CLP-130-CLP-120 - Digital piano YAMAHA - Free user manual and instructions

USER MANUAL CLP-130-CLP-120 YAMAHA

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

RISK OF ELECTRIC SHOCK

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic- ing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral trian- gle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclo- sure that may be of sufficient magni- tude to constitute a risk of electrical shock. IMPORTANT NOTICE: AIl Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product perfor- mance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to pro- duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469 (1) (bottom) Battery Notice: This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is consid- ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowl- edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the man- ufacturer’s warranty, and are therefore the owners respon- sibility. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indi- cates the location of the name plate. The model number, serial number, power requirements, etc. are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. CLP-130 CLP-120 Model Serial No. Purchase Date

Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the Clavinova. We also recommend that you keep this manual in a safe and handy place for future reference. About this Owner’s Manual This manual consists of three main sections: “Introduction,” “Reference” and “Appendix’” Hintroduction (page 2): Please read this section first. Reference (page 13): This section explains how to make detailed settings for the Clavinova’s various functions. ENGLISH H Appendix (page 69): This section introduces reference material. *_ The models CLP-130/120 will be referred to as the CLP/Clavinova in this Owner’s Manual. The illustrations and LED displays shown in this owner’s manual are for instructional purposes only and may appear somewhat different from those on your instrument. COPYRIGHT NOTICE This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI files, WAVE data. Any unauthorized use of such programs and contents outside of personal | use is not permitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DIS- s) TRIBUTE OR USE ILLEGAL COPIES.

Trademarks: + Apple and Macintosh are trademarks of Apple Computer, Inc. + Windows is a registered trademark of Microsoft® Corporation. + Allother trademarks are the property of their respective holders. “The Clavinova-Computer Connection,” is a supplementary guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address: Clavinova Web site (English only): http://www.yamahaclavinova.com/ Yamaha Manual Library: http://www2.yamaha.co.jp/manual/english/ CLP-130/120 About this Owner's Manual

About this Owner’s Manual. Application Index... 5 PRECAUTIONS. Accessories Maintenance . Features 9 Before Using the Clavinova Key Cover Music Rest Turning the Power On Setting the Volume. Using Headphones. Using the Speaker Switch. Reference Part Names Listening to the Demonstration Tunes …. 16 Listening to 50 Piano Preset Songs... 17 Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) . A-B Repeat for 50 Preset Songs Selecting & Playing Voices. Selecting Voice: Using the Pedals. Adding Variations to the Sound —

Application Index Use this index to find reference pages that may be helpful for your particular application and situation. Listening “Listening to the Demonstration Tunes” on page 16 Listening to demo songs with different voices. Listening to songs from “50 Greats for the Piano”. … “Listening to 50 Piano Preset Songs” on page 17 Listening to my recorded performance. “Playing Back Recorded Songs” on page 35 Playing “Using the Pedals” on page 21 …“Transposition — [TRANSPOSE]” on page 25 “Touch Sensitivity — [TOUCH]” on page 24 Fine tuning the pitch of the entire instrument when you play the Clavinova along Using the three performance control pedals.. Playing an accompaniment that matches pitch Selecting a touch sensitivity type. ENGLISH with other instruments or CD music. “Fine tuning of the pitch” on page 40 Changing voices “Preset Voice List” on page 63 … “[REVERB]” on page 22 … “Combining Two Voices (Dual mode)” on page 26 Viewing the list of voices Simulating a concert hall Combining two voices.… Playing different sounds with left and right hands “plitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-130)” on page 27 [BRILLIANCE]” on page 22 … “[EFFECT/” on page 23 “[VARIATION] (CLP-130)” on page 22 Making the sound more brilliant or mellower Adding spread or swell to the sound Enhancing the sound with effects... Practicing Muting the right- or left-hand part .“Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)” on page 18 Practicing a specified phrase repeatedly… “A-B Repeat for 50 Preset Songs” on page 20 Practicing with an accurate and steady tempo “Using the Metronome” on page 29 Practicing using your recorded song … “Recording Your Performance” on page 30 Recording Recording your performance... … “Recording Your Performance” on page 30 Settings Adjusting the Clavinova settings … .“Detailed Settings - [FUNCTION]” on page 37 Connecting the Clavinova to other devices What is MIDI “About MIDI” on page 49 ‘AUX OUT jacks” on page 50 “AUX OUT jacks” on page 50 “AUX IN jacks” on page 51 …Connecting a Personal Computer” on page 52 Recording your performance Raising the volume. Outputting other instruments’ sound from the Clavinova.... Connecting a computer … Assembling …… “CLP-130/120”: Keyboard Stand Assembly” on pages page 57-62 Assembling and disassembling the Clavinova … CLP-130/120 Application Index ER

• Please keep this manual in a safe place for future reference. À WARNING Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following: Power supply/Power cord © Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. © Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Use only the supplied power cord/plug. Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. © Do not open the instrument or attempt to disassemble the inter- nal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. À CAUTION © Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing lig- uids which might spill into any openings. © Never insert or remove an electric plug with wet hands. Fire warning © Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. If you notice any abnormality e_lfthe power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qual- ified Yamaha service personnel. Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following: Power supply/Power cord © When removing the electric plug from the instrument or an out- let, always hold the plug itself and not the cord. Pulling by the cord can damage it. © Remove the electric plug from the outlet when the instrument is not to be used for extended periods of time, or during electrical storms. © Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet. Assembly © Read carefully the attached documentation explaining the assembly process. Failure to assemble the instrument in the proper sequence might result in damage to the instrument or even injury. © Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel dis- figuration or damage to the internal components. e Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Othenwise, the instrument, TV, or radio may generate noise. e Do not place the instrument in an unstable position where it might accidentally fall over. e Before moving the instrument, remove all connected cables. e Do not place the instrument against a wall (allow at least 3 cm/ one-inch from the wall), since this can cause inadequate air cir- culation, and possibly result in the instrument overheating. (B7 1/2 6 CLP-130/120 PRECAUTIONS

Connections © Before connecting the instrument to other electronic compo- nents, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to mini- mum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level. Maintenance © When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping cloths. Handling caution © Take care that the key cover does not pinch your fingers, and do not insert a finger or hand in any gaps on the key cover or instrument. Never insert or drop paper, metallic, or other objects into the gaps on the key cover, panel or keyboard. If this happens, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualified Yamaha service personnel. Do not place vinyl, plastic or rubber objects on the instrument, since this might discolor the panel or keyboard. Do not rest your weight on, or place heavy objects on the instru- ment, and do not use excessive force on the buttons, switches or connectors. Do not operate the instrument for a long period of time at a high or uncomfortable volume level, since this can cause permanent hearing loss. lf you experience any hearing loss or ringing in the ears, consult a physician. Using the bench (If included) e Do not place the bench in an unstable position where it might accidentally fall over. e Do not play carelessly with or stand on the bench. Using it as a tool or step-ladder or for any other purpose might result in acci- dent or injury. © Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury. e_lfthe bench screws become loose due to extensive long-term use, tighten them periodically using the included tool. Saving data Saving and backing up your data © Depending upon the Backup Settings (page 48), internal data is retained for about 1 week after the power is turned off. If the period is exceeded, the data will be lost. Be sure to turn the power switch on for a few minutes at least once a week. The data could be lost due to malfunction or incorrect operation. Save important data to external media such as the Yamaha MDF3 MIDI data filer. Backing up the external media e To protect against data loss through media damage, we recom- mend that you save your important data onto two external media. Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed. Always turn the power off when the instrument is not in use. (087 2/2

Accessories e “50 Greats for the Piano” (Music Book) + Owner's Manual This manual contains complete instructions for operating your Clavinova. + Bench A bench may be included or optional, depending on your locale. Maintenance Clean the instrument using a dry or slightly damp soft cloth (wring well). ENGLISH ÂÀ CAUTION Do not use benzene, thinner, detergent, or chemically-treated cloth for cleaning. Do not place vinyl, plastic or rubber products on the instrument. Otherwise, the panel or keys may become discolored or degraded. AN CAUTION Before using the Clavinova, be sure to read “Precautions” on pages 6 - 7. Æ Tuning Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune. A Transporting If you move to another location, you can transport the Clavinova along with your other belongings. You can move the unit as it is (assembled) or you can disassemble the unit. Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock. 8] CLP-130/120 Accessories / Maintenance

|| & CLP130(E).book Page 9 Thursday, October 31, 2002 2:45 PM

Features The Yamaha Clavinova CLP-130/120 digital piano offers unmatched sonic realism and natural grand-piano type playabil- ity as well as Yamaha’ original “AWM Dynamic Stereo Sampling (CLP-130)/AWM Stereo Sampling (CLP-120)” tone- generation technology for rich, musical voices, and a special “Graded Hammer” keyboard that provides graded key weight and response throughout the keyboard range. The CLP-130/120 Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The CLP-130 Grand Piano 1 voice features three velocity-switched samples (Dynamic Sampling), special “Sustain Sampling” (page 88) that samples the unique resonance of an acoustic grand pianos soundboard and strings when the damper pedal is pressed, and “Keyoff Samples” that add the subtle sound produced when the keys are released. The CLP-130/120 comes much closer to the sound of a true acoustic piano.

TEMPO [V] [A4] [REVERB] / [EFFECT] [TRANSPOSE]

You can change the song tempo (speed) and select Add reverb (reverberation) and You can shift the pitch useful functions using this buttons (pages 37-48). effects to the sound (pages 22, 23). of the entire keyboard ES up or down so that the pitch will match that of The Clavinova includes 50 preset songs. another instrument or IMETRONOME] This section enables you to listen to these songs, practice singer, while you play Control the metronome using a convenient practice function, and record and play the same, unshifted functions (page 29). back your performance (pages 17-20, 30-36). keys (page 25). [DEMO] Voice buttons [TOUCH] Demonstration play- Select voices from 14 internal sounds including Fine-tune the back is available for Grand Piano 1 and 2 (page 21). You can also touch response each voice (page 16). combine two voices at the same time (page 26). (page 24).

[BRILLIANCE] [SPLIT] Adjust the brighiness of the tone You can play different voices on the left- and right-hand using this slider (page 22). sections of the keyboard (CLP-130) (page 27). [MASTER VOLUME] —= Adjust the volume level using this slider (page 11). LL) (CLP-130) Connect the PP ù pedal cord here to use the A Clavinova's sl pedals (page 51).

Delivers the output of the Clavinova for connection to an instrument amplifier, mixing console, PA sys- tem, or recording equip- ment (page 51).

© Connect recording equipment (such as a cassette tape recorder) internal speakers on here to record your per- or off (page 12). formance (page 50). nel LL This switch turns the LL) A set of standard stereo headphones can be plug- This jack and selector switch allow direct con- Connect a MIDI device here to use ged in here for private nection to a personal computer for sequencing various MIDI functions (pages 45-47). practice (page 12). and other music applications (pages 52-55). (About MIDI -+ page 49)

Before Using the Clavinova [Key Cover To open the key cover: Lift the cover slightly, then push and slide it open. To close the key cover: Slide the cover toward you and gently lower the cover over the keys. VAN CAUTION Be careful to avoid catching your fingers when opening or closing the cover. A CAUTION Hold the cover with both hands when opening or closing it. Do not release it until it is fully opened or closed. Be care- ful to avoid catching fingers (yours or others, especially children's) between the cover and main unit. ZN CAUTION Do not place objects such as a piece of metal or paper on top of the key cover. Small objects placed on the key cover may fall inside the unit when the cover is opened and may be nearly impossible to remove. This could cause electric shock, short circuit, fire or other serious damage to the instrument. Music Rest To raise the music rest:

1. Pull the music rest up and toward yourself as far as it will go.

2. Flip down the two metal supports at the left and right on

the rear of the music rest.

3. Lower the music rest so that it rests on the metal supports.

To lower the music rest:

1. Pull the music rest toward yourself as far as it will go.

2. Raise the two metal supports (at the rear of the music rest).

3. Gently lower the music rest backward until it is all the way

down. > À CAUTION Do not try to use the music rest in a half-raised position. When lowering the music rest, do not release your hands from the music rest until it is all the way down. CLP-130/120 Before Using the Clavinova

[Turning the Power On

1. Connect the power cord.

Insert the plugs at the ends of the cord, one into the AC INLET on the Clavinova, and the other into a standard AC outlet. In some areas, a plug adaptor may be provided to match the pin configuration of the AC wall outlets in your area.

(bottom surface) (The shape of plug differs depending on locale.) ENGLISH

2. Turn the power on.

Press the [POWER] button. + The display located in the center of the front panel and the power indicator located below the left end of the key- board lights up. Display (l [1 lo Ù Normally indicates tempo. When you're ready to turn off the power, press the [POWER] button again. + The display and the power indicator turn off, Power Indicator If you close the key cover without turning the power off, the power indicator remains li, indicating that the power is still on. ESetting the Volume Initially set the [MASTER VOLUME] control about halfway between the “MIN” and MAX settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control to the most comfortable listening level.

