CM-64 - Hi-Fi System ROLAND - Free user manual and instructions
Find the device manual for free CM-64 ROLAND in PDF.
| Product Type | LA/PCM Sound Module |
| Sound Synthesis | LA Synthesis (Linear Arithmetic) |
| Maximum Polyphony | 32 voices |
| Sound Engine | PCM samples + LA synthesis |
| MIDI Channels | 16 (Omni on/off, Poly/Mono modes) |
| MIDI Implementation | System Exclusive, Control Change, Program Change, Pitch Bend, Aftertouch |
| Assign Mode | Poly 1, Poly 2, Poly 3, Poly 4 |
| Output Level | 0–100 (adjustable) |
| Reverb Effect | On/Off with adjustable level |
| Part Structure | 6 independent parts (Part 1–6) with individual volume, reverb switch |
| Rhythm Setup | Per key (24–108) with assignable sounds |
| Keyboard Range | 0–127 notes |
| Velocity Sensitivity | Yes (Note On velocity 1–127) |
| Pitch Bend Range | 0–24 semitones |
| Master Volume | LA Master Volume + PCM Master Volume |
| Panel Volume Control | Yes (affects overall output) |
| Outputs | L (Left) and H (Right) outputs |
| Power Supply | AC adapter (assumed standard, specific voltage not listed) |
| Dimensions (approx.) | Standard 19-inch rack mount (1U height assumed) |
| Weight (approx.) | 2.5 kg (typical for rack module) |
| Maintenance | Keep dry, avoid dust, clean with soft cloth |
| Safety | Do not open, use only supplied power adapter |
Frequently Asked Questions - CM-64 ROLAND
User questions about CM-64 ROLAND
0 question about this device. Answer the ones you know or ask your own.
Ask a new question about this device
Download the instructions for your Hi-Fi System in PDF format for free! Find your manual CM-64 - ROLAND and take your electronic device back in hand. On this page are published all the documents necessary for the use of your device. CM-64 by ROLAND.
USER MANUAL CM-64 ROLAND
line
| Velocity | Volume | | -------- | ------ | | Low | 0 | | Mid | 1 | | High | 2 |
line
| Sound Type | Volume | | ---------------- | ------ | | Sound 1 (Partial 1) | 0 | | Sound 2 (Partial 2) | 1 | | Sound 3 (Partial 2) | 2 |FOH: System Exclusive
F7H: EOX (Einde van de Exclusive-boodschappen)
De CM-64 blijft in Mode 3 (Omni off, Poly)
OMNI ON
Status Tweede Derde
BnH 7DH 0OH
n= MIDI-kanaal OH-FH(1-16)
De CM-64 blijft in Mode 3 (Omni off, Poly)
MONO
Status Tweede Derde
BnH 7EH mmH
mm= MONO-kanaal-bereik negeren
n= MIDI-kanaal OH-FH(1-16)
De CM-64 blijft in Mode 3 (Omni off, Poly)
POLY
Status Tweede Derde
BnH 7FH OOH
n= MIDI-kanaal OH - FH (1 - 16)
De CM-64 blijft in Mode 3 (Omni off, Poly)
Exclusive-boodschappen
Status
FOH: System Exclusive
| Offset address : | Description | |
| 00 00 | 0xxx xxxx | dummy (Ignored if received) |
| 00 01 | 0xxx xxxx | dummy (Ignored if received) |
| 00 02 | 0xxx xxxx | dummy (Ignored if received) |
| 00 03 | 0aaa aaa | FAKE TUNE 0 - 100(-50 - +50) |
| 00 04 | 0xxx xxxx | dummy (Ignored if received) |
| 00 05 | 0000 00aa | ASSIGN MODE 0 - 3(POLY 1, POLY 2,POLY 3, POLY 4) |
| 00 06 | 0xxx xxxx | dummy (Ignored if received) |
| 00 07 | 0xxx xxxx | dummy (Ignored if received) |
| 00 08 | 0aaa aaa | OUTPUT LEVEL 0 - 100 |
| 00 09 | 0xxx xxxx | dummy (Ignored if received) |
| : | : | : |
| 00 0F | 0xxx xxxx | dummy (Ignored if received) |
| Total size | 00 00 10 | |
| Offset address | Description | |
| 00 00 00 | Rhythm Setup (for Key= 24) | *5-3-1 |
| 00 00 04 | Rhythm Setup (for Key= 25) | |
| 00 00 08 | Rhythm Setup (for Key= 26) | |
| 00 00 0C | Rhythm Setup (for Key= 27) | |
| 00 00 10 | Rhythm Setup (for Key= 28) | |
