Eikos2 - Switch Analog Way - Free user manual and instructions

USER MANUAL Eikos2 Analog Way

Pioneer in Analog, Leader in Digital

THANK YOU

By following these simple steps you will be able to obtain the most from your powerful Eikos ^2 and its many features.

1. TRADEMARKS 7
2. INTRODUCTION 7
3. TERMS AND DEFINITIONS 8
4. HARDWARE SPECIFICATIONS 9

4.1 Safety instructions 9

4.1.1 English
4.1.2 French
4.1.3 Italian
4.1.4 German
4.1.5 Spanish

4.2 Unpacking and inspection 14
4.3 Rack mount information 14
4.4 Cable and adaptor information 15
4.5 Hardware specifications....15

4.5.1 Signal descriptions
4.5.2 Supported video formats
4.5.3 Computer formats
4.5.4 Input Computer formats
4.5.5 Output Computer formats

4.6 Input specifications 17
4.7 Output specifications....19

4.7.1 Standard output
4.7.2 Video output

4.8 Communication specifications 20

4.8.1 Serial interface
4.8.2 LAN interface

4.9 Environmental specifications 22

4.10 HDCP management 23

4.10.1 Input HDCP detection
4.10.2 Output HDCP detection
4.10.3 Keys' checking
4.10.4 Output management
4.10.5 HDCP Classification
4.10.6 Status

5. CONNECTING THE EIKOS ^2 24

5.1 Description 24

5.1.1 Rear panel
5.1.2 Front panel

6. CONTROLLING THE EIKOS ^2 26

6.1 RCS^2 requirement 26
6.2 Connecting with the RCS ^2 26
6.3 RCS ^2 top menu 28

6.3.1 Setup
6.3.2 Edit
6.3.3 Live

7. OPERATING THE EIKOS ^2 FROM THE RCS ^2 29

7.1 Operating mode 29

7.2 Setup 29

7.2.1 Mode
7.2.2 Audio
7.2.3 Screens
7.2.4 Preview
7.2.5 Misc
7.2.6 Output management
7.2.7 Input management
7.2.8 Logo/frame management
7.2.9 Video out
7.2.10 Audio management
7.2.11 Service management
7.2.12 Control management

7.3 Edit 41

7.3.1 Layer management
7.3.2 Layer adjustments
7.3.3 Effects
7.3.4 Background Frame
7.3.5 Preset load and save management

7.4 Live 47

8. OPERATING THROUGH THE FRONT PANEL 49

8.1 Front panel 49

8.1.1 Menu navigation
8.1.2 Home menu
8.1.3 Operating modes
8.1.4 Reseting default values
8.1.5 Eikos ^2 color codes

8.2 Settings in Mixer mode 50

8.2.1 Source Input selection
8.2.2 Input selection settings
8.2.3 Source Output selection
8.2.4 Output selection settings
8.2.5 Preview features
8.2.6 Preview mode and OSD settings
8.2.7 Preview Id
8.2.8 How to use the Mosaic Preview feature
8.2.9 Working with layers
8.2.10 Working with layers functions
8.2.11 Opening transitions and closing live layers
8.2.12 Layer adjustment menu
8.2.13 Layers with transitions & borders
8.2.14 Capturing frames
8.2.15 Working with frames
8.2.16 Opening transitions & closing still layers (logos or frames)
8.2.17 Frame input setup menu
8.2.18 Frames as layer
8.2.19 Layer transitions & effects
8.2.20 Capturing logos
8.2.21 Capturing an animated logo
8.2.22 Logos input setup menu
8.2.23 Working with logos
8.2.24 Logos as layer
8.2.25 Creating presets
8.2.26 Working with presets
8.2.27 Working with audio
8.2.28 Special features

8.3 Settings in native Matrix mode 65

8.3.1 Source Input selection
8.3.2 Input selection settings
8.3.3 Working with layers
8.3.4 Source Output selection
8.3.5 Output selection settings
8.3.6 Working with native Matrix mode
8.3.7 Working with Cut, Fade or Transitions
8.3.8 Working with presets in Matrix mode
8.3.9 Working with Mirror modes

8.3.10 Working with frames/logos

8.4 Settings in Quadravision mode 69

8.4.1 Working with templates
8.4.2 Working with presets
8.4.3 Creating a preset
8.4.4 Working with frames/logos

8.5 Menu tree 72

9. MAINTENANCE AND SUPPORT 100

9.1 Dashboard (RCS ^2 ) 100

10. APPLICATIONS NOTE AND TIPS 101

10.1 HDCP 101

11. WARRANTY 102

11.1 Warranty conditions 102
11.2 Repair and return instructions 102
11.3 Return conditions 102

12. CONTACT INFORMATION 103

13. APPENDICES 104

13.1 Crestron 2&3 series Midra™ Driver 104
13.2 AMX NetLinx® Integrated Controllers Midra™ Driver 104

1. TRADEMARKS

The terms HDMI, HDMI High-Definition Multimedia Interface and the HDMI logo are trademarks or registered trademarks of HDMI Licensing LLC in the United States and other countries.

2. INTRODUCTION

Thank you for choosing the Analog Way Eikos ^2 . Before you start setting up your Eikos ^2 for the first time, please read through all of the documentation to become familiar with its powerful features. The Eikos ^2 can be used in several configurations, which results in a versatile video production tool for live event staging and fixed installation applications.

3. TERMS AND DEFINITIONS

BACKGROUND: a "Background" is a source, typically originating from a computer. Eikos ^2 enables you to work with still (frame) background — visually in back of all other sources.

LAYER: a "layer" is an image display element (such as a PIP window, Key, logo or Background) that has a visual priority — either in front (or in back) of another layer. 1 frame non-resizable, up to 4 live layers resizable and 2 logos available on the Eikos ^2 .

PIP: a “PIP” (Picture In Picture) is a picture, typically of reduced size, which is positioned over another background image or other PIPs. PIPs can be repositioned, reduced, enlarged and displayed with borders. PIPs can overlap, depending on their visual priority. Eikos ^2 offers various slides, wipes, and fades for dynamic PIP entrances and exits. A “flying” PIP is also possible using vertical, horizontal, or diagonal movement. A PIP is considered as a layer.

FRAME: a "frame" is a full screen image which is selected from one of the still frames you can capture. A frame can be captured in flash memory from any video or computer source plugged into the machine.

LOGO: a "logo" is a part of a screen image that can be captured in flash memory from any video or computer source, by keying or image cut-out. A logo can be positioned anywhere on the screen.

KEYING: "Key" is an electronic process whereby a video image is electronically superimposed over another source or background, by dynamically removing a portion of the first image. For example, removing all content of a certain color (such as green or blue) is called a Chroma Key, and removing content based on its brightness or luminance levels is called a (Luma Key). Keys are typically used for titles, logos and special effects. Eikos ^2 allows you to key a live source (such as a camera shot with green or blue background, or a title with a black background) over any other source or sources.

SEAMLESS: Clean transition with no glitch or loss of sync while switching between two sources. For example, fading through black to another source is a seamless transition.

TRUE SEAMLESS: Clean seamless transitions with no glitch or freeze between two sources. For example, crossfading from source to source is a true seamless transition.

RCS ^2 : Remote Control Software used to control, set up, and operate the device.

QUICK FRAME: The "Quick Frame" feature allows the instant display of a stored frame above all layers.

4. HARDWARE SPECIFICATIONS

4.1 Safety instructions

4.1.1 English

All of the safety and operating instructions should be read before the product is operated and should be maintained for further reference. Please follow all of the warnings on this product and its operating instructions.

• WARNING: To prevent the risk of electric shock and fire, do not expose this device to rain, humidity or intense heat sources (such as heaters and direct sunlight). Slots and openings in the device are provided for ventilation and to avoid overheating. Make sure the device is never placed near a textile surface that could block the openings. Also keep away from excessive dust, vibrations and shocks.
• POWER: Only use the power supply indicated on the device of the power source. Devices equipped with a grounding plug should only be used with a grounding type outlet. In no way should this grounding be modified, avoided or suppressed. Connection of equipment to main supply must be after branch circuit breaker of the building installation.
• POWER CORD: The device is equipped with a detachable power cord, to remove mains disconnect it at appliance coupler. A rear switch is also available, turn OFF to switch off the device.

Caution: The power cord constitutes the only mean to completely disconnect the equipment from the main power.

Apply the following guidelines:

• The equipment connected to the network must have a release system easily accessible and located outside the unit.
• Unplug the power cord; do not pull on the power cord but always on the plug itself.
• The outlet should always be near the device and easily accessible.
• Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them.

If the power supply cord is damaged, unplug the device. Using the device with a damaged power supply cord may expose your device to electric shocks or other hazards. Verify the condition of the power supply cords once in a while. Contact your dealer or service center for replacement if damaged.

• CONNECTIONS: All inputs and outputs (except for the power input) are Safety Extra Low Voltage (SELV) circuits as defined in UL/IEC 60950-1.
• SERVICING: Do not attempt to service this product yourself by opening or removing covers and screws since it may expose your device to electric shocks or other hazards. Refer all problems to qualified service personnel. You may lose warranty when you open the unit.
• OPENINGS: Never push objects of any kind into this product through the openings. If liquids have been spilled or objects have fallen into the device, unplug it immediately and have it checked by a qualified technician.

4.1.2 French

4.2 Unpacking and inspection

• 1 x Eikos ^2 (EKS550)
• 1 x Power supply cord
• 1 x Ethernet cross cable (for device update)
• 1 x Remote Control Software (RCS ^2 )*
• 1 x Set of 6 audio 5-pin screw terminals
• 1 x Front rack ears (the parts are stowed in the packaging foam)
• 1 x User manual (PDF)*
• 1 x Quick start guide*

* User manual, quick start guide and the RCS ^2 are available on www.analogway.com

Before racking and plugging any inputs and outputs, it is advised to power on the unit. Should you encounter any issue, you must contact immediately your local distributor or dealer, or closest Analog Way technical support offices (see chapter: 12. Contact information).

4.3 Rack mount information

Tabletop mounting: The Eikos ^2 can be used directly on a table; the unit is equipped with 4 handy anti-slip rubber feet.

Rack mounting: The Eikos ^2 is compatible with a 19" enclosure. Please follow the instructions below to install the device in a 19" rack.

Place the device in your rack. Attach the device to the rack by screwing 2 front ears on it (screws not included). Rear fixing is also recommended, in particular for permanent installations.

Connect all of the cables of the device and attach them to the rack with the help of tie wraps.

IMPORTANT:

• The openings in the side of the device are for cooling. Do not cover these openings to avoid blocking air circulation.
• Be sure that no weight in excess of 2 kg (4.4 Lbs.) is added onto the Eikos ^2 .
• The maximum ambient operating temperature should not exceed 40^ C ( 104^ F).
• The rack and all mounted equipment in it must be reliably grounded according to national and/or local electrical standards.

Dismantling front handles of the device could invalidate warranty on after-sales services of your Eikos ^2 . It is strongly advised to avoid using front handles as rests for your Eikos ^2 , they are designed for manipulation purposes only.

If required, front handles of the device can be dismantled, but with caution. The original screws removed must not be reintroduced to their location without handles in place. Substantial damages can occur, including risk of electric shock from the main voltage. Only M4x12mm screws can be used. They are supplied with the unit.

4.4 Cable and adaptor information

A large choice of cables and adaptors are compatible with the Eikos ^2 . Please refer to the hardware specifications chapter to find the most suitable cables for your operations.

4.5 Hardware specifications

4.5.1 Signal descriptions

For each type of signal, here are the levels and the impedance accepted by the Eikos ^2 .

Analog SDTV

Type Levels Impedance
Composite 0,7	Vpp + 0,3 Vpp 75 Ω
S. Video Y = 0,7	7 Vpp + 0,3 VppC = 0,7 Vpp	75 Ω
YUV Y = 0,7	Vpp + 0,3 VppU = 0,7 VppV = 0,7 Vpp	75 Ω
RGsB R = 0,7	VppG = 0,7 Vpp + 0,3 VppB = 0,7 Vpp	75 Ω
RGBS	R, G, B = 0,7 Vpp R, G,	B = 75 Ω
	S = 0,3 Vpp 75 ΩorS = TTL

Analog EDTV

Type Levels Impedance
YUV Y = 0,7	Vpp + 0,3 VppU = 0,7 VppV = 0,7 Vpp	75 Ω
RGsB R = 0,7	VppG = 0,7 Vpp + 0,3 VppB = 0,7 Vpp	75 Ω
RGBS	R, G, B = 0,7 Vpp R, G,	B = 75 Ω
	S = 0,3 Vpp 75 ΩorS = TTL

Analog HDTV

These formats are compatible with bi-level and tri-level sync on 1 or 3 wires.

Type Levels Impedance
YUV Y = 0,7	Vpp ±0,3 VppU = 0,7 Vpp ±0,3 VppV = 0,7 Vpp ±0,3 Vpp	75 Ω
RGsB R = 0,7	Vpp ±0,3 VppG = 0,7 Vpp ±0,3 VppB = 0,7 Vpp ±0,3 Vpp	75 Ω

Digital SDTV

Type Characteristics
SD-SDI YUV -	10 bits – 4.2.2 - 270 Mb/sNo payload ID managementOnly A-level type
DVI RGB ou	YUV – 8 bits – 4.4.4 – 16/235 - TMDS
HDMI RGB or	YUV – 8 bits – 4.4.4 or 4.2.2– 16/235 – TMDS

Digital EDTV

Type Characteristics
DVI	RGB or YUV – 8 bits – 4.4.4 – 16/235 - TMDS
HDMI RGB or	YUV – 8 bits – 4.4.4 or 4.2.2– 16/235 – TMDS

Digital HDTV

Type Characteristics
HD-SDI	YUV - 10 bits – 4.2.2 – 1,485Gb/s and 1,485/1.001Gb/sOnly A-level typeInput and output payload ID management for HDTV format only
3G-SDI	YUV - 10 bits – 4.2.2 – 2,97Gb/s and 2,97/1.001Gb/sOnly A-level typeInput and output payload ID management for HDTV format only
DVI	RGB or YUV – 8 bits – 4.4.4 – 16/235 - TMDS
HDMI RGB or	YUV – 8 bits – 4.4.4 or 4.2.2– 16/235 – TMDS

Analog computer Digital computer

Type Levels Impedance
RGsB R = 0,7	VppG = 0,7 Vpp + 0,3 VppB = 0,7 Vpp	75 Ω
RGBS	R, G, B = 0,7 Vpp R, G,	B = 75 Ω
	S = 0,3 Vpp 75Ω or S = TTL
RGBHV	R, G, B = 0,7 Vpp R, G,	B = 75 Ω
	H = TTL and V = TTL

Type Characteristics
DVI RGB – 8	bits – 4.4.4 – 0/255 - TMDS
HDMI® RGB or YUV – 8 bits – 4.4.4 or 4.2.2- 0/255 – TMDS

4.5.2 Supported video formats

The Eikos ^2 can support all the following video formats:

SDTV formats

Standard Size Vertical frequency Horizontal frequency
NTSC 525/480i	59.94Hz/60Hz	15,735	KHz
PAL	625/576i 50Hz	15.625	KHz
SECAM	625/576i 50Hz	15.625	KHz

EDTV formats

Standard	Size	Vertical frequency	Horizontal frequency
480p	525/480p	59.94Hz/60Hz	31.47 KHz
576p	625/576p	50Hz	31.25 KHz

HDTV formats

Standard	Size	Vertical frequency
720p	1280 x 720	23.97Hz/24Hz/25Hz/29,97Hz/30Hz/50Hz/59.94Hz/60Hz
1035i	1920 x 1035	59.94Hz/60Hz
1080i	1920 x 1080	50Hz/59.94Hz/60Hz
1080sF	1920 x 1080	50Hz/59.94Hz/60Hz
1080p	1920 x 1080	23.97Hz/24Hz/25Hz/29,97Hz/30Hz/50Hz/59.94Hz/60Hz

Cinema formats

Format	Size	Vertical frequency
DCDM	2048 x 1080	24Hz

4.5.3 Computer formats

Important: The maximum pixel clock frequency is 165 MHz. Supported formats include 1920x1200 @ 60hz RB, 1600x1200 @60hz RB, 2048x1152 @60hz RB.

4.5.4 Input Computer formats

The Eikos ^2 inputs support GTF (version 1.1), CVT (version 1.1) and DMT (version 1.0 rev 12) standards. All others non-standard formats are supported via the custom format capability of the framework.

4.5.5 Output Computer formats

The Eikos ^2 outputs support GTF (version 1.1), CVT (version 1.1) and DMT (version 1.0 rev 12) standards. Other non-standard formats are supported via the custom format capability of the framework.

The Eikos ^2 offers a list of pre-defined output formats. The list of output formats is always displayed from increasing number of pixels per line and then number of lines.

Format Size Aspect ratio			Frequency
			50 Hz	60 Hz
VGA 640x	480 4/3 Yes Yes
WVGA 848	x480 16/9 Yes Yes
SVGA 800	x600 4/3 Yes Yes
720p 1280	x720 16/9 Yes Yes
XGA 1024	x768 4/3 Yes Yes
WXGA 1280	x768 5/3 Yes Yes
SWXGA 1360	x768 16/9 Yes Yes
1366x768	1366x768 16/9 Yes Yes
WXGA2	1280x800 16/9 Yes Yes
SWXGAP	1366x800 5/3 Yes Yes
	1152x864 4/3 Yes Yes
900p 1440	x900 16/10 Yes Yes
	1440x900 3/2 Yes Yes
	1600x900 16/9 Yes Yes
	1280x960 4/3 Yes Yes
SXGA	1280x1024 5/4 Yes Yes
	1360x1024 4/3 Yes Yes
SXGAP	1400x1050 5/3 Yes Yes

Format Size Aspect ratio			Frequency
			50 Hz	60 Hz
WSXGAP	1680x1050	16/9	Yes	Yes
1080p	1920x1080	16/9	Yes	Yes
2K	2048x1080	17/9	Yes	Yes
UXGA	1600x1200 4/3	Yes Yes
WUXGA	1920x1200 16/9	Yes	Yes
	2048x1152 16/9	Yes	Yes

4.6 Input specifications

The Eikos ^2 offers 10 seamless inputs. Some inputs contain several plugs.

A plug corresponds to a socket or connector on the rear panel.

The following types of plugs are available on the rear panel:

• HDMI
• Single DVI-D (HDMI compatible),
• 3G/HD/SD-SDI (BNC),
• Universal Analog (HD-15)

The Eikos ^2 uses an HDMI plug with a standard mounting screw above the connector. Please see the diagram below. This hole is occupied by a Torx10 screw when you receive the unit. If desired, this screw can be removed and replaced by a compatible aftermarket HDMI plug locking mechanism to ensure a secure HDMI connection. This threaded hole should not be left empty.

M3x0,5 mm 27 mm

This hole is used by a TX10 screw when you receive the unit, if you wish to use an HDMI cable with a security fixing screw you can take this screw off and use your own in order to insure good fixing of your HDMI plug.

Please take a look at the accepted formats regarding the input plug type:

Plug Type Formats Signals
Universal Analog Input SDTV	- EDTV - HDTV - Computer Analog SDTV - Analog	Analog EDTV - Analog HDTV - Analog Computer
DVI-D Input SDTV - EDTV	- HDTV - Computer Digital SDTV - Digital	EDTV - Digital HDTV - Digital Computer
HDMI Input	SDTV - EDTV - HDTV - Computer	Digital SDTV - Digital EDTV - Digital HDTV - Digital Computer
3G/HD/SD-SDI Input SDTV	- HDTV Digital SDTV - Digital HDTV

WARNING: Only the video and audio signal is processed for the HDMI®, and 3G/HD/SD-SDI inputs; other embedded auxiliary features are not supported or passed through. The embedded audio is processed. All other HDMI® features such as: HDMI Ethernet Channel, Audio Return Channel, 3D, 4K, Content Type, Deep Color and x.v.Color are NOT supported.

Each input can display only one active plug at a time. It is instantly available on the device and can be displayed simultaneously on many layers or outputs, with different sizes and positions.