The level decreases. D > The level increases. À CAUTION Do not use the Clavinova at a high volume level for a long period of time, or your hearing may be damaged. LTUIMONR]T AE MASTER VOLUME: The volume level of the entire keyboard sound You can also adjust the [PHONES] output level and the AUX IN input level using the [MASTER VOLUME] slider. CLP-130/120 Before Using the Clavinova

AUsing Headphones Connect a pair of headphones to one of the [PHONES] jacks. Two [PHONES] jacks are provided. You can connect two sets of standard stereo headphones. (If you are using only one pair of headphones, you can plug them into either jack.) ENGLISH standard stereo phone plug Using the Headphone Hanger A headphone hanger is included in the CLP-130/120 package so that you can hang the headphones on the Clavinova. Install the headphone hanger using included two screws (4 X 10mm) as shown in the figure. À CAUTION Do not hang anything other than the headphones on the hanger. Otherwise, the Clavinova or the hanger may be damaged. [Using the Speaker Switch This switch turns the internal speakers on or off. NORMAL (HP. SW) ……. The speakers produce sound as long as a pair of headphones is not con- nected. The speakers always produce sound. he speakers produce no sound. CLP-130/120 Before Using the Clavinova

Reference This section explains how to make detailed settings for the Clavinova’s various functions. Part Names... Listening to the Demonstration Tunes …… .16 Listening to 50 Piano Preset Songs... 17 Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) ». A-B Repeat for 50 Preset Songs Selecting & Playing Voices . Selecting Voices Using the Pedals … Adding Variations to the Sound — [VARIATION]

© [TEMPO/FUNCTION #AW]

© Voice buttons © [SPLIT] (CLP-130).. © [REVERB] @ [EFFECT] ® [TOUCH] @® [TRANSPOSE].... ©® [PEDAL] ® AUX OUT ® AUX IN

Connectors (CLP-120) ® [TO HOST] re ® HOST SELECT re @ MIDI [IN] [OUT] [THRU].. @ [SPEAKER] Display + Check the operation on the display in the center of the top panel as you proceed. + _ The display indicates different values, as shown below, depending on the operation. @ [PHONES] @ Soft (Left) Pedal @ Sostenute (Center) Pedal. @ Damper (Right) Pedal 28] [ S][F: 4uE Tempo Function number (Normal indication) À song number of “50 Greats for the Piano” Parameter value CLP-130/120 Part Names

ENGLISH Listening to the Demonstration Tunes Demonstration tunes are provided that effectively demonstrate each of the CLP-130/120's voices.

Turn the power on. (In case the power is not turned ON) Press the [POWER] button. When the power is turned ON, one of the voice button LEDs will light. Initially set the [MASTER VOLUME] control about half way between the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the [MASTER VOLUME] control to the most comfortable listening level. Engage Demo mode. Press the [DEMO] button to engage Demo mode. The voice button indicators will flash in sequence. Play a Voice demo. Press one of the voice buttons to start playback of all songs starting from the corresponding voice demo tune — featuring the voice normally selected by that voice button. (If you press the SONG [START/STOP] button instead of a voice button, the GRAND PIANO 1 demo tune will begin playback.) Adjust the volume/brilliance Use the [MASTER VOLUME] control to adjust the volume and the [BRIL- LIANCE] control to adjust the brilliance (page 22). Stop the Voice demo. Press the SONG [START/STOP] button or the voice button of the currently- playing demo to stop playback. Exit from Demo mode. Press the [DEMO] button to exit from Demo mode and return to normal play mode, The voice button indicators will stop flashing in sequence. CLP-130/120 Listening to the Demonstration Tunes For a list of the demo songs, see page 66. MIDI reception is not possible in Demo Song mode. Demo song data is not transmit- ted via the MIDI connectors. Demo mode cannot be engaged while a user song recorder (page 30) or user song playback (page 35) is in use. Mode: A mode is a status under which you can execute a certain func- tion. In Demo mode, you can play back demonstration tunes. You cannot adjust the tempo of demo songs. You cannot use the part cancel function (page 45) or the song A-B repeat function (page 20) in Demo mode. On the CLP-130, you can demo the piano voices with various effects by pressing the [VARIA- TION] button, then pressing the desired voice button. Refer to the “Piano Voice Demo Descrip- tion” on page 66 for the com- plete list of demo sounds for the piano voices with various effects.

Listening to 50 Piano Preset Songs The Clavinova provides performance data of 50 piano songs. You can simply listen to these songs (page 17) or use them for practice (page 18). You can also refer to the included “50 Greats for the Piano” that contains scores for 50 piano preset songs.

00 DodS ©OHES06 1 . Engage Preset Song mode. Press the [PRESET] button to engage Preset Song mode. The [PRESET], [TRACK1] and [TRACK2] indicators will light. NOTE Preset Song mode cannot be 2 engaged while the unit is in -< Play any of the 50 preset songs. Demo Song mode (page 16), while a song is playing back 2-1 Press the [-/NO], [+/YES] buttons to select the number (page 35), or when the user song à . recorder (page 30) is in use. of the tune you want to play (the number will appear Ê on the LED display). TERMINOLOGY 1-50: Select a preset song number and play only i Song: the song. song number On the CLP-130/120, pertor- : mance data is called a “Song” ALL: Play all preset songs in sequence. This includes demonstration rnd: Play all preset songs continuously in random order. tunes and piano preset tunes. 2-2 Press the SONG [START/STOP] button to start playback. Adjust the Volume You can play the keyboard D Lo nacreo Un . ll ith th t . Yc Use the [MASTER VOLUME] control to adjust the volume. Gan change thé Voice playing on Adjust the tempo the keyboard. You can use the [TEMPO/FUNCTION# W _ ! A] buttons to adjust the playback tempo { C You can adjust the Brillance as required. The default tempo can be This produces a relative tempo var- col (page SRE recalled by simultancously pressing the ation, with a range rom “-50" the voice you play on the key- [Y] and [A] buttons. through *---" to “50° at maximum; board and for the preset song the range will differ depending on playback. You can change the 3 the selected song. Eflect type (page 23) and « Stop playback. Touch sensitivity (page 24) for the keyboard À Playback will stop automatically when the selected preset song has finished. To 2 KeyRore voie stop the song during playback (or continuous playback), press the SONG NOTE [START/STOP] button. The default tempo “---" is auto- + To play back another song continuously, see procedure 2 above. matically selected whenever a new preset song is selected, or when playback of a new preset song begins during ALL" or “md” playback. NOTE When you select a different song or a different song is selected during chained playback), an appropriate reverb type will be selected accordingly. CLP-130/120 Listening to 50 Piano Preset Songs ENGLISH

Press the [PRESET] button to exit Preset Song mode. The indicator turns off, and the unit returns to normal play mode. How to use the practice functions You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (part cancel function) and continuously repeat a specified phrase within a song (song A-B repeat function). For more information, see pages 18-20. MIDI reception is not possible in Piano Song mode. Piano song data is not transmit- ted via the MIDI connectors. PPracticing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) ENGLISH The 50 preset songs have separate left- and right-hand parts on individual tracks. You can turn the left- and right-hand parts on or off as required so you can practice the corresponding part (the part that is turned off) on the keyboard. The right-hand part is played by [TRACK1] and the left-hand part is played by [TRACK21. 1 . Turn off the playback part you wish to practice. After you select a song to practice, press the [TRACK1] or [TRACK2] button to turn off the corresponding part. When you first select a song, both [TRACK1] and [TRACK2] indicators light up, indicating that you can play back both parts. When you press one of the buttons to turn off playback, the corresponding button indicator turns off and the cor- responding part playback is muted. Pressing the buttons repeatedly toggles playback between on and off.

2. Start playback and playing.

Press the SONG [START/STOP] button to start playback. Play the part you just turned off. (LIL CLP-130/120 Listening to 50 Piano Preset Songs The Preset Song Part Cancel function cannot be used during “ALL or “mn” (page 17) play- back. TIP The parts can be turned on or off even during playback. TIP The “Preset Song Part Cancel Volume” function described on page 45 can be used to set the canceled part so that it plays at a volume from “0” (no sound) to “20”. The normal setting is 5”.

Starting playback automatically as you start playing the keyboard (Synchro Start) When the Synchro Start function is engaged, play- back of the selected preset song will begin automati- 2 cally as soon as you start playing on the keyboard. £. To engage the Synchro Start function press the + SONG [START/STOP] button while holding the song number part button for the ON part. A dot will appear in the synchro start mark lower right corner of the display. (Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard. Left Pedal Start/Stop The left pedal can be assigned to start and stop preset song playback via the “Left Pedal Mode” function described on page 44. Stop playback. When playback is complete, it automatically stops and the Clavinova locates the top of the song, If you wish to stop playback in the middle of a song, press the SONG[START/STOP] button. CLP-130/120 Listening to 50 Piano Preset Songs EX If you hold a track button that is OFF while pressing the SONG ISTART/STOP] button, that track will be turned ON and the unit will engage Synchro Start mode. Both parts are automatically turned ON whenever a new song is selected. ENGLISH

LA-B Repeat for 50 Preset Songs The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases. 1 . Specify the beginning (A) and the end (B) of the phrase, and start practicing. Select and play a preset song, then press the [TEMPO/ FUNCTION#] button at the beginning of the phrase This sets the “A” point ([A=_]will appear on the dis- play). ENGLISH To specify the end (B) of the phrase, press the [TEMPO/ FUNCTION#] button a second time at the end of the Fac A-E This sets the “B” point ([F=B]will appear on the dis- play). At this point, repeat playback will begin between the specified À and B points.

Press the SONG [START/STOP] button to stop playback while retaining the specified A and B points. A-B repeat playback will resume if you press the SONG [START/STOP] button again. To cancel the A and B points, press the [TEMPO/FUNCTION#] button once. CLP-130/120 Listening to 50 Piano Preset Songs The A-B Repeat function cannot be used during “ALL” or “nd” (page 17) playback. +_ To set the “A” point at the very beginning of the song, press the [TEMPO/FUNC- TION#] button before start- ing playback. To set the B point at the songs end, press the ITEMPO/FUNCTION#] but- ton after song playback is complete and before disappears from the display. TIP An automatic lead-in (to help guide you into the phrase) starts at the A point of the song. However, when the À point is set atthe beginning of the song, the automatic lead-in is not played. NOTE The À and B points are auto- matically canceled when a new song is selected.

Selecting & Playing Voices ESelecting Voices Voice buttons

Select the desired voice by pressing one of the [VOICE] buttons. Then, when you start playing, re-adjust the [MASTER VOLUME] control for the most comfortable listening level. [Using the Pedals The Clavinova has three foot pedals that produce a range of expressive effects similar to those produced by the pedals on an acoustic piano. Damper (Right) Pedal The damper pedal functions in the same way as a damper pedal on an acoustic piano. When the damper pedal is pressed, notes sustain longer. Releasing the pedal immediately stops (damps) any sustained notes. When you select the GRAND PIANO 1 voice on the CLP- 130, pressing the damper pedal activates the instruments special “Sustain Samples” to accurately recreate the unique resonance of an acoustic grand pianos sound- board and strings. When you press the damper pedal here, the notes you play before you release the pedal have a longer sustain. CLP-130/120 Selecting & Playing Voices TIP To learn characteristics of the voices, listen to demo songs for each voice (page 16). Refer to “Preset Voice List’ on page 63 for more information on the characteristics of each preset voice. TERMINOLOGY Voice: On the Clavinova, a voice means a “tone” or “tonal color” TIP You can control the loudness of a voice by adjusting the force with which you strike the keys, although different playing styles touch sensitivities) have little or no effect with certain musical instruments. Refer to “Preset Voice List” on page 63. Ifthe damper pedal doesn't work, make sure that the pedal cord is properly plugged into the main unit (page 61: CLP-130, page 58: CLP-120). TIP The depth of the effect pro- duced by the “Sustain Samples” can be adjusted via the “Pedal Functions” (page 44) in Func- tion mode. ENGLISH

ENGLISH Sostenuto (Center) Pedal If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will sustain as long as you hold the pedal (as if the damper pedal had been pressed) but all subsequently played notes will not be sustained. This makes it possible When you press the sostenu- to pedal here while holding the note, the note will sustain as long as you hold the pedal. to sustain a chord, for example, while other notes are played “staccato” Soft (Left) Pedal The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing when it is pressed. TIP Organ, string and choir voices will continue to sound for as long as the sostenuto pedal is depressed. TIP The left pedal can be assigned to song start/stop operation or variation function (CLP-130) via the “Left Pedal Mode” described on page 44. HAdding Variations to the Sound — [VARIATION]

[VARIATION] IREVERB] [EFFECT] Sc sé (686 6% 8 [VARIATION] (CLP-130) Lets you alter another aspect of the effect, depending on the selected type. Refer to “Preset Voice List” on page 63 for more information on the characteristics of each variation. Pressing the [VARIATION] or selected voice button toggles the variation on and off. The indicator lights (ON) each time the [VARIATION] button is pressed. [BRILLIANCE] This control can be used to change the tonality or “timbre” of the sound output. The control range is from MELLOW to BRIGHT. [REVERB] This control enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience. OFF: When no reverb effect is selected, no REVERB indicator is lit. ROOM: This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. HALL 1: For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simu- lates the natural reverberation of a large concert hall. STAGE: Simulates the reverb of a stage environment. CLP-130/120 Selecting & Playing Voices Normal setting = OFF Normal setting: The “Normal setting’ refers to the default setting (factory set- ting) obtained when you first turn on the power to the Clavi- nova. The left pedal can be assigned to ON or OFF the variation via the “Left Pedal Mode” function described on page 44 (CLP- 130). When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MAS- TER VOLUME is set at a high level the sound may become distorted. If so, lower the MAS- TER VOLUME level. TIP The default reverb type (includ- ing OFF) and depth settings are different for each voice.

