DBX 942A - Compressor

942A - Compressor DBX - Free user manual and instructions

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Type Compressor / Noise Reduction Module (Type II)
Brand DBX
Model 942A
Number of Channels 2
Noise Reduction 40 dB or more (depending on medium)
Frequency Response ±0.5 dB 40 Hz – 20 kHz
Dynamic Range >115 dB
Equivalent Input Noise -93 dBv
Total Harmonic Distortion (THD) 0.1% (100 Hz – 20 kHz), <0.5% (30 – 100 Hz)
Intermodulation Distortion (IMD) 0.2% (IHF or SMPTE)
Maximum Input Level +23 dBv (11 V rms)
Input Impedance 75 k-ohms, differential
Output Low-impedance, single-ended (drives ≥600 ohms)
Level Adjust Range 200 mV to 4.9 V (-12 to +16 dBv)
Power Requirements ±15 V regulated at 50 mA; ±24 V unregulated at 26 mA
Compander Type 2:1 compression / 1:2 expansion (linear over 100 dB)
Detection RMS level (Blackmer detector)
Compatible Frames F900 / 900A
Warranty Limited warranty (see registration card)
Intended Use Professional recording, broadcast, and transmission

Frequently Asked Questions - 942A DBX

What is the difference between Type I and Type II noise reduction on the DBX 942A?
The 942A uses Type II noise reduction, which is designed for media with non-flat frequency response (e.g., cassette, VCR, broadcast). Type I requires flat response (e.g., open-reel at 15 ips+) and uses different detector filters. The two are incompatible.
How do I connect the DBX 942A module to my system?
The 942A plugs into a dbx F900 or 900A rack frame. Connect audio inputs/outputs via the edge connector or rear panel (see manual). The front panel has Bypass/Encode buttons and level adjust trims. Refer to the hookup diagram.
How do I set recording levels with the DBX 942A?
Use a 1 kHz reference tone at your nominal level. In Bypass, set tape deck meters to 0. Then switch to Encode and adjust the Rec/Level Adjust trim to return meters to 0. For playback, use an alignment tape and adjust Play trim. Always record at the highest clean level to minimize noise modulation.
Can I use the DBX 942A with a consumer tape deck?
Yes, the Type II system is optimized for consumer and broadcast media with limited high-frequency headroom (e.g., cassette, VCR). Set recording levels high but watch for saturation. The compander reduces noise by 40 dB or more.
What does the Bypass button do?
The Bypass (Out) switch hard-wires the signal around the noise reduction circuitry, bypassing encode/decode. This allows direct comparison and is used during level alignment.
How does dbx noise reduction achieve >115 dB dynamic range?
The system uses 2:1 compression during recording and complementary 1:2 expansion during playback. This doubles the dynamic range of the medium. An RMS detector and VCA ensure accurate tracking over a 100 dB range.
What is the recommended maintenance for the DBX 942A?
Keep the module in a clean, dry environment. Avoid moisture and heat. No internal cleaning is required. For issues, contact dbx customer service or an authorized repair center. The unit is designed for professional use with minimal upkeep.
Why should I avoid mixing encoded tracks?
Mixing encoded channels together will cause the decoder to mistrack because the combined signal does not have the correct 2:1 compression relationship. Always decode individual tracks before mixing.
How do I align the Level Adjust trims?
Use a 1 kHz reference tone at your nominal level. For record: set deck to 0 dB in Bypass, then switch to Encode and adjust Rec trim to return to 0 dB. For play: use an alignment tape in Bypass, switch to Decode, and adjust Play trim to match console levels.
What should I do if the unit needs factory service?
Repack the unit with a description of the problem, your contact information, and proof of purchase. Ship freight prepaid to: dbx, 71 Chapel St., Newton, MA 02195 USA, Attn: Repairs. Contact customer service at 617/964-3210 for assistance.

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Download the instructions for your Compressor in PDF format for free! Find your manual 942A - DBX and take your electronic device back in hand. On this page are published all the documents necessary for the use of your device. 942A by DBX.

