Isochrone Trinity - Horloge maître Antelope - Free user manual and instructions

Product Type	Master Clock
Brand	Antelope
Model	Isochrone Trinity
Dimensions (W x D x H)	19" x 10.5" x 1.75" (rack unit)
Weight	Approx. 5.5 kg
Power Requirement	100-240 VAC, 50/60 Hz, 30W max
Clock Outputs	8 x BNC (word clock), 2 x AES/EBU, 1 x 75Ω BNC (10MHz reference)
Sample Rates Supported	44.1 kHz to 384 kHz, DSD64/128
Jitter	< 1 ps RMS (typical)
Stability	±0.1 ppm over temperature
Warm-up Time	15 minutes for rated accuracy
Front Panel Display	LCD with status indicators
Remote Control	Ethernet (web interface) and USB
Cooling	Fanless, passive convection
Operating Temperature	0°C to 50°C
Storage Temperature	-20°C to 70°C
Humidity	20% to 80% non-condensing
Included Accessories	Power cable, BNC cables, rack ears, manual
Maintenance	Keep clean, avoid dust, firmware updates via USB
Safety Certifications	CE, FCC, RoHS
Spare Parts / Repairability	Contact Antelope support; replaceable internal fuses

Frequently Asked Questions - Isochrone Trinity Antelope

What is the Antelope Isochrone Trinity used for?

The Isochrone Trinity is a master clock designed to provide ultra-low jitter clock signals to digital audio equipment, improving sound quality and synchronization in recording studios and broadcast environments.

How many devices can I clock with the Trinity?

It features 8 BNC word clock outputs, plus 2 AES/EBU outputs and a dedicated 10MHz reference output, allowing you to synchronize multiple digital devices simultaneously.

What sample rates does the Trinity support?

It supports standard rates from 44.1 kHz up to 384 kHz, as well as DSD64 and DSD128 via its high-precision clock generator.

How do I connect the Trinity to my setup?

Use standard BNC cables for word clock connections. The unit also offers Ethernet and USB for remote control and firmware updates.

Does the Trinity require a warm-up time?

Yes, allow approximately 15 minutes for the internal oven-controlled crystal oscillator to reach its specified accuracy (±0.1 ppm).

Can I control the Trinity remotely?

Yes, via the built-in Ethernet port you can access a web interface, or use USB for direct connection to a computer.

What is the jitter performance of the Trinity?

The typical jitter is less than 1 picosecond RMS, making it suitable for high-end audio applications where timing accuracy is critical.

Is the Trinity fanless?

Yes, it uses passive convection cooling, ensuring silent operation in studio environments.

How do I clean the Trinity?

Use a dry, soft cloth to wipe the exterior. Avoid liquids and ensure ventilation openings are free from dust.

Where can I find spare parts or service?

Contact Antelope Audio support or an authorized service center. The unit contains user-replaceable fuses; other repairs should be done by qualified technicians.

USER MANUAL Isochrone Trinity Antelope

Universal High Definition Master Clock

To reduce the risk of electrical shocks, fire, and related hazards:

• Do not remove screws, cover, or cabinet. There are no user serviceable parts inside. Refer servicing to qualified service personnel.
• Do not expose this device to rain, moisture or spillover of liquid of any kind.
• Should any form of liquid or a foreign object enter the device, do not use it. Switch off the device and then unplug it from the power source. Do not operate the device again until the foreign object is removed or the liquid has completely dried and its residues fully cleaned up. If in doubt, please consult an authorized repair .
• Do not handle the power cables with wet hands!
  Make sure the device is switched off when plugging/unplugging it to/from the power source.
• When unplugging from the wall outlet always pull the plug, not the power cable.
• Make sure ventilation outlets are not obstructed: putting things on the cabinet or using the device in a narrow and poorly ventilated place may result in the temperature rising which could affect its operation or the operation of other closely located components.
• If anything goes wrong, turn off the device first and then unplug the power cables. Do not attempt to repair the device yourself: Consult authorized service personnel or your dealer.

