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KÄYTTÖOHJE UM 930 Microtech Gefell
UM 930





STUDIO CONDENSER MICROPHONE
with switchable polar pattern
Phantom powering P 48 V
Large diaphragm dual-capsule
Switchable
Exceptional dynamic range
■ Equivalent noise level 7 dBA
■ Transformerless output
- Elastic capsule suspension
Muting function
Soundcheck Tool SCT
■ Optical ready indicator
Colour Code
■ Satin nickel / dark bronze finish

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Close-up of a metallic CD-ROM (UM930) microphone with adjustable neck and handle, no visible text or symbols on the device itself.The UM 930 switchable pattern studio condenser microphone combines modern large diaphragm capsule technology with the latest in semiconductor circuit topology.
The optimized dual-capsule assembly opens up new applications in recording techniques.
Among conventional switching technique there is the possibility of attaching a twin-Version, viz. microphones can be used with two directional pattern at the same time.
APPLICATION
The UM 930 is specifically designed to meet the needs of professional and semi-professional users who demand the highest performance. This microphone is ideally suited for universal miking applications in broadcast and sound studios.
Applications include vocalists, announcers, dialog pickup and as spot microphones for recording guitars, keyboards, percussion, wind and string instruments.
The pick-up pattern is perpendicular to the direction of the microphone axis (side addressed). The model number and pick-up pattern symbol mark the front of the microphone.
UM 930 SCT with Soundcheck Tool
Available for the UM 930 SCT condenser microphone is an 1kHz level checking test signal for checking a complete sound system following the microphone. The Soundcheck Tool is enabled when the polar pattern switching ring is placed midway between any of the polar pattern symbols for longer than 4 - 5 seconds, and the green LED illuminates. The level testing signal takes the individual sensitivity of the microphone, pattern cardioid, and it is equivalent to a sound level of 74 dB. This is 20 dB lower than the reference level at 1 Pascal, and assists in basic microphone setup during soundcheck. The Soundcheck Tool reduces the need for frequent voice tests during setup in most cases.
MOUNTING
UM 930 UM 930
Shown with its integrated elastic suspension can be swiveled 135 degrees to both sides
Shown with EA 92 elastic suspension

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Two metallic professional microphones with adjustable knobs and stand posts, shown from different angles (no text or symbols visible)POLAR PATTERNS
The microphone features 5 pickup patterns: omni, wide cardioid, cardioid, hyper cardioid , figure 8.

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Close-up of a metallic cylindrical object with horizontal ridges and small circular indentations, no visible text or symbols.Maintenance-free reed relays used to switch between polar patterns.
A muting function works the microphone mutes when switching polar patterns.
When the microphone is ready for operation a green light-emitting diode (LED) inside of protection grid will indicate. Acoustic influences resulting from the housing resonance and/or mechanical vibration are reduced by the robust construction and by a special internal mounting technology within the housing that dampens vibrations.
You can replace the black O-rings surrounding the switch ring with green, red and blue coloured rings to help identify microphones.
Under type designation UM 930 twin a special version is equipped with one fixed cardioid directivity pattern, and five additional user-selectable directivities. The 5-pin XLR connector enables the separate capsule directivity patterns to be used simultaneously.
This makes it possible for the recording engineer to compare the directional properties against the reference cardioid during live recording a well as in post production.
UM 930
Shown with MH 80 microphone holder

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Close-up of a metallic studio microphone with adjustable neck and stand (no visible text or symbols)DELIVERY
UM 930 Studio condenser microphone with switchable polar pattern
in a wooden case, L x B x H 250 x 175 x 110 mm
satin nickel Order-No. 211120
dark bronze Order-No. 211121
UM 930 Studio condenser microphone with switchable polar pattern
in a wooden case, L x B x H 250 x 175 x 110 mm with MH 80 microphone holder
satin nickel Order-No. 211122
dark bronze Order-No. 211123
UM 930 Studio condenser microphone with switchable polar pattern
in a suitcase (Al), L x B x H 450 x 350 x 160 mm with EA 92 elastic suspension
satin nickel Order-No. 211128
dark bronze Order-No. 211129
SUPPLY EXAMPLES
UM 930, satin nickel UM 930, with MH 80, satin nickel

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Three vintage-style microphones displayed in wooden frames against a black perforated background (no text or symbols visible)SPECIAL DESIGN
Dual condenser microphone UM 930 twin, 24 carat gold
ACCESSORIES, optional
| Windscreen, anthracite W 93 Order-No. | 202415 | |
| Popscreen, black PO 70 Order-No. 600018 | ||
| Elastic suspension, satin nickel | EA 92 | Order-No. 202312 |
| Elastic suspension, dark bronze | EA 92 | Order-No. 202313 |
| Microphone holder, satin nickel | MH 80 | Order-No. 202320 |
| Microphone holder, dark bronze | MH 80 | Order-No. 202322 |
| Connection cable, XLR 3-pin | C 70 | Order-No. 202212 |
TECHNICAL SPECIFICATIONS
CE Certificate
| Polar patterns | omni, wide cardioid, cardioid, hypercardioid, fig.-8 | |
| Acoustic operating principle | Pressure gradient transducer | |
| Dual-capsule | large diaphragm | |
| Frequency range | 40 ... 18000 Hz | |
| Sensitivity at 1 kHz (cardioid) | 20 mV/Pa | |
| Output impedance | 100 Ω | |
| Noise level | CCIR 468-4 | 13 dB |
| (cardioid) | DIN EN 60 651 | 7 dB - A |
| Signal-to-noise ratio | CCIR-weighted | 81 dB |
| (re 1 Pa at 1 kHz) | A-weighted | 87 dB |
| Max. SPL for K ≤ 0,5 % THD | 142 dB | |
| Dynamic range | 135 dB | |
| Current consumption (P 48, DIN 45596, IEC 268-15) | 4,5 mA | |
| Output connector UM 930 | 3-pin XLR connector, goldplated contacts | |
| Weight | 930 g | |
| Dimensions (L x ∅) | 158 mm x 65 mm | |
| Finish | satin nickel, dark bronze | |
FREQUENCY RESPONSES

