ARX-03 - Hi-Fi System ROLAND - Free user manual and instructions

Product Type	Hi-Fi System
Brand	Roland
Model	ARX-03
Dimensions (W x H x D)	430 x 90 x 300 mm
Weight	5.0 kg
Power Supply	AC 230V, 50 Hz
Power Consumption	50 W
Audio Output Power	2 x 20 W RMS
Frequency Response	20 Hz - 20 kHz
Signal-to-Noise Ratio	> 90 dB
Supported Media	CD, CD-R/RW, MP3 (via USB)
Tuner	AM/FM with 30 presets
Inputs	AUX (RCA), USB, Microphone (6.3mm)
Outputs	Headphone (3.5mm), Speaker terminals
Speaker Configuration	2-way bookshelf speakers (included)
Remote Control	Included (IR)
Maintenance	Clean with soft dry cloth; avoid solvents
Safety Instructions	Do not expose to moisture; unplug during storms
Spare Parts Availability	Contact Roland authorized service centers
Repairability	Repairable by qualified technicians only
Country of Origin	Japan

Frequently Asked Questions - ARX-03 ROLAND

How do I connect the speakers to the ARX-03?

Connect the included speakers to the speaker terminals on the back panel. Ensure correct polarity (red to +, black to -).

Why is there no sound from the system?

Check that the volume is turned up, the input source is selected correctly, and the speakers are properly connected. Also ensure the system is not in mute mode.

Can I play music from my phone via Bluetooth?

The ARX-03 does not have built-in Bluetooth. Use the AUX input with a 3.5mm cable or the USB port for compatible devices.

How do I set the AM/FM radio presets?

Tune to the desired station, then press and hold a preset number (1-30) on the remote or front panel until the display confirms.

What is the maximum power output?

The system delivers 2 x 20 W RMS (40 W total) into 8 ohms.

How do I clean the ARX-03?

Use a soft, dry cloth to wipe the exterior. Do not use any solvents or abrasive cleaners. For ventilation grilles, use a vacuum cleaner with a brush attachment.

Can I connect a subwoofer?

The ARX-03 does not have a dedicated subwoofer output. You may use the speaker terminals to connect a passive subwoofer if compatible, but it is not recommended without an external crossover.

The remote control is not working. What should I do?

Replace the batteries (CR2025) in the remote. Ensure there are no obstructions between the remote and the IR sensor on the front panel. Also check if the remote needs to be paired (usually not required).

How do I reset the system to factory settings?

Press and hold the Power button for 5 seconds while the unit is on. The display will show 'RESET' and the system will restart with default settings.

Where can I find replacement parts or service?

Contact an authorized Roland service center. Visit the Roland website for a list of service locations. Do not attempt to repair the unit yourself.

USER MANUAL ARX-03 ROLAND

SuperNATURAL Expansion Board

ARX-03 BRASS

Owner's Manual

Before using this product, carefully read the sections entitled: "USING THE UNIT SAFELY" and "IMPORTANT NOTES" (p. 4; p. 6). These sections provide important information concerning the proper operation of the product. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new product, Owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference.

Copyright © 2009 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION.

USING THE UNIT SAFELY

INSTRUCTIONS FOR THE PREVENTION OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS

About ⚠️ WARNING and ⚠️ CAUTION Notices

⚠ WARNING	Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly.
⚠ CAUTION	Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly.* Material damage refers to damage or other adverse effects caused with respect to the home and all its furnishings, as well to domestic animals or pets.

About the Symbols

	The △ symbol alerts the user to important instructions or warnings. The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger.
	The ⊗ symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled.
	The ● symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the power-cord plug must be unplugged from the outlet.

ALWAYS OBSERVE THE FOLLOWING

WARNING

- Do not open or perform any internal modifications on the product.

WARNING

- Do not open or perform any internal modifications on the product. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see p. 8.)

WARNING

- Do not attempt to repair the product, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

- Never install the product in any of the following locations. - Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are - Damp (e.g., baths, washrooms, on wet floors); or are - Exposed to steam or smoke; or are - Subject to salt exposure; or are - Humid; or are - Exposed to rain; or are - Dusty or sandy; or are - Subject to high levels of vibration and shakiness.

- In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the product.

WARNING

- Protect the product from strong impact. (Do not drop it!)

- Before installing the ARX-03, you must first always turn off the (Fantom-G6/G7/G8, Cakewalk VS-700R) and unplug its power cord.

CAUTION

• Install the circuit board only into the specified product (Fantom-G6/G7/G8, Cakewalk VS-700R). Remove only the specified screws during the installation.

IMPORTANT NOTES

When you purchase the ARX-03 SuperNATURAL Expansion Board from an authorized Roland dealer, the included sounds and samples are licensed, not sold, to you by Roland Corporation, for commercial use in music production, public performance, broadcast, etc.

You may use any of the included phrases and/or samples in a commercial or non-commercial recording without paying any additional license fees. However, you must strictly adhere to the following crediting guidelines on any music recording that utilize material from ARX-03.

Reproduction or duplication of this collection or any of the sound recording contained in the ARX-03, either as they exist on this expansion board or by any means of reformatting, mixing, filtering, re-synthesizing, processing or otherwise editing for use in another product or for re-sale, is strictly prohibited without the express written consent of Roland. All unauthorized giving, trading, lending, renting, re-issue, redistribution or re-sale of the sounds included in the ARX-03 are expressly prohibited.

In Plain English: Be creative in your application of the ARX-03 sounds, and keep this library for your use only. DO NOT COPY IT.

Roland constantly monitors other Soundware releases to check for copyright infringements, and will prosecute all piracy and copyright violations to the fullest extent of the law.

THIS LIBRARY IS GUARANTEED TO BE 100% COPYRIGHT CLEAN.

Placement

- This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.

Additional Precautions

• To avoid disturbing your neighbors, try to keep the product's volume at reasonable levels (especially when it is late at night).
• When you need to transport the product, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
• MMP (Moore Microprocessor Portfolio) refers to a patent portfolio concerned with microprocessor architecture, which was developed by Technology Properties Limited (TPL). Roland has licensed this technology from the TPL Group.

Contents

USING THE UNIT SAFELY.... 4

IMPORTANT NOTES 6

Installing the Expansion Board in Your Product 8

Installation in Your Product....9

Confirmation after Installation ....11

To Remove the Board from the Product 12

ARX Series SuperNATURAL Expansion Boards 17

Roland SuperNATURAL Technology 17

ARX-03 Brass 18

The Structure of ARX-03 Brass....19

Different Ways to Play the ARX-03 20

Playing a Solo.... 20

Playing a Section....20

Creating a Patch 23

Main Screen 23

Patch Selection and Indicator 23

Player Select setting 24

Player Settings (Player Edit) 25

Selecting an instrument

(Inst/Level screen).... 25

Feeling settings (Feeling screen).... 26

Breath settings (Breath screen).... 27

Equalizer settings (EQ screen) 28

Section Settings (Section) 29

Playing settings (Section Style screen) 29

Pitch settings (Tune/Key Shift screen) 30

Vibrato settings (Vibrato screen)....31

Volume Balance Settings (MIXER)....31

Volume and pan settings (Level/Pan screen) 31

Equalizer settings (EQ screen)....32

Effect Settings (Effects) 33

Applying effects (Routing screen)....33

Multi-effect settings (MFX screen) 34

Multi-effect control

(MFX Control Screen)....35

Reverb settings (Reverb screen) 36

Controller Assignments (CONTROL)....38

Bender settings (Bend/Hold screen)....38

Controller assignments for each patch

(Control Assign 1 screen) 39

Controller assignments for individual instruments

(Control Assign 2 screen) 40

Initializing a Patch (Utility Screen) 41

Saving a Patch (on the Fantom-G)....41

Multi-Effects List....42

Multi-Effects Types....42

Multi-Effects Parameters 42

About Note....53

Specifications ....54

Index......55

Installing the Expansion Board in Your Product

Cautions when installing

• Before you install this expansion board (hereafter referred to as "the board"), you should carefully read the procedure for installing expansion boards given in the owner's manual of the product in which you're installing it.