IMPORTANT

About the 12V DC power supply option, please note the following:

- Improper application of the 12V DC power supply may damage the device. When connecting a _2M_DC power to the power source, make sure to comply with the circuit diagram given on page 13 in this manual so that the correct polarity is applied. If in doubt, consult a competent electronics technician.

CONTENTS

Front and Rear Panel layout reference 3
Introduction 4
Getting Started 5
Front Panel functions explained 6-8
Rear Panel explained 9-10
Gearboxing in detail 11
Appendix B: Table of valid input video formats 11
Appendix C: Error Messages 12
Installation and connection 13
Calibration 14
Technical specifications 15-16
Notes 17

INTRODUCTION

Congratulations! You are now the proud owner of the latest generation of master clock from the world's favourite clocking company. Based on years of research, Trinity is a brand new design that is the most flexible, best sounding, most stable, and easiest to use master clock available.

In one box, Trinity will save you time. Imagine! One pass with multiple frequencies and formats of virtually any choice, all running in perfect synchronization. Well, imagine no longer, because it's truly possible with Trinity.

Based on Antelope's Oven Controlled Crystal Technology, Trinity has many new features including 3 Independent Audio Generators up to 384kHz, with Varispeed control. 3 Independent SD Generators, simultaneously offering PAL and NTSC. 3 Independent HD Generators, presenting a choice of 16 formats, and the latest revision of Antelope's Acoustically Focused Clocking (AFC), now in its ^th 4 generation and employing 64 bit DSP. So, that's a mind blowing 9 Independent and Simultaneous Audio/Video Generators, all perfectly locked. USB allows full remote control via PC and Mac. Firmware updates can also be applied via USB if updates are available.

The triple display shows the frequencies of the audio generators, varispeed values, source information, pull-ups/pull-downs, and useful messages.

Temporarily lose sync from your source?... Trinity will seamlessly free-wheel until the signal returns, and then re-lock using the latest Antelope `Gentle Lock Technology`.

Trinity also maintains features from the OCX-V, but in a brand new design features as the Antelope Jitter Management Module, Black Burst Generator, Atomic Input for connection to the 10M RubidiumAtomic Clock, and full Audio and Video Gearboxing with simultaneous 0.1% and 4% pull-ups/pull-downs.

So, please take some time to read through this reference manual, and familiarize yourself with the functionality that Trinity has to offer.

Above all, we hope you enjoy your new Antelope Trinity as much as we enjoyed designing it for you.

All the best,

The Antelope Team

GETTING STARTED

It only takes a few moments to harness the benefits of the Isochrone Trinity.

1. Connect Trinity to an AC or DC power source via rear panel connectors 18 or 19.
2. Power on using front panel power button 1.
3. To use Trinity's internal clock, set SOURCE knob 3 to OVEN, and press to confirm. If slaving to an external source, connect the master sync device to an input on the rear panel, and select the corresponding position with the SOURCE knob 3. Press to confirm.

Note: If using internal OVEN, there is a warm up period when the unit is first powered on. Pressing the INFO button just after powering on when SOURCE is set to OVEN will show the OVEN heating up. Correct operating temperature is reached when the OVEN light 14 is lit solid.

1. Set sample rate: Press AUDIO A button 6 to allow the sample rate to be changed on Audio channel A. Select desired sample rate with SAMPLE RATE knob 4, and press to confirm.
2. Trinity is now providing your chosen clock sample rate to Audio outputs A. You can also use Audio channels B and C in the same way. It is also possible to edit all audio channels together so that one frequency is sent to all outputs on all channels.

Some devices will automatically sync to clock coming from Trinity. Some will require that you set them to external clock manually. Other devices may require additional configuration to be able to sync to the incoming clock. Please consult the operating manual(s) of your device(s) regarding external clocking.