POLAR PATTERNS


radar
| Angle | Value | |---|---| | 0° | 0 | | 30° | 0 | | 60° | 0 | | 90° | 0 | | 120° | 0 | | 150° | 0 | | 180° | 0 | | 210° | 0 | | 240° | 0 | | 270° | 0 | | 300° | 0 | | 330° | 0 | | 360° | 0 |
radar
| Angle (°) | Value | |---|---| | 0 | 10 | | 30 | 10 | | 60 | 10 | | 90 | 10 | | 120 | 10 | | 150 | 10 | | 180 | 10 | | 213 | 10 | | 240 | 10 | | 270 | 10 | | 300 | 10 | | 330 | 10 | | 360 | 10 |
radar
| Angle (°) | Value | |---|---| | 0 | 10 | | 30 | 15 | | 60 | 20 | | 90 | 15 | | 120 | 10 | | 150 | 15 | | 180 | 20 | | 210 | 15 | | 240 | 10 | | 270 | 5 | | 300 | 5 | | 330 | 5 |

radar
Bellmiss | Angle (°) | Value | |---|---| | 0 | 15 | | 30 | 18 | | 60 | 16 | | 90 | 14 | | 120 | 13 | | 150 | 12 | | 180 | 11 | | 210 | 10 | | 240 | 9 | | 270 | 8 | | 300 | 7 | | 330 | 6 |
radar
| Angle | Value | |---|---| | 0° | 15 | | 30° | 14 | | 60° | 13 | | 90° | 12 | | 120° | 11 | | 150° | 10 | | 180° | 9 | | 210° | 8 | | 240° | 7 | | 270° | 6 | | 300° | 5 | | 330° | 4 | | 360° | 3 |
radar
| Angle (°) | Value | |---|---| | 0 | 38 | | 30 | 38 | | 60 | 38 | | 90 | 38 | | 120 | 38 | | 150 | 38 | | 180 | 38 | | 210 | 38 | | 240 | 38 | | 270 | 38 | | 300 | 38 | | 330 | 38 | | 360 | 38 |

radar
| Angle | Value | |---|---| | 0° | 10 | | 30° | 12 | | 60° | 14 | | 90° | 16 | | 120° | 18 | | 150° | 20 | | 180° | 22 | | 210° | 24 | | 240° | 26 | | 270° | 28 | | 300° | 30 | | 330° | 32 | | Nere | 33 |
radar
| Angle | Value | |---|---| | 0° | 15 | | 30° | 18 | | 60° | 14 | | 90° | 12 | | 120° | 10 | | 150° | 8 | | 180° | 7 | | 210° | 6 | | 240° | 8 | | 270° | 10 | | 300° | 12 | | 330° | 15 | | σ | 15 | | 360° | 18 |
radar
| Angle | Value | |-------|-------| | 0° | 15 | | 30° | 18 | | 60° | 12 | | 90° | 8 | | 120° | 10 | | 150° | 14 | | 180° | 16 | | 210° | 13 | | 240° | 11 | | 270° | 9 | | 300° | 17 | | 330° | 19 |

radar
| Angle (degrees) | Value | |---|---| | 0° | 0 | | 30° | 0 | | 60° | 0 | | 90° | 0 | | 120° | 0 | | 150° | 0 | | 180° | 0 | | 210° | 0 | | 240° | 0 | | 270° | 0 | | 300° | 0 | | 330° | 0 |
radar
| Angle (°) | Value | |---|---| | 0 | 10 | | 30° | 15 | | 60° | 20 | | 90° | 25 | | 120° | 30 | | 150° | 35 | | 180° | 40 | | 210° | 45 | | 240° | 50 | | 270° | 55 | | 300° | 60 | | 330° | 65 |
radar
| Angle | Value | |-------|-------| | 0° | 0 | | 30° | 0 | | 60° | 0 | | 90° | 0 | | 120° | 0 | | 150° | 0 | | 180° | 0 | | 210° | 0 | | 240° | 0 | | 270° | 0 | | 300° | 0 | | 330° | 0 |

radar
| Angle | Value | |---|---| | 0° | 19 | | 30° | 18 | | 60° | 15 | | 90° | 12 | | 120° | 10 | | 150° | 13 | | 180° | 17 | | 210° | 14 | | 240° | 11 | | 270° | 8 | | 300° | 10 | | 330° | 16 |1 kHz 250 Hz 500 Hz

radar
| Angle | Value | |-------|-------| | 0° | 180 | | 30° | 160 | | 60° | 140 | | 90° | 120 | | 120 | 100 | | 150 | 80 | | 180 | 60 | | 210 | 40 | | 240 | 20 | | 273° | 0 | | 300° | 20 | | 330° | 40 |1 kHz 2 kHz 4 kHz

radar
| Angle | Value | |---|---| | 0° | 10 | | 30° | 10 | | 60° | 10 | | 90° | 10 | | 120° | 10 | | 150° | 10 | | 180° | 10 | | 210° | 10 | | 240° | 10 | | 270° | 10 | | 300° | 10 | | 330° | 10 | | 360° | 10 |1 kHz 8 kHz 16 kHz