FIRE-30 - Guitar amplifier ZOOM - Free user manual and instructions

USER MANUAL FIRE-30 ZOOM

Thank you for selecting the ZOOM MODELING GUITAR AMPLIFIER FIRE-30 (simply called the "FIRE-30" in this manual).

Please take the time to read this manual carefully so as to get the most out of this product and to ensure optimum performance and reliability.

Please keep this manual in a convenient place for future reference.

Contents

USAGE AND SAFETY PRECAUTIONS 2

Features 4

Controls and Functions 5

Input/preamplifier section 5
Effect section 6
Patch section 7
Output/control section 8

Connections 9

Using the FIRE-30 10

Basic operation 10

Using effects 11

Loading and storing patches 12

Loading a patch 12
Storing a patch 14

Using the built-in tuner 15

Switching the mode with the foot switch 16
Returning the FIRE-30 to the factory default settings (all initialize) .. 17

Drive Types and Effect Types 18

DRIVE 18
■ ZNR 19
■ MODULATION 19
■ DELAY/REVERB 22

Specifications 23

Troubleshooting 23

Patch List 24

USAGE AND SAFETY PRECAUTIONS

SAFETY PRECAUTIONS

In this manual, symbols are used to highlight warnings and cautions for you to read so that accidents can be prevented. The meanings of these symbols are as follows:

This symbol indicates explanations about extremely dangerous matters. If users ignore this symbol and handle the device the wrong way, serious injury or death could result.

This symbol indicates explanations about dangerous matters. If users ignore this symbol and handle the device the wrong way, bodily injury and damage to the equipment could result.

Please observe the following safety tips and precautions to ensure hazard-free use of the FIRE-30.

Power requirements

Connect only to AC power outlets rated 100-120 V or 220-240 V 50/60Hz (depending on the voltage range of the unit; refer to the back panel).

When not using the unit for an extended time, disconnect the power cord from the AC outlet.

Environment

Avoid using your FIRE-30 in environments where it will be exposed to:

• Extreme temperatures
  High humidity or moisture
• Excessive dust or sand
• Excessive vibration or shock

Handling

The FIRE-30 is a precision instrument. Do not exert undue pressure on the keys and other controls. Also take care not to drop the unit, and do not subject it to shock or excessive pressure.

- Alterations

Never open the case of the FIRE-30 or attempt to modify the product in any way since this can result in damage to the unit.

Volume

Do not use the FIRE-30 at a loud volume for a long time since this can cause hearing impairment.

- Connecting cables and input and output jacks

You should always turn off the power to the FIRE-30 and all other equipment before connecting or disconnecting any cables. Also make sure to disconnect all connection cables and the power cord before moving the FIRE-30.

Usage Precautions

- Electrical interference

For safety considerations, the FIRE-30 has been designed to provide maximum protection against the emission of electromagnetic radiation from inside the device, and protection from external interference. However, equipment that is very susceptible to interference or that emits powerful electromagnetic waves should not be placed near the FIRE-30, as the possibility of interference cannot be ruled out entirely.

With any type of digital control device, the FIRE-30 included, electromagnetic interference can cause malfunctioning and can corrupt or destroy data. Care should be taken to minimize the risk of damage.

- Cleaning

Use a soft, dry cloth to clean the FIRE-30. If necessary, slightly moisten the cloth. Do not use abrasive cleanser, wax, or solvents (such as paint thinner or cleaning alcohol), since these may dull the finish or damage the surface.

Please keep this manual in a convenient place for future reference.

© ZOOM Corporation

Reproduction of this manual, in whole or in part, by any means, is prohibited.

Features

- Versatile guitar amplifier and compact effect sound modeling

The FIRE-30 lets you select from 22 drive types which faithfully duplicate the sound of famous guitar amplifiers and compact effects. The available choices range from vintage amps to modern distortion sounds, and everything in between. There are also one-touch keys that let you boost the sound, prolong sustain, and emphasize lows or highs.

Digital effects ideal for guitar play

The FIRE-30 also incorporates a full range of modulation effects and reverb/delay effects.