Note: When making initial connections, it is advised to do so with the studio volume turned down. Some devices may emit an unpleasant sound until properly configured to accept incoming clock.

FRONT PANEL

1. Power on/off button

2. AC/DC power indicators

Indicators to show whether AC or DC power is in use.

3. SOURCE Encoder Knob

The source knob selects the input from which Trinity receives a timing reference. Select OVEN to use the internal oven controlled crystal oscillator, or if Trinity is connected to the 10M Atomic Clock via the rear panel Atomic Input. The other five source knob positions correspond to the remaining physical inputs on the back panel input section.

If a SOURCE light flashes, the SOURCE is in a state of edit, and needs to be confirmed by pressing the SOURCE button. If not confirmed within 10 seconds, SOURCE will revert to previously saved position.

4. SAMPLE RATE Encoder Knob

The sample rate encoder is used to select standard frequencies, DA mode, adjust varispeed, and confirm settings. It is used in conjunction with AUDIO buttons 6, VARISPEED button 10 and pull up/pull down buttons & 12 13

DA Mode

In DA mode Trinity takes the incoming audio clock selected by the SOURCE knob 3, and puts it through the Jitter Management Module to regenerate a clean, de-jittered signal that is distributed to the outputs on any channel that is in DA mode. In DA mode, the outgoing sample rate will always match the incoming reference.

DA mode will not work if the SOURCE kno3 is set to VIDEO or OVEN, as there is no audio reference to distribute. In this case the display will scroll the message "Cannot DA chosen source". Note that in DA mode Trinity can work with non-standard sample rates, and any sample rate in the range 27.340 kHz 449.433 kHz is acceptable.

To select DA mode for any channel, press the desired AUDIO button(s) 6, turn SAMPLE RATE knob 4 fully clockwise, and then press the SAMPLE RATE knob to confirm. If not confirmed within a few seconds the audio channel(s) will revert to their last saved settings.

5. EDIT indicator

Flashes when in edit mode, but not for HD mode.

Note: Trinity will exit edit mode without saving if there is no user input for 10 seconds.

6. AUDIO Channel Edit Select Buttons

These three buttons are used to select the audio channels for editing, and can be edited individually or all at the same time which, if editing all can give you a big single channel master clock utilizing all rear panel outputs. If pressed once from standard mode the current state of the channel(s) will be visible, including varispeed and pull ups/pull downs.

Note: In edit mode, pull ups/downs are not only shown with lights 12 & 13, but are also shown with dashes after the frequency on the main display. So, If 0.1% & 4% pull ups are selected, the middle and top line of the last digit on the display are lit. If 0.1% & 4% pull downs are selected, the middle and bottom line of the last digit in the display are lit.

7. Triple Display

Displays information for everything except HD.

8. DIMMER Knob

Adjusts the brightness of the triple display.

9. HD Select Encoders

Use these knobs to select HD rates for the three HD channels. Press to confirm a change.

HD1, HD2, HD3 signals are sent to the corresponding rear panel output BNC connections 35

10. VARISPEED Select Button

Press this button when editing an audio channel allowing varispeed adjustment via the SAMPLE RATE encoder knob 4 The VARISPEED button toggles between adjustment options of cents and percent, where a 'c' on the display signifies cents mode, and a 'p' on the display signifies percent mode. Press SAMPLE RATE knob 4 to confirm varispeed setting.

Once any channel has been saved with a varispeed setting, the varispeed indicator will always light when NOT in edit mode to show that one or more channels is using varispeed.

11. SPLIT Mode

This is an advanced function, and to be used only if receiving a varispeed signal on the input. Using SPLIT will likely cause synchronization errors if used when the inputS a standard gearboxing frequency. SPLIT mode disables gearboxing for any channels that are set to DA while in SPLIT mode.

