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NAUDOJIMO INSTRUKCIJA TH K2 Coro AUDISON
THESIS


ideato, progettato, costruito in Italia

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Line drawing of a mechanical component with internal gear-like features (no text or symbols)ADVANCED MANUAL TH SPEAKERS
Rev. b

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Symmetrical abstract geometric diagram with concentric circles and radial lines, no text or symbols presentIndex
02
THESIS - The project 03
TH 1.5 violino
Flush mounting without trim ring 04
Flush mounting with trim ring 05
Surface mounting without trim ring 06
Surface mounting without trim ring, with rear bracket 07
Connecting, filtering, suggested positioning/angle 08
TH 3.0 voce
Sizing template 09
Flush mounting 10
Connecting and filtering 11
Suggested positioning/angle and Thesis grille mounting 12
TH 6.5 sax
Sizing template 13
Factory cut-out and flush mounting 14
Connecting 15
Suggested positioning/angle and Thesis grille mounting 16
TH 10 basso
Sizing template 17
Flush mounting 18
Connecting 19
Thesis grille mounting 20
Recommended enclosure specifications 21
Wiring configurations 22
Grille cosmetic options 23
Technical specifications 24
Electro-acoustic parameters 24
Choosing your cable 24
THESIS
The Project
In order to create a system capable of reproducing amazing, first-class Sound, each acoustical component must abide to the most elevated standards of quality and design.
The Thesis amplifiers offer their best performance when used with speakers designed with the same philosophy.
Throughout the years Thesis has represented a name referenced to the perfection of electronic design and performance. Today, technological development has enabled us to push
the envelope in terms of the prestigious Thesis tradition. Creating a supreme product in amplification, the Audison development team has achieved their ambition of reproducing an unparalleled Sound.
Target
A speaker's technical definition as an electromechanical device which converts the electrical signal provided by the amplification into acoustical pressure waves, cannot alone describe its mechanical complexity and its emotional role. With the Thesis speakers, the Audison R&D team have reached a significant evolution; producing a speaker system that can match and complement the Audison amplifiers sound, worthy of the Thesis nomenclature. Unique and groundbreaking: Beyond the absolute.
Transparency
The ability to see the heart of the speakers is the chance to call forth the emotions, to discover what is hidden behind a great acoustical result. Because transparency is not merely a design element, rather transparency of Sound. Thesis speakers awake the passion for music listening with a total involvement of the senses: fascinating to the eye, seducing to the touch, captivating to the ear.
Musical instruments
Like musical instruments are predestined to the creation of sound, Thesis speakers are esigned for music reproduction. Wind, chord, percussion and electrical instruments along with the human voice contribute to the creation of the musical message, complex yet harmonious. In the same way, a system composed by the tweeter violino, the midrange voice, the woofer sax and the subwoofer basso of the Thesis range become an extraordinary harmonious group.
A result that goes beyond High Fidelity, a system capable of provoking intense emotions.
Design
Overtaking the intrinsic limits of traditional speakers was the primary goal relating to the research for this project. Thanks to the most advanced FEM (Finite Element Modelling) software along with measurement and analysis devices such as Klippel ^® , a mathematical model was worked out to start the development. This, combined with intense prototype development, was used in search of the ideal transducer. A big magnet and a rigid cone are not sufficient to create strong and detailed sound. Sound is generated by the alchemy of elements that cannot be seen, from the pulsing heart of the speaker.
Flush mounting without trim ring

Flush mounting with trim ring

Surface mounting without trim ring

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3D diagram showing a mechanical component with a blue cable and black wire inside a circular opening, alongside an inset image of a metallic housing (no text or symbols)

Surface mounting without trim ring, with rear bracket

Connecting

Filtering, suggested positioning/angle

Sizing template

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Close-up of a speaker component with visible sound waves and mounting holes (no text or symbols)
84 mm / 3"5/16

73 mm / 2"7/8
Factory cut-out and flush mounting

Connecting

Filtering

Suggested positioning/angle and Thesis grille mounting


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Line drawing of a car interior showing dashboard, seat, and door (no text or symbols)
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Top-down diagram of a car showing front and rear seats with two sensors, connected by dashed lines (no text or symbols)Sizing template

Factory cut-out and flush mounting



Connecting

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Close-up of a mechanical component with a screwdriver inserted, showing internal wiring and a blue plus symbol (no text or labels)
Do not remove these screws
Suggested positioning/angle and Thesis grille mounting


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Line drawing of a car interior showing dashboard, seat, and driver's seat (no text or symbols)
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Top-down diagram of a car showing front and rear seats with steering wheel (no text or symbols)Sizing template

Flush mounting


THESIS


Thesis grille mounting


THESIS
Recommended enclosure specifications
Sealed Box
Dimension
Net Int. Volume: 13,111
0.463 ft 3
Fc: 68 Hz
Performance
Net Int. Volume: 18,211
0.643 ft 3
Fc: 58 Hz

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3D mechanical assembly diagram showing a housing with internal components and a close-up view of a cylindrical component (no text or symbols)

line
| Frequency (Hz) | Amplitude (Ω) | |---|---| | 20 | 34 | | 40 | 38 | | 60 | 42 | | 80 | 46 | | 100 | 48 | | 200 | 46 | | 500 | 46 | | 1k | 46 | | 2k | 36 | | 7k | 32 |

