Mega 22S - Monitor OSEE - Free user manual and instructions
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| Product Type | LCD Monitor |
| Model | Mega 22S |
| Brand | OSEE |
| Dimensions (W x H x D) | 517.0 x 319.0 x 74.3 mm |
| Display Size | 21.5 inches |
| Resolution | 1920 x 1080 |
| Brightness | 1500 cd/m² |
| Contrast Ratio | 1100:1 |
| Viewing Angle (H/V) | 178° / 178° |
| Color Depth | 1.07 billion colors |
| Response Time | 14 ms |
| Backlight Life | 20000 hours |
| Power Supply | AC 100-240 V, 50/60 Hz or DC 11-17 V (battery) |
| Power Consumption | 45.4 W (typical) / 50.7 W (maximum) |
| Video Input Interfaces | 2 x 3G/HD/SD-SDI, 1 x HDMI |
| Video Output Interfaces | 2 x 3G/HD/SD-SDI |
| Audio Connectivity | 3.5 mm headphone jack |
| Supported Signal Formats | 4K up to 30p, 2K, HD, SD via SDI and HDMI |
| Key Features | Waveform, Vector, Histogram, Audio Meter, False Color, Zebra, Focus Assist, HDR, Color Profiles, User LUT |
| Operating Temperature | 0°C to 40°C |
| Included Accessories | Desktop feet, C-stand adapter, HDMI cable lock, Battery plate with D-tap to XLR cable, Cheese plate, Portable bag, Quick start guide, Service card |
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USER MANUAL Mega 22S OSEE
Release Date: May 16th, 2024
Company
OSEE TECHNOLOGY LTD.
Contact Information
Address: No.22 Building, No.68 zone, Beijing Road, Haidian District, Beijing, China
Post Code: 100094
Tel: (+86) 010-62434168
Fax: (+86) 010-62434169
Web: http://www.osee-dig.com/
E-mail: sales@osee-dig.com
About this manual
Important
The following symbols are used in this manual:
i Tips
- The further information or know-how for described subjects above which helps user to understand them better.
Warning
- The safety matters or operations that user must pay attention to when using this product.
MORE INFO

Firmware

User Manual

Support

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Contents
The user manual applies to the following device types:
Mega 15S
Mega 22S
The images of Mega 15S are adopted in the following descriptions. Before reading the manual, please confirm the device type.
Contents
Contents ...... I
Chapter 1 Overview ......1
Chapter 2 Safety....3
Chapter 3 Unpack and Installation ....7
Chapter 4 Features ......10
4.1 Parts and Functions....10
4.2 Buttons and Functions .... 11
4.3 Joystick Operations....13
4.4 Power On ....15
4.5 Input Signal Selection....16
4.6 ZOOM&PAN 16
4.7 Supported Signal Format .... 18
Chapter 5 Menu Operations....21
5.1 Monitor Settings....21
5.2 Monitor Menu....22
5.2.1 INPUT....23
5.2.2 CONTROLS....23
5.2.3 CAMERA PROFILE....27
5.2.4 SYSTEM....33
5.3 Menu Settings....42
Chapter 6 Scenes and Tools ....45
6.1 Tools Settings......45
6.1.1 Frame Tools 47
6.1.2 Expose Tools....51
6.1.3 Focus Tools ....57
6.1.4 Look Tool....59
6.1.5 Analysis Tool 63
6.1.6 Meter Tool 64
6.2 Scenes and Tools Operations....66
6.2.1 Add a scene....66
6.2.2 Delete a Scene 67
6.2.3 Add a Tool 68
6.2.4 Load/Close Tool Bar....71
6.2.5 Turn ON/OFF a Tool....72
6.2.6 Tool Settings....73
Chapter 7 Scenes and Tools …… 错误!未定义书签。
7.1.2 Delete a Tool ....78
Chapter 8 Specifications....81
Chapter 1 Overview
The Mega series LCD Monitor is a high performance field/studio monitor tailoring most applications from program production, intensive upload/download, playout to studio and intensive monitoring all sorts of business in TV Stations.
The front frame of the unit comes in a slim bezel design made from rubber mold. The professional TFT glass at full resolution of 1920x1200 UHD with LED backlight makes the Mega series LCD monitor capable of reproducing a natural color at quickest response time. In addition, the unit boasts a full wide viewing angle as well as excellent brightness and contrast ratio.
By adopting the advanced 10-bit digital signal processing technology plus 3D comb filter, de-interlacing capability and accurate scaling ensures the Mega series LCD Monitor to achieve a better effect of smoother and more natural image.
The Mega 15 series S LCD Monitor supports up to 2Ch 3G/HD/SD-SDI inputs, one HDMI input and 2Ch 3G/HD/SD-SDI output.
It also has a full package of video assisting tools like waveform, vector scope, histogram, zebra, audio meter, focus assist, exposure assist, TC and all kinds of markers.

natural_image
Digital camera display showing a field of red poppies with blue flowers, no visible text or symbols on the flower image itself.Figure 1 A Diagram of Mega 15S Monitor
Features
■ Prevailing slim bezel design
■ Having multi-format input including 4K/3G/HD/SD-SDI and HDMI
■ Adopting full HD, wide viewing angle TFT glass
■ Using 10-bit signal processing technology plus advanced conversion technology between the interlacing and the progressive
■ Support waveform, vector scope, histogram and audio meter
■ Support HDR technology and wide range color space
■ Support multiple color space: SMPTE-C, EBU, ITU709, ITU2020, P3
■ Support multiple assistants: zebra, focus assist, exposure assist, etc.
■ Support IMD remote control
■ Support MARKER, Time Code, MET display
Chapter 2 Safety
FCC Caution:
Any Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment.
This device complies with part 15 of the FCC Rules.
Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation.
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
Warnings:
Read, keep and follow all of these instructions for your safety. Heed all warnings.

Warning
Device
• Install in accordance with the manufacturer's instructions.
- Do not beat with a hard object or scratch the LCD display.
- Do not make the freeze picture displaying on the screen time too long, otherwise, it will leave the afterimage on the screen.
- If the brightness is adjusted to the minimum, then it might be hard to see the display screen.
• Refer all servicing to qualified service personnel. Servicing will be required under all of the following conditions:
□ The unit has been exposed to rain or moisture.
□ Liquid had been spilled or objects have fallen onto the unit.
☐ The unit has been damaged in any way, such as when the power-supply cord or plug is damaged.
□ The unit does not operate normally.
- Clean only with dry cloth.
- Specifications are subject to change without notice.

Warning
Position
- Do not block any ventilation openings.
- Do not use this unit near water.
- Do not expose the unit to rain or moisture.
- Do not use this unit near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that product heat.
- A nameplate indicating operating voltage, etc., is located on the rear panel.
- The socket-outlet shall be installed near the equipment and shall be easily accessible.

Warning
Power Supply Cord
- Do not defeat the safety purpose of the polarized or grounding-type plug.
- Do not damage the power cord, place heavy objects on the power cord, stretch the power cord, or bend the power cord.
- Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the unit.
- If the power cord is damaged, turn off the power immediately. It is dangerous to use the unit with a damaged power cord. It may cause fire or electric shock.
- Unplug this unit during lighting storms or when unused for long periods of time.
- Disconnect the power cord from AC outlet by grasping the plug, not by pulling the cord.
- Should any solid object or liquid fall into the cabinet, unplug the unit and have it checked by qualified personnel before operating it any further.
Chapter 3 Unpack and Installation
Unpack:
When unpacking the components of Mega 15S monitor, please verify that none of the components listed in Table 3.1 are damaged or lack. If there is any missing, contact your distributors or Osee Technology Ltd. for it.
Table 3-1 Packing List
| No. | Item | Quantity |
| 1 | Monitor | 1 |
| 2 | Desktop Feet with 2 Screws | 2 |
| 3 | Power cord | 1 |
| 4 | C-stand Adapter with 3 Screws | 1 |
| 5 | HDMI Cable Lock (2 parts) | 1 |
| 6 | Battery Plate with a D-tap to XLR Cable and 5 Screws | 1 |
| 7 | Cheese Plate with 2 Screws (V or AB mount) | 1 |
| 8 | Portable Bag | 1 |
| 9 | Quick Start Guide | |
| 10 | Service Card | 1 |
Installation:
1. Prepare for installation
Please follow the procedures below before installing Mega 15S:
- Check the equipment for any invisible damage that may have occurred during transit.
- Confirm all the items listed on the packing list have been received.
- Remove all the packing material including electrostatic-resistant packing.
- Retain these packing materials for future use.
2. Mount a Mega 15S in your desired location. Adequate ventilation is required when installed to prevent possible damage to the Mega 15S.
There are screw holes at the rear panel of the monitor, which are labeled in the following figures. Assemble the parts of the stands, then insert the stands into
the case, and fasten it with the screws provided. The stands installation for Mega 15S are as follows:

Figure 3-1 Stands and Accessories for Mega 15S
Battery plate has 2 options: AB or V-mount, figure shows V-mount, D-tap to XLR cable not shown. Cheese plate, battery plate and C-stand adaptor are pre-installed before shipping.

Figure 3-2 VESA and Battery Plate(horizontal) Position for Mega 15S
i Tips
- Please notice that once the HDMI cable lock is inserted into the lock hole, it CAN'T BE REMOVED unless the rear panel is disassembled.
- Connect required cables for signal input and output. For BNC connections use 75 Ω rated connectors.
- Connect 100\~240V50/60Hz AC or 11\~17V3A DC battery(with optional battery plate) using the power cord.
- Connect the power cord to the power interface.
- Fasten the power protect accessory.
- As a final step, turn on the device by pressing the corresponding power switch located on the front panel.
i Tips
- The pedestal and the monitor are packaged separately.
- Connect a standard signal line to the corresponding input port. All BNC connector impedance must be 75 .
- Please use the power cord supplied to avoid unnecessary trouble.
Chapter 4 Features
This chapter describes the features of Mega 15S monitor. The features of Mega 15S monitor are as shown as below.
4.1 Parts and Functions
The parts of Mega 15S are shown as below, there are various input and output interfaces for Mega 15S monitor, as shown in Figure 4.1-1 and Figure 4.1-2.