- Store amp settings as "patches"

Multiple amplifier and effect settings can be easily stored as user "patches". This allows you to instantly call up a desired combination of settings and effects, using the keys on the panel of the unit or using an optional foot switch. A number of preset patches with recommended settings are also available.

- POWER DAMP SWITCH

With the FIRE-30, you can lower the volume without loss of sound character by power amp.

Built-in auto-chromatic tuner

An easy-to-use auto-chromatic tuner is built right into the unit.

- Versatile input/output configuration

The AUX IN jack makes it easy to connect a CD player, MD player or other source device. The RECORDING/PHONES jack lets you plug in a pair of headphones or a recorder.

Controls and Functions

Input/preamplifier section

This section comprises the input jack and controls for adjusting distortion depth and tone.

(1) [INPUT] jack
Connect the electric guitar here, using a dedicated instrument cable.
(2) [VARIATION] key
(3) [DRIVE TYPE] knob

Select the simulated amp type and distortion (drive) type.

The [DRIVE TYPE] knob gives access to 11 types, and the [VARIATION] key provides further variations (vintage/standard). The LED for the currently selected variation lights up.

(4) [GAIN] knob

Adjusts the input gain. Turning this knob up increases distortion depth.

(5) [BASS]/[MIDDLE]/[TREBLE] knobs

This is a 3-band equalizer that allows boost/cut in the low, medium, and high frequency range.

(6) [LEVEL] knob

Adjusts the volume after passing the preamplifier.

(7) [BOOST] key

Setting this key to ON (LED lit) boosts the sound pressure level.

(8) [SUSTAIN] key

Setting this key to ON (LED lit) produces longer sustain.

(9) [EDGE] key

Setting this key to ON (LED lit) emphasizes the high frequencies.

(10) [BOTTOM] key

Setting this key to ON (LED lit) emphasizes the low frequencies.

Effect section

This section controls the built-in digital effects. The FIRE-30 provides modulation effects and delay/reverb effects.

(1) [TYPE] key (MODULATION)

Selects the effect type to be used for the modulation effect. The key also turns the modulation effect on or off.

(2) [VALUE] knob (MODULATION)

Serves to change the effect parameter (effect intensity) of the currently selected modulation effect.

(3) [TYPE/TIME] knob (DELAY/REVERB)

Selects the effect type to be used as delay/reverb effect and adjusts the effect parameter (reverberation duration and delay interval).

(4) [MIX] knob (DELAY/REVERB)

Adjusts the depth of the delay/reverb effect (guitar and effect mixing balance).

Patch section

This section lets you store and recall effect patches. It also serves to operate the built-in tuner and noise reduction functions.

(1) [MANUAL] key
(2) [PROGRAM/BANK] key

This key switches between manual mode, where you use the controls on the front panel to shape the sound, and program mode where you use settings stored in preprogrammed patches.
When the [MANUAL] key is ON (LED lit), the manual mode is selected. When the [PROGRAM/ BANK] key is ON (LED lit), the program mode is selected. (The default setting at power-on is manual mode.)
(3) Display
Shows the number of the currently selected patch, or the value of setting parameters of the FIRE-30.
(4) [] / [] keys
Serve to switch between patches and to adjust ZNR (ZOOM Noise Reduction).
(5) [STORE] key
Stores the current settings as a user patch.
(6) [EXIT] key
Cancels an operation and calls up the number of the currently selected patch onto the display.
(7) [TUNER] key
This key activates the built-in tuner of the FIRE-30.
(8) [ZNR] key
This key turns ZOOM Noise Reduction on or off. (ZNR is ON by default at power-on.)

Output/control section

This section lets you adjust the overall amp volume and connect external devices including a foot switch.

(1) [POWER DAMP] switch

This switch allows you to lower the volume without loss of sound character by power amp.

(2) [MASTER] knob

Adjusts the volume.

(3) [POWER] switch

Controls the power on/off status.

(4) FOOT SW jack

A separately available foot switch (ZOOM FS-01) can be connected here, allowing you to toggle between manual mode and program mode with your foot.

(5) [AUX IN] jack

This is a stereo input that accepts the signal from a CD player or MD player.

(6) [RECORDING/PHONES] jack

This is a stereo output that can be used to connect a recording device or a pair of headphones.

