
| SELECT FOLDER | To choose the folder in which subsequent pictures will be stored, press the focus stick (focus lever) up or down to highlight an existing folder and press MENU/OK. |
| CREATE FOLDER | Enter a five-character folder name to create a new folder in which to store subsequent pictures. The new folder will be created with the next picture you take and subsequent pictures will be stored in that folder. |
COPYRIGHT INFO
Copyright information, in the form of Exif tags, can be added to new images as they are taken. Changes to copyright information are reflected only in images taken after the changes are made.
| Option | Description |
| DISP COPYRIGHT INFO | View the current copyright information. |
| ENTER AUTHOR'S INFO | Enter the creator's name. |
| ENTER COPYRIGHT INFO | Enter the name of the copyright holder. |
| DELETE COPYRIGHT INFO | Delete the current copyright information. This change applies only to images taken after this option is selected; copyright information recorded with existing images is not affected. |
Adjust settings for connection to other devices.
To access connection settings, press MENU/OK, select the (SET UP) tab, and choose CONNECTION SETTING.


For more information on wireless connections, visit: http://fujifilm-dsc.com/wifi/
Bluetooth SETTINGS
Adjust Bluetooth settings.
| Option | Description |
| PAIRING REGISTRATION | To pair the camera with a smartphone or tablet, select this option, then launch FUJIFILM Camera Remote on the smart device and tap PAIRING REGISTRATION. |
| SELECT PAIRING DESTINATION | Choose a connection from a list of devices with which the camera has been paired using PAIRING REGISTRATION. Select NO CONNECTION to exit without connecting. |
| DELETE PAIRING REG. | Delete pairing information for selected devices. Choose the device in the device list. The selected device will also be removed from the devices listed in SELECT PAIRING DESTINATION. |
| Bluetooth ON/OFF | ON: The camera automatically establishes a Bluetooth connection with paired devices when turned on. OFF: The camera does not connect via Bluetooth. |
| AUTO IMAGE TRANSFER | ON: Mark photos for upload as they are taken. Mark JPEG photos for upload as they are taken. OFF: Photos are not marked for upload as they are taken. |
| SMARTPHONE SYNC. SETTING | Choose whether to synchronize the camera to the time and/or location provided by a paired smartphone. • LOCATION&TIME: Synchronize the time and location. • LOCATION: Synchronize the location. • TIME: Synchronize the time. • OFF: Synchronization off. |

- Install the latest version of the FUJIFILM Camera Remote app on your smartphone or tablet before pairing the device with your camera or uploading images.
- When ON is selected for both Bluetooth ON/OFF and AUTO IMAGE TRANSFER or images are currently selected for upload using the IMAGE TRANSFER ORDER option in the 2 (playback) menu, upload to paired devices will begin shortly after you exit to playback or turn the camera off. IMAGE TRANSFER ORDER can also be used to select pictures for upload when AUTO IMAGE TRANSFER is off.
NETWORK SETTING
Adjust settings for connection to wireless networks.
| Option | Description |
| WIRELESS ACCESS POINT SETTING | ·SIMPLE SETUP: Connect to an access point using simple settings. ·MANUAL SETUP: Manually adjust settings for connection to a wireless network. Choose the network from a list (SELECT FROM NETWORK LIST) or enter the name manually (ENTER SSID). |
| WIRELESS IP ADDRESS SETTING | ·AUTO: The IP address is assigned automatically. ·MANUAL: Assign an IP address manually. Manually choose the IP address (IP ADDRESS), network mask (NETMASK), and gateway address (GATEWAY ADDRESS). |
instax PRINTER CONNECTION SETTING
Adjust settings for connection to optional Fujilm instax SHARE printers.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the bottom of the printer; the default password is "1111". If you have already chosen a different password to print from a smartphone, enter that password instead.

PC CONNECTION MODE
Adjust settings for connection to a computer.
| Option | Description |
| USB CARD READER | Connecting the camera to a computer via USB automatically enables data transfer mode, allowing data to be copied to the computer. The camera functions normally when not connected. |
| USB TETHER SHOOTING AUTO | Connecting the camera to a computer via USB automatically enables tethered shooting mode. You can also use FUJIFILM X Acquire to save and load camera settings, allowing you to reconfigure the camera in an instant or share settings with other cameras of the same type. The camera functions normally when not connected. |
| USB TETHER SHOOTING FIXED | The camera functions in tethered shooting mode even when not connected to a computer. At default settings, pictures are not saved to the memory card, but pictures taken while the camera is not connected will be transferred to the computer when it is connected. |
| WIRELESS TETHER SHOOTING FIXED | Choose this option for wireless remote photography. Select a network using 4 CONNECTION SETTING > NETWORK SETTING. |
| USB RAW CONV./BACKUP RESTORE | Connecting the camera to a computer via USB automatically enables USB RAW conversion/backup restore mode. The camera functions normally when not connected. • USB RAW CONV. (requires FUJIFILM X RAW STUDIO): Use the camera's image processing engine to rapidly convert RAW files to high-quality JPEG images. • BACKUP RESTORE (requires FUJIFILM X Acquire): Save and load camera settings. Reconfigure the camera in an instant or share settings with other cameras of the same type. |

POWER MANAGEMENT > AUTO POWER OFF settings also apply during tethered shooting. Select OFF to prevent the camera turning off automatically.

- Tethered shooting is available with software such as Capture One Pro Fujifilm or Adobe Photoshop Lightroom Classic CC. If you use Adobe Photoshop Lightroom Classic CC, download FUJIFILM Tether Shooting Plug-in PRO for GFX from the Adobe Exchange website. FUJIFILM Tether Shooting Plug-in PRO for GFX is available free of charge.
- FUJIFILM X Acquire also supports tethered shooting using camera controls. FUJIFILM X Acquire can be downloaded free of charge from the Fujifilm website.
SMARTPHONE WIRELESS COM. FREQUENCY SETTING
Choose a wireless band for use with Camera Remote.
Options
2.4GHz (IEEE802.11 b/g/n)
5GHz (IEEE802.11 a/n/ac)

- Some countries and regions prohibit outdoor use of certain channels in the 5 GHz band. Check whether use of the 5.2 GHz (W52) band is permitted before selecting the 5 GHz option.
- The options available vary with the country or region of sale.
GENERAL SETTINGS
Adjust settings for connection to wireless networks.
| Option | Description |
| NAME | Choose a name (NAME) to identify the camera on the wireless network (the camera is assigned a unique name by default). |
| RESIZE IMAGE FOR SMARTPHONE 3D | Choose whether to resize images for upload to smartphones. Resizing applies only to the copy uploaded to the smartphone; the original is not affected. • ON: Larger images are resized to 3D for upload. This setting is recommended. • OFF: Images are uploaded at their original size. |
| GEOTAGGING | Choose whether location data downloaded from a smartphone are embedded in pictures as they are taken. |
| LOCATION INFO | Display the location data last downloaded from a smartphone. |
| ® BUTTON SETTING | Choose the role played by function buttons assigned the WIRELESS COMMUNICATION function. • PAIRING/TRANSFER ORDER: The buttons can be used for pairing and selecting images for transfer. ® WIRELESS COMMUNICATION: The buttons can be used for wireless connections. |
INFORMATION
View the camera's MAC and Bluetooth address.
RESET WIRELESS SETTING
Restore wireless settings to their default values.
MEMO
Shortcuts
Shortcut Options
Customize camera controls to suit your style or situation.
Frequently-used options can be added to the Q menu or a custom "my" menu or assigned to an Fn (function) button for direct access:
| Shortcut Option | Description | image |
| "My menu" | Add frequently-used options to this custom menu, which can be viewed by pressing MENU/OK and se- lecting the My ("MY MENU") tab. | 251 |
| The Q menu | The Q menu is displayed by pressing the Q button.Use the Q menu to view or change the options se- lected for frequently-used menu items. | 253 |
| The function buttons | Use the function buttons for direct access to select- ed features. | 256 |
Access a personalized menu of frequently-used options.
To display "my menu", press MENU/OK in the shooting display and select the (MY MENU) tab.


The my tab is only available if options have been assigned to MY MENU.
MY MENU SETTING
To choose the items listed in the MY (MY MENU) tab:
1 Highlight USER SETTING > MY MENU SETTING in the (SET UP) tab and press MENU/OK.

To reorder items, select RANK ITEMS. To delete items, select REMOVE ITEMS.

2 Press the focus stick (focus lever) up or down to highlight ADD ITEMS and press MENU/OK. Options that can be added to "my menu" are highlighted in blue.


Items currently in "my menu" are indicated by check marks.
3 Choose a position for the item and press MENU/OK. The item will be added to "my menu".

4 Press MENU/OK to return to the edit display.
5 Repeat Steps 3 and 4 until all the desired items have been added.

"My menu" can contain up to 16 items.
The Q (Quick Menu) Button
Press for quick access to selected options.
The Quick Menu Display
At default settings, the quick menu contains the following items:

① SELECT CUSTOM SETTING
② ISO
③ DYNAMIC RANGE
(4) WHITE BALANCE
(5) NOISE REDUCTION
(6) IMAGE SIZE
⑦ IMAGE QUALITY
⑧ FILM SIMULATION
(9) HIGHLIGHT TONE
10 SHADOW TONE
1) COLOR
12 SHARPNESS
(13) SELF-TIMER
AF MODE
(15) FLASH FUNCTION SETTING
16 EVF/LCD BRIGHTNESS
The quick menu shows the options currently selected for items ②-16 , which can be changed as described on page 255.
-SELECT CUSTOM SETTING
The IMAGE QUALITY SETTING > SELECT CUSTOM SETTING item (item
①) shows the current custom settings bank:
- BASE: No custom settings bank selected.
- C1-C7: Select a bank to view the settings saved using the IMAGE QUALITY SETTING > EDIT/SAVE CUSTOM SETTING option.
BASE: The current custom settings bank.
Viewing and Changing Settings
1 Press Q to display the quick menu during shooting.

2 Use the focus stick (focus lever) to highlight items and rotate the rear command dial to change.
Changes are not saved to the current settings bank.
- Settings that differ from those in the current settings bank (C1-C7) are shown in red.


3 Press Q to exit when settings are complete.

The quick menu can also be edited using touch controls.
Editing the Quick Menu
To choose the items displayed in the quick menu:
1 Press and hold the Q button during shooting.
2 The current quick menu will be displayed; use the focus stick (focus lever) to highlight the item you wish to change and press MENU/OK.

3 Highlight any of the following options and press MENU/OK to assign it to the selected position.
- IMAGE SIZE
- IMAGE QUALITY
FILMSIMULATION
B & W ADJ. A E (Warm/Cool)
GRAIN EFFECT* - COLOR CHROME EFFECT*
- SMOOTH SKIN EFFECT*
DYNAMIC RANGE - D RANGE PRIORITY*
- WHITE BALANCE
HIGHLIGHT TONE - SHADOW TONE*
- COLOR*
SHARPNESS - NOISE REDUCTION*
- SELECT CUSTOM SETTING*
-
AF MODE (MOVIE AF MODE)
-
Stored in custom settings bank.
-
AF-C CUSTOM SETTINGS
- FACE/EYE DETECTION SETTING
MF ASSIST - TOUCH SCREEN MODE
SELF-TIMER
PHOTOMETRY - SHUTTERTYPE
FLICKER REDUCTION
ISO - FLASH FUNCTION SETTING
FLASH COMPENSATION
MOVIE MODE - INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
- EVF/LCD BRIGHTNESS
- EVF/LCD COLOR
- NONE

- Select NONE to assign no option to the selected position.
- When SELECT CUSTOM SETTING is selected, current settings are shown in the quick menu by the label BASE.

The quick menu can also be edited using 2 BUTTON/DIAL SETTING > EDIT/SAVE QUICK MENU.
The Fn (Function) Buttons
Assign a role to the function buttons for quick access to the selected feature.