Standard	Size	HD-15	3G-SDI	HDMI	Single-Link DVI-D
NTSC	525/480i	Yes	Yes	Yes	No
PAL	625/576i	Yes	Yes	Yes	No
SECAM	625/576i	Yes	Yes	Yes	No
EDTV 480p	525/480p	Yes	No	Yes	Yes
EDTV 576p	625/576p	Yes	No	Yes	Yes
HDTV 720p	1280x720	Yes	Yes	Yes	Yes
HDTV 1035i	1920x1035	Yes	Yes	Yes	Yes
HDTV 1080i	1920x1080	Yes	Yes	Yes	Yes
HDTV 1080p	1920x1080	Yes	Yes	Yes	Yes
HDTV 1080sF	1920x1080	Yes	Yes	Yes	Yes
HDTV 1080p	1920x1080	Yes	Yes	Yes	Yes
HDTV DCDM	2048x1080	No	Yes	No	No
VGA	640x480	Yes	No	Yes	Yes
800x480	800x480	Yes	No	Yes	Yes
WVGA	848x480	Yes	No	Yes	Yes
SVGA	800x600	Yes	No	Yes	Yes
1280x600	1280x600	Yes	No	Yes	Yes
720p RGB	1280x720	Yes	No	Yes	Yes
XGA	1024x768	Yes	No	Yes	Yes
WXGA	1280x768	Yes	No	Yes	Yes
SWXGA	1360x768	Yes	No	Yes	Yes
Standard Size HD-15 3G-SDI HDMI					Single-Link DVI-D
1366x768 1366	x768 Yes No Yes Yes
800p RGB 1280	x800 Yes No Yes Yes
SWXGA+ 1366x	800 Yes No Yes Yes
1152x864 1152	x864 Yes No Yes Yes
900p RGB 1440	x900 Yes No Yes Yes
1600x900 1600	x900 Yes No Yes Yes
960p RGB 1280	x960 Yes No Yes Yes
SXGA 1280x1024	Yes No Yes Yes
1360x1024 1360	x1024 Yes No Yes Yes
DILA4/3 1364x	1024 Yes No Yes Yes
SXGA+ 1400x1	1050 Yes No Yes Yes
WSXGA+ 1680x	1050 Yes No Yes Yes
1080p RGB 1920	x1080 Yes	^1	No Yes Yes
2K	2048x1080 Yes	^1	No Yes Yes
Q WXGA 2048x	1152 Yes	^1	No Yes Yes
UXGA 1600x1	200 Yes	^1	No Yes Yes
WUXGA	1920x1200 Yes	^1	No Yes Yes

Note:
1) Reduced Blanking

4.7 Output specifications

4.7.1 Standard output

The Eikos ^2 has two standard outputs.

The standard output contains:

- Analog Computer/Video (HD15),

- HDMI output over a DVI-I connector or DVI-I output (DVI-Analog and DVI-Digital).

UNIVERSAL ANALOG DVI-I

VGA

DVI-I

Please see the formats available on the output:

Output Type Format Signal
Analog Computer/Video Output	HDTVComputer	Analog HDTVAnalog Computer
DVI-I Output	HDTVComputer	Digital HDTVDigital Computer

Please note that SDTV and EDTV are not available on the standard output but only on the video output module.

4.7.2 Video output

The Eikos ^2 has one video output.

This video output contains:

• 3G/HD/SD-SDI (BNC),
• Analog SDTV (4 × BNC: Composite, YC, YUV, RGBS).

3G/HD/SD-SDI CVBS Y Pb Pr VIDEO OUT

Please see the output formats of the monitoring output:

Output Type Format Signal
Video Y/C Output SDTV Analog SDTV
Video Y Pb Pr Output SDTV Analog SDTV
Video RGBSTTL Output SDTV Analog SDTV
SD-HD-3G-SDI Output	SDTVHDTV	Digital SDTVDigital HDTV

4.8 Communication specifications

4.8.1 Serial interface

A standard RS232 interface is available through a DB9 female connector:

• It permits controlling the device
• It permits updating the device
  Data Rate: 1200 to 115200 Bauds, 8 data bits, 1 stop bit, no parity bit, no flow control by default.
  DTR & RTS needed for firmware upgrade.

4.8.2 LAN interface

A standard LAN interface is available through a RJ-45 connector

• It permits controlling the device
• It permits transferring configuration
• It permits connectivity with the RCS ^2 application
• It permits updating the device

4.8.2.1 Protocol

Protocol Availability
TCP Yes
UDP Yes

4.8.2.2 IP address

Address allocation Availability
Static user defined address Yes

Default IP address: 192.168.2.140

4.9 Environmental specifications

Dimensions:

D 15.75" x W 19" x H 3.46" with rack mount and handles
D 400 mm x W 483 mm x H 88 mm
D 14.17" x W 17.3" x H 3.46" without rack mount and handles
D 360 mm x W 440 mm x H 88 mm

Weight:

▶ 6,3kg / 13.9 lb (Compatible with a Standard 19" rack, Height = 2 U)

• Cooling air flows from right side to left side.
• Max ambient operating temperature: < 40^ C( < 104^ F) .
• Operating temperature: 0 to +40^ / +32^ to +104^
  • Storage temperature: -40 to +70°C / -40°F to +158°F
• Operating humidity: 10 to 80% (non condensing)
• Input voltage range: 100-240 VAC autosensing, 50/60 Hz
  • Typical consumption: 110 W

ELECTRICAL SECURITY:

• IEC 60950-1:2005 (2nd Edition); Am 1:2009
- EN 60950-1:2006 + A1:2010 + A11:2009 + A12:2011, CSA C22.2; National Differences specified in the CB Test Report
• UL listed (Canada & US)

ELECTROMAGNETIC COMPATIBILITY:

• IEC 61000-3-2 (2009)
• IEC 61000-3-3 (2008)
• CISPR22 (2008)
• CISPR24 (2010)
• FCC Part15 of 2012
• IECS-003 of August 2012

ENVIRONMENT:

• RoHS
• WEEE

USE/TRANSPORT:

• ETS 300 019-2-2: Environmental conditions and environmental tests for telecommunications equipment; Part 2-2: specification of environmental tests; Transportation; Specification T 2.3: Public transportation
• ETS 300 019-2-3: Environmental conditions and environmental tests for telecommunications equipment; Part 2-3: specification of environmental tests; Stationary use at weather protected locations; Specification T 3.1 and T 3.1 E: Temperature-controlled locations

If your device should lose power unexpectedly, you may lose any unsaved settings.

4.10 HDCP management

4.10.1 Input HDCP detection

The input HDCP detection is managed by the input components according to HDCP specification.

4.10.2 Output HDCP detection

The Eikos ^2 manages the output HDCP detection according to one of the following criteria:

• Hot plug,
• 3-second period attempt.

4.10.3 Keys' checking

Keys' checking is performed according to the most restrictive condition among the 2 following ones:

• Every 2 seconds
• Every 128 frames

4.10.4 Output management

HDCP protected content can be displayed only on HDCP protected outputs or displays. Therefore, whenever an HDCP protected source is placed into a layer routed to a non-protected output, the Eikos^2 will not output the protected content on this non-protected output, and the layer will be grayed.

If possible, the Eikos ^2 will allow to display all other non-protected contents, otherwise the entire output will be muted until the protected content is no longer routed.

4.10.5 HDCP Classification

Class Support
HDCP Receiver Yes
HDCP Transmitter Yes
HDCP Repeater No

HDCP Receiver

The HDCP negotiation can be enabled or disabled on all HDCP inputs.

HDCP Transmitter

The HDCP negotiation can be enabled or disabled on all HDCP outputs.

The Eikos ^2 can manage HDCP repeaters on its outputs: up to 32 display devices can authenticate simultaneously on each output.

4.10.6 Status

In order to permit quick identification of all the HDCP operations on the device, the Eikos ^2 provides a full set of status summary to help the user with the HDCP management:

- A front panel menu that displays all the general HDCP status of all inputs and outputs

5. CONNECTING THE EIKOS ^2

5.1 Description

5.1.1 Rear panel

1 2 3 4 5 6 7 MAC ADDRESS 002-44-54-10-10 E CE 8 9 10 11 12 13 14 30/RD/SD-SDI INPUTS SOI #1 SOI #2 SOI #3 SOI #4 AUDIO INPUTS #1 #2 #3 #4 OUT #1 OUT #2 AUDIO OUTPUTS CVBS Y PB PY VIDEO OUT UNIVERSAL ANALOG DVI-D UNIVERSAL ANALOG DVI-D UNIVERSAL ANALOG DVI-D UNIVERSAL ANALOG DR0101 MADE IN E.U. MODEL: RS550 DVI-B UNIVERSAL ANALOG DVI-D UNIVERSAL ANALOG DVI-B UNIVERSAL ANALOG ETHERNET HDMI R1 HDMI #2 UNIVERSAL ANALOG DVI-I UNIVERSAL ANALOG DVI-I PROGRAR / OUTPUT #1 PREVIEW / OUTPUT #2

1. Power supply: 100-240 VAC 2.5A 50/60HZ / FUSE F4A 250 VAC; internal, autoswitchable; 110W
2. 3G/HD/SD-SDI: inputs #1 to #4
3. S/PDIF: audio inputs #1 to #2
4. MCO male connector: for audio inputs (balanced) #1 to #4
5. MCO male connector: for audio outputs (balanced) #1 to #2
6. S/PDIF: audio outputs #1 to #2
7. Video out connectors: - 1 x BNC-F: 3G/HD/SD-SDI (with audio embedded)

- 3 x BNC-F: Y-Cb-Cr

- 1 x BNC-F: Composite video PAL/NTSC

1. Universal Analog Computer TV/HDTV: inputs #1 to #4
2. DVI connectors: DVI-D inputs #1 to #4. Capability to receive digital audio signal from HDMI connector via an adaptor (HDMI-compatible)
3. Ethernet plug
4. HDMI connectors: HDMI inputs #3 to #6. Digital audio compliant
5. Communication port: communication port with DB9 female connector
6. Universal Analog Computer TV/HDTV: HD15 outputs #1 to #2
7. DVI connectors: DVI-I outputs #1 to #2. Capability to transmit digital audio signal towards a HDMI connector via an adaptor (HDMI-compatible)

5.1.2 Front panel

1 2 3 4 5 6 ANALOG WAY® Eikos² 8 CONTROL Exit Menu Enter LAYER SELECTION Frame Layer A Layer B Layer C Logo I Logo 2 INPUT SELECTION 1 2 3 4 HDMI 1 LF1 LF2 LF3 LF4 SDI 1 SDI 2 SDI 3 SDI 4 HDMI 2 Quick Frame LF3 LF6 LF7 Alt.P8 MATRIX MODE #1 #2 LAYER Black France FUNCTION PVW Mosaic Shift ADJ SWIP BICK TAKE PROSET P1 P2 P3 P4 PS PS P7 PS QUADRAVISION W1 W2 W3 W4 EFFECT CUT PADE USER 1 USER 2 USER 3 USER 4 13 14 15119 1210 EKSS50 7

1. Front panel display: 4-line VFD
2. Menu scroll knob
3. Layer selection: - Frame: un-scaled layer for still frames
4. Layer A/B/C: scaled positionable layers for live sources
5. Logo 1/2: un-scaled, positionable layer for still logos
6. Matrix mode: #1 to #2: select the output #1 or #2, a layer and a source, then press TAKE
7. Adjustment: adjust layer or logo position, size active layer, zoom active layer
8. Quadravision: W1 to W4: 4 layers with a choice of 8 customized templates
9. Effect: - Cut: select Cut as the current transition type
10. Fade: select Fade as the current transition type
11. User 1 to 4: select as a customized transition
12. On/Off - Stand-by: hold for 3 seconds for stand-by mode
13. Control: Exit/menu: Home menu or back one level - Enter: validate the menu or command
14. Input selection: - 1 to 4: access source 1 to 4, display frame/logo 1 to 4
15. HDMI 1/2: access HDMI 1 or HDMI 2
16. SDI 1 to SDI 4: access SDI 1 to SDI 4, display frame/logo 5 to 8
17. Quick Frame: allows to quickly display a foreground frame
18. Function: Preview: display Mosaic Preview - Shift: secondary function selection button
19. Layer: - Black: clear the layer
20. Freeze: freeze/unfreeze the input selected in the currently selected layer
21. Step Back: recall the last preset into your Preview monitor
22. TAKE: transition the pre-selected sources onto the Program output with the selected effects
23. Preset: P1 to P8: stores and recalls 8 presets available

6. CONTROLLING THE EIKOS ^2

The Eikos ^2 can be controlled and operated either via the Front Panel, from your computer via the RCS ^2 , or via one of our Event Controllers. (Control of the Eikos ^2 can also be integrated into automation and control systems, contact your local technical support for more details.)

6.1 RCS ^2 requirement

The recommended requirements are:

• Adobe Air®
• 1Gb Ram
• 200Mb of free space
• 100Mb Network adaptor or above
• 1920x1080 optimized screen resolution
• 1366x768 as the minimum screen resolution.

Operating system:

• Windows XP SP3 or above
• Mac OS v10.7 or above
• Ubuntu v10 or above
• Linux OS 11 or above

For Linux users:

The RCS ^2 is an Adobe ^ AIR ^ application that requires the most recent version of this runtime. As Adobe ^ AIR ^ is no longer supported for desktop Linux distributions, please use a dedicated software such as WINE to use applications designed for Microsoft Windows on your operating system.

1. First, install a Microsoft Windows compatibility layer software on your Linux PC.
2. Then install the Adobe® AIR® last release using your emulator
3. Finally, install the RCS ^2 using your emulator.
   You are ready to use the RCS ^2 .

6.2 Connecting with the RCS ^2

The RCS2 is an Adobe Air application that runs on your computer. Before you can connect to your device, you must first download and install Adobe Air, then download and install the RCS2 on your computer.

In order to connect the RCS2 to the device, you need to use a LAN connection. Use a

crossover cable if you connect your computer directly to the unit, or use straight cables if you are connecting through a switch or hub.

Before switching ON the unit, please plug a LAN cable on the rear panel into the Ethernet port. Then switch ON the unit.

By default, the network settings on the Eikos ^2 are

Default IP Address: 192.168.2.140

Default Subnet Mask: 255.255.255.0

Default port: 10500

To be able to connect to this address, your computer will need to be configured to use a unique IP address on the same network. If this setup will be part of a larger network with other devices, please check with your network administrator before plugging these devices into the network to avoid any IP address conflicts.

For example, you could assign the following static IP address to your computer:

Example Computer IP address: 192.168.2.50

Example Computer Subnet Mask: 255.255.255.0

Internet Protocol Version 4 (TCP/IPv4) Properties General You can get IP settings assigned automatically if your network supports this capability. Otherwise, you need to ask your network administrator for the appropriate IP settings. Obtain an IP address automatically Use the following IP address: IP address: 192 . 168 . 2 . 50 Subnet mask: 255 . 255 . 255 . 0 Default gateway: 192 . 168 . 2 . 1 Obtain DNS server address automatically Use the following DNS server addresses: Preferred DNS server: 192 . 168 . 2 . 1 Alternate DNS server: 192 . 168 . 2 . 1 Validate settings upon exit: Advanced... OK Cancel

To download the Remote Control Software, please visit our website and go into the product section. Then, into the download link, please download the RCS ^2 associated to your product. Install it and then open. Here is the startup screen.

Enter the IP address of the device and then the remote port. Click on SET AS DEFAULT if you want the software to remember your configuration.

Click on Connect to start the connection.

RCS² CONNECT YOUR DEVICE Remote Address 127 0 0 1 Remote Port 4521 Connect set as default 0.6.54

Once connected, you have access to this screen:

Analog WAY* SCREEN 1 1 2 3 4 5 6 7 8 9 10 Input Logos Frames 1 2 3 4 5 6 7 8 9 10 1 VULB VULB VVS VVS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS VLS 10:00:00 VULB / PSENDA - COMPRET. 10:20 x 10000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000 11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11:11: 192.588.5.144 TAKESO ONE SHOT Program Files Tools Take Description EXCELSSD 192.588.5.144 Take OK

In case of difficulties:

• Verify that you are using the correct network cable and that it is free from defects. (Crossover or straight cable as required.)
• Check the IP address of both the device and the computer. It must have a unique IP address on the same network as your Eikos ^2 . You may need to manually configure a static IP address for your computer in your computer's network configuration.
• You may need to temporarily disable any other networks on the computer, such as turning off the wifi connection.
• Close the RCS ^2 .
• Restart the RCS ^2 .

Once your computer has established connection, the RCS ^2 control panel will begin to load, and will begin to synchronize with the device. When the small “Sync” icon at the bottom right of the display has turned green, the RCS ^2 software is ready to use.

Some computers use an energy saving mode that turns off the network adaptor during periods of inactivity. To avoid the inconvenience of reconnecting the software during use, please ensure your network adaptor remains active by disabling the energy saving mode.

6.3 RCS ^2 top menu

Setup Edit Live

6.3.1 Setup

The Setup page is where you will review and modify the device configuration, such as output resolutions, input settings, and more.

6.3.2 Edit

The Edit mode is the place where you will manage preset creation. You will make input selections, manage your inputs, adjust the layer attributes such as size, position, effect, etc. You can save all your screen configurations into presets, as well as review and recall them on each individual screen.

6.3.3 Live

The Live mode is the section where you will operate your show. You can quickly recall presets or make input selections, as well as setup a sequence of presets that can run continuously with custom durations, or wait for user interaction.

7. OPERATING THE EIKOS ^2 FROM THE RCS ^2

7.1 Operating mode

Before you start setting up your Eikos ^2 for the first time, take some time to think about how you will be using it. The Eikos ^2 offers a choice of three operating modes, which results in a versatile video production tool for live event staging and fixed installation applications.

NOTE: We recommend resetting the device to its default values every time you set up your shows or events.

7.2 Setup

Go to the setup section to start to set up your unit. A Setup assistant is available to help you to correctly adjust all basic setups of your unit.

ANALOG WAY* PROSPECT OUTPUTS INPUTS LOGOS VIDEO OUT AUDIO GUANGUO CONTROL Multi-Panel Mixer Matrix Quadravision Screen 32 (Long set) W3 W2 W1 W4 Source ID: 01000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000 Head Standard Front DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG DWG

7.2.1 Mode

Mode Audio Screens Wireframe Preview Misc Previous Next

The device can work in 3 different modes, Mixer mode, Matrix mode or Quadravision mode.

Mixer mode

This mode allows for a single Eikos ^2 to seamlessly switch any of its 10 analog/digital inputs with any other of the inputs, add PIP, titling or logo insertion to the live frame, while previewing your every move before going live, to avoid embarrassing errors on your main screen. The Video output of the Eikos ^2 allows to have a copy of the full Main screen at a video resolution for recording or broadcasting.

graph TD
    A["Frame"] --> B["Layer A"]
    B --> C["Layer B"]
    C --> D["Layer C"]
    D --> E["Logo 1"]
    E --> F["Quick Frame"]
    G["Background"] --> H["Logo 2"]
    H --> I["Foreground"]

Matrix mode

This mode turns your Eikos ^2 into a true 10 x 2 scaled matrix, while preserving seamless switching capabilities. Program 1 and Program 2 outputs can be set to different resolutions and rates. Switching between any of the inputs can be done with the various effects (Cut, Fade, Slides...) and synchronized on both outputs.

Quadravision mode

This mode allows to display up to four live windows, while preserving seamless switching capabilities (not if all 4 layers are displayed). Several templates are available.

7.2.2 Audio

Mode Audio Screens Wireframe Preview Misc Previous Next

In this sec on, you will setup the audio of your device, you have several modes. In all modes, you have the possibility to output the audio in AES3 or SPDIF:

Select your Audio mode Briceline Parrotalobe Raking mode No mode Program (Out 81) Preview (Out 42)

NO AUDIO: the audio of your device is switched o

No audio Audio mode Rotating mode Select your Audio mode Program (Out #1) Preview (Out #2) Top Layer R Minnesota Output Signal Audio Standard ALS3 GPOF

PRESET MODE: the standard mode of use of the device You have two possibili es:

• Toplayer: the sound on the output will follow the audio input of the top layer.
• Breakaway: when breakaway is ac vated, the audio on the output is memorized into the preset. A change of preset, changes the audio on the output. A change of content into a video layer has no e ect on the audio.