The reasoning behind this function is to avoid TRINITY mis-locking to an input frequency that is non-standard, but very close to a standard gearboxing frequency. (See standard gearboxing frequencies in Appendix A). If you know that your input frequency is a non-standard, non-gearbox frequency, then use SPLIT mode to allow DA of this non-standard input.

For this function to have any effect, at least one audio channel must be in DA mode. If no audio channels are in DA mode, and SPLIT is activated, the input will be ignored. When SPLIT is activated, the audio channel(s) that is/are set to DA will NOT lock to the SOURCE signal. All channels not in DA mode will continue to generate the frequency displayed for the respective channel(s), and will be running on internal oven or external Atomic.

Note: The SPLIT button has no function when SOURCE is set to VIDEO or OVEN.

12. USA pull up/pull down (+/-0.1%)

When in edit mode, this button toggles +/- 0.1% pull up/pull down for the channel(s) being edited. To confirm an edit press the SAMPLE RATE knob 4. On the triple display for the given channel(s), the top line of the digit to the far right is lit for a pull up, and the bottom line is lit for a pull down.

Notes:

If 0.1% & 4% pull ups are selected, the middle and top line of the last digit on the display are lit. If 0.1% & 4% pull downs are selected, the middle and bottom line of the last digit in the display are lit.

13. European pull up/pull down (+/- 4%)

When in edit mode, this button toggles +/- 4% pull up/pull down for the channel(s) being edited. To confirm an edit press the SAMPLE RATE knob 4. On the triple display for the given channel(s), the top line of the digit to the far right is lit for a pull up, and the bottom line is lit for a pull down.

Notes:

If 0.1% & 4% pull ups are selected, the middle and top line of the last digit on the display are lit. If 0.1% & 4% pull downs are selected, the middle and bottom line of the last digit in the display are lit.

14. Status LEDs

LOCK When lit, indicates that Trinity is locked to a valid incoming reference. The light will flash if there is no input, or a frequency present at the input is not one of the recognized valid gearboxing frequencies as in Appendix A on page 11.

ATOMIC Will be lit if SOURCE is set to OVEN, and a valid signal is present at the rear panel atomic input.

OVEN Flashes when Trinity is first turned on, and will light solid when the oven reaches its operating temperature.

Note: In normal operation OVEN and LOCK or ATOMIC and LOCK will not be lit at the same time. However, when using the advanced SPLIT mode this is possible.

15. INFO Button

Press to display further information on the SOURCE. Press again, or wait ten seconds to return.

16. HD Pull Down Select Buttons

Toggles -0.1% pull down On or Off for each HD channel. Press HD button for the given channel(s) to confirm edit(s).

17. SD Video Select Button

Use this button to select the format that will be present at rear panel outputs SD 3 & 4. This is an instant change that doesn't require confirmation

REAR PANEL

18. AC Power Socket

The IES AC Connection supports an input range of -20VAC. This enables the device to automatically accommodate mains voltages in any country.

19. DC Power Connection

Speakon NL4FX socket for 12VDC 15 Watt power supply.

20. Word Clock Inputs 1 & 2

BNC connections used to accept word clock reference.

21. AES/EBU Input

The AES/EBU input is a female XLR connection that accepts AES/EBU clock or audio.

22. S/PDIF Input

The S/PDIF input is an RCA connection that accepts S/PDIF clock or audio.

23. Video Input

The video input is a BNC connection that accepts video reference. See appendix B for sapedred formats.

24. Atomic Input

The BNC Atomic Input connection allows Trinity to receive a 10MHz reference from an atomic clock device, such as the Antelope 10M. When locked to Atomic, the internal oven on Trinity is automatically bypassed, the front panel ATOMIC LED lights, and the atomic device becomes the primary timing reference. This effectively provides 8 day sample accuracy, which means even more detailed sound and greater stability.

Note: User functionality of Trinity is unaffected by the presence of an Atomic device.