• To avoid the risk of damage to internal components that can be caused by static electricity, please carefully observe the following whenever you handle the board.

• Before you touch the board, always first grasp a metal object, so you are sure that any static electricity you might have been carrying has been discharged.

• When handling the board, grasp it only by its edges. Avoid touching any of the electronic components or connectors.

• Save the bag in which the board was originally shipped, and put the board back into it whenever you need to store or transport it.

• Do not touch any of the printed circuit pathways or connection terminals.

• Never use excessive force when installing a circuit board. If it doesn't fit properly on the first attempt, remove the board and try again.
• When circuit board installation is complete, double-check your work.

Installation in Your Product

1. As described in your product's owner's manual, expose the slot in which the expansion board is to be installed.
2. Orient the board with the slot of your product as shown in the illustration.

Slot of the product

graph LR
    A["Latched holders"] --> C["Central Device"]
    B["Non-latched holders"] --> C
    C --> D["Device with control points"]

Board

(expansion board)

1. Insert the board into the product's non-latched board holders until you hear a click.

Non-latched holders

1. Gently lower the board into place.

Technical line drawing of a mechanical component with mounting brackets and a triangular support (no text or symbols)

1. From above, press down on the board at the three locations indicated in the illustration until the latched board holders lock into place.

1. Verify that the latched board holders are locked.

Technical illustration of a device with a base panel and a close-up view showing a mechanical component (no text or symbols)

1. Return the expansion board installation slot to its original state.

Confirmation after Installation

After you've finished installing the expansion board, you will need to perform the following procedure to confirm the installation. This installation procedure needs to be performed only the first time you power up your device after installing the expansion board.

1. Power up your device as described in its owner's manual.
2. If the expansion board was installed correctly, an installation confirmation screen will appear. Press the [F8] (Execute) button to begin installation.

* The screen shown here is for when the board is installed in the Fantom-G.

If the installation confirmation screen does not appear the first time you power up after installing the expansion board, it is likely that the board was not installed correctly. Check once again to make sure that the board is correctly installed.

It may take one to five minutes before installation is finished. Never turn off the power during this installation process.

1. When you see the Power Off screen indicating that installation is finished, switch your device's "Please Power Off!", then on again as described in its owner's manual.

This completes the expansion board installation process.

To Remove the Board from the Product

1. As described in your product's owner's manual, expose the slot in which the expansion board was installed.
2. Unlatch the latched board holders.

Diagram showing a device with labeled components and an arrow indicating direction (no text or symbols present)

1. Verify that the two latched board holders are unlocked, then gently pull up the board and disconnect the connector.

Pure mechanical diagram of a triangular frame with mounting holes and a diagonal support (no text or symbols)

1. Disengage the board from the non-latched board holders, and remove the board.

for Canadian Safety Standard

Technical line drawing of a mechanical assembly with mounting brackets and a triangular component (no text or symbols)

Technical illustration of a device with mounting holes and a close-up view showing internal components (no text or symbols)

Diagram showing a device with labeled components and an arrow indicating motion (no text or symbols present)

Pure mechanical diagram of a triangular frame with mounting holes and base plates, no text or symbols present

ARX Series SuperNATURAL Expansion Boards

The ARX series SuperNATURAL expansion boards represent a further evolution for Roland's line of expansion solutions, which began with the SR-JV80 series and SRX series—they are a completely new type of expansion board. SuperNATURAL technology delivers natural, richly expressive sounds and effects along with a dedicated graphic user interface, all adding up to a comprehensive application environment that allows an unprecedented degree of expressive playability and customization.

Roland SuperNATURAL Technology

SuperNATURAL

Proprietary Roland sound generation technology that realistically reproduces the tonal changes and performance techniques distinctive of an acoustic instrument, allowing you to perform music that is natural and richly expressive.

ARX-03 Brass

High-quality brass sounds using SuperNATURAL technology

The ARX-03 Brass Expansion board uses SuperNATURAL technology to bring you high-quality brass sounds and new, more intuitive editing features.

Various performance expressions distinctive to brass instruments that were difficult to play from a keyboard can now be reproduced without special operations, and expressively played with realistic tone

Create brass sections with as many as six players with the new "Section" feature

In addition to playing each instrument solo, you can use the Section feature to create and play brass sections consisting of up to six "players." With this function, the performance of each player in the section will take advantage of the distinctive characteristics of the instrument being used; you are free to specify not only the type and volume balance of each instrument, but also make settings for the personality of each player, such as the accuracy and personality of the performance.

This is fundamentally different than the conventional method of "selecting a sound"; it is a new type of editing that allows you to produce high-quality brass sounds by creating your very own brass section.

Stereo reverb taken from the Fantom-G

Built into the ARX-03 are eight types of reverb taken from the Fantom-G. This beautiful reverberation will further enhance the amazing brass sounds.

Multi-effects that meet the needs of diverse musical styles

The ARX-03 contains fifteen multi-effects optimized for brass, including a Lo-Fi effect that delivers the "oldies" sound of the sixties, a comp-limiter used in rock styles to enhance the sonic power, and multiple delays that are particularly effective in solo performance.

The Structure of ARX-03 Brass

Basic structure

The ARX series of SuperNATURAL expansion boards receives performance data and control from a device that supports the ARX series, produces sound in response to this data, and transmits it as a stereo audio signal to the supporting device.

* The ARX series supports up to sixteen parts, but ARX-03 Brass product is designed with only one part.

Player

The "player" is the smallest unit of sound on the ARX-03 Brass.

For each player, you can select an instrument of eight types, such as trumpet, trombone, or sax.

The ARX-03 Brass can simultaneously use up to six players.

Patch

Settings for six players, MFX (multi-effect) settings, and reverb settings can be collectively saved as a "patch."

The ARX-03 Brass contains fifty such patches.

* If the ARX-03 is installed in a Fantom-G, the patch data is saved in the Fantom-G project.
* If you've installed the ARX-03 in a Fantom-G6/G7/G8, executing a Factory Reset for the Fantom-G6/G7/G8 will reset the expansion boards to their factory-set condition.

graph TD
    A["from ARX compatible device (Performance data)"] --> B["ARX-03 Brass"]
    B --> C["Patch 50"]
    C --> D["Player 01"]
    D --> E["PLAYER 06"]
    E --> F["Player 01 Inst"]
    F --> G["EQ"]
    G --> H["MIXER / MASTER EQ"]
    H --> I["REVERB"]
    I --> J["AFX"]
    J --> K["to ARX compatible device (Audio signal)"]

Different Ways to Play the ARX-03

Playing a Solo

By setting the Player Select parameter (p. 24) to a specific player from 1 through 6, you can play a solo for the specified player. Playing solo allows you to perform while conveying a sense of the breathing that's distinctive to wind instruments.

Playing a Section

By setting the Player Select parameter (p. 24) to "ALL," you can play a section performance consisting of up to six players. The ARX-03 will automatically assign the notes among the six players according to your playing on the keyboard, allowing you to play the brass section by yourself.

When playing a section you can choose one of the two following performance modes.

* For details on switching between performance modes, refer to "Player Settings (Player Edit)" (p. 25).
- Unison mode (p. 21)
- Stack mode (p. 22)

Unison Mode

When you play a single key or multiple keys simultaneously with a four-player ensemble setting, the various instruments will be assigned as follows.

When you play single notes

All assigned instruments will sound at the same pitch. Each instrument will sound in an octave that's appropriate for it.

Illustration of piano keys and two brass instruments (no text or symbols)

When you play multiple notes simultaneously

Each instrument will automatically be assigned to a note you play. Units of instruments automatically assigned to a note you play are called a group.

Example: If you play two notes

Example: If you play four notes

Stack Mode

This allows you to successively layer each instrument in the order you've specified "Playing settings (Section Style screen)" (p. 29). Using this mode allows you to simulate the bell tones played by a brass ensemble.

When you play single notes

Only the first instrument will sound.

Illustration of a piano keyboard with a musical instrument above it (no text or symbols)

When you play a second note as well...

The first instrument will continue sounding, and the second instrument will be added.

When you additionally play a third and fourth note...

The sounds of the third and fourth instrument will be successively layered.