USER MANUAL 942A DBX

Your new noise-reduction module was carefully packed at the factory in a protective carton. Nonetheless, be sure to examine the unit and the carton for any signs of damage that may have occurred during shipping. If there is such evidence, don't destroy the carton or packing material, and notify your dealer immediately.

It's a good idea in any case to save the carton and packing should you ever need to ship the module.

In the event of initial problems, first contact your dealer; your unit was thoroughly inspected and tested at the factory.

In addition to a module and this owner's manual, the carton should contain a warranty/registration card. Please fill it out and send it to us.

When choosing an installation location, try to keep the 900 frame away from heat sources (e.g., power amps), and at least be sure there's some space (1-1/2 to 2") above and below. If enclosed space is the only choice, put a fan on the mainframe. Avoid water, of course, and high humidity.

DBX 942A - 1

DBX 942A - 2

CONTENTS

Connections (hookup).... facing page
Front panel (operation).... 2
About dbx noise reduction, types I and II. 3
Application notes (including advice on levels)....4
Schematics. 7
Warranty and factory service....10

SPECIFICATIONS

Effective noise reduction40 dB or more, depending on transmission medium (doubles dynamic range of medium)
Frequency response
941/2A. ± 0.5 dB 40 Hz-20 kHz, ± 1 dB at 39 Hz, -2 dB at 30 Hz
911 ± 0.5 dB 30 Hz-20 kHz, ± 1 dB at 20 Hz
Dynamic rangeGreater than 115 dB
Equivalent input noise-93 dBv
Total harmonic distortion (THD)0.1% 100 Hz-20 kHz, less than 0.5% 30-100 Hz
Intermodulation distortion (IMD) IHF or SMPTE0.2%
Maximum input and output levels.+23 dBv (11 V)
Input75 k-ohms, differential
OutputLow-impedance, single-ended, designed to drive 600 ohms or greater
Level range for unity gain (level match)Set at 1 V; adjustable from 200 mV to 4.9 V (-12 to +16 dBv)
Power requirements ± 15 V regulated at 50 mA; ± 24 V unregulated at 26 mA

Notes

1) Specifications are subject to change.
2) All voltages are rms (root-mean-square).
3) 0 dBv is defined as 0.775 V regardless of load impedance. Subtract 2.2 from the dBv figure to convert to dBV (i.e., referred to 1 V). When the load impedance is 600 ohms, this particular dBv is also known as "dBm."
4) Dynamic range is defined as the difference between the maximum rms signal and unweighted noise. Other noise figures are for 20 Hz-20 kHz, also unweighted.
5) Frequency-response figures are for pink noise.
6) THD and IMD measurements are for total encode/decode processing. SMPTE IMD is measured with 60 Hz and 7 kHz mixed 4:1; IHF (difference-tone) IMD is measured with 19 kHz and 20 kHz mixed 1:1; output 1 V.

DBX 942A - Notes - 1

DBX 942A - Notes - 2

DBX 942A - Notes - 3

HOOKUP INFORMATION

(See the F900/900A manual as well)

PC CARD EDGE CONNECTIONS
DBX 942A - Notes - 4

bar | Category | Value | |---|---| | -24 V UNREGULATED | 1 | | +24 V UNREGULATED | 2 | | CHASSIS GROUND | 3 | | GROUND | 4 | | +15 V REGULATED | 5 | | -15 V REGULATED | 6 | | CH 1 -ENCODER/DECODER IN | 7 | | CH 1 +ENCODER/DECODER IN | 8 | | CH 2 -ENCODER/DECODER OUT | 9 | | CH 2 +ENCODER/DECODER OUT | 10 | | GROUND | 11 | | CH 2 +ENCODER/DECODER IN | 12 | | CH 2 -ENCODER/DECODER IN | 13 | | CH 1 +ENCODER/DECODER OUT | 14 | | CH 1 -ENCODER/DECODER OUT | 15 |

941A

F900/900A FRAME CONNECTIONS
CH 2 +ENCODER IN CH 2 -ENCODER IN GROUND CH 1 +ENCODER OUT CH 1 -ENCODER OUT CH 1 +ENCODER IN CH 1 -ENCODER IN GROUND CH 2 +ENCODER OUT CH 2 -ENCODER OUT

942A

F900/900A FRAME CONNECTIONS
DBX 942A - Notes - 6

Pushing the button In engages the circuit for all channels. Out is a hardwire bypass.