25. Audio Channel A - Word Clock Outputs 1 to 6

The sample rate on these outputs always matches the sample rate indicated by the frequency display for channelA on the front panel.

26. Audio Channel A - AES/EBU Outputs 1 & 2 (male)

These two outputs provide AES/EBU clock at the sample rate shown on the front panel frequency display for ChannelA.

27. Audio Channel A - S/PDIF Outputs 1 & 2

These two outputs provide S/PDIF clock at the sample rate shown on the front panel frequency display for ChannelA.

28. Audio Channel A 256x Word Clock Outputs 1 & 2

These two outputs provide 256x Word Clock, a protocol used in some older Digidesign components.

29. Audio Channel B Word Clock Outputs 1 to 4

The sample rate on these outputs always matches the sample rate indicated by the frequency display for channel B on the front panel.

30. Audio Channel B AES/EBU Output (male)

This output provides AES/EBU clock at the sample rate shown on the front panel frequency display for Channel B.

31. Audio Channel B S/PDIF Output

This output provides S/PDIF clock at the sample rate shown on the front panel frequency display for Channel B.

32. Audio Channel C Word Clock Outputs 1 to 4

The sample rate on these outputs always matches the sample rate indicated by the frequency display for channel C on the front panel.

33. Audio Channel C AES/EBU Output (male)

This output provides AES/EBU clock at the sample rate shown on the front panel frequency display for Channel C.

34. Audio Channel C S/PDIF Output

This output provides S/PDIF clock at the sample rate shown on the front panel frequency display for Channel C.

35. USB

Allows connection to PC and Mac for complete remote control and firmware updates. The control panel for PC and Mac is available as a download from the support section at www.antelopeaudio.com

36. HD Video Outputs

BNC connections that provide HD video outputs corresponding to front panel HD1, HD2, HD3.

37. SD Video Outputs

BNC connections that provide SD video outputs as follows.

SD1 NTSC with black burst

SD2 PAL with black burst

SD3 NTSC 30 or PAL 24, composite sync. Toggled via front panel button 17.

SD4 NTSC 60 or PAL 48, composite sync. Toggled via front panel button 17.

TRINITY GEARBOXING MODE

In Gearboxing Mode, Trinity always generates an output clock at the sample rate set by the SAMPLE RATE knob for each channel, regardless of the incoming reference frequency. This output clock is still phase-locked to the reference input, but the sample rates need not match.

For example, you may set the SAMPLE RATE for AUDIO channel A at 48 kHz and apply a 44.1 kHz reference. The device then “gearboxes” 44.1 kHz into 48 kHz output, as selected by the SAMPLE RATE knob for that channel. This ability to lock to one sample rate and generate another is very useful for sample rate conversions. Gearboxing Mode dramatically improves the sound quality of sample rate conversions.

For Gearboxing to work, the incoming reference must be one of 81 recognized valid frequencies. A valid frequency is i) one of the standard frequencies: 32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz ii) a standard frequency subjected to every possible combination of US and Euro pull up/pull downs (8 combinations are possible). See Appendix Abelow a complete table of the valid frequencies.

Note: Gearboxing can be disabled by using SPLIT mode. For this to work, at least one of the AUDIO channels must be set to DA, otherwise the input is ignored. SPLIT mode is to be used only if the input signal is known to be a varispeed frequency, and NOT a standard gearbox frequency as in the table below.