Figure 4.1-1 Parts in Rear Panel

Figure 4.1-2 Parts in Rear Panel
| No. | Connector | Description |
| 1 | SDI IN1 | SDI input interface |
| 2 | SDI IN2 | SDI input interface |
| 3 | SDI OUT1 | SDI output interface |
| 4 | SDI OUT2 | SDI output interface |
| 5 | HDMI IN | HDMI input interface, supports HDCP, compatible DVI1.0, HDMI 1.4 |
| 6 | CALIBRATE | Type-C, used for color calibration |
| 7 | Battery Input | BATT IN, External battery NP-F/LP-E6, XLR 3pin connector, 11~17V |
| 8 | AC IN | AC power input, 100~240 50/60HzV |
| 9 | Power Switch | Switch to “—” position to power on; and switch to “○” position to power off |
| 10 | Headphone | Headphone output jack, 3.5mm stereo Jack |
| 11 | USB | U disk slot, the U disk is used to load the customized LUT tables, and update firmware. |
| 12 | Speaker | External speaker |
* Support SONY NP-F and Canon LP-E6 battery currently.
4.2 Buttons and Functions
The monitor provides a few buttons at the front panel, as shown in Figure 4.2-1. It is used for input selection, function buttons, power on and so on.

Figure 4.2-1 Buttons in Front Panel
| Buttons | Name | Function | |
![]() | Input | Choose the input source channel | |
![]() | F1 | Choose the tool assigned to F1 button | |
![]() | F2 | Choose the tool assigned to F2 button | |
![]() | F3 | Choose the tool assigned to F3 button | |
![]() | F4 | Choose the tool assigned to F4 button | |
![]() | Joystick | Monitor settings, tool settings and Myset operations | |
![]() | Power | Power on or off | |
4.3 Joystick Operations
The monitor provides a Joystick at the front panel, as shown in Figure 4.2-1. It is used for monitor settings, adding tools for scenes, tools settings, zoom image and so on.
Use the joystick as a navigation tool to scroll between scenes and set features. The joystick provides multiple functions with five operation directions, Up, Down, Left, Right, Straight Down, and Clockwise Rotation or Counterclockwise Rotation, as shown in Figure 4.3-1.

natural_image
Diagram of a mechanical component with directional arrows indicating rotation or cycle (no text or symbols)Figure 4.3-1 Five Operation Directions for Joystick
→ Switch to next MySet
Switch to last MySet
Enter Zoom&Pan menu(with signal input)
Enter Menu Bar(Volume adjustment, Backlight adjustment, Monitor settings, Add MySet and Delete MySet)
Enter Tool Bar
The details about the joystick operations are described as shown in the following table:
| Direction | Operation |
| UP | Without any menu, scroll up to access ZOOM mode. Keep scrolling up, and switching among these three modes FULL→2X→4X;In ZOOM 2X or ZOOM 4X editing mode, scroll up the joystick to move the starting position of the enlarged image;In monitor settings, scroll up to select the previous item;In scene tool menu, scroll up to select the previous item. |
| DOWN | In ZOOM mode, scroll down to exit ZOOM mode.In ZOOM 2X or ZOOM 4X editing mode, scroll down the joystick to move the starting position of the enlarged image;In monitor settings mode, scroll down to select the next item;In scene tool menu, scroll down to select the next item. |
| LEFT | Without any menu, scroll left to the previous MySet;In ZOOM 2X or ZOOM 4X editing mode, scroll left the joystick to move left the starting position of the enlarged image;In monitor settings mode, scroll left to return to the previous level menu, or decrease the item value;In a tool bar of a scene, scroll left to return to the previous level menu or the downward adjustment the item value. |
| RIGHT | Without any menu, scroll right to Next MySet;In ZOOM 2X or ZOOM 4X editing mode, scroll right to move right the starting position of the enlarged image;In monitor settings menu, scroll the joystick right to access the next level menu, or increase the item value;In a tool bar of a scene, scroll right to access the next level menu or the upward adjustment the item value. |
| STRATIGHT DOWN | In ZOOM 2X or ZOOM 4X mode, press straight down to access editing mode where the zoomed image can be panned up/down/right/left; In ZOOM 2X or ZOOM 4X editing mode, press straight down to exit editing mode;In a scene, press straight down to display the Tool bar;In a tool bar of a scene, press straight down the joystick t enable or disable the selected tool;In monitor settings menu, press straight down the joystick t confirm the selection of the last level menu item and return to the previous level menu. |
i Tips
- You can also rotate the joystick in clockwise or counterclockwise to increase or decrease, or adjust the related selection. You can rotate clockwise or counterclockwise. Clockwise rotation achieves rapid downward scrolling or incremental operations, while counterclockwise rotation enables fast upward scrolling or decrement operations.
4.4 Power On
The power switch is on the right corner of the rear panel of Mega 15S. Use it to power the monitor on or off. It provides one AC power switch to switch on or switch off. As shown in Figure 4.4-1, push the button to the direction “-” to switch on the power, or push the button to the direction “O” to switch off the power.

Figure 4.4-1 Power Switch

Figure 4.4-2 Power On
■ Power Method
There are two methods for powered the monitor as below:
Method 1: Powered by battery. Mount the battery plate and battery at the rear panel of the monitor. It supports both SONY NP-F series and Canon LP-E6 batteries(11\~17V), then connect the battery to BATT IN with D-tap to XLR cable.
Method 2: Powered by AC power input. (100\~240V50/60HzAC)
■ Power On Operation
First, install the battery and connect to BATT IN, or connect the AC power cord. Second, switch the power switch to “—” position when using the AC power
input;
At last, press the power button on the front panel, and the power indicator is lit up in highlight orange.

Tips
- It will display the boot screen after power on for 3\~4 seconds.
• After powered on, press the power button for 4s to turn it off.

Warning
- Only use the adapter and the power cord specified by the manufacture for your safety!
4.5 Input Signal Selection

Input Selection
Select the input signal from each input interface. Press this button to display the Input Source menu at the top right corner of the screen, as shown in Figure 4.5-1. Press the input button or UP/DOWN button to choose your input channel.

Figure 4.5-1 Source Menu
4.6 ZOOM&PAN
You can get closer view to show you more details of your image in ZOOM mode. It provides 2X ZOOM mode and 4X ZOOM mode, that is you can double(2X) or quadruple(4X) the image, and move the starting position of the enlarged image. When in menu clear status and with a signal input, scroll up once to enter Zoom 2X
mode, twice to enter Zoom 4X mode, and scroll down to change from Zoom in to Zoom out.
1. ZOOM 2X
■ Enter Zoom 2X Mode
Scroll right the joystick to access a scene, and then scroll up the joystick to access Zoom 2X mode, the image is enlarged twice as much as the original one. There will be a Zoom 2X icon at the bottom right of the screen, as shown in Figure 4.6-1:

natural_image
Two-panel image showing a snowy mountain landscape with autumn foliage and a river, one with a red arrow pointing to the right (no text or symbols)Figure 4.6-1 Zoom 2X Mode
■ Zoom 2X Pan Mode
After accessing the Zoom 2X Mode, press straight down the joystick to enter Pan mode, scroll left, right, up or down to pan the image, press again to exit Pan mode.
In Pan mode, you can move the starting position of the enlarged image. There will be a Zoom 2X Editing icon at the bottom right of the screen, as shown in Figure 4.6-2. The small rectangle with four direction arrows in this icon represents the current full screen image in the monitor, you can judge where this area is in the original image.

Figure 4.6-2 Zoom 2X Pan Mode
2. ZOOM 4X
■ Enter Zoom 4X Mode
Scroll up the joystick to show the Zoom 2X mode, and then keep scrolling the up the joystick to show the Zoom 4X mode, the image is enlarged by four times as much as the original one. There will be a Zoom 4X icon at the bottom right of the screen, as shown in Figure 4.6-3:

natural_image
Two-panel image showing a snowy mountain landscape with autumn foliage and a camera interface overlay (no text or symbols)Figure 4.6-3 Zoom 4X Mode
■ Zoom 4X Pan Mode
After accessing the Zoom 4X Mode, press straight down the joystick to enter Pan mode, scroll left, right, up or down to pan the image, press again to exit Pan mode.
In Pan mode, you can move the starting position of the enlarged image. There will be a Zoom 4X Editing icon at the bottom right of the screen, as shown in Figure 4.6-4. The small rectangle with four direction arrows in this icon represents the current full screen image in the monitor, you can judge where this area is in the original image

Figure 4.6-4 Zoom 4X Editing Mode
3. Original Image Mode
■ Original Image Mode
In Zoom 2X mode or Zoom 4X mode, press down to recover and display the original image.
i Tips
- The scene tools are not editable in ZOOM 2X or ZOOM 4X mode.
4.7 Supported Signal Format
The supported signal format for this device is as shown in Table 4.7-1:
Table 4.7-1 Supported Signal Format
| Signal Format | SDI | HDMI | |
| HD | 720P24/23.98 | √ | √ |
| 720P25 | √ | √ | |
| 720P30/29.97 | √ | √ | |
| 720P50 | √ | √ | |
| 720P60/59.94 | √ | √ | |
| 1080PSF24/23.98 | √ | √ | |
| 1080PSF25 | √ | √ | |
| 1080PSF29.97 | √ | √ | |
| 1080PSF30 | √ | √ | |
| 1080I50 | √ | √ | |
| 1080I60/59.94 | √ | √ | |
| 1080P24/23.98 | √ | √ | |
| 1080P25 | √ | √ | |
| 1080P30/29.97 | √ | √ | |
| 3G | 1080I50 | √ | √ |
| 1080I60/59.94 | √ | √ | |
| 1080P24/23.98 | √ | √ | |
| 1080P25 | √ | √ | |
| 1080P30/29.97 | √ | √ | |
| 1080P50 | √ | √ | |
| 1080P60/59.94 | √ | √ | |
| 2K | 1080PSF24/23.98 | √ | |
| 1080PSF25 | √ | ||
| 1080PSF29.97 | √ | ||
| 1080PSF30 | √ | ||
| 1080P24/23.98 | √ | √ | |
| 1080P25 | √ | √ | |
| 1080P30/29.97 | √ | ||
| 1080P50 | √ | √ | |
| 1080P60/59.94 | √ | ||
| UHD | 2160P24/23.98 | √ | |
| 2160P25 | √ | ||
| 2160P30/29.97 | √ | ||
| 4K | 4KP24/23.98 | √ | |
| 4KP25 | √ | ||
| 4KP30/29.97 | √ | ||
Chapter 5 Menu Operations
The chapter describes the structure and functionality of the monitor settings, and introduces how to modify and customize the monitor settings.
Monitor settings contains the settings as shown in Figure5-1.