DBX 942A - Notes - 7

LEVEL ADJUST

These screwdriver trims control the overall, full-bandwidth gain of the circuit, permitting unity (0-dB) gain throughout the record/play (encode/decode) process. The settings aren't critical, and need to be done usually only once in a given installation. See the discussion on p. 4.

ABOUT YOUR UNIT AND dbx NOISE REDUCTION

The Model 911 is a 1-channel record/play (encode/decode) professional component using dbx Type I noise reduction for professional-quality tape recorders. The 2-channel Model 941/2A combination is identical -- including the amount of noise reduction -- except that those units use dbx Type II noise reduction and thus (as we shall explain) are suited for tape decks of non-linear frequency response, broadcast cartridge machines, video recorders, microwave links or land lines, and other frequently noisy consumer-grade or broadcast/transmission media.

Each system doubles the dynamic range of the transmission medium to greater than 115 dB. Depending on the individual channel noise of the medium, each therefore can reduce the noise of the medium 40 dB or more. This is achieved by compressing (encoding) the signal by a 2:1 ratio and applying a carefully tailored frequency-response pre-emphasis during record, and then expanding (decoding) the signal 1:2 with a precisely complementary deemphasis during playback. The companding is linear over a 100-dB range and requires no pilot tones or special calibration.

Type I is to be used only with tape machines with flat frequency response (+1 dB 20 Hz-20 kHz) and running at 15 ips or greater,* with full headroom maintained at high frequencies. Type II was developed for media where the high-frequency response is not as flat and headroom is reduced because of tape saturation, 75-us preemphasis, or other reasons. The two systems are incompatible because the filters and preemphases used in the rms detectors are different (although the signal preemphases are virtually the same). For example, Type I's detectors respond from about 22 Hz to 21 kHz, whereas Type II's respond from around 30 Hz to 10 kHz. Type II's filters prevent mistracking due to the frequency-response errors (head bumps, rumble, high-frequency rolloff, and the like) at the ends of the audio band that are common in consumer and broadcast equipment. Additionally, the detector preemphasis in Type II is more severe than in Type I, which causes the Type II compressor to reduce gain more when high-frequency energy is large; this too makes Type II more tolerant of high-frequency-headroom limitations. Note in the performance specifications that the frequency response of the processing circuitry hardly restricts the bandwidth of the audio signal itself.

The benefit of the 2:1 compression, of course, is that the signal becomes easier for any medium to handle. Its dynamic range has been cut in half, with the hottest levels considerably reduced and the softest passages boosted. On decoding, the signal is precisely expanded back, and the original dynamic range of the program is retrieved without hiss, saturation distortion, or degradation of frequency response. There is none of the noise buildup normally encountered in transferring information from one recorded medium to another. Noise present in the original, naturally, is not reduced in this process.

Although simple in theory, classic 2:1:2-compander noise reduction could not be achieved before the development by dbx in the early 1970s of two patented circuits, the Blackmer rms detector and voltage-controlled amplifier (VCA). The former enables optimum decode tracking and transient response despite the phase shifts typically induced by tape recorders. The latter affords precise gain control over an extremely wide dynamic

range while maintaining very low noise and distortion. In quietness and dynamic range, in fact, dbx NR is markedly superior to any 16-bit PCM digital audio system.

-It's occasionally claimed that other (non-dbx) 2:1:2-compansion systems with similar pre/deemphasis but with average, peak, or peak/average detection are compatible (or "compatible enough") with Type I or II. These claims are false. While such detectors may, with steady-state (sine-wave) measurements, yield performance that looks identical, they will mistrack with transient/dynamic material. The success of the dbx systems in coping with various imperfections in the storage and transmission media is due largely to our (relatively expensive) rms-level detectors; don't be fooled into thinking otherwise.

