DM-80 - Microphone Nady - Free user manual and instructions

Product Type	Dynamic Kick Drum Microphone
Brand	Nady
Model	DM-80
Transducer Type	Dynamic, moving-coil
Magnet Type	Neodymium
Polar Pattern	Cardioid (unidirectional)
Frequency Response	30 Hz – 15,000 Hz
Impedance	250 Ohms
Sensitivity (at 1 kHz, 74 dB SPL)	-72 dB ± 3 dB
Maximum SPL (1% THD)	>140 dB
Dimensions (Diameter x Length)	2.1" x 4.7" (54 mm x 120 mm)
Weight	10.6 oz (295 g)
Housing Material	Die-cast zinc handle, steel mesh grille
Connector	Gold-plated XLR (3-pin)
Mounting	Integral rubber shockmount mic holder (stand adapter included)
Power Requirement	Passive, no phantom power needed
Key Features	Extended low-end response; handles high SPL; transformerless design; all-metal construction; compact low-profile
Intended Use	Kick drum, bass drums, large drums
Care Instructions	Wipe with dry cloth after use; avoid extreme temperatures, humidity, and direct sunlight; store in padded case
Safety Warnings	Do not drop; avoid shock; keep away from moisture
Spare Parts / Repairability	Replacement XLR connectors and shockmount available; service via Nady (phone/email)
Compatible Cables	Standard low-impedance XLR to XLR or XLR to 1/4" cable

Frequently Asked Questions - DM-80 Nady

What type of microphone is the Nady DM-80?

The Nady DM-80 is a dynamic moving-coil microphone with a neodymium magnet, specifically designed for kick drums and other low-frequency instruments.

What is the polar pattern of the DM-80?

It features a cardioid (unidirectional) polar pattern, which rejects sound from the rear and minimizes feedback.

How do I connect the DM-80 to my mixer?

Use a standard low-impedance XLR cable. Connect the female XLR end to the microphone and the other end (male XLR or 1/4" phone plug) to your mixer or amplifier.

Does the DM-80 require phantom power?

No, the DM-80 is a passive dynamic microphone and does not need phantom power.

What is the maximum SPL the DM-80 can handle?

The DM-80 can handle sound pressure levels up to >140 dB before distortion, making it ideal for loud drum kits.

How can I reduce feedback when using the DM-80 live?

Position the microphone close to the source, keep speakers behind the microphone (due to cardioid pattern), reduce stage volume, and adjust EQ on the mixer.

How do I clean and maintain the DM-80?

After use, wipe the microphone with a dry cloth. Avoid moisture, extreme temperatures, and direct sunlight. Store in a padded case when not in use.

What is the frequency response of the DM-80?

The DM-80 has a tailored low-end frequency response of 30 Hz to 15,000 Hz, optimized for kick drums and bass instruments.

Can I mount the DM-80 on a standard microphone stand?

Yes, the microphone comes with an integral shockmount holder that fits standard microphone stands. An included threaded adapter may be needed for certain stands.

Is the DM-80 suitable for instruments other than kick drum?

Yes, it can also be used for large drums, bass guitars, and other low-frequency sources where extended low-end response is desired.

USER MANUAL DM-80 Nady

Congratulations on purchasing the Nady DM 70 or DM 80 Microphone! Capable of handling high sound pressure levels without distortion, the DM Series microphones are ideal for live or recording close-miking of all types of drums and percussion instruments, and also for accurate sonic reproduction of brass, woodwind and other instruments producing high sound fields. This guide is for both the DM 70 and DM 80, with the differences as noted.

DM 70: Snare drum mic for close-miking snares, toms, all percussion, brass and woodwinds

DM 80: Kick drum mic with extended low-end response specially tailored for bass drums and other large diameter drums

USING YOUR DM-70/DM-80

The DM-70/DM-80 can be used with any standard mixer, powered mixer/amplifier, or mic preamp. Using either an XLR to XLR or XLR to 1/4" phone plug low impedance cable, connect the female XLR end to the DM-70/DM-80 and the other end (male XLR or 1/4" phone plug, as appropriate) to your equipment.