Creating a Patch

About this manual

• The screen images used in this manual are taken from a Fantom-G with the ARX-03 installed. The various procedures described also assume that you are using the ARX-03 installed in a Fantom-G.
• For details on how to move the cursor or edit a value, refer to the owner's manual for the device in which you've actually installed the ARX-03.

Main Screen

This screen is used mainly to select patches.

By changing the Player Select setting you can switch between

playing the section (ALL) or playing a solo (1-6).

Patch Selection and Indicator

Move the cursor to PATCH Number/Name and change the value to select a patch (001–050).

PATCH Number/Name

The indicators show the following information.

No.	Indicator Description
1	L/R Level Indicator Left/right levels of the sound
2	Player Indicator The players that are currently playing will be lit
3	Section Group Indicator	The indicators will be lit at the same height for players in the same group
4	Section Play Mode Indicator	Play mode status *1
5	Variation Indicator Performance	variation status *1
6	MFX Switch Turns the multi-effect on/off *2
7	Reverb Switch Turns the reverb	on/off *2

*1 This setting cannot changed in the main screen. You can adjust this in "Playing settings (Section Style screen)" (p. 29) These Parameters can be controlled using a specified controller (p. 39).
*2 This setting cannot changed in the main screen. You can adjust this in "Applying effects (Routing screen)" (p. 33)

Player Select setting

When playing the section (Player Srect = ALL)

You can play a section performance consisting of up to six players. You can change the mute setting and instrument level setting for each player.

No.	Parameter	Value Description
1	Player Select	All,Solo1-Solo6	Selects the PlayerAll: Section performanceSolo1-Solo6: Solo performance
2	Master Level 0-1	27 Adjusts the volume of the entire patch
3 Play/Standby		PLAY,STANDBY	Turns the sound of each player on/off
4 Inst	Pan L64-63R Adjusts the pan of each instrument
5 Inst	Level 0-127 Adjusts the volume of each instrument

When playing a solo (1–6)

You can play a solo for the specified player. You can adjust the instrument level of the selected player.

No.	Parameter	Value Description
1	Player Select	All, Solo1-Solo6	Selects the Player• All: Section performance• Solo1-Solo6: Solo performance
2	Master Level	0-127	Adjusts the volume of the entire patch
3 Inst	Pan L64-63R Adjusts	the pan of each instrument
4 Inst	Level 0-127		Adjusts the volume of each instrument

Player Settings (Player Edit)

In the Player Edit screens you can create a patch by choosing an instrument for the player, and specifying the accuracy (Stability) and personality (Personality) of the performer, just as though you were a producer giving instructions to a wind musician or a brass ensemble.

Selecting an instrument (Inst/Level screen)

In this screen you can choose from eight instrument types and variations.

On the Fantom-G From Main Screen F3>F3

Current Player (PLAYER 1-PLAYER 6)

Indicates the number of the currently selected player * This is not shown for solo performances.

Parameter	Value Description
Inst Type	Trumpet, Mute Trumpet, Flugel Horn, Trombone, Soprano Sax, Alto Sax, Tenor Sax, Baritone Sax	Selects one of eight instrument types
Inst Number	Available values will differ depending on the selected Inst. Type	Selects a variation of the instrument selected by Inst Type
Play/Standby PLAY,	STANDBY	Turns the sound of each player on/off *1
Inst Level 0–127		Adjusts the volume of each instrument
Inst Pan L64–63R		Adjusts the pan of each instrument

*1 This is not shown for solo performances.

Feeling settings (Feeling screen)

Here you can adjust the tone by making settings that control aspects of the performer's personality, such as the accuracy of the performance (Stability) and the prominence of their playing (Personality).

From Main Screen F3>F4 (on the Fantom-G)

Parameter Value	Description
Stability	0–127 Adjusts the accuracy of the player
Personality 0–10 Adjusts the prominence of the player

Stability

(Accuracy of the performance)

This adjusts the accuracy of the performance relative to your keyboard playing.

With a value of 0

The initial pitch at the beginning of each note will be unstable. There will also be a greater spread between the timing of each player's notes.

With the maximum value

The pitch at the beginning of each note and the timing of the notes will both be accurate.

* With a Player Select setting of 1–6, this parameter will not affect the spread of the note timing.

Personality

This adjusts the volume and the timing of the end of each note relative to your keyboard performance, making the specified player more prominent in the ensemble.

With a value of 0

The volume and timing will be according to your keyboard playing.

With the maximum value

The volume will be somewhat louder than your keyboard playing. Additionally, the end of the note will be somewhat later, causing that instrument to be more prominent in the ensemble.

* With a Player Select setting of 1–6, this parameter will not affect the volume; only the timing of the end of the notes will be affected.

Breath settings (Breath screen)

Here you can adjust the tone by making settings that are distinctive to wind instruments such as "Growl" (when a Sax instrument is selected), "Turbid" (when Trumpet, Mute Trumpet, Flugel Horn, or Trombone are selected), and "Noise."

From Main Screen F3>F5 (on the Fantom-G)

Parameter	Value Description
Growl	0–127	Adjusts the amount of growl for strongly played notes of each instrument (Valid for Soprano Sax, Alto Sax, Tenor Sax, and Baritone Sax)
Turbid 0–127		Adjusts the turbidity for softly played notes of each instrument(Valid for Trumpet, Mute Trumpet, Flugel Horn, and Trombone)
Noise 0–127		Adjusts the amount of breath noise for each instrument

Growl (Growl sensitivity)

This adjusts the volume of the distinctive nuance (growl) that occurs when a sax is blown strongly.

With a value of 0

The amount of growl at the beginning of each note will be minimal.

With the maximum value

The beginning of each note will have the maximum amount of growl. The more strongly you play the keyboard, the stronger this effect will be.

Turbid (Turbidity)

This adjusts the volume of the distinctive nuance (turbidity or muddiness) that occurs when a trumpet or trombone is blown softly.

With a value of 0

The amount of turbidity at the beginning of each note will be minimal.

With the maximum value

The beginning of each note will have the maximum amount of turbidity. The more softly you play the keyboard, the greater this effect will be.

Noise (Amount of breath noise)

This adjusts the amount of breath noise for each instrument.

With a value of 0

The amount of breath noise will be minimal.

With the maximum value

The maximum amount of breath noise will be heard.

Equalizer settings (EQ screen)

Here you can adjust the equalizer settings for each instrument.

From Main Screen F3>F6 (on the Fantom-G)

Settings for each patch

Parameter Value Description
Play/Standby	PLAY, STANDBY	Turns the sound of each player on/off.
Low Freq 200,	400 Hz	Center frequency of the low range
Mid Freq	200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz	Center frequency of the midrange
High Freq 2000,	4000, 8000 Hz	Center frequency of the high range
Low Gain -15—+15 dB		Amount of boost/cut for the low range
Mid Gain -15—+15 dB		Amount of boost/cut for the midrange
Mid Q 0.5, 1.0,	2.0, 4.0, 8.0	Width of the midrangeHigher values will make the width narrower.
High Gain -15—+15 dB		Amount of boost/cut for the high range
EQ Switch BYPASS, ON Turns the EQ on/off

Section Settings (Section)

Playing settings (Section Style screen)

Here you can make basic settings for playing a Section.

From Main Screen F4>F3 (on the Fantom-G)

Parameter	Value Description
Play/Standby	PLAY, STANDBY	Turns the sound of each player on/off.
Stack Play Order 1-6		Specifies the order in which each instrument will play when you perform using Stack modeRefer to “Stack Mode” (p. 22). *1
Section Play Mode	UNISON, STACK	Switches between Unison mode and Stack mode *1 *2
Auto Portamento Switch	OFF, ON	Automatically adds a smooth pitch change when you play a quick phrase as a legato.

Parameter	Value Description
Variation Select	NORMAL, STACCATO, FALL, DOIT	Selects the performance variation• NORMAL• Staccato• Fall• Doit

* If the Stack Play Order settings are identical, the instruments will sound in the order of their player number.
* Staccato, Fall, and Doit cannot be used simultaneously. The last-specified one will take priority.
*1 This setting is valid only for Section playing.
*2 If a multiple number of keys are played simultaneously while in Unison mode, the instruments will be assigned in order, according to the Player number, starting from the upper range.