Figure 5-1 Monitor Settings
5.1 Monitor Settings
Checking or modifying the monitor settings with the Joystick.
Scroll the joystick down to display the menu bar button at the bottom center of the screen, as shown in Figure 5.1-1. Scroll right to select the second icon, and press
the joystick down to confirm the selection, it will display the monitor settings, as shown in Figure 5.1-2:

natural_image
Row of five icons on a dark background: speaker, sun, gear, document, and page (no text or symbols)Figure 5.1-1 Menu Bar

Figure 5.1-2 Structure of Monitor Settings
The menu interface is divided into two parts:
1. First level menu
It contains the menu list of the monitor settings, containing Input, Controls, Camera Profiles, System. Scroll up or down to choose an item, the selected one is labeled in highlight orange.
2. Second level menu
Scroll right to access the corresponding menu item to enter the second level of menu list. Scroll up or down to choose the second level item, and scroll left or right to modify the value of the item. Then, press down to modify the value modification.
■ Control Icon
There is an orange control icon when you choose the menu or its value in the menu list.
i Tips
- The menu item is selected when the control icon which is in highlight orange.
5.2 Monitor Menu
The following will introduce the contents and functionality of these menu items in
sorts.
5.2.1 INPUT
The INPUT menu provides input sources selection, as shown in Table 5.2-1:

Figure 5.2-1 Input Menu
Table 5.2-1 Description of INPUT Menu
| Menu | Items | Default | Domain Range | Description |
| Input | SOURCE | HDMI | HDMI: signal from HDMI IN SDI1: signal from SDI IN1SDI2: signal from SDI IN2 | Choose the input signal source |
5.2.2 CONTROLS
The CONTROLS menu items are used to adjust volume, backlight, rotating image, set probe position and status bar. The menu items are as shown in Figure 5.2-2:

Figure 5.2-2 Controls Menu
Table 5.2-2 Description of Controls Menu Items
| Menu | Items | Default | Domain Range | Description |
| Volume | OPTIONS | 16 | 0~31 | Adjust the volume |
| Backlight | OPTIONS | 8 | 0~10 | Adjust the backlight |
| Display | SCREEN | AUTO | AUTO/ | Rotate the image and menus (not |
| Rotate | ROTATE | 0/180 | supported currently) | |
| IMAGE ROTATE | 180 | 0/180 | Rotate the image in vertical direction | |
| IMAGE MIRROR | OFF | OFF/ON | Rotate the image in horizontal direction | |
| Probe Location | OPTIONS | AFTER LUT | AFTER LUT/BEF ORE LUT | Set the probe before or after LUT loading. This probe will affect the collecting data from the input signal to the appearance of waveform, vector, histogram, false color and zebra. |
| Status Display | OPTIONS | OFF | OFF/ON/BAT ONLY | Enable/disable the status bar at the top of the screen |
1. Adjust Volume
Select controls→VOLUME item, scroll right to enter the VOULME menu, as shown in Figure 5.2-3. Scroll left or rotate counterclockwise to decrease the volume, scroll right or rotate clockwise to increase the volume. Press it down to confirm the modification and return to the previous level menu.

Figure 5.2-3 Volume Menu
2. Adjust Backlight
Select controls→BACKLIGHT item, scroll right to enter the BACKLIGHT menu, as shown in Figure 5.2-4. Scroll left or rotate counterclockwise to decrease, scroll right or rotate clockwise to increase the backlight.

Figure 5.2-4 Backlight Menu
3. Display Rotate
■ Image Rotate
Set controls→Display Rotate→Image Rotate item to be 180 or 0, only the input image will reverse vertically, as shown in Figure 5.2-5:

natural_image
Close-up profile of a giraffe against a solid blue background (no text or symbols visible)Original Image

natural_image
Close-up of a giraffe in flight against a solid blue background (no text or symbols visible)Reverse Image
Figure 5.2-5 Vertical Rotate
■ Image mirror
Set controls→Display Rotate→Image MIRROR item to be ON or OFF, only the input image will reverse horizontally, as shown in Figure 5.2-6:

natural_image
Close-up profile of a giraffe against a solid blue background (no text or symbols visible)Original Image

natural_image
Close-up portrait of a giraffe against a solid blue background (no text or symbols visible)Mirror Image
Figure 5.2-6 Horizontal Rotate
4. STATUS BAR
Set controls→STATUS DISPLAYitem to be ON, it will display the Status bar at the top of the screen, including this information from left to right: Input source format, gamut, scene ID and battery capacity indication.

Figure 5.2-7 Status Bar
■ INPUT FORMAT
The Signal Format usually displays as the following situations:
☐ UNKNOWN: appears if an unsupported signal is input.
☐ NO SIGNAL: appears if no signal is detected.
☐ Normal: the signal format is displayed as HDMI 1080i59.94, etc. when the input is supported by the monitor.
■ Settings
☐ ON: display the input channel, signal format, scene ID and battery indicator (available only when the battery level is 11\~17V);
☐ OFF: turn off the status bar display;
☐ BAT ONLY: only display the battery indicator, and the illustrations are different according to the battery level as shown in the table below. When the battery capacity is running out, it will pop up a warning as shown in Figure 5.2-8, please replace the battery in time, and click OK to close this prompt. And it will display an AC indicator when powered by AC power input.

Figure 5.2-8 Battery Warning
| Range of battery level | Illustration |
| 100% | ![]() |
| >80% | ![]() |
| <80%, >60% | ![]() |
| <60%, >40% | ![]() |
| <40%, >20% | ![]() |
| <10% | ![]() |
| Nearly running out | ![]() |
| Powered by AC | ![]() |
i Tips
- For the differentiation of battery providers, the illustrations and values for various battery levels in the above table are for reference only, please don't take it for granted and judge it as the real battery level!
The CAMERA PROFILE menu items are used to set the Input Range, Input Matrix, Signal Format, Color Management and Load User LUT, the menu items are as shown in Figure 5.2-9:

Figure 5.2-9 Camera Profile Menu
Table 5.2-3 Description of Camera Profile Items
| Menu | Items | Default | Domain Range | Description |
| Input Range | OPTIONS | AUTO | AUTO/64~940/0~1023 | Set color range |
| Input Matrix | OPTIONS | AUTO | AUTO/Rec 601(SD)/Rec 709(HD)/Rec 2020(UHD) | Set color matrix |
| Signal Format | OPTIONS | AUTO | AUTO,422 YCBCR 10BIT,422 YCBCR 12BIT,444 YCBCR 10BIT,444 YCBCR 12BIT, 444 RGB 10BIT, 444 RGB 12BIT, 444 XYZ 10BIT, 444 XYZ 12BIT | Set signal format, available for SDI. |
| Color Management | LOG/HDR | ON | ON/OFF | Enable/disable LOG/HDR function |
| COLOR PROFILE | EBU | EBU/DCI/ARRI/BMD/Canon/FUJI/Nikon/ Panasonic/RED/SONY | Choose a color profile, refer to Table 5.2-4 for the relationship among color profile, gamma and gamut | |
| GAMMA | -- | Refer to Table 5.2-4 | Set Gamma | |
| GAMUT | -- | Refer to Table 5.2-4 | Set Gamut | |
| Load User LUT | EXECUTE LOAD LUT FILE | -- | LUT1~ LUT10 | Load a color look profile from U disk |
1. COLOR PROFILE
The monitor is equipped with versatile color profiles for different requirements. We provide the following color profiles:
Set camera profile COLOR MANAGEMENT LOG/HDR item ON and select camera profile COLOR MANAGEMENT COLOR PROFILE item according to your camera, then set GAMMA and GAMUT, as shown in Figure 5.2-10:

Figure 5.2-10 COLOR MANAGEMENT SETTINGS
■ Color Profile (For Versatile CAMERAs)
There are versatile color profiles for cameras of various brands, supporting ARRI, BMD, Canon, DCI, EBU, FUJI, NIKON, Panasonic, RED and SONY, etc.
Table 5.2-4 COLOR PROFILES FOR CAMERAS
| PROFILE | GAMMA | GAMUT |
| EBU | 2.2 | Rec 709 |
| 2.4 | Rec 709 | |
| HLG | Rec 709, Rec 2100 | |
| PQ | Rec 709, Rec 2100 | |
| DCI | 2.6 | P3 D65, DCI-P3 |
| ARRI | EI160 | Rec.709, ALEXA Wide Gamut |
| EI200 | ||
| EI250 | ||
| EI320 | ||
| EI400 | ||
| EI500 | ||
| EI640 | ||
| EI800 | ||
| EI1000 | ||
| EI1280 | ||
| EI1600 | ||
| BMD | BMD Film | BMD 4K Film, BMD 4.6K Film, BMD Pocket 6K Film |
| BMD 4K Film | ||
| BMD 4.6K Film | ||
| Canon | C LOG | Rec.709, Canon Cinema, Rec 2100, DCI-P3, DCI-P3+ |
| C LOG2 | ||
| C LOG3 | ||
| FUJI | F-LOG | Rec.709, F-Gamut |
| NIKON | N-Log | Rec 2100 |
| Panasonic | V-LOG | Rec.709, V-Gamut |
| RED | Redlogfilm | Rec.709, DRAGONcolor, DRAGONcolor2, REDcolor2, REDcolor3, REDcolor4, REDWideGamut |
| Log3G12 | ||
| Log3G10 | REDWideGamut | |
| Sony | S-LOG | Rec.709, S-Gamut, S-Gamut3, S-Gamut3.Cine, Rec 2100 |
| S-LOG2 | ||
| S-LOG3 |
i Tips
- The preset color profiles are constantly under development.
- Please confirm your LOG/HDR settings before shooting videos, then activate it through DE-LOG tool in scene.
2. Load User LUT File
The monitor could be equipped with versatile color lookup profiles for different image effect requirements. Add these customized LUT files from U disk through LOAD USER LUT item in monitor setting, then choose and apply USER LUT through USER LUT tool in the scene.
First, write the designated LUT file to the monitor.
Operation: Select camera profile→LOAD USER LUT→LUT* item to choose a LUT file from U disk, the User LUT file list is as shown in Figure 5.2-11, you can only see LUT ID without profile name in the list for the first time.

Figure 5.2-11 LUT Storage Directory
Scroll the joystick down to select LOAD USER LUT item, and press it straight down to enter the list, then scroll down to choose a designated LUT file, and press down to confirm the selection. Then, it will pop up a prompt for reminding you overwriting operation for LUT file, as shown in Figure 5.2-13, press OK and select the target LUT from U disk, the file should be a LUT file with a file extension of “.cube”, and specify its storage directory, please don’t cut off the power during loading.

