BR-1200 CD - Audio recorder BOSS - Free user manual and instructions

USER MANUAL BR-1200 CD BOSS

Copyright ©2004 BOSS CORPORATION

Section 2 Edition 89

Chorus/Delay/Doubling. 125

Reverb 126

Structure des sections Drum/Bass/Loop Phrase. 154

Batterie. 154

Basse. 154

Correction du timing (Quantize) 162

Correction du timing (Quantize) 176

Section 7 Exploiter I'USB 257

Section 9 Appendices ....287

Listed-algorithmdeseffetsd'insertion.288

BANQUE: GUITAR 288

BANQUE: MIC 290

BANQUE:STEREO 291

BANQUE: SIMUL 292

Bouton LOOP PHRASE IMPORT

"Section 7 Exploiter I'USB" (p. 257)

5. Prise MIDI OUT

"Section 6 MIDI" (p. 241)

6. Prise MIDI IN

"Section 6 MIDI" (p. 241)

7. Prise DIGITAL OUT

9. Prise EXP PEDAL (expression)

---|00 |-0 ||00:00:00-00.00

PATTERN

▶DRUM : P001 [ROCK 01-IN ]

BASS : P001 [ROCK 01-IN ]

LOOP : A001 [A000 ]

HARM :

TEMP0: 120.0

SETUP | --- | PTN EDIT |

---|00|+0|100:00:00-00:00

PATTERN

DRUM :2001[ROCK 01-IN]

BASS :PO01[ROCK 01-IN]

LOOF :A001[A000]

HARM :

TEMP0:120.0

SETUP |---|PTN EDIT|

---|00 |-0 |00:00:00-00.00

PATTERN

DRUM : P001 [ROCK 01-IN]

BASS : P001 [ROCK 01-IN]

LOOF : A001 [A000]

HARM :

TEMP0: 120.0

SETUP | --- | PTN EDIT |

COPY INS (insertion)

MOVE INS (insertion)

- Effects "Loop" (p. 125)

Vocal Tool Box (p. 131)

- Mastering Tool Kit (p. 146)

Banque "Guitar" U001~U120

Banque "MIC" U001~U050

Banque "Simul" U001~U050

Banque "Stereo" U001~U050

Banque "Guitar" S001~S120

Banque "MIC" S001~S050

Banque "Simul" S001~S050

Banque "Stereo" S001~S050

Chorus/Delay/Doubling

TIME 0.1s~10.0s (Default: 2.0s)

Type LO.MALE, HI.MALE, LO.FEML, HI.FEML

LO.FEML (Low Female)

HI.FEML (High Female)

Input Type LO.MALE, HI.MALE, LO.FEML, HI.FEML

LO.FEML (Low Female)

HI.FEML (High Female)

Structure des sections Drum/Bass/Loop Phrase

Correction du timing (Quantize)

Correction du timing (Quantize)

$$ 1 0 0 \times 0. 7 5 = 7 5 $$

$$ 1 0 0 \times 1. 5 = 1 5 0 $$

$$ 1 4 0 \times 0. 7 5 = 1 0 5 $$

$$ 2 0 0 \times 0. 7 5 = 1 5 0 $$

$$ 1 0 0 \times 0. 7 5 = 7 5 $$

$$ 1 0 0 \times 1. 5 = 1 5 0 $$

$$ 1 4 0 \times 0. 7 5 = 1 0 5 $$

$$ 2 0 0 \times 0. 7 5 = 1 5 0 $$

2MEAS Maj, 2MEAS Min, 4MEAS Maj, 4MEAS Min, 8MEAS Maj, 8MEAS Min, BLUES Maj, BLUES Min

Disc At Once By Song

Disc At Once By Marker

Position du BR-1200CD	Position MTC des apparEIls MIDI	Décalage (Offset)
01h00m00s00	01h30m00s00	00h30m00s00
01h00m00s00	00h30m00s00	23h30m00s00

"Copy Files From BR-1200CD" apparait.

T01__01.AIF T0102_01.AIF

Track 1, V-Track 2 Track 1/2, V-Track 2

T01__02.AIF T0102_02.AIF

：

Track 8, V-Track 15 Track 11/12, V-Track 15

Track 8, V-Track 16 Track 11/12, V-Track 16

"Copy Files From BR-1200CD" apparait.

T01__01.AIF T0102_01.AIF

Track 1, V-Track 2 Track 1/2, V-Track 2

T01__02.AIF T0102_02.AIF

：

Track 8, V-Track 15 Track 11/12, V-Track 15

Track 8, V-Track 16 Track 11/12, V-Track 16

Accorder des instruments (Tuner)

COSM Overdrive/Distortion

COSM PreAmp&Speaker

Equalizer/Wah

• 4Band Equalizer
• Wah

Noise Suppressor

Foot Volume

FX

• Compressor
• Limiter
• Acoustic Guitar Simulator
  Pickup Simulator
  Tremolo
• Slow Gear
• Defretter
  -Phaser
• Flanger
  Pitch Shifter
• 2x2 Chorus
• Pan
  Vibrato
• Uni-V
  Short Delay
  Humanizer
• Ring Modulator
• Sub Equalizer

Delay

Chorus

2. ACOUSTIC SIM

Acoustic Guitar Simulator

Compressor

4Band Equalizer

Noise Suppressor

Foot Volume

Modulation

• Flanger
• Chorus
  -Phaser
  Pitch Shifter
• Doubling
  Tremolo/Pan

Delay

3. BASS SIM

Compressor/Defretter

• Compressor
• Defretter

Noise Suppressor

Foot Volume

Modulation

• Flanger
• Chorus
  -Phaser
  Pitch Shifter
• Doubling
  Tremolo/Pan

4. COSM COMP GUITAR AMP

Compressor/Defretter

• Compressor
• Defretter

Octave

Enhancer

4Band Equalizer/Wah

• 4Band Equalizer
• Wah

Noise Suppressor

Foot Volume

Modulation

• Flanger
• Chorus
  -Phaser
  Pitch Shifter
• Doubling
  Tremolo/Pan

Delay

7. COSM BASS AMP

COSM Overdrive/Distortion

COSM PreAmp&Speaker

Equalizer/Wah

• 3Band Equalizer
• Wah

Noise Suppressor

Foot Volume

FX

• Octave
  Enhancer
• Slow Gear
• Defretter
• Ring Modulator
  -Phaser
• Flanger
  Pitch Shifter
• 2x2 Chorus
  Short Delay
  Vibrato
  Humanizer
• Tremolo
• Pan