Select your audio mode No audio Present mode Floating mode Select your floating mode Out #1 Input 1 Downloaded microphone mode on CPU Out #2 Input 2 Downloaded microphone mode on CPU Output Signal Digital Standard: NS33 SPOP

ROUTING MODE: in this con gura on, simply choose an audio input to assign it to the output. The audio con gura on remains the same during the show.

In this example input1 is on out1 and input 2 is on out 2

7.2.3 Screens

Mode Audio Screens Wireframe Preview Misc Previous Next

In the screen configuration, you will find the state of your screen. It indicates the screen resolution, the maximum number of layers you can use.

Ctrl F1 Resolution ( 1920 x 1080 ) Layers Max 4 Quick Frame FRAME 1 Color 0006066

You will find configuration for the Quick Frame and the background color too. The Quick Frame will be your emergency frame that can be displayed in front of every layer. Here, select the frame slot number to be displayed as the Quick Frame. If you are in Matrix mode, you have 2 screens status.

7.2.4 Preview

Mode Audio Screens Preview Misc Previous Next

Into the PREVIEW section, you have the possibility to choose your PREVIEW mode:

MOSAIC VIEW Mosaic Mode Preview PRESET ASPECT Preview ID's Disable Enable OSD Fields Enabled Select Fields ALL Input Alpha Border Opening Effects Closing Effects Keying Smooth Move

Click on Mosaic to have a Mosaic Preview of all your inputs. Click on Preview to simply have the standard Preview with all layer size and position. Remember that only 1 layer at the time can be displayed on the Preview.

PRESET ASPECT: disabling this option disable the Preview indications on your Preview monitor, such as the blinking layer wireframe, and source number.

OSD Fields: enable or disable all information about your layer configuration

7.2.5 Misc

Mode Audio Screens Preview Music Previous Next

GENERAL SETTING Preset Toggle Auto Take Dynamic Fit None F8 Freeze Mode Layer Freeze Freeze All Pip Background Color #005192

PRESET TOGGLE: by default, the device will not swap the Program and Preview busses during each TAKE. Disabling this option will leave the Preview bus unchanged during each TAKE, and only the Program will be updated. When this option is enabled, the Preview and Program busses will be swapped during each TAKE.

AUTOTAKE: enable the automatic TAKE. Each time a source is changed on preview, it triggers a TAKE to be launched.

DYNAMIC FIT: enable or disable the automatic recognition of black band for digital content. The size and the aspect ratio of the layer are automatically adapted.

FREEZE MODE: choose to freeze all inputs or only one input when you use the freeze function. PIP BACKGROUND COLOR: here you chose the automatic color of PIP background, black is the default color.

7.2.6 Output management

Into the output section, you will be able to manage your output resolutions, formats, sync types, test patterns, etc. On the SETUP > OUTPUT TAB, the following screen will appear:

COMPUTER 1928 X 1000 (163 1000P) @ 40.09 Hz Out1 Size: 1920 x 1000 Hadoop Size 1 Mode: Out2 Size: 1929 x 1000 Hadoop Size 2 Mode:

A short summary of each output settings appears on the main page. You can see the number of outputs, their resolution, rate and HDCP status.

Select an output to adjust by either clicking on it from the column on the left, or clicking the configuration cog icon for that output.

Once the individual output setup page is opened, you have access to:

- MODE: choose your rate generation mode, internal (free-running within the unit) or Framelock by choosing an input as a reference input,

-FORMAT: choose the output resolution format,

-RATE: choose the signal timing standards, if the mode is set to internal

-STATUS: the status menu will show you the current output status,

- APPLY: click on this button to apply the new format/rate,

- PLUG STATUS: indicates the status of the attached monitor and confirms connectivity,

- TYPE: you can choose the type of output synchronization on the analog plug, for example RGsB for sync on green, or RGBHV for separate H and V sync wires,

- FORCE DVI MODE: select this box to force the output to DVI mode instead of the default HDMI autosense mode. When in DVI mode, no embedded audio will be transmitted,

- PATTERN: a selection of patterns is available to test your output. These patterns will override any input selection that you might have.

You can choose from:

• No Pattern – turns the pattern off
• Vertical or horizontal Grey Bars – displays grey bars
• Vertical or horizontal Color Bars – displays color bars

- Grid – displays an 8x8 box grid pattern

- SMPTE bars – displays the SMPTE color bar pattern

- Vertical Burst – displays alternating black and white 1 pixel wide columns

- Centering – displays a 1 pixel wide dotted line at the edge of the output (only available for computer formats)

- Vertical or horizontal gradient – displays a 0 to 100% gradient pattern.

- FLICKER: choose the value of the flicker filter to remove the flicker effect on your interlaced output screen,

- GAMMA: increase or decrease the gamma of your output,

- HDCP: enable/disable and see the HDCP status.

Depending on the output format chosen, only relevant settings will appear.

COMPSX X 100/200 RGB CMYK RGB Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CF95 Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CNT1 Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: CMYK Color: MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3.253, MRT3. CMYK: No PATTERN

Custom format

The device offers the possibility to create your own output format:

Cell your Custom Format Cut Mode CUT Mode Full Mode Horizontal pixels 1024 Pixels Vertical Lines 768 Links Frame Rate 60 MHz Reduced Masking Load Custom Format Check Status VALID Total Horizontal Pixels 1328 pixels Total Vertical Lines 768 miles Plants Frequency 63.58 MHz Lines Frequency 47.34 MHz Save

Choose CVT mode (restricted settings) or FULL mode (full settings) and start to create your format by adjusting the Horizontal Vertical pixels, frame rates and reduced blanking.

Click on CHECK to verify if your format is a valid signal. You can SAVE and LOAD your Custom format.

7.2.7 Input management

Once your outputs are configured, you have now to configure the inputs connected to your device. Under the inputs section, you can view your inputs by active plugs or by all plugs (active and inactive).

Author: 42 The Software Tools All Files... About 42 is available 1 2 3 4 5 6 7 8 9 10

Reset to Default Auto Model Open Mode Auto Save Mode Auto OK Open Auto Model Edit Save Value Auto Mapping Auto Mapping 100%

In both cases, an AUTOSET ALL can be launched to set up automatically your inputs.

Once the AUTOSET ALL is done, you can check one by one your inputs and see if they were correctly detected by checking the input STATUS. The input STATUS is defined by a FORMAT and a RATE. If that information is not available, your input has not been properly detected or set up.

In this case, you can enter manually into each input settings by using the left menu:

Under the SIGNAL tab, you will find:

Signal Image Aspect User Format Keying Active Plug Div-D Analog Setup Plug Div-D Analog SIGNAL Type AUTO Auto Detect Enable BatSync Label enter label... Audio Mapping Audio Source EMBEDDED Embedded Audio Signal

• ACTIVE PLUG: select the plug used by the unit at the moment. Only this plug can be displayed on your output,
  -SETUPPLUG: select the plug you want to set up, all changes will be applied to this plug, even if this plug is active or not (do not mismatch with the active plug),
  -SIGNALTYPE: define the type of your signal, video SD/HD YUV/RGB or Computer HV/SOG etc.,
• ENABLE: enable/disable the input,
• REF SYNC: affect the input to the ref sync input. Use this box only if your source is genlocked with the referenced source (framelock feature),
• LABEL: rename your input according to your source,
  -AUDIOMAPPING: select the audio input that will be linked with the video input,

• EMBEDDED SIGNAL AUDIO: status indicates if an embedded audio signal is detected or not,

• STATUS: format and size of the input,

• CONTROL: Black: select Black to transform your input in a uniform color, Freeze: use this button to freeze the specific input,
• EDID: choose the EDID for the selected plug.

Change Edid Preferred Format 640X350 85HZ 640X400 85HZ 720X400 85HZ 640X480 60HZ 640X480 72HZ 640X480 75HZ 640X480 85HZ Ok

Under the HDCP section, you can:

• Enable/disable the HDCP communication feature
• Read the HDCP status, If the HDCP status says Active, this output connection is currently utilizing HDCP to protect the signal. if the HDCP status indicates Idle, this output connection is currently not utilizing HDCP.

Next is the IMAGE tab, where you can find all settings about the display of your input:

COLORIMETRY Level 0 Contrast 0 Color 0 Hua 0

Under the COLORIMETRY section, you have:

• LEVEL: define the selected input luminosity level,
• CONTRAST: define the selected input contrast level,
• COLOR: define the selected input color level (0:black and white, full: full color),
• HUE: set up the hue phase of your NTSC signal.

USER GAIN Red Green Blue

Under the USER GAIN section, you find:

- THE RED/GREEN/BLUE: increase/decrease the Red/Green/Blue level of your input.

Next you have the ASPECT tab. All settings about the blanking and aspect ratio are available there:

Under the BLANKING ADJUSTEMENTS:

- H&V POSITION SIZE: you can manually adjust the input blanking with the V&H size or position.

Under the ASPECT RATIO section:

Aspect In NONE 5:4 4:3 16:10 15:9 16:9 21:9 Prodefined Crop Aspect Out

• ASPECT IN: forces a particular aspect ratio for the source. (5:4, 4:3, etc). This setting has no effect when set to native,
• PREDEFINED CROP: choose a specific cropped ratio if you use a source with black bands on top/bottom or left/right,
• ASPECT OUT: define the way the image will be displayed into a layer (full screen, centered, cropped or 1:1),
• OVERSCAN: choose to apply or not a predefined zoom on the image (use with video signal).

Next settings available on the ASPECT tab are:

CROP Flade Top Bottom Left Right

-CROP: use the Top, Bottom, Left and Right values to crop your input.

The next tab is the USER FORMAT:

In this tab, you can explicitly define the input format. The input format is automatically detected by the Eikos ^2 but you can change it or force it. The available formats are close to the current one, in terms of lines. This is only available for analog computer formats.

Setup Report 5 Signal Image Aspect User Format Keying COMPUTER 100X1000 COMPUTER 120X1000 (CURRENT) COMPUTER 140X1000 COMPUTER 160X1000 (CURRENT) COMPUTER 180X1000 COMPUTER 200X1000 Set As User Format Set As User Format

Keying Feature

With the keying feature, you will be able to key easily a color space or a specific luma on an input.

The device offers an individual keying for each input. Into the input settings, find the keying menu: You have 2 ways of using the keying:

Keymag Setup Mode DSK / TITLING Enable 64

• COLORKILLER: classic color keyer removing a specific color space defined by user,
• LUMAKILLER: luma keyer removing a specific lumanance level range.

Keying Setup Mode Luma Low Level Luma High Level Chroma Setting Manual Grabber Tolerance 10 Current Color 8005700 DSK/TITELING Enable G4

Keying setup can be done either by setting directly color references and tolerances or by using the color grab assistant.

-INVERTBUTTON: at any time you can choose to invert the actual keying using this button.

DSK / TITLING Enable Opacity 128

DSK TITLING: after your keying, the DSK titling feature allows you to play with the transparency of your deleted pixels. Enabling this, simply adjust the opacity settings to make your keyed pixels less or more dark. This is useful when keying white or light colored text over a bright background.

How to use the LUMA KEY:

Select the lumakiller and then adjust manually, the luma level:

Luma Low Level 0 Luma High Level 255

- Manually: set the minimum luminance value.

Luma Low Level: Everything darker than this value will be keyed away.

Luma High Level: Everything brighter than this value will be keyed away.

Then adjust the maximum luminance value to define the range of luminance levels which will be deleted. Once you have completed the setup of your keyed input, place the it in layer B on top of your background (such as a camera in layer A) in order to complete the keyed title or lower third effect.

How to use the CHROMA KEY:

- Manually: set the Hue and luminance to choose the color space you want to delete into your image. Set it manually looking at the color change into Current color. If you want, you can quickly select a color from a color panel, clicking on CURRENT COLOR. Then click on the color itself to obtain the color panel. Once your main color is chosen, you can define a degree of tolerance around this color. The tolerance will define, around the main color, an area that will be keyed too. You may still need to make further adjustments to the luminance level to complete your key effect.

- Grabber: activate the grabber to grab the color you want to key. Move the cursor and click on the grab button to grab the color.

7.2.8 Logo/frame management

To save a logo/frame click on this button:

Lg1 LOGO Capture Logo Lg2 LOGO 302 x 254 2 442 x 365

The next page opens.

From here you can capture from the main or from the Preview.

You can still freeze the output before saving your logo/frame.

You can also utilize the logo keying feature to key away part of the image before saving the logo.

Capture LOGO 1 Program Preview FREEC Positive Size Adent X Pos 327KB Y Pos 327KB Width 400 Height 500 Animation Setup Mode Low Level 64 High Level 192 Background Color EXECUTE Close

Select the area you want to save using the adjustable white square.

Once it is ok, simply click on execute to save the logo.

How to save a frame:

Capture FRAME 1 Program Preview FREEZ EXECUTE Close

Choose first Program or Preview, click on FREEZE if you want to freeze your output. Then click on EXECUTE to save your frame into the selected slot.

7.2.9 Video out

Into this section, choose the output format of the video output.

SOTVL Format SOTV PNL Ratio SBNZ Status Connect Format SOTV PNL Resolution 729 x 576 Connect Rate 50.00 Hz Plug YPS/Ft VALID Plug CVBS VALID Plug SEI VALID Apply SOK to apply Rate and Form CONTROL Pattern NO PATTERN Customing Pattern

You will find the status of your output and the possibility to choose the test pattern. In addition, you can adjust:

• FLICKER: choose the value of the flicker filter to disabled the flicker effect on your screen (interlaced lines effect),
• GAMMA: increase or decrease the gamma of your output,
• OVERSCAN: enable/disable the overscan/underscan,
• SHARPNESS: adjust the sharpness of the image.

Output Layout SET UP Aspect Ratio 4:3 16:9 Overscan IMAGE POSITION H Pos 50 V Pos 50 H Size 50 V Size 50

Clicking on Layout, you have the choice between a 4/3 or a 16/9 aspect ratio.

You can still play with the H/V position and H/V size in order to adjust accurately the video out image on your final screen.

7.2.10 Audio management

The audio section permits the management of level, balance, and other audio settings for each input.

Analog Way* PRECONFIG OUTPUTS INPUTS LOGOS VIDEO OUT AUDIO SERVICES CONTROL PGM (Out #1) PRW (Out #2) only Current input 1 analog On profile input 2 analog On profile input 1 dvi Rate input 2 dvi Rate input 3 hdmi Rate input 4 hdmi Rate sdi 1 sdi 2 Rate input spdf 1 Rate Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Gain Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Loss Mg0.0000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000000

Before modifying the audio settings, be sure to check the audio input mapping. Each video input has one audio source mapped to it. The audio mapping configuration is found under Menu > Inputs > each input.

Audio Mapping Audio Source EMBEDDED EMBEDDED Embedded Audio 5 ANALOG 1 ANALOG 2 Audio Signal ANALOG 3 ANALOG 4 S/PDIF 1 STATUS

Into the AUDIO SETTINGS:

To display only the Current audio input which is played, click on

Current button. only Current

Filter your Audio Inputs ALL INPUTS All analog Inputs input 1 analog input 2 analog input 3 analog input 4 analog All DVI input 1 dVI input 2 dVI input 3 dVI input 4 dVI All HDMI input 3 HDMI input 4 HDMI HDMI 1 HDMI 2 All SDI sdi 1 sdi 2 input 9 sdi input 10 sdi All SPDF input spdf 1 input spdf 2 Ok

If you want to select which audio input will be displayed, click on the list button ☐ select the input audio source you want.

input 1 analog On prelist Gain 0* -11 +6dB *(+4dBu) 0 Mono Stereo Pan L R 0 +6 +3 >0 -3 -6 -12 -20

To setup your analog audio input, simply click on "ON PRELIST", if you have a Preview output, the audio input will be played on it. Then adjust the GAIN from -11 to +6dB.

A red indicator light will be displayed if you reach the input clip. If the input clip light is being illuminated, it means that the input gain is too high and the signal is being distorted. To solve this issue, decrease the gain value. The 0dB corresponds to a +4dBu signal in input. The gain manual adjustment is only available for analog input.

For every input, you have the possibility to set up your source as a mono audio or stereo audio source.

You have the possibility to adjust the level vs right level using the Pan knob.

All input still have their own level which is 0 by default, decrease or increase the value to modify the sound level:

Specific feature:

• DIGITAL SOURCE: all digital sources will have their sample rate displayed,
• SDI SOURCE: on SDI source you can choose 2 channels on one of the 4 groups.

PGM (Out #1) PRW (Out #2) 0 -3 -6 -12 -20 -30 -50 +80 4 dBFS Delay 40 20 60 0 0ms 0 AUTO Pan L R 0 @0 dBFS Analog level 4 +15 dBu -30 -50 -20 -12 -6 0 dBFS Delay 40 20 60 0 0ms 0 AUTO Pan L R -15 @0 dBFS Analog level 4 +15 dBu 2

The available audio output controls depend on the device setup configuration. If you are in a program/preview mode, you will have program/preview audio outputs. If you are in matrix mode, you will have 2 programs audio outputs.

For the audio output, you will find:

- A LEFT/RIGHT PAN ADJUSTMENT

• A GAIN ADJUSTMENT: this setting will help you to calibrate the analog audio output component. Depending on the device you will use after the analog way device, adjust carefully the analog gain. Basically, for a 0 level, the default value is 4 dBu.
• A MASTER LEVEL: it indicates the level of your input. On its right, a bar will move up and down to indicate the audio level in real time. A red button will turn on if the maximum level is reached.
• A DELAY ADJUSTMENT: the delay can be automatically calculated or manually adjusted. To adjust it manually, first disable the Auto button.

7.2.11 Service management

Temperature DEBUG Sensor Temperature MOTHERBOARD AIR INTAKE MOTHERBOARD AIR OUTLET MOTHERBOARD MICRO FPGA CAMELYA FPGA FELINDRA FPGA TATURA Case Fan Speed FA(0) FA(1) FPGA Fan Speed CAMELYA FELINDRA TATURA

Into the service section, you will find tools to warn you if the unit has a problem.

Under TEMPERATURE, there is the alarm tab. If any fan FPGA or board are faulty, it will be displayed.

Temperature DEROS CARDOS Name Alt Serial Mandatory Rolt DateCode Ray InPlug NOTHERIDARIO 0 0 0 0 1 1 CF CAMELSN 0 0 0 0 1 1 CF PEUNORA 0 0 0 0 1 1 CF TATANIA 0 0 0 0 1 1 CF AUDIO 0 0 0 0 0 1 1 CF PAN 0 0 0 0 0 1 1 CF VIDEO OUT 0 0 0 0 0 1 1 CF SOLIN 1 0 0 0 0 0 1 1 CF SOLIN 2 0 0 0 0 0 1 1 IMPORT 0 0 0 0 0 1 1

TECHNICAL SUPPORT: Display the different technical support contacts depending on your area.

7.2.12 Control management

In this menu, all specific settings, which cannot be sorted under the other menus, are listed:

Network

Network INTERFACE IP Address 192 168 1 141 Net Mask 755 755 755 0 Port 10500 Apply

The interface loaded into the unit uses the IP configuration. Under INTERFACE, you can define a new:

• IP address
• Netmask
• Gateway
• Port: choose the port
• Protocol: choose TCP (by default) or UDP

Functions

Network Functions Device Time: 11-01-2000 01:35 Edit Erase Memories USER INTERFACE Auto Lock Factory Reset LCD Brightness 8 Key Brightness 100

Under function, you can edit:

• TIME: the internal real time clock,
• AUTO LOCK: when this feature is enabled, you will be locked out from selecting empty inputs that have no source connected,
• LCD BRIGHTNESS: adjust the brightness of your LCD,
• KEY BRIGHTNESS: adjust the brightness of your keyboard.