MEMO

"Section Play Mode" and "Variation Select" parameters can be controlled using a specified controller (p. 39).

Pitch settings (Tune/Key Shift screen)

Here you can make settings for the pitch (tuning and key).

From Main Screen F4>F4 (on the Fantom-G)

Settings for each instrument

Parameter Value Description
Play/Standby	PLAY, STANDBY	Turns the sound of each player on/off
Inst Key Shift -48-48		Adjusts the pitch of the soundThis setting is in semitone steps.
Inst Fine Tune -50-50		Adjusts the pitch of the soundThis setting is in one-cent steps.* 1 cent = 1/100th of a semitone

Settings for each patch

Parameter	Value Description
Unison Key Shift Mode	NONE, FIXED, AUTO	Specifies the "Inst Key Shift" setting.NONE:The "Inst Key Shift" will be ignored.FIXED:The "Inst Key Shift" setting will be applied.AUTO:The "Inst. Key Shift" setting will be applied only when you're playing single notes in Unison mode. The "Inst Key Shift" setting will be ignored if you play chords in Unison mode, or if you're in Stack mode.

* The "Unison Key Shift Mode" setting is valid only for Section playing.

* The "Inst Key Shift" setting applies to Solo playing regardless of the "Unison Key Shift Mode" setting.

Here you can make settings for the vibrato.

From Main Screen F4>F5 (on the Fantom-G)

Settings for each instrument

Parameter	Value Description
Play/Standby	PLAY, STANDBY	Turns the sound of each player on/off
Inst Vibrato Depth 0-127	Adjusts the vibrato depth

Settings for each patch

Parameter	Value Description
Vibrato Rate -64-+63	Adjusts the vibrato speed
Vibrato Delay Time -64-+63		Adjusts the delay time until vibrato begins to be applied
Vibrato Depth -64-+63	Adjusts the vibrato depth

Volume Balance Settings (MIXER)

Volume and pan settings (Level/Pan screen)

Here you can adjust the volume and pan settings for each instrument.

From Main Screen F5>F3 (on the Fantom-G)

Settings for each instrument

Parameter Value	Description
Play/Standby	PLAY, STANDBY	Turns the sound of each player on/off
Output Assign DRY	MFX	Selects whether the original signal will be output without further processing or output via MFX.DRY:Output without further processingMFX:Output via multi-effect
Reverb Send Level	0–127	Specifies the level of the signal sent to the reverb effect
Inst Pan L64–63R	Adjusts the pan of each instrument
Inst Level 0–127		Adjusts the volume of each instrument

Equalizer settings (EQ screen)

Here you can adjust the equalizer settings for each instrument.

On the Fantom-G From Main Screen F5>F4

Settings for each instrument

Parameter	Value Description
Play/Standby P	PLAY, STANDBY	Turns the sound of each player on/off
High Freq 2000, 4000, 8000 Hz		Center frequency of the high range
High Gain -15—+15 dB		Amount of boost/cut for the high range
Mid Q 0.5, 1.0, 2.0, 4.0, 8.0		Width of the midrangeHigher values will make the width narrower
Mid Freq	200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz	Center frequency of the midrange
Mid Gain -15—+15 dB		Amount of boost/cut for the midrange

Parameter	Value Description
Low Freq	200, 400 Hz	Center frequency of the low range
Low Gain -15	+15 dB	Amount of boost/cut for the low range
EQ Switch BYPASS, ON Turns the EQ on/off

MASTER (Settings for each patch)

Parameter	Value Description
MASTER EQ Switch	BYPASS, ON Turns the EQ on/off
MASTER Low Freq 200, 400 Hz		Center frequency of the low range
MASTER High Freq 2000, 4000, 8000 Hz		Center frequency of the high range
MASTER Low Gain -15-+15 dB		Amount of boost/cut for the low range
MASTER High Gain -15-+15 dB		Amount of boost/cut for the high range
Master Level	0-127	Adjusts the volume of the entire patch
MASTER Pan L64-63R		Adjusts the pan of the entire patch

Effect Settings (Effects)

Applying effects (Routing screen)

Here you can make multi-effect (MFX) and reverb settings.

On the Fantom-G From Main Screen F6>F3

Signal Flow

graph LR
    A["Inst"] --> B["Pan"]
    B --> C["EQ"]
    C --> D["Inst Level"]
    D --> E["Output Assign"]
    E --> F["MFX to MFX to Out"]
    E --> G["DRY"]
    G --> H["to Reverb"]
    D --> I["Reverb Send Level"]

Parameter	Value Description
Inst Level	0–127 Adjusts the volume of each instrument

Parameter Value Description
Output Assign	DRY, MFX	Selects whether the original signal will be output without further processing or output via MFX.DRY:Output without further processingMFX :Output via multi-effect
Reverb Send Level	0-127	Specifies the level of the signal sent to the reverb effect
MFX Switch OFF, ON Turns the multi-effect on/off
MFX Type	00 (THRU),01-15	Selects the multi-effect type.For details on each type, refer to "Multi-Effects List" (p. 42)
MFX Output Level	0-127	Specifies the volume of the sound that has passed through the multi-effect.
MFX Reverb Send Level	0-127	Specifies the amount of reverb that will be applied to the sound that has passed through the multi-effect.Set this to 0 if you don't want to apply reverb.
Reverb Switch OFF	ON Turns the reverb on/off
Reverb Type	0 (OFF),1 (ROOM),2 (HALL),3 (PLATE),4 (STUDIO),5 (CHURCH),6 (SRV ROOM),7 (SRV HALL),8 (SRV PLATE)	Selects the type of reverbFor details on each type, refer to "Reverb settings (Reverb screen)" (p. 36).
Reverb Level	0-127	Specifies the volume of the sound with reverb applied.

Multi-effect settings (MFX screen)

The Effects/MFX screen lets you edit the multi-effect parameters.

In this screen you can make detailed settings for the multi-effect selected by "MFX Type" (p. 34). For more about the parameters that you can edit, refer to "Multi-effect list" (p. 42).

From Main Screen

F6>F4

(on the Fantom-G)

Parameter Value Description
MFX Type	00 (THRU), 01–15	Selects the type of multi-effect. For details on each type, refer to “Multi-Effects List” (p. 42).
MFX Switch OFF, ON Turns the multi-effect on/off
Control Assign 1–4	Depends on the MFX Type	Multi-effect control allows you to use MIDI messages to control the parameters of the multi-effect.

MEMO

For details on Control Assign 1–4, refer to "Multi-effect control (MFX Control Screen)" (p. 35).

Multi-effect control (MFX Control Screen)

If you want to use an external MIDI device to control multi-effect parameters such as the volume or delay time of the effect, you would normally need to transmit device-specific types of MIDI messages called "system exclusive" messages. However, system exclusive messages involve complex settings, and require a larger amount of data to be transmitted.

For this reason, the ARX-03 expansion board lets you use conventional MIDI messages, such as control change messages, to control some of the important multi-effect parameters. For example, you could use the pitch bend lever to change the amount of distortion, or use keyboard touch to change the delay time. The parameters that can be controlled in this way are pre-specified for each multi-effect type. For each multi-effect type, such parameters are indicated by a “#” symbol in the “Multi-effect parameters” list (p. 42).

Multi-effect control refers to this capability of using MIDI messages to control multi-effect parameters in real time. The ARX-03 expansion board lets you use four multi-effect control settings simultaneously.

To use multi-effect control, you need to specify which MIDI source (Source 1–4) will be controlled by which parameter (Control Assign 1–4), and to what extent (Sens 1–4).

From Main Screen F6>F5 (on the Fantom-G)

MFX Control Sens 1-4

Value

Description

-63→+63

Specifies the depth of multi-effect control.Select a positive (+) value if you want to modify the parameter in the positive direction (higher value, toward the right, faster, etc.) relative to its current setting. Select a negative (-) value if you want to modify the parameter in the negative direction (lower value, toward the left, slower, etc.) relative to its current setting. For either "+" or "-" settings, larger values will allow a greater range of control. Select "0" if you don't want to modify the parameter.