Pressing the [REVERB] button repeatedly toggles the reverb on and off. The indicators light in sequence each time the [REVERB] button is pressed. No effect is produced when all indicators are off. Even if the REVERB effect is OFF, a “Soundboard Reverb” effect will be applied when the GRAND PIANO 1 voice is selected. Adjusting Reverb Depth Adjust the reverb depth for the selected voice by using the L-/NO] [+/YES] buttons while holding the [REVERB] but- { L ton. The depth range is from 0 through 20. The current ! depth setting appears on the LED display while the | [REVERB] button is held. depth [EFFECT] The [EFFECT] button allows you to select an effect to give your sound greater depth and animation. OFF: When no effect is selected, no EFFECT indicator is lit. CHORUS: _ A shimmering, broadening effect PHASER: _Adds a sweeping effect to the sound. TREMOLO: Tremolo effect DELAY: Echo effect To select an effect type press the [EFFECT] button a few times until the indicator corre- sponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off. Adjusting Effect Depth You can adjust the effect depth for the selected voice by [1 L using the [-/NO] and [+/YES] buttons while holding the ! [EFFECT] button. The depth range is from 0 through 20. The current depth depth setting appears on the LED display while the [EFFECT] button is held. CLP-130/120 Selecting & Playing Voices TIP Releasing the [REVERB] but- ton changes the reverb type. If you are changing the reverb depth by holding the [REVERE] button, pressing the [REVERB] button will not change the reverb type. TIP depth 0: no effect depth 20: maximum reverb depth TIP Default depth settings are differ- ent for each voice. TIP The default effect type (includ- ing OFF) and depth settings are different for each voice. TIP Releasing the [EFFECT] button changes the effect type. If you are changing the depth settings by holding the [EFFECT] button, pressing the LEFFECT] button will not change the effect type. TIP depth 0: no effect depth 20: maximum effect depth TIP Default depth settings are differ- ent for each voice. ENGLISH

[Touch Sensitivity — [TOUCHI] You can select four different types of keyboard touch sensitivity — HARD, MEDIUM, SOFT or FIXED — to match different playing styles and preferences. HARD: Requires that the keys be played quite hard to produce maximum loud- nes. MEDIUM: _ Produces a fairly “standard” keyboard response. SOFT: Allows maximum loudness to be produced with relatively light key pres- sure. FIXED: All notes are produced at the same volume no matter how hard the key- board is played. You can adjust the volume. ENGLISH

TIP This setting does not change the weight of the keyboard. TIP Normal setting = MEDIUM TIP The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have Iit- tie or no effect with certain voices that are not normally responsive to keyboard dynam- ics. (Refer to the “Preset Voice List’ on page 63.) [TOUCH] o 56e 088|[Slo6 ssss sésessess To select a touch sensitivity type press the [TOUCH] button a few times until the indica- tor corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when “FIXED” is selected. Changing the volume when FIXED is selected When you select FIXED, you can set the volume for notes played in FIXED mode by using the [-/NO] and [+/YES] but- £ L

tons while you hold the [TOUCH] button. The current vol- ume level appears on the display. The volume range is from 1 through 127. The default setting is 64. volume range CLP-130/120 Selecting & Playing Voices TIP 1: minimum volume 127: maximum volume TIP The touch volume set in FIXED mode will become the common setting for all voices. TIP Releasing the [TOUCH] button changes the touch type. If you are changing the volume by holding the [TOUCH] button, pressing the [TOUCHI] button will not change the touch sensi- tivity type. (FIXED mode will remain selected.)

[Transposition — [TRANSPOSE] The Clavinova's Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to “5,” playing key € produces pitch F. In this way, you can play a song as though it were in € major, and the Clavinova will transpose it to the key of F.

Use the [-/NO] and [+/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. L TERMINOLOGY The amount of transposition appears on the LED display Transpose: n Changing the key signature of a while the [TRANSPOSE] button is held. The default transpose song. On lne Glavinava, rans- setting is “0”. transposition posing shifts the pitch of the entire keyboard. ENGLISH The [TRANSPOSE] button indicator remains lit when a transpose setting other than “0” is selected. Every time the [TRANSPOSE] button is pressed after that switches the transpose function ON or OFF. TIP The transposition range: —12: -12 semitones (down one octave) 0: normal pitch 12: 12 semitones (up one octave) TIP Notes below and above the A-1 …. C7 range of the CLP-130/ 120 sound one octave higher and lower, respectively. CLP-130/120 Selecting & Playing Voices

ENGLISH [Combining Two Voices (Dual mode) You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound.

Engage Dual mode. Press two voice buttons at the same time (or press one voice button while hold- ing another). The voice indicators of both selected voices will light when Dual mode is active. + According to the voice numbering priority shown in the diagram on the right, the lower value voice LI 11) Voice numbering priority number will be designated as Voice FU LL Li ae ele vie mn 1 (the other voice will be desig- Clovis) nated as Voice 2). ER dE me con om Ve co LÉSESLE

The CLP-130/120 Function mode provides access to a number of other Dual mode functions, such as volume balance setting or octave setting (page 42). (If you do not set Dual mode functions, the appropriate setting will be set in each voice by default.) Exit Dual mode and return to normal play mode. To return to the normal single-voice play mode, press any single voice button. CLP-130/120 Selecting & Playing Voices Dual and Split (page 27) modes cannot be engaged at the same time. TIP [VARIATION] in Dual Mode (CLP-130) The [VARIATION] button's indi- cator will light if the variation is engaged for either or both of the Dual mode voices. While Dual mode is engaged, the [VARIA- TION] button can be used to turn the variation for both voices on or off. To turn the variation on or off for only one of the voices, hold the voice button for the other voice and press the button of the voice for which you want to change the variation. TIP [REVERE] in Dual Mode The reverb type assigned to Voice 1 will take priority over the other. (Ifthe reverb is set to OFF, Voice 2 reverb type will be in effect.) Reverb depth setting via the panel controls (.e., pressing the [-/NO] or [/YES] buttons while holding the [REVERE] but- ton — see page 22) will be applied only to Voice 1. TIP [EFFECT] in Dual Mode Depending on the conditions, one effect type may take priority over the other. Depth will be decided according to the depth default value of the voice combi- nation. However, using function F3 (page 42) you can adjust the depth value for each voice to your liking. Effect depth setting via the panel controls (L.e., pressing the [-/ NO] or [+/YES] buttons while holding the [EFFECT] button — see page 23) will be applied only to Voice 1.

ESplitting the Keyboard Range and Playing Two Dif- ferent Voices (Split mode) (CLP-130) Split mode enables you to play two different voices on the keyboard — one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand. Voice buttons [SPLIT] [888 as 50 288 1 < Engage Split mode. Press the [SPLIT] button so that its indicator lights. The default setting (WOOD BASE) will be selected for the left-hand voice at first. The Function mode provides access to a number of other Split mode functions (page 43). (If you make no settings for Split mode functions, the appropriate setting will be set in each voice by default.)

2. Specify the split point (the border between the

right-and left-hand range). You can change the split point to any other key by pressing the key while hold-

om] Dual (page 26) and Split (page 26) modes cannot be engaged simultaneously. ing the [SPLIT] button (the name of the current split-point key appears on the TIP LED display while the [SPLIT] button is held). An example of split-point key display o)|A-2 F'e|)|& Le]

followed by a high bar if sharp (G2) (A2) followed by a low bar if flat The split point is initially set at the F2 key by default. If you do not need to change the split point, skip this procedure. A specified “split point” key is included in the left-hand range. TIP The split point can also be set via Function 4 (page 43). CLP-130/120 Selecting & Playing Voices

3 . Select a voice for the right hand. Press a voice button.

4. Select a voice for the left hand.

Press the corresponding voice button while holding the [SPLIT] button. (The indicator of the Left Voice button will light while the [SPLIT] button is pressed.) To turn the variation on or off for the split voice, hold the [SPLIT] button and press the [VARIATION] button or the currently-selected voice button.

5. Exit Split mode and return to normal play mode.

Press the [SPLIT] button again so that its indicator goes out. ENGLISH CLP-130/120 Selecting & Playing Voices TIP [VARIATION] in Split Mode You can turn the variation on or off for Split mode voices. Nor- mally, the voice indicator of the right voice lights in Split mode. The [VARIATION] can be used to turn the variation for the right voice on or off as required. While the [SPLIT] button is held, however, the voice indica- tor of the left voice lights. In this state the [VARIATION] button turns the variation for the left voice on or off. TIP [REVERE] in Split Mode The reverb type assigned to the right voice will take priority over the other. (If the reverb is set to OFF, the left voice's reverb type will be in effect.) Reverb depth setting via the panel controls Le. pressing the [-/NO] or [+/ YES] buttons while holding the IREVERE] button — see page 22) will be applied to the right voice only. TIP [EFFECT] in Split Mode Depending on the conditions, one effect type will take priority over the other. The depth will be decided according to the depth default value of the voice combi- nation. However, using function F4 (page 43) you can change the depth value for each voice as you like. Effect depth setting via the panel controls (i.e. pressing the [-/NO] or [+/YES] buttons while holding the IEFFECT] button — see page 23) will be applied to the right voice only.

[Using the Metronome The Clavinova features a built-in metronome (a device that keeps an accurate tempo) that is conve- nient for practicing.

Start the metronome. The metronome sound is turned on by pressing the METRONOME [START/STOP] button. The beat indicator flashes at the current tempo. Adjusting the tempo The tempo of the metronome and user song recorder playback (the recorder is described in the next section) can be set from 32 to 280 beats per minute by using the [TEMPO/FUNCTION# Y, A] buttons (when the [TEMPO/FUNC- TION# , A] button’s [TEMPO] indicator is lit). Adjusting the time signature The time signature (beat) of the metronome can be set by using the [-/NO] and [+/YES] buttons while 11 holding the METRONOME [START/STOP] button. LI You can set the beat to 0, 2, 3, 4, 5 or 6. The current setting appears on the LED display while you are beat holding the METRONOME [START/STOP] button. Stop the metronome. Turn off the metronome by pressing the METRONOME [START/STOP] button. ENGLISH TIP If the [TEMPO/FUNCTION#] button's [FUNCTION#] indicator is lit, press the [TEMPO/FUNC- TION#] button to light the [TEMPO] indicator. TIP The volume of the metronome can be adjusted via the Metro- nome Volume function in Func- tion mode (page 45). CLP-130/120 Selecting & Playing Voices

|| 7 CLP130(E).book Page 30 Thursday, October 31, 2002 2:45 PM

Recording Your Performance The ability to record and play back what you've played on the CLP- 130/120 keyboard can be an effective practice aid. You can, for exam- ple, record just the left-hand part, and then practice the right-hand part while playing back the recorded left-hand part. Or, since you can record up to two tracks separately, you could record the left- and right- hand parts separately, or record both parts of a duet and hear how they sound when played back. The CLP-130/120's two-track Song Recorder allows the recording of up to three User Songs (one User Song on the CLP-120). IRecording to [TRACKI1]

TIP You can record your perfor- mance (audio data) to a cas- sette tape recorder or other recording device via the AUX OUT connector (page 50). TERMINOLOGY Recording vs. Saving: The format of performance data recorded on a cassette tape dif- fers from that of data recorded on the Clavinova. À cassette tape records audio signals. The Clavinova “saves” information regarding note timing, voices, and a tempo value, but not audio signals. When you play back recorded songs, the Clavi- nova produces sound based on the saved information. There- fore, recording on the Clavinova may be more accurately called “saving information: However, this book often uses the word “recording' because it seems to make more sense. À CAUTION Notes on recording All user song recorder data will be retained in memory for about one week after the power is turned off. If you want to keep your recorded data for longer periods of time, turn the power on for a few minutes at least once a week. It is also possible to store the data to an external MIDI storage device such as the Yamaha MIDI Data Filer MDF3 by using the Bulk Data Dump function described on page 47. 1 < Select a song for recording. (CLP-130) Press the [USER 1/2/3] button to select a song for recording. The indicator of the selected song will light. (No song is selected if none of the indicators are lit.)

Make all the initial settings. Before you begin to record, select the voice you want to record (or voices if you will be using Dual or Split mode). Make any other desired settings (tempo, reverb, etc.) as well. You might also want to set the volume. You can also adjust the playback volume using [MASTER VOLUME]. CLP-130/120 Recording Your Performance

NOTE (CLP-130) When the unit is in Demo Song mode, the [USER 1/2/3] button cannot be used to select a song. When the unit is in Demo Song or Preset Song mode, Record mode cannot be engaged. To avoid erasing data from the track: CLP-130 Ifthe track contains data, the track indicator lights up green when you press the [USER1/2/ 8] button. Note that recording new data on this track will rase the existing data. CLP-120 Press the [TRACK1/2] button. If the indicator lights up green, the track already contains data. Note that the existing data will be erased if you record new data on the track.

Engage Record Ready mode. Press the [REC] button to engage Record Ready mode. Recording does not actually start yet. The [TRACK1] or the [TRACK2] indicator flashes in 1 & red. The amount of memory available for recording will be shown on the LED display in approximate kilo- bytes, and the right-most dot on the LED display will flash at the current METRONOME tempo setting. Record Ready mode can be disengaged before recording by pressing the [REC] button a second time. Select the record track. When Record mode is engaged in the previous step, the last-recorded track will automatically be selected for recording and its indicator — i.e. the [TRACK1] or [TRACK2] button indicator — will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red. Start recording. Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording.