- The functions assigned to T-Fn1 through T-Fn4 can be accessed by flicking the monitor.
- Touch-function gestures are disabled by default. To enable touch-function gestures, select ON for BUTTON/DIAL SETTING > TOUCH SCREEN SETTING > FIM TOUCH FUNCTION.
The default assignments are:

Touch-Function Gestures

(1)

(2)

(3)
(4)

| Function buttons | Default |
| ① T-Fn1 (flick up) | HISTOGRAM |
| ② T-Fn2 (flick left) | FILM SIMULATION |
| ③ T-Fn3 (flick right) | WHITE BALANCE |
| ④ T-Fn4 (flick down) | ELECTRONIC LEVEL |
Back-of-Camera Function Buttons

| Function buttons | Default |
| ① Fn1 button | EXPO. COMP. |
| ② AE-L button | AE LOCK ONLY |
| ③ Fn5 button | AF MODE |
| ④ Fn2 button | SHOOTING MODE |
| ⑤ Center of rear command dial | FOCUS CHECK |
| ⑥ Fn4 button | FACE DETECTION ON/OFF |
| ⑦ AF-ON button | AF-ON |
Back-of-Camera Function Buttons (Portrait Orientation)

| Function buttons | Default |
| ① Vertical grip center of rear command dial | FOCUS CHECK |
| ② Vertical grip AF-ON button | AF-ON |
| ③ Vertical grip AE-L button | AE LOCK ONLY |
| ④ Vertical grip Fn2 button | SHOOTING MODE |
| ⑤ Vertical grip Fn1 button | EXPO. COMP. |
| ⑥ Vertical grip Fn4 button | FACE DETECTION ON/OFF |
Front-of-Camera Function Buttons

| Function buttons | Default |
| ① Fn3 button | PERFORMANCE |
| ② Vertical grip Fn3 button | PERFORMANCE |
Assigning Roles to the Function Buttons
To assign roles to the buttons:
1 Press and hold the DISP/BACK button until a control selection menu is displayed.
2 Highlight the desired control and press MENU/OK.
3 Highlight any of the following options and press MENU/OK to assign it to the selected control.


- AE LOCK ONLY, AF LOCK ONLY, AE/AF LOCK, AF-ON, and AWB LOCK ONLY cannot be assigned to the touch function buttons (T-Fn1 through T-Fn4).
- Button assignments can also be selected using BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING.
Choose from:
EXPO.COMP.
- IMAGE SIZE
- IMAGE QUALITY
- RAW
FILMSIMULATION
- GRAIN EFFECT
COLOR CHROME EFFECT
- SMOOTH SKIN EFFECT
DYNAMIC RANGE
- D RANGE PRIORITY
WHITE BALANCE
- SELECT CUSTOM SETTING
FOCUS AREA
FOCUS CHECK
AF MODE
- AF-C CUSTOM SETTINGS
FACE SELECT E
- FACE DETECTION ON/OFF
SELF-TIMER
- AE BKT SETTING
FOCUS BKT SETTING
- PHOTOMETRY
- SHUTTERTYPE
FLICKER REDUCTION
ISO
- IS MODE
- 35mm FORMAT MODE
WIRELESS COMMUNICATION
- FLASH FUNCTION SETTING
- TTL-LOCK
- MODELING FLASH
ZEBRA SETTING
- INTERNAL/EXTERNAL MIC LEVEL ADJUSTMENT
MOVIE SILENT CONTROL
- PREVIEW DEPTH OF FIELD
- PREVIEW EXP/WB IN MANUAL MODE
- NATURAL LIVE VIEW
HISTOGRAM
ELECTRONIC LEVEL
LARGE INDICATORS MODE
AE LOCK ONLY
- AF LOCK ONLY
AE/AF LOCK
AF-ON
AWB LOCK ONLY
- LOCK SETTING
PERFORMANCE
- AUTO IMAGE TRANSFER
- SELECT PAIRING DESTINATION
- Bluetooth ON/OFF
- PLAYBACK
- SHOOTING MODE
- NONE (control disabled)
AF-ON
If AF-ON is selected, you can press the control instead of keeping the shutter button pressed halfway.
MODELING FLASH
If MODELING FLASH is selected when a compatible shoe-mounted flash unit is attached, you can press the control to test-fire the flash and check for shadows and the like (modeling flash).
TTL-LOCK
If TTL-LOCK is selected, you can press the control to lock flash output according to the option selected for FLASH SETTING > TTL-LOCK MODE (149).
FACE SELECT
FACE SELECT can be enabled or disabled by pressing the button to which FACE SELECT is assigned. Enabling FACE SELECT allows the focus stick (focus lever) or (during viewfinder photography) touch controls (31) to be used to select the face that will be used for focus.

The following features can be accessed using the focus stick or during viewfinder photography when FACE SELECT is enabled:
- The face used to set focus can be selected using the focus stick. To switch from face detection to manual focus-area selection, press the center of the focus stick (focus lever) (82). Press again to re-enable face detection.
- The touch screen (monitor) or focus stick can be used to select the face used to set focus during viewfinder photography.
Peripherals and Optional Accessories
Lenses
The camera can be used with lenses for the FUJIFILM G-mount.
Lens Parts



① Lens hood
② Mounting marks
③ Focus ring
④ Aperture ring lock release
⑤ Mounting marks (focal length)
⑥ Aperture ring
Lens signal contacts
⑧ Front lens cap
⑨ Rear lens cap

A GF63mmF2.8 R WR lens is used here for illustrative purposes.
Lens Care
- Use a blower to remove dust, then gently wipe with a soft, dry cloth. Any remaining stains can be removed by wiping gently with a piece of Fujifilm lens-cleaning paper to which a small amount of lens-cleaning fluid has been applied.
- Replace the front and rear caps when the lens is not in use.
Removing Lens Caps
Remove lens caps as shown.


Lens caps may differ from those shown.
Attaching Lens Hoods
When attached, lens hoods reduce glare and protect the front lens element.

Aperture ring
Rotate the lens aperture ring to choose the aperture (f-number).

Aperture ring lock release
Aperture ring
| Setting | Description |
| C(C) | Set aperture to the value chosen with the camera command dial. |
| A(A) | Set aperture to the value chosen automatically by the camera. |
| Other values(32) | Set aperture to the selected value. |

To select C or A, or to select another value after selecting C or A, press the aperture ring lock release while rotating the aperture ring.
Viewfinder Tilt Adapters
The optional EVF-TL1 tilt adapter lets you swivel the viewfinder left or right ± 45^ or up or down between 0^ and 90^ .

① Hot shoe
② Tilt lock knob
(3) Adapter lock release
④ Horizontal swivel lock
⑤ Connectors
(6) Connector cover
Hot shoe cover
Attaching the EVF-TL1
Slide the EVF-TL1 onto the camera hot shoe and then attach the EVF-GFX2 electronic viewfinder.


Remove the hot shoe covers from the camera and EVF-TL1 before attaching the adapter and viewfinder.
-Removing the EVF-TL1
Remove the viewfinder and then, keeping the lock releases (①) pressed, press down on the front of the adapter (②) and slide it from the camera as shown.


Use only one tilt adapter at a time.
Using the EVF-TL1
Swivel the viewfinder into the desired position.
Swiveling the Viewfinder Up or Down
Loosen the tilt lock knob and swivel the viewfinder up or down from 0^ to 90^ .

With the viewfinder in the desired position (①), tighten the tilt lock knob (②) to lock the viewfinder in place.

Swiveling the Viewfinder Left or Right
Release the horizontal swivel lock as shown and swivel the viewfinder left or right ± 45^

With the viewfinder in the desired position (①), return the horizontal swivel lock to the latched position (②) to lock the viewfinder in place.

External Flash Units
Flash units can be mounted on the hot shoe or connected via the sync terminal.
Use optional external flash units for flash photography. Some units support high-speed sync (FP) and can be used at shutter speeds faster than the flash sync speed, while others can function as master flash units controlling remote units via optical wireless flash control.

You may be unable to test-fire the flash in some circumstances, for example when a setup menu is displayed on the camera.
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected for FLASH SETTING > RED EYE REMOVAL and a FACE DETECTION ON option is selected for AF/MF SETTING > FACE/EYE DETECTION SETTING. Red-eye removal minimizes "red-eye" caused when light from the flash is reflected from the subject's retinas.
Flash Settings
To adjust settings for a flash unit mounted on the hot shoe or connected via the sync terminal:
1 Connect the unit to the camera.
2 In shooting mode, select FLASH FUNCTION SETTING in the (FLASH SETTING) menu tab. The options available vary with the flash unit.

| Menu | Description | 图 |
| SYNC TERMINAL | Displayed when no compatible flash unit is connected or if a unit is connected via the sync terminal or uses only the X-contact on the hot shoe. | 272 |
| SHOE MOUNT FLASH | Displayed when an optional flash unit is mounted on the hot shoe and turned on. | 273 |
| MASTER (OPTICAL) | Displayed if an optional flash unit functioning as a master flash for Fujifilm optical wireless remote flash control is connected and turned on. | 276 |

SYNC TERMINAL will be also displayed if an incompatible flash unit or no flash unit is connected.
3 Highlight items using the focus stick (focus lever) and rotate the rear command dial to change the highlighted setting.

4 Press DISP/BACK to put the changes into effect.
SYNC TERMINAL
The following options are available when no compatible flash unit is connected or if a unit is connected via the sync terminal or uses only the X-contact on the hot shoe.

| Setting | Description |
| ① Flash control mode | Choose from the following options: · M: A trigger signal is transmitted via the hot shoe X contacts when a picture is taken. Choose a shutter speed slower than the sync speed; even slower speeds may be required if the unit uses long flashes or has a slow response time. · ⑤OFF (OFF): The trigger signal is disabled. |
| ② Sync | Choose whether the flash is timed to fire immediately after the shutter opens (FRONT/1ST CURTAIN) or immediately before it closes (REAR/2ND CURTAIN). 1ST CURTAIN is recommended in most circumstances. |
- The Sync Terminal
Use the sync terminal to connect flash units that require a sync cable.

SHOE MOUNT FLASH
The following options are available when an optional shoe-mounted flash unit is attached and turned on.

| Setting | Description |
| ① Flash control mode | The flash control mode selected with the flash unit. This can in some cases be adjusted from the camera; the options available vary with the flash. • TTL: TTL mode. Adjust flash compensation (②). • M: The flash fires at the selected output regardless of subject brightness or camera settings. Output in some cases can be adjusted from the camera (②). • MULTI: Repeating flash. Compatible shoe-mounted flash units will fire multiple times with each shot. • ③OFF (OFF): The flash does not fire. Some flash units can be turned off from the camera. |
| ② Flash compensation/output | The options available vary with flash control mode. • TTL: Adjust flash compensation (the full value may not be applied if the limits of the flash control system are exceeded). In the cases of the EF-X20, EF-20, EF-42, and EF-X500, the selected value is added to the value selected with the flash unit. • M/MULTI: Adjust flash output (compatible units only). Choose from values expressed as fractions of full power, from 1/4 (mode M) or 1/4 (MULTI) down to 1/s12 in increments equivalent to 1/3 EV. The desired results may not be achieved at low values if they exceed the limits of the flash control system; take a test shot and check the results. |
| ③ Flash mode (TTL) | Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) selected. • FTL (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A icon displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken. • FTL (STANDARD): The flash fires with every shot if possible; flash level is adjusted according to subject brightness. The flash will not fire if not fully charged when the shutter is released. • FTL (SLOW SYNC): Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released. |
| ④ Sync | Control flash timing. • FRONT (1ST CURTAIN): The flash fires immediately after the shutter opens (generally the best choice). • REAR (2ND CURTAIN): The flash fires immediately before the shutter closes. • (AUTO FP(HSS)): High-speed sync (compatible units only). The camera automatically engages front-curtain high-speed sync at shutter speeds faster than the flash sync speed. Equivalent to 1ST CURTAIN when MULTI is selected for flash control mode. |
| ⑤ Zoom | The angle of illumination (flash coverage) for units that support flash zoom. Some units allow the adjustment to be made from the camera. If AUTO is selected, zoom will automatically be adjusted to match coverage to lens focal length. |
| ⑥ Lighting | If the unit supports this feature, choose from: • FLASH POWER PRIORITY: Gain range by slightly reducing coverage. • (STANDARD): Match coverage to picture angle. • (EVEN COVERAGE PRIORITY): Slightly increase coverage for more even lighting. |
| ⑦ LED light | Choose how the built-in LED light functions during still photography (compatible units only): as a catchlight (√/CATCHLIGHT), as an AF-assist illuminator (AF/AF ASSIST), or as both a catchlight and an AF-assist illuminator (AF/AF ASSIST+CATCHLIGHT). Choose OFF to disable the LED during photography. |
| ⑦ Number of flashes* | Choose the number of times the flash fires each time the shutter is released in MULTI mode. |
| ⑧ Frequency* | Choose the frequency at which the flash fires in MULTI mode. |
| * Full value may not be applied if limits of flash control system are exceeded. | |
MASTER(OPTICAL)
The options will be displayed if the unit is currently functioning as master flash for Fujifilm optical wireless remote flash control.