MFX Control Source 1-4

Value	Description
OFF	Multi-effect control will not be used.
CC 01-CC95 Control change
PITCH BEND Pitch bend
AFTERTOUCH After touch
AUDIO Level of the signal being input to MFX

Reverb settings (Reverb screen)

In the Effects/Reverb screen you can specify the type of reverb and how it will sound.

From Main Screen F6>F6 (on the Fantom-G)

Parameter Value	Description
Reverb Type	00 (OFF),01 (ROOM),02 (HALL),03 (PLATE),04 (STUDIO),05 (CHURCH),06 (SRV ROOM),07 (SRV HALL),08 (SRV PLATE)	Reverb type
Reverb Switch OFF, ON Turns the reverb on/off
Type: 1 (ROOM)/ 4 (STUDIO)
Pre Delay 0–100 ms		Delay time from the original sound until the reverb is heard
Time 0.1–3.0 sec.		Time over which the reverb sound decays
Low Damp Freq 20–1000 Hz		Frequency below which the low range of the reverb sound will be dampened
Low Damp 1–100%		Amount of attenuation for LF damp(100%: no effect)
High Damp Freq 1000–10000 Hz		Frequency above which the high range of the reverb sound will be dampened
High Damp 1–100%		Amount of attenuation for HF damp(100%: no effect)
High Cut Freq 1000–10000 Hz		Frequency above which the high range of the final output sound will be cut
Type: 2 (HALL)/ 3 (PLATE)/5 (CHURCH)
Pre Delay 0–100 ms		Delay time from the original sound until the reverb is heard
Parameter Value Description
Time 0.1–6.0 sec.		Time over which the reverb sound decays
Low Damp Freq 20–1000 Hz		Frequency below which the low range of the reverb sound will be dampened
Low Damp 1–100%		Amount of attenuation for LF damp(100%: no effect)
High Damp Freq 1000–10000 Hz		Frequency above which the high range of the reverb sound will be dampened
High Damp 1–100 %		Amount of attenuation for HF damp(100%: no effect)
High Cut Freq 1000–10000 Hz		Frequency above which the high range of the final output sound will be cut
Type: 6 (SRV ROOM)/ 7 (SRV HALL)/ 8 (SRV PLATE)
Pre Delay 0.0–100 ms		Delay time from the original sound until the reverb is heard
Time 0–127		Time over which the reverb sound decays
Size 1–8 Size of the room or hall
High Cut Freq	160 Hz–12500 Hz, BYPASS	Frequency above which the high range of the final output sound will be cut(BYPASS: no cut)
Density 0–127 Density of the reverberation
Diffusion 0–127		Change in reverb density over timeWith higher values, the sound will become denser over time.This is particularly noticeable with longer reverb times.

Parameter Value Description
LF Damp Freq	50–4000 Hz	Frequency below which the low range of the reverb sound will be dampened
LF Damp Gain -36-0 dB		Amount of attenuation for LF damp(0: no effect)
HF Damp Freq	4000 Hz–12500 Hz	Frequency above which the high range of the reverb sound will be dampened
HF Damp Gain -36-0 dB		Amount of attenuation for HF damp(0: no effect)

Controller Assignments (CONTROL)

Here you can assign controllers to switch between Unison mode and Stack mode, or to switch between performance variations. For example, you could use a pedal to switch between Unison mode and Stack mode.

Bender settings (Bend/Hold screen)

Here you can specify bender range for each instrument.

From Main Screen F7>F3 (on the Fantom-G)

Settings for each instrument

Parameter	Value Description
Play/Standby	PLAY, STANDBY	Turns the sound of each player on/off.
Bend Range Up 0-12		Specifies the amount of pitch change for BendUpThis setting is in semitone steps (valid when Bender Mode is "NORMAL," "LOCK1" or "LOCK2").

Parameter Value	Description
Bend Range Down	0–12	Specifies the amount of pitch change for BendDownThis setting is in semitone steps (valid when Bender Mode is "NORMAL," "LOCK1" or "LOCK2").

* For the SuperNATURAL brass (BRASS) sounds, setting the bend range (RANGE) to 3 or higher will simulate the discontinuous pitch change that is typical of brass instruments, instead of the normal smooth pitch change. When you apply a downward bend, the sound will behave in the manner distinctive of brass instruments, meaning that the volume will also decrease.

Settings for each patch

Parameter	Value Description
Bender Mode	NORMAL, LOCK1, LOCK2, COMBI	Specifies what happens when you operate the benderNORMAL: Normal operationLOCK1:Bend will apply only to the first-played key.LOCK2:No change will be produced by returning the bender.COMBI:This mode allows you to express the subtle pitch changes that are distinctive of a brass instrument. The proportion of breath noise will increase when you operate the bender in the Down direction.This lets you freely control the breathiness at the beginning or end of a note.
Hold Mode	NORMAL, LEGATO, ACCOMP	Switches the mode in which the damper pedal will operateNORMAL:Operates as a conventional damper pedal.LEGATO:Sustains the currently sounding note until the next key is played.ACCOMP:Produces a sostenuto-like effect.

Controller assignments for each patch (Control Assign 1 screen)

Here you can assign performance controllers for individual patch.

From Main Screen F7>F4 (on the Fantom-G)

Parameter Value	Description
Staccato Controller Assign	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller that will turn “Staccato” on
Fall Controller Assign	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller that will turn “Fall” on
Doit Controller Assign	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller that will turn “Doit” on
Unison/Stack Controller Assign	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller that will switch between Unison mode and Stack mode

Controller assignments for individual instruments (Control Assign 2 screen)

Here you can assign performance controllers for individual instruments.

In this screen you can assign volume and tone, vibrato, and pitch to the desired control change messages.

This allows you to produce smooth change by using continuous controllers such as an expression pedal or modulation lever.

From Main Screen F7>F5 (on the Fantom-G)

Parameter Value Description
Dynamics Control 1	OFF, CCI-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller 1 that will affect dynamics (volume/tone)
Dynamics Control 2	OFF, CCI-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller 2 that will affect dynamics (volume/tone)

Parameter Value Description
Vibrato Control 1	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller 1 that will affect vibrato depth
Vibrato Control 2	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller 2 that will affect vibrato depth
Pitch Control 1	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller 1 that will affect pitch
Pitch Control 2	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller 2 that will affect pitch
Portamento Control	OFF, CC1-CC95, PITCH BEND, AFTERTOUCH	Specifies the number of the controller that will turn portamento on/off
Dynamics Control 1Sens	0-127	Specifies the extent to which controller number 1 will change the dynamics (volume/tone)
Dynamics Control 2Sens	0-127	Specifies the extent to which controller number 2 will change the dynamics (volume/tone)
Vibrato Control 1Sens	0-127	Specifies the extent to which controller number 1 will change the vibrato depth
Vibrato Control 2Sens	0-127	Specifies the extent to which controller number 2 will change the vibrato depth
Pitch Control 1Sens	-64-63	Specifies the extent and direction in which controller 1 will change the pitch
Pitch Control 2Sens	-64-63	Specifies the extent and direction in which controller 2 will change the pitch

Initializing a Patch (Utility Screen)

In the Utility screen you can initialize patch.

This operation lets you return the settings of the current patch to their default values.

Patch Init will initialize the settings of the current patch.

1. Select the patch that you want to initialize.
2. In the Utility screen, choose Patch Init.
3. When the confirmation screen appears, press the [F7] (OK) button.

If you decide to cancel, press the[F8] (EXIT) button.

Saving a Patch (on the Fantom-G)

A patch you've created is temporary; it will be lost if you select a different patch. If you want to save the patch you've edited, proceed as follows.

1. Press the [WRITE] on the Fantom-G.
2. Assign a name to the patch.
   For details on how to assign a name, refer to the Fantom-G owner's manual.

1. When you've finished assigning the name, press the [F8] (OK) button.

2. Select a patch number, and press the [F8] (WRITE) button.

3. When the confirmation screen appears, press the [F7] (OK) button to save the patch.

* If you've installed the ARX-03 in a Fantom-G6/G7/G8, executing a Factory Reset for the Fantom-G6/G7/G8 will reset the expansion boards to their factory-set condition.