Figure 5.2-12 Prompt for Overwriting LUT

Figure 5.2-13 Calibration USER LUT Directory
For example: Load a LUT file to LUT1, scroll down to choose LUT1 in the LUT list, press the joystick straight down to confirm the selection, it will pop up a series of directories for navigating to the designated LUT file, as shown in Figure 5.2-13, then choose a target USER LUT to be stored. Press the joystick straight down to confirm the selection, it will write the specified LUT file into the monitor from the U disk, it will prompt the writing status, as shown in Figure 5.2-14, then it will prompt file write complete after file loading. At last, you can see the profile name is on the left side of the current LUT ID in the list.

Figure 5.2-14 Prompt for File Writing
Second, use USER LUT tool to activate LUT to current scene.
Operation: scroll the joystick right to access a scene, and press straight down to load the Tools pane for the scene. Then, add the USER LUT tool, press down to enable this tool, for example, choose ID item as LUT1, and INTENSITY as 100%, thus, it will apply LUT1 to current scene display, as shown in Figure 5.2-15:

Figure 5.2-15 User LUT Tool
After activating a LUT file, it will be loaded to the image display immediately, as shown in Figure 5.2-16:

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Comparison of two views of a historic cathedral under a cloudy sky, showing a red arrow pointing to the right image (no text or symbols present)Figure 5.2-16 Output Image Applied with a LUT File

Tips
- There will a "File format not support!" prompt for unavailable LUT file when executing file writing operation.
- Refer to "6.1.4 Look Tool" for the details about applying the 3D LUT file.
- Make sure your U disk is FAT32 format, otherwise, it will not be supported in this monitor.
- Mega 15S supports Color Calibrate command in monitor settings currently, the customized 3D LUT profiles (*.cube) produced by other software could be loaded to U disk by a control computer.
■ If detecting no U disk during the operation, it will prompt " No Media"; if any other wrong happened, it will pop up the relevant prompt, please check it according to this prompt.
5.2.4 SYSTEM
The SYSTEM menu provides monitor info, language selection and factory reset operations, as shown in Figure 5.2-17:

Figure 5.2-17 System Menu
Table 5.2-5 Description of System Menu Items
| Menu | Items | Default | Domain Range | Description |
| Monitor Info | VERSION | -- | -- | Show the firmware versions |
| BUILD INFO | -- | -- | Show build information | |
| SERIAL NUMBER | -- | -- | Show serial number | |
| MODEL | -- | -- | Show device model | |
| Language | OPTIONS | English | Chinese/ English/ Français/ Espanol | Choose a language mode |
| Advance Setup | FACTORY RESET | -- | -- | Revert the factory settings |
| FACTORY MANAGE | ON | ON/OFF | Enable/disable factory manage functions | |
| COLOR CALIBRATE | -- | -- | Execute color calibrate process | |
| Helper Display | OPTIONS | ON | ON/OFF | Enable/disable the helper prompt display |
| Function Key | F1 | TOOL1 | TOOL1~ TOOL8 | Assigned a tool to F1 button |
| F2 | TOOL2 | TOOL1~ TOOL8 | Assigned a tool to F2 button | |
| F3 | TOOL3 | TOOL1~ TOOL8 | Assigned a tool to F3 button | |
| F4 | TOOL4 | TOOL1~ TOOL8 | Assigned a tool to F4 button |
1. HELPER DISPLAY
The helper display prompt is used to indicate how to operate with the Joystick, as shown in Figure 5.2-18. Select system→HELPER DISPLAY→OPTIONS item to enable or disable this prompt. The prompt will be shown after powered on.

Figure 5.2-18 Helper Prompt for Joystick Operation
2. LANGUAGE
Set system → Language → OPTIONS item as Chinese, English, Français or Espanol to switch the language mode for the monitor OS.
3. FIRMWARE UPDATE
Insert the U disk containing your upgrade file whose format should be with a file extension of ".bin", power on the device and it will upgrade automatically, then after successfully upgraded, it will prompt as shown in Figure 5.2-19:

Figure 5.2-19 UPDATE
At last, please restart the device manually.
Make sure you have inserted your USB disk with the stored firmware files into the USB interface of the monitor, or it will inform you a "Can't Detect USB" error.
i Tips
- Please keep the monitor on, and don't remove the USB drive during the firmware upgrading.
- It is recommended to use a 3.0 USB!
- Restart the monitor after successful firmware update, and the new files will take effect.
4. FACTORY RESET
Select system→ Advance Setup → FACTORY RESET item to initialize the settings to default values, it will pop up a prompt, as shown in Figure 5.2-20, scroll right to select RESET command, and press the joystick straight down to confirm the selection.
Please pay some patience during the reset operation, and it lasts about one minute. The device will be in black screen mode for a short time after confirming reset operation, and then it will display the Boot Screen for successful reset operation, as shown in Figure 5.2-21. At last, please restart the device by manual.

Figure 5.2-20 Prompt for Factory Reset

Figure 5.2-21 Boot Screen
Tips
- It lasts about one minute for restarting operation, please don't do any operations during restarting the device.
5. Color Calibration
Select system→ Advance Setup → COLOR CALIBRATE item to initialize the settings to default values, it will pop up a prompt, as shown in Figure 5.2-20, scroll right to select RESET command, and press the joystick straight down to confirm the selection.
We provide two methods for screen color calibration for your Mega monitor. One is using the built-in autonomous calibration, the other is using the professional color management software Osee Calibrator, as detailed below.
Follow these steps to calibrate your monitor.
i Tips
- Before calibration, warm up your monitor and put the probe at a proper location.
□ About Monitor Warm-up
The monitor should be provided a stable status before starting the calibration. That is, before calibration, make sure your monitor has been powered up for a certain time (we recommend at least 20 minutes), thus, this will warm up the monitor and make it in an excellent status, and please make sure there is no intense light bursting on the monitor.
□ About the Detector Position
Put the detector of your probe at the center of the monitor. as shown in Figure 5.2-22.
- You should make sure there is no other light source in your color calibration system, recommended a totally black environment.
- You'd better lean the desktop monitor in a certain degree to be close to the meter.

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Front view of a black electronic device with a suspended screen and control buttons (no visible text or symbols)Figure 5.2-22 Calibration Probe on Screen
■ Method 1: Autonomous Calibration
□ Calibration Preparation:
Connect the calibration probe to the CALIBRATE connector of your monitor using the calibration cable, as shown in Figure 5.2-23.

Figure 5.2-23 Calibration Connector on Mega Monitor
□ Calibration Steps
First, ensure that the autonomous calibration method is activated. Select system→ Advance Setup → FACTORY MANAGE item in the monitor settings, and confirm this parameter is set to the default state OFF. During autonomous calibration, the system will automatically use the default setting, and no modification is required for FACTORY MANAGE item. Now, you can start the device's autonomous calibration process.
Next, select system → Advance Setup → FACTORY MANAGEMENT in the monitor settings. A prompt box will appear, as shown in Figure 5.2-24. Press the joystick down to select "OK" to start autonomous calibration.

Figure 5.2-24 Autonomous Calibration Prompt
Once the calibration starts, select " START", as shown in Figure 5.2-25. and press the joystick down to confirm and proceed with the calibration. A prompt indicating the probe placement will appear, as shown in Figure 5.2-26.

Figure 5.2-25 Start Calibration Prompt

Figure 5.2-26 Probe Placement Prompt
i Tips
- When the probe placement prompt appears as shown in Figure 5.2-26, a center marker will automatically load in the center of the screen to facilitate probe placement.
Press the joystick down to select "CONFIRM". The prompt "Calibration in progress" will appear, as shown in Figure 5.2-27.

Figure 5.2-27 Calibration in Progress
Once calibration is complete, it will pop up a calibration preview&apply prompt, as shown in Figure 5.2-28. Click "PREVIEW NEW" to view the calibration result, scroll the joystick down and right to select "APPLY", press the joystick down to confirm the selection, it will apply the new calibration data. Otherwise,
choose the "REVOKE" option to cancel the calibration.

Figure 5.2-28 Calibration Preview and Apply Prompt
■ Method 2: Software Calibration Using Osee Calibrator
□ Calibration Preparation:
Connect the USB interfaces of the control computer to both the target monitor and the calibration probe through the calibration cable.
Connect the first USB interface of the control computer to the CALIBRATE interface of the OSEE monitor, and connect the second USB interface to the calibration probe (the probe usually comes with a dedicated calibration cable), as shown in Figure 5.2.28, and power on the devices.

Figure 5.2-29 Device Connection-Osee Calibrator Calibration
i Tips
- When using Osee Calibrator to calibrate the monitor, you can add a center marker tool by selecting ADD NEW TOOL Frame Center, and activate it, then you
can take this marker as a reference to align the center of the monitor and the detector center. Make sure the probe has connected with computer and put upon the monitor screen.
□ Calibration Steps
First, disable the autonomous calibration method. ensure that the autonomous calibration method is activated. Select system→ Advance Setup →
FACTORY MANAGE item in the monitor settings, and set it to the state ON. Now, you can proceed with the professional color management software Osee Calibrator.
Next, launch the Osee Calibrator software on your control computer and start the software to calibrate.
For instructions on using the Osee Calibrator software, please refer to the software's user guide.

Tips
- For information on downloading and using the Osee Calibrator calibration software, you can scan the QR code on the About page of this manual to access technical support from Osee.
5.3 Menu Settings
When checking or modifying the value of the menu item, cooperating with the Joystick:

1. Operations to the first level menu
■ Display the monitor settings
Scroll the joystick down to display the menu bar button at the bottom center of the screen. Scroll right to select the second icon, and press the joystick down to confirm the selection, it will display the monitor settings panel.

natural_image
Five black-and-white interface icons: speaker, sun, gear, document, and page (no text or symbols)Figure 5.3-1 Menu Bar
■ Display the first level menu
After displaying monitor settings, scroll up or down to choose an item in the first level menu list.
■ Back to the first level menu
After entering to the second level menu item or second level menu item value, press down to return the first level menu area.
■ Close the Monitor Settings
Scroll left to close the monitor settings when the control icon is in the first level menu item.
- Operations to the second level menu
■ Display the second level menu
After display monitor settings, scroll right to select the second level menu.
■ Switch second level menu item
Scroll up or down to choose or switch to an item of the second level menu.
■ Back to the first level menu
Press down to back to the first level menu.
- Operations to second level menu item value
■ Switch second level menu item value
When the control icon is in second level menu item value, scroll left or right to switch among its value list.
■ Confirm the modification to second level menu item value
Press down to confirm the selection of a value, and the control icon is back to the first level menu area.
Chapter 6 Scenes and Tools
6.1 Tools Settings
You can create customized scenes pages with different features and settings. The features on the screen are as shown in Figure 6.1-1.