Erase memories

Into this section, you can erase individual settings.

• Erase input settings memory: all input settings will return to their default value. This includes image, aspect, user format and keying parameters.
• Erase thumbnail: all the thumbnails you store on your computer will be erased.

Factory reset

Click on start to erase all settings (except network and RCS ^2 parameters). The unit will reboot itself after the factory reset.

7.3 Edit

7.3.1 Layer management

When you enter into the Edit menu, you will encounter by default this window. On this example, we have the Screen 1 Program and the Screen 1 Preview. The following example can be applied for any other output configurations.

ANALOG WAY* Analog 1 100% x RGB Selected Layer Layer: Screen (COMUN 1 / Pixel HKEY) Layer: RGB Source: MRGB Position Blend: OK Cancel Change Change Change Preview Preview OK Cancel Layer OK Cancel Change Change Change Layer OK Cancel Tuning Operating Duration: 1 Glossing Duration: 1 Definition Size 3 4.68 1 4.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 5.68 TAKE

To display an input into one of the available layers A, B or C, simply drag and drop the input from the left column to the layer on the chosen screen. You can assign or change the inputs directly on Program as well as Preview.

ANALOG WAY* 1 2 3 4 5 6 7 8 9 10 Selected Layer Layer: Smooth (CAD/CM) / Pixel MAX / Light AVG Source: MDM Status: From: 100% OK: 100% Cancel: 100% OK: 100% OK: 100% Layer: 100% Training External Connection: 1 External Connection: 1 Position Size: Y: 600 Z: 200 Maximum: 60%

To display a logo, open the logo list column (next to the source list) and then drag and drop the desired logo onto the logo layer. The same procedure is used to display a Background Frame.

You can assign a source to a layer by dropping the selected source into the layer letter icon, located on the left side of the layout window. This is particularly useful when the desired layer is hidden or blocked by other layers.

ANALOG WAIT* 1 2 3 4 5 6 7 8 9 10 PC PC BLU-RAY TAKE Started Layer Start: 100% End: 100% Support: OK Cancel Apply Help Preview: OK Cancel Apply Help OK Cancel Apply Help Preview: OK Cancel Apply Help OK Cancel Apply Help Preview: OK Cancel Apply Help OK Cancel Apply Help Preview: OK Cancel Apply Help OK Cancel Apply Help Preview: OK Cancel Apply Help OK Cancel Apply Help Preview: OK Cancel Apply Help OK Cancel Apply Help

When a layer contains an input and is not empty, the RCS ^2 displays the input number or a customizable thumbnail icon that represents your input. Please note: this thumbnail is not a live image.

In this example, 3 inputs are affected to 3 layers into the Screen 1 Preview. The TAKE button on the bottom right side allows sending your configuration, made on the Preview screen, to the Program screen.

With each press of the TAKE button, the Preview screen is transitioned to the Program screen. By default, PRESET TOGGLE mode is disabled. That means, after a TAKE, the Preview stays as it was before. The Program and Preview will have the same content.

ANALOG WAY* 1 2 3 4 5 6 7 8 9 10 PC PC BLU-RAY TAKING ... OK Cancel OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK OK KONORI 100% Layer: Screen 100% Layer name: Structure: Normal Status: Balance: Normal Opacity: Normal GND: Normal Tuning: Optuning Operation: 1.00% Conting the position: 1.00% Position: Size: 100% Size: 100% Size: 25% Size: 25%

if desired, you can activate the PRESET TOGGLE mode from the SETUP >PRECONFIG >MISC menu, which will automatically swaps preview and program with each TAKE. After each TAKE, the Preview is reloaded with the previous Program.

Layers management

In this Edit mode, you have access to a lot of preset tools that can help you to create the preset you imagined.

7.3.2 Layer adjustments

The layer properties are found by opening the tab on the right side of the screen. Click on the double arrow button on the right to show or hide the layer adjustment tab.

ANALOG WAY* PC PC BLU-RAY PC PC BLU-RAY TAKE BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 Blu0 BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO BluO

Selected layer

The selected layer status information will indicate which screen, layer and source assigned to that layer are selected. You must select a layer in order to see the layer properties menu for that layer.

Reset feature

You can reset each category of layer settings quickly (Pos/Size, Transparency, Cropping, Border, Transitions, Effects, Timing) or you can choose to reset every settings in one click using the ALL button. You can freeze the input assigned to the selected layer using the Freeze button.

The settings reset here only affects the selected layer on the selected preset. For example, you can reset the layer settings for layer A on Preview, and Program will be unaffected until you press TAKE.

Position/Size

Adjust the size horizontally (X) or vertically (Y), then adjust the width and the height of your layer. You can use the cursor or directly enter a value. To keep the aspect ratio by using the cursor, please enable the KEEP ASPECT RATIO button. You will find it on the right of the width and height cursors.

Transparency

Use the Transparency to give at your layer a transparent effect. Layers behind the transparency layer will show through more or less based on the transparency value.

Cropping (only for live layers)

The Cropping feature allows you to cut the part of the image you don't want. Simply adjust the size horizontally or vertically and then adjust the position to display only the desired content. This crop is a layer property, all

inputs displayed in this layer will be cropped. Do not confuse this setting with the input crop which is specific to an input.

Border Style NONE EDGE SHADOW Color 8000000 Shadow SHADOW SHADOW SHADOW Alpha 255 Pots H 10

Borders (only for live layers)

Choose a border for this layer from the available patterns including EDGE and SHADOW. For each pattern you will have specific values to adjust like colors, transparency, width/height or position V and position H.

Transitions

On the Transitions section, you can filter which transitions you want to see. For Example, you can show just the Slide, Wipe, Circle or Stretch transitions.

Each layer has an opening and a closing transition. The opening effect will be applied when the layer switch from a source to another source or when the layer is switching from empty and appears with a source.

To set up the duration of the transition, please see below the timing and duration settings. If you want to force the layer to perform a closing and opening transition, see FORCE TRANSITION.

7.3.3 Effects

Force transition

The Force Transition button disables the cross-transition between two sources into the same layers. Enabling the Force Transition, it forces the layer to go out and then go in with the desired effect instead of mixing directly the two sources.

Effects Force Transition Smooth Move Flip H Flip V

Smooth Move

Enable the Smooth Move to perform a smooth transition on the layer. Disable the smooth move if you require a constant speed move.

H&V Flip (only for live layers)

The H&V Flip rotates the PIP on a horizontal or vertical axe. All image data will be flipped.

7.3.4 Background frame

The Background frame layer acts like any other layer. Simply select it and drag and drop a saved frame.

graph TD
    A["Fr1"] --> B["PC"]
    A --> C["MAC"]
    B --> D["L1"]
    C --> E["L2"]
    D --> F["Processing Block"]
    E --> F
    style A fill:#f9f,stroke:#333
    style B fill:#ccf,stroke:#333
    style C fill:#cfc,stroke:#333
    style D fill:#fcc,stroke:#333
    style E fill:#cff,stroke:#333

PC PC MAC 1

The frame 1 is now assigned to the Background frame into the Preview preset.

Layer layout

CLEAR CLEAR ALL POS. SIZE ALIGN LAYOUT

The layer layout gives you access to several predefined layouts with 4, 3, 2 or 1 PIP already sized and placed into the output. It can help you to quickly set up 3 PIPs side by side for example. (Number of layers depends on the used mode.)

Layout All 3 2 1 Clear Other Layers Fade Out Other Layers

Once clicking on the layout button, you have access to the presets with (4 when in Quadravision mode) 3, 2, 1 PIPs or all layouts.

Two other options are available below:

• Clear other layers: layers already displayed and not included into the chosen layout will be cleared
• Fade out other layers: layers already displayed and not included into the chosen layout will be faded out during the transition. They are still present on the preset but with a 100% transparency.

After selecting the layout, the changes are applied on the selected screen. The size and position of all layers are updated. After applying a layout template, you can make further modifications to the layers before Taking your selections to Program.

CLEAR CLEAR ALL POS. SIZE ALIGN LAYOUT

Pos.

Layer position

A layer position shortcut is also available. After having selected a layer, simply click on the Pos. button to have quickly access to a layer position. Choose the new position. The change is applied straight away on your preset.

CLEAR CLEAR ALL POS. SIZE ALIGN LAYOUT

Layer size

You can choose between several aspect ratio. Once selected, the new aspect ratio is applied on the selected layer.

Other layer adjustments:

- CLEAR BUTTON: this button allows you to clear the selected layer from your preset,

- CLEAR ALL BUTTON: remove all layers from your preset,

- CONTENT SIZE: set layer size to its content size,

- SCREEN SIZE: set layer size to screen size,

- LAYER SIZE/SOURCE RATIO: set the layer size to fit the source ratio,

- ALIGN BUTTON: you need first to select at less 2 layers, then you can align them horizontally or vertically (use Shift to select 2 layers),

Vertical row of black square icons with white geometric and directional symbols (no text or labels)

• KEEP ASPECT RATIO BUTTON: enabling this feature will keep the layer aspect ratio during resizing,
• WREFRAME MODE: allows to enable/disable the layer thumbnails on your RCS ^2 ,
• SHOW LAYER OUT OF SCREEN: enable/disable the possibility to display a layer out of the screen into the RCS ^2 ,
• TRAP LAYERS ON SCREEN: disable the ability to position the layer off of the screen,
• HIDE UNUSED LAYERS: empty layers will not be displayed in the RCS ^2 ,
• TOGGLE PRESET: enable/disable the TOGGLE PRESET (the Preview becomes the previous Program),
• MOSAIC PREVIEW: enable/disable the Mosaic Preview mode on the PREVIEW monitor (if available),
• RELOAD PROGRAM: load the preset of the Program screen into the Preview screen,
• STEP BACK: return to the configuration you had before the last TAKE,

- MIRROR BUTTON: Mirror the mirror button allows you to define for each layer the way it will be copied in the preset. You can choose to mirror the layer, flip the position, or flip the position and the data from another screen. To access this feature, you first need to be in the Matrix mode.

Mirror Frame NONE LayerA NONE Layer B NONE Logo 1

7.3.5 Preset load and save management

Save a preset

Once your preset is set up, you can store it into one of the 64 preset slots. To do that, click on SAVE MM and choose the number corresponding to the slot number.

WARNING: in the RCS ^2 , you cannot save a preset for only 1 screen when you are in matrix mode, only MASTER MEMORIES can be saved into the EDIT section.

In addition, in the EDIT section, as you work on screen by screen, the load button loads only single memory. You will find the load MASTER MEMORIES in LIVE MODE.

[S1] PGM : Save To MMemory(shift-click to edit details) To your device 1 2 3 4 5 6 7 8 To your compiler 0 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 40 50 51 52 53 54 55 56 37 58 59 60 61 62 63 64

The first 8 presets are stored into the unit, all the other presets are stored locally on your computer, and will only be available when using the RCS2 software.

If you want to have more details, you can SHIFT+CLICK on any preset to bring up a detailed status window. In this window, you can rename each preset using the PRESET LABEL.

• The first icon displays a window with all preset detail,
• The second one allows you to let the windows open,
• The last one quits the window.

MM 7 PPR7

Load a preset

To recall a previously saved preset, click the Load button (on the right side of each screen) and select a preset to load.

[S1] PGM : Load From Memory From your device 1 2 3 4 5 6 7 8 From your computer 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 MM 10 FeFe0 EKS869 / Mixer / 07-11-2013 18:30:22

Reset button

You can reset a screen using the reset button. Using that, all sizes and positions will be deleted. Your layers will be reset. If the «HIDE UNUSED LAYERS» button is enabled and all of your layers are empty and hidden, you can still access the layers using the layer icons on the left side of each screen.

7.4 Live

The Live mode is designed for easy live operation of the device after you have created some presets.

Analog WAY* Screen 1 [11] PGB 1024 x 768 S1 Master Mem Free your device 1 2 3 4 5 6 7 8 Free your computer PC PC BLU-RAY 2 LOAD SAVE RIM RESET STEP BACK QUICK FRAME [S1] PBBV 1024 x 768 Load SAVE RIM RESET LOAD MASTER MEMORY SAVE MASTER MEMORY TAKE from 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.71 2.74 EK5350 192.168.1.141 Sync OK

On the right, you will find all your saved presets under the tab called "MASTER MEMORIES". A simple drag and drop on the screen will load your preset into the screen (Program or Preview).

If you want to change an input into your preset into the live mode, simply use the left source ribbon and drag and drop your input into a layer.

You can still use the load master memory to load a master memory from the memory of the device or the RCS ^2 using the following windows.

Please click on SAVE MASTER MEMORIES and then choose a number to save the current preset of the unit into a master memory.

You can load at any moment a frame or a logo in the same way into a frame or logo layer.

To activate the QUICK FRAME, simply press the Quick Frame button (located on the right side of each screen).

Remember that a preset saved into a screen with a 1024x768 resolution, will keep its size into a screen of higher resolution. Therefore, it is best to save preset memories only after you have configured the output resolution.

You still have access to the LOAD/SAVE/RESET preset feature.

Once your preset is ready to send, use the T-bar, or the TAKE button.

You still have access to STEP BACK button.

When you use several screens, you have the possibility to load a preset on one or several screens. To TAKE only one screen separately, select which screens should be affected by the TAKE using this button:

S1

S2

SEQUENCE:

The sequence feature consists on a timeline composed by 16 scenes. Each scene can be filled by a preset memory. Simply click on MM to choose the memory slot you want to put into the scene.

To select the memory, simply choose it into the list or drag and drop it into the scene box from the memories selection (on the right).

This toolbar acts like a command for your timeline.

Simply click on play to launch the timeline.

You can stop the timeline at any moment using the pause or stop button.

Use the loop button to load again your timeline when it's finished.

Take a look at the global time of your timeline thanks to the clock on the right of the toolbar.

Note: To control the Eikos ^2 , Analog Way also provides Crestron and AMX modules. For more details, see appendices.

8. OPERATING THROUGH THE FRONT PANEL

8.1 Front panel

8.1.1 Menu navigation

ANALOG WAY® Eikos² CONTROL Exit Menu Enter

To access the Eikos ^2 menu, press the EXIT/MENU button in the control section. To highlight items in the menu which will appear on the VFD screen, turn the scroll knob left or right to the desired menu item. When you have reached the desired menu item, press the ENTER button in the control section to access that menu function. Pressing the ENTER button when a selection has been made sets the value to that selection in the Eikos ^2 memory. When all settings have been made, press the EXIT/MENU button to exit sub-menus and return to the main menu.

Simply selecting a menu item will not set it to that value. Be sure to press the ENTER button when parametering the menu items or to push the scroll knob.

8.1.2 Home menu

Pressing the MENU button in the menu section of the Eikos ^2 , will display and give you access to the following items on the menu VFD screen:

• MODE: select to choose which mode the Eikos ^2 will work in (Mixer/Matrix/Quadravision mode),
• OUTPUT 1: select to set the output types and resolutions of Output #1,
• OUTPUT 2: select to set the output types and resolutions of Output #2,
• VIDEO OUT: select to configure Video output card settings,
• INPUT: select to configure the 10 individual input types and resolutions,
• PRESET: select to store and use presets,
• PRESET LAYOUT: select a layout for the Quadravision mode,
• IMAGE*: select to change source image settings of an input,
• KEYING/TITLING*: select to access keying and titling controls and parameters when video layer is selected,
• SCREEN: setup your background color and your Quick Frame,
• LAYER*: select to adjust layer size, position, border, transparency or transitions,
• FRAMES/LOGOS: select to store (record), use and manage logos and frames into the Eikos ^2 ,
• AUDIO: select to access all audio input and output parameters,
• OSD SETTINGS: select to display OSD,
• CONTROL: select to access device software information, LAN settings, reset factory settings, and other user oriented functions.

* These items are only displayed if a valid input is assigned to the current layer.

8.1.3 Operating modes

The Eikos ^2 offers 3 modes to work from: the Mixer mode, the Matrix mode which turns your Eikos ^2 into a true 10 x 2 scaled matrix with numerous effects and PIPs and logos, and Quadravision mode which displays 4 live layers.

To choose which mode the Eikos ^2 will operate in, press the EXIT/MENU button and select mode in the menu by rotating the scroll knob. Then press the ENTER button to enter the MODE sub-menu. Select the desired mode by rotating the scroll knob, and press the ENTER button to confirm your choice. Press the EXIT/MENU button to return to the main menu.

8.1.4 Reseting default values

It is strongly recommended resetting all of the default values of your Eikos ^2 unit before setting up your shows and events. This will help eliminate confusion caused by unneeded settings from a previous operator. To do so, press the EXIT/MENU button and select Control in the menu by rotating the corresponding knob. Then press the ENTER button to enter the Reset/Erase sub-menu. Select Default Values by rotating the scroll knob, and press the ENTER button to enter your choice to restart your Eikos ^2 with its factory settings. This operation should take approximately 30 seconds.

8.1.5 Eikos ^2 color codes

Analog Way engineers have developed a handy, user friendly way of identifying machine status on the front panel, via the use of color codes on the buttons of the machine. All new Analog Way machines use the same codes, for quick recognition of the status of any device of the range, at any given time.

For the Eikos ^2 , button color codes are as follow:

• Sources on the Program output are indicated in red when active,
• Sources on the Preview output are indicated in green when active,
• Buttons in the layer section turn red or green, depending on whether the selected layer is active in respectively the Program or Preview window,
• menu buttons are indicated in green,

• Selecting a button with an available source or function will cause that button to blink green on the preview, or red once it is on the Program output,
  • TAKE button reacts as follows:

• If take function is available, the button will appear in green.

• When the take function is active, it will light up red.

Solid red:

1 = Source is on the Program output

2 = Mosaic Preview enable

3 = Freeze enable

Solid green:

1 = Source is on Preview

2 = Function available for modification

3 = Current output on Matrix mode

Blinking red:

Layer/source selected or is currently active

on the Program output

Blinking green:

Layer/source selected or is not currently

active on the Program output

8.2 Settings in Mixer mode

8.2.1 Source Input selection

Plug your sources using the 4 multi-plug inputs, 2 HDMI Inputs or 4 3G/HD/SD-SDI inputs. Be sure that all connectors are firmly attached using all available locking screws.

8.2.2 Input selection settings

To set up your inputs automatically: Input menu > Auto settings

You can also do it manually on each input# using the ENTER and the Knob button and set up the inputs type one by one.

You can also check your actual input configuration using the config status: Input menu > Config Status

You can find several settings for each input (some settings are specific to some signal type):

• INPUT STATUS: display the input status,
• AUTOSET: launch an automatic setup on the inputs,
• FREEZE: freeze the input,
• ACTIVE PLUG: choose the active plug of the input,
• TYPE: to set up your input type (Computer, Video etc..),
• AUTOSET: launch an autoset on this plug,
• ENABLE: enable/disable the input#,
• SYNCHRONIZED: enable this option when you source is from the same refresh rate than the reference rate,
• HDCP ENABLE: enable/disable the HDCP automatic detection,
• HSYNC LOAD: to change the load of the sync signal,
• 3D COMBO FILTER: choose manually the combo filter for interlaced source,
• FORMAT: for analog source, choose to force a analog format,
• AUDIO INPUT: select the input audio source according to the input video source,
• EDID: set up your EDID for the selected plug,
• STATUS: to summarize the input status.

Concerning the HDMI inputs, a specific feature allows enable/disable the HDCP receiver for the input chosen. It can be very useful especially using a Mac: Input menu > HDMI # > HDCP detection

NOTE: The input status is available at any time in the status input menu and can give you information about format rate and HDCP status.

8.2.3 Source Output selection

Once your inputs all have been configured, the output settings of the Eikos^2 must be set according to the machines plugged on your Eikos^2 Program and Preview outputs (video projector, Preview monitor...).

NOTE: If you want to use HDCP content from your sources, be sure to attach HDCP compliant screens or projectors. If HDCP sources are used with non-HDCP compliant screens, the output image could be disabled.

8.2.4 Output selection settings

To set up the output, go in the Program Output or Preview Output menu and choose first the adapted format/resolution, and then the appropriate rate for your screens by using the knob button and the ENTER button.