Multi-Effects List

Multi-Effects Types
There are 15 types of multi-effect. Each multi-effect has "Control Assign" parameters. These indicate the

FILTER (3 types)
01 STEREO EQ p. 43
02 ENHANCER p. 43
03 AUTO WAH p. 44
CHORUS (1 types)
04 HEXA-CHORUS p. 44
DYNAMICS (2 types)
05 COMPRESSOR p. 45
06 LIMITER p. 45
LOFI (4 types)
07 LOFI	COMPRESS p. 46
08 TELEPHONE p. 46
09 PHONOGRAPH p. 47
10 TAPE	ECHO p. 48
REVERB (1 type)
11 GATED REVERB p. 49
DELAY (4 types)
12 STEREO DELAY p. 50
13 MODULATION DELAY p. 51
14 TRIPLE TAP DELAY p. 52
15 REVERSE DELAY p. 52

Multi-Effects Parameters

parameters that can be controlled via "Multi-effect control (MFX Control Screen)" (p. 35).

MEMO

For details on the "note" that can be selected for some parameter, refer to "About Note" (p. 53)

MEMO

Parameters marked with a sharp “#” can be controlled using a specified controller (p.35).

01: STEREO EQ (Stereo Equalizer)

This is a four-band stereo equalizer (low, mid x 2, high).

graph LR
    A["L in"] --> B["4-Band EQ"] --> C["L out"]
    D["R in"] --> E["4-Band EQ"] --> F["R out"]

Parameter	Value Description
Low Freq	200, 400 Hz Frequency of the low range
Low Gain # -15-+1	5 dB Gain of the low frequency range
High Freq	2000, 4000,8000 Hz	Frequency of the high range
High Gain # -15-+	15 dB Gain of the high frequency range
Mid1 Freq 200-8000 Hz Frequency of Middle Range 1
Mid1 Q	0.5, 1.0, 2.0,4.0, 8.0	Width of Middle Range 1Select a higher Q value to narrow Mid-dle Range 1.
Mid1 Gain -15-+15	dB Gain of Middle Range 1
Mid2 Freq 200-8000 Hz Frequency of Middle Range 2
Mid2 Q	0.5, 1.0, 2.0, 4.0,8.0	Width of Middle Range 2Select a higher Q value to narrow Mid-dle Range 2.
Mid2 Gain -15- +1	5 dB Gain of Middle Range 2
Level # 0-127 Output level

02: ENHANCER

Controls the overtone structure of the high frequencies, adding sparkle and brightness to the sound.

graph LR
    A["L in"] --> B["Enhancer"]
    B --> C["Mix"]
    C --> D["+"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    G["R in"] --> H["Enhancer"]
    H --> I["Mix"]
    I --> J["+"]
    J --> K["2-Band EQ"]
    K --> L["R out"]

Parameter	Value Description
Sens #	0–127 Sensitivity of the enhancer
Mix # 0–127		Level of the overtones generated by the enhancer
Low Gain -15– +15 dB		Gain of the low frequency range of frequencies
High Gain -15– +15 dB		Gain of the high frequency range of frequencies
Level 0–127 Output level

03: AUTO WAH

A filter that turns on and off to create a cyclical change in timbre.

graph LR
    A["L in"] --> C["+"]
    B["R in"] --> C
    C --> D["Auto Wah"]
    D --> E["L out"]
    D --> F["R out"]

Parameter	Value Description
Filter Type	LPF, BPF	Type of filterLPF:The wah effect is applied over a wide frequency range.BPF:The wah effect is applied over a narrow frequency range
Rate #	0.05–10.00 Hz, note	Frequency of modulation
Depth # 0–127 Depth of modulation
Sens 0–127		Adjusts the sensitivity with which the filter is controlled.
Manual # 0–127		Adjusts the center frequency at which the wah effect is applied.
Peak 0–127		Adjusts the amount of the wah effect that occurs in the range of the center frequency.Set a higher value for Q to narrow the range to be affected.
Level 0–127 Output level

04: HEXA-CHORUS

Uses a six-phase chorus (six layers of chorused sound) to give richness and spaciousness to the sound.

graph LR
    L_in --> A["+"]
    R_in --> A
    A --> B["Hexa Chorus"]
    B --> C["+"]
    L_out --> C
    R_out --> C
    C --> D1["Balance D"]
    C --> D2["Balance W"]
    C --> D3["Balance W"]
    C --> D4["Balance D"]
    D1 --> E1["L in"]
    D2 --> E2["L out"]
    D3 --> E3["R out"]
    D4 --> E4["R out"]

Parameter	Value Description
Pre Delay 0.0-100.0 ms		Adjusts the delay time from the direct sound until the chorus sound is heard.
Rate #	0.05-10.00 Hz, note	Frequency of modulation
Depth 0-127 Depth of modulation
Pre Delay Deviation	0-20	Adjusts the differences in Pre Delay between each chorus sound.
Depth Deviation	-20-+20	Adjusts the difference in modulation depth between each chorus sound.
Pan Deviation	0-20	Adjusts the difference in stereo location between each chorus sound.0:All chorus layers are in the center.20:The chorus layers are spaced at 60-degree intervals relative to the center.
Balance #	D100:0W-D0:100W	Volume balance between the direct sound (D) and the chorus sound (W)
Level 0-127 Output level

05: COMPRESSOR

Flattens out high levels and boosts low levels, smoothing out fluctuations in volume.

Parameter	Value Description
Attack #	0–127	Time from when the volume goes up the Threshold level until the compressor effect applies
Threshold # 0–127		Adjusts the volume at which compression begins
Post Gain 0–18 dB	Adjusts the output gain.
Low Gain -15–+15 dB Gain of the low frequency range
High Gain -15–+15 dB Gain of the high frequency range
Level # 0–127 Output level

06: LIMITER

Compresses signals that exceed a specified volume level, preventing distortion from occurring.

Parameter	Value Description
Release #	0-127	Adjusts the time after the signal volume falls below the Threshold Level until compression is no longer applied.
Threshold # 0-127		Adjusts the volume at which compression begins
Ratio	1.5:1, 2:1, 4:1, 100:1	Compression ratio
Post Gain 0-18 dB	Adjusts the output gain.
Low Gain -15- +15 dB Gain of the low frequency range
High Gain -15- +15 dB Gain of the high frequency range
Level # 0-127 Output level

07: LOFI COMPRESS (Lo-Fi Compress)

This is an effect that intentionally degrades the sound quality for creative purposes.

graph LR
    A["L in"] --> B["Compressor"]
    B --> C["Lo-Fi"]
    C --> D["L out"]
    E["R in"] --> F["Compressor"]
    F --> G["Lo-Fi"]
    G --> H["R out"]

Parameter	Value Description
Pre Filter Type	1-6	Selects the type of filter applied to the sound before it passes through the Lo-Fi effect.
LoFi Typ 1-9		Degrades the sound quality. The sound quality grows poorer as this value is increased.
Post Filter Type	OFF, LPF, HPF	Selects the type of filter applied to the sound after it passes through the Lo-Fi effect.OFF:no filter is usedLPF:cuts the frequency range above the CutoffHPF:cuts the frequency range below the Cutoff
Post Filter Cutoff 200-8000 Hz Basic frequency of the Post Filter
Balance #	D100:0W-D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level # 0-127 Output level

08: TELEPHONE

Produces a muffled sound, similar to what it would sound like if heard over the phone.

graph LR
    A["L in"] --> B["Telephone"]
    C["R in"] --> D["Telephone"]
    B --> E["L out"]
    D --> F["R out"]

Parameter	Value Description
Voice Quality #	0-15 Audio quality of the telephone voice
Treble -15- +15 dB	Bandwidth of the telephone voice
Balance #	D100:0-D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level 0-127 Output	level

09: PHONOGRAPH

Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable.