The master and remote units can be placed in up to three groups (A, B, and C) and flash mode and flash level adjusted separately for each group. Four channels are available for communication between the units; separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity.

| Setting | Description |
| ① Flash control mode (group A) | Choose flash control modes for groups A, B, and C. TTL% is available for groups A and B only. • TTL: The units in the group fire in TTL mode. Flash compensation can be adjusted separately for each group. • TTL%: If TTL% is selected for either group A or B, you can specify the output of the selected group as a percentage of the other and adjust overall flash compensation for both groups. • M: In mode M, the units in the group fire at the selected output (expressed as a fraction of full power) regardless of subject brightness or camera settings. • MULTI: Choosing MULTI for any group sets all the units in all groups to repeating flash mode. All units will fire multiple times with each shot. • ⑤OFF (OFF): If OFF is selected, the units in the group will not fire. |
| ② Flash control mode (group B) | |
| ③ Flash control mode (group C) | |
| ④ Flash compensation/ output (group A) | Adjust flash level for the selected group according to option selected for flash control mode. Note that the full value may not be applied if the limits of the flash control system are exceeded. • TTL: Adjust flash compensation. • M/MULTI: Adjust flash output. • TTL%: Choose the balance between groups A and B and adjust overall flash compensation. |
| ⑤ Flash compensation/ output (group B) | |
| ⑥ Flash compensation/ output (group C) | |
| ⑦ Flash mode (TTL) | Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) se-lected. • AUTO (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A icon displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken. • FTL (STANDARD): The flash fires with every shot if poss-ble; flash level is adjusted according to subject bright-ness. The flash will not fire if not fully charged when the shutter is released. • AUTO (SLOW SYNC): Combine the flash with slow shutter speeds when photographing portrait subjects against a backdrop of night scenery. The flash will not fire if not fully charged when the shutter is released. |
| ⑧ Sync | Control flash timing. • FRONT (1ST CURTAIN): The flash fires immediately after the shutter opens (generally the best choice). • REAR (2ND CURTAIN): The flash fires immediately before the shutter closes. • AUTO FP(HSS): High-speed sync (compatible units only). The camera automatically engages front-curtain high-speed sync at shutter speeds faster than the flash sync speed. Equivalent to 1ST CURTAIN when MULTI is selected for flash control mode. |
| ⑨ Zoom | The angle of illumination (flash coverage) for units that support flash zoom. Some units allow the adjustment to be made from the camera. If AUTO is selected, zoom will automatically be adjusted to match coverage to lens focal length. |
| ⑩ Lighting | If the unit supports this feature, choose from: • = (FLASH POWER PRIORITY): Gain range by slightly reducing coverage. • ≥ (STANDARD): Match coverage to picture angle. • > (EVEN COVERAGE PRIORITY): Slightly increase coverage for more even lighting. |
| ⑪ Master | Assign the master flash to group A (Gr A), B (Gr B), or C (Gr C). If OFF is selected, output from the master flash will be held to a level that does not affect the final picture. Available only if the unit is mounted on the camera hot shoe as a master flash for Fujifilm optical wireless remote flash control in TTL, TTL%, or M mode. |
| ⑪ Number of flashes | Choose the number of times the flash fires each time the shutter is released in MULTI mode. |
| ⑫ Channel | Choose the channel used by the master flash for communication with the remote flash units. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity. |
| ⑫ Frequency | Choose the frequency at which the flash fires in MULTI mode. |
MEMO
Connections
HDMI Output
Camera shooting and playback displays can be output to HDMI devices.
Connecting to HDMI Devices
Connect the camera to TVs or other HDMI devices using a third-party HDMI cable.
1 Turn the camera off.
2 Connect the cable as shown below.

3 Configure the device for HDMI input as described in the documentation supplied with the device.
4 Turn the camera on. The contents of the camera display will be shown on the HDMI device. The camera display turns off in playback mode (图283).
Making sure the connectors are fully inserted.
- The USB cable cannot be used while an HDMI cable is connected.
- Use an HDMI cable no more than 1.5m (4.9 ft.) long.
Shooting
Shoot photos and record movies while viewing the scene through the camera lens on or saving footage to the HDMI device.

This feature can be used to save 4K and Full HD movies to an HDMI recorder.
Playback
To start playback, press the camera button. The camera monitor turns off and pictures and movies are output to the HDMI device. Note that the camera volume controls have no effect on sounds played on the TV; use the television volume controls to adjust the volume.

Some televisions may briefly display a black screen when movie playback begins.
Wireless Connections (Bluetooth®, Wireless LAN/Wi-Fi)
Access wireless networks and connect to computers, smartphones, or tablets. For more information, visit: http://fujifilm-dsc.com/wifi/
Smartphones and Tablets: FUJIFILM Camera Remote
Connect to the camera via Bluetooth or wireless LAN.

To establish a wireless connection to the camera, you will need to install the latest version of the FUJIFILM Camera Remote app on your smartphone or tablet.
-FUJIFILM Camera Remote
Once a connection has been established, you can use FUJIFILM Camera Remote to:
Control the camera and take pictures remotely
- Receive pictures uploaded from the camera
- Browse the pictures on the camera and download selected pictures
- Upload location data to the camera
- Release the camera shutter
- Update camera firmware
For downloads and other information, visit: http://app.fujifilm-dsc.com/en/camera_remote/
SmartPhones and Tablets: Bluetooth® Pairing
Use CONNECTION SETTING > Bluetooth SETTINGS > PAIRING REGISTRATION to pair the camera with smartphones or tablets. Pairing offers a simple method for downloading photos from the camera.

Photos are downloaded via a wireless connection.
- Once pairing is complete, you will be able to synchronize the camera clock and location data with the smartphone or tablet (图240).
- You can choose a connection from up to 7 paired smartphones or tablets.
Smartphones and Tablets: Wireless LAN
Use the WIRELESS COMMUNICATION options in SHOOTING SETTING or the playback menu to connect to a smartphone or tablet via a Wireless LAN.

Tethered Shooting: Capture One Pro Fujifilm/ Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/FUJIFILM X Acquire
- Before proceeding, select WIRELESS TETHER SHOOTING FIXED for ±b CONNECTION SETTING > PC CONNECTION MODE in the camera menus.
- Tethered shooting can be performed using software such as Adobe Photoshop

Lightroom® Classic CC and FUJIFILM X Acquire. If you use Adobe Photoshop® Lightroom® Classic CC, download FUJIFILM Tether Shooting Plug-in PRO for GFX from the Adobe Exchange website. FUJIFILM Tether Shooting Plug-in PRO for GFX is available free of charge.

- For more information, visit the following website: http://app.fujifilm-dsc.com/en/#tether
- For more information on FUJIFILM X Acquire and FUJIFILM Tether Shooting Plug-in PRO for GFX, see "Software for Use with Your Camera" (图298).
Connecting to Computers via USB
Connect the camera to a computer to download pictures or take pictures remotely.

Before downloading pictures or taking pictures remotely, connect the camera to a computer and check that it functions normally.
1 Turn the computer on.
2 Adjust settings according to whether you will be using the camera for tethered shooting (290), copying pictures to a computer (291), save RAW pictures in other formats (292), or Saving and Loading Camera Settings (292).
3 Turn the camera off.
4 Connect a USB cable.

USB connector (Type-C)

The USB cable must be no more than 1.5 m (4.9 ft.) long and be suitable for data transfer.
5 Turn the camera on.
6 Copy pictures to your computer.
- Tethered shooting: During tethered shooting, you can copy pictures using tethered shooting software such as the Capture One Pro Fujifilm/Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/ FUJIFILM X Acquire.
- Image transfer: Use MyFinePix Studio or applications provided with your operating system.
- RAW conversion: Process RAW images using FUJIFILM X RAW STUDIO. The power of the camera's image processing engine is used for rapid processing.
- Saving and loading camera settings: Use FUJIFILM X Acquire to save or load camera settings. Save your preferred settings to a file in a single operation and copy them to multiple cameras.

- Turn the camera off before disconnecting the USB cable.
- When connecting USB cables, be sure the connectors are fully inserted in the correct orientation. Connect the camera directly to the computer; do not use a USB hub or keyboard.
- Loss of power during transfer could result in loss of data or damage to the memory card. Insert a fresh or fully-charged battery before connecting the camera.
- If a memory card containing a large number of images is inserted, there may be a delay before the software starts and you may be unable to import or save images. Use a memory card reader to transfer pictures.
- Make sure that the indicator lamp is off or lit green before turning the camera off.
- Do not disconnect the USB cable while transfer is in progress. Failure to observe this precaution could result in loss of data or damage to the memory card.
- Disconnect the camera before inserting or removing memory cards.
- In some cases, it may not be possible to access pictures saved to a network server using the software in the same way as on a standalone computer.
- Do not immediately remove the camera from the system or disconnect the USB cable once the message stating that copying is in progress clears from the computer display. If the number of images copied is very large, data transfer may continue after the message has ceased to be displayed.
- The user bears all applicable fees charged by the phone company or Internet service provider when using services that require an Internet connection.
Tethered Shooting: Capture One Pro Fujifilm/ Adobe® Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX/FUJIFILM X Acquire
- Before proceeding, select USB TETHER SHOOTING AUTO for CONNECTION SETTING > PC CONNECTION MODE in the camera menus.
- Capture One Pro Fujifilm, AdobePhotoshop Lightroom Classic CC +

FUJIFILM Tether Shooting Plug-in PRO for GFX, and FUJIFILM X Acquire can be used for tethered shooting.

- Choose USB TETHER SHOOTING FIXED if the camera will be used solely for tethered shooting. Note that if the USB cable is disconnected, the camera will continue to function in tethered mode and pictures will not be saved to the camera memory card.
- For more information, visit the following website: http://app.fujifilm-dsc.com/en/#tether
- For more information on Capture One Pro Fujifilm, Adobe Photoshop® Lightroom® Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX, and FUJIFILM X Acquire, see "Software for Use with Your Camera" (图298).
Copying Pictures to a Computer
- Before copying pictures to a computer, select USB CARD READER for CONNECTION SETTING > PC CONNECTION MODE.
- The software that can be used to copy pictures varies with your computer operating system.

Mac OS X/macOS
Pictures can be copied to your computer using Image Capture (supplied with your computer) or other software.

Use a card reader to copy files over 4 GB in size.
Windows
Use MyFinePix Studio to copy pictures to your computer, where they can be stored, viewed, organized, and printed.

For more information on MyFinePix Studio, see "Software for Use with Your Camera" (298).
Converting RAW Images: FUJIFILM X RAW STUDIO
- Before proceeding, select USB RAW CONV./BACKUP RESTORE for CONNECTION SETTING > PC CONNECTION MODE in the camera menus.
- FUJIFILM X RAW STUDIO can be used to convert RAW images to JPEG or TIFF images.