Chorus

Delay

9. COSM COMP BASS AMP

Acoustic Guitar Simulator

Compressor

Noise Suppressor

Delay

18. VO+ACOUSTIC

Acoustic Guitar Simulator

Effect On/Off OFF, ON

Pickup Type SINGLE, HUMBUCK

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Low-Mid Gain -20~+20dB

Hi-Mid Gain -20~+20dB

Effect On/Off OFF, ON

Character LOOSE, TIGHT

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Pre Delay 0.0~40.0ms

Pre Delay 0.0~40.0ms

Low Pre-Dly 0.0~40.0ms

High Pre-Dly 0.0~40.0ms

COSM Comp/Limiter (COSM Compressor/L Limiter)

Effect On/Off OFF, ON

COSM Overdrive/Distortion

Effect On/Off OFF, ON

Effect Level 0~100 (COSM OD BASS AMP uniqueness)

Direct Level 0~100 (COSM OD BASS AMP uniqueness)

Effect On/Off OFF, ON

Active/coupe le simulator Preamp/Speaker.

Gain SW LOW, MIDDLE, HIGH

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Tap Time 0~100% (Type= Pan)

Avec I'algorithmme "COSM OD BASS AMP"

Foot Volume On/Off

OFF, ON

Effect On/Off

OFF, ON

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Sample Rate OFF, 1/2~1/32

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Active/curpe le Pitch Shifter.

Avec l'algorithmme "COSM OD GUITAR AMP" ou "COSM OD BASS AMP"

Voice 1-VOICE, 2-MONO, 2-ST, 1-PEDAL

Pitch Shifter simple.

PEDAL:

Separation -100~+100

Bass GUITAR AMP: 0~100, BASS AMP: -100~+100

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Low-Mid Gain -20~+20dB

Hi-Mid Gain -20~+20dB

Effect On/Off OFF, ON

Mode LPF, BPF, HPF (COSM OD BASS AMP uniqueness)

Effect On/Off OFF, ON

Low-Mid Gain -12~+12dB

Low-Mid Freq 20Hz~8.0kHz

Hi-Mid Gain -12~+12dB

High Type SHLV, PEAK

Effect On/Off OFF, ON

Effect On/Off OFF, ON

Active/curse l'effet Enhancer.

Sensitivity 0~100

Frequency 1.0~10.0kHz

Effect On/Off OFF, ON

ExpM: Ratio 1:1.00~1:16.0, 1:INF

ExpM: Attack 0~100ms

ExpH: Release 50~5000ms

Effect On/Off OFF, ON

CmpM: Attack 0~100ms

Effect On/Off OFF, ON

Dither OFF, 24~8 BIT

Bloc d'effet	Paramètre	Abréviation
Acoustic Guitar Simulator	On/Off	ASIM ON/OFF
	Pickup Type	ASIM PICKUP
	Character	ASIM CHAR
	Top-Hi	ASIM TOP-HI
	Top-Mid	ASIM TOP-MID
	Body	ASIM BODY
	Level	ASIM LEVEL
Compressor	On/Off	COMP ON/OFF
	Sustain	COMP SUST
	Attack	COMP ATTACK
	Level	COMP LEVEL
4Band Equalizer	On/Off	EQ ON/OFF
	Low Gain	EQ LOW
	Low-Mid Gain	EQ L.MID G
	Low-Mid Freq	EQ L.MID F
	Low-Mid Q	EQ L.MID Q
	Hi-Mid Gain	EQ H.MID G
	Hi-Mid Freq	EQ H.MID F
	Hi-Mid Q	EQ H.MID Q
	High Gain	EQ HIGH
	Level	EQ LEVEL
Noise Suppressor	On/Off	NS ON/OFF
	Threshold	NS THRESH.
	Release	NS REL.
Foot Volume	On/Off	FOOT ON/OFF
Modulation	On/Off	MOD ON/OFF
	Effect Type	MOD TYPE

Bloc d'effet	Paramètre	Abréviation
Flanger	Rate	FLANGER RATE
	Depth	FLANGER DEPTH
	Manual	FLANGER MANUAL
	Resonance	FLANGER RESO
	Separation	FLANGER SEP
Chorus	Rate	CHORUS RATE
	Depth	CHORUS DEPTH
	Pre Delay	CHORUS PREDLY
	Effect Level	CHORUS LEVEL
Phaser	Rate	PHASER RATE
	Depth	PHASER DEPTH
	Manual	PHASER MANUAL
	Resonance	PHASER RESO
Pitch Shifter	P.Shift Type	P.SHIFT TYPE
	Pitch	P.SHIFT PITCH
	D:E Balance	P.SHIFT D:E
	Separation	P.SHIFT SEP
Doubling	Delay Time	DOUBL'N DELAY
	Separation	DOUBL'N SEP
	Effect Level	DOUBL'N LEVEL
Tremolo/Pan	Mode	TRM/PAN MODE
	Rate	TRM/PAN RATE
	Depth	TRM/PAN DEPTH
Delay	On/Off	DELAY ON/OFF
	Type	DELAY TYPE
	Feedback	DELAY FEEDBCK
	Effect Level	DELAY LEVEL
	Delay Time	DELAY TIME