Figure 6.1-1 Tools for Scene
The tool bar provides access to tools aiding in composition, focus and exposure for a scene, you can add several tools on a scene, and then they will be listed in a tool bar. The available tools in a scene are listed as shown in Figure 6.1-2 and Table 6.1-1:

Figure 6.1-2 Tool List for A Scene
Table 6.1-1 Tool Icons
| Tool | Icon | Tool | Icon |
| ASPECT | ![]() | HISTOGRAM | ![]() |
| SAFE | ![]() | FOCUS ASSIST | ![]() |
| CENTER | ![]() | PEAKING | ![]() |
| CROSSHATCH | ![]() | DE-LOG | ![]() |
| ANAMORPHIC | ![]() | USER LUT | ![]() |
| FALSE COLOR | ![]() | MULTI-SCOPES | ![]() |
| ZEBRA | ![]() | AUDIO METER | ![]() |
| WAVEFORM | ![]() | TIME CODE | ![]() |
| VECTOR | ![]() |
The tools menu provides access to tools aiding in composition, focus and exposure for a scene, you can add several tools on a scene, and then they will be listed in a tool bar, as shown in Figure 6.1-3. After adding tools to the tool bar of a scene, you can
edit the tool's attributes by its tool settings menu, as shown in Figure 6.1-4:

Figure 6.1-3 Tool Bar for A Scene

Figure 6.1-4 Tool Settings Menu
It will introduce the tools and their attributes in the following section, and refer to “6.2 Scenes and Tools Operations” for the details about tools operation.
6.1.1 Frame Tools
Frame tools assist to set viewing frame, including aspect area, safe area, center and
crosshatch. Show or hide these markers by pressing down on their icons in the tool bar, and their display style and transparency are adjustable.

Figure 6.1-5 Frame Tools
Table 6.1-2 Description of Frame Tools
| Tool | Items | Default | Domain Range | Description |
| ASPECT | RATIO | 16:9 (HD TV) | 9:16 (Phone)/4:5/1:1/2.41:1/4:3 (SD TV)/1.37:1(Cinema)/16:9 (HD TV)/1.85:1(Cinema)/2.37:1(Cinema)/1.91:1/2.35:1/CUSTOM | Set the display ratio of the marker |
| CUSTOM RATIO | 1:1 | 3:1 ~1:3 | Set the width of the matte area in CUSTOM mode, the step is 0.02 | |
| OPACITY | 0 | 0%25%50%75% | Set the transparency of the matte darken area | |
| SAFE | ACTION | OFF | OFF/ON | The safe marker is displayed as an outside frame, proportional to 92% of the ASPECT RATIO |
| TITLE | OFF | OFF/ON | The safe marker is displayed as an inside frame, proportional to 80% of the ASPECT RATIO in horizontal direction, and 90% of the ASPECT RATIO in vertical direction. | |
| CENTER | STYLE | CROSS | CROSS/HOLLOW | Set center marker style |
| CROSS HATCH | LINES | 2X2 | 2X2/3X3/4X4/5X5/6X6/7X7/8X8/9X9 | Set the cross line number |
| ANAMORPHIC | MAGNIFY | OFF | OFF/ON | Enable/Disable magnify the image, that is to draw the image full screen after de-squeezing the image with the selected anamorphic ratio, cut the part which extend outside the screen |
| RATIO | 1.33X | 1.33X/1.4X/1.5X/1.6X/1.8X/1.9X/2X | Set the anamorphic ratio |
1. Marker
| Marker | Illustration | Description | |
| Aspect (Area Marker) | ![]() | This marker identifies an area with a specified aspect ratio and a covered matte, and the area's transparency could be adjusted. | |
| Safety Marker | ![]() | This marker displays a rectangle to identify the safety area with a specified percentage in Area Marker. | |
| Center Marker | CROSSHAIR | ![]() | This marker enables easier checking the center portion's focus. |
| Cross hatch | CROSS HATCH | ![]() | This marker displays multiple vertical and horizontal lines to help when users check the composition of a picture. |
2. Area Marker
Set the area marker Aspect → Ratio item as CUSTOM, the ratio of the marker is adjustable as your requirement.
And the outside area of the area maker is filled with matte with two white lines labeled the area marker, you can set the transparency for this matte area.
For example, tap Aspect → Opacity item as 50%, the outside area of marker is 50% transparency of the background with two white lines, as shown in Figure 6.1-6:

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Close-up profile of a giraffe against a solid blue background (no text or symbols)Figure 6.1-6 Area Marker
3. Set Anamorphic Ratio
This feature enables you to de-squeeze signals coming from camera utilizing anamorphic lenses that may not have a built-in de-squeeze feature of their own. This is quite useful in applications, such as outdoor post production, onset monitoring, real-time de-squeezing, etc.
The valid area which will fill the screen is controlled by the ratio selection, tap Anamorphic→Ratio item to cycle through these anamorphic ratios: 1.33X, 1.4X, 1.5X, 1.6X, 1.8X, 1.9X, 2X. There will be black blank area at the surrounding of the image.
For example, the resolution of the input and output are as shown in Table 6.1-3:
Table 6.1-3 Resolution Relationship Between Input and Output
| ANAMORPHIC | INPUT SIGNAL | INPUT | OUTPUT |
| 1.33X | 1080P/1080I | 1920x1080 | 1920x812 |
| 720P | 1280x720 | 1920x812 | |
| 1.4X | 1080P/1080I | 1920x1080 | 1920x771 |
| 720P | 1280x720 | 1920x771 | |
| 1.5X | 1080P/1080I | 1920x1080 | 1920x720 |
| 720P | 1280x720 | 1920x720 | |
| 1.6X | 1080P/1080I | 1920x1080 | 1920x650 |
| 720P | 1280x720 | 1920x650 | |
| 1.8X | 1080P/1080I | 1920x1080 | 1920x600 |
| 720P | 1280x720 | 1920x600 | |
| 1.9X | 1080P/1080I | 1920x1080 | 1920x568 |
| 720P | 1280x720 | 1920x568 | |
| 2X | 1080P/1080I | 1920x1080 | 1920x540 |
| 720P | 1280x720 | 1920x540 |
■ Magnify
This item will magnify the image of anamorphic ratio to full-fill the screen. Set Anamorphic→ Magnify item as On, it will enlarge and display the image at full screen, removing those useless blank bars, as shown in Figure 6.1-7:

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Two side-by-side photos showing ice cream scoops in waffle conuts with green leaves, one being rotated (no text or symbols)Figure 6.1-7 MAGNIFY
6.1.2 Expose Tools
Expose tools provide false color, zebra, waveform, vector and histogram, as shown in Figure 6.1-8:

Figure 6.1-8 Expose Tools
Table 6.1-4 Description of Expose Tools
| Tool | Items | Default | Domain Range | Description |
| FALSE COLOR | STYLE | Spectrum | FOLLOW CAMERA/ SPECTRU M/CUSTOM | Set the type of the false color display |
| BLACK CLIP | 3%CV | 1-99%CV | Set black clip, the step is 1% | |
| NEAR BLACK | 4%CV | 2-100%CV | Set near black, the step is 1% | |
| TONE1MIN | 46%CV | 0-99%CV | Set minimum of tone1, the stepis 1% | |
| TONE1 MAX | 55%CV | 1-100%CV | Set maximum of tone1, the step is 1% | |
| TONE2 MIN | 77%CV | 0-99%CV | Set minimum of tone2, the step is 1% | |
| TONE2 MAX | 90%CV | 1-100%CV | Set maximum of tone2, the step is 1% | |
| NEAR WHITE | 96%CV | 0-98%CV | Set near white, the step is 1% | |
| WHITE CLIP | 98%CV | 1-99%CV | Set white clip, the step is 1% | |
| ZEBRA | TONE1 MIN | 0%CV | 0-99%CV | Set the TONE1 minimum reference level of detecting luminance. |
| TONE1 MAX | 4%CV | 1-100%CV | Set the TONE1 maximum reference level of detecting luminance. | |
| TONE2 MIN | 97%CV | 0-99%CV | Set the TONE2 minimum reference level of detecting luminance. | |
| TONE2 MAX | 100%CV | 1-100%CV | Set the TONE2 maximum reference level of detecting luminance. | |
| WAVE FORM | STYLE | LUMA | LUMA/RGB / PARADE | Set the type of the waveform |
| SIZE | SMALL | SMALL/ LARGE/ BOTTOM | Set the size of the waveform | |
| POSITION | TOP RIGHT | TOP RIGHT/ BOTTOM RIGHT/ TOP LEFT/ BOTTOM LEFT | Set the position of the waveform, only available for small size waveform | |
| DENSITY | 50% | 1~100% | Set the density of the waveform, the step is 1% | |
| TRANSPA | 0% | 0% | Set the transparency of the | |
| RENCY | 25%50%75% | waveform | ||
| VECTOR | POSITION | TOPRIGHT | TOPRIGHT/BOTTOMRIGHT/TOP LEFT/BOTTOMLEFT | Set the position of the vector |
| GAIN | X1 | X1/X2 | Set the gain of vector | |
| DENSITY | 50% | 1~100% | Set the density of the waveform, the step is 1% | |
| TRANSPARENCY | 0% | 0%25%50%75% | Set the transparency of the vector | |
| HISTOGRAM | STYLE | LUMA | LUMA:luminance histogramRGB: RGB histogram | Set the type of the histogram |
| POSITION | TOPRIGHT | TOPRIGHT/BOTTOMRIGHT/TOP LEFT/BOTTOMLEFT | Set the position of the histogram | |
| TRANSPARENCY | 0% | 0%25%50%75% | Set the transparency of the histogram |
1. False Color
False Color is also known as Exposure Assist, this function generates an artificial luminance map of the input signal that can be useful to identify over exposed areas (exposure). This is a quick way to gauge the exposure levels of an image in a clear way.
Select False Color tool to the current scene, and tap it to activate the False Color tool. You can customize some parameters such as Black Clip, Near Black in Custom style.
For example: Add and Enable a False Color tool, set Style item as Spectrum, as shown in Figure 6.1-9:

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Aerial view of a whale leaping out of dark ocean water, creating white spray or splash (no visible text or symbols)FALSE COLOR=OFF

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Abstract painting of a figure in motion against a blue and yellow background (no text or symbols)FALSE COLOR=ON
Figure 6.1-9 Comparison Mode- Original Image and Normal Mode Image
i Tips
- The Zebra tool is incompatible with the False Color tool. That is, enable the Zebra tool, the False Color tool will be disabled automatically, and enable the False Color tool, the Zebra tool will be disabled automatically.
2. Zebra
The Zebra function is used to display images on the screen with a zebra pattern to adjust the camera exposure parameter. It will compare the signal luminance with the zebra parameters. You can set two limitations as Tone1 and Tone2.
Tone1 is limited between Tone1 MIN and Tone1 MAX, Tone2 is limited between Tone2 MIN and Tone2 MAX. The relevant image area will be filled with a white and black stripe zebra pattern if the luminance is in the range of Tone1. Besides, it will be filled with a white and blue stripe zebra pattern if the luminance is in the range of Tone2.
For example, set Tone1 MIN as 0% and Tone1 MAX as 4%, Tone2 MIN as 97% and Tone2 MAX as 100%, the compared results are as shown in Figure 6.1-10, the special Area is filled with a zebra pattern.