Program Output > Output Format > Output rate

Please note that a pair format/rate is only applied when the rate is validated.

Use the native resolution of your screens/projectors in order to obtain the best image quality. In the Preview Output menu, you can also match the output configuration the Program Output to the Preview Output by checking the case Sync w/Out 1. It allows you to set up your outputs via the output 1 menu.

Preview output > Synch w/Out 1

Some other settings are available too:

• OUTPUT STATUS: display the status of the selected output,
• OUTPUT FORMAT: choose the output format,
• OUTPUT RATE: choose the output rate,
• GAMMA: use this feature to set up the output gamma,
• ANALOG TYPE: set up the type of synchronization of your analog output,
• DVI TYPE: set up the type of color space of your digital output,

• DVI as HDMI: DVI output content as HDMI. Audio is included,

• HDCP DETECT: enable or not the HDCP detection on the output,

• CENTERING PIC: display the centering test pattern,
• TEST PATTERN: choose to display one of the available test pattern.

All changes have to be validated by pressing the ENTER button in order to be saved

NOTE: The output status can provide you all information about the output in real time. This feature is particularly needed when HDCP is used with long cable to be sure that the communication is well handled.

Video Out

The Video Out allows you the same settings as other outputs with some additional specific options:

• SHARPNESS: set up the sharpness on the video out image,
• FLICKER FILTER: apply a flicker filter on your video output to eliminate flickering,
• UNDER/OVERSCAN: enable or not the automatic video zoom overscan,
• ADJUST: adjust your video output in term of H/V position and size.

In Matrix mode, the menu "Connection Mode" appears. It allows you to choose recording Output #1 or Output #2.

8.2.5 Preview features

The Preview output can display all adjustments before the TAKE.

All current layers for the Program are defined by a colorful frame on Preview. They are identified by a letter and a number with the same color.

• Frame: Frx, with x of 1 to 8,
• Layer A: Axx, with xx of 1 to 10,
• Layer B: Bxx, with xx of 1 to 10,
• Layer C: Cxx, with xx of 1 to 10,
• Logo 1: L1x, with x of 1 to 8,
• Logo 2: L2x, with x of 1 to 8,
• Quick Frame.

Because the number of resources available is limited, the Preview displays only one live or still layer at a time. The others are only identified by their colorful frame and their number.

8.2.6 Preview mode and OSD settings

The Preview output can display 7 fields on OSD.

To set up your Preview:

menu > OSD Settings > OSD Fields

• Field#1: Input,
• Field#2: Transparency,
• Field#3: Border,
• Field#4: Opening Effect,
• Field#5: Closing Effect,
• Field#6: Smooth Move,
• Field#7: Keying.

8.2.7 Preview Id

The function disables all the display of ID information in Preview mode. The colored frames and numbers indicating your source selection on each layer are disabled. To set up your Preview Id:

menu > Control > Functions > Preview Id

Information Availability
Name of input YES
Displaying (Green: Preview - Red: Main - Grey: No source) YES
Resolution if recognized input YES
Line frequency if recognized input YES
HDCP YES
Keying YES
Enable YES
Freeze YES

Screenshot of a video call interface with multiple video thumbnails and a digital clock displaying time 12:00:14.

8.2.8 How to use the Mosaic Preview feature

The Mosaic Preview displays all inputs on one screen with live information about the input status.

8.2.9 Working with layers

- To assign a source to a layer, press the Layer button, press the Source# you want to assign.

Ex: Layer A > Source #4

The source number 4 will be displayed in the Layer A.

Press TAKE to view the result on the Program screen

• To delete a layer from the Preview screen:

Press Layers # > Press Black button

Press TAKE to view the result on the Program screen

• To clear all layers on your Preview screen:

Hold the Black button at least 3 seconds

Press TAKE to view the result on the Program screen

- To freeze a layer: Select a Layer > Press Freeze button

Two-panel image: top shows a blue control panel with multiple buttons and a red ceiling, bottom shows an open-plan office with rows of desks and columns (no visible text or symbols)

Composite image showing a control panel with blue buttons and a pie chart of three colored segments (red, yellow, green) against a red background, no readable text or symbols.

Composite image showing a presenter, a bar chart with data overlay, and a business meeting scene (no readable text or symbols)

2 layers 3 layers 3 layers + Frame

8.2.10 Working with layers functions

Once a source is assigned to a layer, you will have access to some layer settings in the Layer menu or directly by pressing the layer button.

The settings available depend on the layer selected:

• Layer adjusts: set up layer size and position,
• Layer zoom: set up layer zoom size and position,
• Size Templates: adjust a specific size (Fullscreen, 1/2, 1/3, ...),
• Transparency: adjust the layer transparency,
• Border: choose the border and adjust its properties,
• Opening and Closing effect: adjust the Open/Close effect type and duration,
• Smooth move: enable/disable smooth move,
• H&V Flip: flip the data of the layer,
• Status: get the selected layer status.

All changes have to be validated by pressing the ENTER button in order to be saved

Press TAKE to view the result on the Program screen.

Settings available:

Settings Background live / PIP#1 PIP#2 PIP#3
Position YES YES YES
Size YES YES YES
Zoom YES YES YES
Transparency YES YES YES
Border YES YES YES
Opening effects YES YES YES
Closing effects YES YES YES
Smooth Move YES YES YES
H Flip / V Flip YES YES YES

Even the logo and frame buttons can access to their own settings, but a logo/frame# has to be affected too.

The Program output can displayed simultaneously up to 7 layers stacked from bottom to top as follows:

• Frame: one stored frame selected from 8 available,
• Layer A: one source selected from 10 inputs available,
• Layer B: one source selected from 10 inputs available,
• Layer C: one source selected from 10 inputs available,
• Logo 1: one stored logo selected from 8 available,
• Logo 2: one stored logo selected from 8 available,
• Quick Frame: one of the 8 frames available.

8.2.11 Opening transitions and closing live layers

When transitioning live layers, depending on how many scalers are in use, the Eikos ^2 TAKE function will act in one of 3 different ways when transitioning the next preset (Preview) to the current preset (Program):

• TAKE 1 - shot: Case #1

• There are enough scalers for making a transition

• All inputs are locked on to scalers

• There are no constraints for closing before the TAKE

• All opening and closing transitions can be performed simultaneously.

• TAKE 2 - shot: Case #2

• There are enough scalers for making a transition
• All inputs are locked on to scalers before the TAKE
• There are no constraints for closing during the TAKE
• All the necessary closing transitions are performed to free occupied scalers and then the Eikos ^2 performs all openings (for example, when a frame or a logo needs to be changed, except with Cut effect).

• TAKE sequenced - shot: Case #3

• There are not enough scalers for making a transition
• All inputs are not locked on to scalers
• All the necessary closing transitions are performed to free occupied scalers. The Eikos ^2 locks on to new sources and performs all openings.

8.2.12 Layer adjustment menu

• To have access to the layer adjustment menu, a source has to be affected to your layer: Press Layer# button > Press source #
• Once a source is attached to layer, you can have access to the layer adjustment menu: Press Layer# button
  Press TAKE to view the result on the Program screen
• To adjust layers, there is a shortcut on a front panel too:
  Press Layer# button > Press ADJ button

8.2.13 Layers with transitions & borders

Transitions

All the settings are available in the Layer menu after pressing the selected layer.

The transition effects have some shortcuts on the front panel too.

To use it: Press the selected Layer # > Press the Cut, Fade, User #1, #3 or User #2, #4 button

The effect will be immediately attached to the selected layer (Preview).

Concerning the User 1, 3 and User 2, 4 button, they have to be set up before in the Control menu > Functions > Front panel > Prog. Keys

- CUT: duration time can be set to delay the cut effect,

- FADE:

• Adjustable pre-timed fades or manual transition with T-Bar,
• Fade between any input, computer or video,
• Adjustable cross-fading duration,

graph LR
    A1["A"] --> AB["AB"]
    B1["B"] --> AB
    AB --> C1["Program"]
    C1 --> D1["A"]
    style A1 fill:#cce5ff,stroke:#333
    style B1 fill:#cce5ff,stroke:#333
    style C1 fill:#cce5ff,stroke:#333
    style D1 fill:#cce5ff,stroke:#333

- WIPE:

• Numerous wipes can be selected horizontal and vertical, from the center or outside, in circle, Zoom in and out,
  • Horizontal: from left, center -or- vertical: from up, down, center,

Group of business professionals in a meeting setting, seated around a table (no visible text or signage)

Composite image showing three business professionals in a meeting, one holding a red flag and the other seated at a table (no visible text or symbols)

Exterior view of a modern office building (no signage)

Group of international flags waving against a clear blue sky (no text or symbols visible)

Group of business professionals in a meeting setting, no visible text or symbols

Group of business professionals in a meeting setting, no visible text or symbols

Person sitting at a desk with small flags floating nearby against a blue sky (no text or symbols visible)

Group of international flags waving against a clear blue sky (no text or symbols visible)

- SLIDE:

• Sliding of video or computer images during the transition,
  • Horizontal: from/to left, right -or- vertical: from/to up, down.

graph LR
    A["A"] <--> A2["A"]
    B["B"] <--> B3["B"]

The Eikos ^2 offers 33 seamless transition effects including 31 options, in addition to a dissolve (fade) and a cut effect.

CUT

FADE

SLIDE DOWN HARD

SLIDE UP HARD

SLIDE RIGHT HARD

SLIDE LEFT HARD

SLIDE ANGLE TOP LEFT CORNER HARD

SLIDE ANGLE TOP RIGHT CORNER HARD

SLIDE ANGLE BOTTOM LEFT CORNER HARD

SLIDE ANGLE BOTTOM RIGHT CORNER HARD

WIPE DOWN HARD WIPE UP HARD

JP HARD

WIPE RIGHT HARD WIPE LEFT HARD WIPE CENTER OUT HARDWIPE CENTER IN HARD

LEFT HARD WIPE CENT

JT HARDWIPE CENTER

RD

WIPE CURTAIN IN HARD

WIPE ANGLE TOP LEFT CORNER HARD

WIPE ANGLE TOP RIGHT CORNER HARD

WIPE ANGLE BOTTOM LEFT CORNER HARD

WIPE ANGLE BOTTOM RIGHT CORNER HARD

WIPE CIRCLE BOTTOM LEFT CORNER HARD

WIPE CIRCLE BOTTOM RIGHT CORNER HARD

WIPE CIRCLE TOP LEFT CORNER HARD

WIPE CIRCLE TOP RIGHT CORNER HARD

WIPE CIRCLE CENTER OUT HARD

STRETCH DOWN HARD

STRETCH UP HARD

STRETCH RIGHT HARD

STRETCH LEFT HARD

STRETCH CENTER IN HARD

STRETCH CENTER OUT HARD

STRETCH CURTAIN IN HARD

- BORDER:

The border has to be setting up in the Layer Menu:

Press Layer# button > go in border menu > select and set your border with color and size

Press TAKE to view the result on the Program screen.

NO BORDER

Woman in business attire holding a document, standing in front of a red world map background (no text or symbols visible)

EDGE BORDER

Woman holding a document in front of a red background with a world map silhouette (no text or symbols visible)

SHADOW BORDER (4 possible orientations)

Woman in professional attire holding a document, standing in front of a red world map background with blue radiating lines (no text or symbols visible)

• A transparency can be applied to the shadow border
• Size and style of layer border are adjustable

Woman in professional attire holding a folder, standing in front of a red world map background with blue wave effects (no text or symbols visible)

Woman in business attire holding a document, standing in front of a red world map background with blue radiating lines (no text or symbols visible)

Woman in business attire holding a document, standing in front of a red world map background (no text or symbols visible)

8.2.14 Capturing frames

It is possible to store up to 8 frames in the Eikos ^2 non volatile memory. To capture a frame, display the exact content you want to save on one of your outputs, at the exact resolution, you can use the freeze button if you want. Then follow this step:

Logos/Frames menu > record Frame menu > Frame #

Choose the frame number slot and wait until the unit finishes to save. Your frame is now saved and you can use it through the frame button.

The capture of frames can be done only under the following conditions:

• The capture can be done from the Program output or the Preview output,
• The disappearance of frames or logos on the Preview and Program output is normal during saving.

A frame captures the state of the specified output at the output resolution, and must be recalled using the same output resolution. Resizing or other image manipulation of the captured frame is not possible.

Attempting to use a frame at a different resolution will result in a partial frame display or a frame which does not fill the screen.

During the capture, the output is outlined by a white border and includes the pixels into the white rectangle.

8.2.15 Working with frames

Frames are mainly used as backgrounds in a typical show or event setup, and can be recorded from any of the Eikos ^2 10 sources and called back at the press of a single button. To use a frame, be sure first that it is well saved, then:

Press Frame button > Press Frame # button

NOTE: Frames may be used only one at a time and can be placed only in the frame layer.

8.2.16 Opening transitions & closing still layers (logos or frames)

When transitioning still layers, depending on how many scalers are in use, the Eikos ^2 TAKE function will act in one of 2 different ways when transitioning the next preset (Preview) to the current preset (Program):

- TAKE shot: 1

• All still frames make an opening and closing phase.
• All sources of the same layer are completely different between the current preset and the next preset. The opening and closing effects of the layer are set to Cut.

- TAKE shot: 2

• One of the layer makes a change of source which is not in Cut.
• The opening and closing phases can be done with different effects.
• The still frame appears and disappears of the layer with the following effects: Cut, Fade, Slide or Wipe.

8.2.17 Frame input setup menu

In the frame input setup menu, you have the possibility to save a frame, and the possibility to erase a stored frame:

Logos/Frames menu > save Frame > Frame #

Logos/Frames menu > Erase > Frame #

8.2.18 Frames as layer

The frame is considered as a layer and has some settings available: Pos./Size, Transparency, Opening/Closing effect, Smooth move and Status.

Those settings have to be used as layer settings. Press frame button to have access to the layer menu settings.

You can change frame or delete frame on the Preview screen using the same way the layers do:

- Delete: Press frame button > Press Black

- Change: Press frame button > Press another Frame #

Press TAKE to view the result on the Program screen.

8.2.19 Layer transitions & effects

The Eikos ^2 offers a wide variety of transitions between the scenes you create for your shows and events. It allows for live recall of 8 user presets, each of which you can edit at any given time.

1. Whether catering for complex event setups, or putting together intricate shows, your Eikos ^2 will also deliver some of what you could expect from a dedicated mixer, along with its switcher and scaler capabilities.
2. In the Layer Selection section, press the Layer A button. The button will start blinking. On your Preview screen, Layer A will appear as a color rectangle. The parameters of the layer will automatically appear on your Eikos ^2 VFD menu screen.
3. In the Layer Menu, make the position, size, border and transparency settings you like, then select Opening Effect in the layer options, press the ENTER button and select Type. Select Slide Left - Right for example, and press the ENTER button to confirm. Navigate to Duration in the Opening Effect sub-menu, and set the duration of your effect by rotating the SCROLL knob and pressing ENTER.

Repeat the procedure in the Closing Effect sub-menu to determine the way your layer will close. Try Slide From Left - Right for the closing type with a duration of 1.5 seconds for example.

8.2.20 Capturing logos

To capture a logo, display the exact content you want to save on the Program or Preview screen, you can use the freeze button if you want. Then follow these steps:

Logos/Frames menu > Record Logo menu > Set up your logo > Store menu > logo#

To set up your logo you have several features available:

- Position / Size Adjustment

- Keying type

- Luma / Chroma key

- Cut out color.

Select the logo number you want to save and wait until the unit finishes saving. Your logo is now saved and you can use it through the logo button.

You can save up to 8 logos with the Eikos ^2 .

The capture of logos can be done only with the following conditions:

- The capture can be done on the Program output or the Preview output

- The disappearance of logos on the Preview and Program output is normal during saving.

The logos are captured with the same size as is visible on the Program output without any form of adjustments. If zooming is required, resize the layer or use the layer zoom or input zoom.

A logo captures the state of the defined area on the specified output at the Program output resolution, and must be recalled using the same output resolution. Resizing or other image manipulation of the captured logo is not possible.

The capture zone is outlined by a white rectangle and includes the pixels beneath the white border. The non-captured area has a reduced brightness.

Logo capture is limited in the number of pixels being captured. When the logo capture area is resized, extending the horizontal size may reduce the vertical size to compensate.

Logos can also be captured and displayed with transparent areas. By adjusting the keyer in the logo capture menu, the portions of the captured area can be keyed away and captured as transparent.

The logo "Cut out color" can help display which portions of the image will be captured as transparent.

NOTES:

• The cut out color is only a visual tool to help identify the transparent areas of the logo. These colored regions will not be captured but later displayed as transparent area.
• Capturing a “logo” is limited to a small percentage of the output resolution. To capture and display a full screen image, use the still “frame”.

8.2.21 Capturing an animated logo

To capture animated logo, display the exact content you want to save on the Program screen, you can use the freeze button. Then follow this step:

Logos/Frames menu > Record Anim menu > Set up your Anim > Store menu > logo#

To set up your animation, you have several features available:

• Position / Size Adjustment
• Keying type
• Luma / Chroma key
• Recording time
• Cut out color

Select the animated logo #8 and wait until the unit finishes saving. Your animation is now saved and you can use it through the background logo button.

Only one animated logo can be saved in the Eikos ^2 .

8.2.22 Logos input setup menu

In the logos/frames menu, the logos can be deleted in the Erase menu:

Logos/Frames menu > Erase menu > Select Logo#

8.2.23 Working with logos

A simple or animated logo can be manipulated through the front panel. On the front panel, the logo# are associated to the input# respectively. To assign a logo# to the logo layer:

Press Logo1 Layer button > Press Input#

Logos #1 to #8 are available directly by the input # button on the front panel.

You can change logos or delete logos on the Preview screen using the same way the layers do:

- Clear: Press Logo (#1 or #2) button > Press Black

- Change: Press Logo (#1 or #2) button > Press another Input#

8.2.24 Logos as layer

Logos are under the layer rules, you will have direct access to settings by pressing the logo layer button. You have 2 logos layers buttons available.

You can use the Pos/Size/Zoom adjustment button and the Effect button from the front panel too.

8.2.25 Creating presets

The Eikos ^2 allows the creation of user defined presets very easily. Any setup you have configured on screen, can be stored into one of the 8 available user presets.

1. After having configured layers, transitions, logos... on your screen, go to the Preset menu by pressing the EXIT/MENU button, and select Preset by rotating the scroll knob. Then, press the ENTER button to enter the Preset sub-menu. Choose Preset Copy by scrolling with the corresponding knob, and press the ENTER button to access the sub-menu.

2. In the sub-menu, choose Save From Program or Save From Preview to determine which screen you want to memorize the preset from, then set the preset memory (#1 to #8) you wish to use as your "User Preset" (by default, the Eikos ^2 will choose the next available preset in the Eikos ^2 memory).

By pressing the ENTER button, the Eikos ^2 will ask you to confirm. Select Yes, your screen is memorized as a preset.

8.2.26 Working with presets

The 8 user presets of the Eikos ^2 can be recalled at any stage during your show or event.

1. Press the PRESET button, then press one of the eight first preset buttons to choose which memory (#1 to #8) you wish to use. The preset will be displayed on your Preview screen.

2. Once you have selected your preset, simply press the TAKE button to view the result on your main screen.

8.2.27 Working with audio

Into the audio menu, you will find some audio adjustments:

• Audio mode:
• NO AUDIO: the audio of your device is switched off
• PRESET MODE: the standard mode of use of the device

You have two possibilities:

• Top layer: the sound on the output will follow the audio input of the top layer.
• Breakaway: when breakaway is activated, the audio on the output is memorized into the preset. A change of preset, changes the audio on the output. A change of content into a video layer has no effect on the audio.

- ROUTING MODE: in this configuration, simply choose an audio input to assign it to the output. The audio configuration remains the same during the show.

- Source settings: into this menu you will have access to all source settings:

- ANALOG SETTINGS:

• Mute: select to mute the input
• Stereo: select to choose between mono or stereo input
• Analog gain: set up the analog gain of your analog input (0 for 4dBu)
• Level/balance: select to adjust the input audio level and right and left balance.