Algorithm: BASS SIM

Bloc d'effet	Paramètre	Abréviation
Bass Simulator	On/Off	B.SIM ON/OFF
	Character	B.SIM CHAR
	Level	B.SIM LEVEL
Compressor/Defretter	On/Off	CMP/DEF ON/OFF
	Effect Type	CMP/DEF TYPE
Compressor	Sustain	COMP SUST
	Attack	COMP ATTACK
	Level	COMP LEVEL
Defretter	Sensitivity	DEFRET SENS
	Attack	DEFRET ATTACK
	Depth	DEFRET DEPTH
	Level	DEFRET LEVEL
Noise Suppressor	On/Off	NS ON/OFF
	Threshold	NS THRESH.
	Release	NS REL.
Foot Volume	On/Off	FOOT ON/OFF
Modulation	On/Off	MOD ON/OFF
	Effect Type	MOD TYPE
Flanger	Rate	FLANGER RATE
	Depth	FLANGER DEPTH
	Manual	FLANGER MANUAL
	Resonance	FLANGER RESO
	Separation	FLANGER SEP
Chorus	Rate	CHORUS RATE
	Depth	CHORUS DEPTH
	Pre Delay	CHORUS PREDLY
	Effect Level	CHORUS LEVEL
Phaser	Rate	PHASER RATE
	Depth	PHASER DEPTH
	Manual	PHASER MANUAL
	Resonance	PHASER RESO
Pitch Shifter	P.Shift Type	P.SHIFT TYPE
	Pitch	P.SHIFT PITCH
	D:E Balance	P.SHIFT D:E
	Separation	P.SHIFT SEP
Doubling	Delay Time	DOUBLE'N DELAY
	Separation	DOUBLE'N SEP
	Effect Level	DOUBLE'N LEVEL

Cannot Select Same Track!

Data Type Not Supported!

HDD Damaged! Can't Access HDD.

Pattern Memory Full!

• Received via drums MIDI channel when the MIDI parameter "Drums Ch." is set to 1-16; plays drum sound.
• Received via bass MIDI channel when the MIDI parameter "Bass Ch." is set to 1-16; plays bass sound.
• Drum sounds correspond to note numbers as follows.

Drum name Note number
Hi-Q D#1 (27)
Stick G1 (31)
Metronome (click) A 1 (33)
Metronome (bell) A#1 (34)
Kick 2 B1 (35)
Kick 1 C2 (36)
Snare 1 D2 (38)
Snare 2 E 2 (40)
Tom 1 F2 (41)
Closed hi-hat F#2 (42)
Tom 2 A 2 (45)
Open hi-hat A#2 (46)
Tom 3 C3 (48)
Crash cymbal C#3 (49)
Tom 4 D3(50)
Ride cymbal D#3 (51)
Cow bell G#3 (56)
Claves D#5 (75)

Control Change

Bank Select (Controller number 0, 32)

Status	2nd byte	3rd byte
BnH	00H	00H
BnH	20H	11H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

mm,ll = Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384)

• When the MIDI parameter Effects P.C. is set to PC+BANK, this is transmitted via the MIDI channel selected in the Effects Ch. setting when insert effects patches are switched.

Volume (Controller number 7)

Status	2nd byte	3rd byte
BnH	07H	vvH

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

vv = Volume: 00H-7FH(0-127)

• Received via each track's MIDI channel when the MIDI parameter "MIDI Fader" is set to ON; controls the track volume.

Expression (Controller number 11)

Status	2nd byte	3rd byte
BnH	0BH	vvH
n = MIDI channel number:		0H - FH (ch.1 - ch.16)
vv = Expression:		00H - 7FH (0 - 127)

• Received via the MIDI channel set for the EXP PEDAL when the MIDI parameter "MIDI Fader" is set to ON; controls the effects in the same manner as operating the EXP PEDAL.

Program Change

Status 2nd byte

CnH ppH

n = MIDI channel number:

pp = Program number:

0H-FH (ch.1-ch.16)

00H-7FH(prog.1-prog.128)

• When the MIDI parameter Effects P.C. is set to PC ONLY or PC+BANK, this is received via the MIDI channel selected in the Effects Channel setting and is used to switch the insert effects.
• Bank Select and Program numbers correspond to the insert effect patch banks and numbers as shown below.

Bank Select		Program Number	Patch
MSB	LSB		Bank	Number
00H	00H	00H-77H	GUITAR	P001-P120
	01H	00H-31H	MIC	P001-P050
	03H	00H-31H	STEREO	P001-P050
	04H	00H-31H	SIMUL	P001-P050
01H	00H	00H-77H	GUITAR	U001-U120
	01H	00H-31H	MIC	U001-U050
	03H	00H-31H	STEREO	U001-U050
	04H	00H-31H	SIMUL	U001-U050
02H	00H	00H-77H	GUITAR	S001-S120
	01H	00H-31H	MIC	S001-S050
	03H	00H-31H	STEREO	S001-S050
	04H	00H-31H	SIMUL	S001-S050

■Channel Mode Messages

All Sound OFF (Controller number 120)

Status	2nd byte	3rd byte
BnH	78H	00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

• Received via drums MIDI channel when the MIDI parameter "Drums Ch." is set to 1-16; mutes the playing drum sounds.
• Received via bass MIDI channel when the MIDI parameter "Bass Ch." is set to 1-16; mutes the playing drum sounds.

Reset All Controllers (Controller number 121)

Status	2nd byte	3rd byte
BnH	79H	00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

• Received via the MIDI channel set for the EXP PEDAL when the MIDI parameter "MIDI Fader" is set to ON.
• When this message is received, the EXP PEDAL is reset to 127.

All Note Off (Control number 123)

Status	2nd byte	3rd byte
BnH	7BH	00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)
* Received via bass MIDI channel when the MIDI parameter "Bass Ch." is set to 1-16; turns the playing bass note off.

System Realtime Message

Timing Clock

Status

F8H

• Received during creation of sync tracks in the Sync Track screen.

Start

Status

FAH

• Received when creation of the sync track begins in the Sync Track screen.

-Stop

Status

FCH

• Received when creation of the sync track is finished in the Sync Track screen.

Active Sensing

Status

FEH

• When Active Sensing is received, the unit will begin monitoring the intervals of all further messages. While monitoring, if the interval between messages exceeds approximately 400 ms, the same processing will be carried out as when Reset All Controllers is received, and message interval monitoring will be halted.

System Exclusive Message

Status

FOH

Data byte

iiH,ddH,...eeH

Status

F7H

F0H: System Exclusive Message status

ii = ID number: an ID number (manufacturer ID) to indicate the manufacturer whose Exclusive message this is. Roland's manufacturer ID is 41H.