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Dolphin leaping out of water with visible wake and splash (no text or symbols)ORIGINAL IMAGE

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Dolphin swimming in deep green water with blue overlay text overlay (no legible signage)ZEBRA CHCEK
Figure 6.1-10 Illustration for ZEBRA Function
3. Waveform
Waveform displays the luminance level of the input signal on a graph, matching with the image from left to right.
■ Waveform Size
Set Waveform→Size item to adjust the size of the waveform, there are three kinds of sizes for waveform:
☐ Small size waveform: set Size item as Small, and this kind of waveform could be located in any one of the 4 positions listed in Position item;
☐ 75% waveform: set Size item as Large, and this kind of waveform is located in the center of the screen, and it can't be moved;
Full size waveform: set Size item as Bottom, and this kind of waveform is located in the bottom of the screen from left to right, and it can't be moved.
■ Waveform Type
Set Waveform→Style item to display the following three kinds of waveform as LUMA, RGB, Parade, as shown in Figure 6.1-11:

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Abstract 3D surface plot with layered peaks and a sharp peak (no text or symbols)LUMA

line
| Time | Red Line | Green Line | Blue Line | |------|----------|------------|-----------| | 0 | 3 | 2 | 1 | | 1 | 4 | 3 | 2 | | 2 | 5 | 4 | 3 | | 3 | 6 | 5 | 4 | | 4 | 7 | 6 | 5 | | 5 | 8 | 7 | 6 | | 6 | 9 | 8 | 7 | | 7 | 10 | 9 | 8 | | 8 | 11 | 10 | 9 | | 9 | 12 | 11 | 10 | | 10 | 13 | 12 | 11 | | 11 | 14 | 13 | 12 | | 12 | 15 | 14 | 13 | | 13 | 16 | 15 | 14 | | 14 | 17 | 16 | 15 | | 15 | 18 | 17 | 16 | | 16 | 19 | 18 | 17 | | 17 | 20 | 19 | 18 | | 18 | 21 | 20 | 19 | | 19 | 22 | 21 | 20 | | 20 | 23 | 22 | 21 | | 21 | 24 | 23 | 22 | | 22 | 25 | 24 | 23 | | 23 | 26 | 25 | 24 | | 24 | 27 | 26 | 25 | | 25 | 28 | 27 | 26 | | 26 | 29 | 28 | 27 | | 27 | 30 | 29 | 28 | | 28 | 31 | 30 | 29 | | 29 | 32 | 31 | 30 | | 30 | 33 | 32 | 31 | | 31 | 34 | 33 | 32 | | 32 | 35 | 34 | 33 | | 33 | 36 | 35 | 34 | | 34 | 37 | 36 | 35 | | 35 | 38 | 37 | 36 | | 36 | 39 | 38 | 37 | | 37 | 40 | 39 | 38 | | 38 | 41 | 40 | 39 | | 39 | 42 | 41 | 40 | | 40 | 43 | 42 | 41 | | 41 | 44 | 43 | 42 | | 42 | 45 | 44 | 43 | | 43 | 46 | 45 | 44 | | 44 | 47 | 46 | 45 | | 45 | 48 | 47 | 46 | | 46 | 49 | 48 | 47 | | 47 | 50 | 49 | 48 | | 48 | - | - | - | | 49 | - | - | - | | ... (repeated) for all lines: Red Line = - [0, -] [0, -] [0] to Blue Line = - [0, -] [0] for Green Line = - [0, -] [0] to Blue Line = - [0, -] for Blue Line = - [0, -] (repeated). The values are estimated based on the provided code.RGB

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Abstract color gradient visualization with no text or symbolsPARADE
Figure 6.1-11 LUMA and RGB and PARADE Waveform
4. Vector
Tap Vector item to add a vector.

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Abstract black-and-white image with scattered colored squares and a central white shape (no text or symbols)Figure 6.1-12 Vector
5. Histogram
Histogram assists in judging the distribution of luminance in the image.
■ Histogram Type
Set Histogram→Style item as LUMA or RGB, these two histogram types are as shown in Figure 6.1-13:

area
| Time | Value | |------|-------| | 0 | 0 | | 1 | 1 | | 2 | 2 | | 3 | 3 | | 4 | 4 | | 5 | 5 | | 6 | 6 | | 7 | 7 | | 8 | 8 | | 9 | 9 | | 10 | 10 | | 11 | 11 | | 12 | 12 | | 13 | 13 | | 14 | 14 | | 15 | 15 | | 16 | 16 | | 17 | 17 | | 18 | 18 | | 19 | 19 | | 20 | 20 | | 21 | 21 | | 22 | 22 | | 23 | 23 | | 24 | 24 | | 25 | 25 | | 26 | 26 | | 27 | 27 | | 28 | 28 | | 29 | 29 | | 30 | 30 | | 31 | 31 | | 32 | 32 | | 33 | 33 | | 34 | 34 | | 35 | 35 | | 36 | 36 | | 37 | 37 | | 38 | 38 | | 39 | 39 | | 40 | 40 | | 41 | 41 | | 42 | 42 | | 43 | 43 | | 44 | 44 | | 45 | 45 | | 46 | 46 | | 47 | 47 | | 48 | 48 | | 49 | 49 | | 50 | 50 | | 51 | 51 | | 52 | 52 | | 53 | 53 | | 54 | 54 | | 55 | 55 | | 56 | 56 | | 57 | 57 | | 58 | 58 | | 59 | 59 | | 60 | 60 | | 61 | 61 | | 62 | 62 | | 63 | 63 | | 64 | 64 | | 65 | 65 | | 66 | 66 | | 67 | 67 | | 68 | 68 | | 69 | 69 | | 70 | 70 | | 71 | 71 | | 72 | 72 | | 73 | 73 | | 74 | 74 | | 75 | 75 | | 76 | 76 | | 77 | 77 | | 78 | 78 | | 79 | 79 | | 80 | 80 | | 81 | 81 | | 82 | 82 | | 83 | 83 | | 84 | 84 | | 85 | 85 | | 86 | 86 | | 87 | 87 | | 88 | 88 | | 89 | 89 | | 90 | 90 | | 91 | 91 | | 92 | 92 | | 93 | 93 | | 94 | 94 | | 95 | 95 | | 96 | 96 | | 97 | 97 | | 98 | 98 | | 99 | 99 | | | |STYLE=RGB

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Abstract white line pattern on black background with red vertical lines (no text or symbols)STYLE=LUMA
Figure 6.1-13 RGB and LUMA Histogram
6. Position
There are 4 positions for display the histogram, waveform and vector on the screen, as shown in Table 6.1-5 and Figure 6.1-14. Move them through the Position item.
Table 6.1-5 Position Settings
| Locations | |
| Top Right | Top Left |
| Bottom Right | Bottom Left |

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Simple geometric layout with four gray rectangular blocks arranged symmetrically around a central white rectangle (no text or symbols)Figure 6.1-14 Position of the Assistant Elements
7. TRANSPARENCY
There are 4 degrees of opacity for display the histogram, waveform and vector on the screen. Set the transparency through the TRANSPARENCY item.
☐ 0%: when opacity set to 0%, the assistant element (histogram, waveform or vector) is opaque, not transparent.
☐ 75%: when opacity set to 75%, the assistant element (histogram, waveform or vector) is proportional to 75% opacity.
☐ 50%: when opacity set to 50%, the assistant element (histogram, waveform or vector) is proportional to 50% opacity.
☐ 25%: when opacity set to 25%, the assistant element (histogram, waveform or vector) is proportional to 25% opacity.
For example: set EXPOSE→HISTOGRAM → TRANSPARENCY as 100%, 75%, 50%, 25% separately, the comparisons are as below:

line
| Point | Value | |-------|-------| | 1 | 0% | | 2 | 0% | | 3 | 0% | | 4 | 0% | | 5 | 0% | | 6 | 0% | | 7 | 0% | | 8 | 0% | | 9 | 0% | | 10 | 0% | | 11 | 0% | | 12 | 0% | | 13 | 0% | | 14 | 0% | | 15 | 0% | | 16 | 0% | | 17 | 0% | | 18 | 0% | | 19 | 0% | | 20 | 0% | | 21 | 0% | | 22 | 0% | | 23 | 0% | | 24 | 0% | | 25 | 0% | | 26 | 0% | | 27 | 0% | | 28 | 0% | | 29 | 0% | | 30 | 0% | | 31 | 0% | | 32 | 0% | | 33 | 0% | | 34 | 0% | | 35 | 0% | | 36 | 0% | | 37 | 0% | | 38 | 0% | | 39 | 0% | | 40 | 0% | | 41 | 0% | | 42 | 0% | | 43 | 0% | | 44 | 0% | | 45 | 0% | | 46 | 0% | | 47 | 0% | | 48 | 0% | | 49 | 0% | | 50 | 0% | | 51 | 0% | | 52 | 0% | | 53 | 0% | | 54 | 0% | | 55 | 0% | | 56 | 0% | | 57 | 0% | | 58 | 0% | | 59 | 0% | | 60 | 0% | | 61 | 0% | | 62 | 0% | | 63 | 0% | | 64 | 0% | | 65 | 0% | | 66 | 0% | | 67 | 0% | | 68 | 0% | | 69 | 0% | | 70 | 0% | | 71 | 0% | | 72 | 0% | | 73 | 0% | | 74 | 0% | | 75 | 0% | | 76 | 0% | | 77 | 0% | | 78 | 0% | | 79 | 0% | | 80 | 0% | | 81 | 0% | | 82 | 0% | | 83 | 0% | | 84 | 0% | | 85 | 0% | | 86 | 0% | | 87 | 0% | | 88 | 0% | | 89 | 0% | | 90 | 0% | | 91 | 0% | | 92 | 0% | | 93 | 0% | | 94 | 0% | | 95 | 0% | | 96 | 0% | | 97 | 0% | | 98 | 0% | | 99 | 0% | | Note: The data is labeled as 'TRANSPARENCY' but contains no corresponding values for the chart.
line
| Transparency | | ------------ | | 25% |
line
| Transparency | | ------------ | | 50% |
line
| Transparency | | ------------ | | 75% |Figure 6.1-15 Different Transparency for Histogram
6.1.3 Focus Tools
Focus tools provide the focus assist function and the peaking function. Set display color, sensitivity and display type for focus assist, and set intensity for peaking detecting.