Stop recording. Press either the [REC] or SONG [START/STOP] button to stop recording. The indicator of the recorded track will glow green to indicate that it now con- tains data. (Record mode is disengaged automatically.) Play back the recorded performance. Press the SONG[START/STOP] button to play back the recorded performance. To stop playback in the middle of a song, press the SONG[START/STOP] but- ton. The amount of memory avail- able for recording: This value in KiloBytes (a unit used of measurement for data) indicates how much space remains available for recording on the Clavinova. You can record up to a maximum of about 9,400 notes on the CLP- 130/120 depending on pedal usage and other factors. If a user song ([USER 1/2/3]) is not selected (the lamp is not lit), pressing the [REC] button will result in the [USER 1] song's [TRACK1] being selected and Record Ready mode engaged. Atthis time, [TRACK2] play- back will be turned off if the track contains data. Ifthe metronome was on when you started recording, you'll be able to keep time with the met- ronome while recording, but the metronome sound will not be recorded. For more recording information, see page 33. The left pedal can be assigned to start and stop recording via the “Left Pedal Mode” function described on page 44. The record track indicator will begin to flash when the recorder memory is almost full If the memory becomes full during recording, “FUL' will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.) Pressing the SONG [START/ STOP] button to start recording, then pressing it again to stop recording will erase all previ- ously-recorded data on the selected track. CLP-130/120 Recording Your Performance ENGLISH

ENGLISH BRe-recording TRACKI1 This section explains how to record again in case your performance was not satisfactory.

1. Select a voice or voices (and other settings) for recording, if necessary.

Repeat Step 1 on page 30 if you wish to change the previous settings.

2. Re-engage Record Ready mode.

Press the [REC] button, again. The selected tracks indicator flashes in red. Follow the procedure from Step 5 on page 31 to re-record. IRecording to [TRACK?2] This section explains how to record another part on the second track.

1. Select a voice or voices (and other settings) for the recording.

Select a voice (or voices) for recording. Select other settings, if necessary.

2. Re-engage Record Ready mode.

Press the [REC] button again. The selected track’s indicator flashes in red.

3. Select a recording track.

Select a track that you have not already used for recording. The selected tracks indi- cator lights up red. (The indicator of a track that contains previously-recorded data will glow green.) You can record new sounds and notes on each pass while listening to the recorded track. Follow the procedure from Step 5 on page 31 to record. CLP-130/120 Recording Your Performance TIP If you want to change the tempo, time signature, reverb type, or effect type when re- recording a track or when recording to another track, do so after you engage Record Ready mode (step 3). NOTE You cannot re-record in the mid- die of a song. TIP If you want to change the tempo, time signature, reverb type, or effect type when re- recording a track or when recording to another track, do so after entering Record Ready mode (step 3). NOTE If you don't want to hear the previously-recorded track while you record (for example, when you want to record a song differ- ent from what you recorded on the previous track), press the playback track button before pressing the [REC] button (step 2, above) so that its indicator is turned off.

The user song recorder records the following data: Data in addition to the notes and voices you play is recorded. This data includes “Individual Tracks” and “Entire Song” See below. Individual Tracks Notes played + Voice selection [VARIATION] ON/OFF (CLP-130) Pedal (Damper/Soft/Sostenuto) [REVERB] depth [EFFECT] depth Dual mode voices Dual balance (F3) Dual detune (F3) Dual octave shift (F3) +_ Split mode voices (CLP-130) Split balance (F4: CLP-130) Split octave shift (F4:CLP-130) Entire Song Tempo Time signature (beat) [REVERB)] type (including OFF) [EFFECT] type (including OFF) ENGLISH CLP-130/120 Recording Your Performance

[Changing the Initial Settings (Data recorded at the beginning of a song) The initial settings (data recorded at the beginning of a song) can be changed after the recording. For example, after recording, you can change the voice to create a different ambience or adjust the song tempo to your taste. You can change the following initial settings. Individual Tracks Voice selection [VARIATION] ON/OFF (CLP-130) [REVERB] depth [EFFECT] depth Dual mode voices Split mode voices (CLP-130) ENGLISH Entire Song Tempo Time signature (beat) [REVERB] type (including OFF) [EFFECT] type (including OFF)

1. Engage Record mode and select a track to change the initial settings.

The indicator glows red. (Data shared by two tracks can be changed via either track.)

2. Change the settings via the panel controls. NOTE

For example, if you wish to change the recorded voice from [E. PIANO 1] to Resa care changes ra the initial settings by select- [E. PIANO 2], press the [E. PIANO 2] button. ing à different track after Step 2, Be careful not to press the SONG [START/STOP] button or a key on the keyboard, then exiting Record mode dur- either of which will start recording and erase all previously-recorded data on the ing Step 3 without pressing the [REC] button. (Changes made to the data shared by two tracks are also canceled.) selected track.

3. Press the [REC] button to exit Record mode.

Be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previously-recorded data on the selected track. CLP-130/120 Recording Your Performance

Playing Back Recorded Songs You can play back songs recorded using the Record function (pages 30-34). You can also play the keyboard along with the play- back. IPlaying Back a Song NOTE Song data is not transmitted via the MIDI connectors. ; e ES oS%e 088) 5 LH. 26006666 Sols Sésessess 1 . Select the desired song. (CLP-130) Press the [USER 1/2/3] button to select a song for recording. The indicator of the selected song will light. (No song is selected if none of the indicators are lit.)

Start playback. Press the SONG [START/STOP] button. The current measure number appears on the display during playback.

+ You can play the keyboard while the Clavinova is playing back a song, You

can also play the notes in a voice different from the playback voice by select- ing a voice from the panel. Adjust the volume Use the [MASTER VOLUME] control to adjust the volume. Adjust the tempo You can use the [TEMPO/FUNCTION# Y, A] buttons to adjust the playback tempo as required before or during playback. The default tempo (the song's original tempo) is set when you press the [W] and [A] buttons simultaneously. Stop playback. When playback is complete, the Clavinova automatically stops and locates the top of the song, To stop playback in the middle of a song, press the SONG [START/STOP] button. CLP-130/120 ENGLISH ICE] When the unit is in Demo Song mode, you cannot use the [USER 1/2/8] button to select a song NOTE When the unit is in Demo Song or Preset Song mode, you can- not play back recorded songs. NOTE The track indicators will not light up green automatically when the power is turned on to the CLP- 120, even if the user song recorder contains data. Make sure that you press the track but- tons before you start playback. NOTE Playback cannot be started when the recorder contains no data. You can also enjoy playing duets with yourself by record- ing one part of a duet or a song for two pianos, then playing the other part while the recorded part plays back. Ifthe metronome is being used during playback, the metro- nome will automatically stop when playback is stopped. Ifthe REVERE type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed. Ifthe EFFECT type is changed via the panel controls during playback, the playback effect may be suitched off in some cases. Playing Back Recorded Songs

AUseful Playback Functions Turning track playback on and off TIP Tracks can be turned on or off before or during playback. When you select a song on the Clavinova, the indicators for tracks that contain data (one of [TRACK1] [TRACK2] or both) are lit in green. While the Clavinova is play- ing or stopped, pressing these track buttons turns off the indicators, and the data on If both tracks are turned off on those tracks is not played. Pressing the track buttons toggles track playback on and off. | the CLP-120, playback wil not Start (or the playback will stop). Starting playback automatically when you start playing the keyboard TIP (Synchro Start) You can adjust the volume of a part of a song from “50 Greats You can start playback as soon as you start playing the keyboard. This is called the for the Piano” for which play “Synchro Start” function. back is turned off I To engage the Synchro Start function, press the SONG [START/STOP] button while (pages 18, 45). n holding a track button that is ON During recorder playback, the 2 Oo cg a track outton Paris CN volume of a track that is turned O The right-most dot on the display will flash at the current off will always be “0” FA «mpo. 121 (EL NOTE (Repeat the previous operation to disengage the Synchro | If you press the SONG [START/ Start functi STOP] button while holding art function.) Flash down a track button that is OFF, track playback is turned on and Playback will then start as soon as you begin playing on the keyboard. the Synchro Start function is placed on stand-by. This function is useful when you wish to match the timing of the beginning of the play- TERMINOLOGY back sound and the start of your own performance. Synchro: Synchronous; occurring at the same time Assigning the START/STOP function to the left pedal The left pedal can also be assigned to song start/stop operation via the “Pedal Start/ Stop” (page 44). This is convenient for starting playback of the recorded part anytime after you have started playing. CLP-130/120 Playing Back Recorded Songs

Detailed Settings — [FUNCTION] You can set various parameters to make the best use of Clavinova functions, such as fine tuning the pitch, selecting a voice for the metronome, repeating playback, etc. The following parameters are available. The CLP-130 has nine main functions, and the CLP-120 has eight main functions. Some of these main functions consist of a set of sub-modes. Parameter List Fine tuning of he pie 0 ENGLISH Dual mode functions Dual Balance Dual Detune F3.2 F3.2 42 Voice 1 Octave Shift F3.3 F3.3 42 Voice 2 Octave Shift F3.4 F3.4 42 Voice 1 Effect Depth F3.5 F3.5 42 Voice 2 Effect Depth F3.6 F3.6 42 Reset F3.7 F3.7 42 Other Functions Left Pedal Mode Soft Pedal Effect Depth F5.2 F4.2 Sustain Sample Depth F5.3 _ SSSR Keyoff Sample Volume Preset Song Part Cancel Volume Backup Functions Voice 48

IBasic Procedure in Function Mode Follow the steps below to use the functions. (If you become lost while using a function, return to this page and read the basic procedure.)

Engage Function mode. Press the [TEMPO/FUNCTION#] button so that its [FUNCTION#] indicator lights. will appear on the display. (The indication of “x #” varies depending on the status of the unit and usage.) Select a function. Use the [TEMPO/FUNCTION# Y, A] buttons to select the desired function from F1-F9 (CLP-130) / FI-F8 (CLP-120). oreuro Oruncnons D [FL [F9 ÊTEMPO/FUNCHONS Use the [-/NO] [+/YES] buttons. If the function does not include sub-modes, start setting the parameters. If the function includes sub-modes, press the [+/YES] button once to enter the respective sub-mode. Operate the desired function using the following two buttons.

@ [TEMPO/FUNCTION# Y, A]

Selects the desired function/sub-mode. @ [-/NOÏ] or [+/YES] After you select the desired function or sub-mode, set the ON/OFF, select the type, or change the value, accordingly. Depending on the setting, the default setting (which is used when you first turn on the power to the Clavinova) is recalled by pressing the [-/ NO] and [+/YES] buttons simultaneously. CLP-130/120 Detailed Settings - [FFUNCTION] NOTE Functions cannot be selected during Demo/Preset Song mode or when the user song recorder is in operation. To cancel the function in Step 2, 8, or 4, press the [TEMPO/ FUNCTION# Y, A] button any time to exit Function mode. TIP After you select the function, the current setting will be displayed when the [-/NO] or [+/YES] but- ton is pressed for the first time.

LTEMPO/FUNCRONS LTEMPO/FUNCRONS OU

| Z Engage function mode. Select a desired function. = ee gun LCD indication DD æ OCT Lreuro/rnonon Engage the respective Select a desired sub-mode. sub-mode. NO +YES LCD indi LL 4 Change the value.

5. Do the following when you finish using the func-

tion. To exit Function mode, press the [TEMPO/FUNCTION#] button so that its [TEMPO] indicator lights. CLP-130/120 Detailed Settings - [FFUNCTION]

ENGLISH HAbout Each Function F1. Fine Tuning of the Pitch You can fine tune the pitch of the entire instru- ment. This function is useful when you play the Clavinova along with other instruments or CD music.

1. Engage Function mode and select

2. Use the [-/NO] and [+/YES] buttons to lower

or raise the pitch of the A3 key in approxi- mately 0.2 Hz increments. Tenths of a hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example: Display Value

440.0 Setting range:

4402 427.0-458.0 (Hz)

440.4 Normal setting:

TERMINOLOGY Hz (Hertz): This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. TIP You can also use the keyboard to set the pitch (in any mode other than Function mode). To tune up (in about 0.2Hz steps): Hold the A-1 and B-1 keys (two white keys at the left end) simultaneously and press any key between C3 and B8. To tune down (in about 0.2Hz steps): Hold the A-1 and At- 1 keys (a white and a black key at the left end) simulta- neously and press any key between C3 and B3. To restore standard pitch: Hold the A-1, A -1 and B-1 (two white keys and one black key at the left end) simultaneously and press any key between C3 and B3. + Refer to “Part Names” on page 14 for information on the key and key name assignment. (During the procedure described above, the display indi- cates a value in Hz <| >. After the proce- dure, the display returns to the previous indication.) 4] CLP-130/120 Detailed Settings - [FFUNCTION] TIP You can also tune in about 1Hz steps (in any mode other than Function mode). To tune down or up, respectively, in approximately 1 Hz increments: Hold the A-1 and A-1 keys (a white and a black key at the left end) or A-1 and B-1 keys (two white keys at the left end) simultaneously and press the [-/NO] or [+/YES] but- ton. To restore standard pitch: Hold the A-1 and Af-1 keys (a white and a black key at the left end) or A-1 and B-1 keys {two white keys at the left end) simultaneously and press the [-/NO] [#/YES] buttons simultaneously. (During the procedure described above, the display indi- cates a value in Hz <| |>. After the proce- dure, the display returns to the previous indication.)

F2. Selecting a Scale You can select various scales. Equal Temperament is the most common con- temporary piano tuning scale. However, his- tory has known numerous other scales, many of which serve as the basis for certain genres of music. You can experience these tunings with the Clavinova. Equal One octave is divided into twelve equal intervals. Cur- rently the most popular piano tuning scale. PureMajor/PureMinor Based on natural overtones, three major chords using these scales produce a beautiful, pure sound. They are sometimes used for chorus parts. Pythagorean This scale, designed by Pythagoras, a Greek philosopher, is based on the interval of a perfect 5th. The 3rd produces swells, but the 4th and 5th are beauti- ful and suitable for some leads. MeanTone This scale is an improvement of the Pythagorean in that the swell of the 3rd has been eliminated. The scale became popular during the late 16th century through the late 18th century, and was used by Handel. WerckMeister/KirnBerger These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the impression and feel of the songs. They were often used in the era of Bach and Beethoven. They are often used today to reproduce the music of that era on harpsichords.