ID numbers 7EH and 7FH are extensions of the MIDI standard; Universal Non-realtime Messages (7EH) and Universal Realtime Messages (7FH).

dd,...,ee = data: 00H - 7FH (0 - 127)

F7H:

EOX (End Of Exclusive)

Universal Non-realtime System Exclusive Messages

Identity Request Message

Status

FOH

Data byte

7EH,dev,06H,01H

Status

F7H

Byte Explanation

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

dev Device ID (dev: 10H - 1FH, 7FH)

06H Sub ID#1 (General Information)

01H Sub ID#2 (Identity Request)

F7H EOX (End Of Exclusive)

• Only a device ID of 7FH or message matching the BR-1200CD's device ID is received.
• When this message is received, Identity Reply message (p. 346) will be transmitted.

About Device ID

Exclusive messages are not assigned to any particular MIDI channel. Instead, they have their own special control parameter called device ID. The Roland exclusive messages use device IDs to specify various devices.

How to set the device ID:

1. Press [UTILITY], move the cursor to [MIDI], then press [ENTER/YES].

The MIDI settings screen appears.

1. Move the cursor to "Device ID," then rotate the TIME/VALUE dial to set the device ID.

The Device ID can be set to any number from 17 to 32. It was set to 17 at the factory.

2. Data Transmission

■Channel Voice Messages

Note off

Status 2nd byte

8nH kkH

3rd byte

vvH

n = MIDI channel number:

kk = Note number:

vv = Note off velocity:

0H-FH (ch.1-ch.16)

00H-7FH(0-127)

00H-7FH(0-127)

Note on

Status 2nd byte

9nH kkH

3rd byte

vvH

n = MIDI channel number:

kk = Note number:

vv = Note on velocity:

0H-FH (ch.1-ch.16)

00H-7FH(0-127)

01H-7FH(1-127)

• Transmitted by drum pattern using the selected MIDI channel number when the MIDI parameter "Drums Ch." is set to 1-16.
• Transmitted by bass pattern using the selected MIDI channel number when the MIDI parameter "Bass Ch." is set to 1-16.
• Transmitted according to the content of the SMF during playback of SMFs.
• Notes sounded by the drum pattern correspond to note numbers as follows.

Rhythm Guide Tone Note Number
Hi-O D#1 (27)
Stick G1 (31)
Metronome (click) A 1 (33)
Metronome (bell) A#1 (34)
Kick 2 B1 (35)
Wrist 6-2-20
Kick 1 C2 (36)
Snare 1 D2 (38)
Snare 2 E2 (40) T-1 E2 (11)
Tom 1 F2 (41)
Closed hi-hat F#2 (42) T-2 A-2 (45)
Tom 2 A 2 (45) O. J. bidet A#2 (46)
Open Hil-Hat A#2 (40) Tom 3 C3 (48)
Crash cymbal C#3(49)
Tom 4 D3 (50)
Ride cymbal D#3 (51)
Cow bell G#3 (56)
Claves D#5 (75)

Polyphonic Key Pressure

Status 2nd byte

AnH kkH

3rd byte

vvH

n = MIDI channel number:

0H-FH (ch.1-ch.16)

kk = note number:

00H-7FH(0-127)

vv = Polyphonic Key Pressure:

00H-7FH(0-127)

• Transmitted according to the content of the SMF during playback of SMFs.

Control Change

• Transmitted according to the content of the SMF during playback of SMFs.

Bank Select (Controller number 0, 32)

Status 2nd byte

3rd byte

BnH 00H

mmH

BnH 20H

IIH

n = MIDI channel number:

0H-FH (ch.1-ch.16)

00 00H - 7F 7FH (bank.1 - bank.16384)

mm, ll = Bank number:

• When the MIDI parameter Effects P.C. is set to PC+BANK, this is transmitted via the MIDI channel selected in the Effects Ch. setting when insert effects patches are switched.
• For the correspondence between Bank Select/Program numbers and the insert effect patch banks/numbers, see p. 343.

Volume (Controller number 7)

Status 2nd byte

2nd byte

3rd byte

BnH 07H

vvH

n = MIDI channel number:

0H-FH (ch.1-ch.16)

vv = Volume:

00H-7FH(0-127)

• When the MIDI parameter "MIDI Fader" is set to ON, this is transmitted via the MIDI channel set for a track when the corresponding track fader is moved.

Expression (Controller number 11)

Status 2nd byte 3rd byte

BnH 0BH vvH

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

vv = Expression: 00H - 7FH (0 - 127)

• When the MIDI parameter "MIDI Fader" is set to ON, this is transmitted via the MIDI channel set for the EXP PEDAL when the EXP PEDAL is operated.

Program Change

Status 2nd byte

CnH ppH

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

pp = Program number: 00H - 7FH (prog.1 - prog.128)

• Transmitted according to the content of the SMF during playback of SMFs.
• When the MIDI parameter Effects P.C. is set to PC ONLY or PC+BANK, this is transmitted via the MIDI channel selected in the Effects Channel setting when insert effects patches are switched.
• For the correspondence between Bank Select/Program numbers and the insert effect patch banks/numbers, see p. 343.

Channel Pressure

Status 2nd byte

DnH vvH

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

vv = Channel Pressure: 00H - 7FH (0 - 127)

• Transmitted according to the content of the SMF during playback of SMFs.

Pitch Bend Change

Status 2nd byte 3rd byte

EnH lIH mmH

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

mm, ll = Pitch Bend value: 00 00H-40 00H-7F 7FH (-8192-0-+8191)

• Transmitted according to the content of the SMF during playback of SMFs.

■Channel Mode Messages

• Transmitted according to the content of the SMF during playback of SMFs.

All Sound Off (Controller number 120)

Status 2nd byte 3rd byte

BnH 78H 00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

Reset All Controllers (Controller number 121)

Status 2nd byte 3rd byte

BnH 79H 00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

All Notes Off (Controller number 123)

Status 2nd byte 3rd byte

BnH 7BH 00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

Omni Off (Controller number 124)

Status 2nd byte 3rd byte

BnH 7CH 00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

Omni On (Controller number 125)

Status 2nd byte 3rd byte

BnH 7DH 00H

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

Mono (Controller number 126)

Status 2nd byte 3rd byte

BnH 7EH mmH

n = MIDI channel number: 0H - FH (ch.1 - ch.16)

mm = mono number: 00H - 10H (0 - 16)

Poly (Controller number 127)

Status 2nd byte 3rd byte

BnH 7FH 00H

n = MIDI channel number: 0H-FH (ch.1-16)

System Common Messages

Quarter Frame Messages

Status Second

F1H mmH (= 0nnnddd)

nnn = Message type: 0 = Frame count LS nibble

1 = Frame count MS nibble

2 = Seconds count LS nibble

3 = Seconds count MS nibble

4 = Minutes count LS nibble

5 = Minutes count MS nibble

6 = Hours count LS nibble

7 = Hours count MS nibble

dddd = 4 bit nibble data: OH-FH (0-15)

• If the Sync parameter "Sync Gen." is set to "MTC," quarter frame messages of the time code type specified by "MTC Type" will be transmitted when the BR-1200CD is running (recording or playing). The transmitted time counts are summed to "SMPTE (MTC) Offset Time" as the song top is "00:00:00:00".