| : | : | |
| : | : | |
| : | : | |
| 00 02 4C | Rhythm Setup (for Key= 107) | |
| 00 02 50 | Rhythm Setup (for Key= 108) | |
* 5-4 Patch-geheugen
| Offsetaddress | Description | ||
| 00 90 | 0000 00aa | TIMORE GROUP | 0 - 3(u, b, l r) |
| 00 01 | 00aa 0aaa | TIMORE NUMBER | 0 - 63 |
| 00 02 | 00aa 00aa | KEY SHIFT | 0 - 48(-24 - -24) |
| 00 03 | 00aa 0aaa | FIAE TUSE | 0 - 100(-50 - -50) |
| 00 04 | 000a 0aaa | BENDER RANGE | 0 - 24 |
| 00 05 | 0000 00aa | ASSIGS MODE | 0 - 3(POLY 1. POLY 2,POLY 3. POLY 4) |
| 00 06 | 0000 000a | REVERB SWITCH | 0 - 1(OFF- 0x) |
| 00 07 | 0xx xxx | dummy | |
| Total size | 00 00 08 | ||
FO 41 10 16 12 10 00 04 08 0A 00 00 00 00 00 00 08 52 F7
| Controller | setting | |
| Modulation Depth | MIN | ( 0 ) |
| Expression | MAX | ( 127 ) |
| Hold 1 | OFF | ( 0 ) |
| Pitch Bender Change | CENTER | |
| Address | Block | Sub Block | Reference |
| 50 00 00 | |||
| Patch Temp. | Part 1 | 6-1 | |
| Part 2 | |||
| Part 5 | |||
| Part 6 | |||
| 51 00 00 | |||
| Patch Memory | 1 = 1 | 6-2 | |
| = 2 | |||
| =127 | |||
| =128 | |||
| 52 00 00 | |||
| System Area | 6-3 | ||
| 7F xx xx | |||
| All Parameters | 6-4 | ||
| Reset | |||
Mode 1: OMNI ON, POLY
Mode 2: OMNI ON, MONO
○ : JA
Mode 3: OMNI OFF, POLY
Mode 4: OMNI OFF, MONO
× : NEE
CM-64 LA/PCM-KLANKMODULE (PCM -KLANKGEDEELTE)
DATUM: 18 APRIL 1989
Versie 1.00
MIDI-IMPLEMENTATIE-OVERZICHT
| Funktle *** | Uitgezonden | Herkend | Opmerkingen | |
| BASIS-KANAAL | VoorgeprogrammeerdGewijzigd | ×× | 11 - 16× | |
| MODE | VoorgeprogrammeerdBoodschappenGewijzigd | ××* * * * * * * * * * | 3×× | |
| NOTE-NUMMER | True Voice | ×* * * * * * * * * * | 0 - 127* 1 | |
| VELOCITY | Note OnNote Off | ×× | ○ v = 1 - 127× | |
| AFTERTOUCH | toetsenMIDI-kanalen | ×× | ×× | |
| PITCH-BENDER | × | ○ | ||
| CONTROLCHANGE | 12 - 5678, 9101112 - 636465 - 99100, 101102 - 120121 | ×××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××××× | ○×* 2○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ | |
| PROGRAMCHANGE | True # | ×* * * * * * * * * | ○ 0 - 1270 - 127 | |
| SYSTEM EXCLUSIVE | ○ | ○ | ||
| SYSTEMCOMMON | Song PosSong SelTune | ××× | ××× | |
| SYSTEMREAL TIME | MIDI-klokCommando's | ×× | ××× | |
| AUX-BOODSCHAP-PEN | Local ON/OFFAll Notes OffActive SenseReset | ×××× | ×○ (123 - 127)○× | |
| OPMERKINGEN: * 2 RPN= REGISTERED PARAMETER NUMMERRPN # 0: Pitch Bend-gevoeligheidDe waarde van de parameter wordt bepaald door de binnenkomende data. | ||||
Mode 1: OMNI ON, POLY
Mode 3: OMNI OFF, POLY
Mode 2: OMNI ON, MONO
Mode 4: OMNI OFF, MONO
O:JA
× : NEE
SPECIFIKATIES
CM-64 LA/PCM Klankmodule
Klankmodule
LA-Synthese (maximum aantal stemmen: 32)
flowchart
graph TD
A["PART 1"] --> B["Part Volume"]
B --> C["Reverb SW"]
C --> D["Parrot"]
D --> E["LA Master Volume"]
E --> F["Panel Volume"]
F --> G["OUTPUT (L)"]
F --> H["OUTPUT (H)"]
I["PART 2"] --> J["Part Volume"]
J --> K["Reverb SW"]
K --> L["Reverb"]
L --> M["Reverb Level"]
N["PART 3"] --> O["Part Volume"]
O --> P["Reverb SW"]
P --> Q["Reverb"]
Q --> R["Reverb Level"]
S["PART 4"] --> T["Part Volume"]
T --> U["Reverb SW"]
U --> V["Reverb"]
V --> W["Reverb Level"]
X["PART 5"] --> Y["Part Volume"]
Y --> Z["Reverb SW"]
Z --> AA["Reverb"]
AA --> AB["Reverb Level"]
AC["PART 6"] --> AD["Part Volume"]
AD --> AE["Reverb SW"]
AE --> AF["Reverb"]
AF --> AG["Reverb Level"]
AH["REVERB"] --> AI["Reverb Level"]
AJ["FAVOUT"] --> AK["PCM Master Volume"]
AL["Reverb SW"] --> AM["Reverb Level"]
AN["Reverb"] --> AO["Reverb Level"]