Figure 6.1-16 Focus Tools
Table 6.1-6 Description of Focus Tools
| Tool | Items | Default | Domain Range | Description |
| FOCUS ASSIST | COLOR | RED | WHITE/RED/GREEN/BLUE | Choose the color of the focus assist edge. The intensified edges highlight in selected color. |
| SENSITIVITY | 5 | 1~10 | Set the edge difference value between the edges in an image, and take this value as the reference value. Larger value means more detail detection. | |
| BACKGROUND | COLOR | COLOR:Color ModeB&W:BlacK&White Mode | Set the Focus Assist display mode color mode or black&white mode. | |
| PEAKING | INTENSITY | 5 | 1~10 | Set the sharpness level of the image. The higher the value, the sharpener the image. |
1. Focus Assist
The Focus Assist function is used to display images on the screen with intensified edge to help camera focus operation. The intensified edges are those areas whose difference value exceeds the reference focus level (Sensitivity), and the intensified edge are displayed in the designated color set by Color.
■ Focus Assist Mode
☐ Color Mode: Set Focus Assist → Background item as Color, the image is in color mode, then set Focus Assist → Color to color the intensified edge.
☐ B\$W Mode: Set Focus Assist → Background item as B&W, the image is in black and white mode, that is removing all colors and only leaving the luminance data of the signal.

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Exterior view of a historic building with columns and arched entrance (no visible signage or text)natural_image
Exterior view of a historic building with columns and a central entrance (no visible signage or text)Figure 6.1-17 Illustration for FOCUS ASSIST Function

BACKGROUND=B&W
Figure 6.1-18 Illustration for FOCUS ASSIST Function
6.1.4 Look Tool
Look tool provides loading 3D USER LUT and DE-LOG mode to current scene, as shown in Figure 6.1-19

Figure 6.1-19 Look Tools
Table 6.1-7 Description of Look Tools
| Tool | Items | Default | Domain Range | Description |
| DE-LOG | TYPE | SDR | SDR/ HDR | Choose a de-log type |
| USER LUT | ID | LUT1 | LUT1~LUT10 | Choose a user LUT ID |
| INTENSITY | 100% | 0~100% | Set the intensity of the LUT effected to current display | |
| USER LUT NAME | -- | -- | Display the user LUT name selected in ID |
1. DE-LOG & COLOR MANAGEMENT
The monitor is equipped with de-log tool(Look) to active HDR or SDR to current input signal for different dynamic range. Before activating de-log, you should choose a camera profile and active the LOG/HDR item on in monitor settings at
first.
As the precondition for de-log switch, set camera profile→ COLOR MANAGEMENT → LOG/HDR item in monitor settings to be ON and select camera profile→ COLOR MANAGEMENT → COLOR PROFILE/ GAMMA/ GAMUT items according to your camera connected with Mega 15S, the settings panel is as shown in Figure 6.1-20:

Figure 6.1-20 COLOR MANAGEMENT SETTINGS
After that, add a DE-LOG tool in scene, and press the tool again to enable it, then switch HDR or SDR through TYPE item, as shown in Figure 6.1-21:

Figure 6.1-21 D E -LOG SETTINGS
i Tips
- Refer to "5.2.3CAMERA PROFILE" for the details of the COLOR settings and versatile color profiles.
2. User LUT File
Follow these steps to apply USER LUT tool.
If you want to apply a USER LUT tool to current signal displayed on screen, you should load the USER LUT in monitor settings at first.
First, write the designated LUT file to the monitor.
Operation: Select camera profile→LOAD USER LUT→LUT* item in monitor settings, thus you can choose a LUT file from U disk, and you can see LUT ID in the list. Choose one LUT ID, then it will pop up a prompt for reminding you overwriting operation for LUT file, as shown in Figure 6.1-22, press Confirm and choose the target LUT from U disk, the file should be a LUT file with a file extension of “.cube”, and specify its storage directory, please don’t cut off the power during loading.

Figure 6.1-22 Prompt for Overwriting LUT

Figure 6.1-23 Calibration USER LUT Directory
It will prompt file write complete after file loading. Then, you can see the profile name is on the left side of the current LUT ID in the list. You can load up to 10 USER LUTs into the device, for example as shown in Figure 6.1-24.

Figure 6.1-24 User LUT List
Second, apply USER LUT in the tool. Select and enable a Look tool in a scene, and choose ID item to your designated, the LUT name will be displayed in USER LUT NAME in gray, as shown in Figure 6.1-25:

Figure 6.1-25 User LUT Tool
Then, you can adjust intensity of this LUT effectiveness on screen through the Intensity item.
i Tips
- Mega 15S supports Color Calibrate command in monitor settings currently, the customized 3D LUT profiles (*.cube) produced by other software could be loaded to U disk by a control computer.
6.1.5 Analysis Tool
Analysis tool is used to swiftly display or hide all common used analysis charts on screen, including audio meter, waveform, histogram and vector, as shown in Figure 6.1-26 and Figure 6.1-27:

Figure 6.1-26 Analysis Tools

Figure 6.1-27 Multi-Scopes Settings Panel
Table 6.1-8 Description of Multi-Scopes Tool
| Tool | Items | Default | Domain Range | Description |
| MULTI-SCOPES | WAVEFORM | LUMA | LUMA/RGB/PARADE | Set the type of the waveform |
| VECTOR | X1 | X1/X2 | Set the gain of vector | |
| HISTOGRAM | LUMA | LUMA/RGB | Set the type of the histogram | |
| DENSITY | 50% | 0~100% | Set the density of current waveform, histogram and vector displayed on screen, the step is 1% |
This tool puts multiple analysis charts and the image together.
■ Activate Analysis Tools
Select ANALYSIS→ MULTI-SCOPES tool and enable it, it will zoom out to display the signal on the top left area, and show all common used analysis tools including vector, histogram, waveform and audio meter which are all activated. The layout of these tools on screen are as shown in Figure 6.1-28:

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Scenic autumn landscape with snow-capped mountains, a bridge over a river, and a 3D audio waveform overlay (no text or symbols)Figure 6.1-28 Analysis Tools
■ Type & Density
You can choose different types for these charts through their corresponding items in this tool, but their positions can't be modified. Adjust density of these tools all together through the Density item.
6.1.6 Meter Tool
Meter tool provides adding audio meter to current scene, as shown in Figure 6.1-29:

Figure 6.1-29 Meter Tools
Table 6.1-9 Description of Meter Tools
| Tool | Items | Default | Domain Range | Description |
| AUDIO METER | POSITION | BOT LEFT | BOT LEFT/ BOT RIGHT | Set the position of the audio meter |
| TRANSPARENCY | 0% | 0%25%50%75% | Set the transparency of the audio meter | |
| METER SELECT | CH1-2 | CH1-2CH3-4CH5-6CH7-8CH9-10CH11-12CH13-14CH15-16 | Choose an audio channel | |
| TIME CODE | TRANSPARENCY | 0% | 0%25%50%75% | Set the transparency of the time code |
■ Audio Meter
Select Audio Meter tool and enable the display of Audio Meter on screen. The audio meter could be displayed at the left bottom or right bottom of the screen, and the transparency could be set from 0% to 75%. Refer to "6.1.2 Expose Tools" for the details about Transparency. Audio Meter tool only valid for SDI input signal.
The volume in normal range appears in green, above -20dB but below -10dB appears in yellow, and above -10dB appears in red, as shown in Figure 6.1-30:

Figure 6.1-30 Audio Meter
■ Time Code
Select Time Code tool to adjust the transparency of embedded timecode on screen, only valid for SDI input signal.
Timecode is displayed as the format of "HH:MM:SS:FF" at the bottom center of the screen, and if there is no available timecode, it will not appear.

Figure 6.1-31 Timecode
6.2 Scenes and Tools Operations
It will introduce how to edit scene and configure tools in this section.
6.2.1 Add a scene
We support 8 scenes in Mega 15S, you can customize each scene with various tools as your requirement, and switch among these scenes by scrolling left or right in menu clear status.
Scroll the joystick down to display the menu bar button at the bottom center of the screen. Scroll right to select the third icon, as shown in Figure 6.2-1:

Figure 6.2-1 Menu Bar
Press the joystick down to confirm the selection, and it will pop up the add a new MySet dialog box, as shown in Figure 6.2-2.
The scene will be numbered in sequence, and the name will be displayed at the left bottom of the screen, as shown in Figure 6.2-3. The name of current scene will also be displayed in the top right-center of the status bar.

Figure 6.2-2 Add a Scene
■ Switch Scenes
Scroll left or right to switch among scenes when the screen is clean with no bars.

Figure 6.2-3 A New Scene
i Tips
- Mega 15S supports up to 8 customized scenes.
• No.1 scene exists by default and undeletable. - Factory has 3 MySets (frame, exposure, focus) preset, you can edit them as your preferences.
6.2.2 Delete a Scene
Scroll the joystick down to display the menu bar button at the bottom center of the screen. Scroll right to select the fourth icon, and it will display the delete dialog box, as shown in Figure 6.2-4:

Figure 6.2-4 Delete a Scene
Select CONFIRM button and press down to confirm the deletion. Wait until the prompt disappeared, then the scene will be cleared completely.
6.2.3 Add a Tool
After creating a scene, add some tools to assist in composition, for example, add a marker, waveform, histogram or audio meter, etc.