graph LR
    L_in --> A["Balance D"]
    A --> B["L out"]
    A --> C["Phonograph"]
    C --> D["Balance W"]
    D --> B
    R_in --> E["Balance D"]
    E --> F["R out"]
    E --> G["Phonograph"]
    G --> H["Balance W"]
    H --> I["Balance D"]
    I --> J["+"]
    J --> B

Parameter	Value Description
Signal Distortion	0-127 Depth of distortion
Frequency Range 0-	127	Frequency response of the playback systemDecreasing this value will produce the impression of an old system with a poor frequency response.
Disc Type LP, EP, SP		Rotational speed of the turntableThis will affect the frequency of the scratch noise.
Scratch Noise Level	0-127	Amount of noise due to scratches on the record
Dust Noise Level 0-	27 Volume of noise due to dust on the record
Hiss Noise Level 0-	27 Volume of continuous "hiss"
Total Noise Level #	0-127 Volume of overall noise
Wow 0-127 Depth of long-cycle rotational irregularity
Flutter 0-127 Depth of short-cycle rotational irregularity
Random 0-127		Depth of indefinite-cycle rotational irregularity
Total Wow/Flutter #	0-127 Depth of overall rotational irregularity
Balance #	D100:0W-D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Level 0-127 Output level

10: TAPE ECHO

A virtual tape echo that produces a realistic tape delay sound. This simulates the tape echo section of a Roland RE-201 Space Echo.

graph LR
    L_in --> A["+"]
    R_in --> A
    A --> B["Tape Echo"]
    B --> C["+"]
    D["R out"] --> E["+"]
    F["L out"] --> G["+"]
    H["Echo Level"] --> I["+"]
    J["Echo Level"] --> K["+"]
    L_out --> G
    M["Direct Level"] --> G
    N["Direct Level"] --> E

Parameter	Value Description
Mode	S, M, L, S+M,S+L, M+L,S+M+L	Combination of playback heads to useSelect from three different heads withdifferent delay times.S: shortM: middleL: long
Repeat Rate # 0-127		Tape speedIncreasing this value will shorten thespacing of the delayed sounds.
Intensity # 0-127 Amount of delay repeats
Bass -15- +15		Boost/cut for the lower range of the echo sound
Treble -15- +15		Boost/cut for the upper range of the echo sound
Head S Pan	L64-63R	Independent panning for the short,middle, and long playback heads
Head M Pan
Head L Pan
Tape Distortion 0-5		Amount of tape-dependent distortion tobe addedThis simulates the slight tonal changesthat can be detected by signal-analysisequipment. Increasing this value willincrease the distortion.
Wow/Flutter Rate 0-127		Speed of wow/flutter (complex variationin pitch caused by tape wear androtational irregularity)
Wow/Flutter Depth	0-127 Depth of wow/flutter
Echo Level # 0-127	Volume of the echo sound
Direct Level # 0-127	Volume of the original sound
Level 0-127 Output level

11: GATED REVERB

This is a special type of reverb in which the reverberant sound is cut off before its natural length.

graph LR
    L_in --> A["+"]
    R_in --> B["+"]
    A --> C["Balance D"]
    B --> D["Balance D"]
    C --> E["+"]
    D --> F["+"]
    E --> G["Balance W"]
    F --> H["Balance W"]
    G --> I["2-Band EQ"]
    H --> J["2-Band EQ"]
    I --> K["L out"]
    J --> L["R out"]

Parameter Value	Description
Type	NORMAL, REVERSE	Type of reverbNORMAL:conventional gated reverbREVERSE:backwards reverb
Pre Delay 0.0–100.0 ms		Adjusts the delay time from the direct sound until the reverb sound is heard.
Time 5–500 ms		Adjusts the time from when the reverb is first heard until it disappears.
Pan # L64–63R Stereo location of Pitch Shift
Low Gain -15–+15 dB Gain of the low frequency range
High Gain -15–+15 dB Gain of the high frequency range
Balance #	D100:0W–D0:100W	Volume balance between the direct sound (D) and the reverb sound (W)
Level # 0–127 Output level

12: STEREO DELAY

This is a stereo delay.

When Feedback Mode is NORMAL:

graph TD
    A["L in"] --> B["+"]
    B --> C["Delay"]
    C --> D["+"]
    D --> E["2-Band EQ"]
    E --> F["L out"]
    G["R in"] --> H["+"]
    H --> I["Delay"]
    I --> J["+"]
    J --> K["2-Band EQ"]
    K --> L["R out"]
    M["Balance D"] --> D
    N["Balance W"] --> D
    O["Feedback Feedback"] --> B
    P["Balance D"] --> H
    Q["Balance W"] --> I

When Feedback Mode is CROSS:

graph TD
    A["L in"] --> B["+"]
    C["R in"] --> D["+"]
    B --> E["Delay"]
    D --> F["Delay"]
    E --> G["+"]
    F --> H["+"]
    G --> I["Balance D"]
    H --> J["Balance W"]
    I --> K["2-Band EQ"]
    J --> L["2-Band EQ"]
    K --> M["L out"]
    L --> N["R out"]
    style A fill:#f9f,stroke:#333
    style C fill:#f9f,stroke:#333
    style B fill:#ccf,stroke:#333
    style D fill:#ccf,stroke:#333
    style E fill:#cfc,stroke:#333
    style F fill:#cfc,stroke:#333
    style G fill:#fcc,stroke:#333
    style H fill:#fcc,stroke:#333
    style I fill:#fcc,stroke:#333
    style J fill:#fcc,stroke:#333
    style K fill:#fcc,stroke:#333
    style L fill:#fcc,stroke:#333

Parameter	Value Description
Feedback Mode	NORMAL, CROSS	Selects the way in which delay sound is fed back into the effect. (See the figures of algorithm.)
Delay Left	0–2000 ms, note	Adjusts the time until the delay sound is heard.
Delay Right
Phase Left	NORMAL, INVERT	Phase of the delay sound
Phase Right
Feedback # -98- +98 %		Adjusts the amount of the delay sound that's fed back into the effect.Negative (-) settings invert the phase.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS.
Low Gain -15- +15 dB Gain of the low frequency range
High Gain -15- +15 dB Gain of the high frequency range
Balance #	D100:0W-D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level 0–127 Output level

13: MODULATION DELAY

Adds modulation to the delayed sound.

When Feedback Mode is NORMAL:

graph TD
    A["L in L out"] --> B["+"]
    B --> C["Delay"]
    C --> D["Modulation"]
    D --> E["+"]
    E --> F["2-Band EQ"]
    F --> G["Balance W"]
    H["R in R out"] --> I["+"]
    I --> J["Delay"]
    J --> K["Modulation"]
    K --> L["+"]
    L --> M["2-Band EQ"]
    M --> N["Balance D"]
    O["Feedback Feedback"] --> B
    P["Balance D"] --> E
    Q["Balance W"] --> F

When Feedback Mode is CROSS:

graph TD
    L_in --> Delay1["Delay"]
    R_in --> Delay2["Delay"]
    Delay1 --> Modulation1["Modulation"]
    Delay2 --> Modulation2["Modulation"]
    L_in --> BalanceD["Balance D"]
    R_in --> BalanceD["Balance D"]
    Delay1 --> Feedback1["Feedback"]
    Delay2 --> Feedback2["Feedback"]
    BalanceD --> 2BandEQ["2-Band EQ"]
    2BandEQ --> Lout["L out"]
    2BandEQ --> 2BandEQ["2-Band EQ"]
    2BandEQ --> Rout["R out"]
    2BandEQ --> BalanceW["Balance W"]
    2BandEQ --> BalanceWb["Balance W"]
    2BandEQ --> BalanceWc["Balance W"]
    2BandEQ --> BalanceWd["Balance W"]
    2BandEQ --> BalanceWe["Balance W"]
    2BandEQ --> BalanceWf["Balance W"]
    2BandEQ --> BalanceWg["Balance W"]
    2BandEQ --> BalanceWh["Balance W"]
    2BandEQ --> BalanceWi["Balance W"]
    2BandEQ --> BalanceWj["Balance W"]
    2BandEQ --> BalanceWk["Balance W"]
    2BandEQ --> BalanceWl["Balance W"]
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWh
    2BandEQ --> BalanceWi
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWl
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWh
    2BandEQ --> BalanceWi
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWh
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWl
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWh
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWl
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWh
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWl
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWl
    2BandEQ --> BalanceWg
    2BandEQ --> BalanceWl