Connections

This section explains how to operate the panel controls and how to use patches and other

MRS-1266 or similar recording device

Using the FIRE-30

functions of the FIRE-30.

Basic operation

1. Verify that the [MASTER] knob is turned to the 0 position. Then turn the [POWER] switch on. Set the [GAIN]/[BASS]/[MIDDLE]/[TREBLE]/[LEVEL] knobs to the center position.

Immediately after turning on the power, the manual mode is selected ([MANUAL] key is lit).

Display in manual mode

2. Use the [DRIVE TYPE] knob and the [VARIATION] key to select the drive type and variation.

Amplifier characteristics and distortion depth will differ, depending on the selected drive type. To create your sound in manual mode, first use the [DRIVE TYPE] knob to select the drive type, and then choose the variation (standard/vintage) with the [VARIATION] key.

(For information on available drive types, see page 18.)

3. Raise the [MASTER] knob to a suitable position, and adjust the distortion depth and volume with the [GAIN] knob and [LEVEL] knob while playing your guitar.

Normally, you will use the [GAIN] knob to adjust distortion depth and the [LEVEL] knob to adjust the level for a particular patch. The [MASTER] knob controls the overall volume, common to all patches.

4. Use the [BASS]/[MIDDLE]/[TREBLE] knobs to adjust the tone.

You can also use the [BOOST], [SUSTAIN], [EDGE], and [BOTTOM] keys to increase the sound pressure, prolong sustain, and emphasize the high or low frequency range.

5. To change the ZNR (ZOOM Noise Reduction) setting, press the [ZNR] key.

The LED of the key flashes, and the current setting (Z1 - Z9, oF) is shown for about 2 seconds on the display. Use the [] / [] keys to select the new setting. To switch ZNR on or off, press the [ZNR] key once more. Higher setting values result in more effective noise reduction. Set the value as high as possible without causing the sound to be cut off abruptly.

6. To turn the unit off, turn the [MASTER] knob all the way down and then turn off the [POWER] switch.

Using effects

The FIRE-30 incorporates two types of effects (modulation and delay/reverb). This section explains how to activate the effects and use them to achieve various kinds of sound.

1. To use a modulation effect, press the corresponding [TYPE] key.

The respective LED lights up and the modulation effect is activated. The selected effect type and setting value are shown for about 2 seconds on the display.

Available modulation effect types and their abbreviations are listed in the table below.

Key (effect type)	Code	Key (effect type)	Code
[CHORUS] key	C	[AUTO WAH] key	H
[FLANGER] key	F	[STEP] key	S
[PHASE] key	H	[SLOW-A] (slow attack) key	R
[DOUBLING] key	D	[PITCH] (pitch shift) key	P
[TREMOLO] key	T	[RING MOD] (ring modulator) key	-

2. Use the [VALUE] knob.

For example, if you press the [CHORUS] key in step 1 and then operate the [VALUE] knob, the setting value changes in the range from C1 to C9, with the effect intensity (in this example the chorus modulation rate) changing accordingly.

(For details regarding effect types and setting values, see pages 19 - 22.)

HINT

• You can use only one type of modulation effect at a time.
• Also if the effect type and setting value are not currently shown on the display, the setting value of the currently selected effect type (whose TYPE key LED is lit) will change.

3. To use a delay/reverb effect, turn the [TYPE/TIME] knob and select the effect type and setting value you want to use.

When you operate the [TYPE/TIME] knob, the display shows the currently selected effect type and the setting value.

The available delay/reverb effect types and the corresponding codes are shown in the table below.

Key (effect type)	Code	Key (effect type)	Code
DELAY	d'	ROOM	r-
ECHO	E	HALL	H

When the knob is turned clockwise from the extreme left position, the effect type and value settings cycle as follows: d1 - d9 (delay E1 - E9 (echo) r1 - r9 (room) H1 - H9 (hall). (For details regarding effect types and setting values, see page 22.)

4. Use the [MIX] knob to adjust the ratio of original sound (guitar sound) and delay/reverb sound.

The setting range is 0 - 9. Turning the knob clockwise increases the depth of the delay/reverb effect. Turning the knob fully counterclockwise turns the delay/reverb effect off.