Tips
• Each scene supports up to 8 scene tools.
- You can add more than one of the same tool in a scene.
Press down to display tool bar the left side of the screen, it will show all the added tools in current Myset. Scroll down to select the Add icon and show the ADD NEW TOOL command, as shown in Figure 6.2-5. Scroll right to display the Tools Menu on screen, as shown in Figure 6.2-6:

ADD NEW TOOL
Figure 6.2-5 Add a New Tool

Figure 6.2-6 Tools Menu for Scene
Scroll up or down to choose your desired scene tool, and press the joystick straight down to confirm, the selected tool will be added to Tool Bar of the current scene.
For example: Follow these steps to add histogram to Tool Bar
Step 1 Load Tool Bar
Press down to display tool bar, and scroll down to choose the Add icon, it will pop up the ADD NEW TOOL command, as shown in Figure 6.2-5. Scroll right to display the Tool Menu on screen as shown in Figure 6.2-7:

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Scenic autumn landscape with snow-capped mountains and forested slopes, no visible text or symbolsFigure 6.2-7 Show Tool Bar
Step 2 Add HISTORGRAM Tool
Scroll up or down to HISTORGRAM item, as shown in Figure 6.2-8. Press down to confirm the selection, the HISTORGRAM tool icon will be added into the tool bar, as shown in Figure 6.2-9:

Figure 6.2-8 Show Tool Menu

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Scenic autumn landscape with snow-capped mountains, golden-leafed trees, and a winding river (no text or symbols visible)Figure 6.2-9 Histogram in the Tool Bar
Continue to add other tools for the scene, and you can add up to 8 tools in a scene.
6.2.4 Load/Close Tool Bar
Follow the instructions below to load or close tool bar in a scene.
Load Tool Bar
First, scroll the joystick right to access a scene;
Second, press down to load the tool bar for the current scene, the tool bar will be displayed the leftmost of the screen, as shown in Figure 6.2-10. The bar labeled in the red rectangle is the tool bar for the current scene.

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Scenic autumn landscape with snow-capped mountains, golden-leafed forests, and a winding river (no text or symbols visible)Figure 6.2-10 Tool Bar for A Scene
■ Close Tool Bar
After loading a tool bar, scroll left to close the tool bar.
When in tool setting panel, press down to return to tool bar and close the tool bar.
6.2.5 Turn ON/OFF a Tool
In tool bar, follow the instructions below to turn on or off a tool swiftly:
■ Turn on a Tool
After adding a tool, press down to turn it on in tool bar, the icon will turn from white to highlight orange.
■ Turn off a Tool
After turning on a tool, press down again to turn the tool off in tool bar, the icon will turn from highlight orange to white.
■ Open tool setting panel
After adding a tool, scroll the joystick right to access tool settings panel, as shown in Figure 6.2-11:

Figure 6.2-11 Turn off a Tool
Press down to return to tool bar and close the tool bar.
- Choose a Tool
After loading the tool bar, scroll up or down to choose a tool in current tool bar.
i Tips
- The tool could only be turned on or off in the tool bar.
6.2.6 Tool Settings
Add tools for a scene through tool list, then, scroll right to set a tool's attributes by the tool settings panel.
Scroll left or right to switch among different scenes. The tool bar is hidden when switching to a scene by default. You should press the joystick straight down to display the tool bar for the current scene.
Refer to "0
Chapter 7 Scenes and Tools
Tools Settings" for the details of each tool.
Take the histogram for example.
For example: Follow these steps to edit histogram in a scene.
Step 1 Load Tool Bar
In a scene, press the joystick straight down to display the tool bar at the left side of the screen. Scroll up or down to move the cursor onto Add button, as shown in Figure 6.2-1:

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Scenic autumn landscape with snow-capped mountains, golden-leafed trees, and a winding river (no text or symbols visible)Figure 6.2-1 Load Tool Bar
Step 2 Load the Tool Menu Panel
Scroll right to load the tool menu panel, as shown in Figure 6.2-2. Scroll down to select HISTOGRAM:

Figure 6.2-2 Load Tool Menu Panel
Then press down to add this tool, as shown in Figure 6.2-3:

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Scenic autumn landscape with snow-capped mountains, forested slopes, and a winding river (no text or symbols visible)Figure 6.2-3 Add a Tool
Step 3 Activate Tool
Press down on HISTOGRAM tool in the tool bar to activate it, and the icon of histogram turns highlight orange, as shown in Figure 6.2-4.

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Scenic autumn landscape with snow-capped mountains, forested slopes, and a river (no text or symbols visible)Figure 6.2-4 Activate a Tool
Step 4 Switch Tool Settings Menu for the Target Tool
Scroll right to access the Tool Settings menu, it will display the histogram settings panel, as shown in Figure 6.2-5. It lists the characteristics of histogram in this menu, such as STYLE, POSITION, TRANSPARENCY and ENABLE switch. After finish the parameter settings, press down to close this panel.

Figure 6.2-5 Tool Settings Menu-HISTOGRAM

Tips
- The parameters of the tool could not be modified until selecting the tool's settings.
7.1.2 Delete a Tool
In a scene, press down to display the tool bar for current scene, and scroll the joystick up or down to choose the tool which you want to delete, then scroll right to access the tool setting menu, and scroll down to select DELETE command at the end of the menu list, as shown in Figure 6.2-6:

Figure 6.2-6 Delete a Tool
Press the joystick straight down to confirm the selection, and it will pop up a prompt to confirm the deletion, as shown in Figure 6.2-7, press down again to confirm, then the tool will be deleted from its tool bar.

Figure 6.2-7 Delete a Tool
i Tips
- The effect or window displayed on the current scene will be closed after the relevant tool is deleted.
Chapter 8 Specifications
- Product detailed information
| Specification | Values | |
| Model | Mega 15S | Mega 22S |
| Dimension | 15.4" | 21.5" |
| Dimension(WxHxD) | 368.9x264.9x 54.5mm | 517.0x319.0x 74.3mm |
| Pixel Pitch (WxH) | 0.1722× 0.1722mm | 0.24795× 0.24795mm |
| Aspect Ratio | 16:10 | 16:9 |
| Display Area (WxH) | 330.62× 206.64mm | 476.064× 267.786mm |
| Viewing Angle (HxV) | 178° x178° | |
| Color Depth | 1.07B colors | |
| Resolution | 1920×1200 | 1920×1080 |
| Contrast (Typ.) | 1450:1(Typ.) | 1100:1 |
| Luminance (cd/m2) | 1200 | 1500 |
| Response Time (ms) | 18 | 14 |
| Backlight | WhiteLED | |
| Backlight Life(Hrs) | 20000 | 20000 |
| Work Temperature | 0°C~40°C | |
| Power Supply | 100~240V50/60HzAC /11~17V3A DC battery | |
| Power Consumption (Typ/Max)(W) | 21.7/31.5 | 45.4/50.7 |
| Video Input Interface | 3G/HD/SD-SDI(X2) | |
| HDMI(X1) | ||
| Video Output Interface | 3G/HD/SD-SDI(X2) | |
| Audio Input Interface | 3.5mm Jack | |
| Audio Output Interface | 3.5mm Jack (Headphone) | |
| Control Interface | Type-C(Calibrate) | |
| USB | ||
| HDMI IN | ||
| Signal Formats | 4K (4096x2160): 23.98/24/25/29.97/30PUHD (3840x2160): 23.98/24/25/29.97/30P2K (2048x1080): 23.98/24/25/50HD (1920x1080): 23.98/24/25/29.97/30/50/59.94/60P,50/59.94/60IHDD (1280x720): 50/59.94/60P | |
| SDI IN/OUT | ||
| Signal Formats | 2K (2048x1080): 23.98/24/25/29.97/30/50/59.94/60P,23.98/24/25/29.97/30PsfHD (1920x1080): 23.98/24/25/29.97/30/50/59.94/60P,50/59.94/60IHDD (1280x720): 50/59.94/60P | |
| Connector | BNC per IEC 169-8 | |
| Impedance | 75Ω | |
| Return Loss | >18 dB 5 to 270 MHz>15 dB 270 MHz to 1.5 GHz>10 dB up to 3 GHz | |
| Maximum Signal Level | 800 mV pk-pk 10% | |
| Signal Amplitude | 800 mV pk-pk 10% | |
| DC Offset | 0 V ± 0.5 V | |
| Overshoot | <10% | |
| Jitter | <0.2 UI | |
| Rise/Fall Time | <700 ps for SD<270 ps for 1.5 Gb/s HD<135 ps for 3 Gb/s HD | |
| Extinction Ratio | >8 | |
| Back Reflection | <-14 dB | |
2. Dimensions
The description of the product dimensions is shown as in the following figures:
■ Mega 15S
![368.9 [1'-2.52"] OSOO 264.9 [10.43"] 277.0 [10.90"]](/content/2026/05/958681/images/f2b55417fbb3f7813c67eb12584852bbbb8ebc2112fa4b4d4e90c93558d82903.jpg)
Figure 7-1 Front Panel(Unit: mm)

Figure 7-2 Rear Panel(Unit: mm)
![54.5 [2.15"] 25.0 [0.98"] 153.8 [6.05"]](/content/2026/05/958681/images/601fe15a00af578ed7f644e733a49527613941caa4c05643ec4153412f0e7355.jpg)
Figure 7-3 Side View(Unit: mm)

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Technical line drawing of a mechanical component with springs and mounting feet (no text or symbols)Figure 7-4 Top View(Unit: mm)
■ Mega 22S
![523.4 [1'-8.61"] 338.4 [1'-1.32"] 350.6 [1'-1.80"]](/content/2026/05/958681/images/dfdbe75720e7e221009c2aa2375546de807a23e05bbd7a43022ddbd5c6f727f1.jpg)
Figure 7-5 Front Panel(Unit: mm)

Figure 7-6 Rear Panel(Unit: mm)

Figure 7-7 Side View(Unit: mm)

natural_image
Technical line drawing of a mechanical assembly with two wheels, a central support bracket, and two rectangular components (no text or symbols)Figure 7-8 Top View(Unit: mm)
i Tips
- Specifications are subject to change without notice.
-No Text Below-

FOR MORE INFORMATION PLEASE VISIT: http://www.osee-dig.com/OSEE TECHNOLOGY LTD.
No.22 Building, No.68 zone, Beijing Road, Haidian District, Beijing, China
Tel: (+86) 010-62434168, Fax: (+86) 010-62434169
E-mail: sales@osee-dig.com



