1. Engage Function mode and select

2. Press the [+/YES] button to engage the scale

function's sub-mode, then use the [TEMPO/ FUNCTION# V, A] buttons to select the desired sub-mode. Press the [-/NO] and [+/YES] buttons to select the number of the desired tuning. Sub-mode Scale Setting range: 1: Equal Temperament : Pure Major : Pure Minor : Pythagorean ENGLISH : Mean Tone : Werckmeister NDYEBYRE :Kirnberger Normal setting: 1: Equal Temperament Base Note If you select a scale other than Equal Temperament, you need to specify the root. (You can specify the root note with Equal Temperament selected, but it is not effective. The base note setting is effective for tunings other than the Equal Temperament tuning.) Setting range: cc? D,EP,E,F F# G, A, A, BP,B Normal setting: C Root indication example (F3 (@ (4) followed by a high bar if sharp followed by a low bar if flat CLP-130/120 Detailed Settings - [FFUNCTION]

ENGLISH F3. Dual Mode Functions You can set various parameters for Dual mode to optimize the settings for the songs you play, such as adjusting the volume balance between two voices. Dual mode function settings are set individu- ally for each voice combination.

1. Select the voices in Dual mode and engage

Function mode and select

2. Press the [+/YES] button to engage the Dual

mode function’s sub-mode, then use the [TEMPO/FUNCTION# , A] buttons to select the desired sub-mode. Press the [-/NO] [+/ YES] button to assign values. | mode is not engaged, ll appear instead of and you will be unable to select Dual mode functions. You can switch from Function mode to Dual mode. Sub-mode Dual Balance Setting range: 0-20 (A setting of “10” produces an equal balance between the two Dual mode voices. Settings below “10” increase the volume of Voice 2 in relation to Voice 1, and settings above “10” increase the volume of Voice 1 in relation to Voice 2.) Normal setting: Different for each voice combina- tion. You can set one voice as the main voice, and another voice as a softer, mixed voice. Dual Detune Setting range: -10 —0— 10 (With positive values, the pitch of Voice 1 is raised and the pitch of Voice 2 is lowered. With neg- ative values, the pitch of Voice 1 is lowered and the pitch of Voice 2 is raised.) TIP The available setting range is wider in the lower range (+ 60 cents for A-1), and narrower in the higher range (+ 5 cents for C7). (100 cents equal one semitone.) Normal setting: Different for each voice combina- tion. Detune Voice 1 and Voice 2 for Dual mode to create a thicker sound. CLP-130/120 Detailed Settings - [FFUNCTION] Voice 1 Octave Shift Voice 2 Octave Shift Setting range: —1,0,1 Normal setting: Different for each voice combina- tion. You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 independently. Depending on which voices you combine in Dual mode, the combination may sound better if one of the voices is shifted up or down an octave. Voice 1 Effect Depth Voice 2 Effect Depth Setting rang 0-20 Normal setting: Different for each voice combina- tion. These functions make it possible to individually set the depth of the effect for Voices 1 and 2 for Dual mode. (The effect depth settings cannot be changed unless the [EFFECT] is ON. Function mode must be exited before the [EFFECT] can be turned ON.) + “Voice 1” and “Voice 2” are explained on page 26. Reset This function resets all Dual mode functions to their default values. Press the [+/YES] button to reset the val- ues. TIP SHORTCUT: You can jump directly to the Dual mode functions pressing the [TEMPO/FUNCTION#] button while holding the two Dual mode voice buttons. To exit Function mode, you still need to press the [TEMPO/ FUNCTION#] button so that the TEMPO indicator lights up.

F4. (c1P-130) Split Mode Functions This menu enables you to make various detailed settings for Split mode. By changing the split point or other setting, you can optimize the settings for the songs you play. You can make these settings for each combi- nation of voices individually.

1. Select the voices in Split mode and engage

Function mode and select

2. Press the [+/YES] button to engage the Split

mode function’s sub-mode, then use the [TEMPO/FUNCTION# , A] buttons to select the desired sub-mode. Press the [-/NO] [+/ YES] button to assign values. If Split mode is not engaged, will appear instead of and you will be unable to select Split mode functions. Also note that you must exit Function mode before you can engage Split mode. Sub-mode Split Point Setting range: The entire keyboard Normal setting: F2 Set the point on the keyboard that separates the right and left-hand sections (split point). The pressed key is included in the left-hand range. + Instead of pressing the [-/NO] [+/YES] buttons, you can engage the split point by pressing the appropriate key on the keyboard. + If Function mode is not engaged, you can change the split point to any other key by pressing the key while holding the [SPLIT] button (page 27). + An example of a key name indication for a split point (F2) (G2) FP followed by a high bar if sharp followed by a low bar if flat Split Balance Setting range: 0-20 (A setting of “10” produces an equal balance between the two Split mode voices. Settings below “10” increase the volume of the left voice in relation to the right voice, and set- tings above “10” increase the volume of the right voice in relation to the left voice.) Normal setting: Different for each voice combina- tion. The volume level of the two voices combined in Split mode can be adjusted as required. Right Voice Octave Shift Left Voice Octave Shift Setting range: —1,0,1 Normal setting: Different for each voice combination You can shift the pitch up and down in octave steps for the Right Voice and Left Voice independently. Make a set- ting depending on the note range of the songs you play. Right Voice Effect Depth Left Voice Effect Depth Setting range: 0-20 Normal setting: Different for each voice combination These functions make it possible to individually set the depth of the effect for the left and right Split mode voices. The effect depth settings cannot be changed unless the [EFFECT] is ON. You must exit Function mode before you can turn on an [EFFECT]. Damper Pedal Range Setting range: ALL (for both voices) 1 (for the right Voice) 2 (for the left Voice) Normal setting: ALL The Damper Pedal Range function determines whether the damper pedal affects the right voice, the left voice, or both the left and right voices in Split mode. Reset This function resets all Split mode functions to their default values. Press the [+/YES] button to reset the val- ues. TIP SHORTCUT: You can jump directly to Split mode functions by press- ing the [TEMPO/FUNCTION#] button while holding the [SPLIT] button. To exit Function mode, you still need to press the [TEMPO/ FUNCTION#] button so that the TEMPO indicator lights up. CLP-130/120 Detailed Settings - [FFUNCTION] ENGLISH

ENGLISH FS. (cip-130) / F4. (cuP-120) Other Functions This function conveniently lets you set opera- tion of the left pedal to one of the modes listed below.

2. Press the [+/YES] button to engage the other

The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing.

This mode allows you to start or stop song playback. In this mode, the Left Pedal functions in the same manner as the SONG [START/STOP] button on the panel.

3. Variation (CLP-130)

This mode enables you to switch the Voice’s variation on or off. In this mode, the left pedal functions in the same manner as the [VARIATION] button on the panel. Normal setting: 1(Soft Pedal) (CLP-130)/| (CLP-120) Soft Pedal Effect Depth Setting range: 1-15 Normal setting: 3 This function sets the depth of the soft pedal effect. (cLp-130) Sustain Sample Depth Setting range: 0-20 Normal setting: 12 The GRAND PIANO 1 voice features special “Sustain Samples” that recreate the unique resonance of an acous- tic grand pianos soundboard and strings when the damper pedal is pressed. This function lets you adjust the depth of this effect. CLP-130/120 Detailed Settings - [FFUNCTION] «cLp-130) Keyoff Sample Volume Setting range: 0-20 Normal setting: 10 You can adjust the volume of the keyoff sound (the sub- le sound produced when the keys are released) for voices

[GRAND PIANO1], [HARPSICHORD], [E.CLAVICHORD]

(including their variations).

2. Use the [-/NO] and [+/YES] buttons to set the

metronome volume as required. (CLP- Setting range: 1-20 Normal setting: 10 TIP SHORTCUT: You can jump directly to the metronome functions (CLP-130)/F5_] (CLP-120) by pressing the [TEMPO/FUNC- TION#] button while holding the METRONOME [START/ STOP] button. To exit Function mode, you still need to press the [TEMPO/ FUNCTION#] button so that the TEMPO indicator lights up. F7. (cip-130) / F6. (cuP-120) Preset Song Part Cancel Volume This function sets the volume at which a “can- celed” part is played during preset song play- back. Adjust the part volume to a comfortable level and use the “canceled” part as a guide with which to play along.

2. Use the [-/NO] and [+/YES] buttons to set the

volume as required. (CLP- Setting range: 0-20 Normal setting: 5 You can make detailed adjustments to MIDI settings. For more information about MIDI, see the “About MIDI” section (page 49). TIP The HOST SELECT switch on the bottom surface must be set to “MIDI” to enable the MIDI connectors. When you use the TO HOST connector, set the HOST SELECT switch to the appropriate position for the type of computer you are using (pages 49-55). In this situation, all MIDI settings described below will affect the MIDI signal in and out of the TO HOST connector.

1. Engage Function mode and select [F

2. Press the [+/YES] button to engage the MIDI

function's sub-mode, then use the [TEMPO/ FUNCTION# V, A] buttons to select the desired sub-mode. Press the [-/NO] or [+/YES] button to set a selected parameter. Sub-mode MIDI Transmit Channel Selection In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the Clavinova transmits MIDI data. Setting range: 1-16, OFF (not transmitted) Normal setting: 1 In Dual mode, Voice 1 data is transmitted on its specified channel. In Split mode (CLP-130), right voice data is trans- mitted on its specified channel. In Dual mode, Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In Split mode (CLP-130), left voice data is transmitted on the next greater channel number rela- tive to the specified channel. In either mode, no data is trans- mitted if the transmit channel is set to “OFF”. NOTE Demo/preset song data and recorder playback data are not transmitted via MIDI. CLP-130/120 Detailed Settings - [FFUNCTION] ENGLISH

ENGLISH (CLP-130), (CLP-120) MIDI Receive Channel Selection (CLP-130) (CLP-120) Program Change ON/OFF In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the Clavinova receives MIDI data. Setting range: ALL, 1&2, 1-16 Normal setting: ALL TIP ALL: A “Multi-timbre” Receive mode is available. t allows simulta- neous reception of different parts on all 16 MIDI channels, enabling the Clavinova to play multi-channel song data received from a music computer or sequencer. 182: A“182" Receive mode is available. It allows simultaneous reception on channels 1 and 2 only, enabling the Clavinova to play 1 and 2 channel song data received from a music com- puter or sequencer. TIP Program change and other like channel messages received will not affect the CLP-130/120's panel settings or the notes you play on the keyboard. NOTE No MIDI reception occurs when Demo/Preset Song mode is engaged. (CLP-130)/| (CLP-120) Local Control ON/OFF “Local Control” refers to the fact that, normally, the CLP-130/120 keyboard controls its internal tone genera- tor, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the CLP-130/120 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone genera- tor responds to MIDI information received via the MIDI IN connector. Setting range: ON/OFF Normal setting: ON 46] CLP-130/120 Detailed Settings - [FFUNCTION] Normally the CLP-130/120 will respond to MIDI pro- gram change numbers received from an external key- board or other MIDI device, causing the correspondingly-numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The CLP-130/120 will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly-num- bered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the CLP-130/120 without affecting the external MIDI device. TIP For information on program change numbers for each of the CLP-130/120's voices, refer to page 71 in the MIDI Data For- mat section. Setting range: ON/OFF (CLP-120) Control Change ON/OFF Normally the CLP-130/120 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding chan- nel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected). The CLP-130/120 also transmits MIDI control change information when the pedal or other appropriate con- trols are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the CLP-130/120% pedal and other controls can be operated without affecting an external MIDI device. TIP For information on control changes that can be used with the CLP-130/120, refer to the MIDI Data Format on page 71. Setting range: ON/OFF Normal setting: ON

CLP-130), (CLP-120) MIDI Transmit Transpose Bulk Data Dump This function allows the MIDI note data transmitted by the CLP-130/120 to be transposed up or down in semi- tone increments by up to plus or minus 12 semitones. The pitch of the CLP-130/120 itself is not affected. Setting range: -12-0—12 (in semitones) Normal setting: 0 CLP-130), (CLP-120) Panel/Status Transmit s all the current CLP-130/120 panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence recorder, such as the Yamaha MIDI Data Filer MDF3, which will be used to control the CLP-130/120 on play- back. By transmitting the CLP-130/120 panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the CLP-130/120 will be automatically restored to the same settings when the performance is played back. This function caus TERMINOLOGY Setup Data: Data that contains a set of panel settings for the Clavinova. Procedure

1. Set up the panel controls as desired.

2. Connect the Clavinova to a sequencer via MIDI, and

set up the sequencer so it can receive the setup data.

4. Press the [+/YES] button to transmit the panel/status

data. will appear on the LED display when the data has been successfully transmitted. TIP See page 72 for a list of the “Panel Data Contents” transmit- ted by this function. TIP Receiving the transmitted data:

1. Connect the Clavinova via MIDI to the device to which the

setup data was transmitted previously

2. Start sending the setup data from the device.

The Clavinova automatically receives the setup data, which will be reflected in the panel settings. {For the data to be accepted, the Clavinova that receives the setup data should be the same model as the one that trans- mitted the setup data to the sequencer.) TIP For more information on transmitting and receiving setup data via MIDI, refer to the owners manual for the connected MIDI device. You can save current song data on the Clavinova as MIDI bulk data by transferring it to a connected MIDI data filer (such as an MDF3) or a sequencer. To play back the saved song data, send the bulk data back from the storage device to the Clavinova and follow the usual playback procedure. TERMINOLOGY bulk data: A complete set or extended sequence of data Procedure

1. Record your performance on the Clavinova.

2. Connect the Clavinova to MDF3, a MIDI data filer via

MIDI, and set up the MDF3 so it will receive bulk data.