HINT

You can change the effect settings of patches in the same way in program mode.

Loading and storing patches

The FIRE-30 offers a bank of ten read/write user patches (U) and a bank of ten read-only preset patches (A, b). Patches in each bank are numbered 0 - 9.

This section explains how to call up stored user patches or preset patches and how to save amplifier and effect settings in a user patch.

Loading a patch

1. Press the [PROGRAM/BANK] key in the patch section, so that the LED lights up.

The FIRE-30 switches from manual mode to program mode, and the currently selected patch is

shown on the display.

In program mode, the knobs and controls on the panel become inactive, and the settings of the patch shown on the display are enabled.

2. Use the [] / [] keys to select the bank and number of the desired patch.

With the [] / [] keys, you can cycle through the patches in the order U0 - U9 A0 - A9 b0 - b9 U0 ... (For information on factory default patch contents, see page 17.)

When you press the [PROGRAM/BANK] key, the patch number stays the same and only the bank is toggled: U1 A1 b1 U1.

3. Operate the controls in the input/preamp section and the effect section as required, to adjust the distortion, tone, volume, effect type and intensity, etc.

It is also possible to modify a patch after it was loaded. When a knob or key was operated, a dot appears at the bottom right of the display. This indicates that the contents of the patch have changed. (When you return to the original settings, the dot disappears.)

HINT

You can store the contents of a changed user patch by pressing the [STORE] key. For information on the procedure, see the section "Storing a patch".

NOTE

If you have changed some settings and then select another patch, the settings of the previous patch will return to the stored condition. If you want to preserve your changes, store the user patch.

Storing a patch

When you store a patch, any patch currently stored under the same number will be overwritten (erased and replaced with the new settings). Take care not to accidentally erase a patch that you want to keep.

1. Use the knobs and keys on the panel to establish the desired sound.
2. Press the [STORE] key in the patch section.

The indication "U" (for user bank) and the patch number (0 - 9) are shown on the display. In this condition, storing the settings as a user patch is possible.

1. Use the [] / [] keys to select the desired user patch (U0 - U9).

The preset patches (A0 - A9, b0 - b9) are read-only and cannot be selected as store targets.

1. To store the patch, press the [STORE] key once more.

The store process is carried out, and the unit goes into program mode.

To cancel the process and return to the condition of step 1, press the [EXIT] key instead of the [STORE] key.

By calling up an existing patch and then selecting another destination for the store process, copying a patch is possible.

Using the built-in tuner

The FIRE-30 incorporates an auto-chromatic tuner which can be activated by pressing the [TUNER] key.

1. Press the [TUNER] key in the patch section.

The LED of the key lights up and the internal tuner becomes active.

If you want to tune while keeping the sound output on, press the [TUNER] key only briefly. (The display indication shows "tU".) If you want to tune while the sound is muted, hold down the [TUNER] key somewhat longer. (Release the key when the display indication shows "Mt".)

2. Play the open string you want to tune

The left side of the display shows the note which is closest to the current pitch. The right side of the display shows how far the pitch is off. Adjust the pitch while observing the display.

3. To change the tuner reference pitch, press one of the [] / [] keys.

The current reference pitch is shown for two seconds. The default setting is "40" (center A = 440 Hz).

4. While the reference pitch is shown, you can use the [] / [] keys to change the setting.

The setting range is 35 - 45 (center A = 435Hz - 445Hz ).

When power is turned off and on again, the reference pitch is reset to "40" (center A = 440 Hz).

5. When tuning is complete, press the [TUNER] key to turn the tuner off.

The tuner function is disabled.

During use of the tuner, effects are turned off.

Switching the mode with the foot switch

Using the separately available foot switch, you can toggle between manual mode and program mode during play.

1. Turn off power to the FIRE-30 and connect the foot switch FS-01 (available separately) to the [FOOT SW] jack.

Please do not connect or disconnect the foot switch while power is turned on.

2. Turn power to the FIRE-30 on.

The FIRE-30 is in manual mode.

Display in manual mode

3. Press the foot switch while you are playing your instrument.

When you push the foot switch, the FIRE-30 switches to program mode, and the currently selected patch becomes active. If required, use the [PROGRAM/BANK] key and [] / [] keys to switch the bank and patch number.