Bit Field is assigned as follows.

Frame Count xxxyyyy

xxx Reserved (000)

yyyy Frame No. (0-29)

Seconds Count xxxyyyy

xx Reserved (00)

yyyy Seconds (0-59)

Minutes Count xyyyyyy

xx Reserved (00)

yyyyy Minutes (0-59)

Hours Count xyzzzzz

x Reserved (0)

yy Time Code Type

• The time code types defined by the MIDI specification correspond to the BR-1200CD Sync parameter "MTC Type" as follows.

MIDI specification setting "MTC Type" setting

0 = 24 Frames / Sec 24

1 = 25 Frames / Sec 25

2 = 30 Frames / Sec (Drop Frame) 29D

3 = 30 Frames / Sec (Non Drop Frame 29N or 30

zzzzz Hours

Song Position Pointer

Status 2nd byte 3rd byte

F2H mmH nnH

mm, nn=Song position point: 00H 00H-7FH 7FH

• The current position is transmitted by the Song Position Pointer Message when the BR-1200CD is stopped, or the locate operation has been performed, if the SYNC parameter "Sync Gen." is set to "MIDI CLOCK."

Equipement MIDI

System Realtime Messages

Timing Clock

Status

F8H

• Transmitted when "Sync Gen." is "MIDI CLOCK" in the SYNC parameter.

Start

Status

FAH

• Transmitted when "Sync Gen." is "MIDI CLOCK" in the SYNC parameter.

- Continue

Status

FBH

• Transmitted when "Sync Gen." is "MIDI CLOCK" in the SYNC parameter.

-Stop

Status

FCH

• Transmitted when "Sync Gen." is "MIDI CLOCK" in the SYNC parameter.

Active Sensing

Status

FEH

• This is transmitted at intervals of approximately 200 msec.

System Exclusive Messages

Universal System Exclusive Message

Identity Reply Message

• Receiving Identity Request Message, the BR-1200CD send this message.

Status	Data byte	Status
F0H	7EH, dev, 06H, 02H, 41H, 71H, 01H	F7H
	00H, 00H, 00H, 00H, 00H

Byte Remarks

F0H Exclusive status

7EH ID number (Universal Non-realtime Message)

dev Device ID (dev: 10H - 1FH)

06H Sub ID#1 (General Information)

02H Sub ID#2 (Identity Reply)

41H ID number (Roland)

0AH 02H Device family code

00H 00H Device family number code

00H 00H 00H 00H Software revision level

F7H EOX (End of Exclusive)

For instructions on setting the device ID, refer to "How to set the device ID:" (p. 344).

OMIDI Machine Control Command

Status	Data byte	Status
F0H	7FH, Dev, 06H, aaH, ..., bbH	F7H

Byte Remarks

F0H Exclusive Status

7FH Universal System Exclusive Realtime Header

Dev Device ID (7FH)

06H MMC command message

aaH command

bbH command

F7H EOX (End of Exclusive)

OSTOP (MCS)

Status	Data byte	Status
F0H	7FH, Dev, 06H, 01H	F7H
Byte	Remarks
F0H	Exclusive status
7FH	Universal System Exclusive Realtime Header
Dev	Device ID (7FH)
06H	MMC command message
01H	STOP (MCS)
F7H	EOX (End of Exclusive)

• If the transport switch [STOP] was pressed, the BR-1200CD transmits this message.

ODEFERRED PLAY (MCS)

Status	Data byte	Status
F0H	7FH, Dev, 06H, 03H	F7H
Byte	Remarks
F0H	Exclusive status
7FH	Universal System Exclusive Realtime Header
Dev	Device ID (7FH)
06H	MMC command message
03H	DEFERRED PLAY (MCS)
F7H	EOX (End of Exclusive)

• If the transport switch [PLAY] was pressed, the BR-1200CD transmits this message.

RECORD STROBE

Status	Data byte	Status
F0H	7FH, Dev, 06H, 06H	F7H
Byte	Remarks
F0H	Exclusive status
7FH	Universal System Exclusive Realtime Header
Dev	Device ID (7FH)
06H	MMC command message
06H	RECORD STROBE
F7H	EOX (End of Exclusive)

• Transmitted when recording to the audio tracks begins.

RECORD EXIT

Status	Data byte	Status
F0H	7FH, Dev, 06H, 07H	F7H

Byte Remarks

F0H Exclusive status

7FH Universal System Exclusive Realtime Header

Dev Device ID (7FH)

06H MMC command message

07H RECORD EXIT

F7H EOX (End of Exclusive)

• Transmitted when recording to the audio tracks ends.

OMMC RESET

Status	Data byte	Status
F0H	7FH, Dev, 06H, 0DH	F7H

Byte Remarks

FOH Exclusive status

7FH Universal System Exclusive Realtime Header

Dev Device ID (7FH)

06H MMC command message

0DH MMC RESET

F7H EOX (End of Exclusive)

• When powered on the BR-1200CD transmits this message.

LOCATE [MCP]
Format2-LOCATE [TARGET]

Status	Data byte	Status
F0H	7FH, Dev, 06H, 44H, 06H, 01H, hrH, mnH, scH, frH, ffH	F7H
Byte	Remarks
F0H	Exclusive status
7FH	Universal System Exclusive Realtime Header
Dev	Device ID (7FH)
06H	MMC command message
44H	LOCATE (MCP)
06H	Byte count
01H	"TARGET" sub-Command
hrH, mnH, scH, frH, ffH	Standard Time Specification with subframes
F7H	EOX (End of Exclusive)

• If the efficient Maker of the locate switch is pressed or when moved, the BR-1200CD transmits this message.