Appendix A

Table of valid input frequencies in Gearboxing mode

	32	44.1	48	88.2	96	176.4	192	352.8	384
USPD+EUPD	30.689	42.294	46.034	84.587	92.068	169.175	184.136	338.350	368.272
EUPD	30.720	42.336	46.080	84.672	92.160	169.344	184.320	338.688	368.640
USPU+EUPD	30.751	42.378	46.126	84.757	92.252	169.513	184.504	339.027	369.009
USPD	31.968	44.056	47.952	88.112	95.904	176.224	191.808	352.448	383.616
None	32.000	44.100	48.000	88.200	96.000	176.400	192.000	352.800	384.000
USPU	32.032	44.144	48.048	88.288	96.096	176.576	192.192	353.153	384.384
USPD+EUPU	33.300	45.892	49.950	91.783	99.900	183.566	199.800	367.133	399.600
EUPU	33.333	45.938	50.000	91.875	100.000	183.750	200.000	367.500	400.000
USPU+EUPU	33.367	45.983	50.050	91.967	100.100	183.934	200.200	367.868	400.400

Appendix B

Table of valid input video formats

PAL 24	1080i - 60	1080p - 30	1080psf - 60	720p - 60
PAL	1080i - 59.94	1080p - 29.97	1080psf - 59.94	720p - 59.94
	1080i - 50	1080p - 25	1080psf - 50	720p - 50
NTSC 60	1080i - 49.95	1080p - 24.975	1080psf - 49.95	720p - 30
NTSC 59.94	1080i - 48	1080p - 24	1080psf - 48	720p - 25
	1080i - 47.952	1080p - 23.976	1080psf - 47.952

Appendix C

Error Messages

Display says: CANNOT dACHOSEN SOURCE

Read: Cannot DA Chosen Source

Reason: The Audio channel is set to DA, and SOURCE is set to either OVEN or VIDEO.

Solution 1

Continue in DAmode by changing SOURCE knob to a position corresponding to a valid rear panel input.

Solution 2

Leave DAmode, selecting an internal sample rate.

Display says: NO IIPUT

Read: No Input

Reason: The Audio channel is set to DA, but there is no input on the chosen SOURCE.

Solution 1

Continue in DA mode by applying a valid rear panel input that corresponds to the front panel SOURCE knob.

Solution 2

Continue in DAmode by changing SOURCE knob to a position where there is a valid rear panel input.

Solution 3

Leave DAmode, selecting a standard sample rate.

Display says: SOURCE OFF-ΓAtE

Read: Source Off-Rate

Reason: Input is a non-standard frequency that is not one of the recognized gearboxing frequencies as in Appendix A on page 11, and is likely a varispeed input frequency.

Solution 1

Continue with the off-rate input, and select SPLIT mode. The audio channel must also be in DAmode.

Solution 2

Change SOURCE knob to OVEN and run on internal clock.

INSTALLATION AND CONNECTION

1. Before placing the device into its operating location, consider the following:

2. To minimize frequency instabilities, the device should not be placed near equipment generating strong magnetic fields, such as generators, transformers, etc.

3. To prevent possible interference, observe a minimum distance of 5 centimetres (2 inches) between the cables of this device and any non-coaxial audio cables.

4. It is talking the device unmounted (i.e. not in a rack) as long as the above conditions are met. There is no requirement for the device to be levelled horizontally

5. If the DC Power Connection is to be 19ised, make sure the power is wired cable properly, because reversed polarity may damage the device. Refer to the illustration below for information on how to make the connection. If in doubt consult a competent technician.

If the mark on the Speakon NL4FX plug is...	Connect to the following mark on the power supply unit circuit board / terminal:
1+	+12 V
2-	Ground
1-	Earth(optional, use it if available on the power supply unit)

1. Mount the device on its operating place in the rack and secure it with screws.
2. Connect the AC Power Connection and/or DC Power Connection to the respective power outlet(s).

Note: When connecting devices, do so with the studio volume turned down as some devices may emit an unpleasant sound until properly configured to accept incoming clock.

CALIBRATION MODE:

Trinity can be calibrated periodically by connecting it to the 10M Atomic Clock. This is not something that necessarily needs to be done very often, but if desired here's how to do it...

Connect 10M to Trinity as normal.

Power on both devices, and wait for 10M device to reach operating temperature.

Set Trinity SOURCE knob 3 OVEN, and be sure that the ATOMIC LED is 14

Wait for 1 minute to allow the units to stabilize.