APPLICATION NOTES (including advice on levels)

The Level-Adjust controls

For convenience in listening and in matching levels of other equipment, there are screwdriver-adjustable trim controls accessible through holes in the front panel, as noted earlier. These allow you to keep the Record and the Play levels about the same (achieving unity gain through the unit's processing), as well as to keep levels about the same with and without noise reduction.

→(18)

Since these trims adjust only gain for the full bandwidth, please note that their settings are not critical to proper performance. Linearity and frequency response, for example, are completely unaffected.

Record

1) With the dbx unit in Bypass, feed a 1-kHz tone at your "0" reference level to the module's Encoder input terminals; go through your console if you wish. Set the tape deck's recording-level meters to their nominal calibration point (0 or whatever). Then switch the dbx unit to Noise Reduction/Encode In and turn the Rec/Level Adjust trim as necessary to achieve 0 again on the tape-deck meters. Don't expect to read the same levels on the deck's meters at frequencies other than 1 kHz, owing to the preemphasis in the dbx unit. If you normally use 400 Hz or some other mid-frequency tone for lining up your studio, you can continue to do so, but use the same-frequency tone throughout.

Play

Again with the dbx unit in Bypass, send a 1-kHz reference-level tone (from an alignment tape or other source) into the Decoder input terminals and monitor the level on the console's meters; presumably they'll read 0. Push in the Noise Reduction/Decode button and adjust the Play/Level Adjust trim until the console reads 0. That's all there is to it.

Recording Levels

With today's hotter tapes and faster meters, there are no longer any hard and fast numbers about maximum recording levels with dbx noise reduction. Generally, with decks of modern manufacture and good tape, recording levels should always be as high as is consistent with clean sound. This means that peaks almost invariably should go well above your deck's nominal 0 -- indeed, above its +3, the end of the meter range for many decks -- depending on the dynamic range and, especially, the spectrum of the program material. Synthesizer, female chorus, brass, percussion -- music with considerable high-frequency energy, transients, and the greatest peak-to-average ratios -- naturally will require close attention to the meters and more prudent settings. But electric guitar, chamber music and small-ensemble jazz, piano, strings, male vocals, and any material that has been limited or compressed beforehand may usually be put on the tape at healthy, high levels. Since so many decks' meters stop at +3 (and have different 0 levels) and since meter time constants vary so much, we can't even suggest a number -- +6? +8? +10? Keen monitoring is the key (and your only choice, really). As mentioned, the program's spectral content will govern success in choosing levels more than any other factor. Note that as fast, "peak"-reading

meters become more common on consoles, decks, etc., your recording-level numbers will change; dbx-encoded peaks on such meters shouldn't exceed the medium's headroom.

The reason for recording at the hottest level possible (or, in broadcasting, maintaining high signal levels short of overmodulation) is that doing so keeps the signal as far as possible above the noise floor of the transmission medium. This in turn minimizes the only potential drawback of aggressive, full-bandwidth companding that produces as extremely quiet results as dbx: audible noise modulation in the absence of masking. This phenomenon, sometimes a faint "sshhh" sound accompanying a low-level sound with little high-frequency content (e.g., male speech, or solo, dryly miked bass or piano), is most likely to occur when the transmission medium is very noisy and/or the noise is close to the signal. Transmission lines, audio cassette decks, and VCRs (including U-Matics) are considerably more likely to exhibit such problems than open-reel recorders because their inherent dynamic-range figures are often so poor -- 45-55 dB, for example. (Note that C-type VTRs, using open reels of 1-inch tape and usually having considerable headroom above a relatively low-set 0, are much less prone to noise modulation if recording levels are kept good and high.)

Fortunately, the vast majority of the material that might otherwise present noise-modulation problems can be recorded at healthy high levels without saturating the tape, and if the deck is quiet enough, there'll be no audible noise modulation on any material. Finally, most of the musical material recorded and broadcast today -- ensemble pop/rock, for one example -- can be recorded perfectly cleanly on a wide variety of decks without a trace of noise added.

The point of all this, again, is to use your ears in setting recording levels. How a recording or a broadcast sounds is more important than any specific level figures — in fact, it's the only important criterion. Just try starting out hotter than you may have been accustomed to in the past, with other noise-reduction systems (or none) — and back off only if you hear something you don't like, not as a matter of "policy." Do note that your meters will deflect less than you are used to, because the signal hitting the tape is compressed 2:1.