For more information on FUJIFILM X RAW STUDIO, see "Software for Use with Your Camera" (298).
Backing up and Restoring Camera Settings (FUJIFILM X Acquire)
- Before proceeding, select USB RAW CONV./BACKUP RESTORE for CONNECTION SETTING > PC CONNECTION MODE in the camera menus.
- FUJIFILM X Acquire can be used to backup and restore camera settings.


For more information on FUJIFILM X Acquire, see "Software for Use with Your Camera" (298).
instax SHARE Printers
Print pictures from your digital camera to instax SHARE printers.
Establishing a Connection
Select CONNECTION SETTING > instax PRINTER CONNECTION SETTING and enter the instax SHARE printer name (SSID) and password.
The Printer Name (SSID) and Password
The printer name (SSID) can be found on the bottom of the printer; the default password is "1111". If you have already chosen a different password to print from a smartphone, enter that password instead.

Printing Pictures
1 Turn the printer on.
2 Select 1 PLAY BACK MENU > instant PRINTER PRINT. The camera will connect to the printer.

3 Use the focus stick (focus lever) to display the picture you want to print, then press MENU/OK.


- Pictures taken with other cameras cannot be printed.
- The area printed is smaller than the area visible in the LCD monitor.
- The displays may vary depending on the printer connected.
4 The picture will be sent to the printer and printing will start.
Technical Notes
Accessories from Fujifilm
The following optional accessories are available from Fujifilm. For the latest information on the accessories available in your region, check with your local Fujifilm representative or visit http://www.fujifilm.com/products/digital Cameras/index.html.
Rechargeable Li-ion batteries
NP-T125: Additional high-capacity NP-T125 rechargeable batteries can be purchased as required.
Battery chargers
BC-T125: Replacement battery chargers can be purchased as required.
AC power adapters
AC-15V: Use this 100–240 V, 50/60 Hz AC power adapter for extended shooting and playback, when copying pictures to a computer. It can also be used to charge the battery without removing it from the camera.
FUJINON lenses
GF-series lenses: Interchangeable lenses for use exclusively with the FUJIFILM G-mount.
Tilt adapters
EVF-TL1: This adapter lets you swivel the viewfinder left or right ± 45^ or up or down between 0^ and 90^ to take shots from different angles.
Eye cups
EC-XH W/EC-XT L/EC-XT M/EC-XT S/EC-GFX: Attach viewfinder eyecups to prevent light leaking into the viewfinder window.
Mount adapters
H MOUNT ADAPTER G: This mount adapter allows the camera to be used with SUPER EBC FUJINON accessories for the GX645AF, giving you the use of one additional teleconverter and nine different lenses.
Macro extension tubes
MCEX-18G WR/MCEX-45G WR: Mount this adapter between the lens and the camera body for macro photography with large reproduction ratios.
View camera adapters
VIEW CAMERA ADAPTER G: This adapter is for use with lenses for older FUJINON large-format cameras, including lenses in the CM FUJINON series.
Shoe-mounted flash units
EF-X500: This clip-on flash unit has a Guide Number of 50/164 (ISO 100, m/ft.) and supports FP (high-speed sync), allowing it to be used at shutter speeds that exceed the flash sync speed. Powered by four AA batteries or an optional EF-BP1 battery pack, it supports manual and TTL flash control and auto power zoom in the range 24 - 105mm (35 mm format equivalent) and features Fujilm optical wireless flash control, allowing it to be used as a master or remote flash unit for remote wireless flash photography. The flash head can be rotated 90^ up, 10^ down, 135^ left, or 180^ right for bounce lighting.
EF-42: This clip-on flash unit (powered by four AA batteries) has a Guide Number of 42/137 (ISO 100, m/ft.) and supports manual and TTL flash control and auto power zoom in the range 24–105 mm (35 mm format equivalent). The flash head can be rotated 90^ up, 180^ left, or 120^ right for bounce lighting.
EF-X20: This clip-on flash unit has a Guide Number of 20/65 (ISO 100, m/ft.). Powered by two AAA batteries, this light, compact unit features a dial for adjusting TTL flash compensation or manual flash output.
EF-20: This clip-on flash unit (powered by two AA batteries) has a Guide Number of 20/65 (ISO 100, m/ft.) and supports TTL flash control (manual flash control is not supported). The flash head can be rotated upwards 90^ for bounce lighting.
Remote releases
RR-100: Use to reduce camera shake or keep the shutter open during a time exposure.
Stereo microphones
MIC-ST1: An external microphone for movie recording.
Grip belts
GB-001: Improves grip.
Body caps
BCP-002: Cover the camera lens mount when no lens is attached.
instax SHARE printers
SP-1/SP-2/SP-3: Connect via wireless LAN to print pictures on instax film.
Software for Use with Your Camera
The camera can be used with the following software.
FUJIFILM Camera Remote
Establish a wireless connection between your camera and a smartphone or tablet (图284).
http://app.fujifilm-dsc.com/en/camera_remote/
MyFinePix Studio
Manage, view, print, and edit the many images downloaded from your digital camera (291).
http://fujifilm-dsc.com/mfs/
Once download is complete, double-click the downloaded file ("MFPS_Setup.EXE") and follow the on-screen instructions to complete installation.
Capture One Express Fujifilm
Capture One Express Fujilm is image edit software from Phase One A/S. View RAW pictures on your computer and convert them into other formats. Capture One Express Fujilm is available free of charge from Phase One.
https://www.phaseone.com/fujifilm/
RAW FILE CONVERTER EX
RAW FILE CONVERTER EX is RAW conversion software from Ichikawa Soft Laboratory Co., Ltd. View RAW pictures on your computer and convert them into other formats. RAW FILE CONVERTER EX is available free of charge from the Fujifilm website.
http://fujifilm-dsc.com/rfc/
Capture One Pro Fujifilm
Capture One Pro Fujifilm is workflow software from Phase One A/S. Capture One Pro Fujifilm supports tethered shooting and the conversion of RAW pictures into other formats.
https://www.phaseone.com/fujifilm/
Adobe Photoshop Lighthroom Classic CC + FUJIFILM Tether Shooting Plug-in PRO for GFX
Installing this dedicated plug-in allows tethered shooting using Adobe Photoshop Lightroom Classic CC. FUJIFILM Tether Shooting Plug-in PRO for GFX is available free of charge from the Adobe Exchange website.
FUJIFILM Tether Shooting Plug-in PRO for GFX
http://fujifilm-x.com/x-stories/fujifilm-tether-plugin-in-pro-features/
FUJIFILM X Acquire
This application for Windows and macOS lets you connect to the camera via USB or Wi-Fi and automatically download photos to a specified folder as they are taken, or backup and restore the camera via USB.
http://fujifilm-x.com/x-stories/fujifilm-x-acquire-features-users-guide/

Auto download (tethered shooting) is not supported with some cameras.
FUJIFILM X RAW STUDIO
When the camera is connected to a computer via USB, FUJIFILM X RAW STUDIO can use the camera's unique image processing engine to rapidly convert RAW files to create high-quality images in other formats.
http://fujifilm-x.com/x-stories/fujifilm-x-raw-studio-features-users-guide/
IMPORTANT SAFETY INSTRUCTIONS
- Read Instructions: All the safety and operating instructions should be read before the appliance is operated.
- Retain Instructions: The safety and operating instructions should be retained for future reference.
- Reed Warnings: All warnings on the appliance and in the operating instructions should be adhered to.
- Follow Instructions: All operating and use instructions should be followed.
Installation
Power Sources: This video product should be operated only from the type of power source indicated on the marking label. If you are not sure of the type of power supply to your home, consult your appliance dealer or local power company. For video products intended to operate from battery power, or other sources, refer to the operating instructions.
Grounding or Polarization: This video product is equipped with a polarized alternating-current line plug (a plug having one blade wider than the other). This plug will fit into the power outlet only one way. This is a safety feature. If you are unable to insert the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the polarized plug.
Alternate Warnings: This video product is equipped with a three-wire grounding-type plug, a plug having a third (grounding) pin. This plug will only fit into a grounding-type power outlet. This is a safety feature. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the grounding type plug.
Overloading: Do not overload wall outlets and extension cords as this can result in a risk of fire or electric shock.
Ventilation: Slots and openings in the cabinet are provided for ventilation, to ensure reliable operation of the video product and to protect it from overheating, and these openings must not be blocked or covered. The openings should never be blocked by placing the video product on a bed, sofa, rug, or other similar surface.
This video product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided or the manufacturer's instructions have been adhered to. This video product should never be placed near or over a radiator or heat register.
Attaches: Do not use attachments not recommended by the video product manufacturer as they may cause hazards.
Water and Moisture: Do not use this video product near water—for example, near a bath tub, wash bowl, kitchen sink, or laundry tub, in a wet basement, or near a swimming pool, and the like.
Power-Cord Protection: Power-supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords at plugs, convenience receptacles, and the point where they exit from the appliance.
Accessories: Do not place this video product on an unstable cart, stand, tripod, bracket, or table. The video product may fall, causing serious injury to a child or adult, and serious damage to the appliance. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the video product. Any mounting of the appliance should follow the manufacturer's instructions, and should use a mounting accessory recommended by the manufacturer.
An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn.

Antennas
Outdoor Antenna Grounding: If an outside antenna or cable system is connected to the video product, be sure the antenna or cable system is grounded so as to provide some protection against voltage surges and built-up static charges. Section 810 of the National Electrical Code, ANSI/NFPA No. 70, provides information with respect to proper grounding of the mast and supporting structure, grounding of the lead-in wire to an antenna discharge unit, size of grounding conductors, location of antenna discharge unit, connection to grounding electrodes, and requirements for the grounding electrode.

EXAMPLE OF ANTENNA GROUNDING AS PER NATIONAL ELECTRICAL CODE
Power Lines: An outside antenna system should not be located in the vicinity of overhead power lines or other electric light or power circuits, or where it can fall into such power lines or circuits. When installing an outside antenna system, extreme care should be taken to keep from touching such power lines or circuits as contact with them might be fatal.
Use
Cleaning: Unplug this video product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for cleaning.
Object and Liquid Entry: Never push objects of any kind into this video product through openings as they may touch dangerous voltage points or short out parts that could result in a fire or electric shock. Never spill liquid of any kind on the video product.
Lightning: For added protection for this video product receiver during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet and disconnect the antenna or cable system. This will prevent damage to the video product due to lightning and power-line surges.
Service
Servicing: Do not attempt to service this video product yourself as opening or removing covers may expose you to dangerous voltage or other hazards. Refer all servicing to qualified service personnel.
Damage Requiring Service: Unplug this video product from the wall outlet and refer servicing to qualified service personnel under the following conditions:
- When the power-supply cord or plug is damaged
- If liquid has been spilled, or objects have fallen into the video product.
If the video product has been exposed to rain or water. - If the video product has been dropped or the cabinet has been damaged.
If the video product does not operate normally follow the operating instructions. Adjust only those controls that are covered by the operating instructions as an improper adjustment of other controls may result in damage and will often require extensive work by a qualified technician to restore the video product to its normal operation.
When the video product exhibits a distinct change in performance - this indicates a need for service.
Replacement Parts: When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock or other hazards.
Safety Check: Upon completion of any service or repairs to this video product, ask the service technician to perform safety checks to determine that the video product is in proper operating condition.
Be sure to read these notes before use
Safety Notes
Make sure that you use your camera correctly. Read these safety notes and your Owner's Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate the severity of the injury or damage that can result if the information indicated by the icon is ignored and the product is used incorrectly as a result.

WARNING
This icon indicates that death or serious injury can result if the information is ignored.

CAUTION
This icon indicates that personal injury or material damage can result if the information is ignored.
The icons shown below are used to indicate the nature of the instructions which are to be observed.

Triangular icons tell you that this information requires attention ("Important").

Circular icons with a diagonal bar tell you that the action indicated is prohibited ("Prohibited").

Filled circles with an exclamation mark indicate an action that must be performed ("Required").
The symbols on the product (including the accessories) represent the following:

AC
DC
一

Class II equipment (The construction of the product is double-insulated.)