- DIGITAL AUDIO:

- SPDIF/AES3: choose the digital audio output mode

- Main audio/prelist audio: define the main or prelist audio settings:

- PRESET MODE:

• Top layer: the sound on the output will follow the audio input of the top layer.

• Breakaway: when breakaway is activated, the audio on the output is memorized into the preset. A change of preset, changes the audio on the output. A change of content into a video layer has no effect on the audio.

• Master mute: select to mute your master audio

• Stereo: select to choose between mono or stereo output
• Analog level: set up the analog gain of your analog output (4dBu by default)
• Master volume: set your master volume of the output
• Balance: set the right/left balance of your output.

8.2.28 Special features

• DYNAMIC FIT (automatically activates the transparent background)
  • Automatic adjustment of the layer (Ratio) to fit the source image borders during a transition.

graph LR
    A["Layer"] --> B["Presentation"]
    B --> C["Presentation"]
    C --> D["Presentation"]
    D --> E["Presentation"]

- Dynamic & Automatic adjustment of the layer to fit the source image borders (Black Stripe).

graph LR
    A["Frame"] --> B["Image live"]

- SMOOTH MOVE EFFECT

- Smooth Move layer control the acceleration of the layer. The time can be different between the opening and closing layer,

- WORKING WITH DSK (Chroma / Luma key)

• Eikos ^2 allows to use a live source with green or blue (or any color) background and to key it over another live input,
• Background is removed and replaced by another source,
  • Title can be keyed (DSK) on Analog or Digital Sources.

To use keying, first select a source in the desired layer:

Layer button > source number button

Slow Fast

Then in the main menu, select the Keying/Titling menu.

You now have several choices to key your sources. The Luma Key and the Chroma Key based on the Luma pixel values and the Chroma pixel values and for both an additional Titling menu which can be useful to choose the transparency value of your keying.

Three-panel image showing a video camera on a green screen, a blue sky with clouds, and a black-and-white photo of a person on a table (no text or symbols)

Keying/Titling menu > Type menu > Select your keying type

Once your keying mode is selected, the Eikos ^2 provides you some keying advance setting:

For Luma Key:

• Luma Keying is used to key from a particular luminous intensity. It produces a hard edged key based on intensity, which is most suitable for titling effects. You can choose to key things that are extremely dark or extremely bright and keep everything in between, or invert to key only things that are of a medium intensity.
• The black and white levels define where to begin the keying. In the range 0 to 255, 0 represents no luminance, or black and 255 represents full luminance, or white.

- Level Black: As the Black Level is changed from 0 to 255, things that are black are first keyed out, followed by dark grey, then light grey, and so forth, until the entire picture is keyed out at 255.

- Level White: As the White Level is changed from 255 to 0, things that are white are first keyed out, followed by light grey, then dark grey, and so forth, until the entire picture is keyed out at 0.

Non-Inverted mode Keyed Away Keyed Away Visible Picture White level Black level

For Chroma Key:

Chroma Keying is used to key from a particular color. It produces a key which is most suitable for moving images and “weatherman” style applications.

- Color grabber:

Select Chroma Key menu > Select Color grabber menu

Using a crosshair, you can select a particular hue based on what is on screen. Once you have adjusted the crosshairs to a desired position, press set/enter to capture the color value at that instant. You can then adjust the other parameters such as Tolerance to further refine your key.

- Manual Setting:

Select Chroma Key menu > Manual Settings menu

• R,G,B: these controls allow you to manually select a hue, defined by its Red, Green, and Blue values as you can find in Windows (Paint software).
• Tolerance: the Tolerance parameter allows you to expand your key color selection to include colors which are similar to the selected value. A tolerance of 1 will select only the desired hue, whereas a tolerance of 255 will select nearly all hues.
• Black Level: this option permits adjustment of the luminance levels of the keyed hue. The Black Level is the luminance lower bound. Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key.
• White Level: this option permits adjustment of the luminance levels of the keyed hue. The White Level is the luminance lower bound. Colors in the selected hue range with a luminance brighter than the Black Level but darker than the White Level will be considered part of the key.
• Titling alpha: if you have selected one of the two Titling mode, the titling menu appears. This option places a transparent black backdrop behind the entire layer to which the key is applied. This effect is useful for using bright titles on bright backgrounds, such as clouds.
• Invert keying: by default, this mode is disabled. When this mode is activated, the key selection will remain on screen, and all other portions of the image will be keyed away. For example, you would see the green screen behind the actor, while the actor would be keyed away.

8.3 Settings in native Matrix mode

8.3.1 Source Input selection

Same as Mixer mode

8.3.2 Input selection settings

Same as Mixer mode

8.3.3 Working with layers

Same as Mixer mode

Settings Layer A Layer B
Position YES YES
Size YES YES
Zoom YES YES
Transparency YES YES
Border YES YES
Opening effects YES YES
Closing effects YES YES
Smooth Move YES YES
H Flip / V Flip YES YES

The layers are used in the same way as the Mixer mode. A source has to be selected to activate the PIP settings. Each layer has its own settings, Layer A on Output #1 is not linked to Layer A on Output #2 in terms of settings.

All layers settings are available in the Layer menu once the layer is selected.

NOTE: Take a look at the blinking of the Matrix mode button to always know on which output you are working on.

8.3.4 Source Output selection

Same as Mixer mode.

NOTE: If you want to use HDCP content from your sources, be sure to plug HDCP compliant screens or projectors. If it's not the case, the output image could be disabled.

8.3.5 Output selection settings

To set up the outputs, go in the Output #1 or Output #2 menu and choose first the appropriate format/resolution and then the adapted rate for your screens by using the knob button and the ENTER button.

Output# > Output Format > Output rate

You can also in the Output #2 menu, synchronise all the changes from the Output #1 to the Output #2 by checking the case Synch w/Out 1. It allows you to set up both outputs at the same time.

Output #2 > Synch w/Out 1

Try to use the native resolution of your screens/projectors in order to obtain the best image quality.

NOTE: The output status can provide you all information about the output in real time. This feature is particularly needed when HDCP is used thanks to the HDCP status.

All changes have to be validated by pressing the Ok button in order to be saved

Video Out

Display mode Presentation		Availability
Output #1Menu > Video Out > Connection > Output #1Output #2Menu > Video Out > Connection > Output #2		YESMatrix mode only
Output #1 & #2 side by sideMenu > Video Out > Connection > Output Titled HorizontallyOutput #1 & #2 Top and BottomMenu > Video Out > Connection > Output Titled Vertically		Matrix mode onlyMatrix mode only

In native Matrix mode, the menu “connection mode” allows you to choose recording Output #1 or Output #2. In Matrix mode, the SDI output embeds audio from Output #1 and Output #2.

8.3.6 Working with native Matrix mode

To activate the native Matrix mode:

Mode Menu > Matrix mode Menu

You'll find all menus from the Mixer mode in the main menu except some specific matrix function added. To work with native Matrix mode, you have to use the Matrix # buttons first.

For instance, if you want to put the fame #1 on the Output #1 and the live source #3 on the output #2:

Press Matrix #1 button > Press Frame button > Press input #1 Press Matrix #2 button > Press Layer A button > Press input #3

Press TAKE to view the result on both screens

Don't forget to press the correct Matrix # button before pressing the Layer selection button, in order to be sure doing the manipulation on the correct output.

8.3.7 Working with Cut, Fade or Transitions

All the transitions (Cut, Fade or Transitions) are available in the native Matrix mode. Although the Matrix mode is activated, you will be able to perform powerful transition effects seamlessly. It can depend on your configuration.

The Eikos ^2 has 4 scalers, to understand how your effect will be performed, you need to know how many scalers are used on your outputs. Don't forget that you always need one free scaler to perform seamless transitions.

Example:

1 layer on each output > 2 scalers used > 2 seamless transitions
2 layers on each output > 4 scalers used > no seamless transition (ie: fade through black)

The frame and the logos are not considered as live layers and are not counted as using a scaler.

8.3.8 Working with presets in Matrix mode

In Matrix mode, you will find a new menu into Preset menu called "Preset management". This will help you to define what kind of preset you want to save:

• BOTH OUTPUT: preset saved for both outputs,
• CURRENT OUTPUT: preset saved only for the current output,
• OUTPUT 1: preset saved only for output #1,
• OUTPUT 2: preset saved only for output #2.

8.3.9 Working with Mirror modes

The Mirror Matrix mode is a specific Matrix mode where the output #2 will be the perfect mirror copy of the output #1. In that way, each settings apply to output #1 will be performed on the output #2 too.

Mode Menu > Matrix mode Menu

Using the Matrix mode, several configurations are available, the simple mode and the mirror mode.

Using the Mirror mode: to use the mirror mode, simply select the Matrix mode through the main menu, then the mirror mode can be activated layer by layer thanks to the layers menu. Select the chosen layer and go in the layer menu, then select the "Layer Copy Mode" menu. There are several mirror positioning options:

1. No Copy: this mode is the standard Matrix mode, output #1 and #2 are independent.

Two-panel image: left shows colorful audio equipment with a CD player; right shows a group performance under stage lighting (no visible text or symbols)

OUTPUT #1 OUTPUT #2

1. Clone mode: Outputs #1 and #2 will be the same. All changes on output #1 will be affected to output #2. Layers will have the same position and size.

Two-panel image showing a blue abstract background with two identical circular icons above each, and a nighttime scene with a person at a stage under red lighting (no text or symbols visible)

OUTPUT #1

Two identical abstract blue wave-like shapes with a small inset image of a mechanical component (no text or symbols)

OUTPUT #1 OUTPUT #2 OUTPUT #2

1. Copy & H.pos Flip mode: Output #2 will be exactly the same as output #1 except the fact that the selected layer will have its H position flipped (standard Mirror mode).

OUTPUT #1 OUTPUT #2

OUTPUT #1 OUTPUT #2

1. Copy & H.Flip all modes: Output #2 will be exactly the same as the output #1 except the fact that the selected layer will have its H position and data flipped (only for live layers).

OUTPUT #1

OUTPUT #1 OUTPUT #2OUTPUT #2

NOTES:

• Remember to simplify the use of this feature, you need to manipulate Output #1. While in mirror mode, Output #2 will follow.
• Every change on Output #2 will have an effect only on Output #2, but remember that if a change occurs on Output #1 after that, Output #2 will update automatically to match output 1.

8.3.10 Working with frames/logos

The frame/logo can be memorized from Output #1 or #2. To record a frame/logo, please refer to the chapter: 8.2.14 Capturing frames and 8.2.20 Capturing logos in the Mixer mode.

To use a frame/logo, refer to "Working with frame/logo".

As a source, each frame/logo can be used by both outputs, you just have to select the correct matrix# button first.

Quadravision mode allows the display of up to 4 live sources on a screen. The Preview will display just the outline of each layer to show the position, size, and the source attached.

Choose Quadravision mode in the Mode menu, then choose your first template.

To use windows, first attach your source to the desired window, you have to use the windows button in the Quadravision field.

Press W# button > Press input #

Press TAKE to apply the change on the main screen.

All windows have the same settings as layers in other modes. You can have access to them by the Layer menu or directly by pressing the W# button once a source is attached. You always have access to the shortcut transition button/black button:

Press W# button > Press the Cut/fade/user1/user2/user3/user4 button to set up the transition

8.4 Settings in Quadravision mode

8.4.1 Working with templates

Some templates are available for the Quadravision mode, you will find them here:

Home menu > Quadravision layout

Templates are just here to provide some useful layer positions, you can adjust them manually at any time.

Win3 Full screen Win4 Full screen

Split 2H Split 2V

8.4.2 Working with presets

Presets are useful to recall all layers/windows settings pressing just one button. In presets, you'll save position, size, transparency, source attached, etc. (Layers settings).

The source settings such as colors, zoom, etc., are not saved into a preset.

You can recall a preset at any time. It will be displayed on your Preview in order to check the content before taking it on the main screen.

8.4.3 Creating a preset

Presets are the copy of a configuration. To save it:

Go in the Preset menu > save preset > select the origin and the destination, press Enter to confirm

To load it:

Go in the Preset menu > load preset > select the destination, press Enter to confirm

You can also load a preset directly through the front panel using the presets button:

Press P#1 to #4 or Press shift then P#5 to #8 to load the preset directly to the Preview screen

In the Preset menu, you have access to the step back feature which allows recalling the last configuration on the Preview screen.

8.4.4 Working with frames/logos

Logos are available for display in Quadravision mode.

8.5 Menu tree

graph TD
    A["MIXER MODE MA"] --> B["OUTPUT #1"]
    B --> C["FORMAT:1920X1080\nRATE: 50.00HZ\nLOCK: INTERNAL"]
    C --> D["| PROG.|PRVW."]
    D --> E["Logo2 |Logo#1 |Logo#8\nLogo1 |Logo#1 |Logo#7\nLayerC |SDI 1 |SDI 4\nLayerB |DVI 1 |DVI 2\nLayerA |Input1 |Input8\nFrame |Frame1 |Frame8"]
    A --> F["AVISION MODE"]
    F --> G["OUTPUT #1"]
    G --> H["FORMAT:1920X1080\nRATE: 50.00HZ\nLOCK: INTERNAL"]
    H --> I["| SCR#1 |SCR#2"]
    I --> J["Logo |Logo#1 |Logo#8\nLayerB |Input1 |SDI 4\nLayerA |Input1 |SDI 4\nFrame |Frame1 |Frame8"]
    F --> K["OUTPUT #2"]
    K --> L["FORMAT:1920X1080\nRATE: 50.00HZ\nLOCK: INTERNAL"]
    K --> M["OUTPUT #2"]
    M --> N["FORMAT:1920X1080\nRATE: 50.00HZ\nLOCK: INTERNAL"]
    A --> O["OUTPUT #1"]
    O --> P["FORMAT:1920X1080\nRATE: 50.00HZ\nLOCK: INTERNAL"]
    P --> Q["|PROG.|PRVW."]
    Q --> R["Win.4 |Input1 |SDI 4\nWin.3 |SDI 2 |SDI 4\nWin.2 |DVI 1 |DVI 2\nWin.1 |Input1 |Input8"]
    A --> S["OUTPUT #2"]
    S --> T["FORMAT:1920X1080\nRATE: 50.00HZ\nLOCK: INTERNAL"]

graph TD
    A["MODE"] --> B["MIXER MODE"]
    A --> C["MATRIX MODE"]
    A --> D["QUADRAVISION MODE"]
    D --> E1["WIN 1 FULLSCREEN"]
    D --> E2["WIN 2 FULLSCREEN"]
    D --> E3["WIN 3 FULLSCREEN"]
    D --> E4["WIN 4 FULLSCREEN"]
    D --> E5["SPLIT SCREEN"]
    D --> E6["1X LEFT + 3X RIGHT"]
    D --> E7["3X LEFT + 1X RIGHT"]
    D --> E8["1X TOP + 1X BOTTOM"]
    D --> E9["SPLIT 2 H"]
    D --> E10["SPLIT 2 V"]
    D --> E11["SPLIT 3 H"]
    D --> E12["SPLIT 3 V"]
    A --> F["OUTPUT1 / OUTPUT2"]
    F --> G1["SYNC W/OUT1 (01)"]
    F --> G2["OUTPUT STATUS"]
    F --> G3["OUTPUT FORMAT (02)"]
    G1 --> H1["HDTV 720P"]
    G1 --> H2-HTDV 1035I
    G1 --> H3-HTDV 1080I
    G1 --> H4-HTDV 1080P
    G1 --> H5["640X480 4/3"]
    G1 --> H6["800X600 4/3"]
    G1 --> H7["848X480 16/9"]
    G1 --> H8["1024X768 4/3"]
    G1 --> H9["1152X864 4/3"]
    G1 --> H10["1280X720 16/9"]
    G1 --> H11["1280X768 15/9"]
    G1 --> H12["1280X800 16/10"]
    G1 --> H13["1280X960 4/3"]
    G1 --> H14["1280X1024 5/4"]

(O1) Only for OUTPUT 2

(O2) For OUTPUT 2, only displayed when OUTPUT2 is not synchronized with OUTPUT1

(O3) Depending on the output format

(O4) Only for interlaced output format

(O5) Only Computer and HDTV

graph TD
    A["60Hz(03)"] --> B["FOLLOW X0.5"]
    C["72Hz(03)"] --> B
    D["75Hz(03)"] --> B
    B --> E["INPUT 1"]
    B --> F["INPUT 2"]
    B --> G["INPUT 3"]
    B --> H["INPUT 4"]
    B --> I["HDMI 1"]
    B --> J["HDMI 2"]
    B --> K["SDI 1"]
    B --> L["SDI 2"]
    B --> M["SDI 3"]
    B --> N["SDI 4"]
    B --> O["VIDEO OUT"]
    P["FOLLOW X1"] --> Q["GAMMA"]
    R["FOLLOW X2"] --> Q
    Q --> S["FLICKER FILTER(04)"]
    S --> T["ANALOG TYPE"]
    T --> U["RGBS"]
    T --> V["RGsB (SOG)"]
    T --> W["RGB HV"]
    T --> X["YUV"]
    T --> Y["DVI TYPE"]
    Y --> Z["AUTO"]
    Y --> AA["RGB FULL (0-255)"]
    Y --> AB["RGB LIMITED (16-235)"]
    Y --> AC["YUV"]
    Y --> AD["DVI AS HDMI"]
    Y --> AE["HDCP DETECTION"]

graph TD
    A["CENTERING PIC"] --> B["TEST PATTERN"]
    B --> C["OFF"]
    C --> D["V GREY SCALE"]
    D --> E["H GREY SCALE"]
    E --> F["V COLOR BAR"]
    F --> G["H COLOR BAR"]
    G --> H["GRID"]
    H --> I["SMPTE"]
    I --> J["BURST⁽⁰⁵⁾"]
    J --> K["V-GRADIENT"]
    K --> L["H-GRADIENT"]

    M["VIDEO OUT"] --> N["CONFIG. MODE⁽⁰⁴⁾"]
    N --> O["RECORDING MODE"]
    O --> P["OUTPUT 1 PLUG"]
    P --> Q["OUTPUT 2 PLUG"]

    M --> R["CONNECTION⁽⁰¹⁾(V⁴)"]
    R --> S["SCREEN 1"]
    R --> T["SCREEN 2"]
    R --> U["SCREEN H-TILED"]
    R --> V["SCREEN V-TILED"]

    W["OUTPUT STATUS⁽⁰⁴⁾"] --> X["OUTPUT FORMAT⁽⁰⁴⁾"]
    X --> Y["SDTV PAL"]
    X --> Z["SDTV NTSC"]
    X --> AA["EDTV 480P"]
    X --> AB["EDTV 576P"]
    X --> AC["HDTV 720P"]
    X --> AD["HDTV 1035I"]
    X --> AE["HDTV 1080I"]
    X --> AF["HDTV 1080P"]
    X --> AG["HDTV 1080P"]

graph TD
    A["DCDM 2K"] --> B["OUTPUT RATE^(V4)"]
    B --> C["23.97HZ^(V2)"]
    B --> D["24HZ^(V2)"]
    B --> E["25HZ^(V2)"]
    B --> F["29.97HZ^(V2)"]
    B --> G["30HZ^(V2)"]
    B --> H["47.95HZ^(V2)"]
    B --> I["48HZ^(V2)"]
    B --> J["50HZ^(V2)"]
    B --> K["59.94HZ^(V2)"]
    B --> L["60HZ^(V2)"]
    M["ADJUST^(V4)"] --> N["H POS"]
    M --> O["V POS"]
    M --> P["H SIZE"]
    M --> Q["V SIZE"]
    R["GAMMA^(V4)"] --> S["FLICKER FILTER^(V3)"]
    R --> T["SHARPNESS^(V4)"]
    R --> U["UNDER/OVERSCAN^(V4)"]
    R --> V["CENTERING PIC^(V4)"]
    R --> W["TEST PATTERN^(V4)"]
    X["OFF"] --> Y["V GREY SCALE"]
    X --> Z["H GREY SCALE"]
    X --> AA["V COLOR BAR"]
    X --> AB["H COLOR BAR"]
    X --> AC["GRID"]
    X --> AD["SMPTE"]
    X --> AE["V-GRADIENT"]
    X --> AF["H-GRADIENT"]

graph TD
    A["INPUTS"] --> B["CONFIG STATUS"]
    A --> C["AUTOSET ALL"]
    A --> D["SYNC. STATUS"]
    D --> E["INPUT 1: NO"]
    D --> F["INPUT 2: NO"]
    D --> G["INPUT 3: NO"]
    D --> H["INPUT 4: NO"]
    D --> I["HDMI 1: NO"]
    D --> J["HDMI 2: NO"]
    D --> K["SDI 1: NO"]
    D --> L["SDI 2: NO"]
    D --> M["SDI 3: NO"]
    D --> N["SDI 4: NO"]
    D --> O["INPUT 1"]
    O --> P["INPUT 2"]
    O --> Q["INPUT 3"]
    O --> R["INPUT 4"]
    O --> S["HDMI 1"]
    O --> T["HDMI 2"]
    O --> U["SDI 1"]
    O --> V["SDI 2"]
    O --> W["SDI 3"]
    O --> X["SDI 4"]
    Y["INPUT STATUS"] --> Z["INPUT 1\nACTIVE PLUG:(11)\nFRMT:\nRATE:(12)\nSYNC.POL..:(12)(13)\nHDCP(12)(14)"]
    Y --> AA["AUTOSET"]
    Y --> AB["FREEZE"]
    Y --> AC["ACTIVE PLUG"]
    Y --> AD["ANALOG"]