Press Display button 15, and then Varispeed button 10. Trinity is now in calibration mode.

Note: The middle line of the display is the only thing you need to look at when in CAL mode. If this is stable at +/- 0.5 ppm or greater then it is worthwhile to proceed with calibration. If the display is not stable, please wait for a minute or two until it stabilizes before deciding whether calibration is needed or not.

To proceed with calibration, press the SAMPLE RATE knob . 4 nity is now calibrated to better than +/- 0.001 ppm accuracy.

Exit calibration mode by pressing the INFO butto 15

TECHNICAL SPECIFICATIONS

Clocking System:	4^th Generation Acoustically Focused Clocking64 bit DDSOven Controlled Crystal Oscillator
Stability:	< +/- 0.02ppm @ 64.Degrees Celsius
Ageing:	< 1 ppm per year
Calibration:	< +/- 0.001 ppm

Atomic Clock Input: 10MHz @ 1Vpp, BNC

Basic sampling rates (kHz): 32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384

Generators: 9 Independent and simultaneous: 3 Audio, 3 HD, 3 SD

Gearboxing standards: See Appendix A

HD Formats: See Appendix B

Varispeed: +/- 200 cents + 12.246 % - 10.910 %

Pull ups/downs: +/- 0/4% NTSC and/or 4% PAL -0.1% HD

Inputs: Universal video input on BNC. Recognizes all video formats automatically 2 selectable Word Clock on BNC 32kHz - 384 kHz 1 AES/EBU on XLR. 32kHz - 192kHz @ 110 Ohms terminated 1 S/PDIF on RCA. 32kHz - 192kHz @ 75 Ohms terminated

2.0 Full-speedUSB:

Outputs:

HD Video 6x BNC @ 75 Ohms

SD 1 BNC @ 75 Ohms fixed for NTSC video standard. Black Burst

SD 2 BNC @ 75 Ohms fixed for PAL video standard. Black Burst

SD 3 BNC @ 75 Ohms PAL 24/NTSC 30 selectable. Composite Sync

SD 4 BNC @ 75 Ohms PAL 48/NTSC 60 selectable. Composite Sync

Wordclock: 16 BNC, 3Vpp @ 75 Ohms

WC Basics	Word clock outputs except Audio A 256x				Audio A 256x
	x1 x2 x4	x8 x256
32.0 kHz	32.0 kHz	-	-	-	8.192 MHz
44.1 kHz	44.1 kHz	88.2 kHz	176.4 kHz	352.8 kHz	11.2896 MHz
48.0 kHz	48.0 kHz	96.0 kHz	192.0 kHz	384.0 kHz	12.288 MHz

AES/EBU: 4 XLR @ 110 Ohms

WC Basics	Word clock outputs except Audio A 256x				Audio A 256x
	x1 x2 x4	x8 x256
32.0 kHz	32.0 kHz	-	-	-	-
44.1 kHz	44.1 kHz	88.2 kHz	176.4 kHz	-	-
48.0 kHz	48.0 kHz	96.0 kHz	192.0 kHz	-	-

S/PDIF: 4 RCA @ 75 Ohms

WC Basics	Word clock outputs except Audio A 256x				Audio A 256x
	x1 x2 x4	x8 x256
32.0 kHz 32.0 kHz - - - -
44.1 kHz	44.1 kHz	88.2 kHz	176.4 kHz	-	-
48.0 kHz	48.0 kHz	96.0 kHz	192.0 kHz	-	-

Power Supply:

AC, universal input 90 - 250VAC, 15W

DC, 12VDC +/- 1VDC, 15W

Operating Temperature:

0-50 C, 32-122 F

Weight:

4 kg, 81B

Dimensions:

482mm (W) x 89mm (H) x 203mm (D)

19" (W) × 3.5" (H) × 8" (D)

NOTES