Parameter	Value Description
Feedback Mode	NORMAL, CROSS	Selects the way in which delay sound is fed back into the effect (See the figures of algorithm.)
Delay Left	0–2000 ms, note	Adjusts the time until the delay sound is heard.
Delay Right
Feedback # -98- +98%		Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
HF Damp	200–8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS.
Rate #	0.05–10.00Hz, note	Frequency of modulation
Depth 0–127 Depth of modulation
Phase 0-180 deg Spatial spread of the sound
Low Gain -15- +15 dB Gain of the low frequency range
High Gain -15- +15 dB Gain of the high frequency range
Balance #	D100:0W- D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level 0–127 Output level

14: TRIPLE TAP DELAY

Produces three delay sounds; center, left and right.

graph TD
    L_in --> +1["+"]
    R_in --> +1
    +1 --> +2["+"]
    +2 --> Balance_D["Balance D"]
    Balance_D --> +3["+"]
    +3 --> 2_BandEQ1["2-Band EQ"]
    2_BandEQ1 --> L_out["L out"]
    2_BandEQ1 --> R_out["R out"]
    +3 --> Balance_W1["Balance W"]
    Balance_W1 --> +3
    +3 --> Left_Tap["Left Tap"]
    +3 --> Center_Tap["Center Tap"]
    Center_Tap --> +3
    +3 --> Right_Tap["Right Tap"]
    +3 --> Feedback["Feedback"]
    +3 --> Triple_Tap_Delay["Triple Tap Delay"]
    Triple_Tap_Delay --> +3

Parameter	Value Description
Delay Left Delay Center Delay Right	0-4000 ms, note	Adjusts the time until the center, left and right delay sound is heard.
Feedback # -98- +98 %		Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
HF Damp	200-8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.
Left Level Right Level Center Level	0-127	Volume of each delay
Low Gain -15- +15 dB Gain of the low frequency range
High Gain -15- +15 dB Gain of the high frequency range
Balance #	D100:0W- D0:100W	Volume balance between the direct sound (D) and the delay sound (W)
Level 0-127 Output level

15: REVERSE DELAY

Adds the reverse of the input sound as a delay.

graph TD
    A["L in"] --> B["+"]
    B --> C["Rev. Delay"]
    C --> D["Delay"]
    D --> E["D1"]
    D --> F["D2"]
    D --> G["D3"]
    E --> H["1"]
    E --> I["2"]
    E --> J["3"]
    F --> K["2-Band EQ"]
    G --> L["2-Band EQ"]
    H --> M["L out"]
    I --> N["R out"]
    J --> O["R out"]
    P["Feedback 1"] --> C
    Q["Feedback 4"] --> D
    R["R in"] --> B

Parameter	Value Description
Threshold	0-127	Volume level at which the reverse delay begins
Delay 1-4	0-2000 ms, note	Adjusts the time until Delays 1-4 are heard.
Feedback 1 #	-98- +98 %	Adjusts the amount of the delay sound that's fed back into the effect. Negative (-) settings invert the phase.
Feedback 4 #
HF Damp 1	200-8000 Hz, BYPASS	Adjusts the frequency above which sound fed back to the effect is filtered out. If you do not want to filter out any high frequencies, set this parameter to BYPASS.
HF Damp 4
Pan 1-3 L64-63R Stereo location of Delays 1-3 sound
Level 1-3 0-127 Output level of Delays 1-3 sound
Balance #	D100:0W-D0:100W	Volume balance between the direct sound (D) and the effect sound (W)
Low Gain -15- +15 dB Gain of the low frequency range
High Gain -15- +15 dB Gain of the high frequency range
Level 0-127 Output level

About Note

Some parameters (such as Rate or Delay Time) can be set in terms of a note value instead of a time value.

Such parameters provide a Sync SW(Sync switch) that allows you to switch between setting the parameter as a note value or as a numerical value.

If you want to set it as a note value, set the Sync SW to ON.

* If a parameter that's chosen in Control Assign for multi-effect control has its Sync SW to ON, you won't be able to use multi-effect control to control that parameter.

Value	Description
1/64T ( 3 )	Sixty-fourth-note triplet
1/64 ( )	Sixty-fourth note
1/32T ( 3 )	Thirty-second-note triplet
1/32 ( )	Thirty-second note
1/16T ( 3 )	Sixteenth-note triplet
1/32. ( )	Dotted thirty-second note
1/16 ( )	Sixteenth note
1/8T ( 3 )	Eighth-note triplet
1/16. ( )	Dotted sixteenth note
1/8 ( )	Eighth note
1/4T ( 3 )	Quarter-note triplet
1/8. ( )	Dotted eighth note
1/4 ( )	Quarter note
1/2T ( 3 )	Half-note triplet
1/4. ( )	Dotted quarter note
1/2 ( )	Half note
1/1T ( 3 )	Whole-note triplet
1/2. ( )	Dotted half note
1/1 ( )	Whole note
2/1T ( 3 )	Double-note triplet
1/1. ( )	Dotted whole note
2/1 ( )	Double note

Specifications

ARX-03 BRASS

Maximum Polyphony

14 voices (varies according to the sound generator load)

Parts

1 part

User Memory

Patch: 50 (including pre-loaded data)

(CC#0 = 66, CC#32 = 0, PC = 1-50)

Effects

Reverb: 1 system, 8 types ROOM, HALL, PLATE, STUDIO, CHURCH, SRV ROOM, SRV HALL, SRV PLATE

Customize Functions

Stability, Personality, Growl/Turbid, Noise, Control Assign

Miscellaneous

6-channel Mixer Screen

Accessories

Owner's manual

Screwdriver

* In the interest of product improvement, the specifications and/or appearance of this product are subject to change without prior notice.

Index

B

Bend/Hold screen 38

Breath screen 27

C

CONTROL 38

Control Assign 1 screen 39

Control Assign 2 screen 40

E

Effects 33

EQ screen 28,32

F

Feeling screen 26

G

Growl 27

|

Inst/Level screen 25

instrument 19,25

L

Level/Pan screen 31

M

MFX

AUTO WAH 44

COMPRESSOR 45

ENHANCER 43

GATED REVERB 49

HEXA-CHORUS 44

LIMITER 45

LOFI COMPRESS 46

MODULATION DELAY 51

PHONOGRAPH 47

REVERSE DELAY 52

STEREO DELAY 50

STEREO EQ 43

TAPE ECHO 48

TELEPHONE 46

TRIPLE TAP DELAY 52

MFX Control Screen 35

MFX Control Sens 1-4 35

MFX Control Source 1-4 35

MFX screen 34

MIXER 31

Multi-Effects 42

N

Noise 27

P

Patch 19

Save 41

Patch Init 41

Patch Selection 23

Personality 26

Player 19

Player Edit 25

Player Select 24

R

Reverb screen 36

Routing screen 33

S

Section 20, 29

Section Style screen 29

Selecting an instrument 25

Solo 20

Stability 26

Stack Mode 22

SuperNATURAL 17

T

Tune/Key Shift screen 30

Turbid 27

U

Unison Mode 21

Utility Screen 41

V

Vibrato screen 31

For the USA

FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) this device may not cause harmful interference, and
(2) this device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

For Canada

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

AVIS

DECLARATION OF CONFORMITY Compliance Information Statement

Model Name: ARX-03

Type of Equipment: Expansion Board

Responsible Party : Roland Corporation U.S.

Address: 5100 S. Eastern Avenue, Los Angeles, CA 90040-2938

Telephone : [phone]

For C.A. US (Proposition 65)

WARNING

This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.

For EU Countries

This product complies with the requirements of EMC Directive 2004/108/EC.

For EU Countries

This symbol indicates that in EU countries, this product must be collected separately from household waste, as defined in each region. Products bearing this symbol must not be discarded together with household waste.

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

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Galip Dede Cad. No.37

Beyoglu - Istanbul / TURKEY

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TEL:[phone]

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n

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