WARNING

Unplug rom power socket
If a problem arises, turn the camera off, remove the battery, disconnect the USB cable, and unplug the AC power adapter. Continued use of the camera when it is emitting smoke, is emitting any unusual odor, or is in any other abnormal state can cause a fire or electric shock. Contact your Fujifilm dealer.

Do not allow water or foreign objects to enter the camera or connecting cables. Do not use the camera or connecting cables following ingress of fresh or salt water, milk, beverages, detergents, or other liquids. Should liquid find its way into the camera or connecting cables, turn the camera off, remove the battery, disconnect the USB cable, and disconnect and unplug the AC adapter. Continued use of the camera can cause a fire or electric shock. Contact your Fujih film dealer.

WARNING

Do not use in the bathroom or shower
Do not use the camera in the bathroom or shower. This can cause a fire or electric shock.

Do not disassemble
Never attempt to change or take apart the camera (never open the case). Failure to observe this precaution can cause fire or electric shock.

Do not touch internal parts
Should the case break open as the result of a fall or other accident, do not touch the exposed parts. Failure to observe this precaution could result in electric shock or in injury from touching the damaged parts. Remove the battery immediately, taking care to avoid injury or electric shock, and take the product to the point of purchase for consultation.

Do not change, heat or unduly twist or pull the connection cord and do not place heavy objects on the connection cord. These actions could damage the cord and cause a fire or electric shock. If the cord is damaged, contact your Fujifilm dealer. Do not use cables with bent connectors.

Do not place the camera on an unstable surface. This can cause the camera to fall or tip over and cause injury.

Never attempt to take pictures while in motion. Do not use the camera while walking or driving. This can result in you falling down or being involved in a traffic accident.

Do not touch any metal parts of the camera during a thunderstorm. This can cause an electric shock due to induced current from the lightning discharge.

Do not use the battery except as specified. Load the battery as shown by the indicator.

Do not disassemble, modify, or heat batteries. Do not drop, strike, or throw batteries or otherwise subject them to strong impacts. Do not use batteries that show signs of leaking, deformation, discoloration, or other abnormalities. Use only designated chargers to recharge rechargeable batteries and do not attempt to recharge non-rechargeable Li-ion or alkaline batteries. Do not short batteries or store them with metallic objects. Failure to observe these precautions could result in the batteries overheating, igniting, rupturing, or leaking, causing fire, burns, or other injury.

Use only batteries or AC power adapters specified for use with this camera. Do not use voltages other than the power supply voltage shown. The use of other power sources can cause a fire.

If the battery leaks and fluid gets in contact with your eyes, skin or clothing, flush the affected area with clean water and seek medical attention or call an emergency number right away.
| WARNING | |
| Do not use the charger to charge batteries other than those specified here. The supplied charger is for use only with batteries of the type supplied with the camera. Using the charger to charge conventional batteries or other types of rechargeable batteries can cause the battery to leak, overheat or burst. | |
| Using a flash too close to a person's eyes may cause visual impairment. Take particular care when photograph-ing infants and young children. | |
| Do not remain in prolonged contact with hot surfaces. | |
| Failure to observe this precaution could result in low-temperature burns, particularly at high ambient temperatures or with users who suffer from poor circulation or reduced sensation, in which case use of a tripod or similar precautions are recommended. | |
| Do not leave one part of the body in contact with the product for prolonged periods while the product is on. | |
| Failure to observe this precaution could result in low-temperature burns, particularly during prolonged use, at high ambient temperatures, or with users who suffer from poor circulation or reduced sensation, in which case use of a tripod or similar precautions are recommended. | |
| Do not use in the presence of flammable objects, explosive gases, or dust. | |
| When carrying the battery, install it in a digital camera or keep it in the hard case. When storing the battery, keep it in the hard case. When discarding, cover the battery terminals with insulation tape. Contact with other metallic objects or batteries could cause the battery to ignite or burst. | |
| Keep memory cards, hot shoes, and other small parts out of the reach of small children. Children may swallow small parts; keep out of reach of children. Should a child swallow a small part, seek medical attention or call emergency. | |
| Keep out of reach of small children. Among the elements that could cause injury are the strap, which could become entangled about a child's neck, causing strangulation, and the flash, which could cause visual impairment. | |
| Follow the directions of airline and hospital personnel. This product generates radio-frequency emissions that could interfere with navigational or medical equipment. | |
| CAUTION | |
| Do not use this camera in locations affected by oil fumes, steam, humidity or dust. This can cause a fire or elec-tric shock. | |
| Do not leave this camera in places subject to extremely high temperatures. Do not leave the camera in locations such as a sealed vehicle or in direct sunlight. This can cause a fire. |
CAUTION

Do not place heavy objects on the camera. This can cause the heavy object to tip over or fall and cause injury.

Do not move the camera while the AC power adapter is still connected. Do not pull on the connection cord to disconnect the AC power adapter. This can damage the power cord or cables and cause a fire or electric shock.

Do not cover or wrap the camera or the AC power adapter in a cloth or blanket. This can cause heat to build up and distort the casing or cause a fire.

Do not use the plug if it is damaged or if it does not fit securely into the outlet. Failure to observe this precaution could result in fire or electric shock.

When you are cleaning the camera or you do not plan to use the camera for an extended period, remove the battery and disconnect and unplug the AC power adapter. Failure to do so can cause a fire or electric shock.
CAUTION

When charging ends, unplug the charger from the power socket. Leaving the charger plugged into the power socket can cause a fire.

When a memory card is removed, the card could come out of the slot too quickly. Use your finger to hold it and gently release the card. Injury could result to those struck by the ejected card.

Request regular internal testing and cleaning for your camera. Build-up of dust in your camera can cause a fire or electric shock. Contact your Fujilm dealer to request internal cleaning every two years. Please note that this service is not free of charge.

Danger of explosion if battery is incorrectly replaced. Replace only with the same or equivalent type.

Batteries (battery pack or batteries installed) shall not be exposed to excessive heat such as sunshine, fire or the like.
The Battery and Power Supply
Note: Check the type of battery used in your camera and read the appropriate sections.
WARNING Battery shall not be exposed to excessive heat such as sunshine, fire or the like.
The following describes the proper use of batteries and how to prolong their life. Incorrect use can shorten battery life or cause leakage, overheating, fire, or explosion.
Li-ion Batteries
Read this section if your camera uses a rechargeable Li-ion battery.
The battery is not charged at shipment. Charge the battery before use. Keep the battery in its case when not in use.
Notes on the Battery
The battery gradually loses its charge when not in use. Charge the battery one or two days before use.
Battery life can be extended by turning the camera off when not in use.
Battery capacity decreases at low temperatures; a depleted battery may not function when cold. Keep a fully charged spare battery in a warm place and exchange as necessary, or keep the battery in your pocket or other warm place and insert it in the camera only when shooting. Do not place the battery in direct contact with hand warmers or other heating devices.
Charging the Battery
Charge the battery in the supplied battery charger. Charging times will increase at ambient temperatures below +10^ (+50^) or above +35^ (+95^) . Do not attempt to charge the battery at temperatures above +40^ (+104^) ; at temperatures below +5^ (+41^) , the battery will not charge.
Do not attempt to recharge a fully charged battery. The battery does not however need to be fully discharged before charging.
The battery may be warm to the touch immediately after charging or use. This is normal.
Battery Life
At normal temperatures, the battery can be recharged about 300 times. A noticeable decrease in the length of time the battery will hold a charge indicates that it has reached the end of its service life and should be replaced.
■ Storage
Performance may be impaired if the battery is left unused for extended periods when fully charged. Run the battery flat before storing it.
If the camera will not be used for an extended period, remove the battery and store it in a dry place with an ambient temperature of from +15^ to +25^ (+59^ to +77^) . Do not store in locations exposed to extremes of temperature.
Cautions: Handling the Battery
- Do not transport or store with metal objects such as necklaces or hairpins.
- Do not expose to flame or heat.
- Do not disassemble or modify.
- Use with designated chargers only.
- Dispose of used batteries promptly.
- Do not drop or subject to strong physical shocks.
- Do not expose to water.
- Keep the terminals clean.
- The battery and camera body may become warm to the touch after extended use. This is normal.
Caution: Disposal
Dispose of used batteries in accord with local regulations. Attention should be drawn to the environmental aspects of battery disposal. Use the apparatus under moderate climate.
AC Power Adapters
Use only Fujifilm AC power adapters designated for use with this camera. Other adapters could damage the camera.
- The AC power adapter is for indoor use only.
- Be sure the DC plug is securely connected to the camera.
- Turn the camera off before disconnecting the adapter. Disconnect the adapter by the plug, not the cable.
- Do not use with other devices.
Using the Camera
- Do not aim the camera at extremely bright light sources, including artificial light sources or natural light sources such as the sun in a cloudless sky. Failure to observe this precaution could damage the camera image sensor.
- Strong sunlight focused through the viewfinder may damage the panel of electronic viewfinder (EVF). Do not aim the electronic viewfinder at the sun.
Take Test Shots
Before taking photographs on important occasions (such as at weddings or before taking the camera on a trip), take a test shot and view the results to ensure that the camera is functioning normally. FUJIFILM Corporation cannot accept liability for damages or lost profits incurred as a result of product malfunction.
Notes on Copyright
Unless intended solely for personal use, images recorded using your digital camera system cannot be used in ways that infringe copyright laws without the consent of the owner. Note that some restrictions apply to the photographing of stage performances, entertainments, and exhibits, even when intended purely for personal use. Users are also asked to note that the transfer of memory cards containing images or data protected under copyright laws is only permissible within the restrictions imposed by those copyright laws.
Handling
To ensure that images are recorded correctly, do not subject the camera to impact or physical shocks while images are being recorded.
Liquid Crystal
In the event that the display is damaged, care should be taken to avoid contact with liquid crystal. Take the urgent action indicated should any of the following situations arise:
If liquid crystal comes in contact with your skin, clean the area with a cloth and then wash thoroughly with soap and running water.
- If liquid crystal enters your eyes, flush the affected eye with clean water for at least 15 minutes and then seek medical assistance.
- If liquid crystal is swallowed, rinse your mouth thoroughly with water. Drink large quantities of water and induce vomiting, then seek medical assistance.
Although the display is manufactured using extremely high-precision technology, it may contain pixels that are
- Do not disassemble.
- Do not expose to high heat and humidity.
- Do not subject to strong physical shocks.
- The adapter may hum or become hot to the touch during use. This is normal.
- If the adapter causes radio interference, reorient or relocate the receiving antenna.
always lit or that do not light. This is not a malfunction, and images recorded with the product are unaffected.
Trademark Information
Digital Split Image is a trademark or registered trademark of FUJIFILM Corporation. Digital Micro Prism is a trademark or registered trademark of FUJIFILM Corporation. The typefaces included herein are solely developed by DynaComware Taiwan Inc. Mac, OSX, and macOS are trademarks of Apple Inc. in the U.S.A. and other countries. Windows is a registered trademark of Microsoft Corporation in the U.S.A. and other countries. Adobe, the Adobe logo, Photoshop, and Lightroom are trademarks or registered trademarks of Adobe Systems Incorporated in the U.S.A. and other countries. Wi-Fi® and Wi-Fi Protected Setup® are registered trademarks of the Wi-Fi Alliance. The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc., and any use of such marks by Fujifilm is under license. The SDHC and SDXC logos are trademarks of SD-3C, LLC. The HDMI logo is a trademark or registered trademark of HDMI Licensing LLC. All other trade names mentioned in this manual are the trademarks or registered trademarks of their respective owners.
Electrical Interference
This camera may interfere with hospital or aviation equipment. Consult with hospital or airline staff before using the camera in a hospital or on an aircraft.
Color Television Systems
NTSC (National Television System Committee) is a color television telecasting specification adopted mainly in the U.S.A., Canada, and Japan. PAL (Phase Alternation by Line) is a color television system adopted mainly in European countries and China.
Exif Print (Exif Version 2.3)
Exif Print is a newly revised digital camera file format in which information stored with photographs is used for optimal color reproduction during printing.
IMPORTANT NOTICE: Read Before Using the Software
Direct or indirect export, in whole or in part, of licensed software without the permission of the applicable governing bodies is prohibited.
NOTICES
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
Please read the "Safety Notes" and make sure you understand them before using the camera.
Perchlorate Material—special handling may apply. See:
http://www.dtsc.ca.gov/hazardouswaste/perchlorate
For Customers in the U.S.A.
Tested To Comply With FCC Standards FOR HOME OR OFFICE USE

Contains IC: 10293A-WMBACBM25
Contains FCC ID: COF-WMBACBM25
FCC Statement: This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
CAUTION: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
FCC Caution: Any changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate this equipment.
This transmitter must not be co-located or operating in conjunction with any other antenna or transmitter.
Radiation Exposure Statement: This device meets the government's requirements for exposure to radio waves. This device is designed and manufactured not to exceed the emission limits for exposure to radio frequency (RF) energy set by the Federal Communications Commission of the U.S. Government.
The exposure standard for wireless device employs a unit of measurement known as the Specific Absorption Rate, or SAR. The SAR limit set by the FCC is 1.6W / kg . Tests for SAR are conducted using standard operating positions accepted by the FCC with the device transmitting at its highest certified power level in all tested frequency bands.
Notes on the Grant: To comply with Part 15 of the FCC Rules, this product must be used with a Fujilm-specified ferrite-core A/V cable, USB cable, and DC supply cord.