(I1) Displayed when input is a multiplug input.
(12) Displayed when a valid input signal is detected
(13) Displayed when it is an analog plug and when the signal is computer HV type
(I4) Displayed for HDMI and DVI-D plugs
(15) Displayed when the plug is analog, DVI-D or HDMI
(16) Displayed when the plug is analog
(17) Displayed when the plug is analog and the signal type is VIDEO RGBS
(18) Displayed when the plug is not SDI

[...]

graph TD
    A["AUDIO INPUT"] --> B["FORMAT"]
    B --> C["3D COMBO FILTER"]
    C --> D["HDCP ENABLE(14)"]
    D --> E["AUTOSET"]
    D --> F["SYNCHRONIZED"]
    D --> G["VCR MODE"]
    D --> H["3D COMBO FILTER"]
    H --> I["TYPE(15)"]
    I --> J["SDTV COMPOSITE(16)"]
    I --> K["SDTV YC(16)"]
    I --> L["VIDEO RGBS(16)"]
    I --> M["VIDEO RGsB(16)"]
    I --> N["VIDEO YUV(16)"]
    I --> O["COMPUTER SOG(16)"]
    I --> P["COMPUTER BW(16)"]
    I --> Q["COMPUTER HV(16)"]
    I --> R["COMPUTER C TTL(16)"]
    I --> S["COMPUTER C ANA(16)"]
    I --> T["AUTO(16)"]
    I --> U["YUV(16)"]
    I --> V["RGB FULL (0-255)(16)"]
    I --> W["RGB LTD (16-235)(16)"]
    I --> X["AUTO"]
    X --> Y["NTSC"]
    X --> Z["PAL"]
    X --> AA["SECAM"]
    I --> AB["SDI GROUP"]
    AB --> AC["GROUP A"]
    AB --> AD["GROUP B"]

graph TD
    A["ANALOG 2"] --> B["EDID (18)"]
    C["ANALOG 3"] --> B
    D["ANALOG 4"] --> B
    E["S/PDIF 1"] --> B
    F["S/PDIF 2"] --> B
    B --> G["EDID current preferred timing 1920x1080 50Hz => Change"]
    H["GROUP C"] --> I["LEFT CHANNEL"]
    J["GROUP D"] --> I
    I --> K["RIGHT CHANNEL"]
    L["CHANNEL 1"] --> M["CHANNEL 1"]
    N["CHANNEL 2"] --> O["CHANNEL 2"]
    P["CHANNEL 3"] --> Q["CHANNEL 3"]
    R["CHANNEL 4"] --> S["CHANNEL 4"]
    T["NONE"] --> U["640X350 85HZ"]
    V["640X400 85HZ"] --> W["720X400 85HZ"]
    X["640X480 59,94HZ"] --> Y["640X480 72HZ"]
    Z["640X480 75HZ"] --> AA["640X480 85HZ"]
    AB["720X480 59,94HZ"] --> AC["720X576 50HZ"]
    AD["800X600 50HZ"] --> AE["800X600 56HZ"]
    AF["800X600 60HZ"] --> AG["800X600 72HZ"]
    AH["800X600 75HZ"] --> AI["800X600 85HZ"]
    AJ["800X600 120HZ RB"] --> AK["848X480 50HZ"]
    AL["848X480 60HZ"] --> AM["1024X768 50HZ"]
    AN["1024X768 60HZ"] --> AO["1024X768 70HZ"]
    AP["1024X768 75HZ"] --> AQ["1024X768 85HZ"]
    AR["1024X768 120HZ RB"] --> AS["1152X864 50HZ"]
    AT["1152X864 60HZ"] --> AU["1152X864 75HZ"]
    AV["1280X720 23,976HZ"] --> AW["1280X720 24HZ"]
    AX["1280X720 25HZ"] --> AY["1280X720 29,97HZ"]
    AZ["1280X720 30HZ"] --> BA["1280X720 50HZ"]
    BB["1280X720 59,94HZ"] --> BC["1280X720 60HZ"]
    BD["1280X768 50HZ"] --> BE["..."]

[...]

1280X768 60HZ RB

1280X768 60HZ

1280X768 75HZ

1280X768 85HZ

1280X768 120HZ RB

1280X800 50HZ

1280X800 60HZ RB

1280X800 60HZ

1280X800 75HZ

1280X800 85HZ

1280X800 120HZ RB

1280X960 50HZ

1280X960 60HZ

1280X960 85HZ

1280X960 120HZ RB

1280X1024 50HZ

1280X1024 60HZ

1280X1024 75HZ

1280X1024 85HZ

1280X1024 120HZ RB

1360X768 50HZ

1360X768 60HZ

1360X768 120HZ RB

1360X1024 50HZ

1360X1024 60HZ

1366X768 50HZ

1366X768 60HZ RB

1366X768 60HZ

1400X1050 50HZ

1400X1050 60HZ RB

1400X1050 60HZ

1400X1050 75HZ

1400X1050 85HZ

1400X1050 120HZ RB

1440X900 50HZ

1440X900 60HZ RB

1440X900 60HZ

1440X900 75HZ

1440X900 85HZ

1440X900 120HZ RB

1600X900 50HZ

1600X900 60HZ RB

1600X1200 60HZ

1600X1200 60HZ

1600X1200 65HZ

1600X1200 70HZ

1600X1200 75HZ

1600X1200 85HZ

graph TD
    A["PRESET"] --> B["STATUS"]
    B --> C["PRESET MGMT(P1)"]
    C --> D["BOTH OUTPUTS"]
    C --> E["CURRENT OUTPUT"]
    C --> F["OUTPUT 1"]
    C --> G["OUTPUT 2"]
    A --> H["PRESET LAYOUTS"]
    H --> I["DEFAULT"]
    H --> J["H SPLIT SCREEN(P2)"]
    H --> K["V SPLIT SCREEN(P2)"]
    H --> L["BKGND + TL PIP(P2)"]
    H --> M["BKGND + TR PIP(P2)"]
    H --> N["BKGND + BL PIP(P2)"]
    B --> O["1600X1200 120HZ RB"]
    B --> P["1680X1050 50HZ"]
    B --> Q["1680X1050 60HZ RB"]
    B --> R["1680X1050 75HZ"]
    B --> S["1680X1050 85HZ"]
    B --> T["1680X1050 120HZ RB"]
    B --> U["1920X1080 23,976HZ"]
    B --> V["1920X1080 24HZ"]
    B --> W["1920X1080 25HZ"]
    B --> X["1920X1080 29,97HZ"]
    B --> Y["1920X1080 30HZ"]
    B --> Z["1920X1080 50HZ"]
    B --> AA["1920X1080 59,94HZ"]
    B --> AB["1920X1080 60HZ"]
    B --> AC["1920X1200 50HZ"]
    B --> AD["1920X1200 60HZ RB"]
    B --> AE["2048X1080 23,976HZ"]
    B --> AF["2048X1080 24HZ"]
    B --> AG["2048X1080 25HZ"]
    B --> AH["2048X1080 29,97HZ"]
    B --> AI["2048X1080 30HZ"]
    B --> AJ["2048X1080 50HZ"]
    B --> AK["2048X1080 59,94HZ"]
    B --> AL["2048X1080 60HZ"]
    B --> AM["2048X1152 50HZ"]
    B --> AN["2048X1152 60HZ RB"]
    A -.->|P1) Matrix mode only\n(P2) Displayed depending on the switcher mode\n(P3) Only displayed with a valid preset\n(P4) Only displayed if there is no valid preset| End

graph TD
    A["BKGND + BR PIP(P2)"] --> B["2 PIP H SPLIT(P2)"]
    B --> C["2 PIP V SPLIT(P2)"]
    C --> D["1L + 2H SPLIT(P2)"]
    D --> E["1R + 2H SPLIT(P2)"]
    E --> F["1T + 2V SPLIT(P2)"]
    F --> G["1B + 2V SPLIT(P2)"]
    G --> H["3H PIP(P2)"]
    H --> I["3 DIAG PIP(P2)"]

    J["STEP BACK"] --> K["SAVE PRESET"]
    K --> L["SAVE FROM ->[MAIN"]<-_SAVE_TO["MEM1"]]
    L --> M["SAVE PRESET FROM CURRENT->MEM1 ->NO YES"]

    N["LOAD PRESET"] --> O["LOAD FROM >[SCR1"]< [MEM1] LOAD_TO["SCR1"] [MAIN]]
    O --> P["LOAD PRESET FROM [SCR1"][MEM1] ->[SCR1][MAIN] ->NO YES]

    Q["ERASE PRESET"] --> R["PRESET MEMORY 1(P3)"]
    Q --> S["PRESET MEMORY 2(P3)"]
    Q --> T["PRESET MEMORY 3(P3)"]
    Q --> U["PRESET MEMORY 4(P3)"]
    Q --> V["PRESET MEMORY 5(P3)"]
    Q --> W["PRESET MEMORY 6(P3)"]
    Q --> X["PRESET MEMORY 7(P3)"]
    Q --> Y["PRESET MEMORY 8(P3)"]
    Q --> Z["EMPTY(P4)"]

[...]

graph TD
    A["QUAD. LAYOUTS^(Q5)"] --> B["WIN 1 FULLSCREEN"]
    A --> C["WIN 2 FULLSCREEN"]
    A --> D["WIN 3 FULLSCREEN"]
    A --> E["WIN 4 FULLSCREEN"]
    A --> F["SPLIT SCREEN"]
    A --> G["1X LEFT + 3X RIGHT"]
    A --> H["3X LEFT + 1X RIGHT"]
    A --> I["1X TOP + 3X BOTTOM"]
    A --> J["SPLIT 2H"]
    A --> K["SPLIT 2V"]
    A --> L["SPLIT 3H"]
    A --> M["SPLIT 3V"]

(Q5) Only displayed in quadravision mode

[...]

graph TD
    A["IMAGE^(G1)"] --> B["AUTO CENTERING^(G2)"]
    A --> C["BLANKING ADJUST^(G3)"]
    C --> D["H POS"]
    C --> E["V POS"]
    C --> F["H SIZE"]
    C --> G["V SIZE"]
    A --> H["CROPPING"]
    H --> I["TOP"]
    H --> J["LEFT"]
    H --> K["BOTTOM"]
    H --> L["RIGHT"]
    A --> M["OPTIMIZE^(G2)"]
    M --> N["PHASE"]
    M --> O["H TOTAL^(G4)"]
    A --> P["UNDER/OVER^(G5)"]
    P --> Q["UNDERSCAN"]
    P --> R["OVERSCAN"]
    A --> S["ASPECT IN"]
    S --> T["NATIVE"]
    S --> U["5/4 (1.25:1)"]
    S --> V["4/3 (1.33:1)"]
    S --> W["16/10 (1.60:1)"]
    S --> X["15/9 (1.66:1)"]
    S --> Y["16/9 (1.77:1)"]
    S --> Z["21/9 (2.33:1)"]
    A --> AA["PREDEFINED CROP"]
    AA --> AB["NONE"]
    AA --> AC["LETTERBX 1.78:1"]
    AA --> AD["LETTERBX 1.85:1"]
    AA --> AE["LETTERBX 2.35:1"]
    AA --> AF["PILLARBX 1.33:1"]

(G1) Displayed when a valid input is affected to a layer
(G2) Displayed for computer analog signal, EDTV and HDTV analog video
(G3) Displayed for analog signal
(G4) Displayed for computer analog signal
(G5) Displayed for video signal
(G6) Displayed for interlaced signal
(G7) Displayed for 50 Hz interlaced signal and non-activated low latency
(G8) Displayed for 60 Hz interlaced signal and non-activated low latency

graph TD
    A["ASPECT OUT"] --> B["1:1"]
    B --> C["CENTERED"]
    C --> D["FULL SCREEN"]
    D --> E["CROPPED"]
    F["SHARPNESS"] --> G["LOW"]
    G --> H["MEDIUM"]
    H --> I["HIGH"]
    J["COLORIMETRY"] --> K["BRIGHTNESS"]
    K --> L["CONTRAST"]
    L --> M["COLOR"]
    M --> N["HUE"]
    O["COMPONENT LEVEL (G3)"] --> P["RED"]
    O --> Q["GREEN"]
    O --> R["BLUE"]
    S["LOW LATENCY (G6)"] --> T["2:2 PULLDOWN (G7)"]
    T --> U["3:2 PULLDOWN (G8)"]
    U --> V["RESET SETTINGS"]
    V --> W["RESET THE PLUG TO ITS DEFAULT VALUES? ->NO YES"]

[...]

graph TD
    A["KEYING/TITLING^(A4)"] --> B["TYPE"]
    B --> C["NONE"]
    B --> D["LUMakeY"]
    B --> E["CHROMakeY"]
    B --> F["LUMakeY+TITLING"]
    B --> G["CHROMakeY+TITLING"]
    A --> H["LUMakeY^(K2)"]
    H --> I["LEVEL BLACK"]
    H --> J["LEVEL WHITE"]
    A --> K["CHROMakeY^(K4)"]
    K --> L["COLOR GRABBER"]
    L --> M["H POS"]
    L --> N["V POS"]
    L --> O["TOLER."]
    L --> P["L BLACK"]
    L --> Q["L WHITE"]
    K --> R["MANUAL SETTING"]
    R --> S["R KEY"]
    R --> T["G KEY"]
    R --> U["B KEY"]
    R --> V["TOLER."]
    R --> W["L BLACK"]
    R --> X["L WHITE"]
    A --> Y["TITLING ALPHA^(K4)"]
    Y --> Z["TRANSPARENCY"]
    Y --> AA["INVERT KEYING^(K5)"]

(K1) Displayed when a valid input is affected to a layer
(K2) Only displayed for Type = Luma key or Lumakey +Titling
(K3) Only displayed for Type = chroma key or chromakey +Titling
(K4) Only displayed for Type = Lumakey +Titling or Chromakey +Titling
(K5) Only displayed for Type different than none
(A4) Displayed if the switcher is on mixer or quadravision mode

[...]

graph TD
    A["SCREEN SETTINGS"] --> B["SCREEN 1"]
    A --> C["SCREEN 2"]
    B --> D["BACKGROUND COLOR"]
    C --> D
    D --> E["RED"]
    D --> F["GREEN"]
    D --> G["BLUE"]
    H["QUICK FRAME"] --> I["FRAME 1"]
    H --> J["FRAME 2"]
    H --> K["FRAME 3"]
    H --> L["FRAME 4"]
    H --> M["FRAME 5"]
    H --> N["FRAME 6"]
    H --> O["FRAME 7"]
    H --> P["FRAME 8"]
    Q["AUTO TAKE"] --> R["PRESET TOGGLE"]

[...]

graph TD
    A["LAYER^(Y1)"] --> B["LAYER COPY MODE^(Y2)"]
    B --> C["NO COPY"]
    B --> D["CLONE MODE"]
    B --> E["COPY & H. POS FLIP"]
    B --> F["COPY & H. FLIP ALL^(Y3)"]
    A --> G["LAYER ADJUST"]
    G --> H["H POS"]
    G --> I["V POS"]
    G --> J["HV POS"]
    G --> K["HV SIZE"]
    G --> L["H SIZE"]
    G --> M["V SIZE"]
    A --> N["LAYER ZOOM^(Y3)"]
    N --> O["H POS"]
    N --> P["V POS"]
    N --> Q["H SIZE"]
    N --> R["V SIZE"]
    A --> S["SIZE TEMPLATES"]
    S --> T["FULL SCREEN"]
    S --> U["3/4 FULL SCREEN"]
    S --> V["2/3 FULL SCREEN"]
    S --> W["1/2 FULL SCREEN"]
    S --> X["1/3 FULL SCREEN"]
    S --> Y["1/4 FULL SCREEN"]
    A --> Z["TRANSPARENCY"]
    Z --> AA["BORDER^(Y3)"]
    AA --> AB["STYLE"]
    AB --> AC["NONE"]
    AB --> AD["EDGE"]
    AB --> AE["SHADOW"]

(Y1) Displayed when a valid input is affected to a layer
(Y2) Only displayed in matrix mode
(Y3) Not available for frame and logos
(Y4) Only slide, wipe and stretch
(Y5) Only wipe and stretch
(Y6) Only circle, wipe and stretch
(Y7) Only slide, wipe and circle

graph TD
    A["ADJUST"] --> B["H SIZE"]
    A --> C["V SIZE"]
    A --> D["TRANSPARENCY"]
    A --> E["COLOR"]
    F["OPENING EFFECT"] --> G["CLOSING EFFECT"]
    G --> H["TYPE"]
    H --> I["CUT"]
    H --> J["CLEAN CUT^(Y3)"]
    H --> K["FADE"]
    H --> L["SLIDE"]
    H --> M["WIPE"]
    H --> N["CIRCLE^(Y3)"]
    H --> O["STRETCH^(Y3)"]
    P["DIRECTION"] --> Q["LEFT TO RIGHT^(Y4)"]
    P --> R["RIGHT TO LEFT^(Y4)"]
    P --> S["BOTTOM TO TOP^(Y4)"]
    P --> T["TOP TO BOTTOM^(Y4)"]
    P --> U["VERTICAL FROM CENTER^(Y5)"]
    P --> V["HORIZONTAL FROM CENTER^(Y6)"]
    P --> W["HV FROM CENTER^(Y6)"]
    P --> X["FROM BOTTOM LEFT CORNER^(Y7)"]
    P --> Y["FROM BOTTOM RIGHT CORNER^(Y7)"]
    P --> Z["FROM TOP LEFT CORNER^(Y7)"]
    P --> AA["FROM TOP RIGHT CORNER^(Y7)"]
    AB["EFFECT DURATION"] --> AC["SMOOTH MOVE"]
    AB --> AD["H FLIP"]

graph TD
    A["LOGOS/FRAMES"] --> B["V FLIP"]
    A --> C["STATUS"]
    B --> D["CAPTURE SOURCE(P1)"]
    C --> D
    D --> E["PROGRAM(P2)"]
    D --> F["PREVIEW(P2)"]
    D --> G["SCREEN 1(P3)"]
    D --> H["SCREEN 2(P3)"]
    E --> I["RECORD FRAMES"]
    F --> I
    G --> I
    H --> I
    I --> J["FRAME 1"]
    I --> K["FRAME 2 [EMPTY"]F4]
    I --> L["FRAME 3"]
    I --> M["FRAME 4"]
    I --> N["FRAME 5 [EMPTY"]F4]
    I --> O["FRAME 6 [EMPTY"]F4]
    I --> P["FRAME 7"]
    I --> Q["FRAME 8"]
    J --> R["RECORD LOGOS"]
    K --> R
    L --> R
    M --> R
    N --> R
    O --> R
    P --> R
    Q --> R
    R --> S["RECORD ANIM"]
    S --> T["POSITION / SIZE ADJUST"]
    T --> U["H POS"]
    T --> V["V POS"]
    T --> W["H SIZE"]
    T --> X["V SIZE"]
    S --> Y["KEYING TYPE"]
    Y --> Z["NONE"]
    Y --> AA["LUMA"]
    Y --> AB["CHROMA"]
    S --> AC["LUMAKEY(F6)"]
    AC --> AD["LEVEL BLACK"]