Program mode display

1. To return to manual mode, press the foot switch again, or press the [MANUAL] key.

Returning the FIRE-30 to the factory default settings (all initialize)

If required, you can return the settings of the user patches (U0 - U9) to the condition in which the unit was shipped. (This function is called "all initialize".)

NOTE

When you carry out this function, any settings that you have stored in user patches will be lost. Proceed with care.

1. Hold down the [STORE] key while turning power to the unit on.

The indication "AL" appears on the display.

2. To execute the all initialize function, press the [STORE] key once more.

All user patches are returned to the factory default condition. If you wish to cancel the process, press the [EXIT] key instead of the [STORE] key.

Drive Types and Effect Types

DRIVE

Selects the modeling material (amp) and distortion type (drive type).

Drive type	Display	Variation	Name	Description
FDR	Fd	VINTAGE	FDR BLUES	Classic bluesy sound of built-in type tube amp.
		STANDARD	FDR CLEAN	Clean sound of built-in type tube amp.
CLEAN	CL	VINTAGE	J CLEAN	Clean bright combo amp sound.
		STANDARD	MATCH	Warm and powerful combo amp sound.
MS	MS	VINTAGE	MS OLD	Nostalgic British-style tube stack amp sound.
		STANDARD	MS DRIVE	British-style tube stack amp drive sound.
BG	BG	VINTAGE	BG OLD	Sound of an old-style tube combo amp with gutsy midrange.
		STANDARD	BG DRIVE	Drive sound of a tube stack amp with gutsy midrange.
HI GAIN	HC	VINTAGE	MP 1	Sound of a high-gain tube preamplifier.
		STANDARD	PVY	Tube stack amp drive sound in the heavy metal style.
ZOOM	ZIT	VINTAGE	9002	ZOOM original 9002 sound.
		STANDARD	Z POWER	ZOOM original powerful amp sound.
OD/DIST	OD	VINTAGE	VINTAGE OD	Sound of dry overdrive effect connected to combo amp.
		STANDARD	TB DIST	Sound of fully revved up distortion effect connected to combo amp.
FUZZ	FU	VINTAGE	WILD FUZZ	Sound of high-gain aggressive fuzz connected to stack amp.
		STANDARD	FUZZ	Sound of nostalgic sixties fuzz connected to stack amp.
METAL		VINTAGE	MTZ	Typical metal style sound with distinctive midrange.
		STANDARD	MT 7	Heavy metal sound great for 7-string guitar.
ACOUSTIC		VINTAGE	AC FAT	Changes the sound of an electric guitar into that of an acoustic guitar.
		STANDARD	AC STANDARD	The DRIVE [VARIATION] key switches the style between fat and standard.
EFFECT IN		VINTAGE	VINTAGE	Clean guitar amp sound great for direct input to a ZOOM multi-effect processor.
		STANDARD	STANDARD	The VINTAGE setting produces an even tighter sound.

ZNR

This is ZOOM's original noise reduction which suppresses noise during play pauses. Use the [ZNR] key to turn the function on and off, and use the [ ] / [ ] keys to adjust the setting value.

	Setting value	Description
ZNR	31239	Higher settings result in more effective noise reduction. Set the value as high as possible without causing the sound to be cut off abruptly.

■ MODULATION

This effect gives body and vibration to the guitar sound. Use the [TYPE] key to select the effect type and use the [VALUE] knob to adjust the setting value.