A lithium ion battery that is recyclable powers the product you have purchased. Please call 1-800-8-BATTERY for information on how to recycle this battery.
For Customers in Canada
CAN ICES-3 (B)/NMB-3(B)
CAUTION: This Class B digital apparatus complies with Canadian ICES-003.
Industry Canada statement: This device complies with Industry Canada's licence-exempt RSSs. Operation is subject to the following two conditions: (1) This device may not cause interference; and (2) This device must accept any interference, including interference that may cause undesired operation of the device.
This device and its antenna(s) must not be co-located or operating in conjunction with any other antenna or transmitter, except tested built-in radios. The County Code Selection feature is disabled for products marketed in the US/Canada.
Radiation Exposure Statement: The available scientific evidence does not show that any health problems are associated with using low power wireless devices. There is no proof, however, that these low power wireless devices are absolutely safe. Low power Wireless devices emit low levels of radio frequency energy (RF) in the microwave range while being used. Whereas high levels of RF can produce health effects (by heating tissue), exposure of low-level RF that does not produce heating effects causes no known adverse health effects. Many studies of low-level RF exposures have not found any biological effects. Some studies have suggested that some biological effects might occur, but such findings have not been confirmed by additional research. GFX100 has been tested and found to comply with IC radiation exposure limits set forth for an uncontrolled environment and meets RSS-102 of the IC radio frequency (RF) Exposure rules.
Operation in the band 5150-5250 MHz is only for indoor use to reduce the potential for harmful interference to co-channel mobile satellite systems.
Disposal of Electrical and Electronic Equipment in Private Households
In the European Union, Norway, Iceland and Liechtenstein. This symbol on the product, or in the manual and in the warranty, and/or on its packaging indicates that this product shall not be treated as household waste. Instead it should be taken to an applicable collection point for the electrical and electronic equipment.

By ensuring this product is disposed of correctly, you will help prevent potential negative consequences to the environment and human health, which could otherwise be caused by inappropriate waste handling of this product.
This symbol on the batteries or accumulators indicates that those batteries shall not be treated as household waste.

If your equipment contains easy removable batteries or accumulators please dispose these separately according to your local requirements.
The recycling of materials will help to conserve natural resources. For more detailed information about recycling this product, please contact your local city office, your household waste disposal service or the shop where you purchased the product.
In Countries Outside the European Union, Norway, Iceland and Liechtenstein: If you wish to discard this product, including the batteries or accumulators, please contact your local authorities and ask for the correct way of disposal.
In Japan: This symbol on the batteries indicates that they are to be disposed of separately.

Wireless Network and Bluetooth Devices: Cautions
This product complies with the following EU Directives:
RoHS Directive 2011/65/EU
RE Directive 2014/53/EU
Hereby, FUJIFILM Corporation declares that the radio equipment type FF180005 is in compliance with Directive 2014/53/EU.
The full text of the EU declaration of conformity is available at the following internet address: http://www.fujifilm.com/products/digital Cameras/gfx/fujfilm_gfx_100/pdf/index/fujfilm_gfx_100cod.pdf
This compliance is indicated by the following conformity marking placed on the product:
C
This marking is valid for non-Telecom products and EU harmonized Telecom products (e.g. Bluetooth®).
IMPORTANT: Read the following notices before using the camera's built-in wireless transmitter.
This product, which contains encryption function developed in the United States, is controlled by the United States Export Administration Regulations and may not be exported or re-exported to any country to which the United States embargoes goods.
- Use only a wireless network or Bluetooth device. Fujifilm does not accept liability for damages resulting from unauthorized use. Do not use in applications requiring a high degree of reliability, for example in medical devices or other systems that may directly or indirectly impact human life. When using the device in computer and other systems that demand a greater degree of reliability than offered by wireless network or Bluetooth devices, be sure to take all necessary precautions to ensure safety and prevent malfunction.
- Use only in the country in which the device was purchased. This device conforms to regulations governing wireless network and Bluetooth devices in the country in which it was purchased. Observe all location regulations when using the device. Fujifilm does not accept liability for problems arising from use in other jurisdictions.
- Do not use the device in locations subject to magnetic fields, static electricity, or radio interference. Do not use the transmitter in the vicinity of microwave ovens or in other locations subject to magnetic fields, static electricity, or radio interference that may prevent reception of wireless signals. Mutual interference may occur when the transmitter is used in the vicinity of other wireless devices operating in the 2.4 GHz band.
- The wireless transmitter operates in the 2.4 GHz and 5 GHz bands using DSSS, OFDM and GFSK modulation.
-
Security: Wireless network and Bluetooth devices transmit data via radio and consequently their use requires greater attention to security than applies in the case of wired networks.
-
Do not connect to unknown networks or networks to which you do not have access rights, even if they are displayed on your device, as such access may be considered unauthorized. Connect only to networks to which you have access rights.
- Be aware that wireless transmissions may be vulnerable to interception by third parties.
The following may be punishable by law:
Disassembly or modification or this device
- Removal of device certification labels
- This device operates on the same frequency as commercial, educational, and medical devices and wireless transmitters. It also operates on the same frequency as licensed transmitters and special unlicensed low-voltage transmitters used in RFID tracking systems for assembly lines and in other similar applications.
To prevent interference with the above devices, observe the following precautions. Confirm that the RFID transmitter is not in operation before using this device. Should you observe that the device causes interference in licensed transmitters used for RFID tracking, immediately stop using the affected frequency or move the device to another location. If you notice that this device causes interference in low-voltage RFID tracing systems, contact a Fujifilm representative. - Do not use this device on board an aircraft. Note that Bluetooth may remain on even when the camera is off. Bluetooth can be disabled by selecting OFF for CONNECTION SETTING > Bluetooth SETTINGS > Bluetooth ON/OFF.
- Requirements in AT/BE/BG/CZ/DK/EE/FR/DE/S/IE/TI/EL/ES/CY/LV/LT/LU/HU/MT/NO/PL/PT/RO/SI/TK/TR/FI/SE/CH/UK/HR. 5150 MHz-5350 MHz for indoor use only.
Maximum radio-frequency power (EIRP):
WLAN 2.4 GHz: 14.57 dBm
WLAN5GHz:17.43dBm
Bluetooth: 6.38 dBm
Be sure to read these notes before using the lens
Safety Notes
- Make sure that you use the lens correctly. Read these safety notes and the camera Owner's Manual carefully before use.
After reading these safety notes, store them in a safe place.
About the Icons
The icons shown below are used in this document to indicate the severity of the injury or damage that can result if the information indicated by the icon is ignored and the product is used incorrectly as a result.

WARNING
This icon indicates that death or serious injury can result if the information is ignored.

CAUTION
This icon indicates that personal injury or material damage can result if the information is ignored.
The icons shown below are used to indicate the nature of the instructions which are to be observed.

Triangular icons tell you that this information requires attention ("Important").

Circular icons with a diagonal bar tell you that the action indicated is prohibited ("Prohibited").

Filled circles with an exclamation mark indicate an action that must be performed ("Required").

WARNING

Do not immerse
Do not immerse in or expose to water. Failure to observe this precaution can cause a fire or electric shock.

Do not disassemble
Do not disassemble (do not open the case). Failure to observe this precaution can cause fire, electric shock, or injury due to product malfunction.

Do not touch internal parts
Should the case break open as the result of a fall or other accident, do not touch the exposed parts. Failure to observe this precaution could result in electric shock or in injury from touching the damaged parts. Remove the battery immediately, taking care to avoid injury or electric shock, and take the product to the point of purchase for consultation.

Do not place on unstable surfaces. The product may fall, causing injury.

Do not view the sun through the lens or camera viewfinders. Failure to observe this precaution can cause permanent visual impairment.

CAUTION

Do not use or store in locations that are exposed to steam, or smoke or are very humid or extremely dusty. Failure to observe this precaution can cause fire or electric shock.

Do not leave in direct sunlight or in locations subject to very high temperatures, such as in a closed vehicle on a sunny day. Failure to observe this precaution can cause fire.

Keep out of the reach of small children. This product could cause injury in the hands of a child.

Do not handle with wet hands. Failure to observe this precaution can cause electric shock.

Keep the sun out of the frame when shooting backlit subjects. Sunlight focused into the camera when the sun is in or close to the frame can cause fire or burns.

When the product is not in use, replace the lens caps and store out of direct sunlight. Sunlight focused by the lens can cause fire or burns.

Do not carry the camera or lens while they are attached to a tripod. The product can fall or strike other objects, causing injury.
Product Care
To ensure continued enjoyment of the product, observe the following precautions.
Camera body: Use a soft, dry cloth to clean the camera body after each use. Do not use alcohol, thinner, or other volatile chemicals, which could discolor or deform the leather on the camera body. Any liquid on the camera should be removed immediately with a soft, dry cloth. Use a blower to remove dust from the monitor, taking care to avoid scratches, and then gently wipe with a soft, dry cloth. Any remaining stains can be removed by wiping gently with a piece of Fujifilm lens-cleaning paper to which a small amount of lens-cleaning fluid has been applied. To prevent dust entering the camera, replace the body cap when no lens is in place.
Image sensor: Multiple photographs marred by spots or blotches in identical locations may indicate the presence of dust on the image sensor. Clean the sensor using USER SETTING > SENSOR CLEANING.
Cleaning the Image Sensor
Dust that cannot be removed using ±b USER SETTING > SENSOR CLEANING can be removed manually as described below.

Note that there will be a charge to repair or replace the image sensor if it is damaged during cleaning.
1 Use a blower (not a brush) to remove dust from the sensor.

Do not use a brush or blower brush. Failure to observe this precaution could damage the sensor.

2 Check whether the dust has been successfully removed. Repeat Steps 1 and 2 as necessary.
3 Replace the body cap or lens.
Firmware Updates
Updates to product firmware may result in changes not described in the manual. For more information, visit: http://www.fujifilm.com/support/digital Cameras/software
Checking the Firmware Version

The camera will only display the firmware version if a memory card is inserted.
1 Turn the camera off and check that a memory card is inserted.
2 Turn the camera on while pressing the DISP/BACK button. The current firmware version will be displayed; check the firmware version.
3 Turn the camera off.

