D7 - Microphone ART - Free user manual and instructions
Find the device manual for free D7 ART in PDF.
| Product Type | Dynamic Microphone |
| Model | ART D7 |
| Polar Pattern | Cardioid |
| Frequency Response | 50 Hz – 15 kHz |
| Impedance | 600 Ω |
| Connector | XLR (3-pin) |
| Power Requirement | Passive (no phantom power needed) |
| Weight | Approx. 0.34 kg (12 oz) |
| Dimensions | 185 mm x 51 mm diameter (7.3 in x 2.0 in) |
| Material | Die-cast metal body with steel mesh grille |
| Primary Use | Live vocals, speech, and instrument miking |
| Included Accessories | Microphone clip, storage pouch |
| Cleaning | Wipe with a soft, dry cloth; avoid solvents |
| Storage | Keep in a dry place, away from dust and moisture |
| Safety | Do not disassemble; no user-serviceable parts inside |
Frequently Asked Questions - D7 ART
User questions about D7 ART
0 question about this device. Answer the ones you know or ask your own.
Ask a new question about this device
Download the instructions for your Microphone in PDF format for free! Find your manual D7 - ART and take your electronic device back in hand. On this page are published all the documents necessary for the use of your device. D7 by ART.
USER MANUAL D7 ART
natural_image
Abstract geometric logo design with stylized letter D and square (no text or symbols)Large Diaphragm Dynamic Microphone
The ART D7 large diaphragm dynamic microphone is an essential addition to any serious recording or live sound engineer's microphone toolkit. Designed originally for broadcast applications, the D7 delivers an exceptionally smooth, wide flat frequency response with predictable proximity effect making it perfect for high impact vocal applications.
The wide diaphragm design and the microphone's inherent ability to handle high SPL makes it ideal for use on bass drums, floor toms, in front of bass amplifiers, guitar amplifiers as well as what could be the ideal microphone for rock vocals.
Tone Shaping
Integrated high Pass Filter (Low Frequency Roll Off) switch at 100Hz reduces unnecessary low end 'boominess' and low frequency interference when engaged. This is particularly effective for vocal applications where unnecessary low frequency audio clutters the signal and reduces clarity and presence.
The midrange frequency boost switch is most often used on vocal tracks where additional presence and clarity is required. This will add clarity in close miking applications where the proximity effect may clutter speech. The mid boost can be extremely effective the D7 is used on bass guitar or high volume guitar amplifiers, or used on bass drums where maximum tone, clarity and precise attack characteristics are required.
Included
The included heavy-duty shock-mount suspension virtually eliminates vibration and handling noise, while at the same time safely securing the microphone in any position needed during use.


natural_image
Close-up of a black-and-white studio microphone with textured grille and metallic body (no visible text or symbols)Specifications:
Type: Large Diaphragm Dynamic
Polar Pattern: Hypercardioid
Sensitivity: -53dB (@1kHz)
Frequency Response: 50Hz to 16kHz
MAX SPL: 136dB (1kHz @ 1%THD)
Open Circuit Voltage: -56dB +/-2dB (0dB=1v/Pa)
Impedance: 250 ohms
Dimensions: 53mm x 205mm
Dimensions: 2.1 inches x 8.7 inches
Weight: 725g
Features:
• Large Diaphragm Dynamic Design
- Smooth, Flat Response with Exceptional Presence and Low Frequency Balance
- Exceptional Shielding for Use in High Electromagnetic Field Environments
- Ideal Microphone for Broadcast Applications
- Integrated High Pass Filter and Midrange Boost Switches

line
| Frequency (Hz) | Value (dB) | |---|---| | 20 Hz | -72 | | 50 | -71 | | 100 | -68 | | 200 | -63 | | 500 | -61 | | 1k | -60 | | 2k | -60 | | 5k | -60 | | 10k | -62 | | 20k | -82 |
radar
| Angle (degrees) | Value | |---|---| | 0 | 0 | | 30 | 15 | | 60 | 25 | | 90 | 35 | | 120 | 25 | | 150 | 15 | | 180 | 5 | | 210 | 15 | | 240 | 25 | | 270 | 35 | | 300 | 45 | | 330 | 55 | | 360 | 65 |Hyper Cardioid at 1kHz