Effect type	Setting value	Description
CHORUS	C12C9	Mixes pitch-shifted components (up and down) to original signal, for spacious and solid sound. Higher setting values result in deeper chorus effect.
FLANGER	F12F5	Pitch-up/down modulation adds pronounced character to the sound. Higher setting values result in faster modulation.
FLANGER→CHORUS	F7 F9	Serial connection of flanger and chorus. Higher setting values result in faster flanger modulation. (Chorus depth is fixed.)
PHASE	H1 H5	Adds a swooshing modulation to the sound. Higher setting values result in faster flanger modulation.
PHASE→CHORUS	H7 H9	Serial connection of phaser and chorus. Higher setting values result in faster phaser modulation. (Chorus depth is fixed.)
DOUBLING	d1 d6	This effect adds a very short-delay sound to the original sound, which gives the impression of several players playing the same phrase, resulting in more solid sound. Higher setting values result in stronger doubling action.
DOUBLING→CHORUS	d7 d9	Serial connection of doubling and chorus. Higher setting values result in stronger doubling action. (Chorus depth is fixed.)
TREMOLO	E1 E6	This effect varies the volume periodically. Higher setting values result in faster tremolo.
TREMOLO→CHORUS	E7 E9	Serial connection of tremolo and chorus. Higher setting values result in faster tremolo. (Chorus depth is fixed.)
AUTO WAH	B1 B6	This is an effect that automatically adds wah depending on the playing intensity. Higher setting values result in higher auto wah start sensitivity, producing wah even with low-level signals.
AUTO WAH→CHORUS	B7 B9	Serial connection of auto wah and chorus. Higher setting values result in higher auto wah start sensitivity. (Chorus depth is fixed.)
STEP	51 56	This effect causes random pitch changes and creates an auto arpeggio sound. Higher setting values result in faster sound change.
STEP→CHORUS	57 59	Serial connection of step and chorus. Higher setting values result in faster sound change. (Chorus depth is fixed.)
SLOW-A	A1 A6	This effect slows down the sound attack speed, resulting in the impression of “violin playing”. Higher setting values result in slower attack speed.
SLOW-A→PITCH	A7 A9	Serial connection of slow attack and pitch shift. Higher setting values result in slower attack speed. (Pitch shift is fixed to one octave higher.)
PITCH	This effect varies the pitch of the original sound. You can select one of nine preset pitch shift patterns (P1 - P9).
	P1	Mixes the original sound and a sound component shifted one octave down.
	P2	Mixes the original sound and a sound component shifted a perfect fifth down.
	P3	Adds a chorus effect to the P2 setting.
	P4	Mixes the original sound and a sound component shifted a perfect fourth down.
	P5	Adds a chorus effect to the P4 setting.
	P6	Mixes the original sound and a sound component shifted one octave up.
	P7	Mixes the original sound and a sound component shifted slightly, resulting in a chorus effect with only slight modulation.
	P8	Mixes the original sound and sound components shifted a perfect fourth down and up.
	P9	Mixes the original sound and sound components shifted an octave down and up.
RING MOD	-1 -6	Adds amplitude modulation to the sound, resulting in a metallic effect. Higher setting values result in higher modulation frequency.
RING MOD →CHORUS	{7} {5}	Serial connection of ring modulator and chorus. Higher setting values result in higher modulation frequency. (Chorus depth is fixed.)

DELAY/REVERB

This effect adds a delayed component or reverb to the guitar sound. Use the [TYPE/TIME] knob to select the effect type and setting value, and use the [MIX] knob to adjust the ratio of effect sound and original sound.

Effect type	Setting value	Description
DELAY	{d1} {d3}	This is a conventional digital delay effect. Higher setting values result in longer delay time. The feedback amount is set to an optimum value.
ECHO	{E1} {E9}	This delay effect recreates the warm sound of a tape echo. Higher setting values result in longer delay time. The feedback amount is set to an optimum value.
ROOM	{r1} {r3}	This effect simulates reverberation in a room. Higher values result in a deeper effect.
HALL	{H1} {H3}	This effect simulates reverberation in a hall. Higher values result in a deeper effect.

Specifications

Power Output	36 W RMS
Speaker	25 cm, 5 ohms
Inputs	Guitar input: standard mono phone jack (nominal input level -20 dBm, input impedance 470 kilohms)
	AUX IN: standard stereo phone jack(nominal input level -20 dBm, input impedance 10 kilohms)
Output	Combined recording/headphone output: standard stereo phone jack (nominal output level +4 dBm with output load impedance 10 kilohms or higher)
Drive	22 types
Effect Programs	19 types (10 MODULATION + 4 DELAY/REVERB + BOOST + SUSTAIN + EDGE + BOTTOM + ZNR)
Effect Modules	7 modules (MODULATION + DELAY/REVERB + BOOST + SUSTAIN + EDGE + BOTTOM + ZNR)
Program Patches	USER: 10 (rewritable, with store)
	PRESET: 2 banks x 10 = 20
	Total 30 patches
Sampling Frequency	31.25 kHz
A/D Conversion	20-bit, 64-times oversampling
D/A Conversion	20-bit, 8-times oversampling
Control Connector	FOOT SW (FS01)
Display	2-position 7-segment LED
Dimension	485 mm (W) x 240 mm (D) x 410 mm (H)
Weight	12 kg
Included Items	Power Cord