To view the firmware version or update firmware for optional accessories such as interchangeable lenses, shoe-mounted flash units, and mount adapters, mount the accessories on the camera.
Troubleshooting
Consult the table below should you encounter problems using your camera. If you don't find the solution here, contact your local Fujifilm distributor.
Power and Battery
| Problem | Solution |
| The camera does not turn on. | ·The battery is exhausted: Charge the battery or insert a fully-charged spare battery (41). ·The battery is inserted incorrectly: Reinsert in the correct orientation (45). ·The battery tray is not latched: Latch the battery tray (45). |
| The monitor does not turn on. | The monitor may not turn on if the camera is turned off and then on again very quickly. Keep the shutter button pressed halfway until the monitor activates. |
| The battery runs down quickly. | ·The battery is cold: Warm the battery by placing it in a pocket or other warm place and reinsert it in the camera immediately before taking a picture. ·There is dirt on the battery terminals: Clean the terminals with a soft, dry cloth. ·ON is selected for AF/MF SETTING > PRE-AF: Turn PRE-AF off (125). ·The batteries have been charged many times: Select BATTERY AGE to view the battery age; if the batteries are old, replace them with new batteries (201). |
| The camera turns off suddenly. | The battery is exhausted: Charge the battery or insert a fully-charged spare battery (41). |
| Charging does not start. | • Insert the battery (国情 45). • Reinsert the battery in the correct orientation (国情 45). • Make sure that the charger is correctly plugged in (国情 41). • Ensure that the plug adapter is correctly connected to the charger (国情 41). |
| Charging is slow. | Charge the battery at room temperature. |
| The two lamps designat-ed as “indicator lamp 2” blink, but the battery does not charge. | • There is dirt on the battery terminals: Clean the terminals with a soft, dry cloth (国情 45). • The batteries have been charged many times: Select BATTERY AGE to view the battery age; if the batteries are old, replace them with new batteries (国情 201). If the battery still fails to charge, contact your Fujifilm dealer (国情 296). |
Menu and Displays
| Problem | Solution |
| Display is not in English. | Select ENGLISH for √USER SETTING > √ 言語/LANG. (国54, 200). |
Shooting
| Problem | Solution |
| No picture is taken when the shutter button is pressed. | The memory card is full: Insert a new memory card or delete pictures (47, 180). The memory card is not formatted: Format the memory card in the camera (198). There is dirt on the memory card contacts: Clean the contacts with a soft, dry cloth. The memory card is damaged: Insert a new memory card (47). The battery is exhausted: Charge the battery or insert a fully-charged spare battery (41). The camera has turned off automatically: Turn the camera on (50). You are using a third-party mount adapter: Select ON for SHOOT WITHOUT LENS (228). |
| Mottling ("noise") appears in the monitor or viewfinder when the shutter button is pressed halfway. | Gain is increased to aid composition when the subject is poorly lit and aperture is stopped down, which may result in noticeable mottling when images are previewed in the displays. Images taken with the camera are unaffected. |
| The camera does not focus. | The subject is not suited to autofocus: Use focus lock or manual focus (94). |
| No face is detected. | ·The subject's face is obscured by sunglasses, a hat, long hair, or other objects: Remove the obstructions (◎ 126). ·The subject's face occupies only a small area of the frame: Change the composition so that the subject's face occupies a larger area of the frame (◎ 126). ·The subject's face is turned away from the camera: Ask the subject to face the camera (◎ 126). ·The camera is tilted: Keep the camera level. ·The subject's face is poorly lit: Shoot in bright light. |
| The flash does not fire. | ·The flash is disabled: Adjust settings (◎ 148). ·The battery is exhausted: Charge the battery or insert a fully-charged spare battery (◎ 41). ·The camera is in bracketing or continuous mode: Select single frame mode (◎ 6, 7). |
| The flash does not fully light the subject. | ·The subject is not in range of the flash: Position the subject in range of the flash. ·The flash window is obstructed: Hold the camera correctly. ·Shutter speed is faster than the sync speed: Choose a slower shutter speed (◎ 70, 75, 327). |
| Pictures are blurred. | ·The lens is dirty: Clean the lens. ·The lens is blocked: Keep objects away from the lens (◎ 57). ·!AF is displayed during shooting and the focus frame is displayed in red: Check focus before shooting (◎ 58). |
| Pictures are mottled. | ·Shutter speed is slow and the ambient temperature is high: This is normal and does not indicate a malfunction. Use pixel mapping (◎ 117). ·The camera has been used continuously at high temperatures: Turn the camera off and wait for it to cool down (◎ 50, 323). ·A temperature warning is displayed: Turn the camera off and wait for it to cool down (◎ 50, 323). |
Playback
| Problem | Solution |
| Pictures are grainy. | The pictures were taken with a different make or model of camera. |
| Playback zoom is unavailable. | The pictures were created using RESIZE or with a different make or model of camera. |
| No sound in movie playback. | •Playback volume is too low: Adjust playback volume (☑ 204). •The microphone was obstructed: Hold the camera correctly during recording. •The speaker is obstructed: Hold the camera correctly during playback. |
| Selected pictures are not deleted. | Some of the pictures selected for deletion are protected. Remove protection using the device with which it was originally applied (☑ 184). |
| Pictures remain after ERASE > ALL FRAMES is selected. | |
| File numbering is unexpectedly reset. | The battery tray or a memory card was removed while the camera was on. Turn the camera off before removing the battery tray or memory cards (☑ 236). |
Connections
| Problem | Solution |
| The monitor is blank. | The camera is connected to a TV: Pictures will be displayed on the TV instead of in the camera monitor (☑ 282). |
| Both the TV and camera monitor are blank. | The display mode selected with the VIEW MODE button is EVF ONLY + : Put your eye to the viewfinder. Use the VIEW MODE button to choose another display mode (☑ 20). |
| No picture or sound on TV. | · The camera is not properly connected: Connect the camera properly (☑ 282). · Input on the television is set to "TV": Set input to "HDMI" (☑ 282). · The volume on the TV is too low: Use the controls on the television to adjust the volume (☑ 282). |
| The computer does not recognize the camera. | Be sure the camera and computer are correctly connected (☑ 287). |
| Cannot transfer RAW or JPEG files to computer. | Use MyFinePix Studio to transfer pictures (Windows only; ☑ 287). |
| FUJIFILM X RAW STUDIO or FUJIFILM X Acquire fails to correctly detect the camera. | Check the option selected for PC CONNECTION MODE on the camera. Select USB RAW CONV./BACKUP RESTORE before connecting the USB cable (☑ 292). |
Wireless Transfer
For additional information on troubleshooting wireless connections, visit:
http://digital-cameras.support.fujifilm.com/app?pid=x
| Problem | Solution |
| Cannot connect to smartphone. The camera is slow to connect or upload pictures to the smartphone. Upload fails or is interrupted. | ·The smartphone is too far away: Move the devices closer (☑ 284). ·Nearby devices are causing radio interference: Move the camera and smartphone away from microwave ovens or cord-less phones (☑ 284). |
| Cannot upload images. | ·The smartphone is connected to another device: The smartphone and camera can connect to only one device at a time. End the connection and try again (☑ 284). ·There are several smartphones in the vicinity: Try connecting again. The presence of multiple smartphones can make connection difficult (☑ 284). ·The image was created on another device: The camera may not be able to upload images created on other devices. ·The image is a movie: Although you can select movies for upload when viewing the contents of camera memory on your smartphone, upload will take some time. For information on viewing the pictures on the camera, visit: http://app.fujifilm-dsc.com/en/camera_remote/ |
| Smartphone will not display pictures. | Select ON for GENERAL SETTINGS > RESIZE IMAGE FOR SMARTPHONE 3M. Selecting OFF increases upload times for larger images; in addition, some phones may not display images over a certain size (☑ 246). |
Miscellaneous
| Problem | Solution |
| The camera is unresponsive. | ·Temporary camera malfunction: Remove and reinsert the battery (45). ·The battery is exhausted: Charge the battery or insert a fully-charged spare battery (41). ·The camera is connected to a wireless LAN: End the connection. |
| The camera does not function as expected. | Remove and reinsert the battery (45). If the problem persists, contact your Fujilm dealer. |
| Motion in the viewfinder or monitor appears jerky rather than smooth. | When NORMAL is selected for PERFORMANCE, the frame rate will drop if no operations are performed for a set period. The normal frame rate will be restored after you operate camera controls (234). |
| No sound. | Adjust the volume (203). |
| The EVF does not turn on. | The EVF is not correctly attached: Slide the EVF on until it clicks into place (13). |
| Pressing the Q button does not display the quick menu. | TTL-LOCK is active: End TTL-LOCK (149). |
Warning Messages and Displays
The following warnings appear in the display.
| Warning | Description |
| □ (red) | Low battery. Charge the battery or insert a fully-charged spare battery. |
| □ (blinks red) | Battery exhausted. Charge the battery or insert a fully-charged spare battery. |
| !AF (displayed in red with red focus frame) | The camera cannot focus. Use focus lock to focus on another subject at the same distance, then recompose the picture. |
| Aperture or shutter speed displayed in red | The subject is too bright or too dark and the picture will be over- or under-exposed. Use the flash for additional light-ing when taking photographs of poorly-lit subject. |
| FOCUS ERROR | |
| LENS CONTROL ERROR | |
| TURN OFF THE CAMERA AND TURN ON AGAIN | Camera malfunction. Turn the camera off and then on again. If the message persists, contact a Fujilm dealer. |
| NO CARD | The shutter can only be released when a memory card is inserted. Insert a memory card. |
| CARD NOT INITIALIZED | · The memory card is not formatted or the memory card has been formatted in a computer or other device: Format the memory card using ⓷ USER SETTING > FORMAT. · The memory card contacts require cleaning: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card. · Camera malfunction: Contact a Fujilm dealer. |
| LENS ERROR | Turn the camera off, remove the lens, and clean the mounting surfaces, then replace the lens and turn the camera on. If the problem persists, contact a Fujilm dealer. |
| CARD ERROR | ·The memory card is not formatted for use in the camera: For-mat the card. ·The memory card contacts require cleaning or the memory card is damaged: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card. ·Incompatible memory card: Use a compatible card. ·Camera malfunction: Contact a Fujilm dealer. |
| PROTECTED CARD | The memory card is locked. Unlock the card. |
| BUSY | The memory card is incorrectly formatted. Use the camera to format the card. |
| SD MEMORY FULL | The memory card is full and pictures cannot be recorded. Delete pictures or insert a memory card with more free space. |
| WRITE ERROR | ·Memory card error or connection error: Reinsert the card or turn the camera off and then on again. If the message persists, contact a Fujilm dealer. ·Not enough memory remaining to record additional pictures: Delete pictures or insert a memory card with more free space. ·The memory card is not formatted: Format the memory card. |
| FRAME NO. FULL | The camera has run out of frame numbers (current frame number is 999-9999). Insert a formatted memory card and select RENEW for SAVE DATA SET-UP > FRAME NO.. Take a picture to reset frame numbering to 100-0001, then select CONTINUOUS for FRAME NO.. |
| READ ERROR | The file is corrupt or was not created with the camera: The file cannot be viewed. The memory card contacts require cleaning: Clean the contacts with a soft, dry cloth. If the message is repeated, format the card. If the message persists, replace the card. Camera malfunction: Contact a Fujilm dealer. |
| PROTECTED FRAME | An attempt was made to delete or rotate to a protected picture. Remove protection and try again. |
| CAN NOT CROP | The picture is damaged or was not created with the camera. |
| DPOF FILE ERROR | Print orders can contain no more than 999 pictures. Copy any additional pictures you wish to print to another memory card and create a second print order. |
| CAN NOT SET DPOF | The picture cannot be printed using DPOF. |
| CAN NOT SET DPOF | Movies cannot be printed using DPOF. |
| CAN NOT ROTATE | The selected picture cannot be rotated. |
| CAN NOT ROTATE | Movies cannot be rotated. |
| CANNOT EXECUTE | Red-eye removal cannot be applied to movies. |
| CANNOT EXECUTE | Red-eye removal cannot be applied to pictures created with other devices. |
| MISMATCH: 4K MODE AND EXTERNAL MONITOR CHANGE MOVIE MODE | The movie mode selected with the camera is not compatible with the device to which the camera is connected via HDMI. Try selecting a different movie mode (151). |
| !(yellow) | Turn the camera off and wait for it to cool. Mottling may increase in pictures taken when this warning is displayed. |
| !(red) | Turn the camera off and wait for it to cool. While this warning is displayed, movie recording may not be available, mottling may increase, and performance, including frame advance rate and display quality, may drop. |
Memory Card Capacity
The following table shows the recording time or number of pictures available at different image sizes. All figures are approximate; file size varies with the scene recorded, producing wide variations in the number of files that can be stored. The number of exposures or length remaining may not diminish at an even rate.
| Capacity | 8 GB | 16 GB | |||||
| SUPER FINE | FINE | NORMAL | SUPER FINE | FINE | NORMAL | ||
| Photos | 4:3 | 120 | 190 | 300 | 260 | 390 | 630 |
| RAW (UNCOMPRESSED) | 30 | 70 | |||||
| RAW (LOSSLESS COMPRESSED) | 70 | 140 | |||||
| Movies1,2 | 100Mbps | 9 minutes | 20 minutes | ||||
1 Use a UHS speed class 3 card or better.
2 Assumes default bit rate.