4. Press the [+/YES] button to begin bulk transmission.

CLP-130)/ will appear on the LED display when the data has been successfully transmitted. NOTE No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation. TIP Receiving (returning) the transmitted data:

1. Connect the CLP-130/120 via MIDI to the device to which

the data was previously transmitted.

2. Start sending the data from the device.

The CLP-130/120 automatically receives the data from the unit. (At this time, any data previously stored in the Clavinova will be erased.) Then, follow the usual playback procedure. {For the data to be accepted, the Clavinova that receives the data should be the same model as the one from which the data was once transmitted to the MIDI data filer.) NOTE The reload operation cannot be executed when Demo/Preset Song mode or the user song recorder is in operation, or when Function mode is engaged. TIP For more information on transmitting and receiving bulk data via MIDI, refer to the owners manual for the connected MIDI device. CLP-130/120 Detailed Settings - [FFUNCTION] ENGLISH

ENGLISH F9. (cie-130) / F8. (cLP-120) Backup Functions TERMINOLOGY Backup: You can back up some settings, such as voice selection and reverb type, so that they will not be lost when you turn off the power to the Clavinova. Ifthe backup function is turned on, the settings at power off are effective. the backup function is turned off, the settings in memory are erased when you turn off the power. In this case, when you turn on the power to the unit, the default set- tings (the initial settings) will be used. (The factory setting default list is found on page 70.) However, the backup settings themselves, and the con- tents of the user song recorder memory, are always backed up. À CAUTION Even if the backup function is turned on via one of the functions described below, the data will be retained in memory for only about one week if the power is not turned on during this time. If the backup period is exceeded, all settings will be reset to their default values. If you want to retain the backup settings for longer peri- ods, be sure to turn the power on for a few minutes at least once à week. You can turn the backup function on or off for each function group (each of the following sub-mode functions).

2. Press the [+/YES] button to engage the

backup function's sub-mode, then use the [TEMPO/FUNCTION# V, A] buttons to select the desired sub-mode. Press the [-/NO] or [+/YES] button to turn the backup function on or off. (CLP- Sub-mode 1] (cLP-120) Voice #] (CLP-130)/| (cLp-120) MIDI (cLP-120) Tuning (cLp-120) Others Setting range: ON/OFF Normal setting: OFF (all groups) CLP-130/120 Detailed Settings - [FFUNCTION] Description of sub-modes (CLP-130)/ 1] (cLP-120) Voice + Voice (Keyboard, Dual, and Split <CLP-130>) + Dual (ON/OFF, Voice, and Dual Functions for each voice combination) + Split (CLP-130) (ON/OFF, Voice, and Split Functions for each voice combination) + Reverb (ON/OFF, Type, and Depth for each voice) + Effect (ON/OFE Type, and Depth for each voice) + Variation (CLP-130) (for each voice) + Touch Sensitivity (including the FIXED volume) + Metronome (Beat, Volume (CLP-130 (CLP-120) settings>) + Preset Song Part Cancel Volume ( <CLP-120> settings) <CLP-130>/ (CLP-130)/| (cLp-120) MIDI The MIDI functions 120> settings) (expect for the [FH 7][F AE] <CLP-130>/[F 11][F 18] <CLP-120>) <CLP-130> (CLP-130)/| 3] (CLP-120) Tuning + Transpose + Tuning ( settings) + Scale (including base note) ettings) (CLP-130)/| («cp-120) Others Other functions settings) <CLP-130>/) Factory Preset Recall AI Dual mode, Split mode, reverb, effect, touch sensitiv- ity, tuning settings, and the settings affected by the Backup Functions can be restored to their original fac- tory preset values by holding the C7 key (right-most key on the keyboard) while turning the [POWER] button ON. This also erases all user song recorder data, and sets all backup on/off settings (F9) to “OFF”. (The factory set- ting list is found on page 70.)

About MIDI MIDI (Musical Instrument Digital Interface) is a standard format for data transmission/reception. It enables the transfer of performance data and commands between MIDI devices and personal computers. Using MIDI, you can control a connected MIDI device from the Clavi- nova, or control the Clavinova from a connected MIDI device or com- puter. MIDI connectors (CLP-130) MIDI [IN]: Receives MIDI data. MIDI [OUT]: Transmits MIDI data. MIDI [THRU]: Transmits data received at the MIDI [IN] connector as it is. MIDI cables Prepare dedicated MIDI cables. [TO HOST] connector Use this connector to connect the Clavinova to a computer. Ste Mec ] L PR!

TIP MIDI performance data and commands are transferred in the form of numeric values. TIP Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the “MIDI Imple- mentation Chart” to find out what MIDI data and commands your devices can transmit or receive. The Clavinova's MIDI Implementation Chart appears on page 75. NOTE When you are using the MIDI connectors, set the [HOST SELECT] switch to “MIDI” (page 54). When you are using the [TO HOST] connector, set the IHOST SELECT] switch, according to the type of com- puter you are using (page 54). TIP You can also obtain detailed information about MIDI from various music books and other publications. CLP-130/120 About MIDI ENGLISH

Connections [Connectors AN CAUTION Before connecting the Clavinova to other electronic components, turn off the power to all the components. Before turn- ing the power on or off to all components, set all volume levels to minimum (0). Otherwise, electrical shock or damage to the components may result. CLP-130

CLP-120 ° e ° © AUX OUT [R] [L] Pin jacks (LEVEL FIXED), [R] [L/L+R] Phone jacks You can connect these jacks to a stereo system to amplify the Clavinova or to a cas- sette tape recorder to record your performance. Refer to the diagram below and use audio cables to make the connections. À CAUTION Do not route the output from the AUX OUT jacks to the AUX IN jacks. That is, when you connect an external audio device to the AUX OUT jacks, do not connect the audio device to the Clavinova's AUX IN jacks. If you make this connection, the signal input at the AUX IN jacks will be output from AUX OUT. This creates an audio loop, causing audio oscillation and abnormal playback, and leading to malfunction of both pieces of equipment. VAN CAUTION When the Clavinova's AUX OUT jacks are connected to an external audio system, first turn on the power to the Clavinova, then to the external audio system. Reverse this order when you turn the power off. Clavinova Stereo

© R LA AUX OUT eat ? tt t At ou RCA pinplug phone in plu plug pr pes (standard) audio cable To powered speakers When these are connected (with stan- When these are connected (with RCA pin plug: LEVEL FIXED), the sound is output to the external device at a fixed level, regardiess of the [MASTER VOLUME] control setting CLP-130/120 Connections dard phone plugs), you can use the [MASTER VOLUME] control to adjust the volume of the sound output to the external device. NOTE Use audio cables and adaptor plugs with no resistance. The Clavinova's [MASTER VOLUME] and [BRILLIANCE] slider setting does not affect the signal output from the AUX OUT. (LEVEL FIXED) jacks.

@ AUX IN IR], [L/L+R] jacks The stereo outputs from another instrument can be connected to these jacks, allowing the sound of an external instrument to be reproduced via the Clavinova’s speakers. Refer to the diagram below and use audio cables to make the connec- tions. VAN CAUTION When the Clavinova's AUX IN jacks are connected to an external device, first turn on the power to the external device, then to the Clavinova. Reverse this order when you turn the power off. Clavinova phone plug (standard) AUX OUT t aux phone plug (standard) Tone Generator audio cable © TO HOST jack This jack allows direct connection to a personal computer. (Refer to “Connecting a personal computer” on page 52 for more information.) © HOST SELECT switch This switch should be set according to the type of connected MIDI device or per- sonal computer. (Refer to “Connecting a personal computer” on page 52 for more information.) © MIDI [IN], [OUT], [THRU] connectors Use MIDI cables to connect external MIDI devices to these connectors. Make sure you set the HOST SELECT switch to MIDI when you use these connec- tors. (Refer to “About MIDI” on page 49 for more information.) © PEDAL jack Connect the pedal cord from the pedal box. (Refer to “Keyboard Stand Assembly” on pages 57-62.) The Clavinova's [MASTER VOLUME] and [BRILLIANCE] slider settings affect the input signal from the AUX IN jacks, but the [REVERB] and LEFFECT] settings do not. If you connect the Clavinova to a monaural device, use only the AUX IN [L/L+R] jack or AUX OUT IL/L+R] jack. ENGLISH CLP-130/120 Connections

|| 7 CLP130(E).book Page 52 Thursday, October 31, 2002 2:45 PM IConnecting a Personal Computer You can enjoy computer music data on the Clavinova by connecting a computer to the TO HOST (or MIDI) jack. DE en the Clavinova is used as a tone module, performance data with voices that are not found on the Clavinova will not be played correctiy. “The Clavinova-Computer Connection,” is a supplementary guidebook that describes, for beginners, what you can do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specific models). The document is available as a PDF file (in English) at the following Internet address: Clavinova Web site (English only): http://www.yamahaclavinova.com/ Yamaha Manual Library: http://www2.yamaha.co.jp/manual/english/ There are three methods by which to connect the Clavinova to a personal computer:

1. Connect the serial port on the computer to the Clavinova’s TO HOST jack (page 53).

For more information, refer to the specified pages. CT Ven connecting the Clavinova to a personal computer, first turn off the power to both the Clavinova and the computer before you connect any cables or set the HOST SELECT switch. After making the connections and switch settings, turn on the power to the computer first, then to the Clavinova. CE 11 you do not use the [TO HOST] jack of the Clavinova, make sure you disconnect the cable from the jack. If the cable is left connected, the Clavinova may not function properly. NOTE will appear in the display if the host computer is not turned on, the connecting cable is not properly connected, the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this situa- tion, turn the power off to both the Clavinova and the computer, and check the cable connection and the position of the HOST SELECT switch. Once the connection and HOST SELECT switch position is verified, turn the power of the com- puter on first, then the Clavinova, and check whether the MIDI driver and MIDI application function properly. When the [HOST SELECT] switch is set to “PC-1;' PC-2;" or “Mac;" you can use the [TO HOST] jack, but the MIDI con- nectors are disabled since no data transfer occurs via the MIDI connectors. On the other hand, when the [HOST SELECT] switch is set to “MIDI, you can use the MIDI connectors, but not the [TO HOST] jack since no data is trans- ferred via the [TO HOST] jack. CLP-130/120 Connections

1. Connecting the serial port on the computer to the Clavinova's TO HOST jack

Connect the computer serial port (RS-232C or RS-422) to the Clavinova’s TO HOST jack. With this connection, the Clavinova functions as a MIDI interface. Therefore, you do not need a special MIDI interface. Connection Use a special serial cable (page 53) to connect the computer’s serial port (RS-232C or RS-422) to the Clavinova’s TO HOST jack. Clavinova

RS-232C (D-sub 9-pin) RS-232C (D-Sub 25-pin) Note for Windows users (regarding the MIDI driver) To transfer data via the computer serial port and the Clavinova's TO HOST jack, you need to install a specific MIDI driver (the Yamaha CBX driver for Windows). You can download this driver from the fol- lowing XG Library on the Yamaha web site: http://www.yamaha-xg.com modem port EE] Windows Windows Macintosh Type of serial cables and connection pin assignments Depending on the type of computer you connect, use one of the following serial cables. Windows (with a serial port of D-sub 9-pin) 8-pin mini DIN plug —+ D-sub 9-pin plug (Yamaha CCJ-PC2 or equivalent) mini DIN 1 ©——© 8 (CTS) D-sub Spin 20 2 7(ATS) Gpin o © 2 (RD) 40 —7 © 5 (GND) 80 o $ Q—© 3 (m0) Windows (with a serial port of D-sub 25-pin) 8-pin mini DIN plug —+ D-Sub 25-pin plug {Yamaha CCJ-PCINF or equivalent)

Clavinova HOST SELECT switch setting Set the Clavinova HOST SELECT switch properly according to the type of connected computer. + Macintosh: “Mac” (data transfer rate: 31,250bps, 1MHZz clock) + Windows: “PC-2” (data transfer rate: 38,400bps) If your system does not work properly with the connections and settings listed above, your software may require differ- ent settings. Check your software operation manual and set the HOST SELECT switch to the proper data transfer rate. (Data transfer rate of “PC-1" is 31,250bps.)

3. Connecting the computer’s USB port to the Clavinova via a USB interface, such as

the UX256, UX96, or UX16 Connect the computer’s USB port to the USB interface (such as the UX256, UX96, or UX16) using a USB cable. Install the driver (that came with the USB interface) on the computer, and connect the USB interface to the Clavinova using a serial cable or MIDI cables. For more information, refer to the instruction manual for the USB interface. An example of connecting the USB interface to the Clavinova using a serial cable SIL Mac [LE USB cable TO HOST HOST SELECT Standard Machintosh 8-pin system peripheral cable SR —…—…—…—…—…——_ç“ ENGLISH computer Clavinova = J Leo USB cable HOST SELECT OUT N MIDI cables computer Clavinova CLP-130/120 Connections

Troubleshooting Problem Possible Cause and Solution The Clavinova does not turn on. The Clavinova has not been plugged in properiy. Securely insert the female plug into the socket on the Clavinova, and the male plug into a proper AC outlet (page 11). A click or pop is heard when the power is turned on or off. This is normal when electrical current is being applied to the instrument. Noise is heard from the speakers or head- phones. The noise may be due to interference caused by the use of a mobile phone in close proximity to the Clavinova. Turn off the mobile phone, or use it further away from the Clavinova. The overall volume is low, or no sound is heard. +_The Master Volume is set too low; set it to an appropriate level using the [MASTER VOLUME] control. + Make sure a pair of headphones is not connected to the headphones jack (when the SPEAKER switch is set to the “NORMAL! position). If the SPEAKER switch is set to the “OFF” position, set it to “NORMAL! or “ON” (page 12). + Make sure that Local Control (page 46) is ON. The speakers do not switch off when a pair of headphones is connected. The SPEAKER switch may be switched “ON. Set the SPEAKER switch to the “NOR- MAL' position (page 12). The damper pedal has no effect, or the sound continuously sustains even when the damper pedal is not pressed. The pedal cable/plug may not be properly connected. Make sure to securely insert the pedal plug into the proper jack (pages 57-62). TIP Options appears on the display, an internal malfunction has occurred. In this case, contact your Yamaha dealer. BC-100 Bench A comfortable bench styled to match your Yamaha Clavinova. HPE-160 Stereo Headphones High-performance lightweight dynamic headphones with extra-soft ear pads. CLP-130/120 Troubleshooting/Options

CLP-120: Keyboard Stand Assembly AN CAUTION + Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accor- dance with the sequence given below. Assembly should be carried out by at least two persons. Be sure to use the correct screw size, as ated below. Use of incorrect screws can cause damage. Be sure to tighten up all screws upon completing assembly of each unit. To disassemble, reverse the assembly sequence given below. Have a Phillips-head (+) screwdriver ready.