●MIDI Time Code Command

Full Message
Basic operation of quarter frame messages will be handled.

Status	Data Byte	Status
F0H	7FH, Dev, 01H, 01H, hrH, mnH, scH, frH	F7H
Byte	Remarks
F0H	Exclusive status
7FH	Realtime Universal System Exclusive Header
Dev	Device ID (7FH)
01H	sub-ID #1 (MIDI Time code)
01H	sub-ID #2 (Full message)
hrH	hours and type: 0 yy zzzzz
yy	type:
	00 = 24 Flame/sec
	01 = 25 Flame/sec
	10 = 30 Flame/sec (Drop Format)
	11 = 30 Flame/sec (Non Drop Format)
zzzzzz:	Hours (00 - 23)
mnH	Minutes (00 - 59)
scH	Seconds (00 - 59)
frH	Frames (00 - 29)
F7H	EOX (End of Exclusive)

• This message is transmitted when the song position moves.

3. Supplementary material

- Decimal/Hexadecimal table

(hexadecimal values are indicated by a following "H")

MIDI uses 7-bit hexadecimal values to indicate data values and the address and size of exclusive messages. The following table shows the correspondence between decimal and hexadecimal numbers.

D	H	D	H	D	H	D	H
0	00H	32	20H	64	40H	96	60H
1	01H	33	21H	65	41H	97	61H
2	02H	34	22H	66	42H	98	62H
3	03H	35	23H	67	43H	99	63H
4	04H	36	24H	68	44H	100	64H
5	05H	37	25H	69	45H	101	65H
6	06H	38	26H	70	46H	102	66H
7	07H	39	27H	71	47H	103	67H
8	08H	40	28H	72	48H	104	68H
9	09H	41	29H	73	49H	105	69H
10	0AH	42	2AH	74	4AH	106	6AH
11	0BH	43	2BH	75	4BH	107	6BH
12	0CH	44	2CH	76	4CH	108	6CH
13	0DH	45	2DH	77	4DH	109	6DH
14	0EH	46	2EH	78	4EH	110	6EH
15	0FH	47	2FH	79	4FH	111	6FH
16	10H	48	30H	80	50H	112	70H
17	11H	49	31H	81	51H	113	71H
18	12H	50	32H	82	52H	114	72H
19	13H	51	33H	83	53H	115	73H
20	14H	52	34H	84	54H	116	74H
21	15H	53	35H	85	55H	117	75H
22	16H	54	36H	86	56H	118	76H
23	17H	55	37H	87	57H	119	77H
24	18H	56	38H	88	58H	120	78H
25	19H	57	39H	89	59H	121	79H
26	1AH	58	3AH	90	5AH	122	7AH
27	1BH	59	3BH	91	5BH	123	7BH
28	1CH	60	3CH	92	5CH	124	7CH
29	1DH	61	3DH	93	5DH	125	7DH
30	1EH	62	3EH	94	5EH	126	7EH
31	1FH	63	3FH	95	5FH	127	7FH

D: decimal
H: hexadecimal

Decimal expressions such as used for MIDI channel, Bank Select, and Program Change will be the value 1 greater than the decimal value given in the above table.

Since each MIDI byte carries 7 significant data bits, each byte can express a maximum of 128 different values. Data for which higher resolution is required must be transmitted using two or more bytes. For example a value indicated as a two-byte value of aa bb HH would have a value of aa x 128 + bb.

For a signed number (+/-) , 40H = -64 , 00H = 0 , and 3FH = +63 . (i.e., the decimal equivalent will be 64 less than the decimal value given in the above table.) For a two-byte signed number, 4000H = -8192 , 0000H = 0 , and 3F7FH = +8191 .

Hexadecimal notation in two 4-bit units is used for data indicated as `Nibbled'. The nibbled two-byte value of 0a0bH would be a x16 + b .

What is the decimal equivalent of 5AH?

From the above table, 5AH = 90

What is the decimal equivalent of the 7-bit hexadecimal values 12 34H?

From the above table, 12H = 18 and 34H = 52

Thus, 18 × 128 + 52 = 2356

What is the decimal equivalent of the nibbled expression 0A 03 09 0DH?

From the above table, 0AH = 10,03H = 3,09H = 9,0DH = 13

Thus, the result is ((10 × 16 + 3) × 16 + 9) × 16 + 13 = 41885

What is the nibbled equivalent of the decimal number 1258?

16）1258

16) 78...10

16） 4.4.14 0.4

From the above table, 0 = 00H 4 = 04H 14 = 0EH 10 = 0AH

Thus the result is 00 04 0E 0AH

MIDI Implementation Chart

Function...		Transmitted	Recognized	Remarks
Basic Channel	Default Changed	1-16 1-16	1-16 1-16	Memorized
Mode	Default Messages Altered	X X ****	X X X
Note Number:	True Voice	0-127 ****	0-127 DRUMS: 27-75, BASS: 0-72
Velocity	Note On Note Off	1-127 64 1-127 *1	1-127 X X
After Touch	Key's Channel's	O *1 O *1	X X
Pitch Bend		O *1	X
Control Change	0, 32 0-119 7 11	O O *1 O *2 O *2	O X O *2 O *2	Bank Select Volume Expression
Program Change :	True Number	O *1 0-127	O *7 0-119
System Exclusive		O	O *3
System Common	: Quarter Frame : Song Position : Song Select : Tune Request	O *4 O *5 X X	X X X
System Real Time	: Clock Start : Commands Continue Stop	O *5 O *5 O *5	O *6 O *6
Aux Messages	: All Sound Off : Reset All Controllers : Local On/Off : All Notes Off : Omni On/Off : Mono/Poly : Active Sensing : System Reset	O *1 O *1 O *1 O *1 O *1 O	O *8 O *2 O *8
Notes		*1 When SMF playbacked, transmit in case of SMF. *2 MIDI Folder = ON only *3 Identity Request only *4 Sync Gen. = MTC only *5 Sync Gen. = MIDI CLOCK only *6 Sync Track Recording only *7 Effects Ch., Drums Ch., or Note Ch only *8 Bass = ON and Bass Ch. only

Mode 1: OMNI ON, POLY
Mode 2: OMNI ON, MONO
Mode 3: OMNI OFF, POLY
Mode 4: OMNI OFF, MONO
O:Yes
X:No