If the memory card has a capacity of over 32 GB, movies will be recorded in single files, regardless of size. If the card has a capacity of 32 GB or less, movies over 4 GB in size will be recorded uninterrupted across multiple files.
Specifications
| System | ||
| Model | FUJIFILM GFX100 | |
| Product Number | FF180005 | |
| Effective pixels | Approx. 102 million | |
| Image sensor | 43.8 mm × 32.9 mm Bayer array with primary color filter | |
| Storage media | Fujifilm-recommended SD/SDHC/SDXC memory cards | |
| Memory card slots | Two SD memory card slots (UHS-II compliant) | |
| File system | Compliant with Design Rule for Camera File System (DCF2.0), Exif 2.3, and Digital Print Order Format (DPOF) | |
| File format | • Still pictures: Exif 2.3 JPEG (compressed); RAW (original RAF format, uncompressed or compressed using a lossless algo-rithm; special purpose software required); RAW+JPEG avail-able;TIFF (RGB) • Movies: H.265/H.264 standard with stereo sound (MOV) • Audio (voice memos): Stereo sound (WAV) | |
| Image size | L 4:3 (11648 × 8736) | L 65:24 (11648 × 4304) |
| L 3:2 (11648 × 7768) | L 5:4 (10928 × 8736) | |
| L 16:9 (11648 × 6552) | L 7:6 (10192 × 8736) | |
| L 1:1 (8736 × 8736) | ||
| M 4:3 (8256 × 6192) | M 65:24 (8256 × 3048) | |
| M 3:2 (8256 × 5504) | M 5:4 (7744 × 6192) | |
| M 16:9 (8256 × 4640) | M 7:6 (7232 × 6192) | |
| M 1:1 (6192 × 6192) | ||
| S 4:3 (4000 × 3000) | S 65:24 (4000 × 1480) | |
| S 3:2 (4000 × 2664) | S 5:4 (3744 × 3000) | |
| S 16:9 (4000 × 2248) | S 7:6 (3504 × 3000) | |
| S 1:1 (2992 × 2992) | ||
| RAW (11808 × 8754) | TIFF (11648 × 8736) | |
| Lens mount | FUJIFILM G mount | |
System
Sensitivity
- Still pictures: Standard output sensitivity equivalent to ISO 100-12800 in increments of 12 EV; AUTO; extended output sensitivity equivalent to ISO 50, 25600, 51200, or 102400
Movies: Standard output sensitivity equivalent to ISO 200-12800 in increments of 13 EV; AUTO; extended output sensitivity equivalent to ISO 25600
Metering
256-segment through-the-lens (TTL) metering; MULTI, SPOT, AVERAGE, CENTER WEIGHTED
Exposure control
Programmed AE (with program shift); shutter-priority AE; aperture-priority AE; manual exposure
Exposure compensation
- Still pictures: -5EV + + 5EV in increments of 13EV
Movies: -2EV - + 2EV in increments of 1 / 3 EV
Shutter speed
- MECHANICAL SHUTTER, E-FRONT CURTAIN SHUTTER
-ModeP:4sTo1/4000S
Mode A: 30 s to 14000 s
- Modes S and M: 60 min. to 1/4000 s
Bulb: Max. 60 min.
- ELECTRONIC SHUTTTER, MECHANICAL + ELECTRONIC, E-FRONT + ELECTRONIC
-ModeP:4s to 1 / 60005
-ModeA:30s to 12 6000s
- Modes S and M: 60 min. to 1/16000 s
Bulb: Max. 60 min.
Continuous
Available frame advance rates (JPEG)
| CONTINUOUS MODE | MECHANICAL SHUTTER | ELECTRONIC SHUTTER |
| CH HIGH SPEED BURST | 5.0 | 2.9 |
| CL LOW SPEED BURST | 2.0 | |
Focus

The frame rate and number of frames per burst varies with shooting conditions and type of memory card used.
Mode: Single or continuous AF; manual focus with focus ring
- Autofocus system: Intelligent hybrid AF (TTL contrast-detect/ phase-detection AF) with AF-assist illuminator
- Focus-area selection: SINGLE POINT, ZONE, WIDE/TRACKING, ALL
System
White balance Auto, Custom1, Custom2, Custom3, color temperature selection, direct sunlight, shade, daylight fluorescent, warm white fluorescent, cool white fluorescent, incandescent, underwater
Self-timer Off, 2 sec., 10 sec.
Flash mode MODE: TTL MODE (FLASH AUTO, STANDARD, SLOW SYNC.), MANUAL, MULTI, OFF
SYNC. MODE: 1ST CURTAIN, 2ND CURTAIN, AUTO FP (high-speed sync)
- RED EYE REMOVAL: FLASH+REMOVAL, FLASH, REMOVAL, OFF
Hot shoe Accessory shoe with TTL contacts; supports sync speeds as fast as 1/25 s
Sync contact X contact; supports sync speeds as fast as 1/25 s
Sync terminal Provided
Viewfinder EVF-GFX2 interchangeable electronic viewfinder (supplied)
LCD monitor -Rear monitor: 3.2-in/8.1 cm, 2360k-dot color LCD touch screen with 3-way tilt
- Shoulder monitor: 1.80-in/4.57 cm, 303 × 230 -dot memory LCD monitor
Rear secondary 2.05-in/5.21 cm, 256 × 64 -dot OLED monitor monitor
Movies Movie size: 4K 16:9, DCl 17:9, FHD 16:9, FHD 17:9
- Frame rate: 59.94P, 50P, 29.97P, 25P, 24P, 23.98P
- Bit rate: 400Mbps, 200Mbps, 100Mbps, 50Mbps
-
Recording/output format
-
H.265: SD card, 4:2:0, 10-bit/HDMI output, 4:2:2, 10-bit
- H.264: SD card, 4:2:0, 8-bit/HDMI output, 4:2:2, 10-bit
Input/output terminals
Microphone connector 3.5 mm mini-stereo jack
Headphone jack socket 3.5 mm mini-stereo jack
Remote release connector 2.5mm 3-pole mini jack
Digital input/output USB connector (Type-C) USB3.2Gen1x1
HDMI output HDMI Micro connector (type D)
DCIN Provided
Power supply/other
Power supply
- NP-T125 rechargeable battery (supplied with camera)
- AC-15V AC adapter (available separately)
Battery life
- Battery type: NP-T125 (× 2)
Lens: GF63mmF2.8 RWR - Flash: Disabled
- Shooting mode: Mode P
- AUTO POWER SAVE: ON
Number of shots
| PERFORMANCE | LCD | EVF |
| BOOST | Approx. 700 | Approx. 560 |
| NORMAL | Approx. 800 | Approx. 740 |
Total length of footage that can be recorded on a single charge
| Mode | Actual Battery life of movie capture | Continuance Battery life of movie capture |
| 4K | Approx. 100 minutes | Approx. 170 minutes |
| FHD | Approx. 150 minutes | Approx. 240 minutes |
CIPA standard. Measured using battery supplied with camera and SD memory card.
Note: Battery endurance varies with battery charge level and the figures given above are not guaranteed. Battery endurance will decline at low temperatures.
Camera size
(W× H× D)
156.2 mm × 144.0 mm × 75.1 mm (48.9 mm excluding projections, measured at thinnest part)/6.15 in. × 5.67 in. × 2.96 in. (1.93 in.)
Camera weight
Approx. 1155 g/40.7 oz., excluding battery, accessories, and memory card
Shooting weight
Approx. 1320 g/46.6 oz., including battery and memory card
Operating conditions
- Temperature: -10^ to +40^ / + 14^ to +104^ (+5^ to +40^ / + 41^ to +104^ when battery is charging)
- Humidity: 10% to 80% (no condensation)
Wireless transmitter
Wireless LAN
Standards IEEE 802.11a/b/g/n/ac (standard wireless protocol)
Operating frequency · Israel, Indonesia
(center frequency)
Israel, Indonesia
:2,412 MHz-2,462 MHz (11 channels)
USA, Canada, China, India, Korea, Malaysia
:2,412 MHz-2,462 MHz (11 channels)
:5,180 MHz-5,320 MHz (W52,W53)
:5,745 MHz-5,825 MHz (UNII-3)
European Union, Japan, Australia, Norway, New zealand, Turkey, Hong Kong, Philippines, Vietnam, Singapore, Thailand, UAE, Russia, Taiwan, Saudi Arabia, Qatar, Bahrain, Oman, Egypt, Iran, Kuwait, Lebanon, Uzbekistan
:2,412 MHz-2,462 MHz (11 channels)
:5,180 MHz-5,320 MHz (W52,W53)
:5,500 MHz-5,700 MHz (W56)
Access protocols Infrastructure
Bluetooth
Standards Bluetooth version 4.2 (Bluetooth Low Energy)
Operating frequency 2,402 MHz-2,480 MHz
(center frequency)
EVF-GFX2 interchangeable electronic viewfinder
| Type | OLED |
| Size | 0.5-in/1.3 cm |
| Pixel count | Approximately 5.76 million dots |
| Magnification | 0.86× with 50 mm lens (35 mm format) at infinity and diop- ter set to -1.0 m-1 |
| Diagonal angle of view | Approximately 41° (horizontal angle of view approximately 33°) |
| Diopter adjustment | -4 to +2 m-1 |
| Eye point | Approximately 23 mm |
| Dimensions (W × H × D) | 53.6 mm × 36.4 mm × 80.1 mm/2.11 in. × 1.43 in. × 3.15 in. |
| Weight | Approx. 95 g/3.4 oz. |
NP-T125 rechargeable battery
| Nominal voltage | 10.8V |
| Nominal capacity | 1250 mAh |
| Operating temperature | -10 °C to +40 °C/+14 °F to +104 °F |
| Dimensions (W×H×D) | 36.0 mm × 54.4 mm × 26.0 mm/1.4 in. × 2.1 in. × 1.0 in. |
| Weight | Approx. 81 g/2.9 oz. |
BC-T125 battery charger
| Rated input | 100V – 240V AC, 50/60 Hz |
| Input capacity | 23 – 31 VA |
| Rated output | 12.6V DC, 800 mA |
| Supported batteries | NP-T125 rechargeable batteries |
| Charging time | Approx. 140 minutes (+25°C/+77°F) |
| Operating temperature | +5 °C to +40 °C/+41 °F to +104 °F |
| Dimensions (W × H × D) | 71.4 mm × 97.0 mm × 34.2 mm/2.8 in. × 3.8 in. × 1.4 in., excluding projections |
| Weight | Approx. 120 g/4.2 oz. |

Weight and dimensions vary with the country or region of sale.

Specifications and performance are subject to change without notice. Fujilm will not be held liable for any errors this manual may contain. The appearance of the product may differ from that described in this manual.
FUJIFILM
FUJIFILM Corporation
7-3, AKASAKA 9-CHOME, MINATO-KU, TOKYO 107-0052, JAPAN
http://www.fujifilm.com/products/digital Cameras/index.html