Remove the following parts from the package. 1 < _Attach the side panels to the pedal box. _LSigé banel d LT (ft ZT (ef) 7 Assembly Parts 6 X25 mm long screws x4 @ 4 x 20 mm tapping screus x4 @

Side panel 6 x 16 mm short screws x4 @ Cord holders x 2 SS"S"S (1) Untie and straighten out the bundled cord

2) Use the four 6x25 mm lon

4x 12 mm thin screws x2 @ attached to the bot- @) g screws @ to attach the tom of the pedal box. pedal box. First attach one 74 Don't discardihe side panel, then attach the vinyl tie, you'll need it later in step 5. other side panel. a » 2. Attach the rear panel. , (2) Secure the top of the Main unit rear panel to the side panel brackets using two n 3 4x12 mm thin screws @. Side Rear panel panel right) (1) Place the bot- C Pedal box tom edges of the rear — panel on the feet pro- vu truding edges, with the > Bundied pedal AC power cord panel slightly angled e- cord inside ee as shown in the illus- © tration. (8) Secure the bottom Then, alignthe top part of the rear panel to TIP ofthe panel with the the pedal box using A headphone hanger is included in the CLP-120 package. side panels. four 4x20 mm tap- You can attach a headphone hanger on the Clavinova to ping screws @. hang the headphones (page 12). CLP-130/120 CLP-120: Keyboard Stand Assembly ENGLISH

ENGLISH 3 + Mount the main unit.

' À CAUTION 1 + Fingers can become pinched between the main unit and the rear or side panels, be extra careful ' so as not to drop the main unit. 1 + Do not hold the keyboard in any position other | than the position shown in the illustration. Be sure to place your hands at least 10 cm LL either end of the main unit when positioning it.

(1) Center the main unit to pro- duce equal clearance on the left and right sides. CLP-130/120 CLP-120: Keyboard Stand Assembly 5 + Connect the pedal cord. (1) Insert the pedal cord plug to the pedal connector from the front. (8) Use a vinyl tie to take up any slack in the pedal cord. (2) Attach the cord holders to the rear panel as shown, then clip the cord into the holders.

6. Set the voltage selector and connect the

power cord. Voltage Selector Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area. À WARNING An improper voltage setting can cause serious damage to the Clavinova or result in improper operation.

& PS || 7 CLP130(E).book Page 59 Thursday, October 31, 2002 2:45 PM ||

Rotate the adjuster until it comes in firm contact with the floor surface. After completing the assembly, please check the following. + Are there any parts left over? —+ Review the assembly procedure and correct any errors. + _1s the Clavinova clear of doors and other mov- able fixtures? —+ Move the Clavinova to an appropriate location. + Does the Clavinova make a rattling noise when you shake it? —+ Tighten all screws. + Does the pedal box rattle or give way when you step on the pedals? — Turn the adjuster so that it is set firmly against the floor. + Are the pedal and power cords inserted securely into the sockets? —+ Check the connection. ENGLISH +_Ifthe main unit creaks or is otherwise unsteady A when you play on the keyboard, refer to the L T assembly diagrams and retighten all screws. $ÿ When moving the instrument after assembly, always hold the bottom of the main unit. À CAUTION Do not hold the key cover or top portion. Improper handling can result in damage to the instrument or personal injury. Key cover Top portion

CLP-130: Keyboard Stand Assembly AN CAUTION + Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accor- dance with the sequence given below. Be sure to use the correct screw size, as Assembly should be carried out by at least two persons. ated below. Use of incorrect screws can cause damage. Be sure to tighten up all screws upon completing assembly of each unit. To disassemble, reverse the assembly sequence given below. Have a Phillips-head (+) screwdriver ready.

ENGLISH Remove the following parts from the package. 7 Assembly Parts 6 x 25 mm long screws x4 @

6 x 16 mm short screws x4 @ CAC 4x 12 mm thin screws x2 @ 4 x 20 mm tapping screws x4 @

Main unit Side Rear panel panel right) € Pedal box UUd Bundied pedal cord inside AC power cord essimes TIP A headphone hanger is included in the CLP-130 package. You can attach a headphone hanger on the Clavinova to hang the headphones (page 12). «| CLP-130/120 CLP-130: Keyboard Stand Assembly 1 < _Attach the side panels to the pedal box. _LSigé banel d LT (ft ZT (ef) (1) Untie and straighten out the bundied cord attached to the bot- tom of the pedal box. Don't discard the vinyl tie, you'll need it later in step 5. Side panel (2) Use the four 6x25 mm long screws @ to attach the pedal box. First attach one side panel, then attach the other side panel.

2. Attach the rear panel.

(1) Place the bot- tom edges of the rear panel on the feet's pro- truding edges, with the panel slightiy angled as shown in the illus- tration. Then, align the top part of the panel with the side panels. . (2) Secure the top of the rear panel to the side panel brackets using two 4x12 mm thin screws @.

(8) Secure the bottom of the rear panel to the pedal box using four 4x20 mm tap- ping screws @.

3 + Mount the main unit. 5 + Connect the pedal cord. (1) Insert the pedal cord plug to the À CAUTION pedal connector from the front. + _ Fingers can become pinched between the main

, unit and the rear or side panels, be extra careful

so as not to drop the main unit. + _ Do not hold the keyboard in any position other than the position shown in the illustration.

(8) Use a vinyl tie Be sure to place your hands at least 10 cm to take up any from either end of the main unit when positioning it slack in the pedal cord. (2) Attach the cord holders to the rear panel as shown, then clip the cord into the holders. ENGLISH

6. Set the voltage selector and connect the

power cord. (1) Center the main unit to pro- duce equal clearance on the left and right sides. SNS

Voltage Selector Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a “minus” screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area. À WARNING An improper voltage setting can cause serious damage to the Clavinova or result in improper operation. CLP-130/120 CLP-130: Keyboard Stand Assembly

& Fr || 7 CLP130(E).book Page 62 Thursday, October 31, 2002 2:46 PM &

Rotate the adjuster until it comes in firm contact with the floor surface. After completing the assembly, please check the following. + Are there any parts left over? —+ Review the assembly procedure and correct any errors. + _1s the Clavinova clear of doors and other mov- able fixtures? —+ Move the Clavinova to an appropriate location. + Does the Clavinova make a rattling noise when you shake it? —+ Tighten all screws. + Does the pedal box rattle or give way when you step on the pedals? — Turn the adjuster so that it is set firmly against the floor. + Are the pedal and power cords inserted securely into the sockets? —+ Check the connection. +_Ifthe main unit creaks or is otherwise unsteady 1 when you play on the keyboard, refer to the | T assembly diagrams and retighten all screws. $ÿ ENGLISH When moving the instrument after assembly, always hold the bottom of the main unit. À CAUTION Do not hold the key cover or top portion. Improper handling can result in damage to the instrument or personal injury. Key cover Top portion CLP-130/120 CLP-130: Keyboard Stand Assembly d

Preset Voice List CLP-130 Stereo Touch Dynamic Key-Off To Sampling | Response | Sampling'! | Sampling'? Voice Descriptions Recorded samples from a full concert grand piano. Also includes three levels of dynamic sampling, sustain samples, GRANDPIANO 1 O O O O and key-off samples for exceptionally realistic acoustic grand piano sound. Perfect for classical compositions as well as any other style that requires acoustic piano. VARIATION O O O O Warm and mellow piano. Good for classical compositions. GRANDPIANO 2 © © = = Spacious and clear piano with bright reverb. Good for popu- lar music. = VARIATION O O — — Bright, spacious piano. Good for popular or rock music. 2 An electronic piano sound created by FM synthesis. Z E.PIANO 1 — O O _ Extremely “musical” response with varying timbre according er] to keyboard dynamics. Good for standard popular music. À synth-generated type electronic piano sound often heard VARIATION — O _ _ in popular music. Used in the DUAL mode it blends well with an acoustic piano voice. The sound of an electric piano using hammer-struck metallic E.PIANO 2 — O O — | “tines”. Soft tone when played lightiy, and an aggressive tone when played hard. A slightly different electric piano sound often heard in rock VARIATION — O O | and popular music. The definitive instrument for baroque music. Since harpsi- … … chord uses plucked strings, there is no touch response. HARPSICHORD O © |Thereis, however, a characteristic additional sound when the keys are released. VARIATION Oo = = Oo Mes the same voice an octave higher for a more brilliant À hammer-struck keyboard instrument that utilizes an elec- … … tric pickup that is often heard in funk and soul music. ts tone E: CLAVICHORD O O is noted for the unique sound produced when the keys are released. VARIATION — O — O Includes a unique preset effect. Vibraphone played with relatively soft mallets. The tone VIBRAPHONE O O O 7 | becomes more metallic the harder you play. VARIATION O O — — | Stereo-sampled, spacious, and realistic marimba. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). CHURCH ORGAN | © — — 7 | Good for sacred music from the Baroque period. This is the organ's full coupler sound often associated with VARIATION O — — — Beach's “Toccata and Fugue”. JAZZ ORGAN = = = ___ | The sound of a ‘tonewheel" type electric organ. Often heard in jazz and rock idioms. Uses a rotary speaker effect with a different speed. The vari- VARIATION — — — — ations speed is faster. If the variation is selected while hold- ing a chord, the speed of the effect will gradually change. Stereo-sampled, large-scale strings ensemble with realistic STRINGS O O — — reverb. Try combining this voice with piano in the DUAL mode. Spacious strings ensemble with a slow attack. Try combining VARIATION O O — — this voice with a piano or electric piano in the DUAL mode. À big, spacious choir voice. Perfect for creating rich harmo- CHOIR — O — — nies in slow pieces. VARIATION = Oo = = À choir voice with a slow attack. Try combining this voice with a piano or electric piano in the DUAL mode. CLP-130/120 Preset Voice List

Stereo Touch Dynamic Key-Off Voice Name Sampling | Response | Sampling'! | Sampling? Voice Descriptions GUITAR …. e …. …. Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings. VARIATION _ O _ _ Bright, brillant steel guitar. Suitable for popular music. woob BASS = © = = An upright bass played fingerstyle. Ideal for jazz and Latin music. VARIATION = © = = Adas a cymbal voice to the bass sound. Ideal for walking bass lines in jazz tunes. E.BASS = © = = Electric bass for a wide range of music styles, jazz, rock, popular, and more. VARIATION — O — — A fretless bass good for styles such as jazz, fusion, etc. ENGLISH CLP-130/120 Preset Voice List *1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2, Contains a very subtle sample that is produced when the keys are released.

CLP-120 Stereo Touch Dynamic Key-Off To Sampling | Response | Sampling'! | Sampling'? Voice Descriptions Recorded samples from a full concert grand piano. Perfect GRANDPIANO 1 O O — — for classical compositions as well as any other style that requires acoustic piano. Spacious and clear piano with bright reverb. Good for popu- GRANDPIANO 2 O O _ _ ler music An electronic piano sound created by FM synthesis. Good E:PIANO 1 — O O — for standard popular music. The sound of an electric piano using hammer-struck metallic E.PIANO 2 — O O — “nes”. Soft tone when played lightly, and an aggressive tone when played hard. The definitive instrument for baroque music. Since harpsi- En chord uses plucked strings, there is no touch response. md HARPSICHORD 1 O — — O There is, however, a characteristic additional sound when 2 the keys are released. 2 = = e HARPSICHORD 2 | O = = O Mes the same voice an octave higher for a more brilliant Vibraphone played with relatively soft mallets. The tone VIBRAPHONE O O O — becomes more metallic the harder you play. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). CHURCH ORGAN 1 O — — — Good for sacred music from the Baroque period. This is the organ's full coupler sound often associated with CHURCH ORGAN 2 O — — — Beach's “Toccata and Fugue”. JAZZ ORGAN = = = = The sound of a “tonewheel” type electric organ. Often heard in jazz and rock idioms. Stereo-sampled, large-scale strings ensemble with realistic STRINGS 1 O — — reverb. Try combining this voice with piano in the DUAL mode. Spacious strings ensemble with a slow attack. Try combining STRINGS 2 O O — — this voice with a piano or electric piano in the DUAL mode. A big, spacious choir voice. Perfect for creating rich harmo- CHOIR — O — — nies in slow pieces. GUITAR = O = = Warm and natural-sounding nylon guitar. Enjoy the quiet ambience of nylon strings. *1. Dynamic Sampling provides multiple velocity-switched samples to accurately simulate the timbral response of an acoustic instrument. *2, Contains a very subtle sample that is produced when the keys are released. CLP-130/120 Preset Voice List

Demo Song List Voice Name CLP-130 CLP-120 Title Composer GRAND PIANO O O Consolation No.3 E Liszt HARPSICHORD O _ Gavotte HARPSICHORD1 _— O JS. Bach HARPSICHORD2 _ O Invention No.l The demonstration pieces listed above are short rearranged excerpts the original compositions. All other songs are original (©2002 Yamaha Corporation).