^0~dBm = 0.775~V_rms
Design and specifications subject to change without notice.

Troubleshooting

Power does not come on.

• Is power cord correctly plugged into AC outlet?
• Is [POWER] switch set to ON?

No sound, or low volume.

Is the guitar correctly connected to the FIRE-30?

See page 9 for information on connections.

• Is something plugged into the [RECORDING/PHONES] jack?

If something is plugged into the [RECORDING/PHONES] jack, the speaker is automatically cut off.

• Is the [LEVEL] knob or [MASTER] knob turned down?

Turn the knobs clockwise while playing your guitar.

Sound is too distorted or breaks up.

• [GAIN]/[LEVEL] knobs may be turned up too high?

Turn the knobs counter-clockwise. Adjust the volume with the [MASTER] knob.

- The foot switch does not toggle modes.

Is a ZOOM foot switch connected?

Use only the foot switch ZOOM FS-01.

Patch List

BANK	PATCH	PATCH NAME	DRIVE TYPE	COMMENT
U	0	Fire Drive	PVY	Powerful drive sound with huge and full sonic impact.
	1	Pop Chorus	J CLEAN	Deformed combo amp sound with characteristic chorus.
	2	Delayed OD	VINTAGE OD	Overdrive sound with delay suitable for melody and lead.
	3	Metal 7	MT 7	Metal sound for 7-string guitar.
	4	Beat Crunch	MS OLD	Standard crunch sound for useful from rhythm to lead.
	5	Phaser Cut	EFFECT IN (St)	Phaser sound for cutting.
	6	Z-Box	9002	Deformation of the vintage original ZOOM sound.
	7	Pitched DRV	BG OLD	Standard pitch sound added downer 1-octave.
	8	Strum Arp	AC STANDARD	Acoustic sound for stroke and arpeggio.
	9	Jet Drive	MP 1	Crispy, useful jet sound.
A	0	PV-Hard	PVY	Simulation of the drive feeling of the high gain amp sound.
	1	Clear Chorus	EFFECT IN (St)	Clear, transparent clean chorus sound.
	2	Z-Power	Z POWER	Power lead sound of the ZOOM original.
	3	M-Stack	MS DRIVE	Simulation of the standard stack amp sound.
	4	Combo Drive	BG OLD	Light drive combo amp sound.
	5	FDR-Clean	FDR CLEAN	Standard amp sound for studio recording.
	6	X-Distortion	TB DIST	Simulation of stomp box distortion.
	7	BG-Stack	BG DRIVE	Simulation of the BG stack amp sound.
	8	MP-Power	MP 1	Amp sound that has hard distortion and quick response.
	9	Match Box	MATCH	High quality crunch sound simulating the combo amp.
b	0	Wild Fuzz	WILD FUZZ	Powerful fuzz sound use for backing and lead
	1	Clean Lead	EFFECT IN (Vin)	Chorus & Delay sound for clean lead.
	2	Fat Tweed	FDR BLUES	Fat sound attached weight to the mid range.
	3	Outline Dist	TB DIST	Sound of the accentuating outline with short delay.
	4	Mystic Chord	J CLEAN	Fantastic pitch sound use for chord arpeggio.
	5	Old Stack	MS OLD	Simulation of the typical old stack amp sound.
	6	Silver Panel	FDR CLEAN	Simulation of the combo amp sound that has characteristic tremolo and reverb.
	7	Wah Useful	PVY	Almighty auto-wah sound.
	8	UK Box	MATCH	Mersey beat type combo amp sound
	9	Neo Fuzz	FUZZ	Fuzzy sound that studio musician uses habitually.