Fiche technique

Conversion A/N: 24 bits, methode AF (Guitare/Basse)

24 bits, modulation (VOCAL)

24 bits, modulation (MULTI-TRACK)

24 bits, modulation (STEREO TRACKS)

Conversion A/N: 24 bits, modulation

Prises LINE OUT: -10dBu

Prises LINE OUT (RCA / cinch)

Prises LINE IN (RCA/cinch)

Bass 172, 297-299, 307

Bass Ch. 243

Bass Cut Filter 291, 294, 314, 316

BASS MULTI 289

BASSOD 297

BASS SIM 288

Bass Simulator 288, 294

BASS360 299

Basse 154, 171

Motif 172

Son 172

BASSWAH 310

Batterie 54,154,157

Motifs 56, 160

Sons 60

BD-2 297

BEAT 193,210

Beat 196,209-210

Map 210

Beat Map 209

BEEP 212

BG DRV 297

BG LEAD 297,307

BG RHY 297

BG STK 308

BIPHASE 305

Bit 303

BLOCK < = 119,134,138,143,149

BLUES 297,307

BLUESOD 297

Body 293

Boite a rythmes 245

BoomBox 313

BoomLoB 313

Compressor/Defretter 288-289

CONCERT 299

Connexions 34

Contraste 274

Copie numérique 280

Copier 99,123

Voir aussi "Copy"