Don't forget to mark your tapes "Encoded with dbx I [or II]," since undecoded playback of encoded tapes or decoded playback of unencoded tapes is not much fun.

Alignment tones

Any tones you customarily use at the head of a tape (for HF or LF EQ, azimuth adjustment, levels, etc.) should not be encoded.

Mixing

All mixing must be done with decoded tracks only. Never mix encoded channels together — the decoder will not track them properly.

Applications other than recording and broadcasting

dbx Type II often is well-suited to reducing the noise of echo/delay/reverberation lines (bucket-brigade, digital, "ambience" systems, etc.). Experimentation is called for; frequently the result is a startling improvement in quietness.

DBX 942A - Applications other than recording and broadcasting - 1

CHANNEL 1 CHANNEL 1 FOMO COMPLETE OUTPUT 1 + - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

FROM CONTROL OUTPUT 2 + - Circuit Circuit Number Circuit Type Circuit Source Circuit Power Circuit Voltage Circuit Current Circuit Voltage Circuit Source Circuit Power Circuit Voltage Circuit Source Circuit Voltage Circuit Source Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit Voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltage Circuit voltages (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) (10A) -

CHANNEL 1
DBX 942A - Applications other than recording and broadcasting - 4
CHANNEL 2

+2kV +15V 800 -15V -2kV 7085/71625

NOTES NOTES OTHERWISE SPECIFIED: 1. ALL RESISTORS ARE EXPRESSED IN ONHS AND ARE 1/4V. SZ. 2. ALL CAPACITORS ARE EXPRESSED IN RICHOWARDS. 3. ALL CHEESE CAPACITORS ARE 1/2" 4. ALL NPD AND S2L CERAM DISC CAPACITORS ARE +/- SZ. 5. ALL VSE CERAM DISC CAPACITORS ARE +/-10Z. 6. ALL POLPROPYLENE CAPACITORS ARE +/-2. SZ. 7. ALL MAGAL ELECTROLYTIC CAPACITORS ARE +/-292 AND ARE 8. SELECT A 10 NPD ELECTROLYTIC CAPACITOR CC26 AND E1241 N PROCEDURE 14680 GROUP A OR B. SELECT RESISTOR IR30 AND IR31 WITH SELECTION PROCEDURE 14680 GROUP B. ▽ GENOTES GROUNDING ITEMS DLYSLY TOGETHER AND RETURN TO CENTRAL GROUND SEPARATELY.

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STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STARVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVSTRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVESTRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE TRESERSTRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVE STRAVEDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBXDBX
TP4
5>
VR2
ICA
OAD
Y1878-718
CA7
C136C29-C189
R149R48-R189
LAST USEDNOT USED
REFERENCE USSTIMATIONS
TP4
5>
VR2
ICA
OAD
Y1878-718
CA7
C136C29-C189
R149R48-R189
LAST USEDNOT USED
REFERENCE USSTIMATIONS

CHANNEL 1 CHANNEL 1 + - FIRE CHANNEL OUTPUT + - CHANNEL 1 + - FIRE CHANNEL OUTPUT - - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1 + - CHANNEL 1

CHANNEL 2
Electrical circuit diagram with labeled components and connections, including capacitors, resistors, and transistors

NOTES NOTES OTHERWISE SPECIFIED: 1. ALL RESISTORS ARE EXPRESSED IN DHG AND ARE 1/4W, SR. 2. ALL CAPACITORS ARE EXPRESSED IN MICROFABROS. 3. TOTAL DUM OF CAPACITORS ARE 4. ALL NPD AND SQL CERAMIC DISC CAPACITORS ARE +/-SE. 5. ALL V3E CERAMIC DISC CAPACITORS ARE +/-18E. 6. ALL POLYPROPYLENE CAPACITORS ARE +/-2.5E. 7. ALL ANIONAL ELECTROLYTIC CAPACITORS ARE +/-28X AND ARE 1/2" 8. SELECT A 10 NPD ELECTROLYTIC CAPACITOR (1/26 and CL24) VI 9. SELECTION PROCEDURE 16488 GROUP A OR B. 10. SELECT RESISTOR 1938 AND R1361 WITH SELECTION PROCEDURE 16488 AND R1361 11. ▼ DENOTES GROUND ARE TIED CLOSELY TOGETHER AND RETURN TO CENTRAL GROUND SEPARATELY.