(P1) Matrix mode only
(P2) Displayed depending on the switcher mode
(P3) Only displayed with a valid preset
(F1) Displayed in Mixer mode without mosaic preview and in Matrix mode
(F2) Displayed in Mixer mode without mosaic
(F3) Displayed in Matrix mode
(F4) Display "empty" is the slot is free
(F5) Only displays logo and valid frame list
(F6) Displayed depending on the type of keying
(F7) Only displayed for animated logo
(F8) Not displayed for animated logo

graph TD
    A["LEVEL WHITE"] --> B["CHROMAKEY(F6)"]
    B --> C["COLOR GRABBER"]
    C --> D["H POS"]
    C --> E["V POS"]
    C --> F["TOLER."]
    C --> G["L BLACK"]
    C --> H["L WHITE"]
    I["MANUAL SETTING"] --> J["R KEY"]
    I --> K["G KEY"]
    I --> L["B KEY"]
    I --> M["TOLER."]
    I --> N["L BLACK"]
    I --> O["L WHITE"]
    P["CUT OUT COLOR(F6)"] --> Q["RECORDING TIME(F7)"]
    Q --> R["STORE"]
    R --> S["LOGO 1(F8)"]
    R --> T["LOGO 2(F8)"]
    R --> U["LOGO 3 [EMPTY"](F1)(F8)]
    R --> V["LOGO 4 [EMPTY"](F1)(F8)]
    R --> W["LOGO 5 [EMPTY"](F1)(F8)]
    R --> X["LOGO 6 [EMPTY"](F1)(F8)]
    R --> Y["LOGO 7 [EMPTY"](F1)(F8)]
    R --> Z["LOGO 8"]
    AA["ERASE"] --> AB["FRAME 1(F2)"]
    AA --> AC["FRAME 3(F2)"]
    AA --> AD["FRAME 4(F2)"]
    AA --> AE["FRAME 7(F2)"]
    AA --> AF["FRAME 8(F2)"]
    AA --> AG["LOGO 1(F2)"]
    AA --> AH["LOGO 2(F2)"]
    AA --> AI["LOGO 8(F2)"]

[...]

graph TD
    A["AUDIO"] --> B["NO AUDIO"]
    A --> C["RESET MODE"]
    A --> D["ROUTING MODE"]
    A --> E["SOURCE SETTINGS^(A1)"]
    E --> F["ANALOG INPUT 1"]
    E --> G["ANALOG INPUT 2"]
    E --> H["ANALOG INPUT 3"]
    E --> I["ANALOG INPUT 4"]
    E --> J["DVI INPUT 1"]
    E --> K["DVI INPUT 2"]
    E --> L["DVI INPUT 3"]
    E --> M["DVI INPUT 4"]
    E --> N["HDMI INPUT 3"]
    E --> O["HDMI INPUT 4"]
    E --> P["HDMI INPUT 5"]
    E --> Q["HDMI INPUT 6"]
    E --> R["SDI INPUT 7"]
    E --> S["SDI INPUT 8"]
    E --> T["SDI INPUT 9"]
    E --> U["SDI INPUT 10"]
    E --> V["S/PDIF 1"]
    E --> W["S/PDIF 2"]
    W --> X["MUTE"]
    W --> Y["STEREO"]
    W --> Z["ANALOG GAIN^(A6)"]
    W --> AA["LEVEL/BALANCE"]
    AA --> AB["LEVEL"]
    AA --> AC["BALANCE"]
    A --> AD["DIGITAL OUTPUT^(A1)"]
    AD --> AE["S/PDIF"]
    AD --> AF["AES3"]

(A1) Displayed if the audio mode is different of "no audio"

(A2) Displayed if the audio mode is "routing mode"

(A3) Displayed if the audio mode is "Preset mode"

(A4) Displayed if the switcher is on mixer or quadravision mode

(A5) Displayed if the switcher is on matrix mode

(A6) Displayed if the audio input is analog

(A7) Displayed if the delay mode is manual

graph TD
    A["OUTPUT 1^(A2)"] --> B["OUTPUT 2^(A2)"]
    B --> C["MAIN AUDIO^(A3)(A4)"]
    C --> D["PRELIST AUDIO^(A3)(A4)"]
    D --> E["OUT1 MAIN^(A3)(A5)"]
    E --> F["OUT2 MAIN^(A3)(A5)"]
    F --> G["PRESETMODE^(A3)"]
    G --> H["BREAKAWAY"]
    G --> I["TOP LAYER FOLLOW"]
    H --> J["MASTER MUTE"]
    I --> K["STEREO"]
    J --> L["ANALOG LEVEL"]
    K --> M["MASTER VOLUME"]
    L --> N["BALANCE"]
    M --> O["SOURCE"]
    N --> P["NONE"]
    O --> Q["INPUT 1"]
    Q --> R["INPUT 2"]
    R --> S["INPUT 3"]
    S --> T["INPUT 4"]
    T --> U["HDMI 1"]
    U --> V["HDMI 2"]
    V --> W["SDI 1"]
    W --> X["SDI 2"]
    X --> Y["SDI 3"]
    Y --> Z["SDI 4"]
    Z --> AA["LEVEL"]
    Z --> AB["BALANCE"]
    AA --> AC["DELAY MODE"]
    AB --> AC
    AC --> AD["AUTO ADJUST"]
    AC --> AE["MANUAL ADJUST"]

graph TD
    A["CONTROL"] --> B["AUDIO DELAY(A7)"]
    A --> C["1KHZ OSC."]
    A --> D["OUT1 PRELIST (A3)(A5)"]
    A --> E["OUT2 PRELIST (A3)(A5)"]
    D --> F["SOURCE"]
    F --> G["NONE"]
    F --> H["INPUT 1"]
    F --> I["INPUT 2"]
    F --> J["INPUT 3"]
    F --> K["INPUT 4"]
    F --> L["HDMI 1"]
    F --> M["HDMI 2"]
    F --> N["SDI 1"]
    F --> O["SDI 2"]
    F --> P["SDI 3"]
    F --> Q["SDI 4"]
    Q --> R["LEVEL"]
    Q --> S["BALANCE"]
    T["VERSIONS"] --> U["VERS: 1.0.0\nVARIABLE SET : 1\nCALIMERO\nMAIN MICRO :\nCAMELYA\nDESIGN:\nSOFTWARE:\nIHS:\nTSTP:"]\nFELINDRA\nDESIGN:\nSOFTWARE:\nIHS:\nTSTP:]\nTATIANA\nDESIGN:\nSOFTWARE:\nIHS:\nTSTP:]

[...]

graph TD
    A["CONNECTION"] --> B["RS232 / LAN"]
    B --> C["RS232"]
    B --> D["LAN"]
    A --> E["RS232 BAUD RATE"]
    E --> F["1200 BAUDS"]
    E --> G["2400 BAUDS"]
    E --> H["9600 BAUDS"]
    E --> I["19200 BAUDS"]
    E --> J["57600 BAUDS"]
    E --> K["115200 BAUDS"]
    A --> L["LAN SETUP"]
    L --> M["TCP"]
    L --> N["UDP"]
    N --> O["DEVICE ADDRESS..."]
    N --> P["REMOTE ADDRESS..(c1)"]
    N --> Q["GATEWAY ADDRESS..."]
    N --> R["DEVICE PORT..."]
    N --> S["REMOTE PORT..(c1)"]
    N --> T["NETMASK..."]
    N --> U["DEFAULT SETUP"]
    U --> V["RESET THE LAN PARAMETERS? ->NO YES"]
    W["FUNCTIONS"] --> X["AUTO LOCK"]
    W --> Y["AUTO QUICK FRAME"]
    W --> Z["DYNAMIC FIT"]
    W --> AA["PREVIEW ID"]
    W --> AB["HIDE UNUSED"]
    W --> AC["FREEZE MODE"]
    W --> AD["INPUT FREEZE"]
    W --> AE["FREEZE ALL"]

graph TD
    A["STANDBY"] --> B["BAUD RATE"]
    B --> C["SET MESSAGE ON"]
    C --> D["SET MESSAGE OFF"]
    D --> E["CLEAR MESSAGE ON"]
    E --> F["CLEAR MESSAGE OFF"]
    F --> G["STANDBY"]
    H["DATE/TIME"] --> I["YEAR"]
    I --> J["MONTH"]
    J --> K["DAY"]
    K --> L["HOUR"]
    L --> M["MINUTE"]
    M --> N["SECOND"]
    O["HDCP SUMMARY"] --> P["IN1 DVI-D: IDLE"]
    O --> Q["IN2 DVI-D: IDLE"]
    O --> R["IN3 DVI-D: IDLE"]
    O --> S["IN3 HDMI: IDLE"]
    O --> T["IN4 DVI-D: IDLE"]
    O --> U["IN4 HDMI: IDLE"]
    O --> V["IN5 HDMI: IDLE"]
    O --> W["IN6 HDMI: IDLE"]
    O --> X["OUT1 DVI-D: IDLE"]
    O --> Y["OUT2 DVI-D: IDLE"]
    Z["FRONT PANEL"] --> AA["KEY LOCKING"]
    AA --> AB["MENUS + KEYBOARD"]
    AB --> AC["ONLY MENUS"]

graph TD
    A["MATRIX TK MODE"] --> B["TAKE BOTH"]
    A --> C["TAKE CUR.SCREEN"]
    A --> D["PROG. KEYS"]
    D --> E["CUT"]
    D --> F["FADE"]
    D --> G["USER 1"]
    D --> H["USER 2"]
    D --> I["USER 3"]
    D --> J["USER 4"]
    J --> K["TYPE(c2)"]
    J --> L["DIRECTION(c2)(c3)"]
    J --> M["EFFECT DURATION"]
    N["LCD BRIGHTNESS"] --> K
    O["KEY BRIGHTNESS"] --> K
    P["RESET/ERASE"] --> Q["RESET LAYERS"]
    Q --> R["RESET THE LAYERS POSITION AND SIZE? ->NO YES"]
    S["ERASE MEMORIES"] --> T["ERASE ALL THE IMAGE SETTINGS? ->NO YES"]
    U["ERASE PRESETS"] --> V["ERASE ALL THE PRESET MEMORIES? ->NO YES"]
    W["ERASE CUST.FRMT"] --> X["ALL(c4)"]
    X --> Y["ERASE ALL THE CUSTOM FORMATS? ->NO YES"]
    Z["COMPUT.CUSTOM1(c5)"] --> Y
    AA["COMPUT.CUSTOM2(c5)"] --> Y
    AB["COMPUT.CUSTOM3(c5)"] --> Y

graph TD
    A["COMPUT.CUSTOM4^{(c5)}"] --> B["DEFAULT VALUES"]
    C["COMPUT.CUSTOM5^{(c5)}"] --> B
    D["COMPUT.CUSTOM6^{(c5)}"] --> B
    E["COMPUT.CUSTOM7^{(c5)}"] --> B
    F["COMPUT.CUSTOM8^{(c5)}"] --> B
    G["COMPUT.CUSTOM9^{(c5)}"] --> B
    H["COMPUT.CUSTOM10^{(c5)}"] --> B
    I["EMPTY^{(c6)}"] --> B
    B --> J["RESET THE DEVICE TO ITS DEFAULT VALUES? ->NO YES"]

TECH. SUPPORT

THE AMERICAS [e-mail] TEL: [phone]

EUROPE, MIDDLE EAST AND AFRICA [e-mail] TEL: [phone]

ASIA, PACIFIC [e-mail] TEL: [phone]

9. MAINTENANCE AND SUPPORT

9.1 Dashboard (RCS ^2 )

On the RCS ^2 , you have access to a chart with general information on the unit.

Please click on the Dashboard button: Dashboard

Dashboard INFO Device EKS550 Firmware: v01.00 Build 12 Serial Number DR107 RCS: v01.00.20 CONNECTIVITY IP Address: 192.168.1.141 MAC Address: 00-20-4A-E7-B1-2D © 2013 Analogway.com OK

On this chart, you will find under the INFO tab, the Device name, the Serial number of your product, the actual firmware and the software version of the RCS ^2 . Under CONNECTIVITY, you will find the current IP address of your unit and its MAC address.

10. APPLICATIONS NOTE AND TIPS

10.1 HDCP

HDCP is a content protection mechanism which uses encryption to prevent high value content from being delivered to non-authorized devices. For example, Blu-ray players use HDCP on their HDMI outputs to ensure that the HDMI output cannot be routed to a digital recording device.

The Eikos ^2 is fully HDCP compliant, meaning that you will be able to use the Eikos ^2 to accept HDCP protected sources and route them to any HDCP protected outputs. As Analog Way is a licenced HDCP adoptor, this also means that the Eikos ^2 is prevented from displaying any HDCP protected images on any non-HDCP compliant outputs (as is the case for all licenced HDCP compliant devices).

HDCP can only be used on certain connection formats, including DVI, HDMI, and Displayport. Keep in mind that simply because a connection is using a DVI, HDMI, or Displayport connection, it does not guarantee that the devices connected are maintaining an active HDCP connection. For example, you may find video recording or capture devices equipped with an HDMI input, however HDCP licencing forbids these devices from capturing HDCP protected content.

HDCP is not supported on connection formats such as composite, component, Svideo, SD-SDI, HD-SDI, 3G-SDI, or VGA. This means that any source which becomes protected by HDCP cannot be converted to these formats. For example, while you may find a Blu-ray player which can directly output a composite video signal, HDCP licencing forbids converting the HDCP protected HDMI signal back to composite or any other non-protected format.

To help troubleshoot HDCP in your installation, each input and output page is equipped with HDCP status information to indicate in realtime when HDCP encryption is being used.

Certain devices such as Macintosh computers can be misleading to use in conjunction with an HDCP compliant presentation switcher such as the Eikos ^2 . This is because devices like the Mac computers can be used to output both HDCP protected content (such as a movie downloaded from iTunes) as well as non-HDCP protected content (such as a Keynote presentation or the desktop). When a computer first connects to an HDCP compliant device such as the Eikos ^2 , it learns the capabilities of the device through the EDID connection. Upon seeing the HDCP compatibility of the attached Eikos ^2 , devices like the Mac computers will immediately attempt to use HDCP encryption at all times, despite the content currently displayed on the computer screen. Since this source would now be considered an HDCP protected source, the Eikos ^2 would be required to prevent it from being displayed on VGA or SDI outputs and only allow it to be displayed on outputs protected by HDCP. To work around this problem, the Eikos ^2 allows the HDCP features of a particular input to be disabled, which in turn informs the Mac computer to avoid using HDCP, and allows content such as Keynote and the desktop to be displayed, as this input will no longer use HDCP protection. Please note that disabling the HDCP features of the input do not circumvent HDCP protections, and thus do not allow you to view any content which requires this protection.

For more information about HDCP, please refer to our whitepapers on HDCP, or visit the HDCP foundation website.

11. WARRANTY

11.1 Warranty conditions

Analog Way warrants the product against any defects in materials and workmanship for a period of three (3) years from the date of purchase when used in accordance with the user's manual and standard industry practices.

• In the unlikely event of any malfunction from such defects during the warranty period, Analog Way will, at its discretion, repair or replace the defective units.

• The warranty does not apply if the product is determined to have been:

• Improperly installed or abused,

• Handled with improper care,
• Used or stocked in abnormal conditions,
• Modified, opened,

• Damaged by fire, war, or Natural disasters (Acts of God)

• Analog Way's direct employees are solely authorized to make this determination.

• Analog Way reserves the right to refuse for repair and service a product for which the warranty is void.
• In no way shall Analog Way be responsible for direct or indirect loss of profit or consequential damages resulting from any defect in this product.

NOTE: Analog way offers a warranty extension of 2 years, it includes parts, labor and return shipping. If you are interested, please contact your territory sales representative.

11.2 Repair and return instructions

These Return Material Authorization (RMA) regulations determine the procedure to be followed when returning defective product. The aim is to ensure fast and simple handling of the returned product and bring the best satisfaction

In the unlikely event that a product is required to return for repair, please call the regional Maintenance center/Customer Service, and ask to receive a Return Material Authorization number (RMA). Three regional maintenance centers are available depending on your location. (See chapter: 12. Contact information)

• Before sending any device to Analog Way, please contact us to obtain a Return Material Authorization (RMA) number. Please have the model and serial number available and the reason for calling.
• RMAs are valid for 30 days, after which a new RMA must be requested.
• Package the unit securely in the original shipping materials or suitable equivalent. Analog Way is not responsible for damage which occurs due to improper packaging. The customer assumes responsibility until the unit arrives at our facility.
• Out-of-warranty products will be charged an evaluation fee if no problems are found or if you choose not to proceed with the repair.
• Discontinued products are not admitted for return and repair.
• Be sure to include the RMA number clearly on the shipping label or on the exterior of the package.
• No unit will be accepted without a valid RMA clearly visible.

11.3 Return conditions

In the unlikely event that you want to return the product, please call the regional Maintenance center/Customer Service

• If you are unhappy with the performance of any product purchased from us, you can return it within 30 days of purchase.
• Returned equipment must be in original condition with all accessories and packaging materials.
• Returns may be subject to a refurbishment and/or restocking fee.

12. CONTACT INFORMATION

GERMANY UNITED KINGDOM FRANCE ITALY UNITED STATES SINGAPORE

The Americas
Europe, Middle East & Africa
Asia Pacific

Analog Way SAS - Headquarters

Sales/General information:

[e-mail]

Technical support:

[e-mail]

Sales/General information:

[e-mail]

Technical support:

[e-mail]

Analog Way Italy

Tel.: [phone]

[e-mail]

Analog Way Pte Ltd

Tel.: [phone]

Fax: [phone]

152 Beach Road

15-03 Gateway East

SINGAPORE 189721

Sales/General information:

[e-mail]

Technical support:

[e-mail]

Analog Way UK

Tel.: [phone]

[e-mail]

13. APPENDICES

13.1 Crestron 2 & 3 series Midra™ Driver

CRESTRON

Using this driver, software developers and integrators can easily provide powerful solutions for remotely controlling any Midra™ series Switchers through Crestron 2-series or 3-series Control Systems®.

The package includes:

• The precompiled driver modules that can be used for recalling presets, selecting source inputs, changing PIP content, configuring audio inputs and outputs...,
• One sample SIMPL program that demonstrates the use of all the features available within this driver (3 projects provided, targeting Crestron QM-RMC, MC3 and CP2E Control Systems®),
• Two VTPro sample projects, one for XPanel and one for the Crestron Mobile Pro® application (for iPad® and Android™ devices), both running with the sample program mentioned above,
• Help files in French and English.

The samples provided are ready-to-use programs and can be freely adapted or used as a base to build your own real-world Midra™ controller application.

13.2 AMX NetLinx® Integrated Controllers Midra™ Driver

Using this driver, software developers and integrators can easily provide powerful solutions for remotely controlling any Midra ^™ series Switchers through AMX NetLinx ^® integrated controllers.

The package includes:

• The precompiled driver modules that can be used for recalling presets, selecting source inputs, changing PIP content, configuring audio inputs and outputs...,
• One sample NetLinx® Studio program that demonstrates the use of all the features available within the driver,
• Two TPDesign4 sample projects, one for AMX Modero® S Touch Panels and one for Apple® iPad, both running with the sample program mentioned above,
• Help files in French and English.

The samples provided are ready-to-use programs and can be freely adapted or used as a base to build your own real-world Midra™ controller application.

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