The DM-70/DM-80 can be mounted on a microphone stand with the integral mic holder mount supplied. Depending on the threading of the mic stand you are using, you may need to remove the threaded adapter from the mic holder.

Be aware of the proximity effect (an increase in bass response) when the mic is placed close to the instrument. This may or may not be desirable. Experimenting with the position of the mic with respect to the audio source will ensure the optimum results you are seeking in any given application.

If the microphone is placed too near a speaker during live stage use, an unpleasant howling effect (acoustic feedback) may occur. Although all microphones are prone to feedback to some extent, those with a unidirectional polar pattern (such as the DM-70 and DM-80) are specially designed to accept only signals from the audio source directly in front of the mic cartridge. Thus, the cardioid pattern of the DM-70/DM-80 ensures that it will deliver only the desired audio in front of the mic, rejecting the unwanted audio from the rear, even in noisy ambient conditions with high sound pressure levels from the P.A. and monitor speakers. This means that feedback will be greatly minimized with the DM-70/DM-80 in all live performance miking applications.

Some useful ways in which to totally eliminate annoying feedback include: experimenting with mic positions with respect to the speakers, decreasing speaker volume (whenever possible), and adjusting the equalization of the mic audio with the mixer.

PRECAUTIONS AND CARE FOR YOUR DM 70/DM 80

• The microphone should never be dropped or subjected to extreme shock. Store only in a padded case to protect it during transport.
• Keep the microphone away from extremely high temperatures (above 140^ or 60^ ) and humidity. Avoid leaving the microphone in direct sunlight for long periods of time.
• When using the microphone outdoors, avoid getting it wet.
• After use in a high-moisture application such as a stage performance, wipe off the microphone with a dry cloth and permit it to air dry. Do not store the unit in a closed space (e.g., a plastic bag) until all moisture has evaporated.

FEATURES

• Cardioid pattern allows close miking without bleed-through from other drum kit pieces
• Neodymium element delivers maximum output
• Up to 140dB SPL handling capacity for distortion-free reproduction of even the loudest drums and other instruments

• Transformerless moving-coil dynamic design for enhanced bass and fast transient response

• All metal construction for maximum reliability

• Special rubber shockmount mic holder minimizes floor vibration pick-up
• Incredibly small, low-profile design for minimum visibility and versatile close-miking placement around the drum kit
  • Gold-plated XLR for maximum conductivity
  • Full frequency response for sonic punch with exceptional clarity

SPECIFICATIONS

Cartridge Type, Magnet: Dynamic, neodymium cartridge

Directional Pattern: Unidirectional Cardioid

Frequency Response: DM 70: 70\~16,000 Hz

DM 80: 30\~15,000 Hz

Sensitivity (@ 1KHz, 74dB SPL): DM 70: -73dB, +/- 3dB

DM 80: -72dB, +/- 3dB

Impedance: DM 70: 600 Ohm, DM 80: 250 Ohm

Maximum SPL (@1% THD): DM 70: >130dB, DM 80: >140dB

Dimensions: DM 70: 1.65" X 4.5" (42 X 115mm)

DM 80: 2.1" X 4.7" (54 X 120mm)

Weight: DM 70: 8.5oz (237g), DM 80: 10.6oz (295g)

Material: Handle: die-cast zinc

Holder Mount: rubber, plastic and with brass insert

Ballscreen: steel mesh

Gold-plated XLR contacts

TYPICAL FREQUENCY RESPONSE

WIRING DIAGRAM - recommended cable wiring

SERVICE

(U.S.) Should your Nady microphone require service, please contact the Nady Service Department via telephone at [phone] or E-mail at [e-mail] (INTERNATIONAL) For service, please contact the Nady distributor in your country through the dealer from whom you purchased this product.