TP4
31
YRZ
104
094
T18Y8-Y18
CR7
C134C29-C188
R148R46-R188
LAST USEDNOT USED
REFERENCEDESIGNATIONS

Electrical schematic diagram with labeled components and connections, including resistors, capacitors, and a 70kV/72kΩ power source.

942A USED ON
OFFPROVALdbx INC NEWTON.HA.02195
PLOWHIGHLOWSHEMATIC TYPE II.TWO CHANNEL DECODENOISE REDUCTION
CPVCPVCPVSCALE: NONESIZE D 340537 N/A
RSTRSTRST
RST CMRST CMRST
CMCMCM
RST CMRST CMRST
RST CMRST CMRST
RST CMRST CMRST
RST CMRST CMRST
RST CMRST CMRST
RST CMCSTCST
RST CMRST CMRST
RST CMRST CMRST
RST CMRST CMRST
RST CMRST CMRST
RST CMRST
RST CMRST CMRST
RST CMRST CMRST
RST CMRST CMRST
RST CMRST CMRST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMN O C MN O C M
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMCSTCST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST CMR ST
R ST CMR ST

CHANNEL 1 ENCODER CHANNEL 1 CHANNEL 2 DECODER CHANNEL 2 NOTES: UNLESS OTHERWISE SPECIFIED: 1. ALL RESISTORS ARE EXPRESSED IN HOURS AND ARE 1/4V, SE. 2. ALL CAPACITORS ARE EXPRESSED IN MICROLOGIES. 3. ALL VILOR CAPACITORS ARE 1/4-SE. 4. ALL VPS AND SIL CERAMIC DISCAPACITORS ARE 1/4-SE. 5. ALL VSS CERAMIC DIS CAPACITORS ARE 1/4-SE. 6. ALL POLIOPROPONE CAPACITORS ARE 1/4-SE. 7. ALL PAIDAL ELECTRATIC CAPACITORS ARE 1/4-SE AND ARE LED LEAVES. 8. SELECT A 1A AND ELECTRONIC CANCICUM 1CA AND C1321 WITH SELECTION PROCEDURE 1A/B/S GROUP A OR B. 9. SELECT RESISTOR TYPE AND BASE WITH SELECTION PROCEDURE 1A/B/S GROUP A OR B. 10. IF DENSERS GROUND ARE TIED CLOSELY TOGETHER AND RETURN TO CENTRAL GROUND NEPROMELT. DESCRIPTION: Schematic TYPE I ENCODE/DECODE NOISE REDUCTION DCX INC NEWTON.MN.02195 SCALE: NONE UNIT: 340535 H O F E D C B A TFA TFL2 L151 L110 C1726 C1440 REFERENCE RESTROOMS 0 7 4 3 2 1 0 H O F E D B T Y Z L15 L110 C1726 C1440 REFERENCE RESTROOMS

WARRANTY and FACTORY SERVICE

All dbx products are covered by a limited warranty (warranties for products purchased outside the USA are valid only in the country of purchase and the USA). For details, consult your warranty/registration card or your dealer/distributor.

dbx Customer Service will help you use your new products. For answers to questions and information beyond what's in this manual, write to:

dbx

71 Chapel St.

PO100C

Newton, Mass. 02195 USA

Attn: Customer Service

You also may call 617/964-3210 between 9:30 and 4:30 Eastern time (USA). The Telex is 92-2522.

Should problems arise, consult your dealer or distributor. If it becomes necessary to have your equipment serviced at the factory, repack the unit, including a note with a description of the problem, your name, address, and phone, and the date of purchase, and send the unit freight prepaid to the above street address, marking it Attn: Repairs.

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Product information

Brand : DBX

Model : 942A

Category : Compressor