& SA Index Numerics F 50 Greats for the Piano Factory Setting List 50 Piano Preset Songs … Fine Tuning of the Pitch FUL (LED display).

Center Pedal … MASTER VOLUME. Combining Two Voices (Dual mode) METRONOME. Connecting a Personal Computer. Connections Connectors

MIDI [IN] [OUT] [THRU]

REC —+ Recording Recordin, Initial Settings Re-recording REVERB. Right Pedal. rnd (LED display)

|| & CLP130(E).book Page 69 Thursday, October 31, 2002 2:46 PM Appendix

Data format: [9nH] -> [Kk] -> [wv] 9nH = Note ON/OFF event (n = channel number) kk= Note number (Transmit: 09H - 78H = A-2 - CB/ Receive: 00H - 7FH = C-2 - G8)* w= Velocity (Key ON = 01H - 7FH, Key OFF = 00H) Data format: [8nH] -> [kk] -> [wv] (reception only) 8nH = Note OFF event (n = channel number) kk= Note number: 00H - 7FH = C-2 - G8 w= Velocity *_Ifreceived value exceeds the supported range for the selected voice, the note is adjusted by the necessary num- ber of octaves.

Data format: [BnH] -> [cc] -> [uv] BnH = Control event (n = channel number) cc= Control number w= Data Range (1) All Sound Off ccH Parameter Data Range (vvH) 78H All Sound Off 00H Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (2) Reset All Controllers ccH Parameter Data Range (vvH) 79H Reset All Controllers 00H Resets controllers as follows. Controller Value Expression 127 (max) Damper Pedal 0 (off) Sostenuto 0 (off) Soft Pedal 0 (off) (3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on) (à) All Notes Off ccH Parameter Data Range (vvH) 7BH Al Notes Off 00H Switches OFF all the notes that are currently ON on the spec- ified channel. Any notes being held by the damper or soste- nuto pedal will continue to sound until the pedal is released (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Of. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Of. {) Mono (reception only) ccH Parameter Data Range (vvH) EH Mono 00H Same processing as for All Sound Off.

8) Poly (reception only)

ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. When control change reception is turned OFF in the Function mode, control change data will not be transmitted or received except for Bank Select and Mode messages. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with “Il Note Off” transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received. CLP-130/120 Appendix

Data format: [CnH] -> [ppH] CnH = Program event (n = channel number) ppH = Program change number PC.#=Program Change number

VARIATION — 0 | 123 | 4 HARPSICHORD | HARPSICHORD 1 o | 12 | 6 VARIATION HARPSICHORD 2 o | 123 | 6 E. CLAVICHORD — 0 | 12 | 7 VARIATION — o | 123 | 7 VIBRAPHONE VIBRAPHONE 0 [12 | ut VARIATION — o | 12 |

CHURCH ORGAN | CHURCHORGAN 1 | 0 | 123 | 19

VARIATION CHURCHORGAN2 | 0 | 12 | 1 JAZZ ORGAN JAZZ ORGAN o | 12 | 6 VARIATION — o | 123 | 6 STRINGS STRINGS 1 0 | 12 | 4 VARIATION STRINGS 2 0 | 12 | æ CHOIR CHOIR 0 122 52 VARIATION — o | 123 | & GUITAR GUITAR 0 | 12 | 24 VARIATION — 0 | 12 | 25 WOOD BASS — o | 12 | æ VARIATION — o | 124 | æ E.BASS — 0 122 33 VARIATION — 0 | 12 | s +_ When program change reception is tumed OFF in the Func- tion mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received.

5. SYSTEM REALTIME MESSAGES

Er] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing Data Transmission Reception FeH Transmitted every | Received as 96-clock tempo timing 96 clocks when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal. FAH Recorder start Recorder stop Not received when the MIDI clock is set to Internal. FCH | Recorder stop Ia signal is not received via MIDI for more than 400 milliseconds, the Transmitted every _ | same processing will take place for 200 milliseconds | All Sound Off, AI Notes Off and Reset All Controllers as when those signals are received. FEH + Caution: If an error occurs during MIDI reception, the Damper, Sostenuto, and Soft effects for all channels are turned off and an All Note Off occurs. CLP-130/120 Appendix

Panel data send requests cannot be received.

SYSTEM EXCLUSIVE MESSAGES

(Universal System Exclusive) (1) Universal Realtime Message Data format: [FOH] -> [7FH] -> [XnH] -> [04H] -> [01H] -> DH] -> [mmH] -> [F7H] MIDI Master Volume + Simultaneously changes the volume of all channels. +_ When a MIDI master volume message is received, the volume only has affect on the MIDI receive channel, not the panel master vol-ume. FOH = Exclusive status 7FH = Universal Realtime 7FH = ID of target device 04H = Sub-ID #1=Device Control Message 01H= Sub-ID #2-Master Volume 1H = Volume LSB mmH = Volume MSB F7H = End of Exclusive

Exclusive status Universal Realtime XnH = When n is received n=0-F, whichever is received. X = don't care 04H = Sub-ID #1=Device Control Message 01H= Sub-ID #2-Master Volume 1H = Volume LSB mmH = Volume MSB F7H = End of Exclusive

(2) Universal Non-Realtime Message (GM On) General MIDI Mode On Data format: [FOH] -> [7EH] -> [XnH] -> [09H] -> [01H] -> [F7H] FOH = Exclusive status 7EH = Universal Non-Realtime 7FH = ID of target device 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive

FOH = Exclusive status 7EH = Universal Non-Realtime XnH = When received, n=0-F. X = don't care 09H = Sub-ID #1=General MIDI Message 01H = Sub-ID #2=General MIDI On F7H = End of Exclusive When the General MIDI mode ON message is received, the MIDI system will be reset to its default setings. This message requires approximately 50ms to execute, so sutti-cient time should be allowed before the next message is sent.

8. SYSTEM EXCLUSIVE MESSAGES (XG Standard)

(1) XG Native Parameter Change Data format: [FOH] -> [43H] -> [1nH] -> [4CH] -> [hhH] > ImmH] -> [UH] -> [ddH] -> [F7H] FOH = Exclusive status YAMAHA ID When received, n=0-F. When transmitted, n=0. Model ID of XG Address High mmH = Address Mid IH = Address Low ddH= Data F7H = End of Exclusive Data size must match parameter size (2 or 4 bytes). When the XG System On message is received, the MIDI sys- tem will be reset to its default settings. The message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (2) XG Native Bulk Data (reception only) Data format: [FOH] -> [43H] -> [OnH] -> [4CH] -> [aaH] -> LbbH] -> [hhH] -> [mmH] -> [UH] ->[ddH] ->. [ccH] -> [F7H] FOH = Exclusive status

OnH= When received, When transmitted, 4CH = Model ID of XG aaH= ByteCount bbH= ByteCount hhH = Address High = Address Mid Address Low Data

ccH= Check sum F7H = End of Exclusive

Receipt of the XG SYSTEM ON message causes reinitializa- tion of relevant parameters and Control Change values. Allowr sufficient time for processing to execute (about 50 msec) before sending the CLP-130/120 another message. XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). For information about the Address and Byte Count values, refer to Table 1 below. Note that the table's Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.

9. SYSTEM EXCLUSIVE MESSAGES

(Clavinova MIDI Format) Data format: [FOH] -> [43H] -> [73H] -> DH] -> [nnH] -> [F7H] Exclusive status Yamaha ID Clavinova ID = Product ID (CLP common) Extended Product ID Product ID (CLP-130: 26H / CLP-120: 25H) Substatus nn Control 02H Internal MIDI clock 08H External MIDI clock 06H Bulk Data (the bulk data follows 06H) F7H = End of Exclusive *__ When nn=02H or 08H, Clavinova common ID (01H) is rec-ognized as well as 75H.

Data format: [FOH] -> [43H] -> [78H] -> [66H] -> [11H] -> [0nH] -> [ecH] -> [wH] -> [F7H] FOH = Exclusive status 43H = Yamaha ID 73H = Clavinova ID 7FH = Extended Product ID xxH Product ID (CLP-130: 26H / CLP-120: 25H) 11H= Special control Control MIDI change (n=channel number) Control number Value F7H = End of Exclusive Control on ccH wH Split Point Always 00H 14H 14H : Split Key Number Metronome Always 00H 1BH 00H: off 01H: O2H : 2/4 08H : 3/4 04H : 4/4 05H : 5/4 06H : 6/4 7FH : No accent Damper Level ch: 00H-0FH 8DH(Sets the Damper Level for each channel) O0H-7FH Channel Detune ch: 00H-0FH _ 43H (Sets the Detune value for each channel) O0H-7FH Voice Reserve ch: 00H-0FH 45H 0H : Reserve off 7FH:on* *_ When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal

11. SYSTEM EXCLUSIVE MESSAGES (Others)

Data format: [FOH]-> [43H] -> [tnH]-> [27H] -> [80H] -> [00H] -> [00H] -> [mmH] -> LH] -> [ccH] -> [F7H] Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. FOH = Exclusive Status 43H= Yamaha ID 1nH = When received, n=0-F. When transmitted, 27H= Model ID of TG100 30H= Sub ID 00H 00H mmH = Master Tune MSB 1H = Master Tune LSB ccH= don't care (under 7FH) F7H = End of Exclusive CLP-130/120 Appendix

TOTAL SIZE 07 “1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. “2: Values from 28H through 38H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12. <Table 2> Data (H) 020C - 05F4(*1) 00 -7F 34 -4C(2)

MIDI Parameter Change table (EFFECT 1) Refer to the “Effect MIDI Map” for a complete list of Reverb, Chorus and Variation type numbers. Address (H)_ Size (H)

Recording/Playback arecx recording/playback (CLP-130: 3/CLP-120: 1 user songs), Tempo Adjustment, Synchro Pedal Damper, Sostenuto, Soft Demo Songs 14 voice Demo Songs, 50 preset Songs Jacks/Connectors MIDI (IN/OUT/THRU), PHONES x 2, AUX IN, AUX OUT(L/L+R,R), AUX OUT (LEVEL

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST. WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

1. Read all Safety Instructions, Installation Instructions, Spe-

cial Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, includ- ing connection to the main supply.

2. Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instruc- tions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

3. This product may be equipped with a polarized plug (one

blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.

4. Some electronic products utilize extemal power supplies

or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.

5. WARNING: Do not place this product or any other

objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connect- ing cords of any kind. The use of an extension cord is not recom- mended! If you must use an extension cord, the minimum wire size for a 25° cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.

6. Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.

77. Temperature considerations: Electronic products should

be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.

8. This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Examples of wet/damp locations are; near à swimming pool, spa, tub, sink, or wet basement.

9. This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the manufacturer. f a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.

10. re power supply cord (plug) should be disconnected

from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightning and/or electrical Storm activity. 1L. Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.

12. Electrical/electronic products should be serviced by a

qualified service person when: a. The power supply cord has been damaged: or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings: or The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance: or e.. The product has been dropped, or the enclosure of the product has been damaged.

13. Do not attempt to service this product beyond that

described in the user-maintenance instructions. All other servic- ing should be referred to qualified service personnel.

14. This product, either alone or in combination with an

amplifier and headphones or speaker/s, may be capable of pro- ducing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.

15. Some Yamaha products may have benches and/or accessory

mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are Stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

This product, when installed as indicated in the instruc- tions contained in this manual, meets FCC require- ments. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to acces-

sories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Fail- ure to follow instructions could void your FCC authori- Zzation to use this product in the USA.

3. NOTE: This product has been tested and found to com-

ply with the requirements listed in FCC Regulations,

Part 15 for Class “B” digital devices. Compliance with

these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regula- tions does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfac- tory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corpo- ration of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Connecting the Plug and Cord IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this appa- ratus may not correspond with the coloured makings iden- tifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth ter- minal of the three pin plug. R wires) This applies only to products distributed by Yamaha-Kemble Music (UK) Ltd.

• This applies only to products distributed by YAMAHA CORPORATION OF AMERICA. (class B)

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section.

RISK OF ELECTRIC SHOCK

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACKI. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. See bottom of Keyboard enclosure for graphic symbol markings. The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servic- ing) instructions in the literature accompanying the product. The lightning flash with arrowhead à symbol, within the equilateral trian- gle, is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclo- sure that may be of sufficient magni- tude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product perfor- mance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to pro- duce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: 92-469 (1) (bottom) Battery Notice: This product MAY contain a small non- rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement.

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is consid- ered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. NOTICE: Service charges incurred due to lack of knowl- edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the man- ufacturer’s warranty, and are therefore the owners respon- ty. Please study this manual carefully and consult your dealer before requesting service. NAME PLATE LOCATION: The graphic below indi- cates the location of the name plate. The model number, serial number, power requirements, etc. are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase. CLP-130 CLP-120 Model Serial No. Purchase Date For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführien Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. Para detalles sobre productos, contacte su tienda Yamaha mâs cercana o el distribuidor autorizado que se lista debajo. NORTH AMERICA CANADA Yamaha Canada Music Ltd. 35 Milner Avenue, Scarborough, Ontario, MIS 3RI1, Canada Tel: 416-298-1311 USA. Yamaha Corporation of America 6600 Orangethorpe Ave.. Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

OTHER EUROPEAN COUNTRIES