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| Frequency (Hz) | Value | |---|---| | 20 | 36 | | 40 | 40 | | 60 | 48 | | 80 | 50 | | 100 | 48 | | 200 | 47 | | 500 | 47 | | 1k | 47 | | 2k | 36 |Reflex Box
Dimension
Net Int. Volume: 17,211
0.608 ft 3
Fb: 40 Hz
Reflex tube: ∅ 3" x L 11"7/16 or
AR 70 x 290 mm
Performance
Net Int. Volume: 23,11
0.816 ft 3
Fb: 39 Hz
Reflex tube: ∅ 3" x L 9"1/2 or
AR 70 x 240 mm



line
| Frequency | Black Line (Ω) | Blue Line (Ω) | | --------- | -------------- | ------------- | | 20 | 30 | 12 | | 40 | 35 | 8 | | 60 | 40 | 12 | | 80 | 48 | 16 | | 100 | 48 | 8 | | 200 | 47 | 8 | | 500 | 47 | 10 | | 1k | 47 | 12 | | 2k | 35 | 14 |

line
| Frequency (Hz) | Value | |---|---| | 20 | 30 | | 40 | 38 | | 60 | 48 | | 80 | 48 | | 100 | 47 | | 200 | 46 | | 500 | 45 | | 1k | 45 | | 2k | 36 |
All of the dimensions shown on the illustrations are INTERNAL measurements expressed in millimetres (mm).
Use polyester damping material (like AZ audiocomp FONOFORM) and put it on all internal walls except for the speaker's baffle.
Wiring configurations
1 Speaker

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Pure diagram of a mechanical or electrical component with no text, numbers, or symbols visible.| Free Air DC Resistance | TH 6.5 sax | TH 10 basso | |
| Ω | Ω | ||
| 1 Speaker | 4,50 | 3,50 | |
| Series | 1 | 9,00 | 7,00 |
| 2 | 13,50 | 10,50 | |
| Parallel | 1 | 2,25 | 1,75 |
| 2 | 1,50 | 1,17 | |
| Mixed | 1 | 4,50 | 3,50 |
| 2 | 4,50 | 3,50 | |

flowchart
graph TD
A["Component 1"] --> B["Component 2"]
B --> C["Component 3"]
C --> D["Component 4"]
D --> E["Component 5"]
style A fill:#f9f,stroke:#333
style B fill:#bbf,stroke:#333
style C fill:#bfb,stroke:#333
style D fill:#ffb,stroke:#333
style E fill:#fff,stroke:#333


Grille cosmetic options

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Close-up of a circular metal grate with mesh pattern and mounting holes (no text or symbols)
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Circular mechanical component with mesh pattern and black bands, no visible text or symbols
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3D rendering of a mechanical component with mesh mesh and screwdriver, no visible text or symbols
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Circular mechanical component with symmetrical grooves and mounting holes (no text or symbols visible)Technical specifications
| TH 1.5 violino | TH 3.0 voce TH | 6.5 sax TH 10 | basso | ||
| Component | Tweeter | Cone Midrange | Woofer | Subwoofer | |
| Size | mm | 34 (1"1,2") | 80 (3") | 165 (6"1,2") | 250 (10") |
| Power Handling | peak | 180 W | 100 W | 300 W | 1000 W |
| cont. program | 180W@1.8Hz-12dB Oct. | 50 W | 150 W | 500 W | |
| Impedance | Ω | 8 | 8 | 6 | 4 |
| Frequency response | Hz | 1k - 22k | 200 - 8k | 35 - 4k | 30 - 500 |
| Sensitivity | dB/SPL | 94 | 86 | 91 | 92 |
| Outer diameter | mm | 87,3 | 84 | 163 | 261 |
| Mounting hole diameter | mm | 66 | 73 | 145,5 | 235 |
| Magnet size | mm | 60 | 45 | 90 | 170 |
| Total depth | mm | 31 | 45 | 81 | 138 |
| Mounting depth | mm | 16 | 38 | 73 | 124 |
| Total driver displacement | 2,6 | ||||
| Weight of one component | kg | 0,33 | 0,265 | 1,51 | 7,96 |
| Voice coil diameter | mm | 34 | 25 | 40 | 65 |
| Grille | Included | Included | Included | ||
| Magnet | Neodymium REN® | Neodymium REN® | Neodymium REN® | High density flux ferrite | |
| Cone/Dome | Tetolon Fiber® | X-pulp® + Polycrystal® | X-pulp® + Polycrystal® | X-pulp® + Polycrystal® | |
| Surround | TWR® | TWR® | TWR® | ||
| Xmech* | 18 | ||||
** Xmech: massima escursione meccanica, indica il range di movimento in zona di funzionamento lineare dell'altoparlante, in entrambi i sensi.
Electro-acoustic parameters
| TH15 violino | TH30 voce | TH65 sax | TH 10 basso | ||
| D | mm | 35 | 65 | 129 | 215 |
| Xmax | mm | 1,5 | 5 | 10 | |
| Re | Ω | 6 | 5,2 | 4,5 | 3,5 |
| Fs | Hz | 980 | 150 | 57 | 34 |
| Le | mH@1kHz | 3,43 | 0,51 | 0,78 | 1,57 |
| Le | mH@10kHz | 0,07 | 0,17 | 0,3 | 0,61 |
| Vas | I | 0,01 | 0,51 | 10,82 | 49,00 |
| Mms | g | 0,51 | 3,35 | 17,63 | 84,00 |
| Cms | mm/N | 0,052 | 0,33 | 0,45 | 0,26 |
| BL | T-m | 3,61 | 4,51 | 7,96 | 15,10 |
| Qts | 1,06 | 0,70 | 0,41 | 0,27 | |
| Qes | 1,45 | 0,81 | 0,44 | 0,28 | |
| Qms | 3,9 | 5,30 | 6,37 | 4,80 | |
| Spl (1m/2,883V) | dB | 94 | 86 | 91 | 92 |
Choosing your cables