COPY 110, 194

Copy

Boucle 194

Motif de basse 182

Rhythm arrangement 208

COPY INS 100

Copyright 239

COSM 116

COSMBASSAMP 289

COSM COMP BASS AMP 290

COSM COMP GUITAR AMP 289

COSM Comp/Limiter 289-290, 296

COSM OD BASS AMP 290

COSM OD GUITAR AMP 288

COSM Overdrive/Distortion 288, 290, 297

COSM PreAmp&Speaker 288, 290, 297

COSM VOCAL COMP 291

Create By Track 188

Cut Off Freq 294,314,316

Cutoff Freq 303

D

DE Balance 303, 306

D.CpProtect 280

DARK 127, 298

Data CD 226

DATA SAVE/LOAD 25,226

D-Comp 296

De-esser 290, 299

DEFAULT 127

Defretter 288-290, 300

Delay 85,116,125,288-292,300

Delay Time 300, 308, 316

Delay time 126

DELAY TYPE 126

DELETE ... 21, 76, 122, 166, 168, 179, 181, 193, 199, 201, 204, 207

Delete

Motif de basse 182

Disc At Once By Marker 91,219

Disc At Once By Song 219-220

Disk Initialize 285

DISP 100, 102, 104, 107-108, 189, 205, 233, 265

Disque amovible 259

Disque dur 284

Capacité 112

Dépannage 6

Installation 6

Precautions 6

Problèmes 338

Distance 291,301

DISTORT 297

Dither 317

DIV 285

DRUM&BASS PATTERN 229

Drums Ch. 243

DRUMS&LP 157,185

DRV STK 297

DS-30A 142,313

DS-50A 142,313

DS-90A 142,313

DST + 297

Durée 178

E

Echanger 103

Ecran 27

Contraste 274

EDIT 23,60,119

EDITED 110

Edition 99

Effacer 106, 108

Patch Write/Copy 122

Effects Ch. 255

Effects P.C. 255

Effects/Rhythm 228

Effet 52,116

Bloc 142, 149

Blogs 118

Final Mastering Track 79-80

FINALIZE 225

Finalize 225

Fine 1/2 306

Flanger 288, 290-291, 302

Flat 300, 304

FLIPTOP 299

FOOT SW 28

Foot Switch 39

Foot Volume 288-291

FootVolumeOn/Off 302

Formant 310

Formant1 310

Formant2 310

Frame 27, 247

Freq 303

Frequency 301, 308, 311-312, 314, 316

Fretless 300

FROM 100, 102

FULLRNG 297

FUNCTION 30

FV-300L 124

FX 288, 290

G

Gain 298,307,314

Gain SW 298

GATE 178-179

GLOBAL 282

GM 170, 183, 243

GS 170, 183, 243

GUITAR/BASS 20,26,50,116

Guitare 118

GUV DS 297

H

H TO HF 305

HTOS 305

HALL 126

HARD 128

Hard Disk Information 284

Harmony Sequence 117, 131, 136-137

HD ACCESS 25

HDD 231, 284

HDD Backup 230

HDD Recover 231

Hed.Dy 304

HF DAMP 126-127

Hi Cut Freq 295,300

HI FREQ 130

HI GAIN 130

HI.FEML 133,138

HI.MALE 133,137

HIGH 83,307

High Depth 295

High Freq 294,315

High Freq Trimmer 314

High Gain 294, 309, 315

High Level 295, 317

High Pre-Dly 295

High Q 294, 315

High Rate 295

High Type 315

Hi-Mid Freq 294,309,315

Hi-Mid Gain 294,309,315

Hi-Mid Q 294,309,315

HPF 303, 311

Hum to Half-tone 305

Hum to Single 305

Human Feel 137

Humanizer 288, 290, 302

Humbucker 305

HVYMTL 297

IMPORT 170, 183, 190, 232, 239, 265, 272

Import 183

IN 21,76

INFO 110,284

Information 27

INITIALIZE 282

Initialize 282

INPUT 21

Input 296,304,316

Input Gain 315-316

INPUT LEVEL 21,62

Input Pan 63

INPUT SELECT 20

Input Select 50,67

INPUT SENS 20,51

Input Sensitivity 51

Input Type 137

Insérer 104

INSERT 104, 121-122, 166, 168, 179, 181, 193, 200, 207, 221

Insert Boucle 204

Insertion 52

INVERSE 304, 313

Invert 303

ISO9660 169,183,190,235

J

JAZZCMB 297

JC-120 297,307-308

JUMBO 293

K

Kit de batterie 158

KNEE 128

L

LCD CONTRAST 274

LOOP PHRASE IMPORT 25,188

LOW 84,307

LOW CUT 125, 127

Low Cut Filter 303

Low Depth 295

LOW FREQ 130

Low Freq 294, 315

Low Freq Trimmer 314

LOW GAIN 130

Low Gain 294, 309, 315

Low Level 295, 317

Low Mix Level 301

Low Pre-Dly 295

Low Q 294, 315

Low Rate 295

LowCutFilter 295,302

Low-Mid Freq 294,309,315

Low-Mid Gain 294,309,315

Low-Mid Q 294,309,315

LowType 315

LPF 303, 311

Lrg.Cn 304

Lrg.Dy 304

M

M.SCOPE 179

Macintosh 258, 267

MANUAL 306, 310

Manual 302, 305

MAPEDIT 134,200,210

MARK 21,90

MARKER 21

Marker 27,43,90,92

Stop 92

Marker Name 91

Mas.Fader Ch. 253

MASTER 40,251

Master 307

Master Sync 245

MASTERING 21, 146

MASTERING TOOL KIT 23, 229

Mastering Tool Kit 117, 315

Edit 149

Patch Copy 151

Patch Write/Copy 150

Microphone electret 279

Microscope 165, 179

MID 83

MID FREQ 130

Mid Freq 294

MID GAIN 130

Mid Gain 294

Mid Level 317

MIDQ 130

Mid Q 294

MIDDLE 307-308

Middle 298-299,307

Middle Freq 299

MIDI 242-243

Cable 242

Canaux 242

Clavier 254

Clock 245

Fader 252

Mode 295,306,309,311

Model 313

Modify Filter 303

Modulation 290-291

MONO 295

On/Off 137,296,313-314

ONLY CUR. PARTITION 285-286

OPTIMIZE 112

ORG 298-299

OUT 21,76

Output 304, 317

Output Level 315

Output Sp. 313

P

P.Shift Type 306

Page principal 30

PAGE SCROLL 31

PAN 22,63,82

Pan 63,82,137,288,290,300,304

PAN-SQR 309

PAN-TRI 309

Paramétrique 308

Partition 284, 286

Patch

Numero 119

Pattern Selection 158, 187

Pattern Setup 158

PC ONLY 255

PC+BANK 255

PEAK 20,51,315

Peak 311-312

PEDAL 306, 310-311

Pedal Pos. 310

Pedal Wah 310

PITCH CORRECTION 132

Pitch Correction 117, 131-132

Edit 133

Parameter 133

Pitch Shift 306

Pitch Shifter 124, 288, 290-291, 306

Pitch Shifter (pedale) 306

Plage de notes 254

Index

PLATE 126

PLAY 22,39,236,239

PLAYER 236, 303

Polarity 311

Port USB 28

POS 203

Position 203

Reverb 64,84,116,125

Edit 126

Send 64,126

Reverb Send 138

REW 22,41

RF ORNG 297

RF RED 297

RF VNTG 297

RHYTHM 229

Rhythm Arrangement 156

Ring Modulator 288, 290-291, 308

Rise Time 308

R-MAN 297

ROOM 126

Rythme 154

s

S TO H 305

Sample Rate 303

Sauvegarde 71, 114, 122

Sauvegarde,voir "Write", "Store" et "Save" 70

Short Delay 126, 288, 290, 308

Sibilant Lvl 299

Silence 137

Simple bobinage 305

SIMUL 20,50,116

Simul 118

SINGLE 300

Single to Hum 305

SLDN 297,307

SLOW 306

Slow Gear 288, 290, 308

Slow gear 308

SMALL 308

SmallTV 313

SMF 169, 183, 236
Import 183

SMF Import 169-170

Sml.Cn 304

Sml.Dy 304

SmlCUBE 313

Smooth 134

SOFT 128

SoftClip 317

Speaker Type 298-299,308

Split Freq H 316

Split Freq L 316

Spr Flat 313

STAGE 305

START 100, 102, 104, 107-108, 152, 189, 205, 233

Statut de piste 23

STD 293

STEP 163, 177

Step 305

Step Rate 305

STEREO 116,295

Stereo 118

Stereo Link 129-130

STEREO MULTI 291

STKCRNC 297

STOP 22,39,41

STORE 71

Sub Equalizer 288, 308

Sub Mixer 277

Suite d'accords 156

SURFACE SCAN 285

Sustain 296

Swing 167, 180

SWING POS 167, 180

SYNC 245-246

TRK 249

Sync Gen. 246

Sync Offset 250

Sync Source 249

Sync Track 248

Threshold 296,302,304,314,317

THRU 303

TIME 126-127

Time 301

TimeDisp. 248

Time Offset 248

TIME/VALUE 25,32,42

TIMES 100

Tiroir 26

TMP 119

TO 100, 102, 122

TO TRACK 204

TONE 127

Tone 296,300,302,305

TOP 203

Top 293

Top-Hi 293

Top-Mid 293

TOUCH 311

Touch Wah 310

Tourne-disque 303

Track Compressor 128

Copy 99-100

Cut 106

Edit 99

Erase 108

Exchange 103

Insert 104

Level 93

Level, Fader 93

Level, Scene 93

Menu 99

Move 101

Mute 46

Name 80

Type 49,185,211

Type Select 54,157,171,211

Track At Once 219

Track Move 101

TRACK MUTE 24

TRACK TYPE 24

TRACK TYPE SELECT . 24, 157, 171, 185-186, 211-212

Transport,boutons 41

Treble 297, 299, 307

Tremolo 288, 290, 309

Tremolo/Pan 288,290-291,309

Trk 1 Ch. 253

Trk 11&12 Ch. 253

TRM-SQR 309

TRM-TRI 309

Troubleshooting 337

TRS 34

TSCREAM 297

Tuner 275

TUNER ON/OFF 21, 275

Tuning 303

TURBOOD 297

TW 310

TWEED 297

TWIN 308

TYPE 85,125-126

Type 133,296-297,300,305,310

Type d'accord 200

Type de piste 171

U

UNDO/REDO 25

Uni-V 288,309

UP 311

USB 258,260,339

USE BASS 49

USE DRUMS + BASS + LOOP 49

USE DRUMS + LOOP 49

User 132

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
— Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

Pour le Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Caising Equipment Regulations.

AVIS

DECLARATION OF CONFORMITY Compliance Information Statement

Model Name: BR-1200CD

Type of Equipment : Digital Recording Studio

Responsible Party: Roland Corporation U.S.

Address: 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938

Telephone: [phone]